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00:00♪♪
00:05-♪♪
00:10-♪♪
00:14Where are we going?
00:15Follow me.
00:16Okay.
00:17Lorena.
00:18No.
00:19Let go of me, please.
00:20I can't. I have to arrest you.
00:22Ismael, no.
00:23I don't want to go back to Mexico.
00:24I'm sorry, but I have to stop you.
00:25No, let go of me.
00:26Lorena, Lorena.
00:27Believe me, it hurts as much as it does to you,
00:29but I can't let you go.
00:30No.
00:31I have to arrest you.
00:32Ismael, please let her go.
00:33Ismael.
00:34Run, Lore!
00:35Run!
00:36Lorena!
00:37Lorena!
00:38Let me go!
00:39Stay here.
00:40Let's go to the police station.
00:41Stay here.
00:45Can we talk?
00:47Come in.
00:48-♪♪♪
00:52-♪♪♪
00:59-♪♪♪
01:03Everything has changed.
01:05What did you expect?
01:06Many years have passed.
01:09Nothing, son.
01:11You look beautiful.
01:13What are you doing here?
01:15I just got out.
01:17And the first thing I wanted to do was meet you,
01:21see you,
01:23know how you were.
01:24He already realized that I survived without you,
01:26so he can go wherever he wants.
01:29He heard me.
01:31What are you waiting for?
01:33I have nowhere to go.
01:36And whether you want it or not, this is my house.
01:38I'm sorry, but you can't stay here.
01:41You're kicking me out.
01:42Take it as you like.
01:43I understand your anger.
01:45Your bad disposition, really.
01:47It was 18 years.
01:50How do you want me to receive it?
01:52You have to fulfill my sentence.
01:55I already did.
01:57Being locked up, there was not a single day,
02:00not a single night that I did not think of you.
02:03You were the only reason to be able to resist.
02:07All the time I was wondering how you were,
02:10if your grandparents treated you well.
02:12I learned to value myself.
02:14I never needed them.
02:16Do you know how it hurts me to hear you say that?
02:20All these years,
02:22I lived with the illusion,
02:25with the hope of recovering the lost time.
02:29I thought that maybe we could start again.
02:36Please, ma'am.
02:38After what he did,
02:40you want to build a relationship?
02:42All I want you to hear is from my mouth.
02:45Everything was there.
02:46What am I going to hear?
02:48He killed my father.
02:49There's no more.
02:51We're leaving, my love.
02:54Hello.
02:56I'm Marta.
02:59Dario's mother.
03:01Are you Mrs. Marta?
03:02Yes.
03:03Oh, I finally get to meet you.
03:08It's your grandmother. Give her a hug.
03:12It's your son.
03:14Oh, my love.
03:16What a pleasure.
03:17What a pleasure to meet you,
03:19to be able to see you,
03:20touch you, hug you.
03:22I imagine he's going to stay here for a few days
03:24with us, in time.
03:27Yes, yes.
03:28Let him settle in his room.
03:30Thank you, son.
03:32Let's go.
03:33Let's go, let's go,
03:34so your grandmother can settle in.
03:35Come this way.
03:36Thank you.
03:37You're welcome.
04:08Where's your friend's house?
04:10It's back there.
04:11Why did we stop here?
04:13Because we have a stolen car.
04:15If we leave it outside Eusebio's house
04:17and the police find it,
04:19we'll be in a lot of danger.
04:21Look, the cousin is already learning.
04:23I have a good teacher.
04:25Well, let's go.
04:38Let's go.
04:46Thank you.
05:00Hurry up, hurry up.
05:07Let's go.
05:14Monce,
05:15your friend knows how to live.
05:19Welcome to your new home.
05:24I didn't even imagine it in my dreams.
05:30Thank you, friend.
05:31I like you.
05:37I'm coming.
05:39I'm coming, I'm coming.
05:45Lorena,
05:46what are you doing here?
05:47Sorry,
05:48but I had nowhere to go.
05:49It's okay.
05:50It's okay, try to calm down.
05:51Do you want something to drink?
05:52Do you want a glass of water?
05:53Yes, thank you.
05:54I won't be long.
06:02Oh,
06:03the kitchen is so nice.
06:06Just like the one in jail.
06:09Oh no.
06:10I can't believe it.
