• 3 months ago
Transcript
00:00TREVANOVIĆ'S SON-IN-LAW
00:06Thank you, son-in-law. I have to admit, I'm satisfied with your work today.
00:11You're a great worker.
00:13Great, Milan.
00:15Really great.
00:17What?
00:18You worked hard.
00:19I worked hard. I see, I see.
00:21My dear Trevanović, we all work hard, but only women succeed.
00:27Yes.
00:29Okay.
00:31Hey, Mido.
00:34We can say that's it, right?
00:36What is it?
00:37Well, I cut down half a tree, like in the woods,
00:40so I feel like I threw it away.
00:42So, that's it.
00:43Come on, go away.
00:45If I hadn't cut down the whole forest, cut down half a tree,
00:48I would have pooped.
00:49And look, what if it rains?
00:51What?
00:52Who's going to take it?
00:53It has to go to the baker.
00:55Don't do anything to me.
00:57Do it.
00:58Do it, and you win.
01:00Don't be a kid.
01:01Don't be a kid to me.
01:05Hey, Mido.
01:06What is it?
01:07I'm begging you.
01:08What do you want?
01:09I'm begging you, just give me some water.
01:11I'll pour you some water.
01:12Get out of here.
01:13Get out of here.
01:14There's a bar over there, go there and drink.
01:16Get out of here.
01:17God, help me.
01:19I've never seen a man cut down half a tree like this.
01:23I thought he was taking you to the king.
01:27What?
01:28What?
01:29To the king.
01:30What do you mean, to the king?
01:32Who's going to bring those pigs?
01:34You have to bring them by load.
01:36Love, love must be earned with work, with respect for work.
01:41And we can't make him angry.
01:43Tambur, he's your boss after all.
01:45Go to hell.
01:48I'm begging you.
01:49What?
01:50No, no, no.
01:51You're right, you're right.
01:53It's all true.
01:54I'm going, I'm going, I'm going.
01:55Just give me some water.
01:57You're going to die here, man.
01:59No, you're not going to die.
02:01You know what we're going to do?
02:03You go to Belgrade and you stay there for two days.
02:06Thank you.
02:07In two days, I'll get a truckload of wood.
02:10Which needs to be cut down, cut up, put together,
02:14and ready for the kiln.
02:16Is that clear?
02:17Clear, clear.
02:18So I can go?
02:19Thank you.
02:20I love you so much.
02:22Thank you so much.
02:24Nothing, nothing.
02:25I'll see you in two days.
02:27I have to go.
02:28I'm going to get a gun and some leaves.
02:30That's all.
02:31Wait, wait a minute.
02:32Where's your gun?
02:33It's over there, next to the wood.
02:35Where?
02:36Next to the wood.
02:37Why do you need a gun?
02:38It's normal.
02:39Don't worry about it.
02:40He knows where my gun is.
02:41Really?
02:42It's okay.
02:43Come on, come on.
02:44See you.
02:45Come on.
02:50Why are you looking at me like that?
02:55Honey, all my life, I've been advising you,
03:00helping you, feeding you.
03:04And there's nothing to regret.
03:07Why are you scaring me now?
03:10I'm begging you now.
03:12Never, never, never be a bitch.
03:17What do you mean?
03:19If you don't plan to go to the end with Kaja,
03:23don't drag her into a long relationship.
03:26What do you mean?
03:29Kaja is a good girl.
03:36Yes?
03:37You can come in.
03:39Dad, I didn't expect you.
03:42I hope I'm welcome.
03:44Always.
03:46Where's Trivanović?
03:48He has to go to Belgrade.
03:50He'll be back soon.
03:52When are we going to Belgrade?
03:54Don't worry.
03:55We'll be back soon.
03:56He just needs a few more weeks and we're gone.
03:59I'm so happy we're going to Belgrade.
04:01I know, honey.
04:02I think we'll have a great time there.
04:04Of course.
04:05And now I have a boyfriend.
04:09Tell me, what was he like?
04:10Did he do everything you told him to?
04:12Him?
04:13Of course.
04:15Don't worry about him.
04:17He can't do anything.
04:19He's like a synthetic to you.
04:22You can't do anything to him.
04:26But you know what?
04:28He showed himself well.
04:30You know, strong.
