Goyo.2024.720P.Web-Dl.Hindi.English.Spanish.Esubs
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🎥
Short filmTranscript
00:00:00You
00:00:30You
00:01:00You
00:01:16Wow
00:01:30Oh
00:01:35To me do okay, man, I got one look Jeeva bust it
00:01:39No, sir. Don't carry it. Oh, yeah. Come on. I'm up. Come on. Don't take it up with her
00:02:00I
00:02:30Do get them up now
00:03:00You
00:03:30I
00:04:00I
00:04:05Have a nice day going to thank you. You too Miranda. Hi. Yeah, I'll have a bus up to each other
00:04:11Yes, I'll go show that
00:04:13Man, he could look at you mom. Oh
00:04:16man, I thought I'd better
00:04:18so he never
00:04:20Happened to his cat. I've got a series that TV or a democracy. I can't
00:04:24I
00:04:32Don't know national day, but I thought it's Latin America
00:04:35I'm supposed to use him or picture. It's a beast almost cabernet. You have a lot of luck
00:04:40So I said bar a hazard to be zada pieces like a joyous. It's up to Zada
00:04:54I
00:04:58May have to become even of my favorite works of art I give it a portrait of a young woman
00:05:13The log bubble the idea, huh?
00:05:15I
00:05:45Can't I hear chubby don't understand. I'm not even not a bunker. Oh, you know, it's a mashup. Please
00:05:50Yeah, I said, oh, yeah, but don't go home. I can't do it. Who are you?
00:05:53I have him on her. I will get it. Yeah, you may rub your hair
00:05:56I made a bunch of you here at the surface. Yeah, get a mojo. Yeah, I'm a big nutty
00:05:59Oh, don't you make a sock? Oh, yeah, I don't give a shot. I'm gonna make a man. He
00:06:04But so just a but I'm not gonna join us
00:06:07Son, I need
00:06:09I
00:06:39I
00:07:10Get out of here, huh?
00:07:14What's it to me painting for a way teen song again, huh, Tina, he charged all or something in it
00:07:20It's pandemicness, I'm glad yeah
00:07:22It's a little gravy. Hey, it's insane. Yeah. Hmm. Let's take a seat. All right. Yeah
00:07:29To make a big hit
00:07:31Museum a comedy head. Yeah. Yeah, buddy. Yeah
00:07:36I'll have a cookie
00:07:38Well, I'll give security guard
00:07:41It's security guard make a second. I think it'll make the bar a brush Italian
00:07:52Cooperty
00:07:56Bucky can't even a second
00:07:58Oh
00:08:28Hmm?
00:08:29It's not like that. I don't think so.
00:08:32You're wrong. It's not like that.
00:08:35There's a lot in him that's the same,
00:08:37that's why he has so much of it.
00:08:49Where did you go?
00:08:53To meet some friends. With Romi.
00:08:56Did you take out the money?
00:09:02What's going on, Cody?
00:09:04What do you mean?
00:09:05I've started a new job.
00:09:07I told you to take care of your brother,
00:09:09but you were gone all day.
00:09:11And now you're arguing?
00:09:13Listen to me.
00:09:17If you can't take care of yourself,
00:09:19if you can't help me,
00:09:21if you can't help me,
00:09:23then you should go live with your dad,
00:09:25or your girlfriend, or with someone else.
00:09:27Now you want me to leave like Dad?
00:09:29Talk to me politely, or it won't be good.
00:09:32You don't have to be like your dad.
00:09:35You can be better than him.
00:09:38I'm sorry.
00:09:48Don't show this to anyone else!
00:10:08You will.
00:10:33Good morning.
00:10:34Morning.
00:10:39There are many types of Argentinian art in this museum.
00:10:42Artists like Candida Lopez,
00:10:44Prilidiano Pieradon,
00:10:46Emilio Puteroti,
00:10:48Chol Solard, Antonio Segui,
00:10:51Marta Menochin,
00:10:54Antonio Berni,
00:10:57and Leon Ferrari.
00:11:09I need to buy some food.
00:11:11There's nothing left in the fridge.
00:11:13My doctor said no dairy products.
00:11:15Really?
00:11:16See you tomorrow.
00:11:17See you tomorrow.
00:11:19I'm leaving.
00:11:21I'll be there in about an hour.
00:11:24I'm coming from the subway.
00:11:26It'll only take 40 minutes.
00:11:28I'll be right back.
00:11:30Bye, Uncle.
00:11:34Let's go.
00:11:36I wanted to see what it looks like.
00:12:0610, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 52, 53, 53, 54, 55, 56, 57, 58, 59, 60, 60, 61, 62, 62, 63, 63, 62, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63,
00:12:3663, 63,
00:13:06Please fasten your seat belt.
00:13:08My seatbelt has not been fixed.
00:13:17Excuse me, excuse me.
00:13:22Excuse me.
00:13:36♪♪
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00:17:26♪♪
00:17:36Hi, sweetie pie.
00:17:37Hi, Mom.
00:17:38I was with Aunt Marcia.
00:17:39How are you?
00:17:40What are you doing?
00:17:42Whose homework is it?
00:17:43Mathematics?
00:17:44It's Geometry, Mom.
00:17:45Oh.
00:17:46Yeah, right.
00:17:47Okay.
00:17:50Where's your brother?
00:17:51He took his stuff and left.
00:17:55His stuff?
00:17:56Yeah.
00:17:57His clothes and his games.
00:18:06Okay.
00:18:16No, babe.
00:18:17I don't think I can make it.
00:18:18It's too difficult.
00:18:19I can't leave before the Paraguay concert on the 12th.
00:18:21No matter how hard I try.
00:18:23If you want, you can come to the Palacio Paz
00:18:25on the 14th at Buenos Aires.
00:18:28If you don't want to give me a ticket,
00:18:30why are you lying?
00:18:31She's lying, too.
00:18:33No one comes when I send her a ticket.
00:18:35She's not interested in music.
00:18:36What's the point of being friends like that?
00:18:38Look, she's still my friend.
00:18:40She's stammering.
00:18:42What do you mean?
00:18:43She's stammering when she's talking.
00:18:46She's stammering.
00:18:47That's what happens when a person gets drunk.
00:18:50She's always like that.
00:18:52I talk like this even when I'm not drunk.
00:18:54I've been talking like this since I was a kid.
00:18:56And Mom used to talk like this, too, right?
00:18:58Yeah, when she used to drink.
00:19:01Really?
00:19:02Stop it, Saula.
00:19:04Eva.
00:19:05It's a Peronist name.
00:19:07It was in the Bible, too.
00:19:08No.
00:19:09After 1950, only Eva Peron's fans used to call her that.
00:19:14How old is she?
00:19:15I think she's between 47 and 50.
00:19:18Wow.
00:19:19She's older than you.
00:19:20You like MILF.
00:19:22How does she look?
00:19:25I mean, is she still beautiful?
00:19:27Yes, very beautiful.
00:19:29What's her figure like?
00:19:30Just like women.
00:19:32I mean, is she good-looking or not?
00:19:37She's amazing.
00:19:40And her tits?
00:19:42They're amazing, too.
00:19:45And they're tight, too.
00:19:47They're round.
00:19:48That's good.
00:19:49Why do you think she didn't see you?
00:19:54Maybe she was distracted.
00:19:56She must've been going through a lot.
00:19:58She must've been worried about her family.
00:20:00Maybe she didn't feel like it.
00:20:02Is she married?
00:20:03I don't know.
00:20:04But maybe she has kids.
00:20:08When was the last time you felt that?
00:20:13Four years and six months ago,
00:20:14when I saw Rika sitting on the Guadalupe.
00:20:18She was so boring.
00:20:19She always talked about insects.
00:20:22She's an entomologist.
00:20:23That's what she does, Matute.
00:20:25Yeah, I know.
00:20:27What is it?
00:20:30We should've gotten a lemon.
00:20:32We need to make a plan.
00:20:35Do you see Eva every day?
00:20:36Yeah.
00:20:38I think you should talk to her tomorrow.
00:20:40Just go and tell her.
00:20:42Hello, Eva.
