Salón de té La Moderna - Ep 198
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00:00A FEW HOURS LATER
00:12Dear niece,
00:15I'm impressed with the final result.
00:17I never imagined it would be so exciting to have it in my hands.
00:21What do you think, Teresa?
00:23Well, it perfectly reflects the essence of the tea room.
00:27You can see the quality of the products.
00:30We look very handsome.
00:33Thank you very much, but the credit goes to Celia.
00:42May I come in?
00:43Yes, Esperanza, tell me, do you need anything?
00:45Yes, Mr. Fermin.
00:47I can't wait to see the brochure.
00:50It's the first time I'm in a book.
00:52Besides, I have to talk to you about an important and personal matter.
00:55First of all, don't worry, you can see it as many times as you want.
01:00One of the copies is for you.
01:03Teresa, I'll take care of it.
01:05And secondly, if you don't mind...
01:07With pleasure, ladies.
01:09The door was open, I heard the brochure was finished.
01:12And I've never been in a book, Mr. Fermin.
01:14Let me see it, Mrs. Teresa.
01:16Well, don't get nervous.
01:18Excuse me, ma'am, anxiety took over me.
01:21Let's see.
01:23Look, I look like a Hollywood actress.
01:27I didn't know she was so beautiful and so photogenic.
01:30Let's see.
01:32Look.
01:33But even Elia did well.
01:35That's a merit.
01:37I already told my mother.
01:38I always had an air of Rodolfo Valentino.
01:40Look at him.
01:42If it is that...
01:43My mother.
01:44Well, and Cayete?
01:46Well, he didn't come out so favored.
01:48And Pietro?
01:49Well, well, well.
01:50You will have time to criticize.
01:53But now is not the time or the place.
01:55Mr. Fermin has a lot of work and so do we.
01:57So come on, to work.
01:58Yes, yes.
01:59Well, if you'll excuse us.
02:00Mr. Fermin, the matter of which I wanted to talk about,
02:02about the wedding of Antonia and Pietro.
02:04Ah, yes, yes.
02:05I thought so.
02:06We'll talk about it later.
02:07Esperanza.
02:19How happy I am to see you.
02:22And already dressed and working.
02:25I am also glad to see the mother.
02:28And I wanted to thank her for everything she is doing for me.
02:32I thought you were still angry with me.
02:35But it seems that leaving you alone here at home has been very good for you.
02:38You can't imagine how much.
02:41Since that change has come, dear.
02:44As is evident, I have a lot of time to think.
02:47And also to recuperate.
02:50And I wanted to thank you for everything you are doing to keep me safe.
02:54I know it has not been easy and that you are having a lot of patience with me.
02:59Well, I only do what any mother would do for her daughter.
03:04Although I still think it is a mistake that you want to stay here.
03:07Every day that passes, the chances that they catch us are increasing.
03:13Mother, I will do what you want.
03:15But at the right time, right now, I could not leave.
03:19I could not live knowing that Íñigo and Matilde are dating.
03:23I would rather be dead.
03:26Really dead. Before that.
03:31And since I know you don't like me to talk about my plans with the Peña-Albert couple.
03:37Because we don't change the subject.
03:39Let's talk about the company.
03:41Do you have any good news?
03:43Fabio del Moral has managed to change the law to be able to build the hotels?
03:48Fabio already knows what he has to do.
03:51But I can't insist more.
03:53Why not?
03:55You said that with the change of government everything would be much easier.
03:58Because Fabio is a very straight person and he is very honest.
04:01He is committed to helping us.
04:04Going against his principles will take his time.
04:07And what about me, mother?
04:09Because you yourself have said that this situation is unsustainable.
04:12Maybe you are being too soft with him.
04:18So, did you like it?
04:20What if I liked it?
04:22I'm anxious to tell our most important clients.
04:25When could they have it?
04:27I knew you were going to ask me, so I anticipated.
04:30You just have to give me a good look at the list and tomorrow I'll start sending them.
04:35The truth is that everything has gone very well.
04:38Well, especially you.
04:41Look, look, what a plan you have.
04:44And what a clean look.
04:46So I'm sure that if the elections were presented, many people would vote for you.
04:49Well, well, well.
04:53Laurita, yesterday I was very happy to see Inés yesterday at the inauguration.
04:58I know it's silly, but just the fact that she left home I think it's a great advance.
05:02Don't you think so?
05:04Yes, I guess.
05:05And how was she later? I can hardly talk to her.
05:08Was she better, more excited, calmer?
05:11If I'm honest with you, when she got home she locked herself up again and it was difficult to get her words out.
05:17I'm afraid that all this will not happen until she knows the definitive diagnosis.
05:21If it causes us uncertainty, imagine what will be happening in her head.
05:25I can't stop thinking what will happen if they tell her that she can't sing again.
05:29Putting us in the worst will not help us either.
05:32Well, but ignoring it either.
05:33Ignoring it either.
05:38Forgive me, mother.
05:40Excuse me, I ...
05:43Before I was thanking you for the patience you have with me and in the end I am the one who does not have it with you. I'm sorry.
05:51Aren't you going to ask me how the mass was in your honor?
05:55The church was full, there was no room for a pin.
05:59You were the only one missing.
06:01I was about to pass out.
06:04I would have liked to see all those people showing themselves afflicted when in the end they couldn't stand me.
06:11Because they have never accepted that you were so strong.
06:14And you also stood up to him.
06:17Although you are right.
06:19You are definitely you again.
06:21You smile again.
06:23Really nothing has happened.
06:26What's going to happen?
06:28Here, between these four walls?
06:31Yes.
06:34Although it is true that I feel better.
06:37And after a long time and many nightmares, last night I finally had a beautiful dream.
06:44Tell me.
06:46I dreamed that I was invisible.
06:51That I had that power.
06:54I imagine that my mind wanted to escape from this place.
