**Title: New Action Movie (2024)**
**Genre: Action, Adventure, Thriller**
**Description:**
"New Action Movie (2024)" is a high-octane, adrenaline-pumping film that redefines the action genre with its relentless pace, spectacular stunts, and gripping narrative. Directed by a visionary filmmaker and featuring an ensemble cast of Hollywood's finest, this movie promises to be an unforgettable cinematic experience.
The story follows Alex Turner, a former elite special forces operative who has left his violent past behind to lead a peaceful life as a security consultant. However, his tranquility is shattered when a notorious international crime syndicate kidnaps his estranged daughter, Emily, in a ruthless bid to force him back into the world of covert operations.
As Alex embarks on a mission to rescue Emily, he finds himself entangled in a web of conspiracy that spans continents and involves high-stakes espionage, government corruption, and a plot that could destabilize the global order. Racing against time, Alex teams up with an unexpected ally, Sarah Blake, a fearless and resourceful journalist who is determined to expose the truth.
Their journey takes them from the neon-lit streets of Tokyo to the treacherous mountains of Eastern Europe, and from the bustling markets of Marrakech to the cutting-edge tech labs in Silicon Valley. Each locale presents its own set of challenges, from death-defying chases and explosive shootouts to intricate heists and high-tech warfare.
The film boasts groundbreaking visual effects and meticulously choreographed action sequences that push the boundaries of what is possible on screen. The pulse-pounding score and stunning cinematography further enhance the immersive experience, making every moment a thrilling spectacle.
**Key Highlights:**
- **Epic Stunts:** Jaw-dropping action scenes, including high-speed car chases, breathtaking rooftop pursuits, and intense hand-to-hand combat.
- **Complex Characters:** Deeply developed protagonists and antagonists with compelling backstories and motivations.
- **Global Scale:** Exotic and diverse locations that add to the film's grandeur and excitement.
- **Technological Thrills:** Cutting-edge gadgets and innovative weaponry that play a crucial role in the narrative.
- **Emotional Core:** A powerful storyline centered on family, redemption, and the indomitable human spirit.
"New Action Movie (2024)" is more than just an action film; it is a rollercoaster ride of emotions and thrills that will leave audiences on the edge of their seats. With its perfect blend of heart-pounding action, captivating story, and stellar performances, this film is set to be one of the biggest blockbusters of the year. Prepare to be dazzled and exhilarated by this cinematic tour de force.
**Genre: Action, Adventure, Thriller**
**Description:**
"New Action Movie (2024)" is a high-octane, adrenaline-pumping film that redefines the action genre with its relentless pace, spectacular stunts, and gripping narrative. Directed by a visionary filmmaker and featuring an ensemble cast of Hollywood's finest, this movie promises to be an unforgettable cinematic experience.
The story follows Alex Turner, a former elite special forces operative who has left his violent past behind to lead a peaceful life as a security consultant. However, his tranquility is shattered when a notorious international crime syndicate kidnaps his estranged daughter, Emily, in a ruthless bid to force him back into the world of covert operations.
As Alex embarks on a mission to rescue Emily, he finds himself entangled in a web of conspiracy that spans continents and involves high-stakes espionage, government corruption, and a plot that could destabilize the global order. Racing against time, Alex teams up with an unexpected ally, Sarah Blake, a fearless and resourceful journalist who is determined to expose the truth.
Their journey takes them from the neon-lit streets of Tokyo to the treacherous mountains of Eastern Europe, and from the bustling markets of Marrakech to the cutting-edge tech labs in Silicon Valley. Each locale presents its own set of challenges, from death-defying chases and explosive shootouts to intricate heists and high-tech warfare.
The film boasts groundbreaking visual effects and meticulously choreographed action sequences that push the boundaries of what is possible on screen. The pulse-pounding score and stunning cinematography further enhance the immersive experience, making every moment a thrilling spectacle.
**Key Highlights:**
- **Epic Stunts:** Jaw-dropping action scenes, including high-speed car chases, breathtaking rooftop pursuits, and intense hand-to-hand combat.
- **Complex Characters:** Deeply developed protagonists and antagonists with compelling backstories and motivations.
- **Global Scale:** Exotic and diverse locations that add to the film's grandeur and excitement.
- **Technological Thrills:** Cutting-edge gadgets and innovative weaponry that play a crucial role in the narrative.
- **Emotional Core:** A powerful storyline centered on family, redemption, and the indomitable human spirit.
"New Action Movie (2024)" is more than just an action film; it is a rollercoaster ride of emotions and thrills that will leave audiences on the edge of their seats. With its perfect blend of heart-pounding action, captivating story, and stellar performances, this film is set to be one of the biggest blockbusters of the year. Prepare to be dazzled and exhilarated by this cinematic tour de force.
Category
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Short filmTranscript
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00:10:54You sure fell into it tonight.
00:10:56Beats me.
00:10:57Deal me out.
00:10:58Quitting kind of early, aren't you, Henry?
00:11:00On a night like this, you're better off in here.
00:11:03I can't afford it anymore.
00:11:05Business hasn't been so good lately.
00:11:07I never thought about an undertaker having business worries.
00:11:11He's bound to get us all sooner or later.
00:11:14Judging from your looks, Wolfson, you're likely to be next.
00:11:19I'll sure try.
00:11:29There you are, gentlemen.
00:11:35Stage team.
00:11:37They just come in.
00:11:39Just a team, huh?
00:11:40No stage.
00:11:41Si, senor.
00:11:43No stage.
00:11:45No stage.
00:12:09There's somebody out there.
00:12:10I can't make him out, though.
00:12:16Eh, just leave it to me.
00:12:18I'll check into this.
00:12:19Huh.
00:12:21Well, I am acting sheriff now, ain't I?
00:12:24Sure, Jim.
00:12:25We just don't want you to get hurt, that's all.
00:12:27As long as it's only a team of horses you're investigating.
00:12:30Well, I can take care of a darn sight more than horses.
00:13:15Maybachs, take Dorfman and Kincaid.
00:13:37Go around behind the post office.
00:13:38The rest of you come with me.
00:13:45Go, go, go.
00:14:15Go, go, go.
00:14:45Go, go, go.
00:15:15Go, go, go.
00:15:16Go, go, go.
