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00:00I know my daughter has a lot of faults, but stealing, I don't know how she was able to do that.
00:10We are from a poor but strange family.
00:13It's not your fault, Mrs. Martínez.
00:24I have it here. It's the same as when I took it.
00:31I ... I ... I'm very sorry, mother.
00:41A thief. My daughter is a thief and on top of that in a little church.
00:45Well, well, we can't call her that.
00:48Her daughter has been surrounded by objects of much more value here in this house and she has not stolen them.
00:53We can't say she's a thief.
00:56What is the name of the thief then?
00:58No, Mr. Baeza, you have to call things by their name.
01:04I had never done anything like that, I promise you for the most sacred, mother.
01:08You have to do it here, now, in the village.
01:10And on top of that, Mr. Fermin, that man has always been able to help me.
01:14I did it for my son, mother.
01:16I lost my mind, I want to get it back anyway, I need to get it back.
01:21But how do you think?
01:23What did you think? That no one was going to miss the parish coupon?
01:28I ... I don't know.
01:32I saw it there, next to the altar and ...
01:38They're going to think I'm crazy, but I thought our Lord was offering it to me.
01:44That he was telling me that whatever it was, it was an opportunity to get my son back.
01:48Is that your excuse?
01:50That it was a gift from the Lord?
01:52I know, it was a robbery, an unforgivable mistake.
01:57As soon as I got here, I realized what I had done.
02:00A calyx or any other consecrated object is an acrylic robbery, a serious sin, a mortal sin.
02:07I know, I know.
02:09I deserve to go straight to hell.
02:12But I did everything to get rooms for my son.
02:17But your colleagues are raising the money your in-laws are asking for.
02:20Yes, but I'm afraid they won't get the money they need.
02:24It's a lot of pesetas.
02:27And you can't think of anything else than stealing here, in the village church.
02:31I'm sorry.
02:33I'm very sorry, Mother.
02:35Please understand me.
02:39What happens to me is that I'm desperate and I want to get my son back as soon as possible.
02:44As you would.
03:01Now that our children are at home, another joy is breathed here.
03:05Yes, the atmosphere was a bit strange, especially because of your wife.
03:10You have to understand her.
03:12She was crazy about Manuel in the war.
03:15I also had a son in that war, I wasn't in a bad mood all day.
03:19You are quite peculiar.
03:20I am a soldier.
03:22But Cruz is not.
03:26And there was a moment when I feared ...
03:29I prefer to talk.
03:31Go ahead, there is confidence.
03:34It is clear that you need to vent.
03:37There were days when I thought that she could not overcome it if Manuel did not return.
03:41Yes, it must be very hard to move on after the death of a son.
03:46You know better than anyone.
03:50I wouldn't have raised my head either.
03:53Well, luckily our children are back, they are safe and sound.
03:58So let's forget those dark times and let's toast to the new ones.
04:02To their return.
04:04And since we are here, I would also toast to Maria Antonia.
04:07And why is that?
04:09Because it is thanks to her that your wife has not lost her head.
04:12Do you think there is little reason?
04:13No, it is not.
04:14Then I say that this woman deserves a toast at least.
04:18She has always been there, in the rear, supporting.
04:21While our children fought.
04:32An extraordinary woman, Maria Antonia.
04:36I'm sure she made her late husband very happy.
04:39What do you think?
04:41I guess so.
04:44You know ...
04:46Sometimes ...
04:48It makes me think.
04:50And I imagine that it would have been in our lives to have taken another path.
04:56I don't know where you're going, Lorenzo.
04:57Don't worry, I'll explain.
04:59That it would have been, for example, in my life, if I had not met Eugenia.
05:04Or that it would have been yours if, instead of with Cruz, you had married Maria Antonia.
05:10It's just that when I met Maria Antonia, I was already married to Cruz.
05:13So that question doesn't make sense.
05:15Don't worry, I'm just imagining.
05:17Although it is also worth thinking that you could have met Maria Antonia before Cruz.
05:23I don't know what this game is about, but it's bad taste.
05:26It's talking for talking.
05:29Yes.
05:30I'm sure our lives would have been very different.
05:33Imagine, brother-in-law.
05:34Married to Maria Antonia, that beautiful woman.
05:37Who also develops so well in society.
05:39Cruz also has those virtues.
05:42I'm ...
05:43Making hypotheses.
05:46As I told you, I like to fantasize about other possible lives.
05:50Do you know what happens? I am very satisfied with my real life.
05:53Yes, I am happily married.
05:55No.
05:59Why are you laughing?
06:01As if I were not blind, Alonso.
06:03What do you mean?
06:04A long time ago, I have been able to observe your marriage.
06:09And I would not qualify it precisely as happy.