06:57And it was very fun to be able to observe people without being seen.
07:04I was in many places and I felt that life was beautiful.
07:10And that I was finally free again.
07:16But then I woke up.
07:19And you will be free again, daughter.
07:22But not here.
07:23I will have to settle for having that dream again.
07:29I will continue to insist on that blissful law.
07:34I'll come down to see you later.
07:36I'll be here waiting for you.
07:54What are you doing here?
07:56I hadn't seen you in five minutes, but I missed you.
08:00You know you don't have to be so mean to me anymore, right?
08:04I've seen you too serious before.
08:06What happened?
08:08Well, I was thinking about what Matilde told us.
08:12What she saw of Doña Carla in the gallery?
08:15What she believed, but what seemed very real to her.
08:19And what do you think?
08:20What do you think? I get goosebumps just thinking about it.
08:24Don't tell me you also believe in those things.
08:27No, I don't know.
08:29I'd rather not even think about it.
08:31All I know is that Matilde is having a hard time.
08:34Can we do something?
08:37Yes, I guess we have to be very aware of her.
08:40Especially now that it has become clear.
08:42Many things have happened to her in a very short time.
08:45Yes.
08:46Antonia, I wanted to tell you something.
08:49I was thinking about spending the lunch hour
08:51to visit a snack bar that I've been recommended.
08:54And reserve it for the invitation.
08:57And that of postponing the wedding, have you changed your mind?
08:59Yes, because we don't have to give up.
09:03We've come so far, haven't we?
09:05Yes, honey, but it seems to me as if fate doesn't want us to get married.
09:09Oh yeah? And you know what I tell fate?
09:12Fate will never be stronger than our love.
09:14Never.
09:24Oh my God.
09:26No one can stop it, Antonia.
09:28You will be my wife.
09:30I will make you happy.
09:32No one can stop it.
09:34No one.
09:39I'm leaving.
09:44Bye.
09:54Teresa, wait a moment, I want to ask you a question.
09:58Yes, tell me.
10:00Don't you know a nice, affordable place
10:04that is available in three days?
10:08What? What are you talking about?
10:10I was with my things.
10:11It's just that, as you know,
10:13at the snack bar where Pietro and Antonia were going to celebrate the wedding,
10:16they left it there.
10:18Oh, it's true.
10:20Well, let's see.
10:22I know, I know, but not with enough confidence to ask for a favor.
10:26But well, let me think about it.
10:29Well, I also wanted to tell you.
10:32It's just that, as I'm the godmother,
10:34I'm in charge of buying Antonia the wedding gift.
10:37And we want to give it to her today,
10:39taking advantage of the fact that it's also her farewell.
10:41Well, that's great.
10:43What do you want me to tell her?
10:45That if I can go out at the time of the break,
10:48I promise I'll be here like a nail in the afternoon.
10:51Good, don't worry.
10:53God will reward you with whatever you prefer.
10:57Ah, Esperanza.
10:59Look, I'd like to participate in the wedding gift.
11:02How much do I have to pay?
11:04But if you're not invited, you don't have any obligation.
11:08What's the big deal?
11:09I've been friends with him all my life and I appreciate him a lot.
11:12So I insist on participating.
11:14How much is it?
11:16Well, I'll tell you later, when we do the math.
11:18And please tell Mr. Fermin that I have to talk to him.
11:21Let him give me a break this afternoon.
11:23Esperanza, don't you think you have your head in many places at the same time?
11:26I'm not saying this for myself, I'm saying it for Mrs. Lázara.
11:29She's not as permissive as I am and you have to have your head at work.
11:32It's just that I'm a godmother for the first time
11:35and I want to be up to date and not fail my boyfriends.
11:38Well.
11:40Go see Mr. Fermin in ten minutes.
11:43I'm sure he'll like it.
12:03By the way,
12:04did you know that Calabas del Castillo
12:07forbade him to be portrayed face-to-face
12:09and that's why there are only portraits of him in profile?
12:11What are you saying?
12:13Come on, girl, you have a lot of art to carry things.
12:16I'm serious.
12:18Less wasa.
12:20I thought that after the fight that Esperanza had thrown at you
12:22you were going to be softer.
12:24A lot of fights are needed for me to get scared.
12:26You look cool.
12:28No, it's not that.
12:30It's just that, deep down, what happened the other day wasn't a fight.
12:32I realized how much I appreciate you as a woman
12:35and that I just wanted to protect you.
12:37Besides, I understand that people like me get angry.
12:40And what happens to people like you?
12:43That they are usually judged
12:45by their appearance
12:47and I can understand what I saw in me.
12:49A good boy from a good family,
12:51capricious, spoiled, that everything goes well for him.
12:54I'm used to carrying a lot.
12:56And with reason or without reason?
12:58Dare to meet me and you'll see.
13:02Poor rich boy.
13:04I agree.
13:06I know I shouldn't complain so much.
13:08But you can't imagine what it's like to have a father like mine.
13:10All day on top of me,
13:12controlling all my movements,
13:14determined to decide for my life.
13:16Yours at least cares about you.
13:19I didn't even know mine.
13:22And your mother?
13:24My mother still lives in the village.
13:27I had to come here to the city
13:29to look for a life with an uncle of mine.
13:30Then I met Antonia,
13:32one of the dependants,
13:34and well, she took me in
13:36and she's like a mother to me.
13:38And in between, well...
13:42In between what?
13:45Nothing, nothing.
13:47In between nothing.
13:49What happened with your uncle?
13:51Why didn't you stay to live with him?
13:53I get the impression that you're hiding something from me.
13:55Well, it's a long and very complicated story
13:57to tell you here.
13:58Then we'll have to meet somewhere else.
14:00If that hope leaves us, of course.
14:02Yes, that's what I was thinking.
14:04Maybe I should go clean up
14:06and stop being such a mess.
