Ding Gru
  • 5 months ago
Fugitivas En Busca de la Libertad Capitulo 4 Completo HD
Fugitivas En Busca de la Libertad Capitulo 5 Completo HD
Fugitivas En Busca de la Libertad Capitulo 6 Completo HD
Fugitivas En Busca de la Libertad Capitulo 4 Completo HD
Transcript
00:00♪♪
00:05♪♪
00:14Where are we going?
00:15Follow me.
00:16Okay.
00:17Lorena.
00:18No.
00:19Let go of me, please!
00:20I can't. I have to arrest you.
00:22Ismael, no.
00:23I don't want to go back to my house.
00:24I'm sorry. I have to stop you.
00:25No, let go of me.
00:26Lorena, Lorena.
00:27Believe me, it hurts as much as it does to you,
00:29but I can't let you go.
00:30No.
00:31I have to arrest you.
00:32Ismael, please let her go.
00:33Ismael.
00:34Run, Lore!
00:35Run!
00:36Lorena!
00:37Lorena!
00:38Let me go!
00:39Stay here.
00:40Let's go to the police station.
00:41Stay here.
00:45Can we talk?
00:47Come in.
00:48♪♪♪
00:58♪♪♪
01:03Everything has changed.
01:05What did you expect?
01:06Many years have passed.
01:09Nothing, son.
01:11You look beautiful.
01:13Why are you here?
01:15I just got out of prison.
01:17And the first thing I wanted to do was meet you,
01:21see you,
01:23know how you were.
01:24You realized that I survived without you,
01:26so you can go wherever you want.
01:28But...
01:29Did you hear me?
01:31What are you waiting for?
01:33It's just that I have nowhere to go.
01:36And whether you want it or not, this is my house.
01:38I'm very sorry, but you can't stay here.
01:41You're kicking me out.
01:42Take it however you want.
01:43I understand your anger.
01:45Your bad disposition, really.
01:47It was 18 years.
01:50How do you want me to receive it?
01:52You have to fulfill my sentence.
01:55I already did.
01:57Being locked up, there was not a single day,
02:00not a single night that I did not think of you.
02:03You were the only reason to be able to resist.
02:07All the time I was wondering how you were,
02:10if your grandparents treated you well.
02:12I learned to value myself.
02:14I never needed you.
02:16Do you know how much it hurts me to hear you say that?
02:20All these years,
02:22I lived with the hope,
02:25with the hope of regaining the lost time.
02:29I thought that maybe we could start over.
02:36Please.
02:37Please, ma'am.
02:38After what he did,
02:40you want to build a relationship?
02:42All I want is for you to hear from my mouth.
02:44Everyone was there.
02:45What am I going to hear?
02:47He killed my father.
02:49There's no more.
02:51We're leaving, my love.
02:54Hello.
02:56I'm Marta.
02:59Dario's mother.
03:01Are you Mrs. Marta?
03:02Yes.
03:03Oh, I finally get to meet you.
03:08It's your grandmother. Give her a hug.
03:12It's your son.
03:14Oh, my love.
03:16It's so nice.
03:17It's so nice to meet you,
03:19to be able to see you, touch you, hug you.
03:22I imagine he's going to stay here with us for a few days.
03:25In time.
03:27Yes, yes.
03:28Let him settle in his room.
03:30Thank you, son.
03:32Let's go.
03:33Let's go, let's go.
03:34Let your grandmother settle in.
03:35Come this way.
03:36Thank you.
03:37Welcome.
04:08Thank you.
04:11Thank you.
04:14Where's your friend's house?
04:15It's back there.
04:16Why did we stop here?
04:18Because we have a stolen car.
04:20If we leave it outside Eusebio's house
04:22and the police find it,
04:24we're in big trouble.
04:26Look, the cousin is already learning.
04:28I have a good teacher.
04:30Okay, let's go.
04:37♪
04:45Thank you.
04:47♪
04:54Shh.
04:56♪
04:59Stop, Abel. Abel, Abel.
05:01♪
05:12Monce, your friend really knows how to live.
05:17Welcome to your new home.
05:22I didn't even imagine it in my dreams!
05:28Thank you, friend. You didn't leave me.
05:35I'm coming.
05:38I'm coming, I'm coming.
05:44Lorena, what are you doing here?
05:46Sorry, but I had nowhere to go.
05:48It's okay, it's okay. Try to calm down.
