• 3 months ago

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03:20-♪♪
03:31-¡Sientate, por favor!
03:40-¡Adriano!
03:42¡Bienvenido!
03:44-¡Siempre es un gusto tener un nuevo invitado en esta mesa!
03:49-¡Gracias, Don Manuel!
03:51-¡Sí, será un placer que cenes con nosotros!
03:55-¡Para mí también un placer, señor Marqués!
03:57¡Gracias!
03:59¿Vino, señor?
04:00-¡Sí, por favor!
04:02-¡Sí, sí! Ahora le traigo un poco de agua, pero le sirvo el vino.
04:07-¡Sí!
04:09La verdad es que que haya una copa para el vino y otra para el agua me parece un insentido.
04:12Porque lo único que causa son equivocos, ¿verdad?
04:16No es que haya mucho margen de error, precisamente.
04:21Bueno, hacía mucho tiempo que no nos sentábamos todos en torno a la mesa.
04:26Bueno, no estamos todos, Lorenzo.
04:29No sé si te has dado cuenta que no está ni tu hijo Curro ni mi hija Martina.
04:34Y eso de esta cena era para celebrar su regreso.
04:41Supongo que tras un encierro tan largo, Catalina, esto te parecerá una multitud, ¿no?
04:49¿No te parece incómodo tener que alternar con tanta gente a la vez?
04:53Me gusta estar sola, pero sé convivir en sociedad.
04:57No hay nada de malo en querer vivir en soledad, cuñada.
04:59Hay personas que son leales y fieles como los perros y otras que son independientes y ariscas como los gatos.
05:08¿Así me ve usted? ¿Como una gata?
05:11Pues te encaja, Catalina, te encaja.
05:14Los gatos no quieren que nadie se les acerque y mucho menos que les acaricien el lomo.
05:18En cualquier caso, no se crean que he echado de menos estas veladas.
05:21Es mejor el silencio que escuchar determinadas cosas.
05:24Sí, estoy completamente de acuerdo contigo.
05:27A veces en conversaciones aparentemente civilizadas se encuentran actos crueles e injustos.
05:33Me parece que no das puntadas sin hilo y te refieres a algún acto en concreto.
05:38Pues sí. Me estoy refiriendo a la injusticia que se ha cometido con mi prima Martina.
05:43Encerrándola en ese sanatorio, en contra de su voluntad.
05:45¿Qué tiene de injusto tratar de sanar a alguien enfermo?
05:49Mi prima no está enferma.
05:51Me parece a mí que quizá con tus idas y venidas del hangar te has perdido algunas informaciones.
05:57No, no. Tengo toda la información y tengo claro que mi prima es inocente.
06:02Y que nunca acabaría con la vida de nadie.
06:05Esta cena era para celebrar la vuelta de Manuel y de Curro.
06:09Y se está convirtiendo en una conversación llena de reproches cruzados.
06:12Bueno, creo que tu hija tenía bastantes conversaciones acumuladas.
06:18Pues yo quiero proponer un brindis por Manuel y por Curro.
06:23Aunque él no esté por culpa de su indisposición.
06:29Todos estamos encantados con que estéis de vuelta, sanos y salvos.
06:36Por Manuel y por Curro.
06:43Lo siento. No se preocupe, lo recojo yo.
06:47No pasa nada.
06:49Ahora mismo le traigo un juego nuevo de cubiertos.
06:52No será necesario. Con un cuchillo y un tenedor bastará.
06:55Lo digo para facilitarle la tarea.
06:58No creo que tu invitado sepa cómo usar el resto de cubiertos.
07:01Tráele el juego completo, Salvador.
07:05¿El juego completo?
07:07Sí, señor.
07:12¿El juego completo?
07:14Sí, señor.
07:42¿El juego completo?
08:12¿El juego completo?
08:13Sí, señor.
08:14¿El juego completo?
08:15Sí, señor.
08:16¿El juego completo?
08:17Sí, señor.
08:18¿El juego completo?
08:19Sí, señor.
08:20¿El juego completo?
08:21Sí, señor.
08:22¿El juego completo?
08:23Sí, señor.
08:24¿El juego completo?
08:25Sí, señor.
08:26¿El juego completo?
08:27Sí, señor.
08:28¿El juego completo?
08:29Sí, señor.
08:30¿El juego completo?
08:31Sí, señor.
08:32¿El juego completo?
08:33Sí, señor.
08:34¿El juego completo?
08:35Sí, señor.
08:36¿El juego completo?
08:37Sí, señor.
08:38¿El juego completo?
08:39Sí, señor.
08:40¿El juego completo?
08:41Sí, señor.
08:42¿El juego completo?
08:43Sí, señor.
08:44¿El juego completo?
08:45Sí, señor.
08:46¿El juego completo?
08:47Sí, señor.
08:48¿El juego completo?
08:49Sí, señor.
08:50¿El juego completo?
08:51Sí, señor.
08:52¿El juego completo?
08:53Sí, señor.
08:54¿El juego completo?
08:55Sí, señor.
08:56¿El juego completo?
08:57Sí, señor.
08:58¿El juego completo?
08:59Sí, señor.
09:00¿El juego completo?
09:01Sí, señor.
09:02¿El juego completo?
09:03Sí, señor.
09:04¿El juego completo?
09:05Sí, señor.
09:06¿El juego completo?
09:07Sí, señor.
09:08¿El juego completo?
09:09Sí, señor.
09:10¿El juego completo?
09:11Sí, señor.
09:12¿El juego completo?
09:13Sí, señor.