04:32He showed his true nature.
04:36Wait, what will you do with the money?
04:39You don't have the money.
04:41I'll put it in my closet.
04:43My son.
04:45My son-in-law.
04:46He's so smart.
04:48He put it in your closet.
04:50Who will he think of to hide the money in your closet?
04:53Look at him.
05:04Did you hear what they're talking about?
05:07I'm sure some reliable information is coming to Milena.
05:12I'm sure it's coming, but I don't know where it's coming from.
05:16What do you mean?
05:17Do you know who brought her?
05:18Boba.
05:19Yes.
05:20It's not a coincidence.
05:21She's quiet.
05:22We know.
05:23They've known each other for a long time.
05:24Who knows what Boba told her?
05:25They know each other in private.
05:27Yes, who knows what that torturer told her?
05:29It's the same.
05:30It's the same.
05:31You don't know Boba.
05:32How?
05:33She'll be surprised when she finds out how much I know her.
05:35What are her plans?
05:36She fell into the water.
05:37I don't remember that.
05:38She's gone too far.
05:40Because she thinks Andrija is defending her.
05:42Who cares about Andrija?
05:43I think we should go back.
05:45I think we should go to a fast coffee shop.
05:48Let's wait.
05:49Let's go.
06:06What's so urgent?
06:08Who did you ask to call Ivana?
06:10I'm sorry?
06:11I didn't know I needed your permission.
06:13Besna called me.
06:15She said you threatened her.
06:16I'm Besna.
06:17We're all Besna.
06:18Please, don't do that.
06:19You're making the situation worse.
06:21Don't do that anymore.
06:22Okay, I'm sorry.
06:23Maybe I went a little too far.
06:25But the situation was bad anyway.
06:27Yes, maybe you should have been smarter.
06:29Don't blame this on me.
06:31The woman is trying to destroy my business.
06:33Let everything go to me.
06:34Let everything go to me.
06:35I'm begging you.
06:36Don't do that anymore.
06:39Don't make such decisions on your own.
06:43Okay?
06:45There's a chance you'll make the situation worse.
06:47Like you did now.
06:48Don't do that.
06:50Okay.
06:51And don't meddle in my private life.
06:55I'm probably your private life too.
06:58Okay.
06:59I'm going.
07:00See you in Bosnia.
07:01And don't forget
07:02we have a meeting in the studio tonight.
07:22I don't understand why Mom wanted to steal that money from you.
07:26You don't understand?
07:27Let me tell you.
07:29She thinks
07:30that if she stole the money
07:32she would tie me up
07:33and I wouldn't go anywhere.
07:35That's why.
07:36And that's not all.
07:38She tried to get that unfortunate Mrvica to work for her.
07:42You can think of an unfortunate man.
07:44What would his life be like with her?
07:47What would my future be like?
07:49Poor Mrvica.
07:51I don't think he'll ever get a doctor's degree.
07:54What doctor?
07:56He won't even have a medical sister.
07:58I think that's how it's written in the stars.
08:00He can just get lost in them
08:02and count them like this next to the stars.
08:05There you go.
08:06Good luck.
08:07Bye.
08:08Bye.
08:15Where did you go?
08:29I can't believe this is happening for no reason.
08:33It's like you don't know Jovana.
08:35She's going to ruin everything.
08:37She's shameless.
08:38She's accusing me of working for her through her husband.
08:41I could have told you about her earlier,
08:43but I'd rather keep quiet.
08:45I've been working for Star PR for years.
08:47Before that, while Khan Holding was here,
08:49I was also working.
08:50Una, please don't pay attention to her.
08:52She's going to try everything,
08:54and if she succeeds, she succeeds.
08:55I know.
08:56I know, I know.
08:57I just can't stay immune to her provocations.
09:01Please don't take it personally.
09:03Jovana doesn't like anyone.
09:06You're right.
09:10I'm going to the bathroom.
09:12Wait for me.
09:13I'll be back.
09:14Okay, bye.
09:24Hello?
09:26Andrija, you can't believe how chaotic this is.
09:28Where did you get the idea that I can't?
09:30Tell me.
09:31She's accusing me of everything.
09:33She's a milanese.
09:34She can't believe it.
09:35Well, you wanted to hang out.
09:37Next time.
09:38Mind what you do.