05:50Do you want something to drink? Do you want a glass of water?
05:52Yes, thank you.
05:53I won't be long.
05:55Ah, ah, ah.
06:01Oh, the kitchen is so nice.
06:05It's just like the one at the penitentiary.
06:08Oh, I can't believe it.
06:11It's so fresh.
06:14Oh, let's see.
06:16Mmm.
06:19It's delicious. It's delicious.
06:21Mmm.
06:24I'll get you something.
06:25Mmm.
06:29What a treat!
06:32This is life.
06:34Girls, we brought you babies!
06:36Oh, I'm dying of thirst.
06:38You don't know, the fridge is full of things.
06:41No, no, no. Come see something that is incredible.
06:44Let's see.
06:45Let's go.
06:52Wow, this is luxurious.
06:54Oh, and there are bubbles here.
06:56And the conditioner is gone!
06:58I haven't used them in a long time.
07:00Well done, Laura Cervantes.
07:04Thank you.
07:06Is it true that you organized the escape?
07:09It wasn't my idea, but I helped.
07:11You helped?
07:13Before I tell you anything, I need to know if there is still a professional secret between us.
07:19What you want to know is if I can report you.
07:21That's why I'm asking you.
07:24Look, technically I'm still your lawyer, but before I decide what I'm going to do,
07:29I need you to tell me exactly what happened.
07:33Taking advantage of the fact that they were going to celebrate the New Year in prison,
07:36I escaped with other colleagues.
07:38I looked for my sister, we agreed to meet in a park so we could go to Coahuila,
07:42but it looks like she's being watched.
07:44When we met, Ismael showed up.
07:46He wanted to stop me, but luckily I managed to escape.
07:49You shouldn't have looked for Gabriela.
07:51The first thing the authorities do when someone escapes is to watch the relatives.
07:55That's why most of them are caught.
07:57I thought we could do it.
07:58You thought wrong.
08:00You won't like what I'm going to tell you.
08:02Surrender.
08:04It's the best thing you can do.
08:06Pretend that your colleagues forced you to escape.
08:09I can give you some resources so that the punishment doesn't affect your sentence.
08:12No, no, no, no, no.
08:14I'm not going back to that place.
08:16I'm not going to serve a sentence for something I didn't do.
08:18I thought you were one of those who are against an innocent being in prison.
08:22You shouldn't have come.
08:24No, no, wait, wait.
08:26I'm convinced that you didn't kill Juan Pablo Correa.
08:29I don't know who or how they set up all that mess at the bank to blame you,
08:34but you can be sure of something.
08:37I'm going to keep investigating to prove your innocence.
08:45I'm going out for a moment.
08:47If you're going to be a fugitive, you need clothes and food.
08:51And take the opportunity to take a shower if you want.
08:53You'll like it.
08:56Alejandro.
08:58Thank you.
09:08I didn't do anything wrong.
09:10You knew the whereabouts of one of the fugitives and you didn't tell us.
09:13That makes you her accomplice.
09:15Please cooperate.
09:17What did your sister want?
09:18I don't know.
09:19They agreed to meet.
09:21That means they saw each other.
09:23Did you talk to her?
09:25What did she say?
09:27Answer!
09:28If you brought a backpack, it's because you thought you were going to escape.
09:32I understand that Lorena worries you a lot,
09:34but the best thing is that we find her.
09:36What for?
09:37To put her in prison for something she didn't do?
09:40So why was she sentenced?
09:42Your sister is not a white dove.
09:44She organized the escape.
09:54Believe me.
09:55We want what's best for your sister.
09:58But while she's on the run, she's in great danger.
10:00Please cooperate.
10:02Do you know where she is?
10:03I don't know where she went. You saw her leave.
10:06Any friends?
10:07Any family?
10:08We don't have anyone.
10:09Oh, please. How can you not have anyone?
10:11What was her plan?
10:13Either way, with or without your help, we're going to catch her.
10:17I don't know what her plan was.
10:19All she told me was to meet in the park.
10:21But she didn't tell me where we were going.
10:24Can I talk to you alone?
10:26What do you want?
10:38Can I ask you a question?
10:41Do you really think my sister was capable of killing that guy?
10:44She was sentenced.
10:46Aren't there innocent people in prisons?
10:49Look, there's no point in us having this conversation.
10:53You're hurt.
10:54It's best if Detective Rojas takes you home.