06:13As you said, the best marriages go through bad times.
06:17And we love each other in spite of everything.
06:19Don't you see that?
06:20Yes, of course.
06:23The important thing is not to have a bad time, but to know how to overcome it.
06:28And Cruz and I will continue, and we will continue forward.
06:32I have no doubt.
06:35Well, then leave your absurd games.
06:53Rosario, can you keep this for me?
07:09What's wrong?
07:11Why are you crying?
07:15Let's see.
07:16Did Mr. Baeza say something to you?
07:20No.
07:21He didn't tell me.
07:24He told my daughter.
07:27What's going on with Virtude now?
07:29And then that girl, when it's not one thing, it's another.
07:32She has stolen.
07:34At home?
07:36Even worse.
07:39In the church.
07:41She has taken the golden chalice of the altar.
07:44But how could she do that?
07:46Stealing a sacred chalice, that has to take you to hell, right?
07:51Mortal sin.
07:53No more, no less.
07:55That's what Mr. Baeza said.
07:57How could she do that to the girl?
08:01Well, I don't know how she could have thought of such an idea.
08:04If she had one, I imagine Mr. Baeza would kick her out.
08:10I don't know.
08:11I don't know.
08:13How could she kick you out after stealing the church, Simona?
08:17I know it's a big mistake.
08:19But he gave her a chance to explain himself and I don't know if ...
08:25And what did he say to her?
08:27Because I imagine he had stolen it to pay the money they ask him to recover from Orfito, right?
08:32Exactly.
08:34And I think that Mr. Baeza, when he heard her, he softened a woman.
08:39As much as he asked her?
08:42Well, I don't know, Candela.
08:46I think Mr. Baeza has managed to understand that a mother, to recover her son, is capable of anything.
08:58I hope so, but I think he has been a very strong child.
09:01I don't know, Candela, but ...
09:03She was very sorry and ...
09:06And she kept crying like a baby.
09:09We have all been tempted at some point.
09:13The truth, Simona.
09:15Maybe she doesn't look like your daughter anymore.
09:17She has never been two days ahead.
09:19We already told her that we were going to help her with the rooms.
09:23And I don't know what could have gone through her head.
09:26I guess it must have been despair, the rush.
09:32Well, there is luck.
09:33And Mr. Baeza has seen it coming.
09:37Well, I have that hope.
09:40Because if he doesn't, he won't have the job here.
09:44And without the job he was going to give her, Don Fermín.
09:47The truth is that that fool has gotten into a problem with the fat man.
09:56It's okay.
09:59It's okay.
10:00Don't cry.
10:02It's going to be okay.
10:07Or that you would have been yours if, instead of with Cruz, you had married Maria Antonia.
10:26Are you hungry, Alonso?
10:30I was thinking about something.
10:34And you can think about what?
10:38About a rather unpleasant conversation I had last night with Lorenzo.
10:44Well, I'm not surprised.
10:46Your brother-in-law is an expert at sticking his finger in.
10:50In that conversation, you came out to shine.
10:55Like that.
10:56And that.
11:04Have you told Lorenzo anything?
11:07Something about what?
11:08Don't play dumb. You know very well what I'm talking about.
11:12No.
11:13I haven't told him anything at all.
11:16Not him, not anyone.
11:18It's something that happened between us, and that's how it should be.
11:20It shouldn't have happened first.
11:22But that has no remedy.
11:26Now I just hope he forgets.
11:33And what did Lorenzo tell you?
11:36Well, he started to wonder what his life and mine would be like if we had married other people.
11:42Interesting.
11:44He even speculated what my life would be like if, instead of with Cruz, I had married you.
11:49Did he say that?
11:50That's why I'm asking you if you told him anything.
11:53Because my brother-in-law doesn't shoot without a bullet.
11:55I know him very well.
11:57Well.
11:59It's not that big of a deal.
12:01It probably wasn't.
12:02The thing didn't stay there.
12:04He started to praise how beautiful you were, how kind.
12:09And I end up saying that my marriage wasn't going well.
12:13He didn't speak for himself.
12:17I...
12:18Well.
12:19I don't know what to tell you, really.
12:21I just feel like I'm in the middle of a conversation like this.
12:26When I got to the promise, the last thing I wanted was to be a source of problems.
12:30But you've insisted on being one.
12:32Come on, Lorenzo.
12:33You've been complicating my life for weeks.
12:39Now that Manuel is back, Cruz doesn't need you anymore.
12:42What are you insinuating?
12:44I'm not insinuating anything. I'm being very clear.
12:48Are you kicking me out?
12:49No.
12:51Do you want me to leave?
12:52I'm asking you to leave on your own.
12:55Your presence here doesn't make sense anymore.
13:01I guess you're right.
