Igra sudbine, Epizoda 1125,Igra sudbine 1126 ,Igra sudbine 1125,Igra sudbine Epizoda 1126, Igra sudbine Epizoda 1125,Epizoda 1126 Igra sudbine ,Epizoda 1125 Igra sudbine
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00:00I'm glad you came to me. There's a lot for the rest of the job.
00:18Here, I sent you the table in which the reports should be submitted.
00:23OK. Where are the reports?
00:31Here they are.
00:35Is something wrong?
00:37No, no, no. Everything is fine.
00:40You know, they say in the office that you were spying on my job while I was in America. Is that true?
00:48Does it matter? You're back.
00:51When you wanted my job so much, this is a perfect opportunity for you to prove yourself.
00:56I doubt anyone can prove themselves by putting numbers in tables.
01:01But OK.
01:03And when you're done, you should look at the tables from last year.
01:09For which there's probably no need anymore.
01:14What do you mean, no need?
01:19Of course there is.
01:26Listen, I'm lying. I'm not lying without you.
01:35I never lie.
01:37But you see, I have to tell you something.
01:41Tell me.
01:43I've never met a woman like you.
01:49Really?
01:51Really.
01:53Come on, tell me.
01:55You know what? You're beautiful.
02:00Thank you.
02:02You're tall.
02:04You know, women like you are called...
02:07I'm in love.
02:13I'm kidding.
02:15You're shameless.
02:17How do you mean?
02:19In a positive way.
02:20You know what?
02:22You're free to hit a man in the face, whatever you want.
02:26That's true. I'm free-minded.
02:30That's right, free-minded.
02:32Free-minded.
02:34That's what I'm saying.
02:36Let me see.
02:39I see something about you.
02:42But I'm not sure if it's love or something else.
02:46Something else, huh?
02:50Listen, we're not kids, so...
02:54That's good, but...
02:56I think I can be...
02:58What?
03:00Direct with you.
03:02You're my type.
03:04I'm your type? Really?
03:06You're my type.
03:08I like...
03:10You like me, and I like you.
03:13I like strong men.
03:14What do you mean?
03:16You know, a strong attitude, a strong life.
03:20I'm strong, I don't know.
03:22I'm strong in money.
03:24I'm strong in everything.
03:26I'm sorry, I'm begging you.
03:28I'm sorry, I'm begging you.
03:30You're so strong.
03:32I'm sorry, but you see, when it comes to money...
03:35I have it in my pocket, and you don't care about it at all.
03:39Money doesn't play a role in my life.
03:42You don't care about my life.
03:44You have it, you have it.
03:46Thank you.
03:48Bravo, bravo.
03:50It's all thanks to you,
03:52and thanks to the bank that you pay the commission for so much cash.
03:56And thanks to you, to me, to God, to the bank, to the cuckoo.
03:59Why the cuckoo?
04:01To me, to her, to the cuckoo.
04:03I'm not crazy to keep money in the bank.
04:05To him?
04:07To me, to Kljanović.
04:09He keeps all the money to himself.
04:11Do you keep the money?
04:14The money, the money.
04:16Do you want to tell me?
04:18Wait, I have to guess now.
04:20When are you going to guess?
04:22Let me try.
04:24Come on, come on.
04:26I'm going to put them in the water.
04:28Okay.
04:30In the fireplace.
04:32Okay.
04:34In the piano.
04:36Okay, no.
04:37Do you know what you look like to me?
04:39That I dig holes to hide the money,
04:42so it doesn't fall out.
04:45To him?
04:47Do you want me to tell you?
04:49I want you to tell me, I want you to tell me everything.
04:51Tell me.
04:53In the room.
04:55I hide the money in the room where I sleep.
04:57Who would have thought that I hide money there?
04:59I have a lot of money.
05:05Okay.
05:08You are so...
05:10wise.
05:12Wise, wise.
05:16Come on, then.
05:18Cheers.
05:20In the name of the room.
05:30You know what I'm interested in?