14:08As you can see, my hair is going to fall out.
14:10By the way, shouldn't you be working
14:12instead of being here reading the newspaper?
14:14Are you going to make fun of me like my father?
14:17I'm resting for a while.
14:19Look at me, I'm starting to nag you.
14:22And you have more face than a back.
14:24Don't you really worry about letting Miguel go
14:26and losing his job?
14:28You're right, but
14:30at least you're going to think about it.
14:33About what?
14:35If you want to get to know me better.
14:58I'm sorry, I couldn't help it.
15:00I'm sorry.
15:12I'm sorry.
15:21Mr. Fermin,
15:23Teresa told me she could see me.
15:25I'm sorry I insisted so much,
15:26but it's an urgent matter.
15:28Yes, yes, Esperanza, come in, come in.
15:30These days I've been very busy
15:32and I haven't been able to attend to you until now.
15:34Sit down, please.
15:36And tell me.
15:39For once, I ask you
15:41not to see me as your cleaning boss,
15:43but as a maid.
15:45Because I'm here
15:47to talk to you about godmother to godfather.
15:50I understand.
15:52Come in, Mrs. Esperanza.
15:54I'm listening.
15:56First of all, let me tell you
15:58that for me it's an honor
16:00to share this responsibility with you.
16:02With the plant you have,
16:04which looks like an archduke.
16:06And when I get better,
16:08which I'm also very good at,
16:10when we get to church,
16:12the guests will ask who the grooms are
16:14and we'll...
16:16Sorry, Esperanza,
16:18I'll put it this way.
16:20I've made a hole for you,
16:22but that doesn't mean you have it all day.
16:24So if you like it,
16:26you can tell them
16:28that the guys at the merendero
16:30have messed up with the date
16:32and have scheduled the wedding
16:34the same day they have their first communion.
16:36And of course,
16:38they can't serve two guests at the same time.
16:40I don't follow.
16:42Let's see.
16:44Three days before the wedding,
16:46Antonia and Pietro don't have anywhere to celebrate it.
16:48But that's terrible.
16:50That's why I thought of you.
16:52Because I say that maybe
16:54you, who have contacts,
16:56could help.
16:58Well...
17:00I'll think about it.
17:02I'm also impressed
17:04by the amount of people at the mass.
17:06Some even had to stay out.
17:08If Carla could have seen it,
17:10I'd be proud.
17:12You know what they say.
17:14The greatness of a person
17:16is measured by the attendants at his funeral.
17:18And you should also be proud.
17:20After all,
17:22a daughter is her mother's work.
17:24Yes, I'm proud.
17:27You haven't told me anything
17:29about the notes I gave you in the report
17:31about the reduction of expenses.
17:33If you think it's ridiculous,
17:35tell me honestly.
17:37I don't know how you did it,
17:39but you managed to make the accounts fit.
17:41How did you do it?
17:43Well, I guess I've been listening to businessmen
17:46for many years,
17:48and something must have stuck.
17:50But if I learned from someone,
17:52it was Carla.
17:53She used to share with me
17:55her plans for the future,
17:57her business vision.
18:01That's why it's vitally important
18:03that those hotels are built
18:05in Bilbao and Barcelona.
18:07It was her dream.
18:09And carrying it out
18:11would be a way of keeping her present.
18:14A very beautiful idea.
18:17I was wondering
18:19if you'd made any progress
18:21in that regard.
18:23The new government?
18:25I was talking to the new Minister of Public Works.
18:28I know him from seeing him at the racetrack.
18:31I knew I could count on you.
18:33Not so fast, dear.
18:35As I feared,
18:37one of his most imminent measures
18:39is not to change the law of the land.
18:41I'm sorry to disappoint you,
18:43but I've done my best.
18:45From now on...
18:47From now on,
18:49we'll have to take less correct paths.
18:51Everyone has a price.
18:53I imagine that minister
18:55is no exception.
18:57Are you talking about bribing him?
18:59Bribing him is a very ugly word, Fabio.
19:02I prefer to think
19:04that it's like buying his will
19:06or that of his assistants
19:08so that his decisions favor us.
19:15But you're right.
19:18We've done what we could.
19:20Forget everything I said.
19:22Anyway,
19:24although I haven't been able to change the law,
19:27at least I've got some invitations for the opera.
19:30Would you like us to go together tonight?
19:33I think you need to distract yourself a bit, dear.
19:36Yes, without a doubt.
19:38Order of the day.
19:40Can we have a car
19:42to take the bride to the church?
19:44I'll take care of it.
19:46That's great.
19:48Mr. Iñigo Peñarvés will take me.
19:49I haven't asked him yet,
19:51but I don't think there's a problem.
19:53As for the wedding ring,
19:55I could be the one to give it to the altar
19:57if you don't mind.
19:59I don't know the protocol
20:01because I've never been a godfather at a wedding.
20:03So if you don't mind,
20:05I'm fine with it.
20:07We're done.
20:09I thought I was going to get in trouble.
20:11So I...
20:13That's it.
20:15Esperanza.
20:17I was looking for you.
20:19There's a lot of dust on the piano.
20:21Could you clean it, please?
20:23That's unbearable.
20:25What? But I just cleaned it.
20:27Well, you'll have to do it again.
20:29No, actually, we were done.
20:31Ms. Esperanza,
20:33it's been a pleasure talking to you.
20:35I'll tell you the same.
20:37From godmother to godfather.
20:41Goodbye.
20:43Goodbye.
20:45I'm going to clean the piano.
20:47Of course,
20:49I'm more and more surprised
20:51by this woman's shame.
20:53I hope I haven't bothered you with your nonsense.
20:55This time it wasn't nonsense.
20:57It was about Antonia and Pietro's wedding.
20:59As you know, she's the godmother
21:01and I'm the godfather.
21:03And you don't have to say anything.
