La Promesa Cap 395
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00:00I wanted to thank you from the bottom of my heart.
00:02I haven't done anything I wouldn't have done as a good companion.
00:04I was in a very big problem.
00:06But, well, you have all the credit here.
00:08It's Mr. Baeza.
00:10He has also done his part.
00:12But with you everything is different.
00:14They have taken good care of Adolfito for a long time.
00:16I'm sure they think that leaving him in my hands
00:18is a fear.
00:20Martina, it can be whatever you want,
00:22but it's not a fear.
00:24It's not a fear.
00:26It's not a fear.
00:28Martina, it can be whatever you want,
00:30but it's not a murder.
00:32And above all, it's your niece.
00:34It's a Lujan.
00:36So if something serious happens to her because of you,
00:38I assure you that I will do everything I can to destroy you.
00:40You will see that when Gregorio sees his tombstone,
00:42you will see that his rumors are true.
00:44And when he thinks that I have died,
00:46it will be forever.
00:48I want you to be attended to.
00:50And above all, controlled.
00:52At least until we find out what happened.
00:54That's why I think the most sensible thing
00:56is for you to leave.
01:00But what do you mean a sanatorium?
01:02What does that mean?
01:04Father, please don't let them lock me up in a asylum.
01:06Ignacio, my daughter is not disabled.
01:08So I don't see what sense it makes
01:10that we put her in an asylum.
01:12I have never talked about that.
01:14I said sanatorium.
01:16Which is still a euphemism
01:18because my niece doesn't have a thesis or anything like that.
01:20A mental sanatorium, you know.
01:22Where sick minds are healed.
01:24Sick minds?
01:26That's right, yes.
01:28And what is the difference with a sanatorium?
01:30Well, the place they have recommended to me
01:32has the best specialists.
01:34Doctors who will not only take care of Martina,
01:36but who will help her
01:38review
01:40everything that happened.
01:42Maybe that
01:44gives us clues as to what happened.
01:48And determines her responsibility.
01:50Entering her with that purpose
01:52is like Oscar Sacañonazos.
01:54Well, my proposal is what it is.
01:56And the truth is, I don't understand why there is so much commotion.
01:58I'm being very generous.
02:00After all, we are talking about entering
02:02a season in a clinical institution.
02:04Nothing comparable
02:06to spending time in prison.
02:08I'm sorry to have to speak in such a crude way,
02:10but let's not fool ourselves.
02:12An accusation of attempted murder
02:14with the evidence we have
02:16could take Martina to prison for many years.
02:18I think
02:20Martina's findings are more than acceptable.
02:24If, as he says, this transcended
02:26and reached the authorities,
02:28things would be very bad for Martina.
02:30Therefore, the proposal to enter her in a sanatorium
02:32is, as the count says, sensible and generous.
02:34And of course,
02:36what are you going to say?
02:38That you have your wife in one of these ...
02:40This is a really rude assumption,
02:42even coming from you.
02:44Please, let's not complicate the matter
02:46unnecessarily.
02:48I have put on the table a proposal.
02:52Either that or the Civil Guard.
02:56Now it is your decision.
03:18I can tell you
03:20the things that have happened
03:22since I saw you.
03:24The lights that have danced
03:26through our garden.
03:28The new rumors
03:30between the heart and the walls.
03:34In the promise
03:36there will be particles
03:38of love in motion.
03:40There will be secrets
03:42that will never come out.
03:44It will be as beautiful
03:46as the flight of a plane.
03:50In the promise
03:52the goodbyes
03:54are spins on the ground.
03:56Even the flowers
03:58will dance in their own way.
04:00Balancers
04:02between fear and passion.
04:08We are like a jump
04:10to the D3.
04:12We are love when
04:14there is life or death.
04:16A long way to go.
04:20In the promise
04:22it will be a matter of luck.
04:24We are like a jump
04:26to the D3.
04:28We are love
04:30when there is life or death.
04:32A long way to go.
04:36In the promise
04:38it will be a matter of luck.
04:45It was not necessary, Petra.
04:47Well, miss,
04:49we can talk more calmly here.
04:51And for me it is an honor
04:53that you want to deal with a matter
04:55of such importance with me.
04:58Although the truth
05:00I don't know how I could help you.
05:02Neither do I, but well, we'll see.
05:04That's why I'm here.
05:06The truth is that my knowledge
05:08about Count de Ayala
05:10is reduced to the little treatment
05:12I've had with him.
05:14I don't know who his enemies are
05:16or if he has them.
05:18But you were his secretary
05:20for a while.
05:22Well, secretary, miss,
05:24that's a lot to say.
05:26I'm just a simple maid
05:28who was asked to help the count
05:30in certain tasks.
05:32Especially with his correspondence,
05:34as you have commented.
05:36Because that's what interests me precisely.
05:38I don't think I understand you, miss.
05:42If you, Petra,
05:44read the letters of Ayala,
05:46wrote others to his dictation,
05:48did that give you access
05:50to certain information?
05:52Don't you think there was something
05:54in those letters that could explain
05:56what happened to him?
05:58Some kind of grudge?
06:04I'm sorry, the truth
06:06is not to be of more help to you, miss.
06:08Thank you.
06:10Although,
06:12nevertheless, yes.
06:16The truth is, miss,
06:18that it has nothing to do with the correspondence
06:20of the count.
06:22And well looked at, it was more
06:24an impression of mine than anything else.
06:26But there is something that caught my attention
06:28from the beginning.
06:30It is that Count de Ayala
06:32showed a lot of interest in the promise.
06:34And not only in the palace,
06:36but also in the farm,
06:38and its possibilities of ...
06:40I don't know how to say it.
06:42Exploitation possibilities.