00:15:17Go, go, go.
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00:16:55Go, go, go.
00:16:56Go, go, go.
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00:17:00Go, go, go.
00:17:01Go, go, go.
00:17:02Go, go, go.
00:17:03Go, go, go.
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00:17:05Go, go, go.
00:17:06Go, go, go.
00:17:07Go, go, go.
00:17:08Go, go, go.
00:17:09Go, go, go.
00:17:10Go, go, go.
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00:17:13Go, go, go.
00:17:14Go, go, go.
00:17:15Go, go, go.
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00:17:21Go, go, go.
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00:17:26Go, go, go.
00:17:27Go, go, go.
00:17:28Go, go, go.
00:17:29Go, go, go.
00:17:30He got away.
00:17:31He shot Anderson, and he might have held up the stage.
00:17:34What makes you think so?
00:17:35He came in riding one of the stage horses.
00:17:37I'm afraid it's likely, then.
00:17:39He broke in here and killed Luke Joyner.
00:17:42Luke Joyner?
00:17:43No, not Luke.
00:17:44He won't go far in this storm.
00:17:45Get after him.
00:17:46I'll join you as soon as I can.
00:17:47Luke Joyner.
00:17:48Luke Joyner.
00:17:49Luke Joyner.
00:17:50Luke Joyner.
00:17:51Luke Joyner.
00:17:52Luke Joyner.
00:17:53Luke Joyner.
00:17:54Luke Joyner.
00:17:55Luke Joyner.
00:17:56Luke Joyner.
00:17:57Luke Joyner.
00:17:58Luke Joyner.
00:17:59Luke Joyner.
00:18:00We'd better not be seen together for the next few days.
00:18:05Just as you say.
00:18:12Now, he couldn't have come at a better time.
00:18:15I wonder who he was.
00:18:30Come on, Melissa.
00:18:31Come on.
00:18:36There's nothing down there.
00:18:37Come on!
00:18:46I'd better get going.
00:18:49You wait here.
00:18:51I'll call you back.
00:18:52Come on.
00:18:53Come on.
00:18:54Get down there, Melissa.
00:18:56Come on.
00:18:57Come on.
00:18:58Come on.
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00:22:10It's no use, Mr. Stanley. You can't see ten feet in this storm.
00:22:14Anybody get a good look at him?
00:22:16Nobody but Anderson.
00:22:18And Anderson hasn't come to yet.
00:22:20Well, he wasn't much of a deputy anyway.
00:22:23Don't worry, gentlemen. We'll find him in the morning.
00:22:26It shouldn't be too difficult. We're only looking for one man.
00:22:29And when we do find him, I want to deal with him myself.
00:22:34Luke Joyner was the best friend I had.
00:22:37What could have happened to the stage?
00:22:40We're all anxious about that.
00:22:43This man we're looking for probably knows the answer.
00:22:48♪
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00:23:22How are you today, Betsy?
00:23:24You seven little kittens.
00:23:26Huh? What shall I name them?
00:23:29Shall I name you Do-Re-Mi after the seven notes?
00:23:33Or after the seven days in the week?
00:23:36You're not the seven wonders of the world, you know.
00:23:39As I was going to St. Ives, I met a man with seven wives.
00:23:44Each wife had seven cats.
00:23:46Each cat had seven kits.
00:23:48Kits, cats, man, and wives.
00:23:51How many were going to St. Ives?
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00:28:05Who are you?
00:28:07I didn't say.
00:28:10Nobody's going to hurt you.
00:28:13I'm relieved to hear it.
00:28:15Why did you come in this house?
00:28:17Didn't you see the flag?
00:28:19I came in through the cellar door.
00:28:22I don't believe you.
00:28:24There must be two feet of sand on the cellar door.
00:28:27Not last night.
00:28:30You've been here all night?
00:28:32I slept in the woodpile.
00:28:34I'm obliged to you for a jar of peaches.
00:28:39Did you like them?
00:28:42I never tasted better.
00:28:47I think you better go now.
00:28:50With your kind permission, ma'am.
00:28:54Oh.
00:28:56It was 400 wherever they were going.
00:28:59Who?
00:29:00The man with seven wives and the cats and the kits.
00:29:04400.
00:29:05To St. Ives?
00:29:06Oh, no. Only one.
00:29:09Look, you said the man had seven wives
00:29:11and each wife had seven cats?
00:29:13But I met them.
00:29:14They were coming from St. Ives.
00:29:16That makes only one, me, going to St. Ives.
00:29:21Correct, ma'am.
00:29:24Goodbye.
00:29:30Goodbye.
00:29:43There's a man outside. Who is it?
00:29:45Dr. Mason, probably.
00:29:47You see, we have yellow fever here.
00:29:52I'll wait in here.
00:29:54You're on the run, aren't you?
00:29:56What makes you think I'll protect you?
00:30:01I'll leave that to your good judgment, ma'am.
00:30:13Morning, Nadine.
00:30:14Good morning.
00:30:15My, I thought the whole territory was going to blow away last night.
00:30:18Or am I too optimistic?
00:30:20How's the sheriff this morning?
00:30:22His temperature seems much higher.
00:30:24Well, let's have a look.
00:30:31It's a mild type of yellow fever, but that's bad enough.
00:30:34I'll send over some medicine to reduce his temperature.
00:30:37But he's still going to need constant attention.
00:30:39Thank you, doctor.
00:30:41How much sleep have you had in the last four days?
00:30:43I'll be all right.
00:30:45I've been trying to get someone to come over and help you,
00:30:47but they're all afraid.
00:30:48No, I don't need anyone's help.
00:30:50I'm sure you'll be all right.
00:30:52I'm sure you'll be all right.
00:30:54I'm sure you'll be all right.
00:30:56I'm sure you'll be all right.
00:30:58I'm sure you'll be all right.
00:30:59No, I don't need any help.
00:31:01Nadine, do you have any coffee made?
00:31:04Yes.
00:31:05There's some on the stove.
00:31:07Thank you, dear.
00:31:21It's been a bad night, Nadine.
00:31:24I wish your father wasn't laid up.
00:31:27Has anything happened?
00:31:29Some fellow tried to rob the bank.
00:31:31Killed Luke Joyner.