09:40Thank you so much, Andrija.
09:42Okay, see you. Bye.
09:49Here.
09:51We'll continue.
09:52Now we have to hold out until the end.
09:54Let's go.
10:11I'm asking you.
10:12I heard you, beautiful owl.
10:14I heard you.
10:15I heard you whisper in my ear.
10:17What do you care?
10:18I'm going.
10:19What do you want?
10:20Where did you get the money?
10:22Where did I get the money?
10:23You earned it, beautiful owl.
10:25With your hard-working hands.
10:27From the baker, from the guest.
10:29What do you think?
10:30That I'm washing the money on the wood, right?
10:33Well, if you're from the baker and the guest,
10:35then that's my money.
10:36Let go of my hand.
10:37My money.
10:38Let go of my hand.
10:39Did you dry it or what?
10:41That's money, right?
10:42That's what's nice about it.
10:44If you didn't know, we're divorced.
10:46We're divorced, beautiful owl.
10:49I'll spend it on you and some chick, you know?
10:52But remember one thing.
10:54This money is mine.
10:56And only mine.
10:57Is that clear?
10:58What are you talking about?
10:59What you heard.
11:00I'm telling the truth, beautiful owl.
11:04If it's yours,
11:06then why did you try to steal it from yourself?
11:09Come on.
11:10Right?
11:22THE BAKER
11:36That's good.
11:38Eh.
11:39A baker's wife.
11:40Baker's wife.
11:42When you have no one to bake for,
11:45then you're the baker.
11:47Everything has to be on the edge.
11:49That's it.
11:51That's right, Fido.
11:53You're an expert, my dear Fido.
11:56No one knows that.
11:58Fido? Fido?
12:00Fido, what are you doing here? Where did you go?
12:03No, I didn't try, but I went to take a shower.
12:06And you know what happened? This is an emergency.
12:08Just a little, just a little, breathe slowly.
12:10Come on, tell me, what happened?
12:12I don't have a gun.
12:14What are you talking about?
12:15I lost my gun.
12:16Idiot, how can you not have a gun?
12:18Do you know how serious that is?
12:19I know, that's why I'm telling you.
12:21I don't know what happened.
12:22I went to the bathroom, and I kissed...
12:24I mean, I thought of something, and...
12:26What's going on?
12:27What's going on?
12:28He doesn't have a gun.
12:30He's a sloppy inspector.
12:32He's sleeping with a gun.
12:34What do you mean, he doesn't have a gun?
12:36Where's your gun?
12:37I don't know, my dear, I don't know.
12:38I don't know, if I knew, I'd say I knew, but I don't know.
12:41You don't know, do you?
12:42What are we going to do now?
12:44People, this is a very serious situation.
12:46I've looked everywhere, and there's no gun anywhere.
12:50People, you're insane.
12:52I can't believe what's going on.
12:54And it's all here, in my apartment, right?
12:57And what are we going to do?
12:58You know what? Buy some plastic.
12:59I don't care.
13:00What are we going to do now?
13:01I don't know what to do now.
13:03I just...
13:04I don't know, I don't know.
13:05I just have to find it.
13:06Do you realize that someone stole your gun?
13:16THE GUN
13:24All right, gentlemen, the situation is very serious,
13:27and we're not even close to a solution.
13:30The lawyer says we have ten days to move out.
13:33And that's against all legal rules,
13:36and the tradition of normal business.
13:40We have to find a solution as soon as possible.
13:42This has all gone too far.
13:44I've already called some people and some agencies
13:48and informed them that we're currently looking for business space.
13:52God forbid.
13:53No.
13:54But it's going to be hard to find something
13:57while the Milan Fashion Week is going on.
14:00Everything is...
14:02overbooked.
14:03Well, no one normal is looking for space at this time.
14:06That's the problem.
14:07No one normal, you said that nicely.
14:09Okay, there's no need to be jealous.
14:11We're not going to achieve anything.
14:14All right.
14:16I hope you understand what I'm trying to say.
14:19Yes.
14:20Thank you for understanding,
14:22and I want to apologize for all this chaos
14:26and the interference of private business.
14:28It's all right.
14:29It's not easy for you or for us.
14:31We have to stick to it.
14:33There's no other way, okay?
14:35Okay, I agree.
