Combo Film
  • 5 months ago
San Fernando Valley (1944)
Transcript
00:00:00The American Pronunciation Guide Presents
00:00:08© BF-WATCH TV 2021
00:01:38I was quite a gay little gadabout, never had a romance in view, just a lot of hobbies I was mad about, but they gave me plenty to do.
00:01:58Then I met you. I've stomped it a buggin' in favor of moonlight huggin'. With you, baby, my hobby is love.
00:02:14To prove my affection, I'm selling my stamp collection. With you, baby, my hobby is love. I used to spend my time up on a tennis court, but now I like my courting on a davenport.
00:02:36You've changed all my habits, I've even quit raising rabbits. With you, baby, my hobby is love.
00:02:58I've stomped it a buggin' in favor of moonlight huggin'. With you, baby, my hobby is love.
00:03:17I used to spend my time up on a tennis court, but now I like my courting on a davenport. You've changed all my habits, I've even quit raising rabbits. With you, baby, my hobby is love.
00:03:33Well, well, quite a pleasant little gathering. There's one thing I like about this country, the folks are never too busy to be sociable.
00:03:40You mean you aren't mad, Cyclone?
00:03:42Mad? Why should I be mad because my men sit around fiddling when they should be doing their work? Of course I'm not mad. I'm sore as a who's owl.
00:03:55When I get sore, I'm a human cyclone. Come on, wake up. What do you think I'm running here, a rest home? Why, if I ever come to this place, it's beyond me.
00:04:02For two cents, I'd chuck the whole thing and go back to Maryland where a man can...
00:04:06Gramps! Oh, Gramps! Oh, Gramps!
00:04:14Now what's the matter?
00:04:16The fence in the upper pasture is down and all the horses are out.
00:04:20They are? You hear that? If you men were on the job, instead of the backs of your necks, you might find a few of these broken fences before the horses do.
00:04:32I'm sorry, men, but I think you'd better pack your bedrolls.
00:04:35You're not going to fire them, are you, Dale?
00:04:37You leave me no choice, Betty Lou.
00:04:39Gosh, we were just practicing for the Days of 49 celebration. It starts tomorrow, you know.
00:04:44If it isn't one excuse, it's another. Look, I've warned you men repeatedly not to let Betty Lou interfere with your work. Now, well, I guess you'd better look for other jobs.
00:04:53You're a daggone tootin'.
00:04:56Oh, gee, I'm sorry, fellas.
00:05:00That didn't go for us, did it?
00:05:03Why not? You were loafing too, weren't you?
00:05:05But we were only waiting for them.
00:05:06From now on, you can wait for them on your own time.
00:05:09If you were 30 years younger, I'd pull out every hair in your head.
00:05:12When I was 30 years younger, my wife beat you to it.
00:05:16Come on, Dusty.
00:05:19Betty Lou, why can't you play with Oliver and stop interfering with the operations of this ranch?
00:05:24Oh, Oliver's too juvenile.
00:05:26I'm as old as you are.
00:05:28I wasn't speaking of age.
00:05:33Women sure are hard to understand.
00:05:38Where are you going?
00:05:40I think you'd better run along home, Oliver.
00:05:43I wish to be alone with my sorrow.
00:05:45What sorrow?
00:05:46You wouldn't understand.
00:05:48Understand what?
00:05:49How a girl feels when she loses six men.
00:05:52All at once.
00:05:59Gramps, we've got to do something about Betty Lou.
00:06:03Why, there ain't nothing to worry about, honey.
00:06:06All fillies go through that stage.
00:06:08But Betty Lou is not a filly.
00:06:10She's a very attractive and highly romantic girl.
00:06:13She might do something foolish.
00:06:16I think we'd better send her away to school.
00:06:18Not on your life.
00:06:20You two are all I've got left, and I ain't letting neither one of you leave me.
00:06:24I know how you feel, but she's...
00:06:27Wait a minute.
00:06:29There may be another solution.
00:06:32Get a crew of ranch hands who won't interest her.
00:06:34Boy, they'd have to be so old and decrepit they wouldn't be able to sit on a horse.
00:06:38Not at all.
00:06:40That celebration at Pendleford will attract a lot of good riders.
00:06:45I'll go in tomorrow and see what I can pick out.
00:06:58No hope for the old forty-niners.
00:07:00No hope for the old pioneers.
00:07:03They traveled a million and forty-nine miles in a thousand eight hundred and forty-nine years.
00:07:09Gold miners and old forty-niners, get out all your rigging and gear.
00:07:15There's no use in waiting, let's start celebrating one thousand eight hundred and forty-nine years.
00:07:21One thousand eight hundred and forty-nine years.
00:07:24It took them to come all the way.
00:07:27They dug and discovered the gold they uncovered in old California.
00:07:32No hope for the old forty-niners.
00:07:35No hope for the old pioneers.
00:07:38They traveled a million and forty-nine miles in a thousand eight hundred and forty-nine years.
00:07:46I joined up with Carson and said,
00:07:49Why, I'm one of the old pioneers.
00:07:52It bandaged and shot them, but I finally got them in a thousand eight hundred and forty-nine years.
00:07:58One thousand eight hundred and forty-nine years.
00:08:01It took them to come all the way.
00:08:04They dug and discovered the gold they uncovered in old California.
00:08:09No hope for the old forty-niners.
00:08:12No hope for the old pioneers.
00:08:15They traveled a million and forty-nine miles in a thousand eight hundred and forty-nine years.
00:08:35Step right up, ladies and gentlemen, and prove Daniel Boone was your cousin.
00:08:39And can I have a change of rank?
00:08:41Five shots, six, and a half part of a dollar.
00:08:47Now look, Trigger, you go on back to the hitching rank. I'll see you later.
00:08:50Five shots, six, and a half part of a dollar.
00:08:55Try it again, stranger. You can't miss all the time, and I pay a dollar for every bullseye.
00:09:00Nothing doing.
00:09:02This is a racket. Those peashellers don't shoot straight.
00:09:05They shoot where you point them, stranger.
00:09:07Yeah?
00:09:08Maybe you can hit the bullseye.
00:09:09Nothing to it.
00:09:10Okay, then I'll bank the game and you do the shooting.
00:09:13Only let's make it interesting.
00:09:15I'll pay you ten bucks for every bullseye, and you pay me a dollar a shot.
00:09:19That's fair enough, ain't it?
00:09:20Sure, that's all right.
00:09:39Straight shooting a little gun.
00:09:41Thanks, stranger. Here's your five.
00:09:47Now, stranger, if you'd just kind of step aside and give us a minute.
00:09:50Oh, but I'm not through yet.
00:09:52Keep loading.