00:31:32Shot him in the back.
00:31:34Same man shot Anderson, but he'll pull through.
00:31:38The whole town's out looking for him.
00:31:41They haven't found him yet?
00:31:43No.
00:31:44Was it somebody around here, or a stranger?
00:32:00Anderson's the only one that saw him, and he can't talk yet.
00:32:03Then he's still in town?
00:32:06Bound to be.
00:32:07The man couldn't get very far on foot.
00:32:11And there aren't any horses missing.
00:32:30Who's that?
00:32:33Someone ran out the front door.
00:32:41You keep the door locked.
00:32:43Don't open up for anyone but me.
00:32:46And keep a gun handy.
00:32:59Keep quiet.
00:33:02I thought you were in a hurry to go.
00:33:06Who else is in this house besides you?
00:33:08If you want to go, there's nobody stopping you.
00:33:11Who else is in the house?
00:33:13Just my father, and he's...
00:33:15I know.
00:33:16I heard what the doctor said.
00:33:19Thank you, sir.
00:33:20I'll take my leave.
00:33:21Thank you, sir.
00:33:22Good day, Miss.
00:33:24Good day, sir.
00:33:25Who else is in the house?
00:33:27Just my father, and he's...
00:33:29I know. I heard what the doctor said.
00:33:32Then will you go?
00:33:34No. I think I'll be better off in the sheriff's house for now.
00:33:39With yellow fever?
00:33:41I'll take my chances.
00:33:49Water.
00:33:51Some water.
00:33:54Damn.
00:33:56Water.
00:33:59Some water.
00:34:05I need...
00:34:08Water.
00:34:10I want some water.
00:34:12Get me a pan of fresh water and some towels.
00:34:15Go on.
00:34:23Water.
00:34:50He's asleep?
00:34:52A little while.
00:34:56Did he say anything while I was gone?
00:34:59What?
00:35:02Sometimes when he's delirious, he starts talking.
00:35:05Oh, they all do. Didn't make any sense.
00:35:08Oh.
00:35:10You've done better with him than I could.
00:35:12Well, maybe I've seen more sickness than you have.
00:35:17You think there's little out of my line?
00:35:19If what the doctor said was true.
00:35:22It was, as far as it went.
00:35:25This is a right unfriendly town you live in.
00:35:28Then you were in the bank.
00:35:33Why do you want to wear your father's badge?
00:35:37Those clothes in that trunk downstairs would be a lot more becoming.
00:35:43I didn't know you saw me.
00:35:45I'm afraid I couldn't help it.
00:35:48You look pretty good.
00:35:55Don't think I'll keep quiet when I come back here looking for you.
00:35:59I need water.
00:36:02Some water.
00:36:07Take it easy. You're choking him.
00:36:10Go ahead. Give him some.
00:36:12Lift his head.
00:36:18No.
00:36:28Just leading you out of temptation.
00:36:30I wish you would go now.
00:36:32It's not politeness that's keeping me.
00:36:42Are you sure you can describe him?
00:36:45Well, I looked him over real good.
00:36:47Try and get a sketch of this.
00:36:49I want to get it in the newspaper as soon as I can.
00:36:51All right, go ahead.
00:36:54Well, he was tall.
00:36:56Six foot four inches, maybe.
00:36:58Had a mean face and little beady eyes.
00:37:03What color?
00:37:04Black.
00:37:06Hair?
00:37:08Black, too.
00:37:10Long and stringy.
00:37:13That look anything like him?
00:37:17Sure does.
00:37:18Sure fits him to a tee.
00:37:22It's not often you get such a detailed description to work on.
00:37:26Well, I was trying to keep my eyes open.
00:37:28Let's find him.
00:37:30Well, that shouldn't be hard now that we know what he looks like.
00:37:32Can't be very far away.
00:37:43Mm-hmm.
00:38:06Helped myself to some of your coffee.
00:38:10There's bacon and eggs if you're hungry.
00:38:13As a matter of fact, I helped myself to those, too.
00:38:28$20 for bacon and eggs?
00:38:31And the night's lodging.
00:38:33I'm not running a boarding house.
00:38:35Well, drop it on the collection plate next time you go to church.
00:38:38You do it.
00:38:40Or do you ever go to church?
00:38:42Well, you may not believe this, but I once sang in a choir.
00:38:45That must have been a long time ago.
00:38:48It was.
00:38:50Might have been better for you if you kept it up.
00:38:53Yeah, it might.
00:38:56What made you stop?
00:38:58Well, you grow up.
00:39:00Things happen.
00:39:04What kind of things?
00:39:08Are you still wondering if I shot that man on the bank?
00:39:13Did you?
00:39:17No.
00:39:30Your father uses pretty good shaving soap.
00:39:32I gave it to him for Christmas.
00:39:34Why are you hiding?
00:39:36Half the town's out taking shots at me.
00:39:38If you're not guilty, why don't you give yourself up and stop acting like a criminal?
00:39:42Because my name happens to be Wes Steele.
00:39:47Wesley Steele?
00:39:49Yeah.
00:39:53I never met a notorious outlaw before.
00:39:56Now, now, wait a minute.
00:39:58I'm not an outlaw.
00:40:00I didn't think my reputation had traveled this far north.
00:40:04You underestimate your reputation.
00:40:09How does a man like you become a gunman?
00:40:12Well, it's pretty easy once it starts.
00:40:15You learn how to handle a gun and maybe you learn how to handle it better than anybody else.
00:40:19Must be quite an art.
00:40:21It's one that some people never master.
00:40:24You're just as well off.
00:40:27My father wasn't.
00:40:29He was what you'd call an educated man.
00:40:32Had no use for guns.
00:40:34Thought you should use your brains, reason with people.
00:40:37Your father was right.
00:40:39It was a gun that killed him.
00:40:41I made up my mind then that the same thing wouldn't happen to me.
00:40:45So now you do the killing.
00:40:47You don't always have much choice.
00:40:49Fellas come along trying to prove that you're not as good as they are.
00:40:53Pretty soon it gets out of hand and you find that you've got to shoot to live.
00:40:58And it's always been you that lived.
00:41:02So far.
00:41:05Nadine.
00:41:13Nadine.
00:41:14Go ahead.
00:41:15Answer it.
