Sueños de libertad - 103
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00:00I
00:06So loqueras a ver canada me padre si quieres saber la verdad de la contraria
00:15Que pasa que te escuchan de mi madre
00:20Por dios de que tu madre te vea y te toque
00:24I
00:26Me lo ha confirmado luis padre y él se amaba me ha contado toda la historia padre que juego se trae con mi tía
00:35Pero que yo me traiga o me deje de traer no es asunto tuyo no eres quien para meterte en mi vida privada
00:40No, si yo le respeto y mucho por eso quiero advertirle de que está cometiendo una equivocación
00:45Lo mejor es que vuelvas a la cabaña es traumático lo sé
00:48Y si estás decidida yo te acompaño
01:08No
01:10Vivir de otra manera
01:14Donde el alma quiera
01:18El corazón no espera está pidiendo otra oportunidad
01:25Sueños de libertad aunque el pasado duela volver a comenzar
01:31Amar a quien yo quiera
01:34Gritarles mi verdad
01:36Vivir sin miedo y sin mirar atrás
01:48Sueños de libertad
01:56Sueños de libertad
02:08Aquí están sujeta por favor
02:18Y
02:21Gracias
02:24No la recordaba así
02:28Está como la dejamos y tú estuviste sobre todo la parte de arriba
02:35Exposiste mucho ayudándome luz
02:39Nunca te ha dado las gracias si me las diste cuando estabas moribunda
02:45Tuvieras hecho lo mismo por mí
02:47Igualmente podría ser pago muy caro todo esto y no sólo con tu puesto de trabajo
02:53Me alegro mucho de tenerte como mía
02:56Gracias
03:17Y
03:31Si te hago más daño que Begoñano
03:39Puedes hacerlo
03:42Confía en ti
03:44Vámonos, andadme caso
03:46No, no, tranquila, estoy bien
04:04Begoña, tienen que atenderte en un hospital
04:06Estás en peligro de muerte y no lo voy a consentir
04:08Por favor
04:10¿Qué quieres? ¿Que Julia te vea morir?
04:17¿Estás bien?
04:19Noto
04:21Me han atorado las luces
04:23Es como
04:25Se me están limpiendo las manos
04:30Respira, despacio
04:32Me salta el aire
04:34No puedo respirar
04:36Siéntate
04:38No me sueltes
04:40No te asustes
04:42Estoy aquí contigo
04:44Lo que estás teniendo es un ataque de pánico
04:46Lo sé
04:48Respira
04:50Eso es
04:52No te va a pasar nada malo
04:54Te lo prometo
04:56Respira
04:58Respira
05:04Hola
05:06Uy, ¿pero tú que haces aquí?
05:08¿Qué voy a hacer Carme, venía a trabajar
05:10Que ya me encuentro mucho mejor
05:12Bueno, ya me ha contado Fina
05:14Pero como vio la doctora que no estás en la cama
05:16Bueno, ¿que quería que hiciera Carme?
05:18Ya
05:20También me ha dicho que ha venido tu santa madre
05:22Y que ha entrado como un elefante arrasando
05:24This is something else. You finally brought me to the store.
05:28Look, Mom, she's Carmen, my other partner and my friend.
05:32Carmen, what a beautiful name.
05:34If it had always been for my husband, my Claudia would have been called like that.
05:36I've told you many times.
05:38You have to see how well you fit in the uniform.
05:41Thank you very much, Mrs. Ramona.
05:43Oh, the years I've worked in this store.
05:46But before, before I was smaller, you see?
05:48They have thrown a tub and they have already joined the two rooms, right?
05:51And why did you leave it?
05:52Because I got pregnant with my Claudia and I had to be a mother.
05:55Well, now it's your turn.
05:56And how did you come to stop here? Where are you from?
05:58Because anyone can work here, huh?
06:00Here you have to have cash and, above all, be very single.
06:02Well, I'm married.
06:04I'm still here because I love my job.
06:06Oh, are you married?
06:07Yes, with Tassio. He's a factory worker.
06:09Well, you'll leave him when you have a son.
06:23Hello.
06:27What do you want?
06:30Luis.
06:33I come to apologize for being so direct before.
06:36But I think it's time for us to face the truth.
06:42Our father was in love with another man.
06:44Although it's hard for us to accept it.
06:46I know.
06:47It's hard to get the idea.
06:49Not only because of what it was, but because of what that double life could mean.
06:53That's why it was so clear.
06:56I've always had my father idealized.
06:58That's the problem.
07:00You were right.
07:04I believe, Luis, that father and mother got married very young.
07:08And father, well, he didn't know what was happening to him.
07:11And he thought he was in love with his mother, but no.
07:14Although I think he did love her.
07:17But not in the way she needed.
07:21Have you seen what they're doing there?
07:23No, we have to take this off.
07:25It takes away the store's category.
07:27Here we just have to put the perfumes that have more class.
07:32Mom, look.
07:34These chests are the star product.
07:36And Mrs. Marta wants us to have them there.
07:38Those little things. Take them off.
07:40Well, Mom, Mrs. Marta is the owner of the store.
07:43I still don't have the title of best seller of La Reina's perfumery.
07:47A client just came in and you didn't even notice.
07:50I'll take care of it. Do you have any offers?
07:52Romero's perfumes on sale.