00:20:44I'm sorry, but I didn't want to scare you on the subway that day.
00:20:47I tried to get to know you many times before.
00:20:50She should feel like you've been trying,
00:20:52but she should be scared.
00:20:54I know it was wrong to follow you.
00:20:56She wants you to realize that you're wrong.
00:20:59That's the only way we can move forward.
00:21:01I didn't want anything bad to happen.
00:21:03I'm not like you, Eva.
00:21:05It was nice to meet you.
00:21:06Let's move forward after this.
00:21:09What do you mean?
00:21:11Whatever you want to say, say it clearly.
00:21:13Okay?
00:21:14I won't say it now.
00:21:15I've already said it once.
00:21:17You made a mistake by not taking the lemon.
00:21:24I don't think this uniform is comfortable.
00:21:26You go. I'll get it.
00:21:27You're right.
00:21:28Ladies, do you want to upset the boss?
00:21:30No, we're on our way.
00:21:31You go. I'll see you later.
00:21:32Okay. Bye.
00:21:34What's going on?
00:21:35Who is he?
00:21:36Nothing. He's just flirting with me.
00:21:38Really?
00:21:39He's flirting with me.
00:21:40Does he look like a bully?
00:21:42No, he's not.
00:21:43He's not?
00:21:44No, he's not.
00:21:45No, he's not.
00:21:46No, he's not.
00:21:47No, he's not.
00:21:48No, he's not.
00:21:49No, he's not.
00:21:50No, he's not.
00:21:51No, he's not.
00:21:52He looks like a bully, but he's so hot inside.
00:21:56I'm sweating because I'm so hot.
00:21:58Do you sweat like that?
00:22:00I'm lacking vitamins.
00:22:02Boss is here.
00:22:04Gosho.
00:22:05Good morning.
00:22:06What is Sanki doing here?
00:22:07What?
00:22:08He's the one I told you about yesterday.
00:22:10What are you doing?
00:22:11I'm here to take care of the problem.
00:22:13He's Gosho.
00:22:14He works here.
00:22:15He's the tour guide.
00:22:16Have you seen him before?
00:22:17No.
00:22:18No, she hasn't.
00:22:19She must be looking somewhere else.
00:22:20She saw me at the subway for the first time.
00:22:21At the subway?
00:22:22Eva Montero.
00:22:23Do you know my name?
00:22:24Listen to him.
00:22:25Eva Montero saw me at the subway yesterday and got scared.
00:22:27Because I was looking at her.
00:22:29I knew she worked here, so I was looking, but she didn't know.
00:22:32I work here.
00:22:33Actually, she's a little...
00:22:35That's why she must have felt like a stranger was bothering her,
00:22:38and it's perfectly normal for her to be bothered.
00:22:40And maybe that's why after getting off my train,
00:22:42she pointed her finger at me yesterday.
00:22:44I didn't mean to scare you, Eva Montero.
00:22:46I just came to say hi to you.
00:22:49That's why I came here to introduce myself
00:22:51and apologize to you so that you don't get the wrong idea.
00:22:53My name is Gregorio Visanoeva.
00:22:55I'm the museum's tour guide.
00:22:57Nice to meet you.
00:22:59Hi.
00:23:00Hi.
00:23:01Nice to meet you.
00:23:04That's good.
00:23:05You explained everything to her.
00:23:08Thank you, Gosho.
00:23:09Okay, I'm leaving now.
00:23:15I can't believe this.
00:23:16What happened to him? I didn't know him.
00:23:18What did you do to him?
00:23:19I pointed my middle finger at him.
00:23:21You're unbelievable.
00:23:22What's my fault?
00:23:23Don't you think he's a little weird?
00:23:24No, no, he's not weird.
00:23:25He's a very nice guy.
00:23:27And he's very smart, too.
00:23:29Okay, I get it.
00:23:30He must be smart.
00:23:31But you don't know how he was looking at me.
00:23:33He was staring at me.
00:23:34He was sweating.
00:23:35I thought he was here to kill me.
00:23:37Oh, God.
00:23:38Don't worry.
00:23:39What's done is done.
00:23:40Next time you see him,
00:23:41smile and talk to him nicely.
00:23:43Okay?
00:23:44Come on, let's go.
00:23:45Otherwise, the boss will get upset.
00:23:46Come on.
00:23:57The tapestry in 1660
00:23:59depicts the scenes
00:24:00that are connected to the Renaissance
00:24:03or are closely related to it.
00:24:06You can see that
00:24:07flowers, plants, birds, musical instruments
00:24:10are used in the Baroque art.
00:24:12And you can see
00:24:14that this is how noblemen are depicted.
00:24:24Let's go.
00:24:36Hello.
00:24:37Hello, Eva Montero.
00:24:39How are you?
00:24:40I'm fine.
00:24:41There's no train today till 8.
00:24:44And the buses are full today.
00:24:46I don't know how I'll get home.
00:24:48Can I stay with you till the train leaves?
00:24:51Would you like to have a drink with me?
00:24:55No, I don't need it.
00:24:57I'm used to it.
00:24:58So, it's okay.
00:25:00I live nearby.
00:25:01And I have plenty of time.
00:25:07You'll enjoy it.
00:25:08I talk interesting things.
00:25:09And I'm funny, too.
00:25:12I studied Fine Arts from Buenos Aires.
00:25:15And I did my Ph.D. from Complutense University of Madrid.
00:25:18Wow.
00:25:19That's great.
00:25:20And how long have you been working in the museum?
00:25:23It was Monday, June 28, 2013.
00:25:27Are you okay?
00:25:32So, was it your dream to become a security guard?
00:25:35No.
00:25:36No, no, no.
00:25:38Not at all.
00:25:39Not at all.
00:25:40I wanted to be a doctor.
00:25:43But I couldn't.
00:25:44I had to drop out of school.
00:25:47Suddenly, my dad passed away and...
00:25:49I'm sorry.
00:25:50It's okay.
00:25:51It's been a long time.
00:25:53And then I had to find a job to support my family.
00:25:56And today, I'm sitting in front of you.
00:26:00So, you don't like this job?
00:26:03No.
00:26:04No, it's not that bad.
00:26:06It depends on the place.
00:26:07I like museums, so...
00:26:10But sometimes, they're a little boring.
00:26:13But I have to work.
00:26:15What else can I do?
00:26:26When the rays of the sun fall on your face, you look special, Eva Montero.
00:26:30Just like a painting by Vincent.
00:26:33Who?
00:26:34Vincent Van Gogh.
00:26:35Vincent Van Gogh is a Dutch painter.
00:26:36He's famous all over the world.
00:26:38The one who cut his own ear?
00:26:40Yeah, right?
00:26:41Okay.
00:26:42Vincent is my favorite artist.
00:26:44His brother used to take care of him.
00:26:46His name was Theo.
00:26:48My brother Matias is called Matute.
00:26:50Okay.
00:26:51Theo died six months after his brother.
00:26:53Matute is still alive.
00:26:57Beautiful.
00:26:59The color of your face right now is chrome yellow.
00:27:02This color was invented during the Industrial Revolution.
00:27:06Wow.
00:27:08How do you remember so many things?
00:27:10You know so much.
00:27:13There's something special about you.
00:27:23Oh, my God.
00:27:24It's time. I have to go.
00:27:25Okay, let's go.
00:27:26Get the bill.
00:27:27Okay.
00:27:29By the way...
00:27:31Thanks for drinking lemonade with me.
00:27:33I'll treat you next time.
00:27:35No, you don't have to thank me.
00:27:37It was nice talking to you.
00:27:40You don't have to be so formal with me.
00:27:42I do.
00:27:43I take a little time to make friends with adults.
00:27:45But all the kids like me.
00:27:47But when I get to know an adult up close,
00:27:49I like it.
00:27:51Okay.
00:27:54You said you live here, right?
00:27:56Yeah, back here.
00:27:57So what were you doing on the train yesterday?
00:28:01I just wanted to talk to you.
00:28:03Like we're doing today.
00:28:05I saw you at the museum, but I couldn't say anything.
00:28:07So I followed you on the train yesterday.
00:28:09But instead of talking to you,
00:28:11I scared you and ruined everything.