09:14¿El juego completo?
09:15Sí, señor.
09:16¿El juego completo?
09:17Sí, señor.
09:18¿El juego completo?
09:19Sí, señor.
09:20¿El juego completo?
09:21Sí, señor.
09:22¿El juego completo?
09:23Sí, señor.
09:24¿El juego completo?
09:25Sí, señor.
09:26¿El juego completo?
09:27Sí, señor.
09:28¿El juego completo?
09:29Sí, señor.
09:30¿El juego completo?
09:31Sí, señor.
09:32¿El juego completo?
09:33Sí, señor.
09:34¿El juego completo?
09:35Sí, señor.
09:36¿El juego completo?
09:37Sí, señor.
09:38¿El juego completo?
09:39No no no, y si no está planoho la comes para dar mermelada?
09:40Esmmm...
09:41Es que así es imposible hacer un buen producto.
09:42Por mucho que nos esforcemos, mucho menos un producto tan especial como el que ofrecíamos
09:46antes...
09:49Con la elución que le había puesto, la señorita Catalina era empresaria...
09:52Este negocio estaba muy bien pensado y es que, además, te daba muy buenos beneficios.
09:55Por eso os digo que, en lugar de perder el tiempo en lamentaciones, nos pongamos manos
10:00a la obra a laborar las mermenadas que hacíamos antes.
10:05Borrón y Cuenta nueva.
10:06Bueno, cuenta vieja en este caso..
10:08What we have to do is go back to the beginning.
10:10But that's not that easy, Simona.
10:12It's not easy or difficult, Candela. It's all about getting involved.
10:15I'm sure that if we sell the jams,
10:17we'll get the happy 550 pesetas that Virtudes needs in a Santiamén.
10:22And maybe we'll even get more money for the child's accommodation.
10:26One thing is true. Those jams were out of our hands.
10:30Of course they were.
10:31It's a big business. We're going to make that money and more. I'm sure of it.
10:35What do you say, Candelilla?
10:36I'm going to tell you that I'm with you until the end of the world.
10:38And if Lope and Virtudes come,
10:40you'll be happy that we're not going to the end of the world.
10:43The first thing we have to do is, with the money we've raised,
10:45get it to start with all this.
10:47With the first sales, we're going to get plenty of money for Virtudes and her child.
10:50You're all so good.
10:52The jams are good. They're in the right category.
10:55I'm already wishing and begging to get down to work.
10:58Well, before we get down to work, we have to consult with the rest.
11:01Do you agree? We're going to need a lot of help.
11:04We agree, we agree.
11:05What do you think, Mrs. Simona?
11:06But we have to start now because I'm already excited and anxious to start.
11:30Do you personally work the land or supervise the day laborers?
11:36Well, the truth is that I'm not a landowner.
11:40I'm just a simple landlord of Mr. Marqué's land.
11:45And thanks to the landlords, the crops on the farm are sustained.
11:49But the fact is that I don't have a day laborer on my shift.
11:54So, do you take care of everything yourself?
11:57Well, in times of harvest, some man from the village does come to help us.
12:03So that he can harvest, of course.
12:06No, both.
12:12So, you work the land with your own hands?
12:15It's obvious that he works with his own hands.
12:18There's nothing else to do but look at them.
12:23There's nothing wrong with working the land with your own hands.
12:26And earning your daily wage with the sweat on your forehead.
12:29Catalina, don't talk about sweat on the table, I beg you. It's disgusting.
12:34As far as I understand, Catalina is helping you manage your lands.
12:38That's right.
12:40I'm surprised.
12:42I didn't understand that you wanted to put that kind of activity aside.
12:47I try to advise him with my experience.
12:50Congratulations, young man. I congratulate you.
12:52I don't know what kind of spell you have cast on my niece to disobey her will.
12:58Excuse me, spell?
12:59Don't listen to him, Adriano.
13:01Sometimes my uncle uses a bit of a barracks humor.
13:07And a lot of honor.
13:09In the army, you learn to laugh at everything.
13:12Even death.
13:19I guess a slacker like you doesn't have many opportunities to sit at a table like this.
13:24I admit that I've never seen so many glasses and a blanket.
13:28I can tell.
13:30Well, keep this experience in your memory, in case you don't have a chance to repeat it.
13:33Enough!
13:35I'm not saying this in a bad way, Catalina.
13:37I'm sure it's much more comfortable to sit at a more modest table
13:41and not have to be aware of the label and the wardrobe.
13:45It's obvious that your friend is not comfortable with that suit.
13:49No matter how well he feels about it.
13:52No matter how well he feels about it.
13:55By the way, isn't that suit from your old fiancé?
14:04You know it perfectly well, but it's obvious that you had to bring up Pelayo's name at this table, right?
14:09I'm sorry.
14:11I didn't want to bother you.
14:22I'm sorry.
14:35Don't look at me like that, girls.
14:38Mrs. Pia has given us a death threat. What can I say?
14:42I thought Hanna was going to be able to ration her.
14:45Come on!
14:47We would have died for that.
14:48You're exaggerating, María Fernández.
14:51I'm not exaggerating, Mrs. Pia.
14:53Look how you are, still trembling.
14:55Trembling.
14:57Are you sure you feel better?
14:59Yes, I'm much better.
15:01I don't even know what happened to me.
15:03Yes, but it happens to you several times, right?
15:06I'm fine, Hanna. I'm fine.
15:10Tell us the truth, Mrs. Pia.
15:13That lying is useless.
15:14Nothing is useful to me in you.