13:06You should be grateful
13:08that you're the one to announce that it's time to leave.
13:20I'm sorry.
13:43You seem to be up and about.
13:47Yes.
13:50To be honest, I feel better.
13:55Maybe the medication we're giving you is working.
13:58It would be a great sign.
14:00I think it was more like the last talk I had with the doctor.
14:05I see.
14:07I think he's a very sensible man and he made me see things differently.
14:12I'm glad.
14:15Does that mean you're not going to argue about everything we ask of you?
14:18You're not going to question the rules of this sanatorium?
14:21No. From now on, I'll behave and obey.
14:26Wow.
14:28What a change from one day to the next.
14:30Well, I know I was wrong.
14:32And that...
14:35Well, now I feel like I've opened my eyes.
14:38That's a good thing.
14:40You'll see that if you listen, you'll get better soon and a lot.
14:44Yes, that's exactly what the doctor told me.
14:45That I had to get better so I could go home.
14:49And that's what I want to do, get better.
14:53I understand.
14:55But think that rushes aren't good advice in health matters.
14:59No, no, no. I know we're going to go little by little.
15:03But that's also why I thought it was a good idea
15:06to go back to the gardens to stretch my legs and...
15:11No, it's too soon.
15:13We must ensure the well-being of the rest of the patients
15:17and you've shown yourself to be too rebellious.
15:20No.
15:26But it's a good thing to hear you talk like that.
15:29Without a doubt, it's the first step to recovery.
15:32I know.
15:34And I'm very sorry for the way I behaved
15:38and the discomfort I caused,
15:40especially because of my poor roommate.
15:43Yes, she took the worst part.
15:46Couldn't you bring her back?
15:49After what happened? But I just told you...
15:51It's just to apologize.
15:53I'm really sorry.
15:58Okay, I'll talk to my superiors.
16:01And now take the pill.
16:13Take it.
16:19That's it. Very good.
16:44I'm sick of it.
16:46But that's just the beginning, Ricardo.
16:49I don't know, I think I've entered...
16:51Maybe I've raised my voice a little.
16:53A little?
16:55Well, forgive me, but it's that woman who is willing to get me out of bed.
16:58And the worst of all is that she's getting it.
17:00Mrs. Arcos, what's wrong with her?
17:02Well, if before she was a woman,
17:05now she's a woman.
17:07And I don't know what's wrong with her.
17:09I don't know what's wrong with her.
17:10Mrs. Arcos, what's wrong with her?
17:12Well, if before she complained about everything,
17:14now, with two less maids, no one can stand her.
17:16I guess you're going to give me an example
17:18that just happened because of the face you have.
17:20Yes.
17:22Yes, just a lackey.
17:24A lackey who came out through the main door
17:26with the floor just locked.
17:28And you don't know...
17:30You don't know what she's done to me.
17:32Knowing her, she will continue like this
17:34while Miss Expósito and Miss Fernández don't return.
17:36It's her way of showing her discontent.
17:38Well, I hope she comes back soon, because...
17:40I don't know how to handle her.
17:42Although on this occasion,
17:44I think she does have reasons to be angry.
17:46Why?
17:48Because she has been lied to.
17:50And not just her.
17:52Everyone was told that María Fernández and Hanna
17:54were going to be at the house of the friend of the Marquis,
17:56and it's not like that.
17:58And you're putting it on my face.
18:00No, I'm not putting it on your face.
18:02But I would like to know the truth.
18:04Well, you already know the truth.
18:06The truth is that they are at the service of the Duke of San Rafael,
18:08but they are not in the main palace.
18:10And where are they?
18:12Well, they are with their family,
18:14in the hunting pavilion,
18:16which is where they needed the maidens.
18:18Well, Petra doesn't get this into her head.
18:20She suspects everything.
18:22That woman will never calm down.
18:24She lives in a state of perpetual anger.
18:26Yes, yes, I know that.
18:28For better or for worse, I already know how to deal with her.
18:30It's been many years.
18:32And we all pay for it.
18:34If she asks you again, you tell her
18:36that you don't have to give her explanations.
18:38Well, it wouldn't be bad.
18:41And now, back to business.
18:49Romulo, are you okay?
18:51Yes, yes, I'm fine.
18:53Maybe I'm just a little tired.
18:55Are you sure?
18:57Don't you need any help?
18:59No, thank you.
19:01Everything is fine.
19:11Catalina told me that her mother
19:13confronted her to her breakup with Pelayo.
19:15After what she suffered with that.
19:17She said very harsh words.
19:19Everyone was very tense.
19:21I did what I could to calm them down.
19:24Well, it doesn't seem like
19:26you achieved much.
19:28I assure you that if I hadn't intervened,
19:30things would have ended much worse.