00:28:16I understand.
00:28:18See you tomorrow.
00:28:27See you tomorrow.
00:28:33Why hasn't anyone ever called me special?
00:28:35Maybe special means I'm weird.
00:28:37You're a special and weird person.
00:28:39What else do you want?
00:28:40Yeah, I don't want anything.
00:28:41I'm very happy.
00:28:42Thank you so much, Matute.
00:28:43Who thanks their brother?
00:28:45Come on, I have a lot of work to do.
00:28:47I'll talk to you later.
00:28:48Okay, bye.
00:28:49Take care.
00:28:50Bye.
00:28:53He really is so handsome.
00:28:55Why did you come inside my boat?
00:28:57The door was open.
00:28:59Did you hear me and Matute talk?
00:29:02I only heard you say thanks, nothing else.
00:29:04Okay, I'm going to the restaurant with Hulita.
00:29:11How do I look?
00:29:12Let me finish this painting first.
00:29:16I'm talking about this woman.
00:29:21Okay.
00:29:23You met her?
00:29:24Did you talk to her?
00:29:25Yes.
00:29:26We went to drink lemonade.
00:29:28That's good.
00:29:30I want to meet her too.
00:29:32The three of us will go drink lemonade together.
00:29:36Hulita is waiting for me downstairs.
00:29:37I'm going.
00:29:39The food is in the oven.
00:29:40Okay?
00:29:41I'll see you later.
00:29:54Okay.
00:30:25We should tell her.
00:30:27There's no need for that.
00:30:29But she should know about the condition of the meat.
00:30:32She's old enough to understand that.
00:30:35What do you mean?
00:30:36How old is she?
00:30:37About my age.
00:30:39Thank you.
00:30:40The food was great.
00:30:41See you later.
00:30:42Bye, Mark.
00:30:43Bye.
00:30:44Good night.
00:30:45Keep coming.
00:30:46Forget it.
00:30:47He's not a kid anymore.
00:30:49Let him have fun.
00:30:50What fun are you talking about?
00:30:52What fun are you talking about?
00:30:54Have you never had sex?
00:30:55I don't have aspergers.
00:30:57Is that so?
00:30:58I think I should get tested again.
00:31:00I should get a chance.
00:31:02I don't think there's anything wrong with it.
00:31:04Look, stop it.
00:31:05What do you think?
00:31:06Do I control him?
00:31:07Am I overprotective?
00:31:08Or did I manipulate him?
00:31:10Or did I force him?
00:31:12No.
00:31:13I know I'm not his mother.
00:31:14But still.
00:31:15Hi, Matute.
00:31:16I have to say,
00:31:17your white and blue pattern looks amazing.
00:31:20Whose idea was that?
00:31:21It was Gosho's idea.
00:31:23You two should drink this special wine.
00:31:25It's really good.
00:31:26Wait a minute.
00:31:27What do you mean, it's our age?
00:31:29What's your age?
00:31:31What do you care?
00:31:34I'll be back.
00:31:42You did it again?
00:31:43Do you want to drown?
00:31:44I told you before.
00:31:45Come on, get out.
00:31:46Okay, sir.
00:31:50Come on.
00:32:01What did I do?
00:32:05Gosho!
00:32:14Hello, kid.
00:32:18Are you here to chase me away?
00:32:19No.
00:32:23I was bored, so I thought I'd take a walk.
00:32:26This is the best place to take a walk.
00:32:29Have you been here before?
00:32:32No.
00:32:34Are you here alone?
00:32:36No, with my mom.
00:32:37She works here.
00:32:38I work here too.
00:32:39What's your mom's name?
00:32:41Her name is Montero.
00:32:43She asked me to sit,
00:32:44but I was bored, so I came here.
00:32:46Why were you bored?
00:32:47What?
00:32:48You get bored when you're empty.
00:32:51You shouldn't get bored.
00:32:52You should always use your brain.
00:32:55My name is Gregorio,
00:32:56so everyone calls me Gosho.
00:32:57I work as a guide in this museum,
00:32:59and I know your mom very well.
00:33:02My name is Martine,
00:33:03but everyone calls me Tatu.
00:33:05It's nice to meet you, Tatu.
00:33:07Me too, Gosho.
00:33:09My sister is going to take care of him tomorrow.
00:33:11I swear.
00:33:13I don't know what to do.
00:33:15Life is full of problems.
00:33:19Give yourself some time.
00:33:20Yes.
00:33:22Everything will be fine.
00:33:26That's great.
00:33:29Did Charlie give you this?
00:33:31Charlie.
00:33:34He asked me for coffee.
00:33:35Oh, wow.
00:33:36I said, not today.
00:33:37We'll go tomorrow or the day after tomorrow.
00:33:41I understand.
00:33:42It's all very strange,
00:33:43but it still feels good.
00:33:47Talking sweetly,
00:33:48giving him looks,
00:33:49not giving him feelings,
00:33:50taking flowers from him,
00:33:51but keeping him busy.
00:33:53It's all a different kind of fun.
00:33:55Yes, but the real fun comes later.
00:33:57Right?
00:33:59But I don't like what happens in the end.
00:34:02In the end, everything is ruined.
00:34:06The horse riders are taking the pots and pots
00:34:08that were stolen from the church.
00:34:10There are also severed heads on the back of the horses.
00:34:14Where are his clothes?
00:34:16He's been held captive.
00:34:18He's not conscious right now.
00:34:20You mean, he's been kidnapped?
00:34:21Yes.
00:34:23This painting is very interesting in itself.
00:34:25Because for the first time,
00:34:26someone made such a big painting of foreigners.
00:34:33I'll be president in 2051.
00:34:39That's great.
00:34:40But for that,
00:34:41you'll have to make a lot of preparations.
00:34:44You'll have to study.
00:34:45You'll have to understand
00:34:46people's problems,
00:34:47their problems,
00:34:48and...
00:34:49Wow, Mantero!
00:34:50I was showing your son this amazing painting
00:34:52and explaining to him
00:34:53how to become the president of this country.
00:34:55Oh, I see.
00:34:56Mom,
00:34:57Gosha knows every detail
00:34:58about every painting.
00:35:00Not all of them,
00:35:01but I know most of the paintings.
00:35:03That's great.
00:35:05So, shall we go now?
00:35:06Otherwise, we'll be late.
00:35:10By the way,
00:35:11thank you, Gosha.
00:35:12You're welcome. Have a nice weekend.
00:35:13You too.
00:35:14Bye.
00:35:15Bye.
00:35:19Goal!
00:35:20Goal!
00:35:21Goal!
00:35:22Goal!
00:35:23Goal!
00:35:24Goal!
00:35:25Goal!
00:35:26Goal!
00:35:27Goal!
00:35:28Goal!
00:35:29Goal!
00:35:30Goal!
00:35:31Goal!
00:35:32Goal!
00:35:33Goal!
00:35:34Goal!
00:35:35Goal!
00:35:36Goal!
00:35:37Goal!
00:35:38Goal!
00:35:39Goal!
00:35:40Goal!
00:35:41Goal!
00:35:42Goal!
00:35:43Goal!
00:35:44Goal!
00:35:45Goal!
00:35:46Goal!
00:35:47Goal!
00:35:48Goal!
00:35:49Goal!
00:35:50Goal!
00:35:51Goal!
00:35:52Goal!
00:35:53Goal!
00:35:54Goal!
00:35:55Goal!
00:35:56Goal!
00:35:57Goal!
00:35:58Goal!
00:35:59Goal!
00:36:00Goal!
00:36:01Goal!
00:36:02Goal!
00:36:03Goal!
00:36:04Goal!
00:36:05Goal!
00:36:06Goal!
00:36:07Goal!
00:36:08Goal!
00:36:09Goal!
00:36:10Goal!
00:36:11Goal!
00:36:12Goal!
00:36:13Goal!
00:36:14Goal!
00:36:15Goal!
00:36:16Goal!
00:36:17Goal!
00:36:18Goal!
00:36:19Goal!
00:36:20Goal!
00:36:21Goal!
00:36:22Goal!
00:36:23Goal!
00:36:24Goal!