07:54You'll have to sell them to him.
07:56Look and learn.
07:58Good morning, ladies.
08:00Welcome to La Reina's perfumery.
08:02What you're going to find here are jewels.
08:04You won't find anything else anywhere else.
08:06I want a soap.
08:08We have a spectacular offer.
08:10You're not from here, are you?
08:12I've seen it, because I recognize people who are not from here.
08:15Do you prefer a perfume?
08:18La Reina's perfumes are wonderful.
08:22No, thank you very much. I was just looking at it.
08:27This is a dead man.
08:29As soon as he talked about perfumes, he left.
08:31What came was to pick up samples.
08:33And the samples are for the clients.
08:35What a beautiful photo.
08:37You take a photo like that and I'm sure you find a husband.
08:40But come on.
08:42It's you.
08:43What a cutie.
08:45Of course, he's already home.
08:47Let's see how you have the warehouse.
08:51I'm really sorry, Carmen.
08:53He just arrived and I want him to leave.
08:55It's normal.
08:57I guess you haven't told him anything.
08:58Are you crazy? How am I going to tell him anything?
09:00Well, your mother will have to tell him at some point.
09:03This is terrible.
09:05We had it much better.
09:07I'm going to fix it.
09:10Yes, at some point I'll just have to say yes.
09:16Do you think your mother knew?
09:18No, no, no, no.
09:19I think she felt something was missing,
09:21but I don't think she imagined that there was someone else.
09:24She wouldn't have told us.
09:26Well, it's time for her to know, right?
09:28She has to know the whole story.
09:30What?
09:31Luis, are you crazy?
09:33What do you mean?
09:34What's the point of knowing that?
09:36So she doesn't feel cheated, Joaquín.
09:38Your mother had the feeling that her marriage wasn't going well.
09:40She has the right to know.
09:41No, please.
09:42You would hurt her irreparably.
09:44No, what has hurt her all this time
09:46is feeling that she didn't feel loved because of her.
09:48Luis.
09:49We can take that weight off her, Joaquín.
09:50No.
09:51Father is the past.
09:53And it can't be changed.
09:54Mother is happy now.
09:56And cheerful and calm.
09:58Why do you want to make her bitter?
10:00It doesn't make any sense.
10:03Do you like to live cheated?
10:05We're not talking about me now.
10:07Answer me.
10:08Would you like not to have found out about Gemma?
10:11Gemma is present.
10:13And father is past.
10:14That's the difference.
10:15I'm free to make a decision.
10:17And mother doesn't gain anything
10:19knowing that her husband cheated on her.
10:21And less the reason.
10:23I'm sorry, but I don't agree.
10:24Everyone has the right to know why and how their life has been.
10:28Listen to me.
10:29Don't even think about telling mother anything.
10:31You would hurt her unnecessarily.
10:33Do you agree?
10:35Luis.
10:37Luis, look at me.
10:40Look at me.
10:43Listen to me.
10:48In Toledo, everything is the same.
10:50Yes, Cristobal.
10:52I'll call you.
10:54I hope it goes well for Brazil.
10:56Thank you.
11:01Were you talking to someone who is in Brazil?
11:05Actually, yes, aunt.
11:07Where are you?
11:09At the moment, I'm just trying to find some information.
11:12Are you looking for Valentín?
11:14Are you doing that?
11:16Listen, aunt.
11:17I don't want you to get your hopes up.
11:19No, no, of course not.
11:22Wait.
11:35And when were you going to tell me?
11:37As soon as it was appropriate.
11:39I haven't got anything yet.
11:40Brazil is a huge country.
11:43And looking for Valentín is like looking for a needle in a haystack.
11:45Yes, I can imagine.
11:47And I didn't want to rush or tell him that I was suffering for nothing.
11:50But I've already found out.
11:52So tell me who he is.
11:53What did he tell you?
11:55He was Cristobal, a friend.
11:56A former comrade of the army.
11:59Of course, he lives in Brazil and knows a lot of important people there.
12:03Well...
12:04He told me that finding someone there in that vast territory is very complicated.
12:07Yes, but he wants to look for them a lot, doesn't he?
12:11Aunt, we have to be realistic.
12:13We don't know the exact date he could arrive.
12:16And we don't know if he could change his name.
12:19Even so, I will do everything I can to find him.
12:25Why are you doing this?
12:27Why now?
12:28Why now?
12:30Since I found out what really happened to Clotilde, I couldn't get it out of my head.
12:35I want to know why Valentín did what he did.
12:37That same question has been torturing me since that fateful day.
12:43You don't know what it's like to live with that anguish all these years.
12:47Nobody wants that.
12:49It's incredible how strong you are, aunt.
12:53Not as strong as you think.
12:55If I do this, it's mostly because of you.
12:58Seeing her suffer for a child...
13:01It's something that breaks my heart.
13:05Look, you even have a canteen.
13:08We were satisfied with having a good time in the courtyard.
13:11Well, the men, of course.
13:13Although from time to time I would hit him with a whip or something.
13:17My mom didn't expect this to be like 20 years ago, did she?
13:2024.
13:21I talked to Isidro about it.
13:23Because you didn't tell me you worked with his daughter.
13:25I was going to know that you knew Isidro, mom.
13:27I know all the old guard here, the good one.
