La promesa - Temporada 3 - Ep 396
La promesa - Temporada 3 - Ep 396
Transcript
00:00♪♪
00:30If I hadn't done it, what chances did I have
00:33of writing to a woman who, curiously,
00:36was also a friend of Mrs. Margarita's?
00:38You disappeared.
00:40Out of the house, without leaving a trace,
00:43without any explanation, without any farewell.
00:46We even thought you were dead.
00:48But I'm fine now.
00:51I'm even happier than ever, you know?
00:55It's best if you forget about me.
00:57And that suit?
00:59It's from the Sundays. It's the best I have.
01:02Yeah.
01:06Maybe it's not a good idea for me to go to dinner.
01:08No. Nonsense.
01:10It makes me happy that you come with me.
01:13Do you know what hurts me the most?
01:15Your behavior.
01:16It's as if you wanted to destroy me
01:18all your love encounters with Cruz.
01:20As if you wanted to make me clear where you have your heart
01:22and everything else.
01:23I'm glad you finally understand.
01:26And I regret that I can be so mean.
01:28Anuel, I'm going to that asylum.
01:31I have to prove with my own eyes that Martina is okay.
01:34So what you're proposing is to take care of the action
01:37while I cover for you, is that it?
01:39Inventing good excuses to justify my absence.
01:44Yeah.
01:47Don't say anything. Don't smile and continue as you were.
01:51I know everything.
01:53I don't care about the threats I have about you.
01:55We'll see what we do.
01:57But get out of here.
01:59If there's no explanation,
02:01there's no point in blaming yourself.
02:04It was all by chance.
02:06Yes, it was all by chance.
02:08But you said you thought your son had no responsibility.
02:12I'm not thinking about my son.
02:14I'm thinking about Petra Arcos.
02:16I repeat, I have not sent any invitation to that lady
02:19and I have not contacted her in any other way.
02:22No, of course not. You always deny your participation in everything.
02:25And it turns out that time ends up pointing it out.
02:29I've been very bad to you. I've made you suffer.
02:31You've also made me very happy.
02:33Don't ever leave again, please.
02:35You don't know how much I've missed you.
02:44I'm sure we're all going to get all that money.
02:47But, Lupe, that money is useless
02:50if I don't have a place to live with my son.
02:52I've got an idea.
02:55For the money or for the child's accommodation?
02:58For both.
03:00Doña Pia?
03:02Doña Pia?
03:04Ana, she's not responding.
03:06She's fainted or something.
03:07Doña Pia, wake up.
03:08Doña Pia, please wake up.
03:09Doña Pia!
03:10Doña Pia?
03:11Doña Pia!
03:12Are Catalina and Curro also late?
03:13Curro is not coming to dinner.
03:15He's not feeling very well.
03:17And then?
03:18For whom is that other blanket?
03:19For my companion.
03:22Let me introduce you to Adriano García Pardo,
03:24one of the landlords of La Promesa.
03:30Please, have a seat.
03:39Adriano.
03:41Welcome.
03:43It's always a pleasure to have a new guest at this table.
03:47Thank you, Mr. Manuel.
03:49Yes, it will be a pleasure for you to have dinner with us.
03:52It's also a pleasure for me, Mr. Marqués.
03:54Thank you.
03:56Wine, sir?
03:58Yes, please.
04:00Yes, yes, now I'll bring you some water,
04:03but I'll serve you the wine.
04:05Yes.
04:06The truth is that there is a glass for wine and another for water,
04:09I think it makes no sense.
04:11Because the only thing that causes it are mistakes, right?
04:15It's not that there is a lot of room for error, precisely.
04:19Well,
04:21it's been a long time since we all sat around the table.
04:25Well, we're not all here, Lorenzo.
04:28I don't know if you've noticed that neither your son Curro nor my daughter Martina are here.
04:32I think this dinner was to celebrate their return.
04:36I suppose that after such a long confinement, Catalina,
04:40this will seem like a crowd to you, right?
04:44Don't you find it uncomfortable to have to alternate with so many people at the same time?
04:48I like to be alone, but I know how to live in society.
04:51There is nothing wrong with wanting to live in solitude, sister-in-law.