00:36:25Goal!
00:36:26Goal!
00:36:27Goal!
00:36:28Goal!
00:36:29Goal!
00:36:30Goal!
00:36:31Goal!
00:36:32Goal!
00:36:33Goal!
00:36:34Goal!
00:36:35Goal!
00:36:36Goal!
00:36:37Goal!
00:36:38Goal!
00:36:39Goal!
00:36:40Goal!
00:36:41Goal!
00:36:42Goal!
00:36:43Goal!
00:36:44Goal!
00:36:45Goal!
00:36:46Goal!
00:36:47Goal!
00:36:48Goal!
00:36:49Goal!
00:36:50Goal!
00:36:51Goal!
00:36:52Goal!
00:36:53Goal!
00:36:54Goal!
00:36:55Goal!
00:36:56Goal!
00:36:57Goal!
00:36:58Goal!
00:36:59Goal!
00:37:00Goal!
00:37:01Goal!
00:37:02Goal!
00:37:03Goal!
00:37:04Goal!
00:37:05Goal!
00:37:06Goal!
00:37:07Goal!
00:37:08Goal!
00:37:09Goal!
00:37:10Goal!
00:37:11Goal!
00:37:12Goal!
00:37:13Goal!
00:37:14Goal!
00:37:15Goal!
00:37:16Goal!
00:37:17Goal!
00:37:18Goal!
00:37:19Goal!
00:37:20Goal!
00:37:21Goal!
00:37:22Goal!
00:37:23Goal!
00:37:24Goal!
00:37:25Goal!
00:37:26Goal!
00:37:27Goal!
00:37:28Goal!
00:37:29Goal!
00:37:30Goal!
00:37:31Goal!
00:37:32Goal!
00:37:33Goal!
00:37:34Goal!
00:37:36You must have experience of doing all this.
00:37:38What do you think?
00:37:39Yes, I think so.
00:37:41Come on.
00:37:43Eat. It's getting cold.
00:37:47Bring him for dinner.
00:37:49Won't it be a little early?
00:37:51It doesn't happen now.
00:37:53Trust me.
00:37:54Go and ask her.
00:37:55She will definitely say yes.
00:37:57Hey, don't you know how to walk looking at me?
00:37:59Old man, walk looking at me.
00:38:05I'm sorry.
00:38:19Eva Monteiro.
00:38:20I'm sorry. I scared you again.
00:38:22It's okay.
00:38:23I'm sorry.
00:38:24It's all right.
00:38:30Do you know that there is a painting of Van Gogh here?
00:38:33No, I don't know.
00:38:35It's original.
00:38:36Oh.
00:38:43This is a painting of the early days of Vincent that he made in Paris.
00:38:47He wrote a letter to his brother Theo.
00:38:50In this letter he said,
00:38:52even though it is very difficult to live in Paris,
00:38:54but French air refreshes the heart and mind.
00:38:59Will you come for dinner with me?
00:39:04Me?
00:39:05Yes, you.
00:39:16But why only me?
00:39:18There are other girls too.
00:39:20Because I don't want to be with any other girl.
00:39:23I want to have dinner with you.
00:39:26Goshu.
00:39:30Look, we are very different from each other.
00:39:32I mean,
00:39:34I'm much older than you,
00:39:36and I'm much...
00:39:40I mean, you know I'm nothing.
00:39:42You will soon find me boring.
00:39:44There are some things that even I don't know.
00:39:48One is,
00:39:50I don't know you.
00:39:52I don't know you.
00:39:55Being completely different from each other is not a problem for us.
00:39:58It's our speciality.
00:40:03Ever since you came here,
00:40:05this museum has never been the same for me.
00:40:23I'm free on Saturday, so...
00:40:32Will you come to my house?
00:40:36Do you live alone?
00:40:38No, with my sister, Sola.
00:40:44But she has a concert.
00:40:46She must have gone to Paraguay.
00:40:47She won't be home.
00:40:48There's a pianist in the band.
00:40:50His name is Sola Vishanaveva.
00:40:51You must know him.
00:40:52No, no, no.
00:40:54It's good that you don't know him.
00:40:57Anyway, we'll be alone at home.
00:41:00That's all I wanted to say,
00:41:01if you accept my invitation.
00:41:20Okay.
00:41:37Is someone dead?
00:41:39No, why?
00:41:41You wear this at funerals, don't you?
00:41:44No, I wear it outside.
00:41:47You wore it at a funeral the other day.
00:41:50Oh, I see.
00:41:51Are you going somewhere?
00:41:54Yes, maybe.
00:41:55I might go this Saturday,
00:41:57but let's see.
00:41:58I'll have dinner with a friend.
00:42:00Aunt Marcy will come to you that day, okay?
00:42:03Okay.
00:42:04And my shampoo?
00:42:05Yes, I'll get it tomorrow.
00:42:11Remember while diving,
00:42:12go down first while jumping,
00:42:14and then up.
00:42:15Got it?
00:42:16Okay.
00:42:17Now let's practice diving.
00:42:19Good.
00:42:20Well done, Gosho.
00:42:22Well done, Gosho.
00:42:27Gosho!
00:42:30Gosho?
00:42:31You mean, our Gosho?
00:42:34Oh, you're worse than me.
00:42:37First you were going to report that kid,
00:42:39and now you're going to date him?
00:42:40This isn't a date.
00:42:41We're just having dinner.
00:42:42Oh, okay.
00:42:44By the way, where's the dinner?
00:42:47At his house.
00:42:48Oh, that's great.
00:42:49What?
00:42:50This isn't a date.
00:42:51What?
00:42:52This is a date.
00:42:53No.
00:42:54That's the truth.
00:42:56You know, he's a little weird.
00:42:59He's got issues with his brain.
00:43:03Have you ever dated someone who doesn't lie?
00:43:06Someone who always says what's on their mind?
00:43:10Someone who's very polite,
00:43:12and also smart.
00:43:14Someone who doesn't hurt you,
00:43:16and is also cute.
00:43:20I never got a chance like that.
00:43:23Me neither.
00:43:26You should wear my special necklace.
00:43:32You'll be in a good mood wearing that.
00:43:34Oh, come on.
00:43:35Stop it.
00:43:36I'm serious.
00:43:37That's not going to happen.
00:43:38Just watch.
00:43:39If you're not getting ahead of yourself,
00:43:41remember three things to keep in mind.
00:43:43Don't talk about politics.
00:43:45The whole date could be ruined.
00:43:47Nature is a good option.
00:43:49She'll think you're soft-hearted.
00:43:51Don't forget art.
00:43:53That's your specialty.
00:43:55Anyone can read it.
00:43:56Right?
00:43:58But don't go too deep.
00:43:59She'll get bored.
00:44:09Good evening.
00:44:10Good evening.
00:44:12Hi, Gosho.
00:44:14Come in.
00:44:15Thank you.
00:44:21Wow.
00:44:24The house is beautiful.
00:44:27It's a 19th century neo-classical French design.
00:44:30Ah.
00:44:32Vincent used fluid turbulence in his paintings.
00:44:35That's why it looks like the sky is moving in them.
00:44:38Really?
00:44:40It really does.
00:44:42They were geniuses, weren't they?
00:44:46They say artists were crazy.
00:44:48And for what they did,
00:44:50madness is necessary.
00:44:52It's like making a decision without knowing it, Montero.
00:44:55In reality, it's nothing like that.
00:44:58Vincent always saw reality through the eyes of beauty.
00:45:03The way people see madness
00:45:05was the way they thought.
00:45:07The way they felt this world.
00:45:10Yes.
00:45:13Don't you think this development is taking us backwards?
00:45:16Oxymoron.
00:45:18What?
00:45:19I mean, what you just said goes against your statement.
00:45:22Oh.
00:45:23Such things are called oxymorons.
00:45:25Oh, okay.
00:45:26Like a living corpse.
00:45:28Or an infinite moment.
00:45:29Hmm.
00:45:30Or a life-sustaining peace.
00:45:31Hmm.
00:45:32There are many.
00:45:33Okay.
00:45:34Many examples.
00:45:35Yes.