21:05I'm aware
21:07that we're a strange couple.
21:10By the way,
21:12I've already bought the tickets
21:14to go see Margarita Sirgo.
21:16Here's yours.
21:18I can't wait to see the show.
21:20The critics say it's brilliant.
21:24Why don't you keep them?
21:26Because they're in separate places.
21:28You're in the patio of Butacas.
21:30It's the best entrance I've been able to get.
21:32I'm in the henhouse.
21:34In the henhouse?
21:36I thought
21:38we were supposed to go together.
21:40Yes, yes, yes, of course.
21:42We'll go together and come back together.
21:44But you're a gentleman,
21:46just like the owner of La Moderna.
21:48I'm just a maid, Mr. Fermin.
21:50And what's the problem?
21:52Well, I...
21:54I know what my place is.
21:56And I would never do anything
21:58to hurt you.
22:00No, no, no, please, listen to me.
22:02Listen to me.
22:04It's best for you.
22:06Excuse me.
22:17Lamp stand.
22:19Discard.
22:21Frame for photos.
22:24But why are you discarding everything, Esperanza?
22:27I mean, I think it's a good idea.
22:29For it to be a good gift,
22:31it has to be something personal,
22:33made with a lot of love.
22:35We're talking about Antonia and Pietro,
22:37not some strangers.
22:39And do you have a better idea?
22:41Well, I don't know if it's a good idea,
22:43but I think it's a good idea.
22:44A frame for photos.
22:46A pressure cooker.
22:48One of those modern ones
22:50that make the stew
22:52and the stew in a jiffy.
22:54In a jiffy?
22:56And how can that be?
22:58Well, I don't know,
23:00but I've heard it said
23:02to some customers who were drinking tea
23:04and were excited.
23:06It's known to be an invention
23:08of one from Zaragoza,
23:10so that later they say
23:12that all inventions are made by Germans.
23:14I think it's a good idea.
23:16Antonia doesn't have to worry about the stews.
23:18I'd like to have something like that.
23:20Well, you have it easy.
23:22You get married and you ask for it as a gift.
23:24Maybe they'll give you a discount.
23:26Well, I'll tell her
23:28that with how dressed up I am,
23:30I'll say yes to whoever asks for it.
23:32Come on.
23:34My God, Trini.
23:36Sometimes it's so easy
23:38that you still want to fall in love.
23:40Well, and to get married, by the way.
23:41It's like having two crates in the air
23:43that fall on top of each other.
23:45Especially with that one.
23:47With the little sardine.
23:49And with the cup, Esperanza.
23:51Besides, as you said,
23:53we don't have anything in common.
23:55We're very different.
23:57I don't have any studies,
23:59but I'm not stupid.
24:01Mrs. Teresa, I'll be right back.
24:03No, no, no, don't worry.
24:05If I come to give Esperanza a discount
24:07for the gift,
24:09she'll tell me what's left or what's missing.
24:11Well, yes.
24:13A very personal gift.
24:15A pressure cooker.
24:17So that Antonia doesn't have to worry about Isa
24:19and her husband is happy.
24:21Does that sound good to you?
24:23Well, if that's what you've all decided,
24:25I don't give a damn about this.
24:31Wow.
24:33I don't know.
24:35Wanting to participate without being invited
24:38is a gesture I made a lot of her, right?
24:41I think it's a good gesture, yes.
24:43It's just a small wedding,
24:45just for the closest ones.
24:47Well, then, Trini,
24:49do you want to get married?
24:51Are you going to be the next one?
24:53I guess so.
24:55Well, look, if you want.
24:57I can be your godmother.
24:59It seems I was born for it.
25:01And I can also tell Mr. Fermin
25:03to repeat it as a godfather.
25:05What a couple we make.
25:07Pressure cooker.
25:11Let's see.
25:28Congratulations.
25:30What?
25:32What do you think about the table?
25:34Well, I was told a few months ago
25:36that I was going to be preparing the table
25:38for my bachelor party.
25:39How was it at the restaurant you were recommended?
25:43The good thing is that it's on the price, but...
25:46The problem is that there's no room
25:48until next week, Antonia.
25:50What?
25:52I can't think of another place
25:54where I can ask.
25:56I'm sorry.
25:58If a miracle doesn't happen,
26:00we'll be left without an invitation.
26:02And what am I going to tell the people
26:04who come from Andalusia to see, right?
26:06Pietro, didn't you give them anything to eat or drink?
26:07I know, but I don't know what to do.
26:09Either we change the date of the wedding
26:11or we change the invitation.
26:13No, it won't be necessary.
26:15Neither one nor the other.
26:17But what are you doing here, Mr. Fermin?
26:19Precisely, this morning Esperanza told me
26:21about the problem they had with the snack bar
26:23that they had reserved and that, well,
26:25at the moment they don't have a place
26:27to celebrate the wedding invitation.
26:29Is that so?
26:31Yes, yes. Besides, a fool has looked at us.
26:33There's only one left, Mr. Fermin,
26:35that is free and that we can pay.
26:37Well, I know one
26:39that meets both requirements
26:41and that you know very well.
26:44What do you think about celebrating
26:46the wedding invitation
26:48at La Moderna?
26:52Thank you, Mr. Fermin, thank you.
26:55But I'm afraid it's out of our modest budget.
26:58Oh, yeah, well, maybe I didn't explain myself well.
27:01You see, I've been thinking for days
27:03about what gift I could give them for the wedding
27:05and I can't think of a better gift.
27:20Honey, I know how we could get married
27:22without arousing suspicion.
27:25What are you looking at?
27:27No, nothing, the button that flew out,
27:29which is in place, I'm all ears.
27:31Well, it's much easier than we thought.
27:33I just have to tell Antonia
27:35that when she gets married and throws the bouquet,
27:37she has to point to my address.