00:41:20Nadine.
00:41:27Nadine.
00:41:37Did he come back?
00:41:38No one's come in since you left.
00:41:40I was worried about you.
00:41:41He's still in town somewhere.
00:41:43How is Mr. Anderson?
00:41:45He'll be all right, but...
00:41:48What is it, doctor?
00:41:50They sent out a search party to look for the stage.
00:41:53Stage?
00:41:55All dead.
00:41:56Five people.
00:41:57Elizabeth Nelson and a little girl.
00:41:59Oh, no!
00:42:02That man must be gun crazy.
00:42:05I wish your father could take over.
00:42:07Are you sure it's the same man?
00:42:09Who else could it be?
00:42:10It's the same man.
00:42:11Well, it might be Apaches.
00:42:12No, it's robbery and cold-blooded murder.
00:42:16I ought to leave the man here with you, but...
00:42:20No, I'll be all right.
00:42:21Then keep your gun handy.
00:42:23If he shows up, don't ask questions.
00:42:25Shoot to kill him.
00:42:31Something wrong, Nadine?
00:42:34No, it's just Elizabeth Nelson and a little girl.
00:42:39Yes, I know.
00:42:44All right.
00:42:54I had nothing to do with that stage.
00:42:56Then who did?
00:42:57Who could have done it?
00:43:00I don't know.
00:43:02They were so sure.
00:43:03They want to be sure.
00:43:05Like that deputy, don't ask questions, just shoot.
00:43:09Can't blame them.
00:43:15I'll give you until dark.
00:43:18Just until dark.
00:43:23Until dark.
00:43:35Nadine!
00:43:37Nadine!
00:43:44Nadine!
00:43:53I brought you eggs and milk and a bottle of medicine the doctor sent.
00:43:57That sandstorm sure messed up things around here.
00:44:00Thank you, Mrs. Moe.
00:44:01Oh, and there's a paper in there, too.
00:44:03They're getting together a big posse.
00:44:07That's good.
00:44:08All the roads are sanded in and they got guards posted at the pass.
00:44:12He's gonna pay for this with his mortal life.
00:44:16Well, I gotta get back.
00:44:18They're making a house-to-house search in Mexicantown and likely he's there.
00:44:23Too bad you can't get away to see him when he's caught.
00:44:53Okay.
00:45:23Okay.
00:45:54Nadine!
00:45:56Nadine!
00:46:23Nadine!
00:46:53Nadine!
00:47:23Nadine!
00:47:54Nadine!
00:47:55Nadine!
00:47:56Nadine!
00:47:57Nadine!
00:47:58Nadine!
00:47:59Nadine!
00:48:00Nadine!
00:48:01Nadine!
00:48:02Nadine!
00:48:03Nadine!
00:48:04Nadine!
00:48:05Nadine!
00:48:06Nadine!
00:48:07Nadine!
00:48:08Nadine!
00:48:09Nadine!
00:48:10Nadine!
00:48:11Nadine!
00:48:12Nadine!
00:48:13Nadine!
00:48:14Nadine!
00:48:15Nadine!
00:48:16Nadine!
00:48:17Nadine!
00:48:18Nadine!
00:48:19Nadine!
00:48:20Nadine!
00:48:21Nadine!
00:48:22Nadine!
00:48:23Nadine!
00:48:24Nadine!
00:48:25Nadine!
00:48:26Nadine!
00:48:27Nadine!
00:48:28Nadine!
00:48:29Nadine!
00:48:30Nadine!
00:48:31Nadine!
00:48:32Nadine!
00:48:33Nadine!
00:48:34Nadine!
00:48:35Nadine!
00:48:36Nadine!
00:48:37Nadine!
00:48:38Nadine!
00:48:39Nadine!
00:48:40Nadine!
00:48:41Nadine!
00:48:42Nadine!
00:48:43Nadine!
00:48:44Nadine!
00:48:45Nadine!
00:48:46Nadine!
00:48:47Nadine!
00:48:48Nadine!
00:48:49Nadine!
00:48:50Nadine!
00:48:51♪
00:49:01♪
00:49:21♪
00:49:31♪
00:49:41♪
00:49:51♪
00:50:01♪
00:50:11♪
00:50:21♪
00:50:26I wish you wouldn't walk so easy.
00:50:30You know, this coffee's pretty muddy.
00:50:32This eggshell will clear it.
00:50:38I want to thank you for what you did last night.
00:50:40That's all right.
00:50:41I fell fast asleep. I didn't mean to.
00:50:43But I couldn't help it.
00:50:44I don't wonder.
00:50:46You should have gone.
00:50:47You shouldn't have stayed here.
00:50:55You know, you don't look anything like that picture in the paper.
00:50:58I saw it, and I hope I don't.
00:51:01What about that other picture that was in the paper?
00:51:03The one of the man who got killed in the bank.
00:51:05This Luke Joyner.
00:51:07What do you mean?
00:51:08Was that a good likeness?
00:51:11Yes.
00:51:13Then I guess he was the man I saw in the bank.
00:51:16He took a shot at me.
00:51:18And you didn't shoot back?
00:51:20No.
00:51:22Then who could have killed him?
00:51:24The only other man with him was...
00:51:26It couldn't have been him.
00:51:28Couldn't have been who?
00:51:30Mr. Stanley.
00:51:31Who's he?
00:51:33He was Mr. Joyner's partner.
00:51:36Ah.
00:51:39That's the doctor.
00:51:41Go ahead.
00:51:42I'll wait in the cellar.
00:51:43All right.
00:51:53Morning, Nadine.
00:51:54Good morning.
00:52:15The doctor's gone.
00:52:18My father's awake.
00:52:19He should be up in a day or so.
00:52:21Ellen, I guess I'll be going, too.
00:52:23Well, the roads are all blocked.
00:52:24Everyone in town's carrying a gun.
00:52:27Look, they're looking for a man that resembles that picture in the newspaper.
00:52:31They're not looking for me.
00:52:35Well, at least wait until it gets dark.
00:52:43When you leave, where will you go?
00:52:46Oh, I guess one place as good as another.
00:52:49Getting kind of tired of running away.
00:52:51But...
00:52:53But where will you go?
00:52:55I don't know.