10:56No, thank you. I can go by myself.
10:58I'm not a child.
10:59I don't want you to be alone.
11:05Please take her home.
11:07I can't let her go.
11:09She's the only one who can take us to the murderer.
11:11We can't detain her.
11:13Keep an eye on her.
11:14And don't put too much pressure on her.
11:17She's a minor, and you're used to it.
11:19Let's go. I'll take you home.
11:50I'm going to make something to eat.
11:52Go ahead.
11:53I'll help you.
11:54Come on.
11:55Will there be beer?
11:57A lot.
11:59Hey, wait for me.
12:00Wait for me.
12:09Lorena.
12:11What?
12:12I'm going to the bathroom.
12:13I'm going to the bathroom.
12:14I'm going to the bathroom.
12:15I'm going to the bathroom.
12:16I'm going to the bathroom.
12:17Lorena.
12:20Don't worry, it's me.
12:23You're late.
12:24Sorry, I'm late because it was hard for me to find something open.
12:28It's a holiday.
12:29But I managed to get you some things.
12:31Thank you.
12:34Did you think about what you were going to do?
12:36Go with my classmates.
12:37Are you with others?
12:39Yes.
12:41I'm sorry you can't stay here.
12:43It would be very dangerous.
12:44Don't worry.
12:46Look, I brought you some clothes.
12:50Thank you.
12:51So you can change.
12:52I brought you a cake.
12:54You must be hungry.
12:55Cans with food.
12:57And well, here in the food, in the backpack, you can keep everything.
13:02Thank you very much.
13:03Yes.
13:04Look, if you don't want to get caught, don't talk to anyone.
13:08And don't you dare contact your brother again.
13:11And if you want to know how he is, I'll take care of it.
13:14Talk to her.
13:15He must be very scared.
13:17It's not for less.
13:18And if you're going to see your friends, tell them to do the same.
13:21Don't talk to anyone.
13:23Change their appearance.
13:24They have to look totally different.
13:26Yes.
13:27And they can find a place where they can hide.
13:30While the tension of the case drops.
13:32Take it.
13:34And don't try to go anywhere, okay?
13:36Because at this time, your photographs must be everywhere.
13:39Border crossings, airports, terminals, everywhere.
13:43And look.
13:51Take it.
13:53You're going to need it.
13:55Thank you.
13:58And also, look, I brought you a cell phone.
14:02I'm going to save my number so you can have it.
14:06But this cell phone is just for you to communicate with me.
14:09Don't use it for anything else or they're going to track you.
14:13Really, thank you very much for everything.
14:16I don't know what I would have done without you.
14:18You dared to come looking for me and that says a lot.
14:22But seriously, if you don't want to get caught, listen to everything I told you.
14:28Yes.
14:29Well.
14:31Let's see.
14:35This is better.
14:36Like this.
14:39Take care, okay?
14:47Hey.
14:49Happy New Year.
14:53You too.
15:04What are you going to make for us?
15:05Well, I was thinking of making you an Aztec cake.
15:08How do you like it?
15:09I love it.
15:10It's so good.
15:12Just don't put laxatives on it, okay?
15:15Please.
15:18I think I heard a noise in Mr. Eusebio's house.
15:21Like something fell.
15:27That's weird.
15:29Mr. Eusebio's bedroom window is open.
15:33And what's so weird about that?
15:35Well, Mr. Eusebio isn't here.
15:38He told me he was leaving the city.
15:41Maybe he's already back.
15:48Yes.
15:49Look, I appreciate your call, but I don't want to talk about it anymore.
15:53Thank you.
15:55Everything okay?
15:56Yes, and the press.
15:57They won't stop bothering me until Ismael catches the murderer of Juan Pablo.
16:02My love.
16:04How are you?
16:05Exhausted.
16:07I understand that all this must be very stressful for you.
16:10Do you want a drink?
16:12Please.
16:14What are the authorities doing with the escape?
16:17An operation was deployed to recapture the 34 women who escaped.
16:22It will take some time to find them.
16:23I don't think it's wise for you to take care of this case.
16:28I mean, among the fugitives is the murderer of Juan Pablo.
16:32You should ask another prosecutor.
16:35For me, it's a case like any other.
16:37And it's not my intention to mix things up.
16:40I have to find 34 fugitives.
16:42And Elena Martinez is one more.
16:44I don't want to go with you, but you'll know.
16:54What can I do for you?