27:39And if I catch it,
27:41do you know what that means?
27:43That we'd be the next ones to get married.
27:47But what are you doing, throwing a book at me?
27:49Are you stupid?
27:51Take it, I was just checking
27:53that you still have the same reflexes as always.
27:55Few. What happens if you don't take the bouquet?
27:57It's too risky.
27:59It's just that now you've caught me unprepared.
28:00Go back.
28:02No, no, no, you don't have to do anything extraordinary.
28:04The most difficult thing is done.
28:06Convince them that we're in love
28:08to get married as soon as possible.
28:10Well, then we tell them
28:12that Antonia and Pietro
28:14are a reference in love for us
28:16and that's why we want to follow their path.
28:18Ah, very good.
28:20That's having reflexes.
28:22I can't wait to end this madness.
28:24When do you want us to announce it?
28:26I don't know, as soon as possible, I don't know, today.
28:28That fast?
28:30No, no, no.
28:32It will be like when we gave our first kiss in front of them
28:34that at first they were surprised
28:36but then they were right.
28:38They got the idea.
28:40But my love, it won't be believable.
28:42Besides, today is Antonia and Pietro's farewell
28:44and what are we going to do?
28:46Tell them it's the star?
28:48Well, it's true, I don't know, you're right.
28:50Well, I'll think of something.
28:52I don't know, I'll tell you one thing.
28:54We're going to do it before their wedding.
28:56Are you sure?
28:58Yes, yes.
29:01You, you go first.
29:03No, you go first.
29:05No, you go first.
29:07No, you go first.
29:12Love is so beautiful.
29:14It's a pity I don't have the pandeiro
29:16to accompany this moment.
29:18What are you talking about?
29:20That if I don't know
29:22that you've just made love,
29:24I'll think you're married.
29:26And because you've been looking at each other for a long time.
29:28I know.
29:30What's wrong?
29:32Why are you so nervous?
29:34Touching the tuna, I've seen many couples in love
29:36and I know what I'm telling you.
29:38Well, it's obvious that you're wrong
29:40because I'm nervous about something else.
29:43Have you talked to your father?
29:45Yes, he was angry
29:48for having exaggerated your progress.
29:50Something slipped me.
29:52He trusted you a lot,
29:54but you disappointed him.
29:56You, you know him.
29:57Do you think he could...
30:01Say goodbye?
30:03Well, I don't know, really.
30:06He's always valued you a lot,
30:08but it's true that he's one of those
30:10that you don't like at all,
30:12much less if he feels betrayed.
30:14And you couldn't talk to him?
30:16I have to organize something
30:18in another store.
30:23What are you going to organize?
30:24What are you going to organize?
30:34You're beautiful.
30:38If it weren't because Antonio wouldn't forgive me,
30:41I'd rather stay at home.
30:43No, we've already talked about this.
30:45You have to go with your friends and have a good time.
30:48And stop thinking about Carla, right?
30:50Well, I didn't say that.
30:55I know, I'm sorry.
30:57I'm sorry.
30:59Hey, why don't you pick me up later at the corral
31:02and we'll go home together?
31:04Although I understand that
31:06a farewell at the Madrid-Cabaret
31:08will last longer.
31:10But I don't know if I want to be alone,
31:12and less at night.
31:14But I don't want to be alone at parties either.
31:16Honey, don't worry,
31:18because I'll make any excuse and I'll leave earlier.
31:20Well, look, no, it doesn't matter.
31:22It's not necessary.
31:24I don't want to bother you.
31:26So you have fun and come back when you need it.
31:29Bye.
31:36Indigo Peñalvera speaking.
31:38Indigo, it's Clarita.
31:40Clarita.
31:44Clarita.
31:46Hi, my love.
31:48How are you?
31:50How was the trip? Have you arrived in Jerez?
31:51It was long, but it went well.
31:53I'm with Aunt Concha and Pablo.
31:55They send you lots of kisses.
31:57Tell them I love them a lot.
31:59By the way, Clarita,
32:01I want to ask you something.
32:03Yesterday, before you left,
32:05you didn't go out to the terrace
32:07or did you take a notebook
32:09that I use as an agenda?
32:11No,
32:13and I didn't go out to the terrace either.
32:15Why would I do that?
32:17Hey, Aunt Concha told me
32:19that we have to go and do some homework.
32:21I love you.
32:23And I love you a lot.
32:29Clarita didn't go out to the terrace
32:31and she didn't take the notebook either,
32:33which means I was right and that someone came into the house...
32:35Listen to me, my love.
32:37Let's think logically.
32:39If someone had come into the house,
32:41it would have been a thief
32:43and he would have taken a jewel or stolen something
32:45and he didn't take anything.
32:47The only thing that has happened
32:49is that a notebook has moved.
32:51What if it wasn't a thief?
32:56It's getting late, my love.
32:58We have to go.
33:00Besides, I think it's a good idea
33:02not to think too much.
33:05Come on, let's go.
33:21Hello.
33:29Laurita,
33:31I just got a call from the doctor.
33:33The results of the tests will be tomorrow.
33:36Perfect.
33:38Well, I'll go with you.
33:40No, no, if you don't mind,
33:42it's a bad hangover that I prefer to go alone.
33:44Inés, what do you mean I don't mind?
33:46Inés, do you really think I'm going to leave you alone
33:48in a situation like this?
33:49You also think it's going to go wrong, right?
33:51No, no, no, it's not that.
33:53I just want to accompany you
33:55to share that moment with you
33:57and celebrate it together.
33:59I'm sure it will make us happy.
34:01Trust me.
34:03Good afternoon.
34:05Wow!
34:07The store looks great, doesn't it?
34:09Thank you, although we have barely made any changes.
34:11Inés,
34:13I was just going to ask your sister about you
34:15and I just saw you enter the store.
34:16Yes, tomorrow I'll get the results of the tests.