00:09:58Now, stranger, if you'd just kind of step aside and give us a minute.
00:10:00Oh, but I'm not through yet.
00:10:02Keep loading.
00:10:09That's a hundred bucks you've taken me for.
00:10:12Tell you what I'll do.
00:10:14I'll match that pile in an even bet you miss the next shot.
00:10:17Put down your money.
00:10:20Only got 80.
00:10:22Wait a minute.
00:10:23This nugget, I'm a lucky piece.
00:10:25It's worth 20 bucks. That'll make it an even hundred.
00:10:29It's a bet.
00:10:31Rabbit's foot, don't fail me now.
00:10:35Here you are.
00:10:37One shot, winner take all.
00:10:46Uh, I think I'll use this one.
00:10:52I'll take this one.
00:10:54I'll take this one.
00:10:56I'll take this one.
00:10:58I'll take this one.
00:11:00I'll take this one.
00:11:02I'll take this one.
00:11:08Thanks.
00:11:12That's all, folks.
00:11:14Shooting gallery's closed.
00:11:16The stranger here shot me plum out of business.
00:11:18Cheeto, I'm surprised at you.
00:11:21Pulling that blank shell gag on me.
00:11:23A guy'll try anything when he's desperate.
00:11:25Even on a pal?
00:11:27If you was a pal, you wouldn't have busted up my business.
00:11:29Busted it up?
00:11:30Now, that's gratitude for you.
00:11:32If I hadn't have dealt myself in,
00:11:33your money'd be riding in that other fellow's pocket by now.
00:11:36One pocket's the same as another, as long as it ain't mine.
00:11:39But he wasn't gonna give it back.
00:11:41You mean you're going to?
00:11:43When we get back to the ranch.
00:11:45Well, why not give it to me?
00:11:46After all the money you've lost trying to run a concession,
00:11:48you ought to get wise to yourself.
00:11:50I tried to, Roy, but it's in my blood.
00:11:52I guess I'm just a carnival man at heart.
00:11:54You might have the heart for it,
00:11:56but you certainly haven't got the head.
00:11:58Hot dog, mister?
00:11:59No, thanks.
00:12:00Give me one.
00:12:01Sure enough.
00:12:04There you are.
00:12:06Uh-huh, thank you.
00:12:07Hot dog, they are delicious.
00:12:08The best in the world.
00:12:12Hey!
00:12:13There ain't no hot dog in this.
00:12:15That's another reason why we ought to head back to San Fernando Valley.
00:12:18Gather up your stuff and meet me at the liver stable in ten minutes.
00:12:21Roy, look out!
00:12:25Roy!
00:12:26Are you hurt?
00:12:27I'm all right.
00:12:34Oh, my goodness, the poor man.
00:12:38He stepped right in front of me.
00:12:43Well, don't just stand there.
00:12:45Get some water.
00:12:46Get a doctor, quick.
00:12:47Reckon we better find out who he is first.
00:12:49He may not be worth saving.
00:12:51I'll take care of this till he comes to.
00:12:53No, you don't.
00:12:54Shame on you picking an unconscious man's pocket.
00:12:58Oh, oh.
00:13:01Ouch!
00:13:02The idea of pretending you're hurt.
00:13:05I thought it was a good idea.
00:13:06Well, I hope you got bumped hard enough to learn to look where you're going.
00:13:11Oh, but I'm afraid I've been bumped harder than you realize.
00:13:14May I, uh, have your name and address?
00:13:17You may not.
00:13:18But I have an internal injury I'd like to come around and talk to you about.
00:13:22You have a colossal nerve.
00:13:25Takes nerve in a competitive world.
00:13:27I'll bet I have a lot of competition.
00:13:30Unless you're married.
00:13:31No.
00:13:33Yes, I am.
00:13:34I'm married and I have five children.
00:13:36But I heard you the first time.
00:13:38Well, I'm not interested in what you heard, nor in standing here talking to you.
00:13:41And furthermore...
00:13:42You're under arrest.
00:13:43You're under arrest.
00:13:44For what?
00:13:45For arguing in the street.
00:13:46That's against celebration rules.
00:13:49Well, I have some business to attend to.
00:13:51I guess that'll have to wait.
00:13:52Take us away, Sheriff.
00:13:53Come on.
00:13:54Uh-oh.
00:13:55Look who's next.
00:13:57Well, this is one time she won't fire us for playing.
00:14:06Climb in.
00:14:09You mean ride in that?
00:14:10Sure.
00:14:12I won't do it.
00:14:13Then you'll have to run along behind.
00:14:22I certainly hope I run into you again sometime.
00:14:25Thanks.
00:14:26At 60 miles an hour.
00:14:28Sit up, kid.
00:14:35How long do we have to stay in here?
00:14:37Till you boys do some chirping.
00:14:40Help them out, boys.
00:14:43Fun, isn't it?
00:14:46Oh, I'm packing my grill.
00:14:49And I'm leaving today.
00:14:51Can I depend on that?
00:14:52Cause I'm taking a trip
00:14:54California way
00:14:57I'm gonna settle down and never more roam
00:15:03And make the San Fernando Valley my home
00:15:09Oh, I don't wanna sing
00:15:12Cause I'm not feeling gay
00:15:14Why?
00:15:15And where you're concerned
00:15:18Must be on your way
00:15:21I hope you settle down and never more roam
00:15:26I will.
00:15:27And make the San Fernando Valley your home
00:15:32Why, sure.
00:15:33You've been acting too smart.
00:15:34Who, me?
00:15:35Then it's time that it ends.
00:15:38All lady have a heart.
00:15:41Can't we just be friends?
00:15:43We cannot.
00:15:44There's only one thing more that I have to say.
00:15:49What's that?
00:15:50Go to the San Fernando Valley and stay.
00:15:56I think that I'm safe in stating
00:16:00Someone is waiting
00:16:02Where?
00:16:03And I've been away for so long
00:16:07Well then, if someone is waiting
00:16:11Then why all this hesitating?
00:16:13Oh, I don't know.
00:16:14Don't you think that you should move along?
00:16:19Well, I'm a hit in the trail
00:16:22To the cow country
00:16:23And that's for you
00:16:25You can forward my mail
00:16:28Care of RFD
00:16:31And if you ever feel a longing to roam
00:16:36Yeah, I know
00:16:38The San Fernando Valley's my home
00:16:44Well, that wasn't so bad, was it?
00:16:51Would have been nicer if I could have picked my own company
00:16:54You can pick my company anytime, Sheriff
00:16:57Well, what do you know about that?
00:16:59I lost my keys
00:17:00Lost the keys?