16:56I'm here to look for the man of the house.
16:58Yes, what man?
16:59The owner.
17:00Who?
17:01The owner.
17:02Who else?
17:03What's his name? Tell me his name.
17:05I'm sorry, ma'am, but I don't have to give you information.
17:11Hi, grandma.
17:12What are you doing here?
17:14What are you doing here?
17:15We'll explain later.
17:16Go to the mirror.
17:24Now, yes.
17:29Look who's here.
17:31What happened, Martillo?
17:32Are you on your way to Cahuila with your sister?
17:34No, they don't know.
17:35They were about to catch me.
17:37When I met Gabriel, Ismael showed up.
17:39But what?
17:40How? How did he know he was going to find you there?
17:42Well, I don't know.
17:43He's probably watching her.
17:44Ismael, your boyfriend? The prosecutor?
17:47That's not good, Martillo.
17:48You have to be alert.
17:49Forget about your relatives.
17:51I don't even have relatives here in the city.
17:53Me neither.
17:54You got rid of her, girl.
17:55And that's what counts.
17:57Things happen for a reason.
17:58Because we go out together and we stay together.
18:00Yes.
18:01Sit down.
18:02The food is hot.
18:03It's delicious.
18:06I'll give you another one.
18:08Do you want...
18:10It's so good.
18:12Something strange is happening at Mr. Eusebio's house.
18:15Why do you say that, woman?
18:17I just saw a woman arrive.
18:19And when I asked her who she was looking for,
18:21she didn't tell me Mr. Eusebio's name.
18:24And another woman opened the door and let her in.
18:27Who were those people?
18:29Let's find out.
18:30Of course.
18:31Let's go.
18:43How's it going at the bar?
18:45Good.
18:46Fortunately, we have a lot of customers there.
18:49I'm glad to hear that.
18:52I already left my room.
18:54Thank you for letting me stay.
18:56The house is very well taken care of.
18:58Congratulations.
19:00Carmen looks like a very good person.
19:02And Matias doesn't look like one.
19:04Look, ma'am.
19:06I can't stop you from living in the house because it's yours.
19:08But you and I don't have any kind of relationship.
19:10So don't try to make me talk.
19:12For me, you are a stranger who occupies one more room.
19:17Nothing more.
19:18So leave me alone.
19:20Don't worry.
19:22I won't bother you again.
19:32It's been a long time since I felt so happy.
19:35Let's toast to that!
19:36And because we are free.
19:37Because we are free!
19:51Open up! We're going to call the police!
19:55Open up!
19:56What are we going to do?
19:59Open up!
20:08They left.
20:09We have to go.
20:11But we can't all go out together.
20:13Where did they leave the car?
20:14A block away.
20:15Maybe there's a fence around it.
20:16Should I go?
20:17No!
20:18No, no, no. The neighbor saw you.
20:19I'll go. I'll go.
20:20I'll go with you.
20:21No, no, no. Leave her alone.
20:22It's easier for her to go unnoticed like this.
20:24When she's out here,
20:25you have to clap twice for her to come out, okay?
20:27Yes.
20:29Make sure there's no one by the window when you leave.
20:32Be careful.
20:33I'll see you later.
20:34Our things.
20:35We have to put them away quickly.
20:36Yes.
20:44You should listen to my dad
20:46and drop that case.
20:48I'm not dropping it, Florencia.
20:49I'm more interested in catching Lorena Martinez than anyone else.
20:52What's your obsession with that woman?
20:55Juan Pablo is dead and nothing will bring him back.
20:58It's not an obsession.
20:59It's my job.
21:00I was assigned a case and I'm not going to drop it.
21:02You can assign it to any other DA.
21:05Tell them you can't take responsibility for your closeness to Juan Pablo.
21:08I'm not dropping it.
21:09What don't you understand about all this?
21:10I think you're not dropping it
21:12precisely because of that woman.
21:13You still don't explain to me what's going on with her?
21:15Why do you care so much about being the one to catch her?
21:18I already told you.
21:19She's Juan Pablo's murderer.
21:20And I don't want to talk about this anymore.
21:22Last night you told me you were going to support me in everything
21:24and now you're suddenly insisting on this
21:26just because your father wants it that way?
21:28It's not because of him.
21:30The truth is, I was just waiting for you to take a break
21:33so we could go on vacation.
21:35Florencia, this is not the time, okay?