06:44Yes, yes, that's what the count said.
06:46I guess it's something that doesn't matter.
06:48Not necessarily,
06:50but I admit that I don't know
06:52what relationship it may have
06:54with the cause of poisoning.
06:56Well, miss, I'm not saying there is.
06:58I'm just pointing out
07:00something that caught my attention.
07:02Sure, sure. And I appreciate it.
07:04Please continue.
07:08Well, look, at first I thought
07:10that all that was
07:12mere curiosity.
07:14But I immediately realized
07:16that what about Count de Ayala was pure interest.
07:18Because, for example,
07:20he didn't stop talking about practical things.
07:22He said that
07:24all the possibilities
07:26that the promise offered were
07:28mostly wasted.
07:30And ...
07:32then ...
07:34then there was something else
07:36that also caught my attention.
07:42It was you, miss.
07:44It is known that
07:46Mr. Ignacio and Mrs. Margarita
07:48did not tolerate each other.
07:50Not just to say it,
07:52with delicacy.
07:54And yet, from one day to the next,
07:56Mr. Ignacio stopped harassing
07:58Mrs. Margarita
08:00and began to visit her company
08:02and pour water on her
08:04on the smallest occasion.
08:08Yes, it is true that I do not know when they began to intimate.
08:10No, it was all very sudden.
08:14And soon after,
08:16Mr. Ignacio announces
08:18that he is madly in love with her
08:20and his intention to marry her.
08:22And did you miss
08:24his change of attitude?
08:26Very much.
08:28But as I later understood the reason ...
08:32I hope you tell me right away
08:34because you disgust me.
08:38You see, miss,
08:40I am convinced that
08:42precisely during those days
08:44the count knew that Mrs. Margarita
08:46was the owner, nothing more and nothing less,
08:48of a quarter of the promise.
08:50So he proposed to seduce her,
08:52to marry her.
08:54And that way
08:56everything had gone
08:58according to his calculations.
09:00She was where she wanted to be
09:02and the pieces where he had planned
09:04all
09:06except one.
09:08Martina.
09:10Precisely.
09:12Count Dallala was
09:14with all the pampering,
09:16requests and gifts that had served him
09:18to earn the favor of his mother.
09:20He had not shown any affection for his daughter
09:22because Miss Martina
09:24refused roundly that her mother
09:26marry him.
09:28And Count Dallala realized
09:30that Miss Martina
09:32had become an obstacle for his plans.
09:34And as time went by,
09:36in a corner,
09:38increasingly unsavable.
09:42Or so it seemed.
09:44Because now everything points
09:46that it will cease to be.
09:52Do you mean that the count
09:54made it seem
09:56something that it is not?
09:58Oh, miss.
10:00Who am I
10:02to say anything?
10:04You.
10:06You draw
10:08your own conclusions.
10:16I thank you for your trust
10:18and I do not take away your reason.
10:20The Count and the nobles
10:22have to give accounts to the mayor,
10:24but the next time Mrs. Arcos
10:26asks for explanations, you tell her.
10:28Are you sure, Mr. Bueza?
10:30Yes, yes, yes. Do it.
10:32For the good of all, tell her.
10:34Understood?
10:36High and clear, sir.
10:38I hope so. You may leave.
10:46Blessed be God.
10:48It's late. Sit down.
10:50I know. That's why I came to see you for the first time.
10:52You were sorry to leave Mrs. Darre alone, I suppose.
10:54Yes, the truth is
10:56that I miss her more and more.
10:58And Mrs. Arcos?
11:00What's going on with her?
11:02Well, nothing. I left with the rumble
11:04that she had heard something from us.
11:06The truth is that when she asked where she was going,
11:08her blood boiled and she thought
11:10she had discovered us, but then
11:12she thought about the notion of the Lord and ...
11:14The first thing that came to my mind.
11:16The truth is that woman does not leave us
11:18even in our moments of rest.
11:20In this case, there is nothing to worry about.
11:22Mrs. Arcos, all she wanted was to complain
11:24because I would have sent her to Wuhan
11:26without having consulted her before.
11:28My God.
11:30She is upset because she says we act behind her back.
11:32What do you think?
11:34Well, it seems to me that she has reasons.
11:36That's like the fox who complains
11:38that the owner of the chickens throws stones at him.
11:40What's wrong with you?
11:42No, nothing.
11:44I like your sense of humor.
11:46I always like it.
11:48Well, the fox we are talking about
11:50also wanted to comment
11:52on the matter of Mrs. Carranza and her son.
11:54I tell you all this to reassure you.
11:56If Mrs. Arcos had known
11:58something about Mrs. Darre,
12:00she would not have let her know.
12:02So she doesn't know anything or suspect anything.
12:04Well, thank goodness.
12:06And now the important thing.
12:08How is Mrs. Darre?
12:10Is she well? Did she take all the food?
12:12Did you find the blankets in Wuhan?
12:14Yes, I took everything, but ...
12:16The truth is that I found her very weak and weak.
12:18She was like a ball when I got there.
12:20But then she went to drink Mrs. Simona's broth
12:22and ...
12:24the colors came out even of the semblance.
12:26That broth is an apostolic blessing.
12:28And I'm going to confess one thing to you.
12:30Sometimes I go down to Hurtadillas at night
12:32to the kitchen and I have a cup
12:34without permission and without need.
12:38Everything in order then?
12:40Yes, ma'am.
12:42Today I have ordered Lope
12:44to take care of the inventory of the pantry
12:46and I am pleased to inform you
12:48that we have enough canned provisions
12:50for a month and a half.
12:52You don't know how happy I am.
12:54And also, to make sure there was no possible mistake,
12:56I have asked him to repeat the task.
12:58Very well.