15:16And besides, I think that being in confinement is doing me harm.
15:21That's fair.
15:23I mean, all the hours we thought I was sleeping, I was actually in a kind of unconsciousness.
15:31There's something about that.
15:33I'm bored, I'm sad, and the tension too, I guess, I don't know.
15:41Maybe something is going on in your body.
15:42Don't scare me, Hanna, please.
15:44I'm not trying to scare you, Mrs. Pia.
15:46But if you told me right away what you feel, maybe I could find out what's going on.
15:49Tell Hanna that you trust her.
15:51But I've already told her, María.
15:53I'm really fine.
15:55It's just that I'm bored, worried, and sad.
16:06And on top of that, I feel like I have less strength every day than the day before.
16:10Because if I had energy, I could move or dance like you.
16:16But just thinking about it exhausts me.
16:23What are you doing, Hanna?
16:25What do you mean, what are you doing?
16:27Continuing with the planned plan, please.
16:29It took us a lot of effort to get here, didn't it?
16:31I think we should start rationing the food, so that when we leave, we have enough.
16:35You're right.
16:37Besides, it's very difficult to get here.
16:39We have to make sure it's okay when we leave.
16:43But wait a minute, when are you going to leave?
16:45Not yet.
16:47But at some point we'll have to go and see if it's safe to get her out of here.
16:51We're just running out of time that Mr. Baeza gave us.
16:55And we should be able to get her out of here.
16:57We're just running out of time that Mr. Baeza gave us.
17:00And we should be able to get her out of here.
17:03So that when we leave, she can last as many days as possible.
17:06Just in case.
17:11She has to be strong.
17:13And for that, she has to eat well.
17:17What's wrong?
17:21Well, I'm shaking.
17:24Just thinking that ...
17:27I'm left alone again.
17:57I'll be right back.
18:14Virtudes, you're still here.
18:17I was finishing filling the bottle of ammonia that had run out.
18:22Is that why you have glassy eyes?
18:25Because of the ammonia?
18:27Yes.
18:30Virtudes, are you okay? Did something happen?
18:33No.
18:35Come on, tell me what's bothering you.
18:38No, it's nothing bad.
18:41Well, it's good that you're hiding it, because your face doesn't look the same.
18:47It's because of my son.
18:50My mother had an idea to get the money and get my son back.
18:56Come on, tell me.
19:00It's about selling jam, like the ones they made for Miss Catalina.
19:05I've tried them, and they're exquisite.
19:07And they're the best of originals.
19:09My mother is convinced that the sale of jam will bring good returns.
19:13And I also believe it.
19:15It seems like an excellent idea.
19:17Well, yes.
19:19Well, then I still don't understand why you're like this.
19:21Why are you like this?
19:23It's pure emotion, Vera.
19:25Even if it's not frequent, she also cries with joy.
19:29And when that happens, it's beautiful.
19:34I had never received the love of so many people.
19:38All of you...
19:41You have been very generous.
19:45You have offered me your help without asking for anything in return.
19:49And what's wrong with helping others?
19:53Nothing.
19:55But one does not get used to being shown so much love.
20:00Calm down.
20:03You...
20:07You have opened your arms to me.
20:11And your hearts.
20:15Come on, give me a hug.
20:18Come on.
20:40Salvador.
20:42Sir, what are you doing here?
20:45Sorry, I didn't mean to scare you.
20:46No, it's just that you arrived so stealthily and stealthily that...
20:50Yes, you're right. But it's because I don't want anyone to discover me.
20:53Salvador, I have to ask you a very important favor.
20:56But you have to refrain from asking any questions about it.
20:59Don't worry. Curiosity kills the cat.
21:02And the street too.
21:04Good.
21:06You see, I've come to you because you're the one I trust the most.
21:10And also because of my cousin Curro.
21:12Curro?
21:13Does Mr. Curro find himself worse than...
21:17No questions, no questions. Sorry.
21:20Salvador, you must say that you are in charge of him.
21:23It must be you and only you who take the food to his room.
21:26And in the morning you will empty his bed and disorganize his room for when the maids come to clean.
21:31Well, I understand that. He is already in charge of doing it himself.
21:34Sorry if it sounds like a question. I'll shut up.
21:38No, I understand your strangeness.
21:41You see, I can only tell you that Curro can't do it.
21:46Because he can't find the promise.
21:49So he's asking me to cover for the absence of the little man.
21:53Indeed.
21:55Salvador must seem to be still here.
21:58No one should notice that he has left.
22:00And where do I say that he has gone?
22:03When someone comes to clean the room or when he has a visit?
22:06In that case, say that he is taking a bath.
22:10Or that he is taking the air, riding a horse.
22:13It is of vital importance.
22:16No one should find out about this, Salvador.
22:19Don't worry, sir. No one will.
22:21Good.
22:25Take it.
22:27No, no, no. Please, no.
22:29Salvador, it is a gratification.
22:31I understand that what I am asking you is out of your attributes,
22:33it is ...
22:35It is not necessary, really, sir.
22:37For me it is already a great honor that you trust me.
22:40Whatever happened to Mr. Curro,
22:43I will follow your orders.
22:45I will leave the bed as if I were still sleeping there
22:48and I will cover you when someone comes to your bedroom.
22:54I want to tell you that what you are doing is for a good cause.
22:57I have no doubt, sir.
22:59You will have your reasons, but I'm sure you will have yours.
23:01You will have your reasons, but I'm sure they are fully justified.
23:06Thank you, Salvador.
23:08I will sleep better tonight.
23:10I am glad to favor your rest.