14:37Guys, what can I say?
14:39I'm sorry, I'm really sorry.
14:42I feel like I'm directly responsible for all of this.
14:47I can promise you that I'll do my best
14:51to fix the situation as best I can.
15:12I hope you enjoyed the meeting with the women of Cannes Capital.
15:17I'm going to enjoy it.
15:19No problem.
15:20Besides, this is the hardest job in my life.
15:23I see.
15:24I see.
15:25And...
15:26them?
15:29I'm not sure.
15:30There's no good atmosphere here.
15:33Yes, I could conclude that myself.
15:37Yes.
15:38Yes.
15:40Do you know that camps have been created?
15:43Are you aware of that?
15:46Well, not really.
15:48I mean, I don't know the details.
15:50Aha.
15:51It's hard to say that camps are a detail.
15:54On the one hand, Jovan and Vanja,
15:57and on the other, Una, Boba, Senka...
16:03Interesting.
16:06Yes.
16:08I hope so.
16:12What caused the creation of those camps?
16:17I mean, it's better for you to tell me than for me to conclude.
16:21Aha.
16:23Maybe you could guess.
16:30Una's arrival at work.
16:34But I think Una is to blame for everything.
16:37Didn't I say that Una is to blame for everything?
16:39No, no, no.
16:41You are to blame.
16:44By bringing Una, you established nepotism
16:47and clan divisions at work.
16:51Yes.
16:54Well, I didn't have any other choice.
16:58Then you had to be aware of it.
17:01Of what?
17:05Is there a chance that the situation is escalating in the wrong direction?
17:13That it's getting worse and worse?
17:15Always.
17:17But the atmosphere is already alarming enough.
17:22Aha.
17:25All right.
17:27So, I'm to blame, too, right?
17:32I mean, it's not just Una's presence that's to blame for all the conflicts.
17:39Well, okay, there's all kinds of things.
17:44But you used your example to show that the business code doesn't count.
17:51Yes.
17:53Yes.
17:54Yes.
17:56Interesting.
17:59Tell me, do you have a solution?
18:04What do you suggest?
18:20I really don't know how a gun could just disappear like that.
18:23What you don't know and don't understand doesn't mean that it couldn't have happened.
18:27I know, people, but the water could have killed us at the end of the summer, really.
18:31Three days before the end of the summer, instead of swimming in the pool,
18:34we're waiting for the police because the code disappeared.
18:38Did I say anything wrong?
18:40Mila, I don't know how it is in your village,
18:43but in our city, when a gun disappears, it's a big problem.
18:50Okay, people, but Trivanović and Seljanović are already here,
18:52so I'm not waiting for anyone.
18:54I said that, too.
18:55Enough talking.
18:57Come on, everyone, go to your rooms.
19:00Shake it up.
19:02What does that mean, shake it up?
19:05You could have found a giraffe in a water boiler.
19:08Now we have to go.
19:09Now, like three days before the end of the summer, we have to go.
19:12Shut up, the less we talk, the faster it will end.
19:15And that's not related to the police.
19:17Come on, I'm waiting for you.
19:19Okay, man, I'm coming.
19:21Everyone to their rooms.
19:22Shake it up, shake it up.
19:23He's coming for us.
19:25Come on, get out.
19:27Man.
19:44He won't be able to solve everything all at once.
19:47That's clear to me.
19:50It's clear to me.
19:56Do you have a chance to help us with all this?
20:02Well, first of all, he'll have to help himself.
20:07I won't always be here.
20:11What's that?
20:14I'm sorry, I have to go.
20:18Hello.
20:20Hello, this is Laura Djordjevic from Milan.
20:42There's nothing here.
20:44What?
20:45What?
20:52What is this?
20:53What do you care?
20:57What kind of document is this?
21:04What kind of document is this?
21:06I'm asking you, what do you care?
21:09What do I care?
21:10Do you know how to steal a gun?
21:15Do you know how to steal a gun?
21:30So you are...
21:32Let me explain.
21:33Let me explain.
21:45Laura Djordjevic.
21:47I suppose we know each other, but...
21:49My name doesn't mean anything.
21:51I was at your place ten years ago for a job interview.
21:54In Cannes Capital?
21:57I don't remember.
21:59Yes, yes, at your and your ex-wife's place.