00:17:01Yeah
00:17:02Sure, how careless of you
00:17:03One of my deputies has a duplicate
00:17:05I'll be back in a minute if I can find him
00:17:07Now, don't go away
00:17:09Very funny
00:17:11This is my lucky day
00:17:12That's more than I can say
00:17:14You mean you'd really like to get out of here?
00:17:16I certainly would
00:17:18Well, I'll tell you how you can do it
00:17:20By going to the street dance with me tonight
00:17:23How did you get those?
00:17:25I'm a pickpocket
00:17:26Well, unlock this
00:17:28How about the dance?
00:17:32All right, you win
00:17:34That's the spirit
00:17:35I knew you could be nice if you wanted to be
00:17:37Say, if you have a girlfriend
00:17:39If you have a girlfriend, bring her along
00:17:41I have a pal with me
00:17:48Oh, where will I meet you?
00:17:50Now, you're not that simple
00:17:52You didn't really think I'd keep that date, did you?
00:17:54Why, yes
00:17:57Let me out of here
00:17:59I'm not that simple
00:18:02Let me out of here
00:18:04Help! Help! Help!
00:18:07How about that date?
00:18:09No, let me out of here
00:18:19No, let me out of here
00:18:21I'm a mammoth
00:18:23How about the date?
00:18:25No, never
00:18:27Come on, boy
00:18:29Come on
00:18:34Oh, you...
00:18:36I'll get even with you if it's the last thing I ever do
00:18:48You let me out of this cage
00:18:50Let me out of this cage right now
00:18:56Get up
00:19:00Stop this, please, please
00:19:02Well, it isn't
00:19:09Stop
00:19:10Stop it, I give up
00:19:12I'll keep the date, please
00:19:24Did I hear you right?
00:19:26I'll go to 20 street dances with you, but please let me out of this cage
00:19:29Well, now, that's more like it
00:19:44Pardon me
00:19:50Where will I meet you tonight?
00:19:51Well, I guess you'd better pick me up at the house
00:19:54It's the second house on the left-hand side as you come into town
00:19:58And there's a picket fence around it
00:20:00That ought to be easy enough to find
00:20:02At 8 o'clock?
00:20:03I'll be ready for you
00:20:25Stick him up
00:20:40Get up
00:20:45You'd try anything, wouldn't you?
00:20:47I had to, Roy
00:20:48I knew you'd do it
00:20:50You'd try anything, wouldn't you?
00:20:52I had to, Roy
00:20:53I need a hundred bucks right away
00:20:55What for?
00:20:56I got a chance to buy a ball-throwing concession
00:20:58It's a great money-maker
00:21:00Yeah, then why does a guy want to sell it?
00:21:02Because I talked him into it
00:21:04Well, go back and tell him that I talked you out of it
00:21:06I was only trying to break you
00:21:21Well, I asked for it
00:21:29All right, take it easy and hand over that money
00:21:32Now look, Keno, this is getting...
00:21:34Oh, you're not Keno
00:21:36Come on, the dough
00:21:38I thought you were a friend of mine
00:21:40He just tried the same thing
00:21:51Come on
00:22:17Now let's see who you are
00:22:20Come on
00:22:44Break that bracketing, bracketing, four-legged outlaw
00:22:47Come back here
00:22:48Willie, give me that pipe
00:22:50Come back here
00:22:52I'm going to twist your tail, you...
00:22:55Twist whose tail, you peeping coyote?
00:23:09Ain't you got no better manners than to come
00:23:11Busting into a lady's blue door without knocking?
00:23:14You lopsided old kill-ball
00:23:19What in the name of Maryland's going on around here?
00:23:23Dale!
00:23:25Lopsided old kill-ball, am I?
00:23:28What is it, Gramps?
00:23:29That's what I want to know
00:23:30What's that bunkhouse doing full of females?
00:23:32That is your new crew
00:23:34New crew?
00:23:35You mean to say you're trying to saddle me
00:23:37With a covey of women wranglers?
00:23:39Now don't get excited
00:23:40What am I running here, a horse ranch or a harem?
00:23:43I don't like them either, Gramps
00:23:45What we need is men
00:23:46You're darn tootin'
00:23:47You keep out of this
00:23:49Women wranglers, you're crazy
00:23:52No, I'm not
00:23:53They're the answer to our problem
00:23:54Well, I don't like the answer
00:23:56I'm going to chase them out of there pronto
00:24:01What's all the bellering about?
00:24:04Who is this half-pint, moth-eating galoot, honey?
00:24:07I ain't half-pint, I ain't moth-eating, and I ain't a galoot
00:24:10I'm the owner of this ranch
00:24:12Owner?
00:24:13My mistake
00:24:14We're there, boss
00:24:16I'm Hattie O'Toole, your foreman
00:24:18No hard feelings, I hope
00:24:20Go on, Gramps, tell them
00:24:22Don't rush me
00:24:23Tell us what?
00:24:24Well, I just wanted to tell you to ride out and check the fences
00:24:30No sooner said than done, boss
00:24:32Girls, hit the ladder
00:24:33Yee-haw!
00:24:36Well, see you later, boss
00:24:45Go!
00:24:49Go!
00:24:52Go!
00:24:53Go!
00:24:54Go!
00:24:55Go!
00:24:56Go!
00:24:57Go!
00:24:58Go!
00:24:59Go!
00:25:00Go!
00:25:01Go!
00:25:02Go!
00:25:03Go!
00:25:05Well, I guess I'll go to town and get a beer, maybe two beers
00:25:11Better get a new cook, too, Gramps
00:25:13Frypan quit
00:25:15Quit?
00:25:16Yeah, he didn't like all those women either
00:25:18That does it
00:25:19It ain't enough to have a ranch house full of women
00:25:21Now I gotta sit in the middle of them and starve to death
00:25:27Go on, take it, take the whole shebang
00:25:31This is a fine employment service
00:25:33A starving man comes in here to hire a cook and you ain't got any
00:25:36Well, when you get one, send him right out to the ranch
00:25:41A hot dog, mister?
00:25:42No
00:25:45Hey
00:25:47How many?
00:25:49Can you cook?
00:25:51And what makes you think I can't?
00:25:53I didn't say you can't, I asked you if you could
00:25:55I can't
00:25:56I can't
00:25:57And what makes you think I can't?
00:25:58I didn't say you can't, I asked you if you could
00:26:00It's the same thing
00:26:01You got a lot of nerve doubting my ability
00:26:03I don't doubt your ability, I'm just trying to get a cook for my ranch
00:26:06Underhanded, huh?