13:00I have also commissioned a maid
13:02who, during the cleaning of the palace
13:04these last few days,
13:06will take note of those furniture that will need
13:08some arrangement.
13:10But almost everything is in very good condition,
13:12beyond some small imperfection
13:14such as some seats
13:16of the furniture of the greenhouse.
13:18But I have already given order
13:20to start with the arrangements tomorrow.
13:22Splendid, Petra.
13:24I give myself for informed.
13:26And then there are the tell-tales
13:28such as the case of Virtudes,
13:30Simona's daughter ...
13:32Stop, stop. I don't need all those details.
13:34Do you think I don't have enough
13:36already with the things that matter?
13:42A desperate situation with my niece,
13:44a row with my husband
13:46that does nothing but avoid me,
13:48not to mention that my son is in a war
13:50where thousands of men die every day.
13:52I'm sorry, ma'am.
13:56As you will understand,
13:58the misdeeds of the service matter very little to me at the moment.
14:02While the work is done for me,
14:04as if they were killing each other.
14:06With the permission of the lady.
14:18Come in.
14:24Has something happened?
14:26Jallar has taken advantage of the dinner
14:28to make us a proposal.
14:34I'm sorry.
14:52Good morning.
14:54Yesterday I left a lot of clothes here to mend.
14:56Do you know where they left it?
14:58They are there. The rest is mine.
15:00I have to get everything later.
15:02Let's go.
15:10Good morning.
15:12Good morning.
15:14My father has asked me to go buy some things for Lujan.
15:16The problem is that
15:18there are too many for one person.
15:22So I asked him to come and he gave me permission
15:24to go with him on the street
15:26with a maid.
15:28Why don't you come with me to Lujan
15:30so we can go for a walk
15:32or chat together for a while?
15:34What?
15:36If you want and you dare,
15:38we can take a little longer
15:40and go to a tavern to drink something
15:42or a hot chocolate.
15:44I don't know, Santos.
15:46If what worries you is the return,
15:48I can talk to Mrs. Petra
15:50to give her a good excuse and that no one retaliates.
15:52No, that's not it.
15:54Cheer up, come on.
15:56I wish I could. The plan seems very tempting to me,
15:58but I have a lot of work.
16:00Are you sure you can wait?
16:02No. In fact, all these garments
16:04had to have been patched up.
16:06They were piled up yesterday and you can see how I am.
16:08With all this, at least I have all morning.
16:10But ...
16:12Santos, leave it.
16:14You know how demanding Mrs. Arcos is
16:16and the last thing I want is to start the day putting it against me.
16:20Sure.
16:28Martina.
16:30Martina, you have to eat.
16:32I don't say much, but don't stay on fasts.
16:34If you don't eat, you'll end up feeling worse.
16:36I just can't.
16:38Catalina, I really can't.
16:40My stomach is closed and I can't eat anything.
16:42That's fear.
16:44Of course it's fear.
16:46How can it not be fear?
16:48You wouldn't be afraid.
16:50Yes, of course I would.
16:52No, no.
16:54I didn't mean to say that.
16:56They want to take me to a sanatorium.
16:58And I know they call it that,
17:00but it's actually a asylum.
17:02And I know those places are horrible
17:04and I know it because I work there.
17:06His mother has been in them all her life.
17:08This doesn't have to be the same.
17:10I think they're all the same.
17:12Don't even pretend you're going.
17:14It's not all said yet.
17:16I have no choice.
17:18They've already decided for me.
17:20I can't deny it, I can't hide in the hangar.
17:22Look, I hope you don't have to go.
17:24I'm sure your mother won't allow you
17:26to go to a place like Curro described.
17:30Not her, not my father, not me.
17:32Martina.
17:34Do you know what's the worst part?
17:40The food.
17:46The worst part is that when I go out,
17:48if I ever go out,
17:50if I ever go out,
17:52I'll never take my stigma off.
17:54In all the hangars,
17:56I won't be Martina anymore,
17:58I'll be Martina the crazy one.
18:00You haven't gone in yet
18:02and you're already thinking about what will happen when you go out.
18:04I just don't know how I got here.
18:08I'm not a murderer,
18:10and I'm not crazy,
18:12and these things are happening on their own.
18:14I'm sorry.
18:16I'm really sorry.
18:18I'm sorry.
18:35Hi.
18:37Hi.
18:38Are you very busy?
18:40I don't want to entertain you,
18:42and I don't want you to get a cold because of me.
18:44No, I'm almost done.
18:46This and this.
18:48In the meantime, you can stay if you want.
18:52Can you believe that until I got here,
18:54I thought that rich people,
18:56when they took off their socks,
18:58they threw them away?
19:00Well, you see, they don't.
19:02I don't understand.
19:04Because they're rich, right?
19:06Why don't they put on a new one,
19:08and here, peace and then glory?
19:10What's the point of wearing a sock
19:12to make it last longer?
19:14It's not worth it, Vera.
19:16How can you tell that you don't know how much
19:18a pair of rich people's socks cost?
19:20Oh, what's that?
19:22Of course, what's that?
19:24And how are you?
19:26Are you still getting better?
19:28Yes, I'm much better.
19:30My back hurts a little,
19:32but I had to wait after the beating they gave me.
19:34What worries me
19:36is something else.
19:38What?
19:40Well, we prepare the food down here,
19:42but the stomachs are up there, Vera.
19:44And if half of the breakfast comes back,
19:46it means that something is not going well,
19:48and I don't quite understand what it is.
19:50Do you know if something has happened?
19:52I don't know, but I've heard
19:54that yesterday, Count Ayala
19:56had to tell Miss Martina something
19:58that shouldn't be a small thing.
20:00It's the same.
20:02Well, it's the same, yes.