06:12It's so cool.
06:14Come on.
06:15Let's go.
06:16Oh, let's see.
06:20It's delicious.
06:21It's delicious.
06:25Take something.
06:30What a treat!
06:33This is life.
06:35Girls,
06:36we brought you a baby.
06:37Oh,
06:38I'm so thirsty.
06:39You don't know,
06:40the fridge is full of things.
06:42No, no, no.
06:43Come and see something
06:44that is incredible.
06:45Let's see.
06:46Let's see.
06:53Wow, this is luxurious.
06:55Oh, and here are bubbles.
06:56And the air conditioner is gone.
06:58I haven't used them in a long time.
07:00Very well done,
07:01Laura Cervantes.
07:05Thank you.
07:07Is it true
07:08that you organized the escape?
07:10It wasn't my idea,
07:11but I helped.
07:12You helped?
07:14Before I tell you anything,
07:15I need to know
07:16if the professional secret
07:17still exists between us.
07:20What you want to know
07:21is if I can report you.
07:22That's why I'm asking you.
07:25Look,
07:26technically,
07:27I'm still your lawyer.
07:28But before I decide
07:29what I'm going to do,
07:30I need you to tell me
07:31exactly what happened.
07:34Taking advantage of the fact
07:35that they were going to celebrate
07:36New Year's Eve in prison,
07:37I escaped with other friends.
07:39I looked for my sister.
07:40We agreed to meet in a park
07:41so we could go to Coahuila.
07:43But it looks like she's being watched.
07:45When we met,
07:46Ismael showed up.
07:47He wanted to stop me,
07:48but fortunately,
07:49I managed to escape.
07:50You shouldn't have looked for Gabriela.
07:52The first thing the authorities do
07:54when someone escapes
07:55is watch the relatives.
07:56That's why most of them are caught.
07:58I thought we could do it.
07:59You thought wrong.
08:01What I'm going to tell you
08:02you're not going to like.
08:03Surrender.
08:05It's the best thing you can do.
08:07Pretend that your colleagues
08:08forced you to escape.
08:10I can give you some resources
08:12so that the punishment
08:13doesn't affect your sentence.
08:14No, no, no.
08:15I'm not going back to that place.
08:17I'm not going to serve a sentence
08:18for something I didn't do.
08:19I thought you were one of those
08:20who are against an innocent
08:21being imprisoned.
08:23You shouldn't have come.
08:24No, no, wait, wait.
08:27I'm convinced
08:28that you didn't kill Juan Pablo Correa.
08:30I don't know who or how
08:32set up all that mess
08:33in the bank to blame you.
08:35But you can be sure of something.
08:37I'm going to keep investigating
08:38to prove your innocence.
08:46I'm going out for a moment.
08:48If you're going to be a fugitive,
08:50you need clothes and food.
08:52And take the opportunity to take a shower
08:53if you want.
08:54You'll like it.
08:57Alejandro.
09:00Thank you.
09:09I didn't do anything wrong.
09:11You knew the whereabouts
09:12of one of the fugitives
09:13and you didn't tell us.
09:14That makes you her accomplice.
09:16Please cooperate.
09:17Tell us what your sister wanted.
09:19I don't know.
09:20They agreed to meet.
09:21That means they saw each other.
09:23Did you talk to her?
09:25What did she say?
09:27Answer me!
09:29If you brought a backpack,
09:30it's because you thought you could escape.
09:33I understand you're worried about Lorena.
09:35But we need to find her.
09:37Why?
09:38To put her in jail
09:39for something she didn't do?
09:41Then why did they sentence her?
09:43Your sister isn't a white dove.
09:45She organized the raid.
09:55Believe me.
09:56We want what's best for your sister.
09:59But while this fugitive is in danger,
10:01please cooperate.
10:03Tell us where she is.
10:04I don't know where she went.
10:05You saw her run away.
10:07A friend?
10:08A family member?
10:09We don't have anyone.
10:10Oh, please.
10:11How can you not have anyone?
10:13She has a plan.
10:15We'll find her
10:17with or without your help.
10:19I don't know what her plan was.
10:20She just told me
10:21to meet her in the park.
10:23She didn't tell me where we were going.
10:26Can I talk to you alone?
10:29Yes.
10:39Can I ask you a question?