21:38I'm sorry, I have a lot of work to do.
21:45I'm sorry.
21:54Open up!
21:55Police!
21:56Are you sure there's someone in there?
21:58Yes, sir.
21:59I saw two girls get in there.
22:01I think there's a cat in here.
22:03Because you don't have to do anything in my neighbor's house
22:06because he told me he was going to leave the city.
22:10Let's go.
22:15Let's go.
22:20We have to search the entire house.
22:32Over there.
22:34Let's go.
22:35Let's go.
22:36Let's go.
22:37Let's go.
22:38Let's go.
22:39Let's go.
22:40Let's go.
22:44In there.
22:55What's going on?
23:04Let's go.
23:09Good afternoon, miss.
23:10Good afternoon, officer.
23:11What can I do for you?
23:13This car has a theft report.
23:15Can you show me your papers, please?
23:20Get out of the car, please.
23:24Grab her.
23:25They're taking her.
23:26No, no, no.
23:29Let me go.
23:30I can't go without her.
23:33Let me go.
23:34Let me go.
23:35Let me go.
23:36Let me go.
23:37Let me go.
23:38Let me go.
23:39Let me go.
23:40Let me go.
23:41Let me go.
23:42Let me go.
23:43Let me go.
23:44Let me go.
23:45Let me go.
23:46Let me go.
23:47Let me go.
23:48Let me go.
23:49Let me go.
23:50Let me go.
23:51Let me go.
23:52Let me go.
23:53Let me go.
23:54Let me go.
23:55Let me go.
23:56Let me go.
23:57Let me go.
23:58Let me go.
23:59Let me go.
24:00Let me go.
24:01Let me go.
24:03Did you think I'd stay here all night?
24:06Yeah, the DA ordered me to keep watch over you.
24:09What are you going to watch over me for?
24:10In yourlarania?
24:11Everything would be easier if you cooperate.
24:12And tell us where your sister is.
24:13Even if I knew, I wouldn't tell you.
24:15So, I'm not going to move from here.
24:17If you really want us to leave you alone,
24:21maybe Lorena should turn herself in.
24:22My sister does not have to go back to jail.
24:23She didn't kill anyone.
24:25She is innocent.
24:26She was sentenced.
24:27Sentenced for what?
24:28As if justice did not make mistakes.
24:30I'll open the door.
24:37What are you doing here?
24:39I came to see my defendant's sister.
24:41Do you know anything about Lorena?
24:43No.
24:45I just stopped by to see Gabriela. She's a minor.
24:47Because of the escape, I thought she might be having a bad time.
24:50But I see she has police surveillance.
24:53Are you okay?
24:54No. I'm very uncomfortable with a stranger in my house,
24:57watching me as if I were a criminal.
25:00You shouldn't be in this house.
25:02I'm following orders from the DA.
25:04And since when are DA's authorized to put detectives in people's houses without a judicial order?
25:09Or do you have an order?
25:11Because I haven't received any notification.
25:13Why don't you leave and let Gabriela rest?
25:18I can't stay long to avoid creating suspicions.
25:21I just came to tell you that Lorena is okay.
25:23Thank God, what a relief. The DA almost caught her and...
25:26Yes, yes, I know everything.
25:28You won't be able to see her for a long time, or communicate with her.
25:31Where is she now?
25:32I don't know.
25:33But as soon as I have news of her again, I'll let you know.
25:36Thank you.
25:37I'm leaving. We're in touch.
25:40Bye.
25:41Bye.
25:42Bye.
25:43Bye.
25:44Bye.
25:45We're in touch.
25:47Yes.
26:01You broke the protocol.
26:03You didn't have to go into Gabriela's house.
26:05I already told you.
26:06The DA ordered me not to lose sight of her.
26:08Hey, he was about to catch Lorena.
26:11The DA?
26:12He tried to stop her, but she escaped hitting him.
26:15Lorena stayed to meet with Gabriela, but she didn't want to give any information.
26:19She probably doesn't have it.
26:20Oh, please.
26:21How can you not know?
26:22It's obvious that she knows where her sister went.
26:25Well, even so, you don't have to go into her house.
26:28I just followed orders.
26:30Well, this is the DA. He doesn't know how to do his job, and you don't either.
26:34Do you realize that I can file a complaint for abuse of authority,
26:37for breaking into private property?
26:39Don't mess with my job.
26:40Then do it right.
26:46Are you going to stay here all night?
