Part 4 of 4 of the unusual comedy drama from 1986. Mr Pye stuns Miss Dredger, Tanty and Thorpe when he reveals he has now grown horns due to his bad behaviour to remove his wings. Reckoning that he is being punished by "Pal" for not being humble in his preaching, Mr Pye decides he needs to suffer humiliation for his curse to be removed and decides to do so at the Cattle Show at the weekend. But both Miss Dredger and Tanty have grave fears over his plans, which prove well founded when the locals then suspect he is actually a devil, putting Mr Pye's life in grave danger.
Starring Derek Jacobi, Judi Parfitt, Robin McCaffrey, Richard O'Callaghan, Michael Turner, Ralph Nossak, Sarah Dawson, Amanda Reiss, Howard Lew Lewis, Trevor Cooper, Jeffrey Chiswick, Geoffrey McGivern, Bill Monks, Michael Hamon, Jo Scott Matthews, Roger Alborough, Bob Johnson and Mark Shorto. This episode concluded the comedy drama, based on a 1953 novel by Mervyn Peake, and like the other episodes is funny but very much of a curio. Not sure exactly what they were trying to say here, but it is certainly unusual.
Starring Derek Jacobi, Judi Parfitt, Robin McCaffrey, Richard O'Callaghan, Michael Turner, Ralph Nossak, Sarah Dawson, Amanda Reiss, Howard Lew Lewis, Trevor Cooper, Jeffrey Chiswick, Geoffrey McGivern, Bill Monks, Michael Hamon, Jo Scott Matthews, Roger Alborough, Bob Johnson and Mark Shorto. This episode concluded the comedy drama, based on a 1953 novel by Mervyn Peake, and like the other episodes is funny but very much of a curio. Not sure exactly what they were trying to say here, but it is certainly unusual.
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TVTranscript
00:30It's a racket, Tanty, the whole thing's a racket.
00:57Oh, I had a filthy dream.
01:04And that was a racket too.
01:07Oh, I feel as sick as a pig in a pram.
01:10Where are you, for God's sake?
01:12Come along now, come along, Mr. Artist.
01:16Come along, sailor, you were never one to hold back.
01:18Nor you, Tanty, come on.
01:20One of you must take his feet and we'll have him up on the couch in a jiffy.
01:25There we are.
01:30I have never been so terrified in my life.
01:36And yet they are wonderful.
01:40Such deadly spikes.
01:43They petrify me.
01:46And yet they are thrilling too.
01:53Must they have?
01:57Yes, they're not exactly pretty, are they?
02:00I suppose they must mean I'm some sort of devil.
02:06If not the devil.
02:15Thank you, sailor.
02:19That might bring me luck.
02:23Oh, I see our young painter is giving me one sort of immortality at least.
02:32Where was I?
02:36What's to be done, Chief?
02:38Well, obviously some profound selfless gesture must be made,
02:42and made very soon if I'm to stem the speed of this horrific upsurge.
02:47Although, quite frankly, I think it's going to take more than a gesture.
02:51I must perform some deed that will so hurt my pride and so humble me
02:56that the gods, or whatever power it is now darkening my life,
03:02will have no option but to end the torment.
03:07And I have sinned.
03:09I have dabbled in the black craft, not for my own gain,
03:14but to save myself from this madness.
03:17I have also been lighthearted in my life.
03:20Was that a sin?
03:21I have brought hope to many.
03:24Is that a sin?
03:26Ah, I have enjoyed doing it.
03:28Perhaps that is the sin.
03:31Yes, I don't blame you wanting to feel less vulnerable, Mr. Genius.
03:37I don't blame you at all.
03:41My darling.
03:43Oh, my darling.
03:47Say then, I don't know what to say.
03:52You have been my right hand.
03:57Tomorrow it will be over.
04:00I won't say that you'll then be free of me, and therefore happy,
04:04because I seem to have brought more misery than anything else
04:08to the few people, like yourselves, whom I have grown to care for.
04:13We'll live in an atmosphere less likely to tear the nerves to shreds.
04:23Oh, yes, yes, yes.
04:26I think you're going to enjoy this.
04:30I do hope so.
04:35Tenty.
04:38There.
04:41Sailor.
04:52And to you, Mr. Artist.
04:56I never really got to know you very well.
04:59Perhaps it's because I don't understand art very well.