10:42Do you really think my sister
10:43was capable of killing that guy?
10:45She was sentenced.
10:47Aren't there innocent people in jails?
10:50Look,
10:51there's no point in having this conversation.
10:54You're in danger
10:55and the best thing is that
10:56Detective Rojas will take you home.
10:57No, thank you.
10:58I can go on my own.
10:59I'm not a child.
11:00I don't want you to be alone, okay?
11:06Please take her home, okay?
11:07I can't let her go.
11:09She's the only one who can take us to the murderer.
11:12We can't stop her.
11:13Keep an eye on her.
11:14And don't put too much pressure on her, okay?
11:17She's a minor and she's scared.
11:22Come on.
11:23I'll take you home.
11:24Come in.
11:27Come on.
11:58I'm going to make something to eat.
12:00Go ahead.
12:01I'll help you.
12:02Come on.
12:03Will there be beer?
12:05A lot.
12:08Hey, wait for me.
12:09Wait for me.
12:18Lorena.
12:21Don't worry, it's me.
12:24You're late.
12:25No, I'm late
12:26because it was hard for me to find something open.
12:29It's a holiday.
12:30But I managed to get you some things.
12:32Thank you.
12:35Have you thought about what you're going to do?
12:37Go with my friends.
12:38Are you with others?
12:40Yes.
12:42I'm sorry you can't stay here.
12:44It would be very dangerous.
12:45Don't worry.
12:47Look, I brought you some clothes.
12:51Thank you.
12:52So you can change.
12:53I brought you a cake.
12:55You must be hungry.
12:56Cans with food.
12:58And well, here's the food.
12:59In the backpack you can keep everything.
13:02Thank you very much.
13:03Yes.
13:05Look, if you don't want to get caught, don't talk to anyone.
13:09And don't you dare contact your brother again.
13:12And if you want to know how he is, I'll take care of it.
13:16Talk to her.
13:17He must be very scared.
13:18It's not for less.
13:20And if you're going to see your friends, tell them to do the same.
13:23Don't talk to anyone.
13:25Change your appearance.
13:26You have to look totally different.
13:29And you can find a place where you can hide.
13:32While the tension of the case drops.
13:33Take it.
13:35And don't try to go anywhere, okay?
13:37Because at this time your photographs must be in all the border crossings,
13:41in airports, terminals, everywhere.
13:44And look.
13:45Look.
13:53Take it.
13:55You're going to need it.
13:57Thank you.
13:59And also, look, I brought you a cell phone.
14:03I'm going to save my number so you can have it.
14:07But this cell phone is just for you to communicate with me.
14:10Don't use it for anything else or they'll track you.
14:15Thank you very much, Portos.
14:17I don't know what I would have done without you.
14:20You dared to come looking for me and that says a lot.
14:24But seriously.
14:25If you don't want to be caught, listen to everything I told you.
14:30Yes.
14:31Well.
14:32Let's see.
14:36You look better like this.
14:41Take care, okay?
14:46Hey.
14:48Happy New Year.
14:51You too.
15:03What are you going to make for us?
15:04Well, I was thinking of making you an Aztec cake.
15:07How do you like it?
15:08I love it.
15:09How delicious.
15:11Just don't put anything on it.
15:13Please.
15:16I think I heard a noise in Mr. Eusebio's house.
15:19Like something fell.
15:25How strange.
15:27Mr. Eusebio's bedroom window is open.
15:31And what's so strange about that?
15:33Well, Mr. Eusebio is not here.
15:36He told me he was going to leave the city.
15:38What?
15:40He told me he was going to leave the city?
15:43Maybe he's already back.
15:50Yes.
15:51Look, I appreciate your call, but I don't want to talk about it anymore.
15:55Thank you.
15:57Everything okay?
15:58Yes, the press.
15:59It won't stop bothering me until Ismael catches the murderer of Juan Pablo.
16:04My love.
16:06How are you?
16:07I'm sorry.
16:09I understand that all this must be very stressful for you.
16:12Do you want a drink?
16:13Please.
16:15What are the authorities doing with the escape?
16:19An operation was deployed to recapture the 34 women who fled.
16:23It will take some time to find them.
16:25I don't think it's wise for you to take charge of this case.
16:29I mean, among the fugitives is the murderer of Juan Pablo.