34:18I'm sure they will be favorable.
34:20Yes, we all are.
34:22Yes, I think it's great that you are so convinced,
34:24but I don't think anyone understands
34:26what I'm going through.
34:28Laurita, where is the bathroom?
34:30The front door of the office.
34:32Yes, of course, thank you.
34:39Let's see, you have to understand
34:41that she is so nervous,
34:43it is completely understandable.
34:44From the outside, things are different,
34:46but I think you have to put yourself in her place.
34:49Yes.
34:51Excuse me,
34:53the doctor who said yesterday that he did miracles,
34:55is that true?
34:57Well, I don't know him personally,
34:59but his successes praise him.
35:01Listen to me,
35:03I would never joke with a situation
35:05as delicate as your sister's.
35:07Let me doubt it.
35:09After your performance as a cashier,
35:11I don't trust your sincerity very much.
35:12You must understand
35:14that I was joking,
35:16that there was no bad intention at all.
35:18You have to differentiate a joke from a bad intention.
35:20And you must understand
35:22that you don't know me at all.
35:31Can I know what you are doing?
35:33Starting again,
35:35starting from scratch.
35:37Imagine that we don't know each other,
35:39that is, we haven't spoken yet, right?
35:40I am Agustín Comas,
35:42theater businessman
35:44and proud owner of several movie theaters in the city,
35:47including the one in the gallery.
35:49And I was passing by and I said,
35:51I'm going to introduce you to my respects.
35:54And what am I supposed to do now?
35:56Well, now you have to introduce yourself,
35:58as I did.
36:00Okay.
36:02Hello, I am Laura Balbuena,
36:04proud co-owner of this business
36:07and I also dedicate myself to advertising promotions
36:09and event organization.
36:11Wow, how interesting.
36:13Would you like to have a coffee with me
36:15so you can continue talking to me about you?
36:17But isn't it a bit shameless
36:19to invite me to have a coffee if we just met?
36:22It's true.
36:24I'd better save it for the next one, right?
36:26No, no, it's fine.
36:28I accept your coffee.
36:30Have I missed something?
36:32Nothing, no.
36:34A shameful performance
36:36of a bad actor
36:38who, with his bad luck,
36:40dedicates himself to other tasks that are better for him.
36:42And, as they say in the theater,
36:44a lot of shit for his appointment with the doctor.
36:46Did he say shit?
36:48A lot, yes.
36:50Yes, that's what they say to wish good luck.
36:52It has been a privilege to see you.
36:54It is very difficult to find
36:56two sisters so beautiful
36:58and interesting both.
37:00Good afternoon.
37:03I thought you didn't like me.
37:05And that's how it is.
37:06But then
37:08why do you look at her like that?
37:10Like what?
37:12Laurita, what happened between you two?
37:27Esperanza, take out the gift.
37:29I'm going crazy to see how the gorge works.
37:31It's wonderful.
37:33What do you mean, take it out?
37:34Do you think I bring that stuff in my bag?
37:36You didn't have to bring it.
37:38No, but I thought you were in charge.
37:41And now what do we do?
37:45Potato omelette.
37:47That's what I like.
37:49Well, don't worry,
37:51because soon you will have to stop
37:53preparing the stews.
37:55Not so fast, girl.
37:57With a misunderstanding here with Trini,
37:59we forgot the gift.
38:01What a shame, Antonia, I'm sorry.
38:02What nonsense.
38:04I'll give it to you.
38:06Come on, let's eat.
38:08I'll tell you one thing, it was my idea.
38:10It's an invention of a Saragossan bath,
38:12that will make life easier
38:14and that will make Pietro very happy.
38:16A Saragossan bath?
38:18Yes, yes, yes.
38:20Well, that's not the important thing,
38:22the important thing is that it was my idea.
38:24Well, but for the gift,
38:26what has Mr. Fermin done to the grooms?
38:28Tell him, Antonia, that they are going to fall for it.
38:29He is a very generous man.
38:31Well, well, don't be surprised,
38:33I know it was his idea.
38:35Long live the godmother!
38:37Long live!
38:39Long live the bride too!
38:41Long live the bride!
38:52Hey, hey, hey, hey,
38:54are we going to make a scandal?
38:56Don't worry, I've already talked to the neighbors
38:57and they haven't given me any trouble,
38:59so there are no excuses not to dance.
39:01Well, Esperanza,
39:03you are very good at cleaning commandments,
39:05but I don't like to mess with sandals.
39:07Oh, look at her!
39:09She's going to give me lessons.
39:11Come on, let's dance.
39:27Let's go.
39:50Excuse me.
39:57Excuse me.
40:03Mati, are you okay?
40:05Yes, yes, yes,
40:07I just need to freshen up a bit.
40:20Excuse me, Mr. Fermin.
40:22Come in, Pietro, come in.
40:24I was waiting for you.
40:26Tell me,
40:28how does one feel at a time like this?
40:31Very happy.
40:33But I wanted to tell you, Mr. Fermin,
40:35that neither Antonia nor I will ever forget
40:37everything you are doing for us.
40:39You know, I asked a friend
40:41what the role of a godfather was,
40:43and he told me it was very simple,
40:45to make things easier for the grooms,
40:47and that's what I've done,
40:49to fulfill my obligation.
40:51Thank you, Mr. Fermin.
40:53I hope that one day I can do something
40:55for you.
40:57Well, maybe I could do it right now.
41:00You just have to answer a question.
41:03If you want, of course,
41:05it's about something personal.
41:08Whatever you want.
41:11How did you realize
41:15that Antonia was something more
41:17than a co-worker?
41:19I mean, how...
41:22How did you know
41:23that what you felt for her
41:25was...
41:27It was love, Mr. Fermin.
41:29Love?
41:31Yes.
41:33When I was married to my first wife,
41:35Lucia, may she rest in peace...