00:26:07Trying to get me away from my boss
00:26:09I ain't trying to get you away from anybody
00:26:11Oh, so now you don't want me, that's a fine thing
00:26:13You get me to quit my job and then you double-cross me
00:26:15Nobody's double-crossing you, you're crazy
00:26:18That's right, insult me, insult me
00:26:20Just because you're an employer and I only belong to the working class
00:26:22Oh, wait, wait a minute
00:26:23If I've insulted you, I'm sorry
00:26:25Sorry, so now you're sorry
00:26:27I can stand anything but pity
00:26:29All right, never mind, never mind, forget it
00:26:32You bet I'll forget it
00:26:34I didn't want your job in the first place
00:26:36Hot dogs?
00:26:38Hiya, fellas
00:26:39Hello
00:26:42Say, how'd you like to get your jobs back?
00:26:45Are you kidding?
00:26:46On the level
00:26:47How about that sister of yours?
00:26:48Yeah, ain't she so at us anymore?
00:26:50I'm sure getting homesick for the old place
00:26:51Me too
00:26:52And don't tell me that she's canned those girls already
00:26:54We'll give her a chance and she'll tell you about it
00:26:56She hasn't canned the girls
00:26:57And she doesn't exactly want you back yet
00:26:59But I'm sure she will if you do what I tell you
00:27:01Well, what's that?
00:27:03Steal some of Graham's horses
00:27:05Oh, no, no, no
00:27:07Well, I didn't mean exactly steal them
00:27:09Just hide them away somewhere
00:27:11Then when the girls can't find them and Graham's is going crazy
00:27:13You fellas bring them in and say you took them away from some rustlers
00:27:16Then he'll be so pleased he'll be glad to give you your jobs back
00:27:20Well, if that ain't the darndest idea I ever heard of in my life
00:27:23Yeah, and I don't want no part of it
00:27:25I'm afraid not
00:27:26I think the little lady's got something
00:27:27I'm for it
00:27:28Me too
00:27:29We can't get in a jam with her in on it
00:27:31That's right
00:27:32When everything's okay, I'll let you fellas know it
00:27:34It'll be a cinch
00:27:35Come on, fellas, please
00:27:37Well, I don't know, honey
00:27:39Gee, that's swell
00:27:40Oh, here comes Graham's
00:27:42Gee, if he sees me talking to him, he's liable to get suspicious
00:27:45You fellas play something and I'll pretend I just came to sing, huh?
00:27:48Right
00:27:53I groddled a drit drit
00:28:00You a-groddle a what what?
00:28:02I graddled a grot grot
00:28:03Say, what does that mean?
00:28:05He wiggled a pran, diggled a tran
00:28:07Biddy daddy, it could happen to you
00:28:11I groddled a drit drit
00:28:13She's blowing her top top
00:28:15I graddled a grot grot
00:28:16See what I mean?
00:28:18He muggled a woo, huggled me too
00:28:20Biddy daddy, it could happen to you
00:28:24Now, what is a drit drit?
00:28:26I had a hunch you'd be asking
00:28:28And maybe you're knuckle, you rattle a lottle
00:28:30And don't even know what it means
00:28:32It's simply new slanguage
00:28:34Meaning I got a guy and he's right on the beam
00:28:38I graddled a drit drit
00:28:39Oh, she's dropping her
00:28:40Hmm?
00:28:41I graddled a grot grot
00:28:42That's confusing, ain't it?
00:28:44He wiggled a pran, diggled a tran
00:28:46Biddy daddy, just wait till it happens to you
00:28:51Now, what is a drit drit?
00:28:52I had a hunch you'd be asking
00:28:54And maybe you're knuckle, you rattle a lottle
00:28:56And don't even know what it means
00:28:58Must be a new language
00:29:01It means I got a guy and he's strictly on the beam
00:29:04I graddled a drit drit
00:29:06She graddled a penis or a bottom side
00:29:08I graddled a grot grot
00:29:09There she goes again
00:29:11He wiggled a pran, diggled a tran
00:29:13Biddy daddy, just wait till it happens to you
00:29:25Gramp, I'll bet you're mad at me
00:29:27I'll bet I am, too
00:29:32I can see the look on old Cyclone's face now
00:29:35When those cowgirls fizzle out, we bring them coyotes in
00:29:38Bring what coyotes in?
00:29:41Say, it's unnatural, ain't it?
00:29:45Looks like that rabbit's foot's gonna be good luck for us
00:29:49Hey, come back here
00:29:51I'll let him go
00:29:52He's only got the rabbit's foot
00:29:54I've still got the nugget
00:29:59Hey, that dog
00:30:01It was in her car when she bumped you yesterday
00:30:03It was?
00:30:04Sure
00:30:05Here, boy
00:30:06Here, boy
00:30:08Here, boy
00:30:09Let's see where you're from
00:30:12Willie, Kenyon Ranch
00:30:14Now we're getting someplace
00:30:15Yeah, and when we find her, we'll find my money
00:30:18Oh, quiet, will ya?
00:30:20She had nothing to do with it
00:30:21How do you know?
00:30:22Because she's not that kind
00:30:23Okay, okay, I won't say another word
00:30:26Only when some strange girl sends me to an empty house
00:30:29And I get waylaid and lose all my pal's money
00:30:31That I had no business taking in the first place
00:30:33Not to mention his lucky piece
00:30:35I'd say it was plain as cow tracks in the mud
00:30:38All right, I guess we might as well follow up every angle
00:30:41And she ain't a bad angle
00:30:43Is she in town, Willie?
00:30:45Go find her
00:31:05Ah, that wasn't her
00:31:07No, but thanks to Willie, she won't be hard to find
00:31:14Hey
00:31:15Here, Willie, come on
00:31:18Hey, what have you got in your mouth, you little pack rat?
00:31:23A rabbit's foot
00:31:25Well, thanks
00:31:27For the luck I've been having lately, I need it
00:31:30Here, boy
00:31:36Boy, some spread
00:31:39Yeah, and that's all the evidence I need
00:31:41To see we're barking up the wrong tree
00:31:43A girl like that...
00:31:56Did you say a girl?
00:32:01Whoever heard of female drivers?
00:32:04Female drivers?
00:32:10We'll show this bald-headed galoot how to run a race
00:32:13Come on, that's our boy
00:32:14City boy!
00:32:15Go on!
00:32:17Come on, Milly O'Gird, come on
00:32:18We'll show that pickle-puss boss of ours
00:32:21That we're just as clever as any man that he's got on this track
00:32:24We can't let a female driver beat us
00:32:27Come on, come on, Milly
00:32:35Milly, come on!
00:32:42Oh, that's a girl, that's a girl
00:32:45Whoa!
00:32:48Milly, you were wonderful, Milly
00:32:52You beat you, didn't you, boss?
00:32:54You didn't beat me
00:32:56The horse did
00:32:58Hold him, Cyclone, hold him
00:33:04Whoa!