16:34You should ask another prosecutor.
16:38For me, it's a case like any other.
16:40And it's not my intention to mix things up.
16:43I have to find 34 fugitives.
16:45And Lorena Martinez is one more.
16:47I don't want to go with you, but you'll know.
16:56What can I do for you?
16:59I'm here to look for the man of the house.
17:01Yes, what man?
17:02The owner, who else?
17:04Come on, call him, tell me his name.
17:06I'm sorry, ma'am, but I don't have to give you the information.
17:12Hi, grandma.
17:13What are you doing here?
17:15What are you doing here?
17:16Later, later, later.
17:17I'll explain later.
17:25Now, yes.
17:27Reno.
17:29Reno.
17:30Look who's here.
17:32What happened, Martillo?
17:33Are you on your way to Cahuila with your sister?
17:35No, you don't know.
17:36They were about to catch me.
17:38When I met Gabriel, Ismael appeared.
17:40But what?
17:41How? How did he know he was going to find you there?
17:43Well, I don't know.
17:44He probably has her under surveillance.
17:45Ismael, your boyfriend, the prosecutor?
17:48That's not cool, Martillo.
17:49You have to be alive.
17:50Forget about your relatives.
17:52I don't even have relatives here in the city.
17:54Me neither.
17:55You got rid of her, girl.
17:56And that's what counts.
17:58Things happen for a reason.
17:59Because we go out together and we stay together.
18:01Yes.
18:02Sit down.
18:03The food is hot.
18:04It's delicious.
18:07I'll give you another one.
18:09Do you want...
18:11It's so good.
18:13Something strange is happening at Mr. Eusebio's house.
18:16Why do you say that, woman?
18:18I just saw a woman arrive.
18:20And when I asked her who she was looking for,
18:22she didn't tell me Mr. Eusebio's name.
18:25And another woman opened the door and let her in.
18:28Who were those people?
18:30Let's find out.
18:31Of course.
18:32Let's go.
18:44How's it going at the bar?
18:46Good.
18:47Fortunately, we have a lot of customers.
18:50It's a pleasure.
18:53I already left my room.
18:55Thank you for letting me stay.
18:57The house is very well taken care of.
18:59Congratulations.
19:01Carmen looks like a very good person,
19:03and Matias doesn't.
19:05He's a...
19:06Look, ma'am.
19:07I can't stop you from living in the house because it's yours.
19:09But you and I don't have any kind of relationship.
19:11So don't try to make me talk.
19:13For me, you're a stranger
19:15who occupies one more room.
19:17That's all.
19:19So leave me alone.
19:27Don't worry.
19:30I won't bother you again.
19:40I haven't felt so happy in a long time.
19:43Let's drink to that!
19:44And because we're free!
19:45To our freedom!
19:52Open up! We're going to call the police!
19:56Open up!
19:57What are we going to do?
20:00Open up!
20:09They left.
20:10We have to go.
20:12But we can't all leave together.
20:14Where did they leave the car?
20:15One block away.
20:16We should go get it.
20:17Should I go?
20:18No!
20:19No, no, no. The neighbor saw you.
20:20I'll go. I'll go.
20:21I'll go with you.
20:22No, no, no. You go alone.
20:23It's easier to go unnoticed like this.
20:25When you're out here,
20:26ring the doorbell twice so Mom can leave.
20:28Okay.
20:30Make sure there's no one by the window when you leave.
20:33Be careful.
20:34I'll see you in a bit.
20:35Our things.
20:36We have to put them away quickly.
20:37Yes.
20:45You should listen to my dad
20:47and drop that case.
20:49I'm not dropping it, Florencia.
20:50I'm more interested in catching Lorena Martinez than anyone else.
20:53What's your obsession with that woman?
20:56Juan Pablo is dead and nothing will bring him back.
20:59It's not an obsession.
21:00It's my job.
21:01I was assigned a case and I'm not dropping it.
21:03You can assign it to any other DA.
21:06Tell them you can't take responsibility for your closeness to Juan Pablo.
21:09I'm not dropping it.
21:10What don't you understand about all this?
21:12I think you're not dropping it precisely because of that woman.
21:15You still don't explain to me what's going on with her?
21:17Why do you care so much about being the one to catch her?
21:19I already told you.
21:20She's Juan Pablo's killer.