00:52:57Any place where Wesley Steele will be a name and not a reputation.
00:53:03Is that all you're running away from?
00:53:05A reputation?
00:53:07Well, it can get too big for a man to live with.
00:53:13Where did you get that money?
00:53:17I didn't get it from the stagecoach, and I didn't get it from the bank.
00:53:22Then how did you get it?
00:53:25Suppose I told you I had a little spread and I sold it,
00:53:28that I came by it honestly.
00:53:30What would you do?
00:53:33What would you do?
00:53:35Nothing.
00:53:40Suppose I told you I stole it. What would you do?
00:53:47I said, what would you do?
00:53:53Nothing.
00:54:03What are you running away from?
00:54:05I'm not running away from anything.
00:54:07A body doesn't have to get on a horse and ride a thousand miles to run away.
00:54:12She could run away right down a fright of cellar steps.
00:54:36Silk, linens.
00:54:38A little jar you put rose petals in.
00:54:41It's my hope chest.
00:54:45Yeah, I've heard of it.
00:54:48But why do you hide it down here in the cellar?
00:54:51You're being too personal.
00:54:53Oh.
00:54:55Well, forget it.
00:55:09I suppose it's only fair.
00:55:12It's my father. It made him unhappy when I got it.
00:55:16So you hide it and run away down here because your father didn't want you to grow up?
00:55:21I'm all he has. He's done everything for me.
00:55:25Everything but let you grow into a woman.
00:55:29I am grown up.
00:55:32Are you?
00:55:38Yes.
00:56:08All right, boys, place these two at the center of the altar.
00:56:38Come on.
00:57:09Let's go out and find him.
00:57:12Just a moment, friends.
00:57:16The Bible tells us vengeance is mine.
00:57:20I will repay.
00:57:22But I declare that each one of us may justly be an instrument of punishment...
00:57:27for such cold-blooded work as this.
00:57:31It is a crime not only against these silent victims...
00:57:35but every member of this community.
00:57:38Tomorrow morning, when the minister comes...
00:57:42we will commit these lost ones to the earth.
00:57:46But our duty to them will not be fulfilled until this killer is destroyed.
00:57:52The watch will be kept in the church all night.
00:57:56And it is only right and fitting for the sake of my friend and partner, Luke Joyner.
00:58:01For me to take the first hour.
00:58:04Every trail, every pass is guarded.
00:58:08This man must not get away alive.
00:58:11If he is found, report to me at once.
00:58:15And justice will be swift and final.
00:59:32Who's there?
00:59:38I understood this watch hour was to be private.
00:59:45Something you want?
00:59:49You.
00:59:52You.
00:59:55Something you want?
00:59:59You.
01:00:13Who are you?
01:00:15My name is Wesley Steele.
01:00:19You're a long way from home, aren't you, Steele?
01:00:22Oh, then you know about me.
01:00:24No, not exactly.
01:00:26There was quite a picture of me in your town newspaper.
01:00:30I'm the man you're looking for.
01:00:32You're mistaken.
01:00:34We're not looking for you.
01:00:36I shot your deputy.
01:00:38I'm the man your partner shot at in the bank.
01:00:42You remember your partner, don't you?
01:00:45You were right behind him when he was killed.
01:00:47Right behind him.
01:00:49We've got nothing against you, Steele.
01:00:52You can ride out of town tonight.
01:00:55Ride out with me and my men. Go your own way.
01:00:58I wouldn't enjoy riding with a man who shot his partner in the back.
01:01:03And that's not all you've got to answer for.
01:01:06You must be out of your head.
01:01:09You've got no quarrel with me.
01:01:12If you think I had something to do with that stage holdup...
01:01:15I know you had something to do with it.
01:01:17I was in your bank the night you were talking it over.
01:01:21The gun that killed that little girl was working for you.
01:01:24Any man's got a quarrel with you.
01:01:30I won't draw.
01:01:32I'm no gunman.
01:01:35I won't draw.
01:01:36I'd hate to turn my back.
01:01:40I won't draw. I...
01:01:43I'm dropping my gun.
01:01:46Go on. Get out.
01:01:51Go on! Get out!
01:02:11You can't shoot an unarmed man.
01:02:13No, but I can sure beat you to death.
01:02:43Shh.
01:03:13Shh.
01:03:43Shh.
01:04:13Shh.
01:04:44Where have you been?
01:04:47Church meeting.
01:04:50First time in years.
01:04:53You're hurt.
01:04:56I had a fight.
01:04:59Is your father still asleep?
01:05:02Let me help you.
01:05:04Please.
01:05:06I'm sorry.
01:05:07I'm sorry.
01:05:08I'm sorry.
01:05:09I'm sorry.
01:05:10I'm sorry.
01:05:11Please.
01:05:13Come into the kitchen.
01:05:41Did anyone see you come in here?
01:05:43Not as far as I know.
01:05:45Who were you fighting with?
01:05:47Stanley.
01:05:48Stanley?
01:05:51He was in back of it all.
01:05:53Joiner, stagecoach, all of it.
01:05:57The coach?
01:06:01That's why I got him.
01:06:03Because of that child.
01:06:06That little...
01:06:09Wes.
01:06:18Oh, Wes.
01:06:34What is it, doctor?
01:06:36Looks like a slight concussion.
01:06:38He'll be all right if he gets plenty of rest.
01:06:42Does your father know he's here?
01:06:45No.
01:06:47Everybody else does.
01:06:49Clanton saw him leave the church and head up your front steps.
01:06:52Must have been right after he tangled with Stanley.
01:06:55You know about that, too?
01:06:57Sure.
01:06:58I just finished treating him.
01:06:59Mr. Stanley?
01:07:01Then he isn't...
01:07:04He's all right.
01:07:06Still didn't kill him, if that's what you mean.
01:07:08Didn't kill those others, either.
01:07:10How do you know?
01:07:12I just know.
01:07:23Don't open the door.
01:07:25They'll only break it down.
01:07:28You stay with him.
01:07:30I'll go.
01:07:34Don't tell them.
01:07:47We know he's here, doc.
01:07:49Who do you want?
01:07:50The outlaw.
01:07:51I'll kill him.
01:07:52You know who.
01:07:54There's a sick man in here, but he doesn't fit the description of the man who shot Anderson.