13:30Hi, Claudia. How are you?
13:32Good morning.
13:33Look, she's my mother, the good one.
13:34She came from the village a few days ago.
13:36Nice to meet you, ma'am.
13:37The pleasure is mine.
13:38What? Are you bringing me a glass of wine?
13:40Of course, let's go.
13:41My God, everything has changed a lot.
13:44I'm going to drink.
13:45I'm going to drink.
13:46I don't even know where we're going to stop.
13:48We'll have good wine, okay?
13:50But good wine, okay?
13:51Don't give me anything.
13:53Claudia, you shouldn't have gotten up.
13:55I know.
13:56I know.
13:57But I wanted you to do it.
13:58At least I'm going carefully.
14:00You must be Father Mateo, right?
14:03My daughter tells me a lot about you.
14:05Come on.
14:06Nice to meet you, ma'am.
14:07I'm glad my daughter has a priest as a friend.
14:11Yes, we all need someone to guide us on the right path, father.
14:14Yes.
14:15If you have a moment this afternoon, I would like to confess.
14:17Since I arrived, there has been no end to criticism.
14:19You have released something improper.
14:21Of course, whenever you want.
14:23You haven't noticed, have you, mom?
14:26Well, Claudia.
14:27Did you like the menu I prepared for you?
14:29Well, Gaspar.
14:30It was great.
14:31Thank you very much.
14:32And to you too, Mateo, for bringing it to me.
14:35But are you so sick that you have to take food to bed?
14:38What kind of sick is this, daughter?
14:44Drink this.
14:47Thank you.
14:48It's a valerian therapy.
14:52And I'm sorry I told you to go to the cabin.
14:54Maybe it was too soon.
14:55Luz, please.
14:56I already told you that you did it because you wanted to help me, that's it.
14:59Go to the pantry, you have a lot to do.
15:01No.
15:02I don't want to leave you alone.
15:03I'm fine.
15:04Really, I just need to rest a little.
15:06That's it.
15:07Really?
15:08It's okay if you insist.
15:10The truth is that I still have to fill out some reports and then I make an appointment.
15:16An appointment?
15:18Yes.
15:21With a partner.
15:22A partner?
15:24But...
15:25Why are you so quiet all of a sudden?
15:27He's a classmate from the Faculty of Toledo.
15:29He's here by chance.
15:31Hi.
15:32Hi.
15:33If you feel bad, don't hesitate for a second.
15:35Call me.
15:36Done.
15:38Is there a problem?
15:39I'm leaving.
15:40I'm in a hurry.
15:41Begoña will tell you now.
15:50Are you okay?
15:52Did something happen?
15:53No, no, not at all.
15:54It's just that I went out with Luis and I've started to feel bad all of a sudden, but...
15:57But I'm perfectly fine now.
15:59I see.
16:01Tell me the truth.
16:04We went back to the cabin.
16:10Look, Mom, I have to tell you something.
16:13What's wrong?
16:14Is something worse happening to you?
16:15Tell me what's going on.
16:16You're not going to be a daughter here.
16:18No, I'm not, Mom.
16:20Tell me, tell me.
16:21For God's sake.
16:24Look, it's just that...
16:26The thing is, Mom, it's just that...
16:30Well, what happens is that with the suit in the store,
16:33well, in the end, as I get very tired,
16:35I forget to eat.
16:37So, if I don't eat, I get even more tired, of course.
16:42Well, I see you're fine, daughter.
16:43Apart from paleness.
16:44Come on, until you've gained some weight.
16:46You look a little chubbier.
16:47Get up so I can see you.
16:49I don't have to, Mom.
16:50You don't have to, get up.
16:54Well, I think you've gained some weight, daughter,
16:56but you feel good, huh?
16:57You've always been very tiny.
17:01Here's your mother, in case you need her.
17:04Thank you, Mom.
17:07It's just that I've been having nightmares about what happened there for a while.
17:10I didn't know.
17:11Yeah, I told Luz.
17:12And I think that facing my fears and going back to that place would be a good therapy.
17:17And has it helped you?
17:18No.
17:19No, the truth is that as soon as I've set foot in there
17:21and I've seen the room, the sheets, the remains of what happened there...
17:25No, no, you don't need to explain it to me, Begoña.
17:27If you feel bad, don't worry.
17:29No, no, yes.
17:30It's good for me to talk about it, but...
17:31I don't know, it's given me an attack.
17:33And Luz has had to tend to me.
17:35Well, I'm very sorry.
17:36No, I didn't mean to blame you for anything.
17:39I know, I know.
17:40And if I'm honest with you,
17:41I don't want to go back to the place where I almost lost you forever.
17:45But the important thing is that it's over.
17:48Now you're here and you're fine.
17:49You're safe.
17:53Yes.
17:55Look, it's been good for me to talk about it with you.
17:58Now I feel a little better.
18:00I'm sure these nightmares will pass soon.
18:02Yes, I hope I can close that chapter.
18:05Although...
18:07You know what?
18:09I also feel grateful because I was able to feel very clothed by Luz.
18:13And...
18:14Especially for you.
18:18I'll never leave you alone.
18:22You know that.
18:25I just hope your brother and your father never find that place.
18:30After all, that's where we all escaped from.
18:32And from everything.
18:33Even if it was only for a few days.