23:31Good morning, Ricardo.
23:33Good morning, Romulo.
23:35A little more serious than yesterday?
23:37It is always good to consult the problems with the pillow
23:40before making hasty decisions.
23:42Excuse me, I was very angry.
23:44What? A lot?
23:46Didn't you take a shower?
23:48No, I didn't take a shower.
23:50I didn't take a shower.
23:52I didn't take a shower.
23:54I didn't take a shower.
23:56I didn't take a shower.
23:58I didn't take a shower.
23:59What? A lot?
24:01You didn't put foam in your mouth, but almost.
24:03Mrs. Arcos makes me suffer.
24:05She makes the worst of me.
24:07And of everyone. You have to learn not to get out of your box.
24:10Yes, I guess so.
24:12Still, I was very worried yesterday.
24:14Why did you even talk about abandoning the promise?
24:18Well, it's what I really thought.
24:21Well, I hope you have reconsidered.
24:25Don't you realize that if not, she will go with hers?
24:27Well, I guess that's it.
24:29Thank you.
24:31No, don't talk like that.
24:33Don't let Mrs. Arcos push you to throw everything out the window.
24:35I can't with her.
24:37I have served for many years in houses
24:39and I have never come across someone so harmful.
24:41Take it as a challenge.
24:44Ignoring his sarcasm and his ignominy
24:47will not only make you a better mayor,
24:49but also a better person.
24:51Yes, I guess that if you are able to maintain serenity
24:53when that lurking snake is by your side,
24:55you become a little less than an altar saint.
24:58Man, look at me.
25:00I'm about to canonize.
25:04Okay, okay.
25:06I won't go, Romulo.
25:08That's what I wanted to hear.
25:10But still, the injustices annoy me.
25:12I'm still convinced that Petra
25:14is the one who sent the invitation
25:16for Mrs. Margarita's snack.
25:18I can't assure you, but I wouldn't be surprised either.
25:20That woman is capable of that and much more.
25:22But she never does anything
25:23if it's not with a purpose.
25:25What can she gain by acting this way?
25:27I already told you.
25:29Leaving me in the wrong place.
25:31Don't you think it's a little?
25:33That the Duchess of Cardiff has presented herself
25:35to a snack she has not been invited to,
25:37that only shows a fragrant lack of organization.
25:39And who was it for her to send those invitations?
25:41To you.
25:43Ah, well, there you have it.
25:45That woman is willing to sink me.
25:47Yes, and from what I see, she can get it.
25:49Don't let yourself be dragged down by her.
25:51Don't do anything you might regret later.
25:54I finally find you, Mr. Baeza.
25:56How can I help you?
25:58Mrs. Margarita wants to talk to you as soon as possible.
26:00She just finished breakfast
26:02and is waiting for you in the living room.
26:04What do you and I want to talk about?
26:06About the invitations for the blessed snack.
26:08I'm going with you.
26:10Yes, yes, it is also my responsibility.
26:12No, it's better that you don't come
26:14if it's not strictly necessary.
26:16But Romulo, if you don't want to,
26:18you have claimed me alone, then I will go alone.
26:20Besides, don't worry.
26:21I won't bother you.
26:23I'm the boss of the trade.
26:34You could cut the tension with a knife.
26:36Besides, you know how the gentlemen are.
26:38They get naked, but they never lose their shape.
26:41And the food?
26:43Well, delicious, but they almost didn't taste it.
26:45They were too busy throwing reproaches.
26:47But the dinner was for Mr. Manuel.
26:49And Mr. Curro, luckily.
26:51Yes, well, they have been able to return from the war.
26:54But what happened yesterday, that was a war.
26:56A verbal war, yes, without blood.
26:58Which is not little.
27:00But how could everything be so annoying?
27:03Well, it was the presence of a friend of Miss Catalina
27:06that altered everything.
27:08Adriano?
27:10Yes, I know him.
27:12He's a boy, a farm worker.
27:14He's a lazybones.
27:16A lazybones and a scoundrel.
27:18I don't know who comes up with that eccentricity
27:21to invite someone like him to a tag dinner.
27:24But he's Miss Catalina's friend.
27:26That woman has completely lost her mind.
27:29The retreat, instead of making her reconsider,
27:32what it has done has been to save her, even more so.
27:34And I remind you that you are the key master of this house.
27:37And that's not a proper way to talk about Miss Catalina.
27:43It is true that the one who was most noticed lost
27:45was this guy, Adriano.
27:47He didn't know how to use the cutlery,
27:49he didn't know how to distinguish a glass of wine from a glass of water.
27:52Like a little fish out of the water, poor thing.
27:54That's right.
27:56But luckily Miss Catalina was giving him directions
27:58all the time discreetly.
28:00I don't want to give Mrs. Petra the reason,
28:04but with a job, she shares table and butter with the gentlemen.
28:09It's not usually the usual,
28:11but he was Miss Catalina's guest
28:12and also had the benevolence of Mr. Manuel,
28:15who was the honored one, so ...
28:17What a way to ruin a dinner that should have been unique and emotional.
28:22I understand more and more Mrs. Marquesa
28:24when she gets angry with Miss Catalina's behavior.
28:27Everyone has to know what position they occupy in this society.
28:32Don't exaggerate, Mrs. Petra.
28:34I'm not exaggerating a bit, Salvador.
28:36Don't you realize, Miss Catalina,
28:38that with all those libertarian ideas of yours,
28:40you would lose everything you have?
28:42So much suffragette literature has made you ...
28:45lose your mind.