00:33:11Whoa!
00:33:12Whoa, boy!
00:33:13Whoa, Milly!
00:33:15Whoa!
00:33:16Whoa, boy!
00:33:17Milly!
00:33:18Whoa, Milly!
00:33:29Come on, Cyclone, whoa!
00:33:32Whoa, Milly!
00:33:35Whoa!
00:33:43Come on!
00:33:48Oh, I wish I was back in Maryland
00:33:51Whoa, Milly!
00:34:05Are you all right?
00:34:07Of course I'm all right
00:34:09I was born on one of these go-carts
00:34:11Sort of looked like you might die on one, too
00:34:13Well, I wouldn't mind that either
00:34:15If I was sure there wasn't any women where I'd go
00:34:18You're having woman trouble, too, huh?
00:34:20You can say that again
00:34:21If I didn't own this outfit, I wouldn't stay here any longer than the cook did
00:34:26You boys just come out from town?
00:34:28Yes, sir, we're looking for...
00:34:29Well, you don't have to look any further
00:34:32Well, you don't have to look any further
00:34:34You're hired
00:34:35You won't have to cook any different for the women than you would for the men
00:34:39Cook for them?
00:34:40I'm sorry, but you got us wrong
00:34:42Wait a minute, wait a minute
00:34:44Before you say no, I'll give you 25 a month more than I told the agency
00:34:48Now, look, mister, you're making a mistake
00:34:51Well, maybe so
00:34:52But a man as hungry as I am can't be choosy
00:34:56Well, what about it?
00:35:02We'll take the job
00:35:03Good, follow me
00:35:12What's the idea?
00:35:14I thought we came here to check on that girl
00:35:16Can you think of a better way to do it?
00:35:27Well, this is it
00:35:29Nice-looking kitchen
00:35:31Yeah
00:35:32Hello, grandfather
00:35:33Hello
00:35:34Now, if there's anything you boys...
00:35:36Oh, this is my granddaughter, Betty Lou
00:35:39This is Roy Rogers, the new cook
00:35:41And his helper
00:35:42Howdy
00:35:43How do you do, Mr. Rogers?
00:35:45How do you do?
00:35:47This is her boyfriend, Oliver
00:35:49Howdy
00:35:50How are you?
00:35:51Grandfather, please
00:35:53Oliver is not my boyfriend
00:35:55He's merely the little boy who lives on the next ranch
00:35:58Is that so?
00:35:59Well, just for that, you can wash your own dishes
00:36:01You sure were right, Cyclone
00:36:03Women?
00:36:04Phooey
00:36:08He's so juvenile
00:36:09Well, you can pitch right in
00:36:10You'll find everything here that you need
00:36:12And cook plenty of food
00:36:13I'm as hungry as a she-bear
00:36:15Come along, Betty Lou
00:36:17See you at dinner, Mr. Rogers
00:36:19Until then
00:36:20Come on, come on
00:36:25What's the matter with her?
00:36:26Nothing she won't grow out of
00:36:28Well, shall we get started?
00:36:30Don't count on me for no help
00:36:32I don't know nothing about no fancy cooking
00:36:34You can read, can't you?
00:36:35Sure I can read
00:36:37I think
00:36:38Well, cooking, my boy, is merely the art of following a recipe
00:36:41The bride's Bible
00:36:42Ten thousand tantalizing tasty treats
00:36:45Now, let's see what we're gonna have
00:36:47Meats, meats, meats, meats
00:36:49Ah, paprika cream schnitzel
00:36:51Sounds good
00:36:52Never mind how it sounds
00:36:53How's it gonna taste?
00:36:54Here, you pick something to go with it
00:36:58Popovers
00:36:59Popovers?
00:37:00Never heard of them
00:37:01Well, they're biscuits that turn somersaults
00:37:03Now, there's your recipe, so get busy
00:37:06Uh, veal steak
00:37:08Flour
00:37:09Bacon
00:37:10Eggs
00:37:11Sour cream
00:37:13Salt
00:37:14Tomato sauce
00:37:16Milk
00:37:17And paprika
00:37:19Sugar
00:37:20And chopped onions
00:37:22Well, let's get them
00:37:29There's your eggs
00:37:31Now to...
00:37:33What'd you do with the cookbook?
00:37:35I didn't take it
00:37:37Well, it was right here
00:37:41Well, that's funny
00:37:43What are we gonna do?
00:37:45I don't know
00:37:46We'll see
00:37:47We'll see
00:37:48We'll see
00:37:49We'll see
00:37:50We'll see
00:37:51We'll see
00:37:52We'll see
00:37:53We'll see
00:37:54We'll see
00:37:55We'll see
00:37:56We'll see
00:37:58Go ahead without it
00:37:59We've got the ingredients
00:38:01Nothin' to puttin' it together
00:38:03There ain't?
00:38:04No, simple
00:38:06Okay, but I feel more at home brandin' carrots
00:38:27Good evening to you stranger
00:38:46I'm Sheriff Eli Brown
00:38:48I'm a-lookin' for the barman
00:38:50That held us up in town
00:38:52They robbed the bank this mornin'
00:38:54No!
00:38:55And carried off the dough
00:38:56So pardon me, could you tell me
00:38:58Which way did they go?
00:39:00Why, sure, they went that-a-way
00:39:02They went that-a-way
00:39:04I seen them with my money
00:39:06And they went that-a-way
00:39:10I'll just surround those critters
00:39:12And with my .45
00:39:14As sure as shootin' stranger
00:39:16I'll fetch them dead or alive
00:39:18I'm a-headin' up the mountain
00:39:20To spot them down below
00:39:22But in the meantime, mister
00:39:24Which way did they go?
00:39:26They went that-a-way
00:39:28They went that-a-way
00:39:30I hope that you can fetch them
00:39:32And they went that-a-way
00:39:38I'll hang them in the courtyard
00:39:40The law will have its way
00:39:42Then I'll be re-elected
00:39:44On next election day
00:39:46You bet!
00:39:47Oh, if there is a shortcut
00:39:48Please tell me if'n you know
00:39:50How many of them was there
00:39:52Which way did they go?
00:39:54They went that-a-way
00:39:56They went that-a-way
00:39:58Rode off in all directions
00:40:00And they went that-a-way
00:40:12Mmm, don't smell bad
00:40:14Not too bad
00:40:19What was that?
00:40:21I don't know
00:40:37No wonder they call them popovers
00:40:40Come and get it!
00:40:47Howdy, boss! How you feelin'?
00:40:49Can't you say anything without using your hands?
00:40:51Sure, but it doesn't carry as much weight
00:40:57Good evening, everybody
00:40:58Well, where have you been all day?