05:03Doesn't one imply the other?
05:06But paint on, my friend.
05:08Paint on when I have left the island.
05:10There, now, I've only got to charge my own glass,
05:13and we shall be ready for a toast.
05:16What shall it be?
05:20Chief.
05:22Put down your glass.
05:26Put down your glass.
05:30Will you drink?
05:34Will you drink to a gentleman?
05:38To the finest gentleman these islands ever saw.
05:43To the finest gentle man who ever left England.
05:51To you.
05:54Oh, Chief.
05:57Chief.
05:59My darling.
06:01So God is torturing you.
06:09Thank you, Sailor.
06:11Now, I drink to you.
06:14The staunchest friend I ever had.
06:20And to you, Tenty, my jungle child.
06:23And to you, in the name of Bosh, my dear Thorpe.
06:30Neither of you say a word.
06:32And that's just as it should be.
06:34There's nothing you can say.
06:36Words at such times make little sense.
06:39And what sense they do make is nonsense.
06:43Of which, incidentally, I was once particularly fond.
06:46Yes, I used to write it at board meetings while the others doodled.
06:50There was one, oh, particularly good one.
06:53Oh, how did it go now?
06:55Yes, I wrote it on the back of a procedure form.
07:00Oh.
07:02Oh.
07:07O'er seas that have no beaches to wend their waves upon,
07:14I floated with twelve peaches, a sulphur and a swan.
07:21With flying fish above me and with catfish all around,
07:27there was no one to love me, nor hope of being found.
07:33When, on the blurred horizon, so endlessly adrift,
07:40I saw all of a sudden
07:45no sign of any ship.
07:51Say, now, I don't want you staying in this house alone tonight.
07:55Can't he? And the artist must stay with you.
07:58Heaven knows what I might look like in the morning.
08:00Or how I might behave.
08:02Now, tomorrow is the island cattle show.
08:05How appropriate for me to make my first public appearance there.
08:08So run along, all of you. Not a word.
08:10We must all be up bright and early.
08:13Now, just as I have not flinched from parading my poor head before your eyes,
08:18so tomorrow I shall not flinch from my final gesture.
08:22We shall see whether there is a sense of mercy.
08:25And I must add, fair play,
08:28in that realm above that children dream of,
08:32that great cosmic joke shop in the sky.
08:52He'll never be an artist.
08:55He's too thin.
08:57Picasso, yes.
09:01But poor little paintbox.
09:03No, no, no!
09:07Ah!
09:09Come in.
09:40Is that noise like someone shoveling cinders?
09:46The airy palm tree.
09:52The first time Mr. Pye came here.
09:55In the spring.
09:59He was a young man.
10:01He was a young man.
10:03He was a young man.
10:06In the spring.
10:09He squatted beneath that palm,
10:12looking so spruce.
10:14Mended my mowing machine.
10:19So happy.
10:22And he sang that little song.
10:26Cloudless morning.
10:29Such fun.
10:32Such bubbling gaiety.
10:37That was the first time he called me sick.
10:43Pull for the shore, sailor.
10:46Pull for the shore.
10:52There'll be toast galore.
10:55Not to mention coffee, sailor.
11:01Pull for the shore.
11:31Kissing Mary and the little lamb.
11:34Good morning.
11:52Morning.
11:58Oh, I say!
12:01Look at this.
12:03Mushrooms.
12:05Bacon.
12:07And scrambled eggs.
12:09Oh-ho!
12:11Can life offer a finer breakfast.
12:14Nobody else eating?
12:16I have my toast, thank you.
12:18Can I help you with something, young woman?
12:20I don't quite feel up to anything, thank you, Mr. Pye.
12:23Oh, Tanty.
12:24Alone, thanks.
12:27Ah!
12:29Well.
12:31If you don't know what you're missing, it looks quite delicious.
12:34We have talked about it, Chief.
12:36And we'd like to ask you not to go to the cattle show today.
12:40Oh, but I must.
12:42No, really, Chief.
12:44I really do beg you, please don't go.
12:47It would be so humiliating for you to go like that.
12:50But don't you understand?
12:52That is exactly why I have to go.
12:55To expose myself to public ridicule.
12:59I'm not looking forward to it, naturally.
13:01But they don't seem to have grown very much during the night.
13:06So perhaps the great pal is at last ashamed of himself.
13:12I cannot let you go, Chief.