20:04I don't know, I haven't heard anything.
20:06But it's also true that I never heard anything.
20:09What's wrong?
20:11Do you think it's funny that I don't know anything?
20:13I think it's true.
20:15Yeah.
20:17And now what's wrong with you?
20:19Well, I just realized
20:21that I have three kilos of peas inside those ruins.
20:23No, don't laugh,
20:25because these suns should be out by now.
20:27I have to go.
20:29Wait for me to go with you, and I'll give you a hand.
20:31And that's it.
20:33Let's go.
20:35Let's go.
20:38Let's go.
20:52Well, it seems that Count Ayala
20:54left things very clear.
20:56That another bank of the sanatorium
20:58was going straight to the Civil Guard to report.
21:00Well, all this reminds me of the baroness of Grazalema
21:02when she threatened Mrs. Marquesa.
21:04Well, yes.
21:06It seemed like it happened
21:08when the lady tried to strangle her.
21:10Anyway, I feel sorry for Miss Marquesa.
21:12She was so excited so recently
21:14because I told her to write a letter to Manuel
21:16and to Curro,
21:18and Ayala thought it was a good idea and got excited.
21:22We just have to pray for her.
21:24Because she has a future,
21:26a black man like coal.
21:28Forever.
21:31And speaking of praying,
21:33how about your free afternoon?
21:35My free afternoon? What free afternoon?
21:37Yes, the afternoon you went to church
21:39to put a candle to the Virgin,
21:41for Curro and for Manuel.
21:43Ah, well ...
21:45Well, the truth is that it was good.
21:47Good, good. It was good.
21:49The church was
21:51half-empty and well,
21:53I took the opportunity to ask for everyone.
21:57Well, your prayers were answered.
21:59And why did you come back so late?
22:01Well, because I was taking a walk
22:03in the village and suddenly
22:05it got dark, so ...
22:07So I decided to have a drink
22:09at the tavern for dinner.
22:11Ah.
22:13Well, what about here? Did something happen?
22:15Don't you think what I told you
22:17about Miss Martina is not enough?
22:19Well, then MarÃa Mandrajo
22:21set a good virtue for her when she went
22:23in search of her son.
22:25Didn't she let her go?
22:27Yes, miraculously, she let her go.
22:29And because it was her free afternoon and because she didn't know where she was going.
22:31But something was suspicious.
22:33With so much hug and so much farewell.
22:35Well, I think that sooner or later she will find out.
22:37That she always finds out everything.
22:39Well, yes, for sure she will find out. Come on, and more now.
22:41And more now, why?
22:43For two reasons.
22:45The first, because since she has been a keymaker,
22:47she has been watching more than before.
22:49Come on.
22:51That she seems like a permanent guard.
22:53And the second, for Santos.
22:55Indeed, that he is going with the story of Pato.
22:57Well, look,
22:59I think those two get along so well because they are
23:01just as bad.
23:03So you have to be very careful with what we say to Santos.
23:05Because it is clear that later
23:07Petra will find out.
23:11What's wrong with you?
23:15Because I was remembering
23:17that when I was in La Verbena with Salvador,
23:19with Santos and Vera.
23:21That you already know how I get when they give me a couple of wines.
23:23Come on, that I start to cough
23:25and I don't stop.
23:27But you didn't say anything to her, did you?
23:29Knowing me, Hanna.
23:31No, Nina.
23:33You too, right?
23:35Yes.
23:37Everything.
23:45Well, well, well.
23:47Well, well, what?
23:49No, how are you?
23:51Now that you are again in the low funds.
23:53You are always so thoughtful.
23:55No, no. Seriously.
23:57How about this side of the law?
23:59Do you adapt?
24:01Well, the truth is yes.
24:03I feel very good, Salvador.
24:05It's been a long time since I felt so good.
24:07I'm waking up with a desire to work,
24:09to be with my colleagues,
24:11to cook new recipes,
24:13and everything.
24:15Well, I'm glad, that's very good.
24:17Yes, the only problem is that I feel a little
24:19back, but I think that's normal.
24:23Why don't you ask Hanna for one of her miraculous ointments?
24:25I'm sure you'll heal before you take it.
24:27Like Benito's purge?
24:29Look, he did know about pottings.
24:31Yes.
24:33Yes, yes, I think I'm going to ask Hanna for some advice.
24:35Of course, man. Ask her.
24:37I'm sure she has some remedy for you.
24:41Let's see.
24:43Come on, what is mine?
24:45I mean your back.
24:47The other thing, as long as you keep getting into
24:49trouble,
24:51neither Hanna nor Santa Hanna will believe you.
24:55Yes.
24:57I still don't know how
24:59I ended up in there.
25:01I don't know.
25:03Well, you managed to get out.
25:05That's the important thing, right?
25:07No.
25:09I didn't manage to get out, Salvador.
25:11If I got out, it was thanks to you.
25:13And above all, thanks to Mr. Baeza.
25:15He looks good,
25:17but he's twice as good as he looks.
25:19But I assure you
25:21I've learned my lesson.
25:25That's for sure.
25:27I've always trusted you, Lope.
25:31I'll make sure
25:33you know.
25:35Even if it's just so I don't disappoint you
25:37or Mr. Baeza.
25:41I just hope you'll forgive me.
25:43Of course, Lope.
25:59I've already told you
26:01I don't want you to get close to me.
26:03I just want to tell you something.
26:05Yes, I guess.
26:07Alonso, I just want to tell you about a letter
26:09I received from some good friends of mine in Madrid.
26:11What you're telling me is very interesting,
26:13but I can't talk to you right now.
26:15Do you want to talk about it another time?
26:17I have a lot of things to do.
26:19I can't promise you anything.
26:29Puzzle solved.