04:54There are people who are loyal and faithful like dogs,
04:57and others who are independent and whimsical like dogs.
05:01There are people who are loyal and faithful like dogs,
05:04and others who are independent and whimsical like cats.
05:08So you see me as a cat?
05:11Well, it suits you, Catalina, it suits you.
05:14Cats don't want anyone to get close to them,
05:17much less to be caressed on the back.
05:19In any case, don't think I've missed these evenings.
05:22It's better to be silent than to listen to certain things.
05:25Yes, I completely agree with you.
05:28Sometimes, in apparently civilized conversations,
05:31there are cruel and unfair acts.
05:34It seems to me that you don't point without a purpose,
05:37and you are referring to a specific act.
05:39Well, yes.
05:40I am referring to the injustice that has been committed against my cousin Martina,
05:43locking her in that sanatorium, against her will.
05:48What's so unfair about trying to heal someone who is sick?
05:51My cousin is not sick.
05:53It seems to me that maybe with your coming and going from the hangar,
05:56you have lost some information.
05:58No, no.
05:59I have all the information.
06:01And I am aware that my cousin is innocent.
06:03And that she would never end anyone's life.
06:06This dinner was to celebrate Manuel and Curro's return.
06:10And it is becoming a conversation full of cross-references.
06:14Well, I think your daughter had a lot of accumulated conversations.
06:20Well, I want to propose a toast to Manuel and Curro.
06:25Although he is not here because of his indisposition.
06:30We are all delighted that you are back,
06:33safe and sound.
06:38To Manuel and Curro.
06:42I'm sorry.
06:43Don't worry. I'll pick it up.
06:46It's okay.
06:48Right now I bring you a new set of blankets.
06:51It won't be necessary.
06:52A knife and a fork will be enough.
06:54I say this to make the task easier.
06:57I don't think your guest knows how to use the rest of the blankets.
07:00Bring him the complete set, Salvador.
07:04The complete set.
07:06Yes, sir.
07:23I don't know if I can tell you
07:27The things that have happened since I saw you
07:31The lights that have danced through our garden
07:35The new rumors
07:37Between the heart and the walls
07:41In the promise
07:43There will be particles of love in motion
07:47There will be secrets that will never come out
07:52It will be as beautiful as the flight of a plane
07:58In the promise
08:00The farewells are spins on the ground
08:04Even the flowers will dance in their own way
08:08Balancers between fear and passion
08:15We are like a jump to the D3
08:19We are love when life or death is experienced
08:23A long way to go
08:27In the promise you will be a matter of luck
08:31We are like a jump to the D3
08:35We are love when life or death is experienced
08:39A long way to go
08:44In the promise you will be a matter of luck
08:56That's why I think we should re-make the jams from before.
09:03The truth is that since the business has been carried by the captain of the MATAC, there has been a spike.
09:08He continues to generate profits, but at the cost of increasing the hours of work of the women of the town and lowering their daily wage.
09:15That man has the soul of a blacksmith. It is believed that instead of a maid he has a nail.
09:19I'm sick of him. What hurts me the most is that we no longer make original and different jams.
09:23And where did the grace go?
09:25I tried them and they were delicious.
09:27What sense does it make to make jams of the lot?
09:30Worse than those of the lot, Lope. The captain uses the worst fruit there is and is about to pass out.
09:36Instead of throwing it to the pigs, he takes it for the jams.
09:40It is almost impossible to make a good product, no matter how hard we try.
09:44Much less a product as special as the one we offered before.
09:48With the illusion that I had put it on, the lady has finished the business.
09:52That business was very well thought out and it also gave very good benefits.
09:55That's why I tell you that instead of wasting time in lamentations, let's get down to work and make the jams we made before.
10:04Blur and new account. Well, old account in this case.
10:08What we have to do is go back to the previous one.
10:10But that's not so easy, Simona.
10:12Neither easy nor difficult, Candela. Everything is to put on.
10:15I'm sure that if we sell the jams, we get the happy 550 pesetas that Virtudes needs in a Santiamén.
10:22And maybe we even get more money for the child's accommodation.
10:26One thing is true. Those jams were out of our hands.
10:30Of course.
10:31It's a round business and we're going to make that money and more. I'm sure of it.