13:14I cannot.
13:16They will laugh at you and then they will be frightened
13:19and then they will send for the Guernsey police.
13:21I have thought it all out during the night.
13:23That is what their dumb world do.
13:25I absolutely agree, sailor.
13:27I have thought it all out too.
13:29And I have come to the same conclusion.
13:32You can hide at my place if you should ever care to, sir.
13:35Oh, I won't be exactly hiding, dear boy.
13:38But I do thank you for the thought.
13:40After all, if we cannot fail with a smile,
13:43we might as well not fail at all.
13:46Failure is glory, you see.
13:49Success is finite.
13:51Success is finite. Failure is infinite.
13:56It's all rather wonderful in a way.
14:01Did you sleep well, all of you?
14:03No. Not a wink.
14:05I had a nightmare.
14:07Really? I slept like a top.
14:10You are a great man, sir.
14:13It frightens me that you should be like this,
14:15but you are a very great man.
14:17There is a dirty racket going on somewhere, sir.
14:20Now, I never believed in the life to come.
14:22Quiet, quiet, quiet. You're dribbling.
14:25Oh, just on eleven.
14:27That means the dame will have declared the cattle show open.
14:30Everything will be in full swing.
14:33Excellent.
14:37Sailor, there is absolutely nothing to be said.
14:50There.
15:21Visitors, boys and girls and children,
15:25welcome to the Salk Cattle Show.
15:28We hope you will all have an enjoyable and pleasant day.
15:32May I remind you of the refreshments and soft drinks...
15:36I'm so sorry.
15:39I do hate being feeble.
15:44I always despised it in others.
15:48Never thought I was feeble.
15:57Your attention, please. Your attention, please.
16:00Judging for cows class one...
16:03Judging for cows class one will now take place in the wake.
16:08The judges are Mr Le Cheminot and Mr Loy,
16:12and the steward is Mr Hammond.
16:15The judges are Mr Le Cheminot and Mr Loy,
16:19and the steward is Mr Hammond.
16:22Will the competitors bring the entries for class one cows to the wing now?
16:40Please.
16:42My God, look at that.
16:52The man's mad.
17:04My God!
17:06Goodness gracious!
17:12My God!
17:19My God!
17:30My God!
17:33Yes!
17:42Yes!
17:52Keep your distance, Mr Pye.
17:54That's if you want, Mr Pye.
17:56Go to hell from here, Mr Pye. That's where he comes from.
17:59God save our little children.
18:01God help our crops.
18:03And God help our lobsters.
18:05He's buggered the milk.
18:07He's buggered the summer visitors.
18:09He's buggered my nerves.
18:11Keep your distance.
18:13Where's the constable?
18:15He's no bloody good.
18:17Cut your cackle, you fat and bloody cods.
18:21Phone Guernsey.
18:23Phone St Peterport.
18:25Phone the police.
18:27Phone Guernsey.
18:41Ha, ha, ha!
19:06Bloody missionary!
19:08He's a goat.
19:10He's a famed goat!
19:12He's a king of goats!
19:16A goat with a wife, darling!
19:18He's a goat despicable!
19:23Silence!
19:25You bloody ignorant fools!
19:29He'll own your guts out!
19:32He'll put a bloody spell on you!
19:35He's the old man!
19:38He'll drink your blood!
19:42He'll drink your blood!
19:44Oh, no, he bloody won't!
19:48Oh, no, he won't!
19:50Mr. Boy won't drink your blood, my dears!
19:53Will you, darling?
19:55And you'll do just what you're told, won't you?
19:59And you won't fart, anybody, will you, dear,
20:02with those lovely bright nuance of yours?
20:05Or be any sort of naughty little goat.
20:09Because you love me, don't you?
20:13Now, listen, we'll have a game with him.
20:16Have any of you ever played hide-and-seek?
20:23Now, get up, my love.
20:25Just do everything I say.
20:27They'll lynch you if I don't.
20:28Make for the prison.
20:29Here's the key. I stole it.
20:31Lock yourself in.
20:33Four short taps on the door.
20:35That'll be me, an hour after sunset.
20:40Look at him!
20:42The devil is such a pretty boy!
20:50You wanted to be humiliated, didn't you?
20:52Why, I don't know, but you wanted it, didn't you?
20:55Oh, such a pretty boy!
20:59My dear, my dear Tanty...