00:45:37No, I mean,
00:45:39we're going backwards despite our progress.
00:45:42Like today, everyone has a phone.
00:45:45But the distance between people is increasing.
00:45:49Hmm?
00:45:50Hmm.
00:46:01Did you like the food?
00:46:02Yes, it was good.
00:46:03Hmm.
00:46:06Should we eat something sweet?
00:46:07Yes, let's go.
00:46:08No, no, we're not going anywhere.
00:46:09You're a guest, you stay here.
00:46:10I'll get it.
00:46:11Um, okay.
00:46:12But I...
00:46:13This plate and everything...
00:46:14Put the knife in the plate.
00:46:15Yes, okay.
00:46:16Here.
00:46:17Should I put music on the phone?
00:46:18Yes, put it on.
00:46:19Yes.
00:46:20By the way, there's a speaker in the living room.
00:46:21Yes, okay.
00:46:22It'll connect to your phone.
00:46:23Yes, yes, okay.
00:46:24Okay.
00:46:25Will it work?
00:46:26Here?
00:46:27No, not the living room.
00:46:28It's here.
00:46:29Okay.
00:46:43You brought more?
00:46:44By the way, I didn't see any wine.
00:46:45So am I going to drink champagne alone now?
00:46:49Actually, I don't like it at all after drinking.
00:46:52Ah.
00:46:53Hmm, what's this?
00:46:55This is mousse.
00:46:56Chocolate and orange flavor.
00:46:58Hmm.
00:46:59Your brother made it?
00:47:00Yes.
00:47:01Hmm, that's great.
00:47:03Hmm.
00:47:05You're eating it in a weird way, aren't you?
00:47:07No, no, no.
00:47:08It's not weird at all.
00:47:11Hmm, this is very tasty.
00:47:14Hmm.
00:47:17Ah.
00:47:44And he is your brother?
00:47:45Matuti.
00:47:46Ha, ha, ha, ha.
00:47:50And your parents?
00:47:51She's my mom.
00:47:52Hmm.
00:47:53Dad was a refugee in Vietnam.
00:47:54Hmm.
00:47:55There's a picture of him.
00:47:56Carlos Vistanoeva.
00:47:57And he died fighting in the war?
00:48:01No, no.
00:48:02The dangerous war in Vietnam began on November 1, 1955
00:48:05and ended on April 30, 1975.
00:48:07Okay.
00:48:08And my dad died in a car accident on the island of Phukot.
00:48:11It was morning time.
00:48:12It was October 2nd, 2005.
00:48:14Oh, I see. Sorry.
00:48:16Mom was drinking and driving.
00:48:18Dad was a big drunkard, and so was my sister, Saula.
00:48:21Matute is a little less drunk.
00:48:23Oh, I see.
00:48:25Is that your mom's photo?
00:48:27No, that's Alina, my brother's sister's mom.
00:48:30She passed away when he was little.
00:48:32She had a heart attack one day.
00:48:34You were eating here, and she died on the same chair.
00:48:37Heart attack.
00:48:39I'm my dad's second wife's son.
00:48:42Okay.
00:48:44And...
00:48:46There's no photo of her here?
00:48:48No.
00:48:50Is she alive?
00:48:52She remarried.
00:48:54To Felix Ruiz Allende.
00:48:56She lives in Tierra del Fuego.
00:48:58Her name is Magdalena.
00:49:00Okay. Okay.
00:49:02What does she do there?
00:49:04Nothing.
00:49:07Ruiz. Sorry.
00:49:11She's just my wife, not my mother.
00:49:13I've never seen a mother like her.
00:49:15Not everyone can be a good mother to their children.
00:49:21Can I ask you something?
00:49:23Of course.
00:49:25I... I know you have a son.
00:49:27I see.
00:49:29And one day he'll be our president.
00:49:31I see.
00:49:33He has a son. He's older than him.
00:49:35His name is Kuti.
00:49:37People call him Christian.
00:49:39He doesn't know his future,
00:49:41because he hasn't thought about it yet.
00:49:43But he's really good at football,
00:49:45just like his dad.
00:49:47Miguel was also a footballer,
00:49:49but he couldn't do much.
00:49:51Miguel.
00:49:53Does that mean he's your husband?
00:49:55Um...
00:49:57No.
00:49:59I don't know.
00:50:01Yes, he is.
00:50:03He's my husband,
00:50:05but we don't live together anymore.
00:50:07We don't talk to each other,
00:50:09and I don't get along with him.
00:50:11Yes.
00:50:13And were you happy with Miguel?
00:50:17Um, yes.
00:50:19Yes.
00:50:21I was very happy at first,
00:50:23but then everything changed.
00:50:25I mean, he changed,
00:50:27and...
00:50:29I don't know.
00:50:31I'm going through a phase,
00:50:33but he doesn't understand.
00:50:35I don't know what I want,
00:50:37and he gets really nervous
00:50:39and makes mistakes.
00:50:41I mean, you understand, right?
00:50:43That's all.
00:50:47Can we talk about something else, please?
00:50:51Yes, let's.
00:50:59Um...
00:51:29Oh.
00:51:45Oh.
00:51:59Oh.
00:52:01Oh.
00:52:27Oh.
00:52:29Oh.
00:52:59Oh.
00:53:29Oh.
00:53:35Okay.
00:53:37I guess they're right.
00:53:39Thank you.
00:53:51Oh.
00:53:59Oh.
00:54:11Gosho?
00:54:15Gosho?
00:54:21Gosho?
00:54:29Gosho?
00:54:59Oh.
00:55:29Oh.
00:55:59Oh.
00:56:29Oh.
00:56:55Oh.
00:56:57Oh.
00:57:27Oh.
00:57:57Oh.
00:58:15Oh.
00:58:21Oh.
00:58:27Oh.
00:58:54Oh.
00:58:57Oh.
00:59:19Oh.
00:59:27Oh.
00:59:31Oh.
00:59:39Oh.
00:59:41Oh.
00:59:43Oh.
00:59:49Oh.
00:59:51Oh.
00:59:53Oh.
00:59:55Oh.
01:00:13Oh.
01:00:25Oh.
01:00:31Oh.
01:00:55Um...
01:01:25Oh.
01:01:33Bye, Gosho.
01:01:35Bye.
01:01:37Thank you.
01:01:39Thank you.
01:01:41Thank you.
01:01:55Thank you.
01:02:25Thank you.
01:02:55Um...
01:02:57Um...
01:02:59Um...
01:03:01Um...
01:03:03Um...
01:03:05Um...
01:03:07Um...
01:03:09Um...
01:03:11Um...
01:03:13Um...
01:03:15Um...
01:03:17Um...
01:03:19Um...
01:03:21Um...
01:03:23Um...
01:03:25Um...
01:03:31Um...
01:03:37Um...
01:03:43Um...
01:03:47Um...
01:03:49No, no, no, no, Eva. What happened?
01:03:52Show me, show me.
01:03:54I'm sorry, I made a mistake.
01:03:55I didn't do it on purpose.
01:03:56Go away!
01:03:57No, no, I didn't do it on purpose.
01:03:58Go away!
01:03:59I'm going, I'm going.
01:04:00Go away!
01:04:01Put it down, put it down.
01:04:02Dad, go away!
01:04:03Put it down, I'm going.
01:04:04Put it down.
01:04:05It's okay, son.
01:04:06They're going away.
01:04:07Everything will be fine.
01:04:08I don't understand.
01:04:09What do these people want from me?
01:04:11They don't want you.
01:04:12Okay, everything's fine.
01:04:15Don't let them come into the house again.
01:04:17We were at the door.
01:04:18They barged in.
01:04:19It's okay, it's okay.
01:04:20Mom's here.
01:04:21Hurry, Mom.
01:04:22We'll fix everything, son.
01:04:24Everything will be fine.
01:04:25Okay, listen.
01:04:26Can you get some ice for Mom, please?
01:04:36Did you take the first step or did she?
01:04:38She was doing everything, Matute.
01:04:40I just stood by her.
01:04:42Really?
01:04:43Did you have fun?
01:04:44Yeah, a lot.
01:04:45Yeah, that's the spirit.