00:41:00Out at that auction
00:41:01Oh, oh, yeah
00:41:10What in the name of Chesapeake are you made up for?
00:41:13One is supposed to dress for dinner, isn't one?
00:41:16Yes, I suppose one is
00:41:18Especially when we have a new cook
00:41:20Isn't that right, Grabs?
00:41:21Yep, two of'em
00:41:22But I thought-
00:41:23I know, I know, but they're all I could get
00:41:25Bring on that grub!
00:41:36Good evening, Mr. Rogers
00:41:37Hello
00:41:38Would you care for some paprika cream schnitzel?
00:41:45How about a popover, toots?
00:41:47Thank you
00:41:50Kind of thin plates, ain't they?
00:41:53Uh, what did you call this, Mr. Rogers?
00:41:56Paprika cream schnitzel
00:41:59A new experience for me
00:42:01I hope it's a pleasant one
00:42:07They're sure heavy
00:42:08That's so they'll sink down in the gravy
00:42:10They're used to cookin' for he-man, not softies
00:42:14Do you really think I'm feminine, boss?
00:42:18Well, we're all at the startin' gate, let's go!
00:42:37Where are they all goin' in such a hurry?
00:42:48Hey!
00:42:56So, when you mistook us for cooks
00:42:58I took advantage of it because I thought Miss Kenyon just worked here
00:43:02How much did you say you lost?
00:43:03About four hundred dollars, all told
00:43:05And my good luck piece, a rabbit's foot with a nugget on a chain
00:43:08It was worth about twenty bucks
00:43:11I'm sorry my little joke turned out to be so unfunny
00:43:15I hope you find those men
00:43:17I'm afraid there isn't much of a chance
00:43:20Well, Keno, I guess we better head back for San Fernando Valley
00:43:23If you ever back our way again, look us up
00:43:26I certainly will, Miss Kenyon
00:43:45Help! Help!
00:43:47Damn Gramps! Help!
00:43:50Betty Lou, where are you?
00:43:53Help! Help!
00:43:56Sounded as if it came from near the pool
00:43:58There she is!
00:44:00Help! Help!
00:44:03Betty Lou, where are you?
00:44:05Help! Help!
00:44:07Sounded as if it came from near the pool
00:44:09There she is!
00:44:10There she is!
00:44:12Help! Help!
00:44:15Damn Gramps!
00:44:16What's the matter, Betty Lou? What happened?
00:44:17Don't let him get me! Don't let him get me!
00:44:19So, who got you, honey?
00:44:21Men!
00:44:22Men? What men?
00:44:23Well, I was walking out here and I heard a noise
00:44:25When I came to see what it was, two men grabbed me
00:44:28Two men?
00:44:29Yes, they tried to take me to their horses
00:44:31But I kicked and screamed and they got scared and rode away
00:44:34Oh, you poor kid
00:44:36What did they look like?
00:44:37I don't know, they had their faces covered
00:44:39But I nearly tore the shirt off of one of them
00:44:41Maybe there's a piece of it lying around here that'll help you find them
00:44:44We'll take a look
00:44:50There ain't no pieces of shirt around here
00:44:53What's this?
00:44:57That's my rabbit's foot
00:44:58The nugget's gone
00:45:04They must have been the same two fellows who robbed me
00:45:06Don't let them get me! Don't let them get me!
00:45:08They'll come back, I know they will
00:45:09If you don't mind, Miss Kenyon, I'd like to stick around a little while longer
00:45:12If those fellows do come back, I want to be here
00:45:14Why, certainly, but not as a cook
00:45:17Oh, Mr. Rogers, that's wonderful
00:45:19You don't know what it means to me to have you near
00:45:22Come on, let's go back to the house
00:45:25Did I ever tell you how beautiful you are?
00:45:27Many times
00:45:30Oh, excuse me
00:45:31Uh-huh
00:45:33Hey, is that Dale up there with Mr. Rogers?
00:45:35Yeah, looks like him
00:45:37I didn't know she rode to town with him
00:45:39What difference does it make?
00:45:41Makes a lot of difference
00:45:43Oh, so that's it
00:45:45That's why you wanted to ride out this way to hunt ground squirrels
00:45:48You figured on meeting him and riding back to the ranch with him
00:45:50Don't be juvenile
00:45:51I'm not so juvenile I can't see you're stuck on him
00:45:54So what?
00:45:55So I'm through playing second fiddle, that's what
00:45:58No girl's gonna waste ten years of my life and get away with it
00:46:00Come on!
00:46:07Come on!
00:46:11Help!
00:46:13Help!
00:46:24Help!
00:46:35Help!
00:46:38Help!
00:46:54I'll take the horses
00:46:55Thanks
00:47:02Come on, boy
00:47:04Betty Lou, I don't know what I'm going to do with you
00:47:06Yeah, I don't know what I'm gonna do with you either
00:47:09How'd you happen to be with Roy today?
00:47:11Oh, I met him by accident as he was returning from town
00:47:14Accident, huh
00:47:15What'd you talk about?
00:47:17Now, wait a minute, young lady
00:47:18You're the problem child around here, not me
00:47:21And I want you to stop throwing yourself at Mr. Rogers
00:47:24Oh, afraid of competition, huh?
00:47:27Competition
00:47:29Yeah, there's no need to deny it
00:47:30It's the age-old story
00:47:32Two women and one man
00:47:34For heaven's sake, Betty Lou, where do you get all this nonsense?
00:47:38I want you to forget it, do you understand?
00:47:40And if I don't?
00:47:41There isn't any if about it
00:47:44Oh, honey, don't you see it isn't right?
00:47:47Roy's a grown man, you're just a little girl
00:47:49You'll only make yourself look ridiculous
00:47:52Not half as ridiculous as you'll look when Roy puts a ring on my finger
00:47:56You wait and see
00:48:05Mr. Rogers, I wonder if you'd do something for me
00:48:08Just name it
00:48:11Well, it concerns Betty Lou
00:48:13I suppose you've noticed she's quite infatuated with you
00:48:17She has been a little obvious
00:48:20I tried to make her see how impossible the situation is, but
00:48:24She's jumped to the conclusion that my objection is prompted by jealousy
00:48:29She refuses to listen
00:48:30Kids do get funny ideas, don't they?
00:48:32I want you to help me kill her interest in you by
00:48:36By pretending you care for someone else
00:48:41Like who, for instance?
00:48:43Well, one of the girls
00:48:45How about Doris, the blonde?
00:48:47I don't like blondes
00:48:50Well, and Helen
00:48:51She's quite pretty
00:48:53It wouldn't work
00:48:54I haven't even spoken to her in a while
00:48:56Besides, Betty Lou would know it was a put-up job
00:48:59You're the only one for the part
00:49:01Me?