21:01Quiet!
21:03Listen to me!
21:05He can eat out of my hand.
21:07I can do what I like with him.
21:10Can't I, Beelzebub?
21:17Ladies and gentlemen,
21:19and darling Mr Missionary, bye,
21:22I would like absolute silence, if you please.
21:26We are gathered together to discuss
21:28how to fill in our time between now
21:30and the arrival of the police,
21:32for the cattle show is over, is it not, my dears?
21:36How could any cow expect to win a prize
21:39after seeing Mr Barnes?
21:45You had better be bloody careful.
21:47It's a dangerous thing to play around with devils,
21:50however well they behave.
21:52He'll have your liver out of you.
21:54You wait and see.
21:56Just forget my liver, George, if you will,
22:00and concentrate here, now.
22:03We live on an island and there's no escape for him.
22:06The tide is out and he has no boat.
22:08The police will soon be here and we'll take him away
22:10and we'll never see him again.
22:12You did say you like a good romp, didn't you?
22:16You did say hide and seek, didn't you?
22:18That's right.
22:20And how long did you say you wanted to be given?
22:22Ten minutes? Is that all?
22:26Well, well, well.
22:28He can't go far in ten minutes, now can he?
22:32Now listen carefully, my little dears.
22:36We'll all go in a nice, tight clump again.
22:41And when I say so, we'll shut our eyes to the lovely show.
22:47And when the ten minutes are up,
22:49I'll give you such a shout, it'll jerk the hearts out of you.
22:53And away we'll go.
22:55Turn, turn in your tracks.
22:59Yes, turn, Mrs. Decoe.
23:04Yes, you. And you.
23:09Yes, turn out here, Fourteen.
23:12Turn, my darlings, and shut your bloody eyes.
23:19Yes, turn, Mrs. Decoe.
23:24Yes, turn, Fourteen.
23:28Turn, my darlings, and shut your bloody eyes.
23:34Yes, turn, Mrs. Decoe.
23:39Turn, my darlings, and shut your bloody eyes.
23:44Ready, steady, go!
24:14I have been amazed. I have made my gesture.
24:23Oh, that's smaller. It's working.
24:32Oh, yes, of course. Oh, yes, here they come.
24:37Of course. They're old hands at the game.
24:43I seem to have a foot in both camps now.
24:47Neither the angels nor the damned entirely own me now.
25:14The ground police are on their way.
25:34Look about over there. Could be behind these rocks.
25:39Look about over there. Could be behind these rocks.
25:44Might be anywhere.
25:46You've got to check everywhere.
25:49There's hundreds of places you could hide down here.
25:55Oh!
26:05Did we order a cart to take us up into the town?
26:08Afraid not, sir. I forgot.
26:10Good. I'll just sit here quietly for a bit, eh?
26:14You go up and find out what's happening.
26:17Right, sir.
26:18P.C. Jackson, Marshal, nut round, follow me.
26:31Did you hear me, eh?
26:40Which way now?
26:42We're trying the route to Harbour Gushwin.
26:44What does it look like?
26:45It's a horizontal road. It's very close to the sea to us.
26:48Stop talking and get on.
26:50That's the other end of the island.
26:56You wait along the hedgerow. Quiet.
26:58Right.
27:03There's nothing here.
27:06Anything there?
27:08No.
27:15Damn stupid idea.
27:17What are we doing all this for?
27:19Playing hide-and-seek in the middle of the day.
27:22Big mistake of yours, can't it?
27:24I know, dear, I know.
27:26But where can the naughty beast have hidden himself?
27:36Let's try the pinions.
27:38Let's try the woods.
27:41Where are they going, little man, eh?
27:43They're playing a game called catch a pie goat.
27:45Would you like to play that little chap?
27:47Yeah, but I'm granny-sitting.
27:49Has this gentleman really and truly got on, little fellow, eh?
27:53Why are you talking to me as if I'm a cat?
27:55Now, listen, cherub.
27:57I'm not a cat.
27:59I'm not a cat.
28:01I'm not a cat.
28:03I'm not a cat.
28:05I'm not a cat.
28:07I'm not a cat.
28:09Now, listen, cherub.
28:11Cos he's got horns, and he ain't a gentleman.
28:14He knows horny Satan, all right.
28:16He is, don't you worry.
28:18Right.