01:04:46Remember, don't rush.
01:04:48The next day is a little tricky.
01:04:50Some women get up happily.
01:04:52And some want to jump off a bridge as soon as they get up.
01:04:56Why would she jump off a bridge?
01:04:57She doesn't even have a house.
01:04:58Not everyone, just a few.
01:05:01She said she liked it.
01:05:03If she said it, then she must have liked it.
01:05:05Yeah, she looked at me eight times and smiled 17 times.
01:05:08Were you counting here?
01:05:10By the way, you stay calm now.
01:05:13Don't take the next step until she says something.
01:05:16Okay.
01:05:21Matute.
01:05:22What?
01:05:23I told her to message me when she gets home.
01:05:25But she hasn't messaged me yet.
01:05:27I messaged her at 12.42.
01:05:29But she hasn't checked my message yet.
01:05:31And the other blue tick hasn't happened either.
01:05:33Look.
01:05:34Yeah, I saw.
01:05:35Come on, put the phone down and focus on the game.
01:05:37Put it down.
01:05:39Come on.
01:05:40Come on, man.
01:05:41Whatever your name is, you play very badly.
01:05:46Isn't it weird not to reply to her, Matute?
01:05:48Run a little faster.
01:05:49A 20-year-old kid can't run.
01:05:51Run.
01:05:54Is something wrong with her?
01:05:55The phone is with her.
01:05:56Hurry up.
01:05:57Hurry up.
01:06:01We're going to the bathroom.
01:06:03Where are you going?
01:06:04Paratown.
01:06:05Hey, Ghosho.
01:06:06Paratown.
01:06:07Paratown.
01:06:08Hey, stop him.
01:06:09Ghosho.
01:06:10Listen, they're calling you.
01:06:11Where are you going?
01:06:12You're not listening to me.
01:06:14I haven't listened to you since then.
01:06:15Wow, what a pair.
01:06:18He's my brother, the donkey.
01:06:19He's the donkey's brother.
01:06:21Ghosho.
01:06:24Ghosho.
01:06:26I said, please stop.
01:06:30What happened to you all of a sudden?
01:06:33I was talking about something important, but you didn't listen.
01:06:35You were talking all the time.
01:06:36I was listening to you.
01:06:40Can I say something?
01:06:41You shouldn't be so selfish.
01:06:43I brought you here to spend time with you, and you...
01:06:46Did the people sitting here call me crazy?
01:06:48Not crazy, they called you a donkey.
01:06:50And that too because you were creating a scene there.
01:06:53But it wasn't my fault.
01:06:54It was yours.
01:06:55No, no, no, it wasn't my fault.
01:06:56It was yours.
01:07:02Do you know the problem?
01:07:03You had sex once yesterday,
01:07:05and now you're obsessed with love.
01:07:07And now you're worried because you think she's ignoring you.
01:07:11Ever since we left, you've been on the phone.
01:07:14Look, I didn't get a message.
01:07:16You've ruined the whole plan.
01:07:18And it's not my fault, it's yours.
01:07:22Do one thing.
01:07:23You go.
01:07:24I can't take it anymore.
01:07:33I'm sorry.
01:08:04I didn't know they hit you in the face.
01:08:07Let's go to the hospital.
01:08:08No, I'm fine.
01:08:09It's important, Mom.
01:08:10I told you I'm fine.
01:08:11Are you sure?
01:08:12Don't worry.
01:08:13Were you with Romi?
01:08:15How long do you think Romi's parents will let this go on?
01:08:20Listen to me, Koti.
01:08:22You have to get a grip on yourself.
01:08:23I know.
01:08:24This isn't right.
01:08:25I know, Mom.
01:08:26I was thinking,
01:08:27if the dishwasher is leaving,
01:08:29why don't I start working for him?
01:08:31Why not?
01:08:32It's nice.
01:08:34Can I come back?
01:08:37I won't let this happen again.
01:08:41Come back.
01:08:43Come back.
01:09:02Come back.
01:09:11Call this three-kid guy.
01:09:23Yes?
01:09:24A very good evening.
01:09:25I'm here to meet Eva Montero.
01:09:27And who are you?
01:09:29Gushu.
01:09:30Tato.
01:09:31This is Gushu.
01:09:32Mom's friend.
01:09:33Come in.
01:09:34I'll tell Mom.
01:09:35Okay.
01:09:37You must be Koti.
01:09:38Give me a minute.
01:09:39Koti, let me in.
01:09:45Mom.
01:09:46Who is it?
01:09:47Gushu's here.
01:09:48What?
01:09:49Hello, Eva Montero.
01:09:50How did you get here?
01:09:52Actually,
01:09:53I told you to reach home and message me
01:09:55that you're home safely,
01:09:56but you didn't get my message.
01:09:57You didn't even reply to my message,
01:09:59so I got worried and came here.
01:10:01That's it.
01:10:02That's all.
01:10:03Eva Montero.
01:10:04I didn't do it because his phone was broken.
01:10:06Yes.
01:10:07That's what I didn't think.
01:10:09This is for you, Tato.
01:10:11Thank you.
01:10:16Gushu, how did you get my address?
01:10:18When I booked a taxi for you in the morning,
01:10:20I saved the address in my phone book.
01:10:22And then I remembered.
01:10:24Oh, I see.
01:10:25Look, Mom.
01:10:26The kite with the flag.
01:10:27Oh, wow.
01:10:28I brought this plant with me.
01:10:29You can keep it,
01:10:30or you can keep the kite.
01:10:32No, no, not him.
01:10:33Give it to me.
01:10:34Here.
01:10:35Okay, you keep it.
01:10:36Thank you.
01:10:38It's lovely.
01:10:39Are you hurt?
01:10:40Yes.
01:10:41Yes, I am.
01:10:42I fell a while ago.
01:10:43That's why I'm hurt.
01:10:45I was going to make coffee.
01:10:46Should I get it for you?
01:10:47No.
01:10:49Should I make tea?
01:10:50Yes.
01:10:51Okay.
01:10:54Can I help you, Tato?
01:10:55Yes, please.
01:10:58Thank you.
01:11:07Who is this man?
01:11:09Did you meet him in a circus?
01:11:10What are you talking about?
01:11:12He works with me in a museum.
01:11:16Is he your new boyfriend?
01:11:17How can you talk to me like that?
01:11:19Yes or no?
01:11:20He said you met him last night.
01:11:23Please, stop it, Koti.
01:11:24You can stay here if you want.
01:11:25Go get your stuff.
01:11:26Go.
01:11:30I'll go get my stuff.
01:11:32Okay.
01:11:56Okay.
01:12:14Now it's your turn.
01:12:15Really?
01:12:22Wow!
01:12:26It's so high, isn't it, Mom?
01:12:27Yes.
01:12:38I'll text you now.
01:12:39I'll go to your house when I get time.
01:12:41Okay?
01:12:43Gosho is here.
01:12:44I'll talk to you later.
01:12:45Gosho.
01:12:46Why didn't you pick up the phone?
01:12:47What happened?
01:12:48Did the phone fall somewhere?
01:12:49No.
01:12:50The battery died.
01:12:51Where were you?
01:12:56How was your Paraguayan concert?
01:12:58It was good.
01:12:59I mean, it was okay.
01:13:00It could have been better.
01:13:01But people liked it.
01:13:02Are you still mad at me?
01:13:04Where were you?
01:13:05I went to Parque Patricios.
01:13:06What were you doing there?
01:13:08To meet Eva.
01:13:09Oh, you mean she lives there?
01:13:11Yes.
01:13:12Wait a minute.
01:13:14Did you have sex with her?
01:13:17Yes, I did.
01:13:18Did you do it at her house today?
01:13:20At my house yesterday.
01:13:21She came for dinner.
01:13:23Do you know everything?
01:13:24Eva Montero didn't reply because her phone broke.
01:13:27Her face was injured.
01:13:28She told me she fell, so she got hurt.
01:13:30But I don't think she got hurt because she fell.
01:13:32Because it wasn't a minor injury.
01:13:33It was a big wound.
01:13:34There are a lot of difficulties in all this.
01:13:36All couples are different.