18:37Thank you.
18:48Teresa.
18:49Put the paisan in the oven.
18:59Don't tell me you're making the apple cake.
19:02The son of the Soriano has brought me a few.
19:04I wanted to take advantage of them.
19:06But what are you doing? Are you crazy?
19:07But don't you see what this machine cuts?
19:10Do you want to lose your fingers?
19:12Mother, if it's so dangerous, do the usual rods come back?
19:15I like the usual rods more, yes.
19:18I'll have to use this device that Razzara made me, right?
19:22By the way...
19:24Do you know anything about her?
19:26Nothing.
19:28Since she went to San Sebastián, she hasn't written to me or called me.
19:33Have you done it?
19:36The truth is, no.
19:39Well, I did write to her.
19:41She's very well.
19:43Studying a lot.
19:45With the beautiful relationship you had.
19:48And you were determined to continue...
19:51with the one with the doctor, who doesn't take you anywhere.
19:54That's something from the past, and it has to stay there.
19:57Well...
19:59Sometimes it's not easy to leave behind the relationships we ended.
20:03They don't help us know where we are and how we got to that point.
20:07Don't you think?
20:09I don't know where you want to go.
20:11Are you going to tell me that you regret letting Sara go?
20:15No, mother, no. I'm not talking about Sara or Luz.
20:18I'm talking about the family.
20:20About you.
20:24Have you talked to Andrés?
20:26Andrés? No. Why?
20:29No, nothing.
20:31I didn't understand you well.
20:33What are you doing here?
20:35I was looking for you.
20:37Well, talk to me, mother.
20:39What's wrong? Can't I?
20:41Don't argue over coming to see me, please.
20:46I'm going to open.
20:48Don't leave here, neither of you.
20:50And now you tell me about the family.
20:58What were you going to do?
21:00I was talking to mother, nothing else.
21:02Listen to me, Luis.
21:04You're going to hurt her if you tell her a story like that.
21:06And it's a story that has no turning back.
21:08Save her suffering, please.
21:10You'll call it suffering, but for me it's something else.
21:13Look, Luis, you and I would be happier if we hadn't found that correspondence.
21:18The same as if I hadn't received the call from that Ernesto.
21:22Ernesto.
21:25That's Gemma's friend's name.
21:27Friend, he says.
21:30I wish I didn't have to know certain truths sometimes.
21:34Especially if I have no choice.
21:37If I look at Gemma, Luis,
21:40and all I feel is resentment, disappointment, sadness.
21:46I'm unable to have a conversation with her.
21:51To look her in the eyes.
21:54So please,
21:56I ask you, please,
21:58don't tell mother anything about our father's story.
22:01I don't want her to feel the same bitterness I'm feeling.
22:05Joaquín.
22:07Because I would have preferred not to know anything.
22:10It's okay.
22:12Really.
22:13Look at me, look at me.
22:15It's okay.
22:17Don't worry.
22:19Mother won't find out anything about me.
22:23Thank you.
22:26I have to go to work.
22:28Do you want to come with me and we can talk on the way?
22:30No, no, no, don't worry.
22:33I'm going to have a coffee.
22:35Thank you.
22:43Bye.
23:14Jesus, sorry to interrupt you,
23:18but I wanted to introduce you to Isabel,
23:21our new secretary, please.
23:23Good afternoon, Mr. de la Reina.
23:25Nice to meet you.
23:27First of all, I want to thank you for the opportunity you are giving me.
23:31Nice to meet you too, Maribel.
23:33Isabel.
23:34Isabel.
23:36If you need anything, don't hesitate to tell me.
23:39I will start studying your itinerary and relations with suppliers.
23:43Very well, but be careful not to put too much effort
23:46because we don't want you to get tired before you start.
23:49And now, if you don't mind, I have a thousand things to do, Marta.
23:52Of course.
23:53Rest well for tomorrow to face your first day.
23:56Go ahead, thank you.
23:58Have a good afternoon.
23:59Likewise.
24:00Please.
24:03I'll see you tomorrow.
24:05Thank you for everything.
24:06I know the way out.
24:07Don't come with me.
24:08Thank you.
24:14You could have hidden a little more.
24:17What a look you gave her.
24:19Marta,
24:21are you telling me that...
24:24that those straight soles are the best thing you've found?
24:27Isabel
24:28has a spectacular curriculum and the best references.
24:32I don't doubt it, but she should change her dressing style.
24:34She looks like an institute teacher,
24:35and here we are looking to give a good image.
24:38A very comment on your style.
24:40Tomorrow, you'll give her the dressing plan.
24:43A skirt over her knee,
24:45a suggestive lingerie...
24:46Very funny, sister. Very funny.
24:48I think it's ideal for the job.
24:50And I'm sorry, I had other offers and I had to hire her.
24:53I totally disagree.
24:56What I wanted was another Elena.
24:59And you won't have her.
25:01Because what we need is a girl you won't find grace with.
25:04You won't want to take her to bed when you see her.
25:06Marta, what we need is a secretary like God commands.
25:08Kind, pleasant, with a good presence,
25:11and above all, capable of following my orders.
25:14Not the kind of girl who's always on the run.
25:16And what you said is out of place.
25:17Marta, take it away.
25:20I have to remind you that that secretary
25:23is not only going to work for you.