19:33Frankly, Father,
19:35I don't know how I could have ended worse
19:37for my sister.
19:39Her name has appeared
19:41in the press of the whole region.
19:43They have publicly insulted her.
19:45I know, Manuel. I know.
19:47And apart from knowing it,
19:49did she do anything to stop the Gacepilleros?
19:51She had enough to appease your mother
19:53and Catalina.
19:55Father, we cannot allow
19:57those newspapers to come out with hers.
19:59We must return the honor of my sister.
20:01Manuel, it's just that
20:03if we go to trial right now
20:05for all that,
20:06there will be consequences.
20:08So we let it be.
20:10There is no greater contempt than not doing it at all.
20:12Yes, it's a good saying,
20:14but I know another that fits this situation better, Father.
20:16Slander that something is left.
20:18Catalina has been stained
20:20and we cannot allow it.
20:22Another scandal will appear soon
20:24that will make you forget these lies.
20:26So what you want is for time
20:28to fix things for you.
20:30If we try to solve things now,
20:32the only thing we're going to get
20:34is for people to talk about it again.
20:36Manuel, believe me,
20:38the most effective thing is to let it run.
20:40People will have another fresher
20:42and more morbid novelty to focus on.
20:44It is best
20:46for this to happen as soon as possible.
20:48You may be right.
20:50In this, yes.
20:52Now the important thing
20:54is that you have returned home safe and sound.
20:56The rest will be trifles in a short time.
20:58You now enjoy the house.
21:00Rest.
21:04They just brought this from the garden.
21:06Oh, yes, from the school garden
21:08that I took care of yesterday.
21:10And where do we leave it?
21:12There, next to the wine.
21:20Everything okay out there?
21:25Yes. Why?
21:27I don't know, because I've seen you so quiet.
21:29I thought you were for me, for my daughter inside.
21:31But let's see if these two have had a good time.
21:34No, no, Mrs. Candela.
21:36If you have noticed us a little weirder,
21:38it may be because Santos and I are no longer dating.
21:40Oh, wow.
21:42I didn't know that.
21:44I didn't want to bother you, really.
21:46No, don't worry. It's not a bother.
21:48These things happen.
21:50Besides, even if we're not dating,
21:52we still get along very well.
21:54Right, Santos?
21:56That's right.
21:58Now you could even say
22:00that we get along better than before.
22:02Well, that's the important thing,
22:04that you get along,
22:06and that I get along.
22:23I am completely grateful
22:25to have this house,
22:28my family,
22:30a handful of friends,
22:32and the service.
22:34You know, we're so used to living with servants
22:36that being without them...
22:40Speaking of the service,
22:42I have missed two maids.
22:45María Fernández and Hanna Expósito.
22:47They told me that you sent them
22:49to a friend's house.
22:51Yes, they went to help the Duke of San Rafael.
22:54He had an emergency and asked me for help.
22:56Don Gabriel?
22:58Yes.
23:00I hope it's nothing serious.
23:02No, nothing important.
23:03Some relatives came to your house
23:05by surprise and asked me
23:07if I could send them some reinforcements.
23:09Sure, sure.
23:11Yes, on some other occasion,
23:13one of your friends did the same favor for you.
23:15Yes, it happens sometimes.
23:17It will be a few days.
23:19They'll be back soon.
23:21Sure.
23:23You look for entertainment.
23:25I don't know what's on your mind.
23:27Don't fly because you don't have your plane here.
23:29No, but I already have a plan.
23:33I don't know.
23:46A separate room.
23:48Yes, the quietest in the house.
23:50Vera, I wouldn't ask for something like this
23:52if my brother wasn't living in the hangar.
23:54I see.
23:56What happens is that...
23:58Vera, I don't want to bother you there.
24:00And I don't want you to feel
24:01that I'm asking for that space.
24:03But I need a place to work.
24:05Sure, sure.
24:07But if what you want is to build another plane,
24:09I don't know if there's a room in the house
24:11that could be used for that.
24:13No buildings for the moment.
24:15I'm just going to draw and make some designs.
24:17And I couldn't do that in your bedroom.
24:20We could put a table or...
24:22Yes, it's not a bad idea.
24:24And I had already thought about it,
24:26but I need a quieter place.
24:28Your bedroom is at the end of the corridor.
24:29When I say a quieter place,
24:31I mean...
24:33far from my mother.
24:35And unfortunately,
24:37my bedroom is not there.
24:39Or at least not enough.
24:41You don't have to explain anything else.
24:43I've come up with a lot of war ideas.
24:45Of everything that is being done in Europe.
24:47And I need to put them on paper.
24:49And you don't want your mother to know anything.
24:51That's right.
24:53She'll find out when the time comes,
24:55but the later, the better.