21:21And I don't want to talk about this anymore.
21:23Last night you told me you were going to support me in everything.
21:26And now you're insisting just because your father wants it that way?
21:29It's not because of him.
21:31The truth is, I was just waiting for you to take a break
21:35so we could go on vacation.
21:37Florencia, this is not the time.
21:40I'm sorry, I have a lot of work to do.
21:52Open up! Police!
21:54Are you sure there's someone in there?
21:56Yes, sir.
21:57I saw two women who got in there.
22:00I think there's a cat in here.
22:02Because you don't have to do anything in my neighbor's house
22:05because he told me he was going to leave the city.
22:09Let's go.
22:21We have to search the whole house.
22:45Come on!
22:52What's going on? Why aren't they here yet?
23:06Good afternoon, miss.
23:07Good afternoon, officer.
23:08What can I do for you?
23:10This car has a theft report.
23:12Can I see your papers, please?
23:17Here you go.
23:18Thank you.
23:20Get out of the car, please.
23:25Catch her!
23:26They're taking her!
23:27No, no!
23:30Let me go! I can't live without her!
23:49I'm sorry.
24:06Are you going to stay here all night?
24:08Yes, the DA told me to take care of you.
24:10What are you going to do? I don't need a babysitter.
24:12It would be easier if you cooperate and tell us where your sister is.
24:15Even if I knew, I wouldn't tell you.
24:17I'm not moving from here.
24:19If you really want us to leave you alone,
24:21it's best if Lorena turns herself in.
24:23My sister doesn't have to go back to jail.
24:25She didn't kill anyone. She's innocent.
24:27She was sentenced.
24:28So what? As if justice didn't make mistakes.
24:31I'll get it.
24:38What are you doing here?
24:40I came to see my defendant's sister.
24:42Do you know anything about Lorena?
24:44No.
24:46I only came to see Gabriela. She's a minor.
24:48Because of the escape, I thought she might be having a bad time,
24:51but I see she has police surveillance.
24:54Are you okay?
24:55No.
24:56I'm very uncomfortable with a stranger in my house,
24:58watching me as if I were a criminal.
25:01You shouldn't be in this house.
25:03I'm following the DA's orders.
25:04And since when are DA's authorized
25:06to put detectives in people's homes without a judicial order?
25:10Or do you think it's an order?
25:11Because I didn't get any notification.
25:13Why don't you leave and let Gabriela rest?
25:25I can't stay long so as not to generate suspicions.
25:28I just came to tell you that Lorena is okay.
25:30Thank God. What a relief.
25:31The DA almost grabbed her and...
25:33Yes, I know everything.
25:34You won't be able to see her for a long time,
25:36or communicate with her.
25:38Where is she now?
25:39I don't know.
25:40But as soon as I have news of her,
25:42I'll let you know.
25:43Thank you.
25:45I'm leaving. We're in touch.
25:48Yes.
26:02You broke the protocol.
26:04You didn't have to go into Gabriela's house.
26:06I already told you.
26:07The DA ordered me not to lose sight of her.
26:09Hey, he was about to catch Lorena.
26:11The DA?
26:12Yes. He tried to stop her, but he escaped hitting him.
26:15Lorena stayed to meet with Gabriela,
26:17but she didn't want to give any information.
26:19She probably doesn't have it.
26:21Oh, please.
26:22How can you not see?
26:23It's obvious that he knows where his sister went.
26:25Well, even so, you don't have to go into his house.
26:29I only followed orders.
26:31Well, this is the DA.
26:32He doesn't know how to do his job and you don't either.
26:35Do you realize that I can file a complaint for abuse of authority,
26:38for breaking into private property?
26:39Don't mess with my job.
26:41Then do it right.
26:47Are you going to stay here all night?
26:51Yes.
26:52The safest thing is that Lorena returns to look for her sister
26:55and I'm going to catch her there.
26:57I don't want you to do it.
26:58All you're doing is scaring a poor 17-year-old girl.
27:02But there you and your DA.
27:05Excuse me.
27:06Excuse me for telling you, but the DA seems like an idiot to you.
27:15Were you with more fugitives?
27:16No.
27:17You're lying.
27:18A neighbor says there were two women who broke into a house.
27:22Who else was with you?
27:24I already told you I was alone.