28:20Fan out, they, or we'll sweep the island.
28:22Fan out?
28:24It's only me, Sodge.
28:35Nothing!
28:39He not the rolling waves, but bend to thee o'er, save in life, O sailor, carry home no
28:54more.
28:55We'll be moors today.
28:56I'll be glad to get to the pub and fed up with this game, see.
29:07I'll be glad to get to the pub and fed up with this game, see.
29:14I'll be glad to get to the pub and fed up with this game, see.
29:15I'll be glad to get to the pub and fed up with this game, see.
29:16I'll be glad to get to the pub and fed up with this game, see.
29:17I'll be glad to get to the pub and fed up with this game, see.
29:18I'll be glad to get to the pub and fed up with this game, see.
29:19I'll be glad to get to the pub and fed up with this game, see.
29:20I'll be glad to get to the pub and fed up with this game, see.
29:21I'll be glad to get to the pub and fed up with this game, see.
29:22I'll be glad to get to the pub and fed up with this game, see.
29:23I'll be glad to get to the pub and fed up with this game, see.
29:24I'll be glad to get to the pub and fed up with this game, see.
29:46Nothing there.
29:47Nothing there.
29:48Nothing there.
29:49Nothing there.
29:50Nothing there.
29:51Nothing there.
29:52Nothing there.
29:53Nothing there.
29:54Nothing there.
29:55Nothing there.
29:56Nothing there.
29:57Nothing there.
29:58Nothing there.
29:59Nothing there.
30:00Nothing there.
30:01Nothing there.
30:02Nothing there.
30:03Nothing there.
30:04Nothing there.
30:05Nothing there.
30:06Nothing there.
30:07Nothing there.
30:08Nothing there.
30:09Nothing there.
30:10Nothing there.
30:11Nothing there.
30:12Nothing there.
30:13Nothing there.
30:14Nothing there.
30:15Nothing there.
30:16Nothing there.
30:17Nothing there.
30:18Nothing there.
30:19Nothing there.
30:20Nothing there.
30:21Miss.
30:22Reggie has bought
30:25Zoo peanut but not very smart,
30:30diez narc jellies.
30:34It looks too nice for her.
30:43No, of course not. You're a fine type.
30:47Am I a fine type?
30:49Of course you are, Tanti. You are a very fine type.
30:54Although, of course, an altogether different type of type.
31:00Sounds very confusing, dear.
31:03Look, I've got a torch, but we must block the window first.
31:06Oh, yes. Look, here, take my jacket.
31:10Black as the night that covers me.
31:12Then I'll fold it neatly and place it in the window.
31:15It was well cut, that jacket.
31:17Yes, I had a good tailor, but I'll never wear it again.
31:21And it won't fit anybody else.
31:23So let it perform its last and most significant duty,
31:26to free us from the eyes of the island.
31:29And he is too, for that matter. We must talk more quietly.
31:33Tanti, when you switch on your torch, you might get a shock.
31:39Although I suppose you're probably shock-proof by now, aren't you?
31:43All but.
31:46They're on the run. They've got the boys off, dear.
31:50Oh, yes. Um, yes.
31:53But I'm afraid, Tanti, there's no escape.
31:56Were you ever given one of those toys as a child,
32:00which, when you pressed down,
32:02like the wooden tail of a donkey, for instance,
32:06you pressed it down and its head came up,
32:10and then you pressed its head down to its knees,
32:13and the tail shot up again.
32:15Well, that is what I have become.
32:18I had hoped that the great pal would free me altogether.
32:24I think these things are even worse.
32:28What things, my darling?
32:36Oh. Oh.
32:39Oh, my poor one.
32:43Well, no, it's all right. Don't worry.
32:46I've had them before.
32:48At a very high class of feather, indeed.
32:51I couldn't have chosen myself better.
32:54No, not from the poshest store in Paradise.
32:57Not from the brush of Raphael.
33:00The only trouble, my dear Tanti, is that I don't want them.
33:05You are very brave.
33:08I will never forget you.
33:11Oh, I will.
33:13That is exactly what I must do.
33:17And the sooner I forget myself, the better.
33:20Come along now. What about that wine?
33:23Yes, those splendid sandwiches. Bless the dear sailor.
33:27What does it all mean?
33:31Do you understand, Mr By?
33:34Are you safe? Are you safe? What can I do?
33:38We cannot hide here forever.