25:25So what we need
25:27is someone who doesn't give in to your personal interests.
25:30We need a secretary who is
25:32smart, resolute, diligent.
25:34And I think I've found her.
25:36Are you done?
25:37Yes.
25:38Well, goodbye.
25:44Get a lot of rest too.
25:46Because tomorrow you're going to have to help Isabel settle in,
25:49solve all her doubts.
25:59The first thing you have to look at
26:01is the appearance.
26:03Because even if the monkey looks like silk,
26:05the monkey stays.
26:06The thief has nowhere to go.
26:08And that shows.
26:09However, you can see the ladies.
26:11Well, Mom, I prefer to trust the clients
26:13and treat them kindly so that they come back another day.
26:15Yes, well, kindness,
26:17everything you want, but with character, with determination.
26:20Let them know that you know what you're talking about.
26:22Those modern things.
26:23That the client is always right.
26:25No, no.
26:26If they come here, it's because you know more than them.
26:28Maybe that theory would have worked 20 years ago, Mom.
26:31But the people who come to the store now are very informed.
26:33Are you going to tell me how things work?
26:35Look, shut up and listen.
26:36If a pregnant woman comes in,
26:38then you make her baby powder.
26:40The talcum powder, the cologne.
26:43Good afternoon.
26:45Good afternoon, Mrs. Marta.
26:47I thought you were still unwilling.
26:49Thank you very much, but I'm much better now.
26:50I'm glad.
26:52And yearnings?
26:54You know there should always be a safe here.
26:56It's our last product.
26:57I see.
26:59Let me tell you, Mrs. Marta,
27:01that you are radiant.
27:03Thank you.
27:05And who are you?
27:07Ramona Romero, Claudia's mother.
27:09We spoke yesterday.
27:10Yes.
27:11Well, it's normal that she doesn't remember me
27:12because many years have passed.
27:13No, excuse me for the confusion.
27:15Yes, when I worked here, she was my daughter's age.
27:18Well, I was giving her some advice.
27:20Well, I had the title of Best Dependent
27:22of the Queen's Perfumery Store
27:24for three consecutive years.
27:25What an honor.
27:27Let me tell you that this is
27:29nailed to her mother.
27:31May God bless you.
27:32Thank you.
27:33What a woman, what a lady.
27:35I'm taking the safe, Danilo.
27:36No, no, please.
27:38Stay here taking care of your mother.
27:39Don't leave her alone.
27:40I'm going to get the safe.
27:42It's a pleasure to see you, Ramona.
27:43As usual.
27:44See you later, Mrs. Marta.
27:48What a presence.
27:50You can tell by the last name.
27:52Mrs. Marta is a very important woman, Mom.
27:54She leads the management of the company
27:55along with her brothers.
27:57And why isn't she at home?
27:59What, she doesn't have a child?
28:01No.
28:02Well, come on.
28:03Since she's not in a hurry,
28:04she'll have lunch.
28:05I'm telling you,
28:06she doesn't have much time.
28:08Well, that's like your partner,
28:09Carmen.
28:10At home again,
28:11wasting time here
28:12when she should be at home
28:13having children.
28:14Well, Mom, what's wrong with you?
28:16What's wrong with you?
28:17This is not extreme fatigue.
28:18I hadn't eaten in a long time.
28:19I'll tell you what's wrong.
28:22What?
28:23I don't know, Mom.
28:24What?
28:25She's up and down all the time.
28:26What's wrong?
28:30I can't take it anymore, Mom.
28:31What?
28:34What are you looking at?
28:36They're...
28:40No.
28:42No, no, no, no.
28:44No, daughter, no.
28:46Oh, the Virgin.
29:00I'm here.
29:04And this little copy?
29:08What are you doing with your shoes full of mud?
29:11Hi, Carmen.
29:12What?
29:13Have you seen your little husband?
29:15He's gone hunting
29:16with the boss himself again.
29:17What do you think?
29:18Well, this time he's gone
29:19just to practice a little.
29:20Don't worry, man.
29:21I understand.
29:22I understand that you have to give the size
29:23in front of Don Damián.
29:25Well,
29:26didn't they come back from hunting yesterday
29:27talking as if they were two little friends?
29:29What did Manolo give you?
29:30The machine one?
29:31The machine one.
29:32Do you want something, Carmen?
29:33No, nothing.
29:34Thank you very much, Gaspar.
29:38Can you explain it to me?
29:40I've already explained it to you, Carmen.
29:41What happens is that you're a distrustful person.
29:42Don't you realize that I wasn't lying to you?
29:44Well, you told me you went with a partner.
29:47What do you mean Don Damián is taking you hunting?
29:49I don't know, woman.
29:51Now that I'm his driver,
29:52I'm getting more confident with him.
29:53And if he's still sick,
29:54who was with him hunting?
29:55I don't know.
29:56Anastasio, don't lie to me anymore.
29:59Where have you been?
30:00Carmen, I'm explaining it to you.
30:01What are you doing with my shotgun?
30:03Well, Don Damián gave it to me.
30:06So Don Damián gives you a shotgun,
30:09he gives you a free afternoon,
30:11and bills.
30:13And all this is hidden from you, woman.
30:16Look, Anastasio, I'm starting to get a little nervous.
30:20Was that money for some job?