24:57Yes, better.
24:59She'll eat like her mother
25:01when she hears the word plane.
25:03Yes.
25:05You see, Mr. Baeza,
25:07aviation is the future.
25:09Well, it's not the future, it's the present.
25:11That's why I need that place to work.
25:13I know what room to prepare for you.
25:15Remember the one you used
25:17as a photography studio?
25:19You have to condition it.
25:21I think you'll work there very comfortably.
25:23Yes, it's an excellent place.
25:25When do you think you can be ready?
25:26I don't know.
25:28We'll go up from the cellar to a table.
25:30Thank you very much, Mr. Baeza.
25:32Mr. Baeza,
25:35I have one more question to ask you.
25:37Do you know when the young ladies
25:39who were sent to help in Don Gabriel's palace will return?
25:42Miss Expósito and María Fernández?
25:44I don't think they'll be long.
25:46Why?
25:48No, nothing.
25:50Well, you see,
25:52I find it strange to go to the palace
25:54and not meet that couple.
25:56Almost all the service
25:58is like family.
26:00And she is too.
26:02Thank you for the part I have to play.
26:04I don't think they'll be long,
26:06but I can't give you a date.
26:08Thank you, Mr. Beto.
26:18You're so cheeky
26:20and you want to show off.
26:22If you marry just anyone,
26:23a lieutenant of the artillery
26:25and a stranger,
26:27but as the royal house makes them some gifts,
26:29they publish it in the press.
26:31And what have they been given?
26:33Well, she has a necklace of diamonds and pearls,
26:37and Queen Maria Cristina,
26:39the silver cupboard and the tableware.
26:42Don't you think they'll be just anyone
26:44when they receive those gifts from the royal house?
26:46Do you think they'll give us so many gifts when we get married?
26:49Ignacio,
26:51you're thinking the same thing.
26:53Maybe I'm a little heavy,
26:55but I honestly think that one day without us being together
26:58is a lost day.
27:00Don't you think we've spent practically all the time together?
27:02It's not the same, and you know it.
27:04We're old enough not to have several dates.
27:06And you know I'm not in the mood to talk about weddings
27:08while my daughter is in that sanatorium.
27:10So I'm sorry, Ignacio,
27:12but I think I need time to get used to this situation.
27:15And I'll give it to you.
27:17I just wanted you to regain your good mood.
27:19I know.
27:21I appreciate it.
27:23I just wanted to cheer myself up a little.
27:25Oh!
27:27If it's in my hand...
27:29No, don't worry.
27:31I'm just going to organize a snack with my friends.
27:33I think they'll come to see me.
27:35A snack?
27:37Is that what you want?
27:39Well, I want to distract myself.
27:41I think they're very suitable for that.
27:43Excuse me,
27:45but they told me they wanted to see me.
27:47Yes, yes, yes.
27:49That's right.
27:50I need you to go to the mayor's office
27:52so they can make some invitations as soon as possible.
27:54Of course, ma'am.
27:56They have to arrive today.
27:58The snack will be celebrated here tomorrow.
28:00I promise.
28:02I'll give it to them right now.
28:04Wouldn't it be better if you called them yourself?
28:06No, I don't feel like calling them one by one.
28:08Besides, that's what the service is for.
28:10Well, you can go.
28:12Yes, of course.
28:14They'll be sent in a few minutes.
28:16Tomorrow?
28:18Isn't it a bit hasty to invite people from one day to the next?
28:20They're my friends.
28:22I mean, it's not possible for them to come now.
28:24You had this in mind for a long time, didn't you?
28:26And you hadn't said anything.
28:28Ignacio, are you going to be upset about that?
28:30No, I thought about it yesterday.
28:39Wait.
28:41Wait a minute.
28:43Where are you supposed to go with that table?
28:45To the new room that Mr. Manuel is going to use.
28:47And is that going to be his desk?
28:48But don't you see that she's old-fashioned?
28:50How dare you offer her something like that?
28:52Wait, wait, wait.
28:54I'm going.
28:56Let's see, Mrs. Arcos.
28:58It's to write on top of her.
29:00I say that's what it's for, right?
29:02And you never use your little head.
29:04The only thing they've told me is that I have to take this table to that room.
29:07Period. That's all.
29:09Because we don't have to tell you everything all the time.
29:11Use your head from time to time, even if it's only from time to time.
29:13But if this table doesn't work, we'll find another one,
29:15we'll leave it where it was and that's it.
29:16We don't have to start a scandal over a table.
29:18I'm not starting a scandal.
29:20And if I did, you wouldn't be the one to replicate me.
29:22Do you understand?
29:24But, well, what do you want?
29:26Do you want the gentlemen to hear your scream?