33:41Sark is alive tonight.
33:43The island is after you. No one will go to bed.
33:46We must think.
33:48No, no, no. Not yet.
33:50It will spoil the taste of the wine.
33:53Worms were bad enough, chief.
33:56But they were something I could understand somehow.
34:00But wings. Wings are...
34:03Unfair.
34:06They are certainly unfair.
34:10Have they grown at all?
34:16If I haven't walked the soles of my feet,
34:19I don't know what I bloody have been doing all day, I don't.
34:22You're a blimey folk. Skin that Tanti.
34:25I'd like to see you. She'd eat you.
34:28She wouldn't eat him. Why not?
34:30Did you say why? Because you're so bloody ripe, that's why.
34:34A blimey vulture wouldn't eat you, V.
34:36You're a disgrace, you.
34:38Like rotten fish, I wouldn't want that.
34:43Nowhere to the north.
34:45Please bloody vanish, mon vieux coq.
34:49Go shove him somewhere.
34:52Leave it there for a day.
34:54Where's the rest of us?
34:56Get on your feet, you lumps of sticky conga.
35:00Get out your jackknives. Tie up your horses.
35:03We got him by the short and curly ones.
35:06You got him, did you say, Porgy?
35:08Every house and cottage has been scoured.
35:11And also Dicker Valley.
35:13What about the silver mines, mister? You could hide in the silver mines.
35:17So could your aunt with the yellow itch.
35:19But they're as empty as your skull, my friend.
35:22What about the police, mister?
35:24Well, what about them?
35:25Where are they, mister?
35:26Working across from Arvo Gosselein.
35:29Now listen to me.
35:31There's only the centre of the island left.
35:34In fact, where we're standing and all about us.
35:37We've searched Miss Dredgers.
35:39If she's hiding him, it must be in a matchbox.
35:41She don't know what she's doing.
35:43Spends all the time singing about someone bending the oar.
35:46That's right, Porgy. I've seen and heard her.
35:49In the flaming moonlight.
35:51Singing all the time, pull for the beach.
35:54Or something like that.
35:56Sanctuaries were posted all around the top.
35:58They're forming a ring and we'll close in like at a signal.
36:02Hey, where we put him when we catch him, mister?
36:06What do you think this prison's for?
36:08You got a brain like bloody Solomon's, I wouldn't wonder.
36:11Now, join the rings.
36:13In half an hour, the signal will be made.
36:15And then every house and cottage and pigsty of these last 40 acres...
36:20will be routed out.
36:22I want to see him dead.
36:25Leave the horses. The carriages will only be in the way.
36:29Up with you!
36:31By God, you beat the stick, some of you.
36:34You want your children to laugh with horns?
36:37Hey! Hey!
36:39Hey, let them all out.
36:41Maybe it takes a child to catch the devil.
36:44Yeah, I think God would like that all right, eh, mister?
36:47Catching the devil, eh, Porgy?
36:49God would be pleased, I bet.
36:51Shut your long mouth and get your thick legs moving!
37:22Chief!
37:26Chief, listen to me.
37:28If you've never listened to me before, listen to me now.
37:31Your wings, can you see them?
37:34And the size of them.
37:36Mr. Budd, you see what I mean?
37:38They're growing every moment.
37:40Don't you see? You'll be able.
37:42My darling Tantia, I know what you mean.
37:44But we've got to do something.
37:46Don't you see? You'll be able.
37:48My darling Tantia, I know what you mean.
37:50But where? Where?
37:54I must comfort the sailor.
37:56I will comfort her.
37:58You must go now. Now it is your chance.
38:01Can you beat them?
38:04I don't know, Tantia.
38:09I don't know, dear.
38:11Try, my love.
38:17Ah!
38:27Do what I tell you, chief. There is no time to lose.
38:31You must jump a carriage.
38:33The best horse is the black. He's fast and strong.
38:35In a minute, I will turn dead.
38:37And then, when I signal, out of the prison with you, chief.
38:39And then up into the sea with you, oh, my dear one.
38:41And then away with you.
38:43I will comfort the sailor.
38:45Have you a message for her or anything?
38:51Whatever of mine she wants is hers, of course.
38:54But there's not much use to her, is it?
38:57There's my watch.
38:59But that sort of thing is so tactless.
39:02I don't know what she would like, if anything.