22:02I'm sorry, but ten years is a lot of time.
22:06We've had a lot of job interviews since then.
22:12I suppose so.
22:15Where did you get the number?
22:17From a mutual friend from Milan, Stojanovic.
22:20You know him.
22:21Good.
22:23And how can I help you?
22:26I work in the fashion industry.
22:29I'm currently working with Luka Kanački and Aleksandar Ožeković.
22:34Go on, go on.
22:45What kind of gun is that?
22:48I've never seen a gun except for my grandma,
22:50but I've never touched it.
22:52Where do I touch a gun?
22:54Step back.
22:56Don't interfere with the duty of an official.
22:59I won't do it again.
23:01Wait, wait.
23:03It says here that this is your aunt's testament to Australia.
23:07Not again, man.
23:10What?
23:12It says...
23:14It says you'll inherit 500,000 Australian dollars
23:18if you get married within six months.
23:21Yes, but you shouldn't have seen that.
23:23Well, if you can, I beg you,
23:25if I can beg you to just...
23:27Shut up.
23:30Seven percent, and I'll shut up when I'm done.
23:33What, seven?
23:34Seven.
23:35Seven percent?
23:36If I can, here's one percent if I can find it.
23:39And if I find that money,
23:40one percent, and here's my hand.
23:42Six.
23:45Three.
23:47Five.
23:48And not a dollar less.
23:51Five. Five percent.
23:52Five percent.
23:53Do you know how much it is? One.
23:55Five. Five.
23:57Okay, five percent.
23:59Five.
24:01Wait, wait, man.
24:03I gave you five percent.
24:04Wait, man, stop.
24:06How are you going to find a wife in this dark?
24:11And Kaya?
24:13Why don't you want Kaya?
24:14I want her,
24:15but I can't, I don't have the courage
24:18to ask her for money right now.
24:21Okay, okay, I understand.
24:22Okay.
24:23Look,
24:24look,
24:25I'll find you a woman.
24:27I'm serious.
24:28I'll find you a woman,
24:29just so you can get married,
24:30so the money doesn't go to waste.
24:31I mean, just for the three of us.
24:33But then,
24:34twenty percent,
24:35twenty percent is mine.
24:36Okay.
24:37What twenty?
24:38Five.
24:39No, no, no.
24:40Look, look,
24:41let me just see something.
24:42Let me just see something.
24:44I'm holding on, Kaya.
24:45These five percent are holding on to you.
24:47So don't think about anything.
24:49Just sign here,
24:50and that's it.
24:52You can just give me this envelope.
24:55I think that's it.
24:56We made a deal.
24:57We made a deal.
24:58I just need to finish the search,
24:59and that's it.
25:00That's it.
25:04I put it all together.
25:09Do you understand?
25:11I understand, I understand,
25:12I understand everything.
25:13I won't tell anyone anything,
25:15just put the gun down,
25:16please,
25:17put the gun down,
25:18I'm begging you.
25:19Why did you take it?
25:21You're asking too many questions.
25:23I know,
25:24but everyone's looking for the gun.
25:25The police could come,
25:26they could arrest you,
25:27do you understand?
25:28Don't make me cry.
25:30Anyway,
25:31if they find out the gun is here,
25:33you have to tell them you took it.
25:35Me?
25:36Do you understand?
25:37I understand, I understand,
25:38it's just that I don't understand
25:39what's going to happen
25:40with that gun.
25:41I don't understand anything.
25:43How can you not understand?
25:45I can't let them
25:46leave Belgrade with my money
25:48and my daughter.
25:49I can't.
25:58Tell me,
25:59what is this all about?
26:01I have a little problem.
26:02Your ex-wife
26:03sold Luka to me
26:04as a fashion studio,
26:05and now she's turned him down.
26:07I know that.
26:08I talked to Luka and Aleks.
26:10I don't know who you're talking to.
26:13I was hoping for new information,
26:15but it should have been resolved by now.
26:17The question is,
26:18what do you expect from me now?
26:20About the price.
26:22Okay.
26:23And?
26:24That goes against all business traditions.
26:26Well,
26:27I'm doing everything
26:29to make it work.
26:31Besides,
26:32it's not about me,
26:33it's about my ex-wife.
