Category
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Short filmTranscript
00:00♪♪♪
00:30I don't want to know what you know.
00:32I don't know anything.
00:33Nothing? If you start working for me, I'll destroy you.
00:36Is that clear?
00:37What's the matter with you? Stop making me angry.
00:40Come on, admit what I promised you.
00:42I know, I know.
00:45I told you I'd take you to Belgrade, didn't I?
00:49Why don't you all come with me?
00:53You'll see how you'll deal with your things.
00:55I'm in love, you know?
00:57You know?
01:00I'm in love.
01:05Ido, thank you for the offer.
01:09Top.
01:10But I have to go.
01:12You know, Belgrade isn't far away.
01:14I'm here.
01:15So, it's okay.
01:16Sit here.
01:17You're not going anywhere.
01:19I told you so many times to let you drive,
01:21but you don't come,
01:22since you're staying in Đajđe.
01:24Okay.
01:25Okay, come on.
01:26That's right.
01:27What can I tell you?
01:28You won.
01:29I'm staying.
01:30I'm staying.
01:31That's right, bro.
01:32That's right.
01:33Now, if I may,
01:34tell me the number of the room.
01:36You can't come with me,
01:37you can't explain anything to me,
01:38just tell me the number,
01:39and I'll go to the room.
01:40That's it.
01:41There's no number, Trivanović.
01:43There are no vacant rooms.
01:45It's the season.
01:46I'm sorry.
01:48What do you mean, there are no rooms?
01:50Where am I going to sleep?
01:51Do you think I'm going to sleep outside?
01:53Come on, please.
01:54You're going to sleep outside.
01:55What kind of man would I be
01:56to let my wife sleep outside?
01:58Come on.
01:59Come on, Mido,
02:00every time I hear you,
02:01what do you think of me?
02:03Okay,
02:04what did you think,
02:05where am I going to sleep?
02:06Look,
02:07since I still have to keep an eye on you,
02:09you're going to sleep with me.
02:11With you?
02:12With me.
02:13Where, with you?
02:14In the room?
02:15Come on, Farid,
02:16we're going to sleep together,
02:17what's wrong with you?
02:19Wait, Mido,
02:20you don't know,
02:21I have a disease.
02:23What?
02:24I snore very,
02:25very,
02:26very loudly.
02:27What?
02:28Come on.
02:29Look, Trivanović,
02:31I also sleep very,
02:32very,
02:33very,
02:34loudly
02:35at home.
02:48I don't know what you're talking about.
02:51We're talking about Luka Kanačko.
02:53I heard you were together.
02:56And what bothers you,
02:57the fact that we had something,
02:59or the fact that I didn't tell you
03:01when we saw each other in Milan,
03:02and you, my poor doll,
03:03how you fell in love?
03:06It only bothers me
03:07because
03:08your relationship with him
03:09will cost me.
03:12Well, dear,
03:13I'm sorry you're married.
03:15You don't have to be sorry for me,
03:17but I want you to withdraw
03:19the decision
03:20to raise the purchase price.
03:22You're on your own.
03:24I don't get it.
03:26Well, nothing,
03:27then you'll have to
03:28take care of me.
03:30You see,
03:31some things have changed.
03:33I'm not the kid
03:34you met anymore.
03:36Is that so?
03:37Interesting.
03:38What have you grown into?
03:41Into a very influential
03:42businesswoman
03:43who can ruin your end
03:45with one call.
03:47If I withdraw the deal,
03:49you won't be able to go out,
03:50not to this one,
03:51but to any space
03:52here in Milan.
03:53Why are you threatening me?
03:55Well,
03:56do whatever you want.
03:58You're very brave, Laura.
04:00Take care.
04:01And one more thing,
04:03stay away from Luka.
04:05Why did you come back to Belgrade?
04:24What am I going to do here?
04:26I feel like I'm a burden to you.
04:29You know it's not like that.
04:31I don't know.
04:32I don't know it's not like that,
04:33because you spend
04:34your days talking about Laura,
04:36Paolo, Luka,
04:37and not just the two of us.
04:39Well, I'm sorry.
04:40I mean, you know
04:41that I'm afraid
04:42that the project
04:43won't succeed
04:44and all this with Luka
04:45and what happened
04:46with his affairs.