30:24Anastasio,
30:25is Don Damián forcing you to do some dirty job?
30:28Carmen, don't talk nonsense.
30:29I'm not going to repeat it to you,
30:30because we're in a public place.
30:33Look,
30:34you were the first one to tell me
30:35that you were going to respect
30:36what he had or didn't have with Don Damián.
30:39And you're not doing it.
30:40Yes.
30:41That's before you know
30:42that what you have with Don Damián
30:43requires a shotgun.
30:44And in return, he gives you bills.
30:46It's one thing to be confident,
30:47and another very different
30:48is that you're involved in illegal issues
30:49that concern me.
30:55Very well.
30:57You're quiet again.
30:59You know what you're doing, Anastasio.
31:02But you don't have to go to jail.
31:05Or worse,
31:07to the cemetery.
31:12Sorry, I was looking at the clock.
31:15Sorry.
31:23Gaspar.
31:26Can you get me something to drink, please?
31:30You're a bit drunk
31:31to be six in the afternoon,
31:32don't you think?
31:33No, no.
31:35It's none of your business.
31:37You're my mother.
31:38You're my mother.
31:39No, I'm not.
31:40I don't drink.
31:41I don't drink.
31:42I think you've had enough, Joaquín.
31:47Is it my fault or not?
31:48Calm down, Joaquín.
31:50Don't make a scene.
31:51Please.
31:53I'm going.
31:54Give me the shotgun.
31:57Thanks.
31:58Don't worry.
31:59Raca.
32:27I'm going.
32:28My father has already had dinner
32:29and gone to bed.
32:32My God, she's so beautiful.
32:34Where are you going all dressed up?
32:35To dinner.
32:37I see.
32:39Well, enjoy the dance.
32:41Thank you.
32:44Bye.
32:46Bye.
32:47Bye.
32:48Bye.
32:49Bye.
32:50Bye.
32:51Bye.
32:52Bye.
32:53Bye.
32:54Bye.
32:55Bye.
33:05Digna.
33:09You're radiant.
33:11Shining.
33:13And you?
33:15You're very handsome.
33:16Well, as always.
33:19Those are...
33:20Yes, the flowers you gave me.
33:23There were so many.
33:24They're beautiful.
33:26Much less than the woman
33:27they were destined for.
33:28Oh, please.
33:29You're going to blush.
33:30What are you saying?
33:31The truth is,
33:32you've always been beautiful,
33:33but lately you've been beautiful.
33:34And you?
33:35Very radiant.
33:36Radiant and grateful.
33:38That you've stayed a few more days
33:39has meant a lot to me.
33:41My sleepless nights
33:42have turned into
33:43wonderful sleep nights.
33:47And now the lady
33:48is going to allow me
33:49to set her up
33:50because we are going to
33:51taste
33:52a magnificent dinner
33:54consisting of
33:55a faixin served
33:56to a hunter.
33:57And I've cooked.
33:58We make a team.
34:00Perfect.
34:06Shall we toast?
34:08To what?
34:10To us.
34:12Of course.
34:18Remind me
34:19why we came here.
34:21So you can give me
34:22my briefcase back
34:23or have you forgotten it?
34:25It's a joke.
34:26But I have to admit
34:27that Peñaranda's breakfast
34:29has left my memory
34:30a bit damaged.
34:31It was good, wasn't it?
34:32Yes.
34:33You have a very good taste
34:34for wines, Doctor.
34:41Well, what are you going to tell me
34:42where you've hidden my briefcase?
34:44I also have
34:45a very good taste
34:46for hiding things.
34:47So it's not even a clue.
34:49If it's cold, hot, something?
34:51It's cold here.
34:53It's cold here.
34:54Okay?
34:55It's cold here.
34:56And here?
34:57It's warm.
35:00It's hot.
35:04What do you see?
35:08Well,
35:10I...
35:12I'm leaving.
35:14Wait.
35:15Another glass?
35:17I have a bottle of wine.
35:19Yes, yes, please.
35:20By the way,
35:21I wanted to thank you
35:22for letting me stay the other day.
35:24To sleep here?
35:25Yes.
35:26I hope I didn't bring you
35:27any trouble with Luis.
35:29Did he tell you anything
35:30when I left?
35:32He obviously thought
35:33that you and I, well...
35:36Well,
35:37and you
35:38got him out of his mistake,
35:39of course.
35:40No.
35:42I don't have to
35:43explain it to him.
35:46I toast to that.
35:48No, no, no.
35:49I toast to that.
35:51Look, I'm perfectly fine today.
35:52I'm not going to...
35:54need to
35:55stay in your bed.
35:57Well, it's because you don't want to.
36:00Are you sure?
36:05Jaime,
36:08I'm very comfortable with you.
36:10It's very easy to talk,
36:12to be.
36:14Besides,
36:15you're the only person
36:16who knows my secrets.
36:18Who else knows about me?
36:21I don't know if that's why, but...
36:40I must confess
36:41that I've been wanting this
36:42for many days.
36:44Me too.
36:47I've been dreaming about life
36:48for months.
36:50Just now.
36:51God, what a paradox.
36:52Now is the time.
36:54Let's not think about tomorrow.
37:03This morning
37:04I told you about my dreams.
37:05But now that I think about it,
37:06you've never told me
37:07about yours.