26:50Yes.
26:51The safest thing is that Lorena returns to look for her sister,
26:54and I'm going to catch her there.
26:56I don't think she'll do it.
26:57All you're doing is scaring a poor 17-year-old girl.
27:01But there you and your DA.
27:04Excuse me.
27:06Excuse me for telling you, but the DA seems like an idiot to me.
27:15Were you with more fugitives?
27:17No.
27:18You're lying.
27:19A neighbor says there were two women who broke into a house.
27:23Who else was with you?
27:25I already told you I was alone.
27:26What were you doing in that neighborhood?
27:28Who were you looking for?
27:29Nobody.
27:30After I stole the car, I stopped to sleep.
27:32I was very tired.
27:36I'm the DA.
27:37If you cooperate, I can intervene so that your sentence is less than the terms imposed by the law for having escaped.
27:42What you want to know is if I was with the hammer.
27:45The hammer?
27:47Don't tell me you don't know her.
27:49Lorena Martinez was your girlfriend.
27:51Was Lorena Martinez with you?
27:53No.
27:54But she told me about you when we were in prison.
27:56You're covering up for other fugitives.
27:58You better tell the truth.
28:00I'm going to give you a few minutes to think about it.
28:04Don't get nervous when I tell you about the hammer.
28:06You can do it.
28:22Is it true what the detainee said?
28:25You were involved with Lorena Martinez.
28:27I met her months before Juan Pablo's murder.
28:29It's a personal matter.
28:31You had a relationship with the murder of your best friend.
28:33And until now I haven't found out.
28:35I met her when I was separated from Florencia.
28:37We started dating.
28:38I had no idea she worked at the construction company.
28:41I found out on the day of Juan Pablo's murder.
28:43Now I understand why you are so interested in the case.
28:45You're wrong.
28:46I'm only interested in the professional aspect.
28:49The best thing is that you are not present at the interrogation.
28:54Let's go.
28:57Let's go.
29:07Hello, what would you like?
29:08A beer, please.
29:09A beer.
29:10And you?
29:11A tequila, please.
29:12Tequila.
29:13I'll bring it right now.
29:14Of course.
29:17Mrs. Marta, I'm glad you decided to come down.
29:19Sit down and I'll bring you whatever you want.
29:21No, no.
29:22On the contrary, what I want is to help.
29:24When I got to the Bible, I think it says they need waitresses.
29:27Oh, yes, because I barely have enough to serve.
29:29Well, while they get someone, I'd like to lend a hand.
29:32I love the idea.
29:33Let's tell Dario.
29:34Come on.
29:36Honey, your mom is going to help us serve the tables.
29:39No.
29:40But why not?
29:41What we need are hands.
29:42Of course.
29:45Look.
29:48Can I take these drinks to table four, please?
29:50I put the order there.
29:51What is table four?
29:52Look.
29:53The tables have their number on the board that is here in each one.
29:55This number is given from the bar.
29:57This is one, two, three, four.
29:59I put it there.
30:00And then five, six, and so on.
30:01Yes, I understand.
30:02Thank you.
30:05You shouldn't have contradicted me.
30:06I don't want my mom to help us or get involved in the business.
30:09For God's sake, Dario, she's your mom.
30:11All you want is to help and feel useful.
30:13There are a lot of people.
30:15You'll see that the help is going to come in handy.
30:17Miss.
30:18See?
30:22I'm sorry.
30:28Come in.
30:31Excuse me.
30:33Did you manage to get the detainee to cooperate?
30:35No.
30:36She remained firm in her statement.
30:38But from the testimony of the neighbors and what the owner of the house said...
30:42...to whom we were able to contact...
30:44...I am convinced that Paola Farfán...
30:47...was at least like the other three fugitives.
30:50Do you know who they were?
30:51They could be Montserrat Torres.
30:54The owner of the house, Eusebio Miranda...
30:56...confirmed that he received a call from a woman named Laura Cervantes...
31:00...with whom he had a romantic relationship at some point in his life.
31:05By the description he provided, it could be Montserrat Torres.
31:09If it was her, why use your name?
31:11They are swindlers.
31:13That kind of woman never uses her real name to make hers.
31:17What about the other two?
31:18Another could have been Elsa Morales.
31:21The director of the prison told me that she was Paola Farfán's best friend.
31:25Finally, Lorena Martínez.
31:30It coincides with the description that the neighbor made.