04:47You see,
04:48you and I are good.
04:49You and I are good?
04:50Yes.
04:51Aleksa,
04:52I'm trying.
04:53You're getting crazy
04:54about that topic,
04:55as if the difficulty
04:56will evaporate
04:57if I don't mention it.
04:58No, no,
04:59that's not quite true.
05:00It's just that
05:01we can both agree
05:02that this is
05:03all unexpected
05:04and unplanned,
05:05but far from
05:06not happening to me.
05:08Is that clear to you?
05:09I don't know.
05:10I don't know if it's clear to me,
05:12because you don't act like that.
05:16I mean,
05:17you can't even imagine
05:19how I felt.
05:22Admit that I was a little
05:24soulless,
05:27but I just want to see
05:29what we're going to do.
05:32Can we?
05:35But together,
05:37let's think about
05:38what we're going to do.
05:39Okay?
05:41Aleksa, come on.
05:43Can we?
05:45Okay.
06:02I don't know how you think
06:03about professionals.
06:04I don't understand.
06:05About team building
06:06in Cannes Capital.
06:07Aha, so I did understand
06:08well,
06:09I'm just checking.
06:10And what do you say?
06:11I say
06:12that it doesn't matter.
06:13But why?
06:14It would be great.
06:15I'm not an HR.
06:16I don't know,
06:17find someone
06:18who does training
06:19for companies,
06:20not some life coach,
06:21anyone but me.
06:22I'm begging you, Milena.
06:25What do I have to do with it?
06:27You have a chance
06:28to help your friend,
06:30which is what I do.
06:32Of course,
06:33but this time
06:36you could get to know
06:38the kingdom of Andrija Bošnjak.
06:40Yes, that's what I was thinking about,
06:42Bobo.
06:43Okay, jokes aside,
06:44you could evaluate
06:45all those women
06:46around him
06:47and then give me some advice.
06:48What kind of advice do you need?
06:50Except to protect yourself.
06:52How can I stand up
06:53to them?
06:55Look, Bobo,
06:56you're shit at evaluating.
06:57Come on, seriously,
06:58I don't think
06:59that's a good idea.
07:01Please,
07:02try it.
07:03If it doesn't work,
07:04it doesn't work.
07:07Okay,
07:08but I can spend
07:09only two hours
07:10of my life
07:11on women,
07:12not a minute more.
07:14You won't regret it,
07:15believe me.
07:18I'm so tired.
07:19Thank you.
07:20Cheers.
07:29Mido,
07:30if you already
07:31accepted me
07:32as your son-in-law...
07:33Take it easy, Trivanović,
07:34take it easy.
07:35Accepting is a process.
07:36Okay,
07:37a process.
07:38If that process
07:39started,
07:40if we look at it
07:41in reality,
07:42it's somewhere
07:43at the beginning,
07:44right?
07:45Why wouldn't I
07:46accept you
07:47as my son-in-law?
07:48Because
07:49you're not
07:50my son-in-law.
07:51You're not
07:52my son-in-law.
07:53You're not
07:54my son-in-law.
07:55You're not
07:56my son-in-law.
07:57You're not
07:58my son-in-law.
07:59I really wouldn't
08:00sleep with Ljubinka
08:01in her room then.
08:02Where would you sleep?
08:03I mean,
08:04she has a big bed,
08:05wide, nice,
08:06so she can...
08:07Slowly,
08:08slowly, Trivanović,
08:09we're not
08:10yet in that phase.
08:11Ah,
08:12we are not?
08:13No,
08:14no.
08:15When we'll be in...
08:16We're not even close.
08:17Not even close.
08:18Are you crazy?
08:19No,
08:20no,
08:21I'm a little tired.
08:22Tired?
08:23Okay,
08:24I'll take you
08:25to rest now.
08:26Okay,
08:27Is there any way we can speed up the process a bit?
08:31Hey, look, if you're not naked, then you're stupid!
08:35What's wrong with you?
08:36You can only sleep in the room next to Ljubinka when you're registered.
08:41What? When I'm what?
08:42When you're registered, Trivanović, when you're registered.
08:45Do you understand? Fingers crossed.
08:47Come on, get in now.
08:48No, no, wait, wait.
08:49What is it?