05:32What fool sent us five kilometers away from home
05:35to look for truffles?
05:37It wasn't me, it was Leposava,
05:39so you wanted to go.
05:41And I was forced to come here.
05:43It's not my fault, it's not my duty.
05:45Nothing, you just need a little recreation.
05:47Why are you complaining then?
05:49I don't need recreation.
05:55I'm just thinking,
05:59I didn't just go crazy
06:02looking for these truffles.
06:03You didn't go looking for these truffles?
06:05No, no.
06:07They're all in the woods,
06:09all of them from the apartment,
06:11and Kaja, Panchetta,
06:13Dobrica, Debeljko, us.
06:15All of them, no exceptions.
06:17And Mido?
06:19Did Mido stay in the apartment?
06:21No, he didn't.
06:23Who am I?
06:25Wait, mom.
06:27Leposava, we agreed
06:29that we would go on shifts.
06:31He just didn't come.
06:33Mom, let's go home.
06:35Let's finish our digging.
06:38Come on, Ljubinka.
06:40It's about a castle.
06:58Here.
07:00Just this.
07:03Thank you.
07:07I think I should go home.
07:10It's late.
07:12What can you do?
07:14You can't leave today for tomorrow.
07:16I'm afraid I'm going to start
07:18bringing in nonsense.
07:20Don't.
07:22You know that mistakes in our business
07:24can be very dangerous.
07:26Son,
07:28I'm tired.
07:30I'll finish this tomorrow.
07:32If nothing else,
07:34you'll learn about work ethics
07:36and honest salary.
07:38How exactly?
07:41By forced labor.
07:46Girls.
07:49Hello, good afternoon,
07:51or good evening.
07:53Vanja, can I ask you
07:55to come to my office?
07:57Of course.
07:59Can you ask me?
08:01Maybe Vanja is busy.
08:03Aha.
08:05Senka,
08:07can I ask you
08:09to go to the office with me?
08:11No.
08:13Please.
08:15Maybe Vanja
08:17needs me now.
08:19Maybe you do.
08:21And if you go with me,
08:23the company will go bankrupt.
08:25It's a matter of principle.
08:27You should have asked me first.
08:29Aha.
08:31Let's go.
08:55Let's see
08:57what you've got here.
08:59This is for me.
09:01I didn't know
09:03if you like basil.
09:06I didn't want to overdo it.
09:11It's great.
09:13Yes?
09:15Yes.
09:17I'm glad you like it.
09:19And that you know
09:21that I was nervous.
09:23Why?
09:25I didn't know
09:27you were such a great cook.
09:29I didn't know that either.
09:31Can I pour you some wine?
09:33Sure.
09:35But only if you want to drink with me.
09:38Why not?
09:40Why not?
09:42Do you want black or white?
09:44I don't know.
09:46Maybe white.
09:54Great.
09:57Salt.
10:01Here.
10:03Let's see.
10:05What are we toasting to?
10:08I don't know.
10:11You can say it.
10:13Me?
10:15You say it.
10:17Maybe you should say it.
10:19I'll do it.
10:21Maybe like this.
10:23To
10:25your new beginning.
10:27Cheers.
10:29Cheers.
10:32You convinced me.
10:34You won.
10:36I told them to prepare your office for tomorrow.
10:39You're a king.
10:41Bravo.
10:43Do you want to see what I prepared?
10:45I mean, what I would like to wear for tomorrow.
10:48Please, eat first.
10:50Ok.
10:52Look.
10:54I chose this part.
10:56It's very nice.
10:58And these pants.
11:00Wow.
11:02Wow.
11:04They're going to fall on their asses when they see you.
11:06Yes.
11:08Phenomenal.
11:30Hey.
11:32Tell me,
11:34what would be the exact price of the materials we would use for this?
11:41Wait.
11:43What materials are we talking about?
11:45I'll tell you exactly now.
11:47Somewhere...
11:49Good afternoon, girls.
11:51Hey.