10:35What do you say, Candelilla?
10:36What can I tell you? I'm with you until the end of the world.
10:38And if Lope and Virtudes come, you're happy that we're going to the end of the world.
10:43The first thing we have to do is, with the money we have already raised, take it to start with all this.
10:47With the first sales, we are going to get plenty of money for Virtudes and her child.
10:51You are all so good.
10:52The jams are good. They are of category.
10:55I am already wishing to go back to work and get down to work.
10:58Well, before we get down to work, we have to consult with the rest. Do you agree?
11:02We are going to need a lot of help.
11:04We agree, we agree.
11:05We agree, Mrs. Simona. But we have to start now, I'm already excited and eager to start.
11:29And do you personally work the land or supervise the day laborers?
11:36Well, the truth is that I am not a landowner, just a simple landlord of Mr. Marqué's land.
11:44And thanks to the landlords, the crops on the farm are sustained.
11:49But the fact is that I don't have any day laborer in my position.
11:54So, do you take care of everything alone?
11:56Well, in the harvest season, a man from the village comes to help us.
12:02So that he can harvest, of course.
12:05No, both.
12:11So you work the land with your own hands?
12:14It is obvious that he works with his own hands.
12:16There is nothing more than looking at them.
12:21There is nothing wrong with working the land with your own hands.
12:24There is nothing wrong with working the land with your own hands.
12:26Nor cheating the day laborer with the sweat of his forehead.
12:30Catalina, don't talk about sweat on the table, I beg you. It's disgusting.
12:35From what I understand, Catalina is helping you manage your lands.
12:39That's right.
12:41I was surprised.
12:43I didn't even understand that you wanted to put that kind of ... activities aside.
12:48I try to advise him with my experience.
12:50Congratulations, young man.
12:52Congratulations.
12:53I don't know what kind of spell he will have cast on my niece to disobey his will.
12:58Excuse me, spell?
12:59Don't listen to him, Adriano.
13:02Sometimes my uncle uses a somewhat barracks humor.
13:08And a lot of honor.
13:10In the army, you learn to laugh at everything.
13:12Even death.
13:14I suppose that a labriego like you doesn't have many opportunities to sit at a table like this.
13:22I admit that I have never seen so many glasses covered.
13:26It shows.
13:28Well, keep this experience in your memory in case you don't have a chance to repeat it.
13:31Well, that's enough!
13:33I'm not saying it in a bad way, Catalina.
13:35It is surely much more comfortable to sit at a table like this.
13:39And not having to be aware of the label and the wardrobe.
13:43It is obvious that your friend is not comfortable with that suit.
13:47As good as he feels it.
13:50By the way, isn't that frac from your old fiancé?
13:59You know it perfectly well, but it is obvious that he had to take Pelayo's name out at dinner at this table, right?
14:04You know it perfectly well, but it is obvious that he had to take Pelayo's name out at dinner at this table, right?
14:09Sorry.
14:11I didn't want to bother you.
14:35Don't look at me like that, girls.
14:38No, Mrs. Pia, it's just that we were scared to death.
14:40What can I say?
14:42And I thought that Hanna Neva would be able to make her react.
14:45Come on!
14:47If we died, it would be that.
14:49Look, you're exaggerating, María Fernández.
14:51I'm not exaggerating or judging, Mrs. Pia.
14:53Look how you are, still trembling.
14:56Trembling.
14:58Are you sure you feel better?
14:59Yes, I'm much better.
15:01I don't even know what happened to me.
15:04Yes, but it happens to you several times, right?
15:07I'm fine, Hanna, I'm fine.
15:11Tell us the truth, Mrs. Pia.
15:14That lying is useless.
15:16And besides, I think that being in confinement is making you numb.
15:21That's right.
15:23I mean, all the hours we thought I was sleeping, I was actually in a kind of semi-consciousness.
15:30There's something about that.
15:32I'm ... I'm bored, I'm ... I'm sad.
15:37And the tension too, I guess, I don't know.
15:40Maybe something's wrong with your body.
15:42Don't scare me, Hanna, please.
15:43I'm not trying to scare you, Mrs. Pia.
15:45But if you told me right away what you feel, maybe I could find out what's wrong with you.