08:50It's stupid, I mean, you and I, look at us, we're such losers.
08:54What?
08:55In the same bed.
08:56Come on, stop it.
08:57What's wrong with me?
08:59We sleep next to each other.
09:01Or, head up, legs down.
09:05Whatever suits you.
09:06Then your legs will stink.
09:08No, they don't stink.
09:09No?
09:11They stink right now, look.
09:13Well, my neighbor can't move.
09:16We're not going to the middle.
09:17No.
09:18Did you serve in the army?
09:19You didn't serve?
09:20Of course I didn't.
09:21What do you care? I'm a panda, man.
09:23Well, then you'll have a quick break in Trivanović.
09:26It's better for you to have a quick break in me,
09:28than in the whole army.
09:30A quick break.
09:31A quick break, a quick break.
09:32Now we'll see.
09:33Come on, Tix.
09:34Come on, Tix, let's go.
09:35Come on, stand behind me.
09:36Come on, stand still.
09:37Come on, like a soldier.
09:38Come on, behind me, left.
09:39Left!
09:40Left!
09:41Right!
09:42Come on, Trivanović, like a soldier.
09:44Left!
09:53When you're ready to talk, I'm listening.
10:08I had a tough meeting.
10:15That Milena looks like she's pushing you over the line.
10:22I guess she has to.
10:26I hope you know what you're doing.
10:36If you want, and if you can,
10:41can you tell me what was so scary in Senes?
10:49We were talking about you and me.
10:56I hope there's nothing scary about us.
10:59No, no.
11:02On the contrary.
11:04She was pretty supportive of us.
11:07She even said we were like a family.
11:11That's wonderful.
11:13Why are you crying then?
11:19We were talking about how I betrayed Luka,
11:23and he pushed you over the line.
11:25Easy, easy, easy.
11:28Wait, how did one of those wonderful statements
11:32turn into the hell we went through?
11:38I feel guilty,
11:40that I moved here when Luka was at his worst.
11:43But that's how we decided,
11:45that's how we said it would be best.
11:47We were only thinking about us.
11:49That's selfish.
11:51Poor Luka.
11:54Poor Luka?
11:56Poor Luka?
11:59Come on, please, remember what he did to you.
12:03I should have thought it over a bit more.
12:05You were very thoughtful.
12:08You were very brave.
12:10You didn't betray him,
12:12and you're aware of that, right?
12:15And you?
12:16What about me?
12:20Are you aware that you pushed Jovan away because of me?
12:25I'd push him away again.
12:30I don't have a problem with it.
12:32I don't have a problem with my actions either.
12:37It all sounds terrible.
12:41Come on, please, just try to imagine
12:45what Jovan and Luka did to us.
12:52Try it.
12:55If it wasn't like that, you wouldn't be here now,
12:58and I wouldn't, as you say, push Jovan away.
13:03That's it.
13:08Is it easier now?
13:32Yes?
13:36Look at the time.
13:39I have nowhere to sleep.
13:41Nonsense.
13:42From this size of the house, you're at my place.
13:45Why don't you go outside, to the pool, to sleep?
13:48You've seen how nice the beds are, open in the sky,
13:51because there's...
13:52At the pool?
13:53Eh?
13:54So the old men won't turn me into a cat
13:57when I sleep by the pool.
13:59Where is that?
14:01From my window, to keep myself cool.
14:04Or a stethoscope, to warm my muscles.
14:07No, but it's not...
14:09I'll go to the hair salon.
14:12Where the romance is.
14:14And you yourself, pretty by yourself.
14:16Eh?
14:19OK, guys.
14:21Eh?
14:22You can...
14:23I can.
14:24While you sleep.
14:27Well...
14:31Oh, God.
14:38Oh, God.
14:45Carla.
15:02Coughing.
15:11Mido.
15:13Mido.
15:14What is it?
15:15I can't breathe, do you understand?
15:17Why?
15:18Oh, God, I can't.
15:19It fills my lungs.
15:20I open the window,
15:22and this cosmic air comes in.
15:25Do you feel this, you fool?
15:28I feel my lungs beating down, you know, in my stomach.
15:33Come on, cry a little, come on.
15:35You're such a brave guy.
15:38You have to sleep in the morning,
15:40you have to get up early to see how you're going to perform at work.