11:53I found out who owns the space.
11:59It's me.
12:09Here I am.
12:14I'll put your necklace in tomorrow.
12:26Who owns this place?
12:27The owner?
12:29A well-known company, Belgrade Apartments.
12:32I've never heard of that company.
12:34Me neither.
12:36Of course you haven't.
12:38Guess where it's from.
12:40I think it's from Belgrade.
12:42No, it's not.
12:44Ok, tell us where it's from.
12:46From the Cayman Islands.
12:48How did you not know that from the start?
12:50The company was hidden because it gave the right to sign on a Milan company.
12:52Yes.
12:54That's the clearest way to hide an entity.
12:55It must be someone from Belgrade.
12:57Probably.
12:59But we have to find out who it is and find the owner.
13:01I agree.
13:03We don't need additional estimates.
13:05It started at 30,000.
13:07Who knows when it will end.
13:09Do you think someone is evaluating us?
13:11Someone is mining the project.
13:14I'm not feeling well.
13:16Are you ok?
13:18Please, get out of the way.
13:20Give her some air.
13:22It happens often.
13:23I don't like arresting people.
13:25Let's go, let's go.
13:27Let's go.
13:54What do you want?
13:57You don't like how I look?
13:59Give it to me, please.
14:01I wouldn't buy it if I didn't like it.
14:04Ok, what is it then?
14:07I really can't believe I have to explain it to you.
14:11I'm listening.
14:15I think that
14:17the collar
14:20is not a smart idea.
14:21You don't have to wear it
14:23when you go to work.
14:26Because of Jovan?
14:28See?
14:30Now you understand what I'm talking about.
14:33Yes, but
14:35I'm really worried.
14:37I can't tell you how worried I am too.
14:40Because of that, but
14:43those things
14:45can be a problem
14:47in a business environment.
14:49You know that Jovan
14:51made a mistake?
14:52I know.
14:53I know.
14:55You know how he bought it.
14:57Then why are you doing it?
14:59I'm doing it.
15:00I just put it on.
15:02It's like I'm going to wear a bomb tomorrow.
15:05No, I just want to
15:07separate you from all the trouble.
15:09I know.
15:10But this is not the way.
15:15Mona,
15:18I expect you to be calm,
15:21and you won't be subjected to provocations
15:23if there will be any.
15:25And that's on Jovan's side.
15:29Okay, I promise you
15:31that my behavior will be on the enviable level.
15:34I believe you.
15:36But it's not all up to you.
15:40Provocations will appear.
15:43You can't do anything about it.
15:45Don't call them.
15:47Okay?
15:49Okay.
15:52If you think it's going to be such a big problem,
15:58I'm not going to wear it.
16:03Great decision.
16:22Where is he?
16:24Who?
16:26Don't act crazy.
16:28Where is Mido?
16:30Ma'am, I really don't know
16:32why I would want to know that information.
16:35You're always talking about him.
16:37Do you think I'm crazy?
16:39Don't look me in the eye,
16:41tell me where he is.
16:43Ma'am, you know what?
16:45I'm not going to ask you to leave me alone.
16:47I don't know where Mido is,
16:49and I don't care.
16:51I'm going to treat you
16:53to a well-deserved vacation.
16:55Remember what I'm telling you.
16:57If I see you
16:59flirting with him,
17:01I'll end your vacation right now.
17:03You'll fly to Belgrade like a rocket.
17:13I'm sorry, please.
17:15I'm sorry.
17:18What am I going to do?
17:19Mido, Mido.
17:21Why are you acting like a hero?
17:25Look,
17:27it would be wise for me to...
17:29You're right.
17:31I'll tell you where he is.
17:33Let's meet tomorrow.
17:35Tomorrow?
17:37Forget it.
17:39What do you mean?
17:41I didn't know you were this kind of person.
17:44I didn't know you were hiding
17:46from your ex-wife.
17:47I'm in danger.
17:49As her wife, I'm disappointed.