41:37Excuse me, Pietro,
41:39I didn't know he was married,
41:41much less that his wife had died.
41:43I'm sorry, it was terrible,
41:45it was very, very inopportune.
41:47I'm sorry, for God's sake.
41:49Don't worry, Mr. Fermin,
41:51I had never told you.
41:53It was many, many years ago.
41:55And if I mention it now,
41:57just to tell you
41:59that Antonia is not my first love,
42:02I'm not his either.
42:05And it was a surprise, Mr. Fermin,
42:07a very big surprise
42:09for me too,
42:11to try something so strong
42:13and so different.
42:15So different?
42:17Yes, Mr. Fermin, so different.
42:19Because with Lucia,
42:21with Lucia it was a shot.
42:23It was like I was falling in love.
42:25With Antonia, no.
42:27With Antonia,
42:29it was like a slow cooking.
42:31This, yes.
42:33A slow cooking,
42:35until the day...
42:37Until the day she fell in love.
42:39Exactly.
42:41Until the day I fell in love.
42:45It's just that when she became widowed,
42:47we've been supporting each other a lot,
42:49all the time.
42:51Antonia is a wonderful person, Mr. Fermin.
42:53Yes.
42:55She's an incredible woman.
42:57I've been in love with her for many years.
42:59Many.
43:01Ah, excuse me.
43:03Pietro, I'm aware of everything.
43:05I assure you that the invitation will be to your liking
43:07and to Antonia's.
43:09Thank you very much, really.
43:11You make me feel very special.
43:13And it is, Pietro, it is.
43:16We have to go to Madrid, okay?
43:18Ah, well.
43:20Enjoy, then.
43:21Okay.
43:27Hasn't your day finished yet?
43:29Well, I wanted to stay a little longer
43:32to get the orders ready for tomorrow.
43:38Don't stay until too late.
43:40Don't worry.
43:42You know that no one is waiting for me at home.
43:52Excuse me.
44:10At first, when he arrived,
44:12how did he speak?
44:14What a horrible Castilian.
44:16I don't know, it's like Cervantes didn't get up from his grave
44:18to give you a good beating.
44:20Well, he wouldn't miss a beat.
44:22Well, and when he starts singing opera,
44:24what do you say?
44:26Opera, opera.
44:28He's got a pass there.
44:30The truth is that here the teacher sings like angels,
44:32doesn't he?
44:34Yes, sir.
44:36Now, yes, like our Zarzuela,
44:38it doesn't matter.
44:40Please, Iño, can you say something?
44:42That here he is the only one with a common sense.
44:44Please.
44:46Look, if he doesn't defend him,
44:47it's like being in love.
44:49It was my magic.
44:55Excuse me, but he was with an old friend.
44:58He looks worried.
45:00Is everything okay?
45:02Yes, the night is great.
45:04If I hadn't realized it,
45:06the godfather would already be here.
45:08So, Fermin, we want to hear his speech.
45:10Yes, yes, yes, speech, speech, speech.
45:13No, no, no.
45:14We want him to speak at the banquet,
45:16not at the farewell.
45:18That's how it's going to be.
45:20Well, don't worry, Mr. Fermin,
45:22I've prepared a few words.
45:24Take them, but as they came these days,
45:26I've been writing them down.
45:28So, I'm going there, man.
45:30Of course, there goes Elmiura.
45:32Where are you going?
45:34Come on, Elias.
45:39Excuse me.
45:44Hello, can you hear me?
45:46Yes.
45:47Can you hear me?
45:49Good evening, Madrid.
45:51Well, a moment of attention, please.
45:53I'm going to say a few beautiful words
45:55to our friend Pietro, who is getting married.
45:57Maestro Pietro.
45:59Amado Pastilleri.
46:01You are a magician of desserts, right?
46:03Well, it's a great pleasure and an honor
46:05for me to share this feeling
46:07on such a special day as today.
46:09And in such an emblematic and special place
46:11as Madrid,
46:12I don't know if you've seen the pilgrims,
46:14but as they say,
46:16I invite Luis to the throne,
46:18so shut up.
46:20As Quixote said,
46:22when you enter the heart of a friend,
46:24the important thing is not the place you occupy,
46:26but the important thing is
46:28that you never leave there.
46:30And this Pietro has occupied my heart.
46:32And I could say,
46:34and I wouldn't be wrong,
46:36in the name of the others,
46:38that also.
46:40Amen.
46:42And now,
46:44as the Italian brother
46:46that we've never had,
46:48but that we are celebrating right now,
46:50that I am happy with Antonia,
46:52congratulations,
46:54and that you are very happy
46:56and that as pilgrims,
46:58a round of applause for Pietro.
47:00Bravo.
47:02Bravo, Pietro.
47:04Bravo.
47:06Bravo, a round of applause.
47:09Grazie, grazie.
47:10And now,
47:12I invite you to sing a song,
47:14because you sing,
47:16and I'm going to sing it.
47:18A tarantella.
47:20Yes.
47:22And we dance.
47:24Of course, of course.
47:26I think I'm going.
47:28No, no, don't leave me alone.
47:30I'm going, for God's sake.
47:32Hold on.
47:34I'm going with you.
47:39Well, I'd love to stay and pick up,
47:41but if I don't,
47:43me too,
47:45but if I don't,
47:47I don't know what to do.
47:49I don't know what to do.
47:51I don't know what to do.
47:53I don't know what to do.
47:55We're going to miss the last tram.
47:57Don't worry.
47:59Marta and I will do it in a Santiago.
48:01Matilde, are you coming?
48:03No, I'm going in the other direction.
48:05Well, are you sure you're okay?
48:07Yes, yes, it's just that the wine has gone down a bit.
48:10Don't worry about me.
48:12Well, come on, bye.
48:14We had a great time.
48:16Bye.