27:25What were you doing in that neighborhood?
27:27Who were you looking for?
27:28Nobody.
27:29After I stole the car, I stopped to sleep.
27:31After I stole the car, I stopped to sleep.
27:33I was very tired.
27:37I'm the DA.
27:38If you cooperate, I can intervene so that your sentence is less than the terms imposed by the law for having fled.
27:43What you want to know is if I was with the hammer.
27:46The hammer?
27:48Don't tell me you don't know her.
27:50Lorena Martinez was your girlfriend.
27:52Was Lorena Martinez with you?
27:54No.
27:55But she told me about you when we were in jail.
27:57You're covering up other rumors.
27:59You better tell the truth.
28:01We're going to give you a few minutes to think about it.
28:05Don't get nervous when I tell you about the hammer.
28:07You can do it.
28:23Is it true what the detainee said?
28:26You were involved with Lorena Martinez.
28:28I met her months before Juan Pablo's incident.
28:31It's a personal matter.
28:32You had a relationship with the murder of your best friend.
28:35And until now I haven't heard from her.
28:36I met her when I was separated from Florencia.
28:39We started dating.
28:40I had no idea she worked at the construction company.
28:42I found out on the day of Juan Pablo's murder.
28:44Now I understand why you're so interested in the case.
28:46You're wrong.
28:47I'm only interested in the professional aspect.
28:50The best thing is that she's not present at the interrogation.
28:56Let's go.
29:01I'm sorry.
29:08Hello, what can I get you?
29:09A beer, please.
29:10A beer.
29:11And you?
29:12A tequila, please.
29:13Tequila.
29:15I'll bring it right away.
29:16Of course.
29:18Mrs. Marta, I'm glad you decided to come down.
29:20Have a seat and I'll bring you whatever you want.
29:22No, no.
29:23On the contrary, I want to help.
29:25When I got to the Bible, I think it says they need waitresses.
29:28Yes, because you barely called me to serve.
29:30While you get someone, I'd like to lend a hand.
29:33I love the idea.
29:34Let's tell Dario.
29:35Come on.
29:37Honey, your mom is going to help us serve the tables.
29:40No.
29:41But why not?
29:42What we need are hands.
29:43Of course.
29:46Look.
29:48Can you take these drinks to table four, please?
29:51I put the order on it.
29:52What's table four?
29:53Look, the tables have their number on the board that's here on each one.
29:56They're numbered from the bar.
29:58This is one, two, three, four.
30:00That's the one over there.
30:01And then five, six, and so on.
30:02Yes, I understand.
30:03Thank you.
30:06You shouldn't have contradicted me.
30:07I don't want my mom to help us or get involved in the business.
30:10For God's sake, Dario, she's your mom.
30:12All you want is to help and feel useful.
30:14There are a lot of people.
30:16You'll see that the help will come in handy.
30:18Miss.
30:19See?
30:28Come in.
30:31Excuse me.
30:33Did you manage to get the detainee to cooperate?
30:35No.
30:36His statement was firm.
30:38But because of the testimony of the neighbors and what the owner of the house said...
30:42...to whom we were able to contact...
30:44...I am convinced that Paola Farfán...
30:47...was at least like the other three fugitives.
30:50Do you know who they were?
30:51One of them could be Montserrat Torres.
30:55The owner of the house, Eusebio Miranda...
30:57...confirmed that he received a call from a woman named Laura Cervantes...
31:01...with whom he had a romantic relationship at some point in his life.
31:06By the description he provided...
31:08...it could be Montserrat Torres.
31:10If it was her, why use your name?
31:12They are swindlers.
31:14That kind of woman never uses her real name to make hers.
31:18What about the other two?
31:19Another could have been Elsa Morales.
31:22The director of the penitentiary told me she was Paola Farfán's best friend.
31:27Finally, Lorena MartÃnez...
31:31...coincides with the description provided by the neighbor.
31:35She approached her when she was arriving at the house.
31:40Sir...
31:42...if we are going to work together in this case...
31:45...I need you to be honest with me.
31:49Is there anything about your relationship with Lorena MartÃnez that I should know?
31:54Are you interrogating me?
31:56No.
31:58I'm just doing my job.
32:00But I need to know what ground I'm stepping on.
32:05I understand.
32:07But there's no more.