00:49:03Sure
00:49:04She already suspects you of being a rival
00:49:06It's a natural
00:49:09Perhaps you're right
00:49:11Good
00:49:13When do we start?
00:49:15Well, let's see
00:49:17How about tonight, right after dinner?
00:49:19Would that be all right?
00:49:20That'll be perfect
00:49:21I'll be there
00:49:22How about tonight, right after dinner?
00:49:24Would that be all right?
00:49:25That'll be perfect
00:49:27I'm much more convincing in the moonlight
00:49:31Thank you, Mr. Rogers
00:49:32I do appreciate your help
00:49:34This is a pretty serious matter to me
00:49:37Oh, uh
00:49:39I might suggest
00:49:40Just to help the deception, of course
00:49:42You drop the Mr. Rogers and just call me Roger
00:49:45That's a very good suggestion
00:49:46I'll do it, Mr. Rogers
00:49:53Willie
00:49:54I think we're gonna like this
00:50:02Okay, now watch the nut closely
00:50:05See, there it is
00:50:07Now keep your eye on it
00:50:14Okay, which one is it under?
00:50:22Oh, darn it, you've done it again
00:50:24That's eight bucks I owe you
00:50:27Jim!
00:50:30I'll be a Baltimore Oreo
00:50:31I never saw such luck
00:50:33Look!
00:50:36Boss, you nearly killed me
00:50:38Someday I'll finish the job, so help me
00:50:42I thought Roy was out here
00:50:44Can't see him around, dear
00:50:46Hello, Betty Lou
00:50:48Oh, hello
00:50:50Look what I brought you
00:50:52Oh, for me?
00:50:53Uh-huh
00:50:54But I thought you, um
00:50:56Oh, that was this afternoon
00:50:58A fella says a lot of things in the daytime
00:51:00He doesn't mean at night
00:51:01Yeah
00:51:03Says a lot of things at night
00:51:04He doesn't mean in the daytime, too
00:51:08How could anyone be sweeter than you?
00:51:16You're the sweetest one that I ever knew
00:51:25Why, I adore you
00:51:27Thank you
00:51:28Is easy to see
00:51:33Oh, more and more you mean everything to me
00:51:41How could anyone have so much appeal?
00:51:50Is it any wonder you are my ideal?
00:51:58Really, sincerely, you're too good to be true
00:52:07How could anyone be sweeter than you?
00:52:24All my future dreams are wrapped up in you
00:52:32Why, I adore you
00:52:36Is easy to see
00:52:41Oh, more and more you mean everything to me
00:52:50How could anyone have so much appeal?
00:52:58Is it any wonder you are my ideal?
00:53:06Really, sincerely, you're too good to be true
00:53:15How could anyone be sweeter than you?
00:53:31Make it in Vincent now
00:53:33Don't worry, I will
00:53:35Dale, do you believe in love at first sight?
00:53:39I don't know, Roy
00:53:40I suppose it can happen
00:53:42I know it can
00:53:43Because that's the way it's been with me
00:53:45Ever since the day you ran me down
00:53:47It was your own fault, you stepped right in front of me
00:53:49Don't argue, make love
00:53:52When you knocked me for a loop
00:53:54You did it in more ways than one
00:54:02Looks like we put it over
00:54:04Yeah, I guess we did
00:54:06You're quite an actress
00:54:09But I wasn't acting
00:54:12Boy, oh boy, give me
00:54:20Hello, Bob
00:54:21This is Betty Lou
00:54:24Are you fellas ready to swipe those horses?
00:54:28Yes
00:54:30Tomorrow night at nine o'clock
00:54:34Goodbye
00:54:37Yahoo!
00:54:39Yahoo!
00:54:54What's going on here?
00:54:57Hello, Hattie
00:55:03What are you balloons up to?
00:55:05Can't you see we're up to our ears in romance?
00:55:07Can't you see the look in our eyes?
00:55:09Oh, just a bunch of moon-struck wolves, eh?
00:55:12That's right, and this is our night to howl
00:55:15What's all this racket about?
00:55:17Hello, Miss Kenyon
00:55:18Why, we came down to serenade the gals
00:55:20I hope you don't mind
00:55:21Serenade the gals?
00:55:23Well, I guess I can stand it if they can
00:55:25Well, I guess I can stand it if they can
00:55:56A pony with wings to ride on
00:56:04There's a gold-encrusted saddle
00:56:07And a pair of diamond spurs to wear
00:56:12So won't you meet me there
00:56:16Down past the waterfall we'll ride
00:56:21Beyond the river's bend
00:56:26Across the rolling plains so wide
00:56:32We'll find the rainbow's end
00:56:36There's a castle so high
00:56:39It touches the sky
00:56:42And dreams that are made to come true
00:56:47For me and you
00:56:55Over the rainbow's end
00:57:09What's that?
00:57:10What's that?
00:57:14Somebody's stealing the horses!
00:57:16We'll get him!
00:57:26Come on, Keno
00:57:41Well, I guess that puts us out of the running
00:57:45And out of the walking, too
00:57:50If there hadn't been so much fiddling going on
00:57:52We'd have heard them rustlers in time to stop them
00:57:56Now, don't tell me they got away
00:57:58Well, they started shooting at us and we didn't have any guns
00:58:01Well, if that don't beat anything that ever happened in Maryland
00:58:05Stealing a bunch of horses right out from under us
00:58:08Stealing a bunch of horses right out from under my nose
00:58:12Oh, I'd sure like to get a beat on them rustlers
00:58:16My trigger finger's just itchin'
00:58:22Now, who put shells in this shotgun?
00:58:32Just as I thought
00:58:34It was Betty Lou who tied her saddles last night
00:58:36It don't make sense
00:58:37A kid like her working with a bunch of horse thieves
00:58:40It is a little confusing
00:58:41But she knows who they are and so does Willie
00:58:43Willie?
00:58:44Yeah
00:58:45If they'd have been strangers, he would have barked and there wasn't a peep out of him
00:58:48He was the same way the night they tried to kidnap her
00:58:51There's something phony about this, Keno
00:58:52Phony?
00:58:53Well, what about finding my rabbit's foot?
00:58:55That's a question I can't answer
00:58:57Yet
00:59:07Any luck?
00:59:08No
00:59:09Confound it
00:59:11They took to the rocky country where we couldn't track them
00:59:14I found some very interesting tracks over by the fence
00:59:17You did?
00:59:18Yeah
00:59:20I think they might lead to something
00:59:22I, uh, I think I'll go put some coffee on
00:59:25I'll make some sandwiches
00:59:28Did you find them, Mr. Kenyon?