29:28Is it Botarace who intends to offer that old table to Mr. Manuel?
29:30Yes, yes.
29:32If I was locked up in the office,
29:34I would have been able to hear all his complaints about the table.
29:36Let's see.
29:38What's the problem?
29:40She's old and shabby.
29:42The best thing we could do is get rid of her, I say.
29:44I don't think it's that bad.
29:47I'm doing my job.
29:49I'm not starting a scandal.
29:51And you can't work without screaming.
29:54And I think the table is fine.
29:56Mr. Manuel is going to complain.
29:59Don't play hard to get, Mrs. Arcos.
30:02I'm not playing anything.
30:04But it's very obvious what's going to happen.
30:10Take the table to the gentleman.
30:12If he finds it as shabby as Mrs. Arcos claims,
30:14we'll find another one.
30:16Let's go.
30:28Mrs. Arcos,
30:30we can go to the service without having to scream.
30:33I'll go to them as I see fit.
30:36But where is everything we talked about,
30:38about trying to get along?
30:40That went to waste.
30:42Especially since you and Mr. Baeza
30:43insist on having my maids
30:47and sending them out of the promise.
30:49And again, that wasn't our business.
30:51Besides, it was a direct order from Mr. Marquez.
30:53Well, whoever decides it, decides it.
30:55I have the right to be informed from the first moment.
30:57And I'm the one who chooses which maid goes out.
30:59Anyway, ma'am...
31:01What? What about me?
31:03Don't give me any more excuses.
31:05I'm fed up with you and Mr. Baeza.
31:13This...
31:15and this.
31:17I'll leave it here.
31:30Hi.
31:31Hi.
31:41No one will come, right?
31:43I would, because it's all done.
31:46Are you sure?
31:48I'm sure.
31:57Don't be afraid. Give me a kiss.
31:59Are you afraid of me?
32:03Was there any fear in that kiss?
32:05No.
32:07But I wish we could be somewhere else,
32:09without hiding.
32:10Neither do I.
32:12But you know I'd rather not say anything right now.
32:14I know.
32:16But I mean being alone, traveling, like the gentlemen do.
32:18That would be nice.
32:20A weekend, you and me.
32:22And where would we go?
32:24To Madrid, for example.
32:26To Madrid?
32:27To Madrid, yes.
32:29But I thought you didn't like it the last time you went there to work.
32:31Because I was working and I could barely leave the kitchen.
32:33I couldn't enjoy the beautiful places.
32:35So we would go visit all those places.
32:37That's right.
32:38We could visit the Retiro Gardens,
32:40the Museo del Prado, El Escorial.
32:42I'd love to travel with you.
32:44To Madrid or anywhere in the world.
32:46What about me?
32:52Travel with you, live with you.
32:54Anywhere, but by your side.
32:57What matters is not the place.
32:59What matters is the company.
33:01And what's the point of having the most luxurious palace in the world
33:04if you're not with the person you want to be with?
33:06That's right.
33:08I'd rather stay at home.
33:10You know what?
33:12I think you and I would get along anywhere.
33:14Really?
33:16We could find a good job far away from here.
33:18In Madrid?
33:20Me as a cook and you as a maid.
33:22Or even abroad.
33:24Abroad?
33:26I only know how to speak Spanish and say a few dishes in French.
33:28But I'm sure you'll learn fast.
33:30You're smart.
33:32I'd be bragging about my smart boyfriend.
33:34But for that we'd have to tell everyone that we're together again.
33:36And you still don't think that's a good idea?
33:38Not yet.
33:40You know I want to give Santos some time to get his head around it.
33:43Well, if he gets mad, I could stop him myself.
33:46It's not that, Lopez.
33:48Yes, I know what it is.
33:50That he doesn't know how to hurt you.
33:52But you shouldn't be so understanding.
33:54He doesn't deserve it.
33:56But let's stop talking about him.
33:58Let's talk about our future.
34:00Where would you like to travel?
34:02To Conchinchina.
34:04To Conchinchina? You're crazy.
34:06Yes.
34:12Do you think two crazy people would be able to get ahead in this world?
34:16Of course.
34:18Because crazy people who love each other,
34:20I'm sure they'll get everything they want.
34:24A snack for tomorrow.
34:26That's what I said.
34:28With some of his friends.
34:30He gave me a list of the people he wants to invite.
34:32And from one day to the next.
34:33The strange thing is that she didn't call to make things easier for us.
34:37It seems she prefers to avoid getting fat.
34:40Well, that's my thing.
34:42Are there a lot of guests?
34:44No, they're all here.
34:46If it weren't enough with the complications of having two less maids,
34:50now this.
34:52Anyway, I'm sure Mrs. Arcos will ask me for one or two snacks
34:55to be able to attend that snack.