31:34She approached her when she was arriving at the house.
31:39Sir, if we are going to work together in this case...
31:44...I need you to be honest with me.
31:48Is there anything about your relationship with Lorena Martínez that I should know?
31:53Are you interrogating me?
31:55No.
31:57I'm just doing my job.
31:59But I need to know what ground I'm stepping on.
32:04I understand.
32:06But there is no more.
32:08My relationship with her is over.
32:09My intention is to recapture each of the fugitives.
32:12Not for a personal matter, but for work.
32:16And I'm going to ask you to be discreet, okay?
32:18It wouldn't be convenient for you to leak what the detainee revealed.
32:22Don't worry.
32:25Are you still watching the fugitive's relatives?
32:27Yes.
32:28The elements that are taking care of them are dressed in civilian clothes...
32:31...so that they don't suspect them.
32:33Perfect.
32:34Keep me informed of any news.
32:36I will.
32:37Good night.
32:38Good night.
32:46I can't stop thinking about Paola.
32:48She shouldn't have left the house alone.
32:50Why didn't we all leave together?
32:52Who would have imagined that they were going to catch her?
32:54I understand how you must feel.
32:56If I feel bad, Paola is your best friend.
33:00But don't lose faith.
33:02Life will bring you back together with her.
33:04You'll see.
33:05You'll see.
33:06You'll see.
33:07You'll see.
33:08You'll see.
33:09You'll see.
33:10You'll see.
33:11You'll see.
33:12You'll see.
33:13Life will bring you back together with her.
33:14You'll see.
33:15I hope so.
33:16Yes.
33:17Yes.
33:18What are we going to do now?
33:19We have nowhere to go.
33:21Let's keep walking.
33:22Something will come up.
33:24Let's go.
33:25Let's go.
33:26I'll help you.
33:27Are you okay?
33:28Yes.
33:36Amanda Rojas speaking.
33:37Amanda, it's me.
33:39Good evening, prosecutor.
33:40Paula Farfana was detained outside a parking lot.
33:42She was in a car that had been reported as stolen.
33:45That's great news.
33:46Was she with someone else?
33:48No.
33:49But we suspect she was waiting for someone who never showed up.
33:51I haven't left Lorena Martinez's house.
33:53I'm outside the building.
33:55It doesn't matter if she's still there.
33:57Lorena knows we're looking for her.
33:59And the last thing she wants is to show up at her house.
34:01I understand.
34:02Go get some rest.
34:03Okay.
34:04Thank you.
34:05Good night.
34:10Good night.
34:22Welcome back, Farfana.
34:24I'm glad you like it.
34:26Come in.
34:28Come in!
34:35Two light beers and a dark one.
34:40Thank you for letting me cooperate.
34:42That's all I get from someone else.
34:46Thank you.
34:53Here you go.
34:56Good evening, Marta.
34:58Good evening.
34:59What are you doing here?
35:01I brought you your sweater.
35:02I left it in my car.
35:04Thank you so much.
35:05You're so kind.
35:06I didn't even realize I'd lost it.
35:08How's your son doing?
35:11Well...
35:13He's doing well.
35:14It's hard to get along after being away for so long.
35:18I hope we can get along little by little.
35:20What do you mean?
35:21It's just a matter of patience.
35:23That's all I need.
35:24If there's one thing I learned in prison,
35:26it was to be patient.
35:28I'm very thirsty.
35:29Can I get you something to drink?
35:31Of course.
35:32What would you like?
35:34A Coca-Cola without sugar and very cold.
35:37Very good.
35:38There's a table over there that's alone.
35:40Go and get it.
35:42Thank you.
35:50The police must be trying to get Paola's information.
35:53I'm sure Paola won't say anything.
35:55It doesn't matter if Paola talks or not.
35:57Even if she did, we're not in that house anymore.
35:59And you don't know where we're going to be?
36:03Lore!
36:04Lore!
36:05Girls, come here!
36:06Waiters are being asked.
36:07We could work here.
36:08How could you think of that?
36:10It's a public place.
36:11They can't recognize us here.
36:12The inns are in the middle of the night
36:14and only work at night.
36:16I think it's a good place to save money
36:18and then go out to the city.
36:27Here you go.
36:28Oh, thank you.
36:31If you could sit down for a moment and talk.
36:33Yes, of course.
36:34But let me help you.
36:36Thank you very much.
36:38Thank you very much.