01:13:38Some meet even after being separated.
01:13:41She's married.
01:13:44You're not going to meet that woman again, Gosho.
01:13:47But why?
01:13:48Why can't I meet her?
01:13:49Because there's danger in all this.
01:13:50If her husband can meet her,
01:13:52it means he can hurt you, too.
01:13:54How can you say that her husband didn't do what happened to her?
01:13:57I don't know, but who else can do it?
01:14:00Come on, stop it.
01:14:01Go get some rest.
01:14:02We'll talk when we have dinner together.
01:14:10And yes, I'll meet Eva Montero again.
01:14:17We can't let this go on.
01:14:19She's cast a spell on him.
01:14:21When I wasn't home, she came here.
01:14:23First she trapped him in her talks.
01:14:25Then she cast a spell on him.
01:14:27And now she's with her husband, and he's worried.
01:14:30How can you think so far ahead?
01:14:32I think she's nice.
01:14:34Why are you so happy?
01:14:36Gosho won't let me drink.
01:14:38That woman thinks she's holding a golden bird.
01:14:41But I'll go to the museum tomorrow and talk to her.
01:14:43Don't do that.
01:14:44You'll ruin everything.
01:14:45He's grown up.
01:14:46He has Asperger's.
01:14:48He's happy. Give him a chance.
01:14:50Just one chance?
01:14:52Just one chance?
01:14:54And then what?
01:14:55Who's going to be responsible for his condition?
01:15:21Yes, right here.
01:15:23At this shop?
01:15:25Yes.
01:15:27Okay.
01:15:39I'll be right back.
01:15:51Mr. Miguel?
01:15:57Mr. Miguel Aguirre?
01:16:07Good morning, Mr. Miguel Aguirre.
01:16:09I'm here to talk to you for a minute.
01:16:12It's about Eva Montero.
01:16:15Who are you?
01:16:17I'm Gregorio Visanova.
01:16:19We both work at the same museum.
01:16:21Eva is a very nice woman.
01:16:23And she needs a good man.
01:16:25Someone who loves her a lot.
01:16:29Someone who takes good care of her.
01:16:31I saw the bruise on her face.
01:16:33And I don't think she fell on the street like she said.
01:16:37If you were the one who hit her,
01:16:40I'd like to ask you not to do that again.
01:16:44Stop, Miguel!
01:16:46What are you doing?
01:16:48What do you think you're doing here?
01:16:50You think you can tell me what to do here?
01:16:53Let go of him!
01:16:55I'm going to ask him what his problem is.
01:16:57Get out of here!
01:16:59Go and complain to Eva.
01:17:01Get out of here!
01:17:10A man was complaining in front of Rembrandt's painting.
01:17:13I don't think anyone would dare to do that.
01:17:16Listen, I have to start my tour.
01:17:19The Italians are waiting outside.
01:17:21Hi, good morning, Eva.
01:17:24Listen, I need to talk to you.
01:17:29I have to go to the washroom.
01:17:31Thanks.
01:17:32You're welcome.
01:17:37Did you really go to see my husband?
01:17:44Why did you do that?
01:17:46Because he hurt you.
01:17:48What do you care?
01:17:50What do you mean?
01:17:52I don't need your help.
01:17:54You ruined everything.
01:17:56You thought I was dating someone else.
01:17:58You proved me wrong.
01:18:00You ruined everything.
01:18:02This is wrong, Gosho.
01:18:04I don't need your protection.
01:18:07You had no right to do this.
01:18:09Eva, we slept on the same bed on Saturday.
01:18:12So what?
01:18:14Are we a couple now?
01:18:16No, Gosho, that's not true.
01:18:18What we did was wrong.
01:18:20But it wasn't your fault.
01:18:22It was my fault because I started it.
01:18:24There's nothing wrong with starting it.
01:18:26Everything that happened between us was wrong.
01:18:28Everything we did was wrong.
01:18:30I just wanted to be with you.
01:18:32I wanted to talk to you.
01:18:34Because you were different from everyone else.
01:18:36I wasn't thinking about you.
01:18:38I was thinking about myself.
01:18:40No, that's not possible.
01:18:42Gosho.
01:18:46Look at me.
01:18:48Gosho, this is all wrong.
01:18:50Because I can't do what you're hoping for.
01:18:53Do you understand?
01:18:55No, I don't understand.
01:18:57I don't understand anything.
01:18:59I don't understand.
01:19:01Gosho.
01:19:21Gosho.
01:19:31Gosho.
01:19:45No.
01:20:02You're Eva, right?
01:20:04Yes.
01:20:06No, sit down.
01:20:08I'm Sauna, Gosho's sister.
01:20:10Yes, nice to meet you.
01:20:12How's Gosho?
01:20:14The doctors gave him medicine.
01:20:19Whatever happened was wrong.
01:20:21Thank God nothing serious happened.
01:20:23Anything could have happened.
01:20:25Did you know about his condition?
01:20:29Yes, I knew.
01:20:31But you didn't think about it.
01:20:33Doesn't it matter to you?
01:20:35It matters to me. I'm worried about him.
01:20:38But it doesn't seem like it.
01:20:45When we were together that evening,
01:20:48I thought about his condition,
01:20:50but I couldn't stop myself.
01:20:53And then...
01:20:56Whatever happened between us,
01:20:58I was responsible for it.
01:21:00But for both of us,
01:21:02that moment was very special.
01:21:07I know whatever happened was wrong.
01:21:09But on the other hand,
01:21:11it seems like nothing is wrong.
01:21:15The truth is...
01:21:18I never met anyone like Gosho.
01:21:22He tried to understand me.
01:21:25But I don't think you understood him.
01:21:29Whatever happened, you should learn from it.
01:21:37I didn't want to hurt him.
01:21:40But you have hurt him.
01:21:51I'm sorry.
01:22:12What are you doing?
01:22:14There's no smoking zone here.
01:22:16Because there's a hospital here.
01:22:18He was going to commit suicide.
01:22:20He had a heart attack.
01:22:22He couldn't handle it.
01:22:24We can't ignore what happened to him.
01:22:26He was standing in the middle of the road.
01:22:28He never did anything like that.
01:22:31And for that woman, he was just her prey.
01:22:34She's not a kid who can't tell right from wrong.
01:22:37She won't even come near him.
01:22:39Did you talk to her?
01:22:42What else could I do?
01:22:45You think he's grown up,
01:22:47but it doesn't matter to me.
01:22:49You gave him a chance.
01:22:51And we all know the consequences.
01:22:56What's all this?
01:22:57She got away with it.
01:23:08How are you?
01:23:10I'm fine.
01:23:12Is Gregorio in his room?
01:23:14Yes, I'll call him.
01:23:15No, let him stay.
01:23:16Saula, he knows I'm here to see him.
01:23:19Don't worry.
01:23:32Your brother and sister told me everything.
01:23:38Are you listening?
01:23:41Time never belongs to anyone.
01:23:47Everyone grows old.
01:23:51But there's one thing that's good.
01:23:54Things that seem important to us
01:23:59turn into stories.
01:24:04Or are forgotten.
01:24:07I will never forget you.
01:24:22I'm far away.
01:24:24I won't touch you.
01:24:36Well done!
01:24:39Well done, everybody!
01:25:07Isn't it beautiful?
01:25:10Okay, now look.
01:25:12Look at this.
01:25:13Isn't it beautiful?
01:25:16No girl in the world will be able to stay away from you
01:25:18after wearing this.
01:25:21I even got you a plain shirt,
01:25:23just the way you like it.
01:25:25Look at this.
01:25:26What do you think?
01:25:29Want to try it on?
01:25:32I'll try it on later.
01:25:34I'll try it on later, not now.
01:25:37Okay.
01:25:38You can try it on whenever you want.
01:25:45Hello.
01:25:47How are you?
01:25:48I'm fine.
01:25:50Any news of Koshu?
01:25:52He's still on leave.
01:25:54Do you know when he'll be back?
01:25:57No.
01:25:58Okay.
01:26:01I'll get going.
01:26:02Bye-bye.
01:26:03Thank you.
01:26:07You're calling me old.
01:26:09No, I didn't call you old.