39:05I don't know what to give her except my love.
39:08Your love, Mr. Bye?
39:10Can I tell her that?
39:13Oh, yes, I think so.
39:18That is what I hope for most, Mr. Bye.
39:22But you must not stay. You must not be captured.
39:25What will happen, we don't know, but you must gallop in.
39:29Peek for the coupé.
39:31Where else is there but a coupé at a moment like this?
39:37The coupé.
39:42Goodbye, Tandy.
40:13Whoa, whoa, whoa.
40:37Thank you, Tandy.
40:40Away with you.
40:43And away it is.
40:45Come on, Peel. Come on.
41:01Well done, Tess.
41:03Joyce, tally-ho.
41:10Oh, it's long, Jack.
41:12Keep up, Ravis.
41:33It moves.
41:35It moves.
41:38Look. My God, look.
41:41It's Mr. Bye. Look.
41:43He's got wings.
41:45He's got wings.
41:52Come on, let's get in.
41:58Mr. Bye.
42:07Come on, get in there.
42:10Come on, get in.
42:12Run back, you fuckers.
42:27There he is.
42:29Come on, stop there.
42:31Hold it, Mr. Bye.
42:33Go, go, go, go.
42:46Pull for the shore, sailor, pull for the shore.
42:51Heed not the rolling waves...
42:53Come on, you lot.
42:58Heed not the rolling waves...
43:04Heed not the rolling waves...
43:09Heed not the rolling waves...
43:27Two last questions. Come on.
43:29Get your legs moving now.
43:31All right, all right, we've got it packed around this area now.
43:34All we've got to do is...
43:36Come on, Mr. Bye, let's get in.
43:39I have shot off that part of my mind that makes decisions.
43:49The campaign.
43:51The campaign.
43:54The campaign.
43:56The campaign.
43:58The campaign.
44:05I've made my decision.
44:07I've humbled my pride, you stupid old kids.
44:14Good day.
44:28Good day.
44:58Good day.
45:28Good day.
45:30Good day.
45:58Good day.
46:00Good day.
46:02Good day.
46:04Good day.
46:06Good day.
46:08Good day.
46:10Good day.
46:12Good day.
46:14Good day.
46:16Good day.
46:18Good day.
46:20Good day.
46:22Good day.
46:24Good day.
46:26Good day.
46:49I draw forth my soul and toss it to you, great pal.
46:54Oh, catch it if you care to.
47:24I draw forth my soul and toss it to you, great pal.
47:28Oh, catch it if you care to.
47:31Oh, catch it if you care to.
47:34Oh, catch it if you care to.
47:37Oh, catch it if you care to.
47:40Oh, catch it if you care to.
47:43Oh, catch it if you care to.
47:46Oh, catch it if you care to.
47:49Oh, catch it if you care to.
47:52Oh, catch it if you care to.
47:55Oh, catch it if you care to.
47:58Oh, catch it if you care to.
48:01Oh, catch it if you care to.
48:04Oh, catch it if you care to.
48:07Oh, catch it if you care to.
48:10Oh, catch it if you care to.
48:13Oh, catch it if you care to.
48:16Oh, catch it if you care to.
48:19Oh, catch it if you care to.
48:21Oh, catch it if you care to.
48:24Oh, catch it if you care to.
48:27Oh, catch it if you care to.
48:30Oh, catch it if you care to.
48:33Oh, catch it if you care to.
48:36Oh, catch it if you care to.
48:39Oh, catch it if you care to.
48:42Oh, catch it if you care to.
48:45Oh, catch it if you care to.
48:48Oh, catch it if you care to.
48:51Oh, catch it if you care to.
48:54Oh, catch it if you care to.
48:57Oh, catch it if you care to.
49:00Oh, catch it if you care to.
49:03Oh, catch it if you care to.
49:06Oh, catch it if you care to.
49:09Oh, catch it if you care to.
49:12Oh, catch it if you care to.
49:15Oh, catch it if you care to.
49:18Oh, catch it if you care to.
49:21Oh, catch it if you care to.
49:24Oh, catch it if you care to.
49:27Oh, catch it if you care to.
49:30Oh, catch it if you care to.
49:33Oh, catch it if you care to.
49:36Oh, catch it if you care to.
49:39Oh, catch it if you care to.
49:42© BF-WATCH TV 2021
50:12© BF-WATCH TV 2021