34:57Because, of course, she can only free Vera from her tasks to cover that service.
35:00So I have to talk to her
35:02to start coordinating everything as soon as possible
35:04and get on board with the kitchens.
35:06But first I have to write the professional invitations,
35:09because if I don't, they won't arrive on time.
35:11If you prefer, I can prepare them for you, Father.
35:14And that way I can ease the task a bit.
35:16No, it wouldn't be professional for me.
35:18The invitations have to be written by the Mayor.
35:21Or by the keymaker.
35:24Let me do it.
35:26If not, either a snack or a guest work.
35:28There won't be any guests to serve.
35:31And since I've been thinking about it for a long time,
35:33neither of them.
35:37Okay, I'll do it.
35:39Okay.
35:42I just need you to give me the addresses of those women
35:46and I'll send two guys to serve them right away.
35:53Here.
35:55Here are the addresses of all the friends of Mr. Marquez.
35:58And the invitations of Mrs. Margarita are also there.
36:03I wanted to thank you for your good disposition lately.
36:08I'm just trying to do my job as best as I can.
36:12You're doing it.
36:14Thank you, Father.
36:28Thank you.
36:47More things, sir.
36:49Leave it up there.
36:50Perfect.
36:52I'm going.
36:57Do you want me to help you take things out of the boxes?
37:00No, I'll take care of it.
37:03It's all to your liking.
37:05You don't have to change anything.
37:06Does the table look good to you?
37:07The table is perfect.
37:09I don't know, I had the feeling you didn't like it anyway.
37:12And why wouldn't I like it?
37:16It's all good.
37:18Now all that's left is to sit down and get to work with her.
37:21I could hardly help you with that.
37:23No.
37:25Something tells me that's my thing.
37:28Good afternoon.
37:29Mother.
37:31Thank you, Salvador. You can go.
37:33Ma'am.
37:39So this is your new corner.
37:42Yes, that's right.
37:44This is where I'm going to work from now on.
37:47A lot of light comes in to draw and it's pretty quiet.
37:49Not so quiet.
37:51What I don't understand is why you had to come to this remote place.
37:57Precisely because of that, mother.
38:00Because I want peace.
38:03This is the coldest place in the house, Manuel.
38:06And the service is out of order.
38:08If you need anything, they won't even tell you.
38:10I don't see that being a problem.
38:12Why don't you go to the library to work?
38:14There you have a good table and books nearby,
38:17in case you need to consult them.
38:20You see, mother, the library is usually almost always empty
38:23and people are constantly coming in and out.
38:25And your bedroom?
38:27You won't deny that it's more attractive than this little room.
38:29I don't like spending the day in the same room I sleep in either.
38:32Besides, I've already told you, I need peace and no one to bother me.
38:35Am I bothering you by asking you?
38:37I didn't say that.
38:39I just need silence.
38:41That's all.
38:46Well then, you should go back to the hangar.
38:50Mother, you know that my sister Catalina is living in the hangar.
38:53Catalina and her extravagances.
38:55I don't think she's in the hangar precisely because of an extravagance,
38:58but rather because of the dispute you and her had.
39:01Dispute? That's an exaggeration of yours.
39:04You always want to play the victim.
39:12Does this caricature you made of my sister seem like an exaggeration to you?
39:17I can assure you that I've never seen anything so shabby in my life.
39:21And from what I see, it's funny.
39:23Come on, Manuel.
39:25You don't have to dramatize me.
39:27You'll recognize that this little drawing has its spark.
39:29It seems funny to her.
39:31It's funny, man.
39:33It's a bit vulgar too.
39:35In any case, we already told Catalina
39:37that it's probably not her who is portrayed here.
39:39What do you mean?
39:41It seems to her a bit.
39:43But Catalina believes she's the center of the universe
39:44and that it's about her.
39:46It's her, mother.
39:48And if these caricatures and some information appeared in the press,
39:51it was because someone gave them rather false information.
39:55Did your sister tell you that?
39:58Let's leave the spantomimes.
40:00You were the one who spoke to the journalists.
40:02What nonsense are you talking about, Manuel?
40:04If it's nonsense, how did they know what was going on here?
40:06Someone inside had to inform them.
40:08Well, I don't know who it could be.
40:10In any case, I remind you that your sister is the daughter of a Marquis
40:12and was going to marry a count.
40:14So she's exposed to the rumors as we are all.
40:16Yes, we may all be exposed to rumors,
40:18but of course no one has suffered a scourge like her.
40:21No one canceled a wedding that was talked about throughout the region.
40:24Look, Manuel.
40:26I'm tired of talking about that rude girl, so I beg you.
40:30Don't mention her again.
40:42I'm sorry.
41:12I'm sorry.