37:08Oh, my dreams.
37:11Well, I'm sure
37:12you can imagine what they are.
37:14I dream
37:15that these two families
37:16will be reunited again.
37:19That I'll be able to see
37:20and talk to my son, Valentín,
37:21even if it's just for a minute
37:22in what's left of my life.
37:24That dream is very difficult,
37:25I know.
37:27That my two children
37:28get what they're looking for.
37:30That I get a granddaughter
37:31or a grandson.
37:34And I keep dreaming
37:35about something
37:36I've always wanted to do.
37:38Living in Paris.
37:40In Paris?
37:41Yes, really?
37:42Oh, my.
37:43You want to live in Paris?
37:45Yes.
37:46And I was
37:47about to get it.
37:49Gervasio was offered
37:50several jobs there
37:51and they were all very good.
37:53But suddenly you showed up
37:54with the idea
37:55of creating this company
37:57and Paris was blown away.
38:00So I was the one
38:02to frustrate your dream
38:03of going to Paris?
38:04No, don't misinterpret me.
38:06That I haven't lived in Paris
38:07doesn't mean
38:08that I consider
38:09I've had a bad life.
38:10No.
38:11In spite of everything,
38:13of everything,
38:15I think my life
38:16has been a fortunate one.
38:20And I'm very grateful.
38:22You're an admirable,
38:23worthy woman.
38:24And I couldn't help
38:25feeling guilty.
38:27Guilty? Why?
38:29You just said it.
38:31If it weren't for me,
38:33you wouldn't have gone to Paris
38:34to fulfill your dream.
38:36Well,
38:37you don't always get
38:38what you've planned.
38:41I have to give you
38:42the reason for that.
38:44Who was going to tell me
38:45that fate would plan
38:46a moment like this
38:47for us?
38:49And it's not because
38:50I haven't dreamed of it
38:51many times.
38:52Well, let's enjoy it.
39:04Damian,
39:06I have to tell you something.
39:08Tell me.
39:09I stayed here
39:11because my house
39:12was flooded.
39:15But I've followed
39:17you.
39:20Because I also wish
39:23to spend more nights
39:24of insomnia
39:25by your side.
39:39Come on, man.
39:41Come on, man.
39:44Come on, go to bed.
39:46Come on, you'll tell me tomorrow.
39:49Is Julia okay?
39:50Yes, she's very pretty.
39:53Come on, man.
39:55Oh, my God, what happened?
39:57What's wrong?
39:58She's a little...
39:59She has her eye
40:00a little bit up.
40:01Come on.
40:02Don't go to bed, man.
40:03Be careful, please.
40:04I'm fine, come on.
40:05The wallet.
40:06I have the wallet.
40:07You have it.
40:08I'll keep it.
40:09Don't worry.
40:10Do you have a girlfriend?
40:11Do you have a girlfriend?
40:12Put your head down.
40:13Come on.
40:20I'm fine.
40:21I'm fine, I'm fine.
40:22I'm fine.
40:26Thank you.
40:38The monkey will have to sleep here.
40:40Yes.
40:46Thank you very much for bringing her home.
40:48You're welcome, woman.
40:50I was about to call the barracks
40:51because I was so worried.
40:55I didn't expect her to come back to Las Andadas,
40:57to be honest.
40:58No, neither you nor anyone else, Gemma.
41:01I was also convinced
41:02that I wasn't going to take the bottle again.
41:05Oh, my God, what we were missing.
41:07As if we didn't have enough already.
41:10I...
41:11I don't want to meddle in your business,
41:13but...
41:15I couldn't stop talking nonsense about...
41:17about love and...
41:19living cheated and things like that, Gemma.
41:22Well, he's drunk.
41:24You know what's going through his head?
41:26Of course.
41:27I know.
41:29Well, I have to go back to the canteen, Gemma.
41:37Bye.
41:47I can't leave you like this, Gemma.
41:49It doesn't matter, Gaspar.
41:50I'll make you a coffee.
41:51Do you want something?
41:52No, don't worry. Really, really.
41:53Are you sure?
41:54Yes.
41:55Come on, sit down for a moment.
41:56And I...
42:02Really, I'm fine.
42:03Don't worry.
42:04It's just...
42:05It's just...
42:08I'm sorry.
42:09It's just that...
42:10Joaquín and I have been a little distant for a few days.
42:13That's all.
42:14So what?
42:16Marriage problems.
42:18Well, you don't have any experience with that,
42:20but you know it's in the order of the day.
42:22So...
42:24Well, I hope you clear it up soon,
42:26because...
42:28it's very easy to fall back when you have to inherit the bottle and...
42:32I haven't seen Joaquín like this in a long time.
42:35And I haven't seen Joaquín like this in a long time.
42:39That's why I'm asking you, please, not to get in his way.
42:42Joaquín is older, Gemma.
42:44And if he wants to drink, he'll end up drinking.
42:46Better there, I have him under control.
42:49The most important thing here
42:51is that he solves those problems that torment him.
43:01Thank you very much for bringing him home.
43:03Really.
43:04Thank you very much.
43:08I have to go.
43:10Are you okay?
43:11Yes.
43:12Good.
43:13Let's see how the night goes.
43:16Put the ice cream aside, because I'm sure you're going to throw it up to the first pipe.