28:47Those books should all be burned in a pyre.
28:50Books should never be burned, Mrs. Arcos.
28:53If Miss Catalina invited that boy to dinner,
28:56she would have her reasons.
28:58I'm with Simona there.
29:00If she considers him her friend,
29:02she must have seen him.
29:04Good members and nobility.
29:06Well, I didn't know him,
29:08I didn't know anything about him,
29:09except that he looked like a glove to her,
29:11and I said, this boy can't be Labriego.
29:13I see.
29:15Frack,
29:17that belonged to Don Pelayo.
29:19By the way,
29:21I was informed that Miss Catalina sent you to look for him.
29:24Yes, that's right.
29:26Mrs. Marquesa made it clear in front of everyone
29:29that the suit belonged to the old fiancé of Miss Catalina.
29:32Did she really say that?
29:34Yes, it was a rather unfortunate comment.
29:36And with bad taste and bad words.
29:37I'm with bad taste,
29:39but we don't walk on thin ice.
29:41How outrageous.
29:43The street judging the hand that feeds them,
29:45and Labriego sitting at the table of the gentlemen
29:47as if he were one more.
29:49If this is not the end of the world,
29:51may God come and see him.
29:57What I don't understand is how such a blatant misleading could have happened.
30:00Couldn't it be a little more specific, ma'am?
30:03Well, I thought it was common knowledge
30:05that the Duchess of Carril appeared unexpectedly
30:07at the party I had organized.
30:09Well, I had no knowledge.
30:11Well, that's how it was, that's how it was.
30:13And I can assure you that she was not on my guest list.
30:15So how could she come?
30:17Well, there lies the mystery.
30:19I'm sure I invited four of my friends.
30:21Imagine that I was stunned
30:23when suddenly I ran into Bruces with the Duchess of Carril
30:25as if out of nowhere.
30:27I understand.
30:29And I also know that he received an invitation from me.
30:31Well, that's weird.
30:33I don't know.
30:35I want to find out who sent that invitation
30:37and why the Duchess of Carril was at your party.
30:39Well, that's what I want to find out.
30:41That it is a matter of extreme seriousness.
30:43It is true that nothing happened this time,
30:45but imagine that someone ungrateful
30:48suddenly shows up to the family.
30:50It is certainly a very serious matter, ma'am.
30:52Unfortunately, I cannot help you clarify it.
30:54I was not in charge of organizing the party
30:57or the invitations directly.
30:59But you are the one who supervises everything,
31:01aren't you?
31:03Yes, but I have delegated certain tasks
31:04to other people
31:06directly related to the palace's management.
31:09I see. I'll take care of it.
31:11Anyway, I would like you to talk to whoever you have to talk to
31:14to solve this enigma.
31:16I will investigate to find out what happened.
31:18And if it was a mistake,
31:20find the person responsible for this negligence.
31:22I will do so, ma'am.
31:24For the moment, I will only apologize
31:26and regret that your little girl got hurt.
31:28Don't worry.
31:30As I said, nothing happened.
31:32But we have to prevent these mistakes
31:34from happening again in the future
31:36with far more serious consequences.
31:38Excuse me, ma'am.
31:40Thank you, Romulo.
32:02Adriano, come in, please.
32:04I came to return the coat you lent me
32:06for last night's dinner.
32:08You didn't have to do it so hastily.
32:11If it were up to me,
32:13I would have returned it to you after the same dinner.
32:15I must admit that Pelayo had an exquisite taste for clothing.
32:20I'm sorry for my stepmother's comments.
32:23They were unfortunate and very unpleasant.
32:27Caterina, you could have told me
32:29that the coat belonged to your ex-fiancé.
32:32You're right.
32:34I'm sorry.
32:36In any case, don't listen to my stepmother
32:38because she only intends to bother me
32:40and she did it through you.
32:42I killed two birds with one stone.
32:44I've never had a bad drink like this before.
32:47I apologize.
32:49I didn't want to put you in such an uncomfortable situation
32:52and I didn't want you to feel bad.
32:54I don't understand. What did you want?
32:56Nothing.
32:58If I lent you that coat,
33:00it was because I didn't have another one of your size.
33:02In that case, you see,
33:04I wanted you to be elegant.
33:06I mean, those scenes have a label.
33:10Well, I would have preferred not to attend those scenes.
33:16Forgive me, Adriano.
33:19Don't be mad at me, please.
33:23I didn't do it with bad intentions.
33:26For me, what we have is special.
33:31Catalina, I'm in love with you.
33:34I already told you.
33:37But I don't want to become your toy.
33:40I understand that you have enough reason to be at war with your stepmother,
33:44but I don't want you to use me against her.
33:48I'm not a pill.
34:04I love you.
34:18Don't worry.
34:20I just came to leave these clean.
34:23I'll leave you alone in your office right away.
34:27Now that we are alone,
34:29we have the opportunity to clarify things.
34:34Do you know exactly what needs to be clarified?
34:36Let's leave a conversation in the middle.
34:39Well, since you are not more specific,
34:42what do you want to talk about?
34:44About what happened between us.
34:46No.
34:48Something happened to you.
34:49It is evident.
34:50But I think there was a confusion
34:52and unfortunately you misinterpreted things.
34:55Do you think those two kisses are unfortunate?
34:58They were involuntary on my part.
35:00You took the initiative and not the other way around, as you said.
35:01Of course.
35:02Poor thing.
35:03You couldn't keep your lips sealed.
35:04You felt forced.
35:05Isn't that it?
35:06My intention was not to kiss you.