00:59:29No, we didn't find them
00:59:31Well, that's too bad. Maybe we could trail them
00:59:33You couldn't trail a tractor
00:59:35Why, Ken here is the best trailer in the state of Texas
00:59:38Yeah, but this ain't Texas
00:59:40You sound like you don't want them Cayuses back
00:59:42I don't, huh?
00:59:44I'll give 500 bucks to the party they're going to
00:59:46I don't care
00:59:47I don't care
00:59:48I don't care
00:59:49I don't care
00:59:50I don't care
00:59:51I don't care
00:59:52I don't care
00:59:53I don't care
00:59:54I don't care
00:59:55I don't care
00:59:56I'll give 500 bucks to the party that finds them
00:59:58Would you give us our jobs back?
01:00:01Yes, I'd even do that
01:00:03It's a deal. Come on, boys
01:00:13Hey, wait a minute, boys
01:00:15We'd better stall around a bit
01:00:17If we bring those horses in too fast, it might look suspicious
01:00:20Hey, might have something
01:00:21I think that's a good idea
01:00:22Hey!
01:00:23Hey, you fellas
01:00:25It's Matt and Dusty
01:00:34What happened?
01:00:35Plenty
01:00:36We was taking it easy waiting for you fellas
01:00:38And a couple guys sneaked up and got the drop on us
01:00:41Then they hogtied us and loaded the horses and trucks and drove away
01:00:45We never saw the guys before
01:00:47But they sure worked like they knew their business
01:00:49Well, I'll phone the office and have the highways covered
01:00:51Well, of all the cockeyed, idiotic, harebrained schemes I ever heard
01:00:55This one takes the blue ribbon
01:00:57Do you know those horses are worth $15,000?
01:01:04You guitar-picking polecats
01:01:06Tried to do us girls out of our jobs
01:01:09Now, Hattie, it's nothing personal
01:01:11It's just that women in this kind of work, it ain't ethical, that's all
01:01:14Stealing horses ain't ethical either
01:01:16And if I don't get them back, I'll put you men so far in jail
01:01:19It'll take a week to get bread and water to you
01:01:21But they're not to blame, Gramps
01:01:23What do you mean, not to blame?
01:01:25I put them up to it
01:01:27You?
01:01:28Betty Lou
01:01:29And you calling me juvenile?
01:01:31Well, I don't care
01:01:32What we need is men on this ranch
01:01:34I know what you need
01:01:36Gramps, what are you gonna do?
01:01:37I'm gonna get at the seed of this trouble
01:01:39I'll hold her for you, cyclone
01:01:41Well, I guess we ain't doing any good standing around here
01:01:45Come on, Dusty
01:01:50Well, we'll see you later, Dale
01:02:07How'd you make out?
01:02:08We're in the clear
01:02:09Did you get the money for him?
01:02:10Yeah
01:02:11Here's your cut
01:02:20Do you mind if we ride along with you?
01:02:22Well, it's a public road
01:02:24Couple of good-looking horses you got there
01:02:26Not as good-looking as the one you're riding
01:02:28No, but they're good enough to steal if a fellow's doing a little rustling
01:02:31Meaning what?
01:02:32Meaning I can't figure out why the fellows who jumped you and took Cyclone's horses didn't take yours
01:02:36That's right
01:02:38Well, let's go
01:02:39Let's go
01:02:40Let's go
01:02:41Let's go
01:02:42Let's go
01:02:43Let's go
01:02:44Let's go
01:02:45Let's go
01:02:46Let's go
01:02:47Let's go
01:02:49Reckon how he happened to slip up like that?
01:02:51I don't know
01:02:52That's something you'll have to ask the rustlers
01:02:54That's what I'm doing
01:02:57You've butted your nose into my business a couple times, cowboy, and I'm getting tired of it
01:03:01You ought to try a business you wouldn't be so touchy about
01:03:04Okay
01:03:05Think what you like
01:03:06Our word's as good as yours
01:03:07That's right
01:03:08What I need is proof
01:03:09Something like the money you received for the job
01:03:11Now, I've got a hunch it's right in your pocket
01:03:19Get his gun, Kino
01:03:29Get off your horses and turn your pockets inside out
01:03:33Don't move
01:03:37Drop those guns
01:03:48Drop those guns
01:03:51Drop those guns
01:04:17Hey, where you going?
01:04:19Where do I get my hands on you?
01:04:28Where do I get my hands on you?
01:04:50Take me for a boat ride, will you?
01:04:53Come on
01:05:19Come on
01:05:49Get back
01:06:10Get back
01:06:12Whoa, Trigger, whoa
01:06:16All right, get up
01:06:19Get up
01:06:28Watch him, Trigger
01:06:31Get up
01:06:38This is what I'm looking for
01:06:45There wasn't nothing on this guy, Roy
01:06:47Nothing on this one, including this
01:06:49Fine nugget
01:06:50Yeah, we really got a prize in this package
01:06:53Come on, you two
01:06:58You can send your men and meet women in for your horses in the morning
01:07:02They'll be there
01:07:03On your way
01:07:09Bob, I'd like to keep you and the boys here, and the girls, too
01:07:12So would I
01:07:13There's work enough for everybody
01:07:16Now, just a minute
01:07:18I said I'd like to, but I can't, on account of Betty Lou
01:07:22Well, that's no problem
01:07:23I know how you can keep the boys here, and Betty Lou won't pay any attention to them
01:07:27Oh, wow
01:07:46Oh, back in my day
01:07:48And I'm in today
01:07:50I'm taking a trip
01:07:52California way
01:07:55I'm gonna settle down in Maramoro
01:08:00And make the San Fernando Valley my home
01:08:05I think that I'm safe and stayin'
01:08:08You'll be there waitin'
01:08:10When my lonely journey ends
01:08:13When my lonely journey is done
01:08:17And kindly old Reverend Thomas
01:08:20Made good his promise
01:08:22He has made the 12 of them one
01:08:26So I'm hittin' the trail
01:08:28Through the Alpine trees
01:08:30Beautiful Alpine way
01:08:32Take care of RFD
01:08:35We're gonna settle down in Maramoro
01:08:40And make the San Fernando Valley our home
01:09:11Yeah
01:09:13I'm through with gin rummy
01:09:16At bridge I'm no longer dummy
01:09:19With you, baby, my hobby is love
01:09:24I used to go dancing
01:09:27And I never liked romancing
01:09:30But now, baby, my hobby is love
01:09:35I used to ride the range
01:09:38And love the sun so bright
01:09:41Now all I do
01:09:43Is watch the moon with you at night
01:09:47I've no great desire
01:09:50To set the world on fire
01:09:52With you, baby, my hobby is love
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