01:26:11You're like a match.
01:26:13Koshu's not coming down.
01:26:14And I'm going out.
01:26:16Magdalena,
01:26:17you shouldn't be taking his attention
01:26:19to girls at a time like this.
01:26:20It's wrong.
01:26:23I don't understand.
01:26:26Oh!
01:26:28You must be talking about those shirts.
01:26:31But I was alone with him at the time.
01:26:34How do you know?
01:26:37What you're doing is wrong.
01:26:40We all know that Koshu isn't a kid anymore.
01:26:43He's a man now.
01:26:45He's been rejected for the first time.
01:26:47And he behaves like any other man.
01:26:49Right?
01:26:50No.
01:26:51He's crazy about that woman.
01:26:53We can't let him see her again.
01:26:55What do you want?
01:26:56To make it worse?
01:26:57That's enough.
01:26:58You want me to give him a chance?
01:27:02Whatever happens to him will happen.
01:27:04Whether you like it or not.
01:27:06He'll handle it.
01:27:08You think so?
01:27:09Time will tell.
01:27:11You don't want to see him happy?
01:27:12You know what I'm saying.
01:27:14You want this for yourself, not for him.
01:27:16You want peace here,
01:27:17so you can go back to your world.
01:27:19Am I wrong?
01:27:20Tell me.
01:27:21Tell me.
01:27:22Stop it.
01:27:24I didn't come for this.
01:27:25Then why did you come?
01:27:26To meet my son.
01:27:29I love him very much.
01:27:31Am I right?
01:27:32Love is a very deep word.
01:27:35I don't think we should talk about this right now.
01:27:38Think about Ghosh.
01:27:39Please.
01:27:40You want me to feel bad.
01:27:43But I don't need your help for that.
01:27:45I know my mistakes.
01:27:46The first mistake.
01:27:47That I gave birth to him.
01:27:48And when he was born,
01:27:49he was born like this.
01:27:51No one is at fault here.
01:27:53I know.
01:27:55I've tried many times.
01:27:58I don't understand him.
01:28:00And neither does he understand me.
01:28:02It's so painful and bad
01:28:05when you can't understand your own son's feelings.
01:28:11I could never give him anything
01:28:13because I didn't know what he wanted from me.
01:28:17But you both understand all his needs.
01:28:20I'm the only one here who never understood.
01:28:22It's not difficult to understand Ghosh.
01:28:24You didn't try.
01:28:25How do you know I didn't try?
01:28:27You hate me.
01:28:30This family didn't accept me.
01:28:32Not as a wife.
01:28:34Not as a mother.
01:28:36And not as a stepmother.
01:28:41And I heard
01:28:43you both think
01:28:44I deliberately hit your father
01:28:46in a car accident
01:28:48on a holiday in Vietnam.
01:28:50Am I right?
01:28:51Not at all.
01:28:52Am I right?
01:28:53Not at all.
01:28:54It's not my fault he didn't fasten his seatbelt.
01:28:57It was an accident.
01:28:58But you were drunk when it happened.
01:29:00Do you remember your father?
01:29:02He was even more drunk than I was.
01:29:05That's why I drove the car.
01:29:09And he left.
01:29:14My world was shattered.
01:29:17I couldn't understand anything.
01:29:19By the time I could,
01:29:21it was all over.
01:29:27I thought I'd leave my city
01:29:30and go away from all this.
01:29:35But
01:29:36I was selfish
01:29:40and careless.
01:29:42I gave up.
01:29:45It was my fault.
01:29:49I'm a bad mother.
01:29:52But I tried.
01:29:55I couldn't succeed.
01:29:59And suddenly it was all over.
01:30:08I'm going with Holita.
01:30:16I don't deserve this.
01:30:20I don't know if my son wanted to kill himself.
01:30:25It's gotten worse for me.
01:30:32I need to learn.
01:30:36I need to understand my son.
01:30:41It's okay.
01:30:42Yeah.
01:30:46Hi, Eva.
01:30:47Hi, Eva.
01:31:18Attention, please.
01:31:36What are you doing here?
01:31:39You should forget her.
01:31:41No.
01:31:42There's a lot of difference between you two.
01:31:44Her life is very different from yours.
01:31:46You don't even know Eva Montero, Saola.
01:31:48Yes, but I can see what she's done to you.
01:31:50What happened to me is not her fault, Saola.
01:31:53Kusho, please don't shout.
01:31:54No, it's not her fault.
01:31:55Kusho, calm down.
01:31:56She didn't do anything.
01:31:57It's not her fault.
01:31:58You have no idea
01:31:59what she's going through, Saola.
01:32:02Eva doesn't know
01:32:03what she needs to be happy.
01:32:05Because she's never been happy in her life.
01:32:08She's never been happy.
01:32:10Her fear is making her weaker.
01:32:12She wasn't happy when we were together.
01:32:14And then she started thinking
01:32:15that's why everything went wrong between us.
01:32:24Kusho, I'm worried about you.
01:32:26That's why I said it.
01:32:29If you can't accept Eva for me,
01:32:31then I don't think
01:32:32you care about me at all, Saola.
01:32:44I love you.
01:33:14I love you.
01:33:24Good morning.
01:33:27Good morning, ma'am.
01:33:29What's this?
01:33:31Will you take it for her?
01:33:35No, you go.
01:33:41Would you like some coffee?
01:33:43I just made it.
01:33:46Yes, give it to her.
01:33:47Thanks.
01:33:55Can I come in?
01:34:02You look very handsome
01:34:05in this tuxedo.
01:34:08I wear it on special occasions.
01:34:11Is that so?
01:34:13Yes.
01:34:16It's very beautiful.
01:34:21Is this your inspiration?
01:34:24Yes.
01:34:26I see.
01:34:28Just like the inspiration for the Renaissance,
01:34:31Simone de Tavail Pucci.
01:34:33You know who she was, don't you?
01:34:35Yes.
01:34:36If you don't, then who?
01:34:39An artist's life is inspired
01:34:42when it needs it.
01:34:45An inspiration that brings positive energy.
01:34:50It doesn't matter
01:34:52how long it lasts.
01:34:54If it matters, then that's it.
01:34:57It's so nice
01:34:59that she's here, right?
01:35:08In memory of Simone de Tavail Pucci
01:35:38In memory of Simone de Tavail Pucci
01:36:08In memory of Simone de Tavail Pucci
01:36:38In memory of Simone de Tavail Pucci
01:37:08In memory of Simone de Tavail Pucci
01:37:38In memory of Simone de Tavail Pucci
01:38:08In memory of Simone de Tavail Pucci
01:38:32Good morning.
01:38:34Good morning, ma'am.
01:38:39I have to go back.
01:38:43Go back and say hi to Felix.
01:38:46I'll tell him as soon as I get there.
01:39:08Bye.
01:39:21Are you going?
01:39:24Yes.
01:39:38In memory of Simone de Tavail Pucci
01:40:08In memory of Simone de Tavail Pucci
01:40:38In memory of Simone de Tavail Pucci
01:40:54I think you need an umbrella now, Montero.
01:40:57Yes.
01:41:00Did you finish it?
01:41:08Do you still think it was a big mistake
01:41:10to spend the night with me on October 27th?
01:41:12No.
01:41:15I hurt you, so I was wrong.
01:41:17You were hurt because of me,
01:41:19and I feel really bad about it.
01:41:21We all make mistakes.
01:41:23Yes.
01:41:24But to be honest, you're in a lot of trouble.
01:41:28You've lost confidence in yourself.
01:41:32You've already found what you're looking for.
01:41:34You're not weak, you're afraid,
01:41:36but you don't trust yourself.
01:41:38You have the people you love,
01:41:40two lovely sons,
01:41:42one of whom will become president.
01:41:45And now I'm here too.
01:41:48I may be different from the men you loved,
01:41:51but no one can love you as much as I loved you.
01:41:59I like you the way you are.
01:42:06I love you too.
01:42:36I love you too.
01:43:06I love you too.
01:43:36I love you too.
01:43:37I love you too.
01:44:06I love you too.
01:44:07I love you too.
01:44:08I love you too.
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