15:49Tell Hanna that you trust her.
15:51But if I've already said it, María, I'm really fine.
15:54It's just that I'm bored, worried and ...
15:56and sad.
16:03And besides, I feel that every day I have less strength than the day before.
16:07Because if at least I had energy, well, I could move or ...
16:11or dance, like you, but just thinking about it ...
16:14exhausted me.
16:20What are you doing, Hanna?
16:22What do you mean, what am I doing?
16:23Well, continue with the planned plan, please.
16:26It took us a lot of effort to get here, didn't it?
16:31I think we should start rationing the food.
16:34So that when we leave, we have enough.
16:37You're right.
16:38Besides, it's very difficult to get here.
16:41We have to make sure it's okay when we leave.
16:44But wait a minute, when are you leaving?
16:46Not yet.
16:48But at some point we'll have enough.
16:50Not yet.
16:52But at some point we'll have to go and see if it's safe to get her out of here.
16:57We're running out of time that Mr. Baeza gave us.
17:00And we should ration the food so that when we leave,
17:03she can hold on for as many days as possible.
17:06Just in case.
17:11She has to be strong.
17:13And for that she has to eat well.
17:17What's wrong?
17:21Well, I'm shaking.
17:24Just thinking that...
17:27That I'm alone again.
17:50Oh.
18:13Virtudes, you're still here.
18:16I was finishing to fill the bottle of ammonia that had run out.
18:22Is that why you have glassy eyes?
18:24Because of the ammonia?
18:25Yes.
18:30Virtudes, are you okay? Did something happen?
18:33Yes.
18:35Come on, tell me what's bothering you.
18:37No, it's nothing bad.
18:41Well, it's good that you're hiding it because your face didn't do the same.
18:46It's because of my son.
18:50My mother had an idea to get the money and get my son back.
18:56Come on, tell me.
19:00It's about selling jam, like the ones they made for Miss Catalina.
19:04I've tried them and they're exquisite.
19:06And they're the best of originals.
19:08My mother is convinced that the sale of jam will bring good returns.
19:12And I believe it too.
19:14It seems like an excellent idea.
19:16Well, yes.
19:19Then I still don't understand why you're like this.
19:23It's pure emotion, Vera.
19:26Even if it's not frequent, she also cries with joy.
19:30And when that happens, it's beautiful.
19:35I had never received the love of so many people.
19:39All of you...
19:41You have been very generous.
19:45You have offered me your help without asking for anything in return.
19:49And what's wrong with helping others?
19:53Nothing.
19:55But one does not get used to being shown so much love.
20:00Calm down.
20:03You...
20:07You have opened your arms to me.
20:11And your hearts...
20:15Come on, give me a hug.
20:40Salvador.
20:42Sir, what are you doing here?
20:44I'm sorry, I didn't mean to scare you.
20:46No, it's just that you came in such a stealthy and stealthy way that...
20:50Yes, you're right, but it's because I don't want anyone to discover me.
20:53Salvador, I have to ask you a very important favor.
20:56But you have to refrain from asking any questions about it.
20:59Don't worry. Curiosity kills the cat.
21:02And the street too.
21:04Good.
21:06You see, I've come to you because you're the one I trust the most.
21:10And also because of my cousin Curro.
21:12Curro?
21:13He's feeling worse, Mr. Curro.
21:16No questions, no questions.
21:18Sorry.
21:20Salvador, you must say that you are in charge of him.
21:22You must be the only one who takes the food to his room.
21:26And in the morning, you will empty his bed and disorganize his room
21:29for when the maids come to clean.
21:31I don't understand. He's already in charge of doing that.
21:34Sorry if it sounds like a question.
21:37I'll shut up.
21:38I understand your strangeness.
21:41You see, I can only tell you that Curro can't do it.
21:46Because he can't find the promise.
21:49So you're asking me to cover up the little man's absence?
21:53Indeed.
21:55Salvador must seem to be still here.
21:57No one should notice that he's gone.
22:00And where do I say he's gone?
22:02When someone comes to clean the room?
22:04Or when he has a visit?
22:07In that case, say he's taking a bath.
22:11Or that he's getting some fresh air, riding a horse.