26:35Obviously,
26:36you're not doing enough.
26:37If you don't finish it
26:38in the shortest possible time,
26:39and you don't make it possible
26:40for us to use the studio,
26:42What's going to happen?
26:43What's going to happen?
26:44I'm going to tell everyone in Milan
26:45that they shouldn't work
26:46with either Jovan or you.
26:48I don't care about the price.
26:51Now this is turning into a price.
26:54Don't leave me a choice.
26:56You have two days.
27:02I see you're in big trouble, Andrija.
27:07Well, let God help me.
27:09Is it that bad?
27:11Yes.
27:14Women will look at me.
27:16They'll come to their senses.
27:19Anyway,
27:20thank you for all the information
27:22you shared with me
27:24in my business.
27:27I have to go.
27:44Hey, boss.
27:46Trivanović here, yes.
27:48I know who I was calling.
27:50Are you still in Kosmajl?
27:52Yes, I am.
27:53Go ahead.
27:54You were in love and enjoying
27:56yourself so much
27:57that you started working
27:58with Seljanović.
27:59Is that clear?
28:00Boss, believe me,
28:01I wanted to leave today.
28:03I was literally about to leave.
28:06But I had a little problem.
28:09I don't know how to put it.
28:11I had a little problem.
28:12I don't know how to put it.
28:24I don't know if I should ask you
28:26how it was at the team building.
28:30Better not.
28:33Jovana provoked me with Vera.
28:37Incredible.
28:38Again.
28:39Again.
28:41And not just me.
28:42All the women.
28:43But I really tried to stay
28:45prepared and sent her.
28:48Incredible.
29:02Who took my gun?
29:04I'll kill him.
29:07Instead of talking about that gun,
29:10I think we could talk about something nice.
29:13About our future, for example.
29:15About our plans.
29:21What's wrong?
29:23Ljubinka.
29:24Love.
29:25How can we think about a plan?
29:37I really don't know, Inda.
29:39I really don't know.
29:40What kind of a fool would steal
29:43a policeman's gun?
29:47I don't know.
29:48It's not clear to me how crazy
29:50and stupid you have to be
29:52to not understand the seriousness of the situation.
29:55How serious it is.
30:06I love you.
30:17Tell me,
30:19why didn't you do what I asked you to?
30:22Good afternoon, Andrija.
30:24You just entered my workplace
30:26without saying hello.
30:28I asked you something.
30:29I forgot something in the news.
30:31Don't play dumb.
30:37I love you.
30:45Friend,
30:47is it clear to you
30:48that stealing a gun
30:50is a serious criminal offence?
30:53Isn't it?
30:54Which seriously violates the reputation
30:57of the police
30:59and this apartment, son.
31:01Okay.
31:02And?
31:03Okay, and?
31:06I love you.
31:17I have to be here.
31:19Why?
31:20I have to be here
31:21because of this investigation
31:23about the missing gun.
31:25That's the procedure.
31:26Why do I need a gun?
31:27Tell me.
31:29Everyone is guilty
31:30until proven guilty.
31:32I think they mistook you for someone else.
31:35Tell me what you have
31:36or leave.
31:51You have no idea
31:52who you're dealing with.
31:53What do you mean?
31:54What do you mean?
31:55Unfortunately,
31:56I had to get to know him well.
31:57He's from Bosnia.
31:58So I know very well
31:59who I'm dealing with.
32:03I was thinking about you.
32:05I was thinking about you.
32:23Hi.
32:25Hi.
32:27Have you ever thought
32:28about leaving?
32:32Excuse me?
32:35Excuse me?
32:36Excuse me?
32:37Excuse me?
32:38Excuse me?
32:39Excuse me?
32:40Excuse me?
32:41Excuse me?
32:42Excuse me?
32:43Excuse me?
32:44Excuse me?
32:45Excuse me?
32:46Excuse me?
32:47Excuse me?
32:48Excuse me?
32:49Excuse me?
32:50Excuse me?
32:51Excuse me?
32:52Excuse me?
32:53Excuse me?
32:54Excuse me?
32:55Excuse me?
32:56Excuse me?
32:57Excuse me?
32:58Excuse me?
32:59Excuse me?
33:00Excuse me?
33:01Excuse me?
33:02Excuse me?
33:03Excuse me?