26:31I've been wondering where you've been
26:33all lunch.
26:35I was just hungry,
26:37and I've decided to eat something here.
26:39Can I ask you what happened to you,
26:41Maria Antonia?
26:45I appreciate it, but I don't think
26:47you can help me.
26:49Is it because of the last thug, Martina?
26:51Well,
26:53there's only one reason.
26:55But yes, it's heartbreaking
26:57about that girl. What future awaits her?
26:59A very black one,
27:01certainly.
27:03But you said you weren't like that
27:05for a single reason.
27:07No, the other one
27:09is that since Alonso
27:11invited me to leave, I feel like an intruder
27:13in this house.
27:15It's natural.
27:17It could seem that everything would be solved
27:19when Cruz intervened and demanded that I stay,
27:21but no.
27:23But Alonso accepted it.
27:25We talked about it
27:27and agreed that it was still a misunderstanding
27:29and to make a new account.
27:31But there is still a lot of tension
27:33between us, especially for him.
27:35And not just with me.
27:37Also between him and Cruz.
27:39And that worries you?
27:41Well, yes.
27:43And not only because I think that all this
27:45may affect my relationship with her,
27:47but because I also suffer from all those
27:49possible disagreements between them.
27:51I would not like her marriage to be lost
27:53because of all those disputes.
27:55Don't blame yourself.
27:57The situation in the palace
27:59is part of the problem.
28:01The Marquises are very tense about everything
28:03that is happening to Martina.
28:05Not to mention that they have Manuel in front of them.
28:07It is logical that
28:09Alonso does not show himself at all kind,
28:11but neither with you nor with anyone.
28:13Well, that's bad consolation, isn't it, Captain?
28:15I also tell you
28:17as a consolation,
28:19that if you manage to talk to him,
28:21you can reach an understanding.
28:25Yes, I am also of that conviction.
28:27But as things are,
28:29being able to talk to Alonso is practically impossible.
28:31Among other things, because he meditates constantly.
28:33I understand.
28:35Is there anything I can do to help you?
28:37No, I don't think so.
28:41I think so.
28:45What do you mean?
28:47I think that the constant presence
28:49of the Marquise is what makes
28:51Alonso not completely relaxed.
28:53And?
28:55That if you want to have the opportunity
28:57to have a normal conversation with Alonso,
28:59that happens because ...
29:01because Cruz
29:03disappears.
29:05Let's see, I don't know where you want to go.
29:09I can distract her.
29:11I'll take her for a walk
29:13or whatever I can think of.
29:15And I'll leave you free way so you can
29:17solve your problems with Alonso once and for all.
29:19No, I'm not sure
29:21it's a good idea.
29:23People understand each other.
29:25You may be right, yes.
29:27I have it.
29:29Leave it to me.
29:41But let's see,
29:43they are from the town, we know them.
29:45What's the problem in signing up?
29:47Do you mean that it's good, Salvador?
29:49That it's a football club?
29:51Well, what's wrong with it?
29:53If the club is a football club,
29:55it's because the founders want to play football.
29:57And neither you nor I know how to play.
29:59But you learn, Lope.
30:01Salvador, I have no interest in learning how to play.
30:03But if you haven't played in your life.
30:05Well, that's why.
30:07Besides, I don't see myself
30:09and I don't have the ribs to exercise.
30:11You don't need the ribs, you have the feet, right?
30:13I'm telling you no.
30:15Well, it's fine, it's fine.
30:17And now I'm leaving
30:19because I have to continue with my homework.
30:21See you later.
30:37This morning you were in Lujan
30:39doing some homework.
30:41Well, very well.
30:45And while I was in Lujan,
30:47a little bird told me
30:49that you were in the kitchen.
30:53What do you have to say about that?
30:57Nothing.
30:59And now, if you'll excuse me.
31:03What was Vera doing in the kitchen?
31:07Helping me get rid of peasants.
31:11Since when do I have to give you explanations?
31:13Do you have something wrong?
31:15Tell me.
31:17Leave my girlfriend alone.
31:19Do you hear me?
31:21Leave me alone.
31:23Whatever you have with your girlfriend
31:25is your business.
31:27And if you don't trust her, it's not my fault.
31:45Actually, not so long ago
31:47your daughter left.
31:49This is the second night.
31:51And with what happiness, girl?
31:53If you want, I say it with a smile on my face.
31:55Well, it's likely that you're getting worse.
31:57But this time I think
31:59I have more than enough reasons.
32:01Well, Mrs. Simona, it's no use
32:03torturing yourself as much as possible.
32:05In the face of ignorance, it's best not to say anything.
32:07Is that what I'm saying?
32:09That's very easy to say, but it's not that simple.
32:11But your daughter is a very awake girl.
32:13She may have arrived in a hurry
32:15and she preferred to stay at Lucerna's
32:17to spend the night,
32:19to arrive in the morning with a better time.
32:21Well, let's hope that's not the case.
32:23Because I had dinner once at that restaurant.
32:25One tower and one sardine.
32:27I won't forget that.
32:29I don't know if it was the fault of the sea or the mountain.
32:31But the sentence was served.
32:33Miraculously, I didn't go that night
32:35to the garden.
32:37More bad fatigue.
32:39Maybe it was indigestion.
32:41Are you calling me a glutton, Mr. Pellicer?
32:43No, no, no.
32:45For God's sake.
32:47That's what I thought.
32:49No, I assure you that I would never
32:51insinuate something so disrespectful, Mrs. GarcÃa.
32:53Revenge, Ricardo.
32:55I was in a bad mood.
32:57Don't give me that look,
32:59Mrs. Pellicer.
33:01I'm sorry, but don't tell me
33:03that your face wasn't meant to make us laugh.