41:43How I missed dinners like the ones before.
41:46With the whole family around the table.
41:51Everything is much more entertaining when there are young people at home.
41:54Well, it depends on the mood of the young people.
41:57That when they are protesting, it is better to have a good time.
42:00Yes, I agree.
42:02I think it's better to have a good time.
42:04Yes, I agree.
42:06I think it's better to have a good time.
42:08Yes, I agree.
42:10Yes, I agree.
42:12It's better to have them far away.
42:14Although maybe not as far away as you have Martina, right?
42:19I think Manuel would have preferred to have dinner alone.
42:24He seemed a little sad to me.
42:26He has barely opened his mouth.
42:28It is true that he is still tired after so long at war.
42:31But he is here.
42:33Silent or not.
42:35And I think that deserves a toast, right?
42:37Yes.
42:39Let's have a drink.
42:40Well, yes.
42:42What better reason to toast than to celebrate the return of your son Manuel.
42:46And let's hope that very soon we can also celebrate Martina's return.
42:51I pray for it every day.
42:53You have no idea how much I miss her.
42:56Of course, I understand you.
42:58She is a very cheerful girl.
43:00Yes, I miss her a lot.
43:02In fact, to try to distract myself, I have organized a snack.
43:06A snack? Here?
43:08Yes.
43:10I'm going to try to stop thinking about my daughter all day.
43:12I think it would be good for me to talk to my friends.
43:15Will you attend?
43:17And who are you going to invite? If you can find out.
43:20Yes. The countess of Mecina, the baroness of Camps,
43:23the Duchess of Cerezuelos and the Marquis of Palmar.
43:27Are you really going to invite those?
43:29Well, they are my friends.
43:32Look, Margarita.
43:34The Duchess of Cerezuelos is a gossipy simpleton
43:37who does nothing but criticize everyone.
43:38And the Marquis of Palmar?
43:40How dare you?
43:42I'm not going to attend that snack.
43:44What's going on with her?
43:46Please, Margarita.
43:48Have you already forgotten that she did not invite me to the reception she gave in her palace recently?
43:51A year ago, Cruz.
43:53I'm going to take care of who invites you or doesn't invite you.
43:56You knew it perfectly well.
43:58And you knew how bad I feel.
44:00It's not that bad. It's just a misunderstanding.
44:02It's not, Alonso. It's not.
44:04Serve me digestive medicine in my room.
44:06Will you come with me, dear?
44:10Yes.
44:14Good night.
44:16Good night.
44:21She's inconsiderate.
44:24Oh, this woman.
44:26She keeps making up any excuse to get angry.
44:29Although I think that today,
44:31Alonso is going to like this disgust.
44:33Why do you say that?
44:35Because they're going to recover the time they've lost in these weeks.
44:38Or in these months. Who knows?
44:40No one knows for sure what's going on in the other couple's bed.
44:43I don't think those comments make sense.
44:46Why?
44:48I think it's very good that Cruz and Alonso have fun as a married couple.
44:51Or does it bother you?
44:53Bother me?
44:55Why? Rather, it makes me happy.
44:57Yes? Really?
44:59Yes, of course.
45:01Well, you see, I thought you were a little jealous.
45:03Me?
45:05What are you saying?
45:07Well, I think you don't like to see them so sweet.
45:10It makes you jealous.
45:14Or are you going to deny it?
45:21Not holding a grudge is a sign of magnanimity.
45:24You think so?
45:26Yes. If you go to that dinner, you'll show that you're above gossip and gossip.
45:30Maybe you're right.
45:32I'm going to Lujan's parish to accompany my virtues
45:34and return the chalice that never had to leave there.
45:37You'll do well to do it and apologize to Our Lord and Mr. Fermin.
45:42Let's see if the man has the heart to listen to her and forgive her.
45:45I needed to tell you how I feel.
45:47Even if I'm just a farm worker.
45:49How did you introduce me to your brother?
45:51Are you throwing it in my face?
45:53Happy to return to this room?
45:55This has been my room since I arrived.
45:58I'm also delighted to have you back, Juana.
46:01Martina.
46:03I'm Martina.
46:05We did this to protect Martina.
46:07I don't think putting her in that asylum is protecting her.
46:09I don't know, but when we left, we thought it was a beautiful place.
46:12You thought? Who?
46:14Ignacio and me.
46:16And you didn't think that the Count of Ayala was the least suitable person to comment on that?
46:19But as soon as she returns to normal, all this will pass.
46:22I hope so.
46:24Because I feel more and more like my sister.
46:26In fact, if you don't come to see me ...
46:28No, I don't allow you to question our professionalism.
46:32Look, if you don't come to do it the easy way,
46:35you'll have to accept our criteria and do it the hard way.