01:07:58What are you trying to pull, Mason?
01:08:00The man we want is in this house, and we're going to take him.
01:08:03You can't have him now.
01:08:05Why not?
01:08:06Stop joking, doc.
01:08:07Who says we can't?
01:08:08I say it.
01:08:09He's down with yellow fever.
01:08:11He's lying.
01:08:14If you think so, step inside and stand near his bed.
01:08:17We'll take him anyhow.
01:08:19He won't be sick long.
01:08:20Get out of the way, Mason.
01:08:22I can shoot him from the door.
01:08:26Get off this porch.
01:08:29She won't shoot.
01:08:30Let's drag him out and get another one.
01:08:35Nadine.
01:08:37What's that?
01:08:38I'll kill the next one.
01:08:40Now get out of here.
01:08:41All of you.
01:08:43Nadine.
01:08:59You'll be sorry, Nadine.
01:09:01You're only making a fool of yourself.
01:09:03More ways than one, it looks like.
01:09:05You get out of this yard.
01:09:07And stay out.
01:09:13What's going on here?
01:09:15Your daughter is hiding a murderer, Gil.
01:09:17It's Wesley Steel.
01:09:19Steel?
01:09:21Here?
01:09:22He's killed six people in this town, Gil.
01:09:25And I saw him come into this house.
01:09:26Throw him out.
01:09:28Wait a minute.
01:09:30Just hold on.
01:09:32I'll handle this.
01:09:34The one inside the house.
01:09:38I'll handle it right here.
01:09:42And he stayed to take care of you when he might have got away.
01:09:45That's why he's still here.
01:09:58You through now?
01:10:01Do you think you can make me believe that Wes Steel stayed here
01:10:05at the risk of his own neck just to nurse me, the sheriff?
01:10:09You've been raised different than that.
01:10:11You ought to know better than to try to lie to me.
01:10:14How long has he been in my house?
01:10:17Where have you been hiding him?
01:10:19Carrying on with him behind my back while I was sick.
01:10:22Your mind's dirty, do you hear?
01:10:24Dirty, like that mob out there.
01:10:35You do that again and I'll kill you.
01:10:37So help me God, I'll kill you.
01:10:43She means it, Gil.
01:10:47She loves him.
01:10:50Gil, doctors take an oath as well as sheriffs.
01:10:53And there's a reason for both.
01:10:56The one has to do with saving lives,
01:10:58no matter what I think about a man.
01:11:00That's why I told Lemmy I'd yell a fever.
01:11:03The other binds you to uphold the law by due process.
01:11:07To protect an accused man against illegal violence,
01:11:10no matter what you think.
01:11:13It's a principle that's more important than that man
01:11:16or Nadine or me or you, Gil.
01:11:20You can't give him to that mob.
01:11:22You can't give him to that mob.
01:11:45I think Gil will do the right thing.
01:11:53You men all know I've been down with a fever.
01:11:57Otherwise a thing like this had never happened.
01:12:01Nobody's blaming you, Gil.
01:12:03Just turn that killer over to us and go on back to bed.
01:12:05I'll make up my own mind about that.
01:12:07Then do it now.
01:12:09For your own good, Gil.
01:12:11I've always decided what's good for me
01:12:13and without any help from you.
01:12:15But he's a dangerous man, Gil, a very dangerous man.
01:12:18I'll still handle him myself.
01:12:20You're not going to let us have him?
01:12:24No.
01:12:28Henry, go down to my office
01:12:30and bring me a set of leg irons and shackles.
01:12:34This gunman won't be leaving here.
01:12:38You can bank on that.
01:12:50You can bank on that.
01:13:21I'm sorry.
01:13:41You want some water?
01:13:43You let him put chains on me?
01:13:45You know I didn't, but I couldn't stop it.
01:13:51They got my name on a rope, haven't they?
01:13:55Wes, can you talk a little?
01:13:58Yes, to you, honey.
01:14:01Stanley's alive.
01:14:03I'm so glad he didn't die.
01:14:08Well, if he died, we never could clear you.
01:14:13You think my word against his will do it?
01:14:16He's got this town in his hands, you know that.
01:14:21Would you give me some of this water?
01:14:32What is it?
01:14:33Drink it down.
01:14:40Now try and sleep. You'll feel better.
01:14:50Good night.
01:15:10You'll find what you're looking for.
01:15:14What were you looking for?
01:15:16I know Stanley's got this town in his hands.
01:15:20But I never thought he'd have Gil Corrigan there.
01:15:23What makes you think he has?
01:15:25You said things while you were delirious.
01:15:28Things you never would have said otherwise.
01:15:31I was out of my head.
01:15:33What a man says when he's sick doesn't mean anything.
01:15:36That's what I thought at first.
01:15:38That's what I tried to make myself believe.
01:15:43But now I know better.
01:15:47The sheriff in this town gets this house free and $110 a month.
01:15:52How much have you been able to save out of that?
01:15:55Some. As much as I could.
01:15:59Not this much.
01:16:03Stanley came to Mesa six years ago.
01:16:06We were poor then. Remember?
01:16:09Real poor.
01:16:13We're not poor anymore.
01:16:17Who put these kind of notions in your head?
01:16:20That saddle-tramp killer?
01:16:23A man who would shoot another man in the back and did?
01:16:27A man who shot down my own deputy the minute he hit town?
01:16:31Have you been taking advice from him?
01:16:33Why don't you mention all those people on the stage?
01:16:35He's supposed to have killed them, too.
01:16:41Well, why don't you?
01:16:46Why don't you?
01:16:49How do you know he didn't?
01:16:51Because he's not that kind of a man.
01:16:53And I don't believe you are, either.
01:16:56You knew where I was when all that happened?
01:16:59Yes. But I don't know where you were when the Trinidad Bank was held up.
01:17:03And the bonded stage line.
01:17:05And the Assayer's office in New El Dorado.
01:17:08You didn't solve any of those, did you?
01:17:12Nobody was killed in any of them, either.
01:17:14I don't hold with killing Nadine.
01:17:16Then don't let them kill Wes Steele.
01:17:19He'll have his day in court.
01:17:21He'll have five minutes in court if he ever gets that far.
01:17:24And you know it.
01:17:29Wes Steele's a gunman.