33:05I would rather you had left the bad mood
33:07at this moment, Candela.
33:09You don't have to have dinner at the Lucerne Foundation,
33:11even though I sleep there.
33:13Don't you want to go to bed early?
33:15Well, Mr. Baeza, I prepared some snacks
33:17so that you didn't have to eat outside.
33:19But how will you understand?
33:21After you and half of your snacks,
33:23you won't even remember.
33:25I don't think so. I prepared seven for you.
33:27Two of pork loin, two of bacon, two of chorizo,
33:29and one of paletilla.
33:31And according to the way I wrapped them,
33:33they have to last until tomorrow.
33:35Well, don't you get hungry?
33:37I don't know how hungry you are.
33:39Yes, that's true.
33:41But this is very strange.
33:43She should be back by now.
33:45And if things have gotten complicated for her,
33:47I don't know.
33:49She should have gone with her.
33:51Because I could have helped convince her parents-in-law
33:53to respect me and to understand each other very well.
33:55It's no use regretting something
33:57you could have done in the past, Mrs. MartÃnez.
33:59Besides, Mrs. Arcos would have put inconveniences
34:01to her absence in the kitchen.
34:03With all due respect, Mr. Baeza,
34:05I don't care about the inconveniences
34:07that Mrs. Petra has put in this matter.
34:09If we cared about what she says or says,
34:11we would be bitter.
34:13Well, whether we like it or not,
34:15Mrs. Arcos is the key lady.
34:17What we have to do is not make it easier
34:19for her to get into trouble.
34:21Yes, of course. And you are her superior.
34:23I would like to ask you one thing.
34:25What thing?
34:27Let me leave now for my daughter
34:29so that I can help her in her task.
34:31Look what a real agony, huh?
34:33Mrs. MartÃnez, I think the most prudent thing
34:35is to wait for your daughter to return.
34:37But this is very strange, Mr. Baeza.
34:39Please.
34:43Okay.
34:45You are a blessed man.
34:47Yes, but you will leave tomorrow morning.
34:49If your daughter has not returned yet,
34:51then you have permission to leave.
34:53Have you seen Cruz?
34:55I can't find him anywhere.
34:57Lorenzo had stayed for dinner
34:59with a superior of his,
35:01who happens to be in Lujan
35:03and who has been a military observer
35:05at the front.
35:07And he has asked Cruz
35:09to accompany him to that dinner.
35:11In case the other one has any news
35:13about Manuel's battle, right?
35:15Yes, I guess he doesn't know
35:17where he is.
35:19I don't know.
35:21Yes, I guess he doesn't know
35:23anything new, but ...
35:25And how did you go to dinner
35:27with them?
35:29I would have loved to.
35:31But Lorenzo does not want
35:33to deceive his guest.
35:35The man prefers to be discreet.
35:37For that of the neutrality of Spain.
35:39The fewer people know that he has been
35:41at the front, the better.
35:43A cautious man, it seems.
35:45Yes. And I was going to retire.
35:47Well.
35:49I can always stay here alone.
35:53Wouldn't it be very gentlemanly of me?
35:55No.
35:57It wouldn't be.
35:59And in any case, Alonso,
36:01you're going to keep avoiding me.
36:05There's been too much tension lately.
36:07I mean, between us.
36:09Are we really going to allow
36:11your misunderstanding and a little touch
36:13to ruin everything?
36:15Because it wouldn't be beneficial
36:17for us, but it wouldn't be for anyone.
36:21Wouldn't it be better if we lowered our guard
36:23and treated each other
36:25naturally again?
36:27The promise needs
36:29harmony and understanding to return.
36:35You may be right.
36:37We already have
36:39enough real problems
36:41to complicate everything with something
36:43so easy to solve.
36:45It couldn't be worse.
37:15Martina, daughter.
37:17The time has come.
37:19The time of what?
37:29I've decided
37:31to tell you
37:33everything.
37:37I'm sorry.
37:39I...
37:41I'm sorry.
37:43It's time for us to go to the rehabilitation centre.
37:53No, no, no, no, no.
37:55No, please, don't make it any more difficult.
37:57This is also very painful for me because you are my daughter.
38:00It can't be, it makes no sense.
38:02No, that you don't, that you don't.
38:04You have to have some way to show that I'm innocent.
38:08There is no cure.
38:10This is...
38:12This is the best solution.
38:14At least...
38:16The least bad.
38:18I promise you that the county
38:20has gone to heaven and earth
38:22to find a place in a wonderful place.
38:24It's a residence with all the amenities.
38:26It's a first-class sanatorium,
38:28so you can get well...
38:30I don't have to get well?
38:32I'm not crazy, I don't have to get well?
38:34I know, of course you know.
38:36Please, I beg you, no!
38:38Listen to me. I'll go with you.
38:40I promise I'll go with you.
38:42And if the place is as horrible as you think,
38:44I'll never leave you there.
38:46Do you hear me?
38:48It doesn't matter, Tasia.
38:50It doesn't matter.
38:52Mother, please.
38:54If you love me,
38:56don't leave me in that place.
38:58If you love me, please don't leave me in that place.
39:00Of course I love you, you're what I want most.
39:02You're what I want most in this world, Martina.
39:04I love you.
39:06That's why I'm asking you to let me go.
39:08Let me go.
39:10Everything will be fine.
39:12No.
39:14Everything will be fine.
39:20I love you, Martina.
39:28Let me go.
39:34Let me go.
39:40First, we're going to serve a soup.
39:42Then a spoon and a deep dish.
39:44Well, and one less service.
39:46It's true, yes, that of Miss Martina.
39:48How could she have been taken like that?
39:50Poor thing.
39:52Besides, in the middle of the night.