32:09My relationship with her is over.
32:11My intention is to recapture each of the fugitives...
32:13...not for personal reasons, but for work.
32:17And I'm going to ask you to be discreet, okay?
32:20It wouldn't be convenient for you to leak what the detainee revealed.
32:23Don't worry.
32:26Are you still watching the fugitive's relatives?
32:28Yes.
32:29The elements that are taking care of them are dressed as civilians...
32:33...so that they don't suspect them.
32:34Perfect.
32:36Keep me informed of any news.
32:38I will.
32:39Good night.
32:40Good night.
32:47What happened?
32:57I can't stop thinking about Paola.
32:59She shouldn't have left the house alone.
33:01Why didn't we all leave together?
33:03Who would have imagined that they would catch her?
33:05I understand how you must feel.
33:07If I feel bad, Paola is your best friend.
33:11But don't lose faith.
33:13Life will bring you back together with her.
33:15You'll see.
33:16I hope so.
33:17Yes.
33:18Yes.
33:19What are we going to do?
33:20We have nowhere to go.
33:22Let's keep walking.
33:23Something will happen to us.
33:25Let's go.
33:26Yes.
33:27Help me.
33:28Are you okay?
33:29Yes.
33:37Amanda Rojas at your service.
33:39Amanda, it's me.
33:40Good evening, prosecutor.
33:41Paola Farfana was detained outside a parking lot.
33:44She was in a car that had been reported as stolen.
33:46That's great news.
33:48Was she with someone else?
33:49No.
33:50But we suspect she was waiting for someone who never arrived.
33:53I haven't left Lorena Martinez's house.
33:55I'm outside the building.
33:56It doesn't matter if she's still there.
33:58Lorena knows we're looking for her.
34:00And the last thing she wants is to show up at her house.
34:02I understand.
34:03Go get some rest.
34:04Okay.
34:05Thank you.
34:06Good night.
34:09Good night.
34:24Welcome back, Farfana.
34:26I'm glad you're happy.
34:28Come in.
34:30Come in!
34:33Two light beers and an oscar.
34:38Thank you for letting me work.
34:40It's the only thing I get from someone else.
34:43Thank you.
34:52I'll leave this here.
34:54Good evening, Marta.
34:56Good evening.
34:57What are you doing here?
34:59I brought you your sweater.
35:01I left it in my car.
35:03Thank you so much.
35:04You're so nice.
35:05I didn't even realize I'd lost it.
35:07How's your son doing?
35:09Well...
35:11He's doing well.
35:13It's very difficult to live after being away for so long.
35:16I hope we'll get there little by little.
35:18What will you achieve?
35:20It's only a matter of patience.
35:22And that's all I have.
35:24If there's one thing I learned in prison,
35:26it was to be patient.
35:28I'll be patient.
35:30I'm very thirsty.
35:31Can I get you something to drink?
35:33Of course. What would you like?
35:35A Coca-Cola without sugar and very cold.
35:38Very well.
35:39Look, there's a table over there that's alone.
35:41Go there.
35:42Perfect.
35:43And I'll take you there.
35:44Thank you.
35:51The police must be trying to get Paola's information.
35:54I'm sure Paola won't say anything.
35:56It doesn't matter if Paola talks or not.
35:58Even if she did, we're not in that house anymore.
36:00And you don't know where we're going to be?
36:04Lore, Lore, Lore, girls, come here.
36:06Look, they're asking for waitresses.
36:08We could work here.
36:10How can you think of that?
36:11It's a public place.
36:12They can recognize us here.
36:13The centers are in the middle of the night
36:15and they only work at night.
36:17I think it's a good place to save money
36:19and then we can go outside the city.
36:27Here you go.
36:28Thank you.
36:31Can I sit down and talk for a moment?
36:33Yes, yes, of course.
36:34But let me serve you.
36:38Thank you very much.
36:42I don't think it's a bad idea.
36:44What if they recognize us?
36:46Or that people are looking for some fugitives.
36:49Or that we were at the shows.
36:53Okay, we have no choice.
36:56Let's go.
37:09What's wrong?
37:11Are you okay?
37:13Yes.
37:14Yes, I'm fine.
37:17You look pale.
37:18Oh, no.
37:19It's just that I'm not used to these environments.
37:22And I'm a little dizzy.