36:42I don't think it's a bad idea.
36:44What if they recognize us?
36:46Not that people would be looking for us.
36:49Not that we would be in the shows.
36:53Okay, we don't have a better option.
37:07What's wrong?
37:09Are you okay?
37:11Yes.
37:13Yes, I'm fine.
37:15You look pale.
37:17It's just that I'm not used to these environments.
37:20And I'm a little dizzy.
37:22I'm going to bring you a glass of water, but no.
37:26There's the superior!
37:28What?
37:29What?
37:30Hello.
37:31What?
37:32What did you say?
37:33What did you say?
37:35We're going over there.
37:39Drink this, please.
37:41Yes.
37:42Oh, I know why I'm dizzy.
37:44I forgot to take my pressure pill.
37:49Excuse me for a moment.
37:50Yes, of course, of course.
37:51Please.
37:52Oh, good.
37:53Superior, I'm so happy.
37:55No, no, no.
37:56No, no, not now.
37:58Look.
37:59Do you see the man I'm at the table with?
38:02It's Commissioner Rojas.
38:04He's in charge of finding them.
38:06They have to hide.
38:09And what do we do?
38:10Well, let's see.
38:12Wait for me.
38:13This...
38:14Follow me, follow me, follow me.
38:16Please.
38:17Don't make any noise.
38:18Come on.
38:19Come on.
38:28That's it, that's it.
38:30Please.
38:32Come in, come in.
38:33Don't make any noise.
38:42Oh, now let me give you a superior hug.
38:47How did we find you here?
38:49Because this is my house.
38:51My son and his family live here.
38:54And at night this place works as a bar.
38:56Right now I don't have much time to tell you.
38:58And don't tell me anything.
38:59But you can't leave this room for any reason.
39:02If you don't want to be kicked out.
39:04And quiet, please.
39:06Whatever you order, superior.
39:08It's not a game.
39:10If the commander or my son, his wife or my grandson
39:13realize they're here, they're going to go back to the prison.
39:16Oh, no.
39:17No, no, no.
39:18Not that.
39:19Well, then listen to me.
39:20And don't leave here at all.
39:22Okay?
39:23Okay.
39:29We came to get into the wolf's mouth.
39:31Who would have imagined?
39:33I hope Marco lets us stay here tonight.
39:35Yes.
39:36We'll see what to do tomorrow.
39:42Do you feel better?
39:43Yes, thank you.
39:45I'm going to get your kitchen assistant, Paula Farfano.
39:49And how did they get her?
39:51She was in a car that had a theft report.
39:54I imagine it would have consequences.
39:56Most likely, yes.
39:57But that will be determined by the judge.
40:00Between the escape and the robbery,
40:02she was going to lose the benefits she had.
40:05It's a shame.
40:06She shouldn't have escaped.
40:08She had little left to fulfill her sentence.
40:10We suspect she wasn't alone.
40:13And why?
40:15They found her outside the prison
40:17where some neighbors reported
40:19that some women had entered a house.
40:22But strangely, when the police arrived,
40:24they didn't see anyone.
40:28This is the list of the inmates who escaped.
40:31Since you know Paula Farfano so well,
40:33could you tell me who she could have been with?
40:36I'm sorry,
40:37but I don't want to know anything
40:39that has to do with the fugitives
40:41or what happens in prison.
40:43I spent 18 years of my life there.
40:45And yesterday when I got out,
40:47I closed that chapter forever.
40:49I'm sorry.
40:50I didn't think it would bother you so much.
40:52No, no.
40:53It's not that it bothers me.
40:54But as I said,
40:55I don't want to know anything about the escape
40:57or the prison ever again.
40:59I understand, I understand.
41:01I'm sorry.
41:02It won't happen again.
41:03No, it's okay.
41:05I'm sorry.
41:08Commissioner Rojas.
41:11I'm on my way.
41:13I'm at the station.
41:14I have to get back to work.
41:16Yes.
41:17How much do I owe?
41:18Let's go to the cash register.
41:19Let's go.
41:21They'll give you your check there.
41:22If you want to take that one.
41:25Get out of here.
41:26Thank you.
41:28The check for seven, please.
41:37Here, take it.
41:39Thank you.
41:41It was a pleasure to see you again.
41:46What was that?
41:48A superior plant.
41:50No, there's no one upstairs.
41:51I'm going to check.
41:52I'll go with you.