39:54She wouldn't have time to say goodbye to anyone.
39:56There's no right.
39:58Well, but Miss Martina is a very strong and very smart young woman.
40:00So she can do all that
40:02if she is at home before what is expected.
40:04I hear you.
40:06Of course, Maria.
40:08Besides, I am convinced that sooner or later
40:10the truth about the poison will be discovered
40:12and who is behind the matter.
40:14Are you sure it's not Miss Martina?
40:16Because Miss Martina is not a murderer.
40:18As long as there is no evidence against her,
40:20and she will be back in her old age.
40:22Exactly.
40:24Well, I have to go back to the kitchen to review the soup.
40:26I'll go with you.
40:28Of course.
40:32No.
40:36You don't understand either, do you?
40:38Well, no.
40:40The truth is that no.
40:42If they see the glory together.
40:44Do you realize that the phrase ends?
40:46The one, the other, and the other, the one.
40:48Anyone who doesn't know they broke up a while ago
40:50would think they are still dating.
40:52Well, yes.
40:54And those boyfriends who fight very little.
40:56Not like us.
40:58It's a joke.
41:00That if he looks for me,
41:02he finds me.
41:04How am I going to fight with you?
41:06With how beautiful you are and how outstanding you are.
41:08It wouldn't make sense.
41:10Going back to Lope and Vera,
41:12what doesn't make sense is that they are not together.
41:14Well, yes. And that girl is still with that idiot Santo.
41:16Especially when she doesn't love him.
41:18Because the one she is in love with is Lope.
41:22Did you realize that
41:24you and I also ...
41:26Did we finish the phrase?
41:28Yes, I had realized, yes.
41:30But very smart.
41:32Very smart. Well, yes.
41:48It's not that I thought you were a good mother, but this is already ...
41:50Let me cross, please.
41:52Take your daughter to Rastras,
41:54in the middle of the night, without even allowing her
41:56to say goodbye to her family.
41:58Because you haven't even stopped saying goodbye to me.
42:00When you know that I consider her like another daughter.
42:02Well, I already feel pretty bad,
42:04so that you come to me with your reproaches.
42:06And do you know what outrages me the most?
42:08That someone doesn't obey your will?
42:10That when I was still fighting for Martina,
42:12you, who are her mother, you had already surrendered.
42:14I resisted as much as I could.
42:16Please. I tried to dissuade Ignacio
42:18when he said he was going to the Civil Guard.
42:20But it was useless, because you had already
42:22claimed from the beginning.
42:24That's not true.
42:26Of course it's not true that you allowed her to be taken to a asylum.
42:28Well, I have made the best decision for Martina,
42:30given the circumstances.
42:32The best? It will be for another person,
42:34but not for your daughter.
42:36Well, I've done what I could, Cruz.
42:38I've done what I could, so don't overwhelm me.
42:40Oh, you're overwhelmed, poor thing.
42:42Cruz, leave me alone.
42:44Do you know how Martina will have felt these days?
42:48What? You don't have a heart?
42:50Look at yourself in the chest before saying that.
42:52How do you think your daughter will feel?
42:54Sad to the point of despair.
42:56And on top of that, locked up in such a scary place.
42:58It's not a scary place.
43:00Because I have accompanied my daughter.
43:02And it has magnificent gardens,
43:04and the rooms are very cozy,
43:06and it also has an excellent medical setting.
43:08But what are you saying?
43:10Don't you realize that's what they say
43:12to silence the conscience of the relatives
43:14who leave their madmen there as if they were
43:16broken dolls in a junkyard?
43:18I want you to be clear about one thing, Margarita.
43:20You can decorate it as much as you want.
43:22You can call it whatever you want.
43:24Sanatorium, if that makes you calmer.
43:26But I've made a couple of calls
43:28and I know what that place really is.
43:30And it's not a retirement home,
43:32like the place they took me to.
43:34No, of course not.
43:36Because it is a clinic for conduct infections.
43:38I'm talking to you with cause knowledge, Margarita.
43:40It's a madhouse, let's see if they find out.
43:42Cruz, shut up! Shut up!
43:44Maybe with this you have avoided the scandal
43:46and the dishonor of prison.
43:48I don't even want to imagine how Martina
43:50will get out of that clinic
43:52for conduct infections, as you call it.
43:54If she ever gets out.
44:02I don't know what you told her,
44:04but you managed to destroy her.
44:06The truth. I only told her the truth.
44:08Did you know this?
44:10Did you know they were going to take her last night?
44:12Of course not.
44:14Otherwise, I wouldn't have offered you dinner.
44:16You should have seen how you faced those two.
44:18Or they could have taken Catalina instead.
44:20And not poor Martina.
44:22Are you outraged about your niece?
44:24You still don't understand her?
44:26Yes.
44:28Not only have I not been able to help her,
44:30but on top of that, just when they take her,
44:32I have the other one back.
44:34My stepdaughter.
44:36With her airs and her face of repapa,
44:38for God's sake. And I have to put up with her.
44:40If it were only her.
44:42What do you mean?
44:44That her visits are also there.
44:46What visits?
44:48Cruz, your stepdaughter is still seeing
44:50the labriego with whom she was seen in the hangar.
44:52I don't know what labriego you're talking about.
44:54It doesn't matter.
44:56The fact is that now, as she is not locked in the hangar,
44:58she is going to see him here.
45:00So any day you will find yourself in a corner playing the piano.
45:08But where are you going, Simona?
45:10I can't wait any longer here, Candela.
45:12Candela!
45:14Simona, for God's sake.
45:16I'm sure the girl was fine.
45:18It's just that things are getting a little longer
45:20than we expected.
45:22A little more? No.
45:24Don't move, I know.