22:14It's of vital importance.
22:17No one should find out about this, Salvador.
22:19Don't worry, sir. No one will.
22:22Good.
22:27Here.
22:28No, no, no. Please, no.
22:30Salvador, it's a gratification.
22:32I understand that what I'm asking you is out of your reach.
22:35It's...
22:36It's not necessary, really, sir.
22:38For me, it's a great honor that you trust me.
22:41No matter what happened to Mr. Curro.
22:44I'll follow your orders.
22:46I'll leave the bed as if he were still sleeping there.
22:49And I'll cover him when someone comes to his bedroom.
22:56I want to tell you that what you're doing is for a good cause.
22:59I have no doubt, sir.
23:01You'll have your reasons, but I'm sure they're totally justified.
23:06Thank you, Salvador.
23:08I'll sleep better tonight.
23:10I'm glad to help you rest.
23:31A perfect brushing. You can put it on Captain De La Bata.
23:41Good morning, Ricardo.
23:43Good morning, Romulo.
23:45A little more serious than yesterday?
23:47It's always good to consult the problems with the pillow before making hasty decisions.
23:51I'm sorry. I was very angry.
23:53A lot. Didn't you go to bed?
23:55No, I didn't.
23:57I'm sorry. I was very angry.
23:59A lot. You didn't spit in my mouth, but almost.
24:02It's just that Mrs. Arcos makes me suffer. She makes the worst of me.
24:06And of everyone. You have to learn not to get out of your box.
24:09Yes, I guess so.
24:11Still, I was very worried yesterday.
24:13Why did you even talk about abandoning the promise?
24:17Well, it's what I really thought.
24:20Well, I hope you've reconsidered.
24:24Don't you realize that if you don't, she'll get her way?
24:27I guess that's it. I've made up my mind.
24:29No, don't talk like that.
24:31Don't let Mrs. Arcos push you to throw everything away.
24:34I can't with her.
24:36I've served for many years in houses.
24:38And I've never come across someone so harmful.
24:41Take it as a challenge.
24:44Ignoring his sarcasm and his ignominy
24:47will not only make you a better mayor, but also a better person.
24:50Yes, I suppose that if you're able to maintain serenity
24:53when that slimy snake is by your side,
24:56you become a bit less than an altar saint.
24:59Man, look at me.
25:01I'm about to canonize.
25:05Okay, okay. I won't get angry.
25:08That's what I wanted to hear.
25:09But still, the injustices annoy me.
25:12I'm still convinced that Petra
25:14is the one who sent the invitation for Mrs. Margarita's snack.
25:17I can't assure you, but I wouldn't be surprised either.
25:20That woman is capable of that and much more.
25:23But she never does anything if it's not on purpose.
25:26What can she gain by acting this way?
25:29I already told you.
25:30Leaving me in the wrong place.
25:32Do you think it's not enough?
25:33That the Duchess of Carlisle has presented a snack
25:35to which she has not been invited,
25:37that only shows a fragrant lack of organization.
25:39And who was it for to use those invitations?
25:41You.
25:42Well, there you have it.
25:43That woman is willing to destroy me.
25:45Yes, and from what I see, she can get it.
25:48Don't let yourself be dragged down by her.
25:50Don't do anything you might regret later.
25:56I finally find you, Mr. Baeza.
25:57How can I help you?
25:58Mrs. Margarita wants to talk to you as soon as possible.
26:01She just finished breakfast and is waiting for you in the living room.
26:04What do you want to talk about?
26:06About the invitations for the happy snack.
26:08I'm coming with you.
26:09Yes, yes. It's also my responsibility.
26:11No, it's better that you don't come if it's not strictly necessary.
26:14But, Romulo, if she hasn't asked me to come alone,
26:16then I'll go alone.
26:17Besides, don't worry.
26:19I'm used to this kind of talk.
26:22I'm the head of the office.
26:34You could shorten the tension with a knife.
26:36Besides, you know how the gentlemen are.
26:38They take off their skins, but they never lose their shapes.
26:41And the food?
26:43It was delicious, but they almost didn't taste it.
26:45They were too busy throwing reproaches at each other.
26:48But the dinner was for Mr. Manuel.