37:23And I'm a little dizzy.
37:24I'm going to bring you a glass of water.
37:25Sorry.
37:28There's the boss.
37:30What?
37:31What?
37:32Now.
37:33What?
37:34What did you say?
37:35That we're going over there.
37:40Drink.
37:41Please.
37:42Yes.
37:43Oh, I know why I'm dizzy.
37:45I forgot to take my pressure pill.
37:49Excuse me for a moment.
37:50Yes, yes, of course, of course.
37:51Yes.
37:52Please.
37:53Oh, well.
37:54Oh, well.
37:55Oh, superior to you.
37:56No, no, no.
37:57No, no.
37:58Not now.
37:59Look.
38:00Do you see the man with whom I'm at the table?
38:03Yes.
38:04It's Commissioner Rojas.
38:05The one in charge of finding them.
38:07He has to hide.
38:08No.
38:10And what do we do?
38:11Well.
38:12Let's see.
38:13Wait for me.
38:14This.
38:15Follow me.
38:16Follow me.
38:17Follow me.
38:18Don't make any noise.
38:19Now.
38:20Now.
38:23Now.
38:24Now.
38:30Go in.
38:31Go in.
38:32Please.
38:33Go in.
38:34Go in.
38:35Don't make any noise.
38:44Oh, now let me give him a superior hug.
38:48How did we find you here?
38:51Because this is my house.
38:53My son and his family live here.
38:55And at night, this place works as a bar.
38:58Right now, I don't have much time to tell you or for you to tell me anything,
39:01but you can't leave this room for any reason
39:04if you don't want to be caught.
39:06And quiet, please.
39:07Whatever you order, superior.
39:09It's not a game.
39:11If the commander, or my son, or his wife, or my grandson,
39:14realize that you're here, you're going back to the prison.
39:17Oh, no. No, no, no. Not that.
39:19Well, then, listen to me.
39:21And don't leave this place for any reason.
39:24Okay?
39:25Okay.
39:32We're here to get into the wolf's mouth.
39:34Who would have thought?
39:35I hope Martha lets us stay here tonight.
39:38We'll see what to do tomorrow.
39:44Do you feel better?
39:45Yes, thank you.
39:48I'm going to get your kitchen assistant, Paola Farfán.
39:51And how did you get her?
39:53She was in a car that had a robbery report.
39:56I imagine it will have consequences.
39:59It's safe to say yes.
40:00But, well, that will be determined by the judge.
40:03Between the escape and the robbery,
40:05she was going to lose the benefits she had.
40:07It's a shame.
40:09She shouldn't have escaped.
40:11She didn't have much time to fulfill her sentence.
40:13We suspect she wasn't alone.
40:16And why?
40:18She was found outside a prison
40:20where some neighbors reported
40:22that some women had broken into a house.
40:25But, strangely, when the police arrived,
40:27no one was there.
40:30This is the list of the inmates who escaped.
40:33Since you know Paola Farfán so well,
40:35could you tell me who she could have been with?
40:38You'll have to excuse me,
40:40but I don't want to know anything
40:41that has to do with the fugitives
40:43or what happened in prison.
40:45I spent 18 years of my life there.
40:47And yesterday, when I was released,
40:48I closed that chapter forever.
40:51I'm sorry.
40:52I didn't think it would bother you so much.
40:54No, no, it's not that it bothers me.
40:56Understand me.
40:57But, as I already told you,
40:58I don't want to know anything about the escape
40:59or the prison ever again.
41:01I understand.
41:02I understand.
41:03I'm sorry.
41:04It won't happen again.
41:05No, it's okay.
41:07I'm sorry.
41:10Commissioner Rojas.
41:13I'm on my way.
41:15I'm at the police station.
41:16I have to get back to work.
41:17Yes.
41:18How much do I owe?
41:19Let's go to the cash register.
41:20Okay.
41:21Let's go.
41:22They'll give you your bill there.
41:23If you want to take it, it's that one.
41:26I'll take it.
41:27Thank you.
41:29The bill for seven, please.
41:38Here.
41:39Take it.
41:40Thank you.
41:42It was a pleasure to see you again.
41:46What was that?
41:48A higher floor.
41:50No, there's no one upstairs.
41:51I'm going to check.
41:52I'll go with you.