45:26Let go of me, I'm losing my mind.
45:28I'm not letting you go.
45:30Candela, don't get mad at me.
45:32Simona, use your brain.
45:34What brain? If I don't know anything about my virtues,
45:36I don't even know where she is and what has happened to her.
45:38The most normal thing is that she is on her way.
45:40And what can happen then?
45:42If you go there and she comes here,
45:44she's going to cross us and see us.
45:46This is also true.
45:48Of course I tell you.
45:50But no.
45:52I prefer to cross with her
45:54and take longer to see her later,
45:56risk that something happened to her and take longer to find her.
45:58You are a big head.
46:00I also have the permission of Mr. Baeza.
46:02So you, Chitón.
46:04Come on, go away.
46:06I've already tried.
46:08Chitón, how does Maria Mandrago hear you?
46:10Nothing.
46:12Simona is going to look for virtues.
46:14Virtues? But why? What happened?
46:16That's what I want to find out.
46:18What does she want to find out? But she suspects something.
46:20That she is going to come.
46:22Then?
46:24She herself, who gives the same thing over and over again.
46:26And she continues with the agony.
46:28She will continue with what you want, Candela, but I'm leaving.
46:30Well, go away.
46:32Virtues?
46:38What happened?
46:40What happened?
46:42Maria!
46:44Maria!
46:46Maria!
46:52Maria!
46:54Maria!
47:08I came back to the palace because I knew she needed me.
47:15I wanted to help her, but...
47:18But I've failed.
47:21I've failed completely.
47:24Miss, but it hasn't been long since you came back.
47:27Why are you talking about failure?
47:29You haven't been able to fix anything, much less fail.
47:32The bad thing is that there's no more time, Adriano.
47:36Last night...
47:38Last night she was taken to a asylum. I found out this morning.
47:43My God.
47:45I'm sorry.
47:47I'll never forget yesterday.
47:50Were you with her yesterday?
47:53Yes.
47:55Yes, I... I...
47:57I tried to comfort her, but I didn't know how.
48:01If only I could have said goodbye to her.
48:09Miss...
48:11It's okay.
48:22What is this?
48:24Come on, man. What I needed to see.
48:28Who is this Gañan? And what is he doing here?
48:40Would you please come in?
48:43What I don't understand is why we have to talk here.
48:47What's wrong with this place?
48:49No, it's not that. But was it necessary to come here?
48:52Yes.
48:54Why?
48:56It's nonsense.
48:58And now you're going to understand.
49:05Are you sure that Mrs. Arco has given you permission to enter her office?
49:09I have her permission.
49:18Don't look at me like that.
49:20What's wrong?
49:22I look at you like my boyfriends look at their girlfriends.
49:25I don't like it when you look at me like that.
49:31Yesterday you told me that you couldn't come with me to Lujan
49:34because you had a lot of work pending.
49:39Of course.
49:41It wouldn't be that many.
49:43What?
49:45It wouldn't be that many.
49:48Santos, I don't know what you mean.
49:50I was told that you were in the kitchen all day,
49:53beating up Vicente.
50:01With Lope.
50:08And don't bother denying it.
50:13I wasn't going to do it.
50:14Better.
50:16Why?
50:18If everyone sees you.
50:21That's not true.
50:23Yes, it is.
50:27I was also told that you didn't stop laughing.
50:30That's not true either.
50:32The last time you laughed with me, I think it was the day of the funeral.
50:36It must have been because of something Maria Fernández or Salvador said.
50:41Look, Santos, I don't know.
50:43How do you know?
50:46I don't remember either.
50:49But I'm sure it wasn't because of something I said.
50:54Santos, I don't know what you mean.
50:58Do you like being with Lope?
51:03Do you enjoy his company?
51:06He's just a partner.
51:09Just that?
51:11Just that.
51:13This is all in the past.
51:17Yes.
51:20Now you're my girlfriend.
51:23Yes.
51:24Say it.
51:27Say it!
51:30I want to hear it.
51:35Now I'm your girlfriend.
51:39Let's see if it's true.
51:44I would have liked you to love me, you know?
51:47But you've made it clear to me over and over again
51:50that that's not going to be possible.
51:53That you'll never love me.
52:00This is all I have left.
52:04Santos, please.
52:13You can always imagine what Lope has in his hands.
52:17Lope's lips.
52:30You should thank me.
52:32A less generous woman like me
52:34wouldn't have put up with two unbearable men like Tomás and you.
52:37I think this conversation...
52:38Shut up, Gañan.
52:40Get out of here.
52:41I'm not going anywhere, Mariano.
52:43I couldn't see the place well.
52:45It's true that they greeted us with a lot of cordiality,
52:48but I don't know if it was a formal greeting.
52:50I did a lot of research before I left for that place.
52:53I have to talk to a doctor.
52:55Please, it's a mistake that I'm here.
52:57If I could talk to a doctor, please.
53:00Start by getting dressed, please.
53:02It will be better if you do it on your own.
53:04In the darkest of nights,
53:06there's always a ray of light.
53:08Always.
53:09At least I don't have to put up with your daughter Catalina anymore.
53:12That's the ray of light.
53:14What?
53:15I wouldn't leave a poor creature
53:17in the hands of a stupid nurse like me.
53:20No, no, no, no.
53:22Don't talk like that, daughter.
53:24I'm sure there's a way to convince them.
53:28Yes, there is.
53:30There's a possibility.
53:31It's an impossible one.
53:33I just want you to understand that this is going too far.
53:36I can't help it, Alonso.
53:37I know this is affecting our good relationship.
53:40But how can it not affect our good relationship
53:42if you take advantage of any opportunity to try to get closer?
53:45This can't happen again, Maria Antonia.
53:48Never again.