01:17:31He's killed in Texas and he's killed here.
01:17:34I don't set myself up as judge and jury like you.
01:17:38All I can do is turn him over to the court.
01:17:41And that's what I'm going to do as soon as he's able to walk.
01:17:45I've tried to raise you the best way I could.
01:17:48To make you happy.
01:17:50To teach you the difference between right and wrong.
01:17:53And then when I'm down and can't help myself,
01:17:55you get taken in by this, this saddle tramp.
01:17:59He's poisoned your mind and your heart, too.
01:18:02Against your own father.
01:18:05Nadine, if I ever catch you at another low trick like this,
01:18:08I'll kill him myself.
01:18:10He won't sneak into another man's home and ruin it. Do you hear me?
01:18:14Yes, I hear you.
01:18:16You taught me the difference between right and wrong.
01:18:19You knew it once.
01:18:21Well, I haven't forgotten.
01:18:23You don't understand these things.
01:18:25I understand a lot more than you think.
01:18:27I'm not a child anymore.
01:18:31You heard what I said.
01:18:41Ah, Dr. Mason.
01:18:43Join me for a drink.
01:18:45Thank you.
01:18:46Don't care if I do.
01:18:51How's your star patient getting along?
01:18:54Better than I expected.
01:18:56He'll be out tomorrow.
01:18:58He can get around as good as ever, you mean?
01:19:01It seems my diagnosis of yellow fever was a little hasty.
01:19:04Thank you, Joan.
01:19:09Did you hear the doctor, Judge?
01:19:11How's that?
01:19:12Wes Steele will be able to stand trial tomorrow.
01:19:15That's why I'm here, sir.
01:19:29Bring him in.
01:19:32Bring him in.
01:19:34Meet me at the bank.
01:19:50Seems like a waste of soap.
01:19:52Don't say that. It's not very funny.
01:19:55No, I guess it isn't.
01:19:57I'm not used to chains.
01:19:59It's the first time in my life, and I hate it.
01:20:02Wes, I've searched his pockets for the keys.
01:20:04I've looked everywhere.
01:20:06I don't know what to do.
01:20:10Don't cry, Nadine.
01:20:12I've had a good life, and I've lived it, all of it.
01:20:17But being Wes Steele, I knew it might end any minute.
01:20:22Of course, I'd like to live a hundred years if I could live with you.
01:20:26But if it's going to be tomorrow,
01:20:29well, don't let it worry you too much.
01:20:34The better man in Wes Steele will come for you yet.
01:20:56I love you.
01:21:27In Wes Steele's hand, that gun could kill five men,
01:21:31and I'd have to be the first.
01:21:34Nobody gave Elizabeth Nelson or a little girl a chance.
01:21:37That's not my fault.
01:21:39They're going to hang Wes Steele for the rest of his life.
01:21:42I don't care.
01:21:44I don't care.
01:21:46I don't care.
01:21:48I don't care.
01:21:50I don't care.
01:21:52I don't care.
01:21:54They're going to hang Wes Steele for those killings,
01:21:57and you're going to let them.
01:21:59How can I stop them?
01:22:00Tell them what you and Stanley have been up to for six years.
01:22:04Tell them the truth.
01:22:08You'd sell me out for a stranger?
01:22:15You sold yourself out, Dad.
01:22:25I won't try to justify what I've done,
01:22:28but maybe I can tell you why.
01:22:32This is hard country.
01:22:35It killed your mother,
01:22:37and I had to sit there and watch her die.
01:22:41She was as young and as pretty as you once,
01:22:45as young and as fine.
01:22:48We had high hopes and big dreams,
01:22:51but none of them came true.
01:22:54Not a one.
01:22:57The first year we were married,
01:23:00all the wells on the ranch went dry.
01:23:03Not a windmill turned for 240 days.
01:23:10The cattle broke into the yard and just stood there,
01:23:14bawling for water.
01:23:16We didn't have any.
01:23:19We sat praying for rain
01:23:22and watching them die one by one,
01:23:26over a thousand head.
01:23:29I still hear those cattle in my sleep.
01:23:35We lost the ranch and moved into town, and you were born.
01:23:39Everybody was broke, had nothing,
01:23:41so I went up to Phoenix and worked on the new railroad
01:23:44for six cents an hour.
01:23:46When I came back home, I found your mother taking in washing.
01:23:50So thin and so gaunt and so sick, I hardly knew her.
01:23:55It was too late to make things right for her,
01:23:58and it wasn't too late for you.
01:24:00You know how it is around here, Nadine.
01:24:03Hot and dry and dirty and dusty.
01:24:07Can't grow crops.
01:24:09Half the time you can hardly raise cattle.
01:24:12It's dog eat dog.
01:24:14It's dog eat dog.
01:24:16That's the only way a man can get along.
01:24:19Back East, they all talk about how wonderful the West is,
01:24:24how a man can get rich overnight,
01:24:26just throw out a handful of seed
01:24:28or pick up some gold from the stream bed.
01:24:32Folks that tell you that have never seen the West.
01:24:35At least they've never seen what I have.
01:24:38Back East, they've got different ideas
01:24:40about what's right and what's wrong.
01:24:42They'd say it's wrong for a sheriff
01:24:44to make a deal with a man like Stanley.
01:24:47It is wrong.
01:24:48I had to live! You had to live!
01:24:53You were only 2 years old when your mother died,
01:24:56and I promised myself right then
01:24:59that you'd never know a hungry day or a cold night.
01:25:07So far I've kept that promise, Nadine,
01:25:10and I mean to go on keeping it.
01:25:12I don't know how exactly,
01:25:14but given West Steel, that gun won't make things right.
01:25:23Go on, honey.
01:25:25You better get some sleep.
01:25:27I'll figure something out.
01:25:30I'll figure something.
01:25:40Good night.
01:26:04Steel.
01:26:06I'm not asleep.
01:26:10So I run and get shot trying to escape, huh?
01:26:26Here, strap this on you and get your hat on.
01:26:28It's almost daylight.
01:26:30You taking the chance giving me this gun?
01:26:33I guess not.
01:26:34I'm gonna kill Stanley the first time I see him.
01:26:38You're not gonna see him.
01:26:39You sure of that?