35:08Well, you did it.
35:10Because you didn't let me escape.
35:11How many times do I have to repeat it?
35:13No matter how many times you do it, you won't get it to be true.
35:15Enough, Maria Antonia.
35:17Don't blame me.
35:18Of course.
35:19Now you are a poor victim, aren't you?
35:21A happily married man who has suffered the attack of a harpy.
35:24Don't say things I haven't said.
35:27I'm not stupid, Alonso.
35:28Your strategy is stupid with all that sudden passion
35:31that has awakened in you towards Cruz.
35:33My relationship with my wife is not your fault.
35:36It is.
35:37When what you do with her is to make me jealous.
35:39Please, what are you saying?
35:41Or maybe your reasons are even more twisted.
35:45Maybe those unfortunate kisses we gave each other
35:47set you on fire and you had to crush your passion for someone.
35:50You're delirious.
35:52How can you distort things like that?
35:55If someone is hiding, manipulating, it's you.
35:58Because if you didn't have anything to hide,
36:00you would have already told your wife
36:02so as not to give way to misunderstandings.
36:04I don't want to put Cruz against his best friend.
36:06Of course, that's why you want me to leave, right?
36:08To separate from her and not talk to her.
36:12I don't think you care that she knows what happened.
36:16So let's leave it be.
36:18Because it is clear that we are not going anywhere.
36:28I'm sorry.
36:39I have met you again and I have also summoned you
36:42to discuss the matter of the mysterious invitation
36:45to the dinner organized by Mrs. Margarita.
36:48An unforgivable negligence.
36:50Let me lead this conversation, Mr. Arcos.
36:54Mrs. Margarita insisted this morning
36:57that she wants to get to the bottom of the matter.
36:59And I agree.
37:01And me.
37:03And I urge you to be satisfied
37:05to see if we can find something on this matter.
37:07I am responsible for the entire service
37:10and I have to be aware of any irregularities
37:14to avoid the complaints of the gentlemen.
37:17I already made it very clear to you that I did not make any mistakes.
37:20I only included Vera in the service of the snack
37:23and to supervise that what was served was appropriate.
37:26And nothing else.
37:28The invitations were things of Mr. Pellicer.
37:30Which is great for you to get rid of all suspicion.
37:35And I also limited myself only to fulfill my functions.
37:39Well, of course he didn't do it right.
37:42Don't interrupt, Mr. Arcos.
37:44We have all been very clear about your opinion.
37:47In case there was any doubt, Mr. Baeta.
37:50Can we do a reconstruction of the facts, please?
37:54I think Mr. Pellicer should start.
37:56Since he was in charge of notifying the guests.
38:00Yes, it is true, yes.
38:02But that task was taken care of by Santos.
38:04I was overloaded and he offered to help me.
38:07On top of the fact that he is in charge,
38:09I am accused of the entanglement that was formed with the snack.
38:12You have no shame, Mr. Pellicer.
38:15Mrs. Arcos, let's talk.
38:20That's right.
38:22My father was overwhelmed and the snack had to be prepared from one day to the next.
38:26So we both agreed that it was best for me to write and send those invitations.
38:31I know.
38:33What I am very clear about is that there were five names on that list and not four.
38:37As Mrs. Margarita assures,
38:39I simply limited myself to writing the name on each letter and nothing else.
38:43Well, it's your word against a lady's.
38:46It is more than obvious the one that would weigh more on a scale.
38:49Having more weight does not mean that you are right.
38:52We all know that Mrs. Margarita has her head elsewhere
38:56since her daughter was admitted to the sanatorium.
38:58Well, the only proof that could get us out of doubt is having that paper with the list.
39:04Impossible. The paper was thrown in the trash and it is more than lost.
39:07Anyway,
39:09what sense would it make for Santos to lie about this matter?
39:13Why would he include another name?
39:14Well, look at you.
39:16That's where I agree.
39:18The boy has no reason to do such stupidity.
39:23But that does not mean that you gave him a task on his shoulders that did not correspond to him.
39:27Mrs. Arcos,
39:29I have already told you that we know what your opinion is.
39:33Well, let's see if we start acting accordingly.
39:37You have seen that we are not going to find out the truth of what happened.
39:40I will take care of managing this matter with Mrs. Margarita in the best possible way.
39:46And what are you going to tell her?
39:48Chayega Serviz.
39:50And assume the error, promising her that nothing like this will happen again.
39:54But that is to assume that yes, a mistake has been made.
39:57Well, the best thing to do is to assume the blame and settle the matter as soon as possible.
40:01In addition, if Mrs. Margarita claims that she put four names, there is no way to convince her otherwise.
40:06I see.
40:08Leave the matter in my hands.
40:10Please, I ask you to be more careful in the future.
40:13We will do so.
40:15I'll do it.
40:37Thank you.
41:07Where are you, Gana?
41:17Where are you?
41:37He's waiting for me, he's killing me.
41:41It's lunchtime, sir.
41:44I'll be right down.
42:07I mean, go back to the original jams.
42:34The new and different flavors?
42:35That's it.
42:37And with that jam mix, sell them.
42:40And the profits, allocate them to the fund to recover Adolfito.
42:43And give him a home while Virtudes finds another job.
42:46I'm so excited that you do that for me.
42:49Virtudes, we do it for you, for Mrs. Simone and for everyone.
42:52That's it. Here we don't know what to do with our arms crossed when one has a problem.
42:55That's right.
42:57I'm looking forward to making the jams, but first I need the sugar and the fruit.
43:02Well, we can buy it with the initial collection.