26:51And Mr. Curro, of course.
26:53Yes, well, they could have come back from the war,
26:55but what happened yesterday was a war.
26:58A verbal war, of course, without blood.
27:00Which is not little.
27:02But how could everything be so annoying?
27:05Well, it was the presence of a friend of Miss Catalina
27:08that changed everything.
27:09Adriano, maybe?
27:11Yes, I know him.
27:12He's a boy, a farm worker.
27:14He's a bricklayer.
27:16A bricklayer and a gambler.
27:18I don't know who comes up with that eccentricity
27:21of inviting someone like him to a tag dinner.
27:24But he's Miss Catalina's friend.
27:26That woman has completely lost her mind.
27:29The retreat, instead of making her recapacitate,
27:31what it has done has been to save her.
27:33Even more, if it fits.
27:34I remind you that you are the key master of this house.
27:37And that this is not a proper way to talk about the young lady.
27:43It is true that the one who was most noticed lost
27:46was this guy, Adriano.
27:48He didn't know how to use the cutlery,
27:50nor did he know how to distinguish a glass of wine from a glass of water.
27:53Like a little fish out of the water, the poor thing.
27:55That's right.
27:56But thank goodness that Miss Catalina
27:58was giving him directions all the time discreetly.
28:00I don't want to give Mrs. Petra the reason,
28:05but with a job, she shares a table and butter with the gentlemen.
28:09It's not usually the usual,
28:11but he was Miss Catalina's guest.
28:13And he also had the benevolence of Don Manuel,
28:15who was the honored one, so ...
28:17What a way to ruin a dinner
28:19that should have been unique and emotional.
28:22I understand more and more Mrs. Marquesa
28:24when she gets angry with Miss Catalina's behavior.
28:28Everyone has to know what position they occupy in this society.
28:32Don't exaggerate, Mrs. Petra.
28:34I'm not exaggerating at all, Salvador.
28:36Miss Catalina didn't realize that
28:38with all those libertarian ideas of hers,
28:40she would lose everything she had.
28:42So much suffragette literature has made her ...
28:45lose her mind.
28:47Those books should all be burned in a pyre.
28:51Books should never be burned, Mr. Arcos.
28:53If Miss Catalina invited that boy to dinner,
28:56she would have her reasons.
28:58I'm with Simona there.
29:00If she considers him her friend,
29:02she must have seen him.
29:03Good manners and nobility.
29:05Man, I didn't know him,
29:07I didn't know anything about him,
29:08and suddenly I saw him dressed as a frac,
29:10who looked like a glove, and I said,
29:12this guy can't be the foreman.
29:14Yeah.
29:15Frac.
29:17That belonged to Don Pelayo.
29:19By the way.
29:21I was informed that Miss Catalina sent me to look for him.
29:24Yes, that's right.
29:25Mrs. Marquesa made sure to make it clear
29:28that the suit belonged to the old fiancé of Miss Catalina.
29:32Did she really say that?
29:34Yes, yes. It was a rather unfortunate comment.
29:36And with bad taste and bad mouth.
29:38We don't walk on thin ice.
29:40What barbarity.
29:42The street is judging the hand that feeds them,
29:45and the coat sitting at the table of the gentlemen
29:47as if it were one more.
29:49If this is not the end of the world,
29:50may God come and see it.
29:53Yes.
29:57What I don't understand is how such a blatant misguidance could have happened.
30:00Couldn't you be a little more specific, ma'am?
30:03Well, I thought it was common knowledge that the Duchess of Carril
30:05showed up unexpectedly at the snack I had organized.
30:08Well, I had no idea.
30:10Well, that's how it was. That's how it was.
30:12And I can assure you that she was not on my guest list.
30:14So how could she come?
30:15Well, there lies the mystery.
30:17I'm sure I invited four of my friends.
30:19Can you imagine that I was stunned
30:21when I suddenly ran into the Duchess of Carril
30:23like out of nowhere?
30:25I understand.
30:26And I also know that she received an invitation from me.
30:29Well, that's weird.
30:31I don't know.
30:32I want to find out who sent that invitation without my consent.
30:35But who could be interested
30:37that the Duchess of Carril was at your snack?
30:39Well, that's what I want to find out.