15:44Come on.
15:45Come on, let's sleep slowly.
15:47Come on, come on, be good, come on.
15:49Just a little hand, a little hand.
15:51Slowly, slowly, come on, don't rush.
15:54What was that?
15:57What are you doing?
15:59Something is tickling me.
16:02What are you doing with that ugly move, Mido?
16:04It's hard.
16:06What is hard?
16:07It's so hard, something is tickling me.
16:10How hard?
16:11Like a bubble, like a stone,
16:13like when you lie on a stone bed.
16:16Well, that's...
16:18That's my gun.
16:20What are you talking about?
16:22Gun?
16:23Gun in bed?
16:25Are you crazy?
16:26What's wrong with you?
16:27What can I do, Mido?
16:28I'm carrying it, we'll never separate from it, you know.
16:30I'm going to separate it.
16:32No, no, no, no, no, no one will separate me.
16:34I'm sorry.
16:35Let me turn on the light.
16:36Are you crazy?
16:37To bend the sky without a grain of sand?
16:39Leave me the gun, you hear me?
16:41Mido, I won't be able to sleep.
16:42Let me go!
16:43Let me go, you idiot.
16:44You're hitting me.
16:45You won't be able to sleep.
16:46You have to sleep.
16:47You have to get up in the morning.
16:49I told you a hundred times, get up.
16:51Get up.
16:52You're going to put the gun in my bed.
16:55Come on, we have to sleep.
16:56Come on.
16:57How can I sleep when I don't have a gun?
17:06You're going to put the gun in my bed.
17:08It's a medallion.
17:09We need to get rid of it.
17:17Oh, God.
17:22Don't let the dove go by chance.
17:25I'll shoot him.
17:28How?
17:30When you have a gun?
17:31Yes.
17:48Go to sleep.
17:49Go to sleep.
17:51Go to sleep.
18:22Oh, my God.
18:30Look at him.
18:36James Joyce?
18:37Come on.
18:50What the hell is this?
19:01Wait, is this a nightmare?
19:05Mile!
19:08Mile...
19:09Wait, wait, wait.
19:11Wait, wait, wait, wait, wait.
19:19He's going to wake up.
19:26Jesus Christ.
19:30Mile!
19:33Mile!
19:34Mile!
19:35Mile!
19:36Mile, wake up.
19:37Huh?
19:38Mile!
19:39Did you want to ask me to do this?
19:41Yes.
19:42Huh?
19:43Yes, yes.
19:44I wanted to ask you, but I didn't dare to ask at all.
19:48Mile!
19:49Do you love me?
19:51Mile...
19:53Maldives, Mile loves a disco.
19:56What?
19:57A car.
19:59Shabba disco.
20:01Mile!
20:03And beautiful women.
20:06And a girl's life.
20:09I can't take it anymore.
20:14You know what? Maybe it's better this way.
20:23I can't take it anymore.
20:25Shut up.
20:26I'm not even sure if I love you.
20:33Mmm...
20:39Move aside.
20:56Milo?
21:00Milo?
21:03What is it now?
21:05Are you sleeping?
21:06You see that I'm not sleeping? How can I sleep when I'm talking?
21:09Have you lost your mind?
21:11I haven't lost my mind.
21:13Here, for example, this is my colleague.
21:15Do you know Seljanović?
21:16No.
21:17He, for example, talks in his sleep, so he sleeps and wakes up at the same time.
21:22Don't tell me about that Seljanović.
21:25I won't be able to fall asleep right now.
21:27How did you do it before that?
21:28What before that?
21:29How did you fall asleep before that?
21:30I didn't fall asleep. Let me go.
21:32I was dreaming.
21:34What were you dreaming about?
21:36I was dreaming about you.
21:38I was dreaming that I would kiss you right now.
21:41That's what I was dreaming about.
21:43Okay, Milo, look.
21:44If I bother you, I can sleep in the pool.
21:48Really?
21:49No, you won't.
21:50You go to sleep.
21:51Don't you move from here.
21:52Go.
21:53So that you can kiss me, so that I can pull you there.
21:55Do I know you?
21:56No, no, no.
21:57I'm just thinking about what I would do.
21:59What would you do?
22:00I mean, if you want.