43:05That's what we thought.
43:07Besides, I'm convinced that we'll get the money back in one sitting.
43:10Of course. You can count on my help, in case you have any doubts.
43:14We don't have any.
43:16Thank you.
43:18Don't thank me, Virtudes.
43:20Whatever it takes to help you bring your creature back, you're welcome.
43:24And count on me too.
43:26If I don't have to make the jams, of course.
43:29I'll take care of that.
43:31We'll find you a job so you can lift your shoulder.
43:35Will you be able to count on the help of the women of the village?
43:39I wish we could.
43:41But they are under the yoke of Captain de la Mata and his business.
43:44And you?
43:46And we have not supervised the jams for a long time.
43:49So we have time.
43:51And I've heard that the captain pays a lot.
43:53Yes, that's right.
43:55It's a shame not to have money to pay those women as they deserve and God commands.
43:59Let's see if all this is going to be a conflict with Don Lorenzo.
44:04For nothing in the world would he want to go against you.
44:08Virtudes, it's a risk.
44:10After all, we are going to compete with him in the sale of jams.
44:14That's why we have to be discreet and prevent this from progressing.
44:17In any case, I also tell you, no matter how much we sell jams,
44:21ours is a totally different product.
44:23That's right.
44:25Theirs are intended to sell to the Spanish army.
44:27And ours, we are looking for something more humble, something on a small scale.
44:30And you think that will stop him?
44:33You know how gentlemen are.
44:35Envious and arrogant.
44:37Virtudes, it's not going to be any fun for him that we set up our own business.
44:41Especially because we are vulgar members of the service.
44:44We are inferior beings.
44:46But it is a risk that we have to take.
44:49I am willing to take it.
44:51But you have to make it clear to everyone who enters the company,
44:56everything that is played.
44:58It's just that I don't want anyone to play it for me, Salvador.
45:02Please leave all this jam business.
45:07It seems pointless to me and I don't want anyone to do anything.
45:28A month later.
45:41Good afternoon.
45:43Good afternoon.
45:45How lonely and thoughtful, isn't it?
45:47Me?
45:49Yes. You haven't even understood the point.
45:52Yes, you're right.
45:54And that's one of the best I've found.
45:57What's got you so drunk?
46:00Well, the truth is that right now I was thinking about Maria Antonia.
46:04Yes, I was thinking if the time had come for her to continue her life outside the promise.
46:09But what about that, Alonso?
46:11I may have rushed a few weeks ago.
46:13But now that Manuel and Curro have returned, I think their stay here is too much.
46:17I'm sorry, but I still don't understand why you insist that my friend leave.
46:22She has done so much for us.
46:24We are all more encouraged.
46:26And she has behaved brilliantly.
46:28So?
46:30Why? Does it bother you so much?
46:32No, it doesn't bother me.
46:34On the contrary, she is a very nice woman and a great talker.
46:38And a loyal friend.
46:40Yes.
46:42She has been by your side in these difficult times, with Manuel at her side, fighting for her life.
46:48I understand less and less.
46:50Cruz, I think she deserves to be set free.
46:52And to continue her life outside of here.
46:55Alonso, she herself told us that she has no commitment outside the promise.
46:59And you know as well as I do that she needs me too.
47:04Yes.
47:06But I'm afraid that now that we are all in the palace, she has the feeling that we are putting her aside.
47:12It is a matter of time before she feels out of place.
47:15And I don't want that to happen.
47:17After everything she has done for us, I would not like things to end badly.
47:23Cruz, everything has a beginning and an end.
47:27And prolonging things more than is convenient always brings problems.
47:33Why don't you talk to her and explain it to her?
47:36I'm sure you have more tact than I do.
47:40Okay.
47:42Okay.
47:52Hello.
48:15Hello.
48:18How are you?
48:19How are you?
48:21I'm fine.
48:23Why do you ask that question?
48:25It seemed to me that you were a little upset when you stopped serving the snack that Mrs. Margarita had prepared for her friends.
48:39Vera, you can trust me.
48:41I know something is happening to you.
48:43We may not be dating anymore, but I know you very well.
48:49One of Mrs. Margarita's guests was my mother, the Duchess of Carré.
48:55I was stunned when I met her face to face.
49:00I guess so.
49:02I had no idea she was Mrs. Margarita's friend.
49:08And how did your mother react when she saw you?
49:11Well, she was just as surprised as I was. Even more.
49:14Imagine if your daughter had disappeared after so long, and on top of that, dressed as a maid.
49:19That must have been what shocked her the most.
49:23My mother couldn't get out of her amazement when she saw that she was part of the service of the Marquis.
49:29But Mrs. Cruz has less rank than she herself.
49:33Now I understand your disembodied face.
49:38I still can't get over that impression.
49:40It's not for less.
49:44And what are you going to do?
49:47Well, now that my family has located me, I'm in a bit of a complicated situation.
49:53Maybe your mother is understanding with you.
49:57No.
49:59The meeting was a bit violent. She even slapped me.
50:04Really?
50:07I didn't know it was that bad.
50:10I'm sorry.
50:13Good manners are always so rooted in my family.
50:21If you need anything, I'm at your disposal.
50:29Pera, you can trust me. Really.
50:32I know I've been very bad to you, but I promised to keep your secret.
50:37And I haven't revealed it to anyone.
50:39All I want is to support you, unconditionally.
50:44Thank you, but there's nothing you can do.
50:49Santos, I prefer to be honest with you.
50:51I'm in love with Adelope and this won't change my feelings.
50:57I know.