17:51I can't describe what I saw in your eyes.
17:53I can't describe it.
17:55Please, forget what happened.
17:57No, no, I said what I had to say.
17:59Please, please.
18:01Look, it's not what you think.
18:03It's just...
18:18I'm so sorry, Aure.
18:20It's going to be okay.
18:22What happened?
18:24He has anxiety attacks from time to time.
18:27So, that's what happened.
18:29Paolo should know what to do.
18:31He knows her.
18:33You know, man,
18:35it's not a big health problem.
18:37She got scared and that's what happened.
18:40Like everyone else.
18:48I don't know, guys.
18:50I...
18:52I have a lot of doubts.
18:54Me too.
18:56I mean, we need to find out
18:58what this is all about.
19:00Yeah, and we need to find out
19:02who's the Belgrade owner
19:04of the private company Kira owns.
19:06A Cayman company.
19:08Do you think it's feasible?
19:10It won't be easy, but...
19:12You know what?
19:14I know a lot of people.
19:15I mean, someone will know something.
19:18Who should we call?
19:22I don't know.
19:24Why don't you call Senka?
19:29How did she come to your mind?
19:32She's the financial director.
19:34She's going around
19:36to see if she knows about that Belgrade apartment,
19:39if she knows anything.
19:41She's telling the whole story.
19:43Yeah, that's not a bad idea.
19:45She can ask someone.
19:47She knows a lot of people.
19:49That's what she says.
19:51Yeah, that's a good idea.
19:53I mean, if it's something more important,
19:55you tell me.
19:57I don't know anything else.
20:05Oh, my God.
20:07Oh, my God.
20:09Oh, my God.
20:11Oh, my God.
20:13Oh, my God.
20:15Oh, my God.
20:17Oh, my God.
20:19Oh, my God.
20:21It's sad, Malarija.
20:30Don't talk, man.
20:32Instead of having a nice swim,
20:34and doing thousand things,
20:36you lost everything,
20:38and now we're going fishing
20:40to make money.
20:42We're not making money.
20:43What are you talking about, idiot? You were looking for them, why are you acting stupid now?
20:46I was looking for them!
20:47Wait, wait, wait!
20:48Wait.
20:51Something suspicious is going on here.
20:55What is going on, Sanja?
20:57There are two glasses of wine on the table, and an empty bottle.
21:04And we were all drunk.
21:07Who drank that?
21:10Someone who wasn't with us.
21:21Karmin.
21:25Gala.
21:27And?
21:30Mida.
21:32Ugh.
21:37Your father has become impossible.
21:40Tomorrow you go to church to light a candle because you inherited all the good qualities from me.
21:47He will be acting like some crazy old man in his best years.
21:53He would be better off getting married.
21:56Are you listening to me?
21:57Are you listening to me?
21:58I'm sorry, I thought you didn't finish.
22:01I didn't.
22:02He thinks I'm stupid.
22:05Why stupid? What happened?
22:07What do you mean, why?
22:08All these years he's been acting like a sissy, a dog-hunter, you know,
22:12looking for tortoises, and today he decided not to go.
22:17Today.
22:18What are you saying, drama queen?
22:20Maybe he didn't feel like it today.
22:23How stupid and naive you are.
22:26He didn't feel like it because it's something meaningful.
22:33Did you hear that?
22:35What?
22:36What, are you still acting?
22:38Did you hear that strange sound?
22:41There's something in the yard. You heard it the night before.
22:44I think it's Slavuj.
22:46Yes, Slavuj, who's mutating right now.
22:49I'm going to bed.
22:50Where are you going?
22:51I have a headache.
22:52And today, from all the digging and everything, I'm going to bed.
22:56Yes, yes, you always go when I'm bored.
22:59That's it.
23:00Thank you for investing your whole life in me,
23:04to make a lady out of you.
23:06Yes.
23:07Thank you.
23:22Ah.
23:25Well, okay.
23:26Tell me, are you satisfied?
23:29I am.
23:30I really am.