22:02I know everything, but I love her.
22:05You love her, don't you?
22:06Okay, okay.
22:07I know you love her.
22:08And you will love her even after the registration.
22:11Okay, can I say something?
22:14Go ahead.
22:15About her.
22:16I like her.
22:17You can't do anything.
22:19You can't do anything to a horse.
22:21Do you know what a rider is?
22:25Have you ever heard of it?
22:26I have no idea what it is.
22:28You will find out if you don't bother me.
22:30Let me sleep.
22:31Okay, wait a minute.
22:33Can you tell me what a rider is?
22:38A rider?
22:39Listen.
22:40A rider is a thing for repairing a horse,
22:44such horses and people like you.
22:47Without humanity, without character, without anything.
22:53For horses or for people?
22:55For people, for people.
22:57For people, for people.
22:58People like you.
23:03Go to sleep.
23:04I can't sleep.
23:05Go to sleep.
23:06Why can't you sleep now?
23:07I told you, Mido.
23:08If I don't have a gun for everything, I can't sleep.
23:11I'm used to something bothering me.
23:13Oh, my mother.
23:14When you give birth to me,
23:15why don't you let me suffer?
23:21Here's your gun.
23:22Don't talk to me.
23:24Go to sleep now.
23:25Thank you, Mido.
23:26You're welcome.
23:27Thank you when you come home.
23:29It's easy to get out of here.
23:32Thank you.
23:38Now I have to...
23:56What is this?
23:57It's ice cold.
23:58Like a snake.
23:59Look, again.
24:00Trivanović?
24:01Trivanović?
24:02Wake up.
24:03Wake up, Trivanović.
24:04Do you hear me?
24:05Come on, Zoran.
24:06Come on.
24:07I'm calling you.
24:08I'm calling you.
24:09Come on.
24:10What is this?
24:11Wake up.
24:12Wake up.
24:13Wake up.
24:14Wake up.
24:15Wake up.
24:16Wake up.
24:17Wake up.
24:18Wake up.
24:19Wake up.
24:20Wake up.
24:21Wake up.
24:22Wake up.
24:23Wake up.
24:24Wake up.
24:25Wake up.
24:26Come on, wake up.
24:27What time is it?
24:28Six.
24:29We were asleep.
24:30We left at...
24:31Six.
24:33I can't.
24:34I might not have gone to bed.
24:36You can't.
24:37Have to.
24:38You can't.
24:39Come on.
24:40Come on, horse.
24:41I'm falling asleep, Mido.
24:44Who?
24:45Why, you're asleep until 7.30.
24:47Do you hear me?
24:48Wake up, wake up.
24:49Still 15 more minutes.
24:50I come and knock on your face.
24:52No, no, no.
24:5315 more minutes, please.
24:54You want to feel that box on your back and to pull it, huh?
24:58Box? No, no, no, no. I won't, I won't, I won't.
25:01I'm getting up, I'm getting up.
25:02That's it, come on.
25:03I'm getting up, I'm getting up.
25:04Now the morning gymnastics is going.
25:06What are you like for that?
25:09You mean like in school?
25:11No, like in the army.
25:13Let's see how many push-ups you can do.
25:15Well, I don't know, I've never counted.
25:18Five maybe.
25:19You haven't, have you?
25:20Come on, let's see now.
25:21Come on, what now?
25:22Come on, let's see how many push-ups you can do.
25:23Come on, let's see how many push-ups you can do.
25:25Come on, come on.
25:27That's it, nice.
25:28Come on, come on, come on.
25:29One, two.
25:30Don't bend over.
25:31One.
25:33Don't bend over, you have to do a hundred.
25:36Come on, come on, slowly.
25:37Two.
25:38That's it, that's it, that's it.
25:39You're getting better and better.
25:40Come on, come on.
25:41Three.
25:43Come on, come on, legs down.
25:44Two.
25:45Come on, come on.
25:47Six.
25:47Well done, master, well done.
25:49Five.
25:50Who would have thought you were so strong?
25:52Five.
25:53Come on, let's do one more.
25:57Yes.
25:58Okay, okay.
25:59So you still think it's a good decision of mine to continue working with MIDE and Maldives, right?
26:09Well, I did, I told you last night.