01:26:41Be quiet. You'll wake up Nadine.
01:26:43Stanley's in back of all these killings.
01:26:45You know that as well as I do.
01:26:47What I know is my business.
01:26:49Come on. We go through the cellar door.
01:27:08Come on.
01:27:26On the other side of that white ridge,
01:27:28you'll pick up the old army road to the Colorado.
01:27:33It's Apache country.
01:27:35What's gonna happen when they find out you've turned me loose?
01:27:38Let me worry about that.
01:27:40I'm thinking about Nadine.
01:27:43So am I.
01:27:45You tell her I'll be coming back for her.
01:27:47No, you won't.
01:27:49Not if you care anything about her, you won't.
01:27:51Nadine's got good stuff in her.
01:27:53Maybe she didn't get it from me, but it's there.
01:27:56I want her to marry a man with a longer prospect of life than you've got.
01:28:05Come on.
01:28:36Where have you been?
01:28:39Where is he?
01:28:41He's gone.
01:28:45You turned him loose?
01:28:49I don't believe he did those killings.
01:28:54That's for the course to decide, Gil.
01:28:57I've decided already.
01:29:01That man's got to be brought back.
01:29:06They'll try and make you tell where he went.
01:29:10They might.
01:29:15Let's get out of here. Now!
01:29:19There's nothing to run away from, Nadine.
01:29:23Hey!
01:29:28What?
01:29:30Is that the tree?
01:29:32Yeah.
01:29:34Why?
01:29:38If this is the tree,
01:29:40it's got to be the man who killed Nadine.
01:29:43It's got to be him.
01:29:45It's got to be him.
01:29:47It's got to be him.
01:29:50If this man is able to stand trial,
01:29:53we shall proceed with it.
01:29:55Here comes Dr. Mason.
01:29:57Corrigan turned him loose?
01:29:59You're joking.
01:30:00I just came from there. He's gone.
01:30:02Why should Corrigan turn him loose?
01:30:04That I can't say.
01:30:05You must know something.
01:30:06There's something between that daughter and Steele.
01:30:08You've no need to say that.
01:30:10We'll find out from Corrigan.
01:30:19Stanley, you'd better get out there and quiet those people down.
01:30:22What can I do?
01:30:23They'll listen to you.
01:30:24They won't listen to anyone.
01:30:26Steele's been your friend for a long time.
01:30:28So was Luke Joyner.
01:30:31All you've been drinking too much.
01:30:34If you won't judge with them,
01:30:36there'll be no lynching.
01:30:40Ortega, go out and help.
01:30:43Sheriff.
01:30:46What are you going to do?
01:30:50I'm going to throw up.
01:31:05You should have kept riding with Wes.
01:31:10I live here, Nadine.
01:31:13It didn't take them long.
01:31:26Where is he, Gil?
01:31:28They say you turned him loose.
01:31:30It wasn't Steele that killed those people on that stage.
01:31:33You turned him loose because he's been carrying on with that daughter of yours.
01:31:43Take him. Take him.
01:31:45Break him up.
01:31:46That's it. Put a rope around his neck.
01:31:48He'll tell us where Steele is.
01:31:49Wait a minute. You can't do this.
01:31:55Mary Hen.
01:32:06They're lynching Gil Corrigan.
01:32:07You've got to stop them.
01:32:08You must do something.
01:32:10There's nothing I can do.
01:32:12Stanley.
01:32:13We've got to get the sheriff away from that mob.
01:32:15Besides, he knows where Steele is.
01:32:18He'd only lie to us.
01:32:20Looks like he's in with Steele.
01:32:22I don't believe it.
01:32:24I won't believe it.
01:32:40I won't believe it.
01:32:42Help!
01:33:07Stanley thinks we should string him up.
01:33:13Tell Stanley to come out and give his orders to me.
01:33:17Who are you?
01:33:19Where's Steele?
01:33:27Turn that man loose.
01:33:29I'll kill the first man that goes for his gun.
01:33:32That's far enough.
01:33:34You want to be first?
01:33:36You want to be second?
01:33:38You want to be third?
01:33:40You want to be first?
01:33:42I can hit a lot of you before I go down.
01:33:47You with the rope. Take it off.
01:33:49Take it off!
01:33:55Untie his hands.
01:34:05Now get him out of there.
01:34:11This is a rotten town with a lot of rotten people in it.
01:34:15But for once, you're going to listen to the truth.
01:34:18The man who murdered those people on the stagecoach...
01:34:21is working for one of your most distinguished citizens.
01:34:24Get out there and gun him down.
01:34:30Stanley!
01:34:32Come out and tell us how you shot Luke Joyner in the back.
01:34:35Come on out!
01:34:41Come on, Stanley, and deny it.
01:34:43Go on.
01:34:45Get out there!
01:34:50I'll go.
01:35:03Steele's telling the truth.
01:35:05I know.
01:35:07I work for Stanley.
01:35:10Gun him down!
01:35:40Stanley!
01:36:10Stanley!
01:36:31Clanton, look at me.
01:36:41I'll blow you to pieces, Stanley.
01:36:47Drop it.
01:37:01You're forgetting, Corrigan.
01:37:04You're in this as much as I am.
01:37:06Am I?
01:37:08It's going to be your word against mine.
01:37:10I'll take my chances.
01:37:15Come on.
01:37:31Hey, you. Out.
01:37:39Lucas, Turner.
01:37:41Take these two down and lock them up.
01:37:49You better go with Steele, honey.
01:37:53What about you?
01:37:55I'll stay here.
01:37:57I'll go with Steele.
01:37:59I'll go with Steele.
01:38:01I'll go with Steele.
01:38:03I'll go with Steele.
01:38:05What about you?
01:38:07I'll stay here.
01:38:09Don't worry. I'll be all right.
01:38:11No. No, I'm not leaving you.
01:38:13There's no life for you here.
01:38:15This is a rotten town.
01:38:17Wherever he takes you, it's got to be better than this.
01:38:20She's not going anywhere with me.
01:38:23Because I'm not leaving.
01:38:26Who knows if this place is any worse than the next one I hit.
01:38:30But from the way things look now, it's got a good chance of being better.
01:38:34I'm staying.
01:38:48Let's go home.
01:39:04Let's go home.