23:31Really?
23:32You got a job.
23:34Yes.
23:35In Cannes Capital, what you were looking for.
23:37Yes, and I'll finally be of some use in this house.
23:42Tell me, are you satisfied?
23:46I told you I am.
23:49Okay.
23:52What do you think?
23:53Could I have gotten a small reward?
23:59Wait, do you really want to make use of this situation?
24:02No.
24:04I mean, it's not scary what they're looking for now, right?
24:08Oh, Andrija, Andrija.
24:10Is it possible to use your position in a wedding bed?
24:15Hmm?
24:16Isn't that nice?
24:17You know?
24:19Well, okay.
24:21Good night.
24:23Good night.
24:26Tomorrow is a big day.
24:27Mm-hmm.
24:28We need to get some sleep so we can be pretty.
24:31Good night.
24:32Good night.
24:51Good night.
25:22Good night.
25:37What happened?
25:39Well, I can't stop thinking about the whole situation.
25:43I'm just in a rush.
25:45Don't worry about that, Aleks.
25:48We'll find the owner.
25:50What if we don't?
25:52We'll find him.
25:54I'm sure Senka will sort it out soon.
25:58What if he doesn't?
25:59He will, you hear me?
26:02You can't do anything about it now.
26:04Come on, get some rest.
26:07Come on, go to sleep.
26:08Come on.
26:17It's all up to us.
26:20It's all up to us.
26:26If that's the case...
26:30I mean...
26:32Do you think it's okay for you to ask Senka?
26:37I mean...
26:39After everything that happened between you two.
26:44I don't think I have a choice.
26:47Okay.
27:08How's it going?
27:10I mean...
27:11I like that kiss.
27:13You like that?
27:14We like each other, but I have expectations from the man I like.
27:20What?
27:22What are you talking about? What expectations?
27:25Well...
27:26To be a normal couple.
27:28Okay.
27:29I mean, to talk about the future.
27:31To plan for the future.
27:33Wait, wait, honey.
27:34How can we plan for the future
27:36when we can't plan to see each other normally?
27:40How?
27:43I don't know.
27:57Where have you been?
28:00What do you mean, where, I'm waiting here, where you see.
28:04How did you have fun last night?
28:07I can tell you, fantastic.
28:09Really?
28:10Yeah.
28:11We have two of them. This one is not Dobrica, but Mrvica.
28:14Okay.
28:15Even far from the apartment.
28:32Mrvica! Come here!
28:42What happened?
28:44Sit down.
28:46I remembered that you offered to go to Tartufa yesterday.
28:51Me?
29:03Hello.
29:05Hello Una.
29:07You look beautiful.
29:09Thank you.
29:11Can I?
29:12Yes, of course.
29:13Great.
29:17You look beautiful, too.
29:19Thank you.
29:20You dressed up nicely.
29:22Well, I don't care about the house anymore.
29:26I just wanted to dress up.
29:41Canceta! Come here!
29:44Come here!
29:48Me?
29:50What happened?
29:51Sit down so we can talk.
29:54Yes.
29:56Where is Ratisbia?
29:58So we can hear what's going on when you want to talk to me.
30:12Hello.
30:14I'm starting to work here.
30:16Really?
30:17Yes.
30:18Great.
30:19No one told me anything.
30:21Well, to be honest, I can't sit at home anymore.
30:24I decided to go back to work.
30:26That's not for anyone.
30:28Absolutely.
30:29Then Andrea and I agreed that maybe it's best to start working here.
30:41Do you have a minute?
30:43Yes, I have.
30:45What do you need?
30:47Well, I have a problem that I don't want to have.
30:51I'm listening.
31:11Vanja, what is this mess?
31:13Do you know how she put the collar on?
31:17Who?
31:42Hello.
31:43Who is this?
31:45Hello, Mido.
31:47Oh, it's you, Nebojsa.
31:49My good friend.
31:51How are you?
31:53I'm fine.
31:54I'm calling you for a reason.