26:13Okay, okay.
26:14But, I mean, you didn't overthink what I think you think it is.
26:21You think it's all right, right?
26:24When have I been like that?
26:27Well, you've never really.
26:29Aleksa, it's not up to you at all.
26:33It's up to me.
26:34That's how I listen and think about whether it would be a good decision.
26:38But I'm begging you, if you think I made a mistake, that something is wrong with what I'm planning,
26:46I'm begging you to tell me, don't hold yourself back, tell me everything.
26:50So, cut it, cut it.
26:53Beware of expansion, offers and assortments, financial injection into our business, all of that is good stuff.
27:00Okay, and is there a but?
27:03And what's after the but?
27:05Nothing, nothing.
27:06I mean, if we do great, if we don't like it, we'll get out of the deal, we'll stop working, and that's it.
27:13Uh-huh, and that's it.
27:15Aleksa, what's going on? Is everything all right with you?
27:20I'm sorry, I just have too much work here, my head is on one side and I can't focus completely.
27:26Wait, don't cut me off.
27:29I feel something's wrong.
27:32Can I ask you to tell me what?
27:35Lenka is trying.
27:39What did you say?
27:41Are you normal?
27:42Why are you letting me talk about pigs and lambs and giving birth?
27:48You're skipping the main thing.
27:51I don't know what to tell you.
27:54What do you mean you don't know what to tell me?
27:56What's there to know or not to know, Aleksa?
28:01What are you planning next?
28:02I don't know, Pančić.
28:04I'm sorry, I have to go, someone's calling me.
28:06Aleksa.
28:09What's there to know or not to know?
28:13At least that's one way to get to know everyone.
28:17Come on, kids.
28:20Lenka is trying.
28:22Stop, you can't start, I have to finish my coffee, slowly, relax.
28:29Oh, God, now.
28:31God, God, come on, let's see.
28:34Stop, stop.
28:36Stop.
28:38Take another one.
28:40Which one?
28:42That brown one.
28:44That's it.
28:46That's good.
28:48Come on, relax.
28:50Can I?
28:52Now.
28:54I love you.
29:06We won't be able to push that team building ourselves.
29:09Too many negative emotions.
29:11I agree.
29:13That's why I listened to your advice.
29:16What advice?
29:17You remember, you said it would be good to have an expert.
29:22Well, I've found a great psychotherapist.
29:27I'm not sure we need a man for this.
29:29No, it's about women.
29:31I'm not sure we need a man for this.
29:33No, it's about women.
29:35I'm not sure we need a man for this.
29:37No, it's about women.
29:39No, it's about women.
29:41No, it's about women.
29:50Why are you so quiet since morning?
29:56Mile, I have to ask you something but you have to answer me honestly.
30:00I always tell the truth.
30:03Do you remember anything that made you sick last night?
30:18I have good news.
30:20Senko says I'm busy.
30:22The idea to bring a mediator for team building has been adopted.
30:27I don't remember adopting anything.
30:31We stayed for dinner so I came to inform you.
30:34Actually, I wanted to ask you if you agree.
30:37I think you should have asked me first.
30:40SREBRENICA
30:51You're a good wood-carver.
30:54Pick your own tree and make a good house.
30:57It'll help you.
30:59You're driving me crazy.
31:01I'm not.
31:02Listen to me.
31:04Your house is more important to us than anything.
31:06I want you to meet my future father-in-law.
31:08I'll kill you!
31:10I'll kill you!
31:30Hey.
31:32You're here.
31:35You're here.
31:37How do you know my company?
31:39You don't know?
31:41Obviously not.
31:44Well, I was invited to lead a team building.
31:58Let's go.
32:00Pronto?
32:03Buongiorno.
32:04What are you doing?
32:05I'm helping you.
32:07Where?
32:08There.
32:09What time is it?
32:25But not the whole, but a third.
32:27I'm sharing it with a neighbor.
32:29And there's another neighbor.
32:31So I have a whole gun.
32:33Half for the girls, most for us.
32:35Okay, but can you steal something from a criminal when you're that good?
32:54Okay.
32:56But, anyway, I hope that woman will save me from you.
33:01You think she'll save us from you?
33:04I don't think so.
33:05There's no saving you from me.
33:07But there is for watching.