51:00I'm sorry it's a bit sudden, but I don't want you to get your hopes up.
51:05I understand. Don't worry.
51:08Bye.
51:23An invisible airplane?
51:25Yes.
51:27The fabric of these planes has been replaced with a transparent material, almost invisible.
51:32A mixture of cellulose and acetic acid.
51:34But isn't it a very fragile material?
51:36No, on the contrary.
51:38It has the resistance of an elastic band.
51:40It's very foldable and can't be burned.
51:43And this plane has been tested?
51:45Or is it just a project?
51:47Two years ago, the first tests were carried out.
51:50In the summer of 1913.
51:52Sister, at a height of 1,000 meters, an airplane with this material is invisible.
51:57Don't you think it's incredible?
51:59A lot. If you don't tell me, I won't give credit.
52:02But does this have to do with the prototype you're working on?
52:06No.
52:08No, mine has more to do with the aerodynamic design of a new aircraft.
52:12That's why I'm studying the new models in depth, to be able to improve them.
52:17I'd love to see it when you have it more or less, Pergeña.
52:22I will.
52:26Thank you for the visit.
52:28In addition to being pleasant, you have been very instructive.
52:31I know I get very heavy when I talk about planes, sister.
52:34Not at all.
52:36I love to see the passion with which you speak of me.
52:41It was from you that I got the passion to do things.
52:48And I'm sorry I gave you up.
52:53I don't think you've come to talk to me about the advances in aviation.
52:56I know.
52:58I know, last night's dinner was a complete disaster.
53:05I wouldn't be the one to take away your reason.
53:08Even if it was worse, it was your guest.
53:12It was my fault.
53:14I shouldn't have invited Adriano.
53:16I put him in a very violent situation.
53:19Didn't you suspect that my mother would explode when she saw you?
53:22No.
53:23Maybe.
53:25But I didn't think it would be that bad.
53:28I thought she would coerce herself in front of everyone.
53:31I don't know.
53:33I was naive.
53:38You see, something tells me that
53:42if you insisted on taking Adriano to that family dinner, it was...
53:48because you wanted to.
53:49I was wrong.
53:56Okay, I'll tell you another way.
54:01It's Adriano, your boyfriend.
54:07Well, I praise the effort you put into this.
54:10I'm sorry.
54:12I'm sorry.
54:15I'm sorry.
54:17I'm sorry.
54:19I'm sorry for that boy's effort to try to behave at the table.
54:22An effort that turned out to be impromptu.
54:25You can't learn good manners in two minutes.
54:27That boy would have needed a century to learn to behave.
54:31Nobody is born a teacher.
54:33But there are people who learn faster than others.
54:36And we already know what kind of person Adriano was.
54:40Yes, the kind of person who shouldn't sit at our table.
54:43Although Catalina seems not to understand something so simple.
54:46She has always gotten along with the workers.
54:49She's not a bad person.
54:51Well, yes, she is.
54:53We each have our place, Alonso.
54:55If she wants to get along with those people, I think it's very good.
54:57But she shouldn't force us.
54:59It's a very bad taste.
55:01She has a good relationship with him and she wanted us to meet him, nothing more.
55:04Despite everything, for me, the party turned out to be the most entertaining.
55:08Well, I prefer to go to the circus for that.
55:11I don't want the circus to come to my house.
55:13It will take me centuries to recover from such a mess.
55:16I'll take it.
55:18I'm waiting for a friend's call.
55:25Yes.
55:29So?
55:32Good.
55:34I understand.
55:36Good afternoon.
55:46It was from Martina's sanatorium.
55:49What happened?
55:52Bad news.
55:55What bad news?
55:56What bad news?
55:58What bad news?
56:26We must give part to the Civil Guard.
56:28And give it.
56:30But what insistence with the Civil Guard?
56:32Can you think of a better way to face the situation?
56:34I still think that Mrs. Arcos is behind all this in one way or another.
56:38Yes, it is possible, but as long as we have no evidence, everything has to stay that way.
56:42That list with the names of the guests is the answer to everything.
56:46So you'll have to find it.
56:48How?
56:50It ran out in the trash.
56:52Well, we'll have to look elsewhere.
56:54It couldn't have been a simple misunderstanding.
56:56I don't want to go to bed yet.
56:58Lately, it's been a bit difficult for me to conciliate sleep.
57:01From your indisposition at Mrs. Margarita's snack?
57:05Has something happened at that snack?
57:08I met my mother.
57:10And Curro doesn't know anything either?
57:12What does Curro have to do with all this?
57:14It's obvious, isn't it?
57:16Curro was perhaps the person who had a closer relationship with Martina before going to war.
57:21And I haven't seen him since his welcome dinner.
57:24To which, by the way, he did not attend.
57:27He is very clear that he loves me.
57:30Has he told you?
57:32Yes, a beautiful statement.
57:35And I just have to spoil everything.
57:37I invited him because he's my friend.
57:39I know, daughter.
57:41What I don't know is if there was any other intention on your part.
57:45Like what?
57:47You wanted to bother Cruz.
57:48The time has come for us to talk.
57:51And that's not exactly what we're doing.
57:54Your generosity to me has been infinite.
57:57You abandoned all your obligations to take care of my help when I needed you.
58:02And that's an effort that I can't keep asking you anymore.
58:09Are you throwing me out of the promise?
58:11I want you to tell me where Curro is.
58:13Come on, Ignacio.
58:15That boy is just sick.
58:16And you shouldn't bother him.
58:18Curro is not here and you know it as well as I do.

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