48:18Bye.
48:20Honey, I'm a little worried.
48:22Why don't you stay with us here?
48:25And?
48:27Don't you have to wait for Inigo to come?
48:29I appreciate it.
48:31And I confess it's very tempting to stay here
48:33with my dear Corrala, but...
48:35But I have to go home.
48:37Well, as you wish.
48:42Antonio has passed me again.
48:45What I told him about Mrs. Carla has happened to me again.
48:48So tell me the truth,
48:50if I'm thinking clearly or if I'm losing my mind.
48:53Honey, don't say that as a joke.
48:55She really went crazy
48:57and they had to put her in a mental hospital.
48:59You have nothing to do with her.
49:01But then what's wrong with me?
49:03Honey, it's not what's wrong with you now,
49:05it's everything that has happened to you.
49:07I have to remind you of everything that has happened to you
49:09between your mother's death,
49:11your own illness,
49:13Inigo's accusations, the accident.
49:15Man, you've tried to be strong, honey,
49:17but your body is telling you enough.
49:19Enough rope is there for everything that has happened to you.
49:21And when you have doubts, think about Esperanza.
49:23She's really crazy.
49:25Thank you.
49:27I needed one of your advice.
49:29Here you have it for whenever you want.
49:31You will always trust me
49:33and you will believe me,
49:35even if I tell you things that are crazy.
49:37Of course I do.
49:39But I don't know, it's like someone wants to drive me crazy.
49:41Someone?
49:43Who, honey? Who?
49:45Well, Mrs. Carla.
49:47Or rather, her ghost.
49:49You are looking at me as Inigo does.
49:51Honey, because we are both worried about you.
49:53It's just that.
49:55It's normal that you think about that woman
49:57because she has done you a lot of harm.
49:59But she is dead and buried.
50:01Yes, Antonia, but someone came into my house ...
50:03Look, when you stop thinking about her,
50:05she will disappear from your life.
50:07And you will stop seeing strange things.
50:09Promise me, Gloria.
50:11I promise you.
50:13Very well.
50:15Are you sure you don't want to stay?
50:17No.
50:19No, thank you.
50:21I'll go home and wait for Inigo.
50:23I'll do what you told me.
50:26Come on, rest.
50:28Goodbye, Antonia.
50:30Goodbye.
50:55Goodbye.
51:20I came to talk to a friend who works for the police.
51:22They have identified the body.
51:24They have confirmed his identity.
51:26It's about Carla.
51:28They found something in the body.
51:30A medal that was stuck between the skin and the clothes.
51:35It was a medal that Mrs. Bárbara gave Carla a few weeks ago.
51:40That's why she identified him.
51:53There is no trace of the boxes and it seems that the books are ...
51:57They don't look like it.
51:59Miguel, they are.
52:01Did you do all this?
52:03I don't know how to be surprised, Father.
52:06Well, if you have been able to get this in a week,
52:09what can you get in a few months?
52:12What are you doing awake at this time?
52:14Honey, are you okay?
52:17No, no, no.
52:19I'm fine.
52:21No, no, no.
52:23Don't touch her.
52:25Matilde, calm down, you're scaring me.
52:27I asked him to come because Lieutenant Lorenzo comes every day
52:29to interrogate me about Cesar's whereabouts.
52:31And I don't know what to tell him anymore.
52:33Have you heard from Cesar?
52:35No, I don't know anything.
52:37Hiding information from the authorities can get you in a good mess.
52:39Lieutenant, I'm going to ask you to lower your tone.
52:41I will not allow you to speak to my niece like that.
52:43If she says she doesn't know anything, she doesn't know anything.
52:45We'll see each other again.
52:47You are not welcome in this house.
52:48You are leaving where you came from.
52:50I'm not going to leave until I swear
52:52that this macabre game that you are submitting to me
52:54and my wife is going to end.
52:56May I know what diantres are you talking about?
52:58The medal of San Cayetano.
53:00Indeed.
53:02Thanks to a medal like that,
53:04he recognized his daughter's corpse.
53:06Isn't it true?
53:08I don't know if it was through a door or a window,
53:10but someone has entered my house.
53:12I wanted to know how you are doing at the doctor's.
53:14Well, my vocal cords are still damaged,
53:16but the doctor believes that I am not irreversible,
53:18and that if I go to work,
53:20maybe I can sing again.
53:22We got married!
53:24But if you have been dating for a very short time,
53:26isn't it that the stork is on her way?
53:28As this morning you have been delayed more than usual.
53:31It seems that you have me as controlled
53:33as the rest of the squad.
53:35I wanted to make sure
53:37that you didn't forget
53:39that tonight we are going to the theater.
53:41Give me your ticket, please.
53:43I'm going to the theater with whoever I want.
53:45Excuse me, explain to me what you want.
53:46Help me gain Laurita's trust.
53:48Excuse me?
53:50I can assure you that if you help me,
53:52she won't regret it.
53:54Your friend Laurita will be happier
53:56than she has ever been in her life.
53:58Matilde asked for help to scream in the middle of the gallery
54:00because she was sure she had seen someone.
54:02Who does she say she saw?
54:04That girl, Fabio?
54:06Carla, or her ghost, I suppose.
54:08Most likely, Matilde suffered a hallucination
54:10as a result of her bad conscience,
54:12the same thing that is happening to her husband.
54:14Carla, are you there?
54:16Yes.
54:26What are you doing, daughter?
54:28Nothing, honey, I just wanted to know how you are.
54:30Although you don't have to answer if I hear you upset.
54:32No, I'm fine.
54:34I'm fine, I was going to have dinner right now.
54:36That's why I was calling you.
54:38Right now there is a bit of mess in the Madrid-Cabaret
54:40and I would like to stay a little longer.
54:42But if you feel calmer, I ...
54:44No, calm down.
54:46I'll be fine, you keep working.