43:20And...
43:21get ready for tomorrow.
43:24Because the hangover is going to be heavy.
43:34What are you laughing at?
43:36I was remembering...
43:38how we met.
43:42Who was going to tell me that we were going to end up like this?
43:45I would never have imagined it either.
43:47Especially because at first you looked like me.
43:51Like what?
43:52No, no, now finish the sentence and say it.
43:54What?
43:57Well, a stretched out and a straight face.
43:59What?
44:02Well, a stretched out and a know-it-all
44:04who was going to take my job away from me.
44:07Very good.
44:10The truth is that I gave you good reasons.
44:12Although you didn't receive me very well either,
44:14you were a little stubborn.
44:16You weren't used to sharing the office.
44:20No, really.
44:25Another glass?
44:27Yes.
44:28But...
44:29I wouldn't want to abuse your hospitality.
44:32Oh, no, don't worry.
44:33I'll put the wine in your glass.
44:35I keep the good wine for the big occasions.
44:52Are you okay, Jaime?
44:54No, I don't think so.
44:55My head...
44:56It's giving me a hard punch.
45:00My head is going to explode with pain.
45:02Right now I'll bring you an analgesic for the pain.
45:04Thank you.
45:12Is it too much?
45:15No.
45:17My eyes are a little foggy and...
45:21I'm dizzy.
45:22Be careful.
45:23Don't worry.
45:24Don't get upset.
45:29Here.
45:31Thank you.
45:32Slowly and carefully so you don't choke.
45:37Why does this have to happen now?
45:39Right now when we were okay?
45:42Don't worry.
45:43Don't worry about that.
45:45Now rest and relax.
45:47We'll have time to repeat the candle.
45:49Time is just what I don't have, Luz.
45:52Don't worry.
45:53Don't worry.
45:54No, it's not going to happen.
45:57It won't be enough with the pill.
45:59I'm going to need a little morphine.
46:03Are you sure?
46:04Yes, please.
46:05Please.
46:23Don't worry, Jaime.
46:26Now it's going to be okay.
46:28Don't worry.
46:37It's okay.
46:39It's okay.
46:43I can't wait to see our report published.
46:46I think the photos have turned out very nice.
46:49Yes.
46:50Yes.
46:51It wasn't bad.
46:54Is that all you're going to say?
46:57Because I haven't seen you much at work.
47:00I didn't like the attitude of that reporter.
47:02I was looking for a woman's profile,
47:04which obviously isn't me.
47:06I didn't like the questions he asked,
47:08which were very indiscreet and out of place.
47:11Is there anything you liked?
47:16This report is going to be very important for the company.
47:19Yes.
47:20Sometimes you have to make some concessions to get a profit.
47:23Well, it's done.
47:26Yes, it's done.
47:29And the truth is I have to thank you.
47:31Now, after the reprimand?
47:33No, it wasn't a reprimand.
47:35And I'm sorry if it sounded like that.
47:38And why do you want to thank me?
47:40Well, for giving up that congress you had in Madrid.
47:46I know that after what happened to your mother,
47:48it would have been good for you to clear yourself.
47:52But I want to think that the sacrifice you've made
47:55means that little by little we're regaining the bond we had.
48:03Jesus,
48:05I'll go to that congress as soon as I have the opportunity.
48:08And I did what I did today for Julia.
48:10Well, and a little for the one they'll give.
48:13I understand.
48:15Come on, don't give me illusions.
48:16That's what you want to tell me, right?
48:21Jesus, I...
48:23I thank you for the efforts you make to please me.
48:27As if you had let me work at the dispensary again.
48:31I just want to make you happy, honey.
48:33Even if you refuse to accept everything that comes from me.
48:42I love you.
49:13It's a lie that you don't know me.
49:19I'm sorry, I'm sorry, I can't.
49:21I can't.
49:26Forgive me.
49:28Forgive me, honey, but it's just that...
49:33I wish you so much that I couldn't help it.
49:36Forgive me.
49:37Forgive me.
49:40Begoña, if there's something I've learned all this time,
49:43it's to be patient.
49:46You're what I love most in this world.
49:49I don't want you to be afraid of me.
49:52For the love of God,
49:54don't be afraid of me.
50:08Luz, I'm not willing to mortgage anyone's happiness
50:12for this damn disease.
50:14What do you mean?
50:16That I want to free you from what's to come.
50:18Maybe it's nonsense, but maybe not.
50:21Maybe this information will help your friend.
50:24Of course it will.
50:25I'll tell Cristóbal to investigate Sayuel Alto.
50:27Thank you, son.
50:28Thank you for looking for your cousin.
50:30Look, don't you think it's better if he knows?
50:32At first it's going to be hard to fit him in, but...
50:34In the long run, it's much better than living in a lie, Jaime.
50:37Luz, it's an honor to worry about your cousin's happiness.
50:41Right now, I can only ask you to please trust me.
50:44He suffered a panic attack after a traumatic event.
50:47Even the bravest people would have collapsed in your situation.
50:50I want to go back to the cabin.
50:53Look, the first thing I wanted to tell you is that I'm going to take care of the child
50:56and he's not going to need anything at all.
50:58He's going to need a father to start.
51:00It's not a small thing.
51:01I'm back with...
51:04Con ella.
51:07Con ella.