30:41That it is a matter of extreme gravity.
30:43It is true that nothing happened this time,
30:45but imagine that someone ungrateful to the family suddenly shows up.
30:48Certainly, it is a very serious matter, ma'am.
30:51Unfortunately, I cannot help you clarify it.
30:54I was not in charge of organizing the snack or the invitations directly.
30:58But you are the one who supervises everything, right?
31:01Yes, but I have delegated certain tasks to focus on others
31:05directly related to the palace's attendance.
31:09Yeah, I'll take care of it.
31:11Anyway, I would like you to talk to whoever you have to talk to
31:14to solve this enigma.
31:15Well, I will investigate to find out what happened.
31:18And if it was a mistake, find the person responsible for this negligence.
31:21Oh, I will do so, ma'am.
31:23For now, I can only apologize and regret that your snack has been stolen.
31:28No, don't worry.
31:29As I said, nothing has happened.
31:31But we have to prevent these mistakes
31:33so that they do not occur again in the future
31:35with much more serious consequences.
31:37With your permission, ma'am.
31:38Thank you, Romulo.
31:45Let's go.
32:01Adriano.
32:02Come in, please.
32:04I came to return the frasque you lent me for dinner last night.
32:08You didn't have to do it so hastily.
32:12If it were up to me, I would have returned it to you after dinner.
32:15I must admit that Pelayo had an exquisite taste for dressing.
32:20I'm sorry for my stepmother's comments.
32:23They were unfortunate and very unpleasant.
32:27Caterina, you could have told me that the frasque belonged to your ex-fiancé.
32:32You're right.
32:34I'm sorry.
32:36In any case, don't listen to my stepmother
32:38because she only wants to bother me.
32:40And she did it through you.
32:42Well, I killed two birds with one stone.
32:44I've never had a bad drink like this before.
32:47I apologize.
32:49I didn't want to put you in such an uncomfortable situation.
32:52And I didn't want you to feel bad.
32:54I don't understand what you meant.
32:55Nothing.
32:57If I lent you that frasque, it was because I didn't have another one of your size.
33:01In that case, I would have preferred to wear my own clothes, Catalina.
33:04I wanted you to be elegant.
33:07I mean, those scenes have a label.
33:11Well, I would also have preferred not to attend those scenes.
33:17Forgive me, Adriano.
33:20Don't be mad at me, please.
33:23I didn't do it with bad intentions.
33:27For me, what we have is special.
33:32Catalina, I'm in love with you.
33:35Like I said.
33:38But I don't want to become your toy.
33:41I understand that you have enough reasons to be at war with your stepmother.
33:45But I don't want you to use me against her.
33:48I'm not a pill.
34:06I love you.
34:18Don't worry.
34:20I just came to leave these books.
34:23I'll leave you alone in your office right away.
34:27Now that we are alone, we have the opportunity to clarify things.
34:33And what is exactly what needs to be clarified?
34:36Let's leave a conversation in the middle.
34:39Well, since you are not more specific ...
34:42What do you want to talk about?
34:44About what happened between us.
34:46No. Did something happen to you?
34:48It is evident.
34:50But I think there was a confusion.
34:52And unfortunately, you misinterpreted things.
34:55Do those two kisses seem unfortunate to you?
34:58They were involuntary on my part.
35:00And not the other way around, as you said.
35:02Poor thing. You couldn't keep your lips sealed.
35:05You felt forced, didn't you?
35:07My intention was not to kiss you.
35:08Well, you did.
35:10Because you didn't let me escape. How many times do I have to repeat it?
35:13No matter how many times you do it, you won't get it to be true.
35:15Stop it, Maria Antonia.
35:17Don't blame me.
35:19Of course. Now you are a poor victim, aren't you?
35:21A happily married man who has suffered the attack of a harpy.
35:24Don't say things I haven't said.
35:27I'm not stupid, Alonso.
35:29Your strategy is stupid, with all that sudden passion that has awakened in you.
35:34My relationship with my wife is not your fault.
35:36It is.
35:37When what you do with her is to make me jealous.
35:39Please, what are you saying?
35:42Or maybe your reasons are even more twisted.
35:45Maybe those unfortunate kisses we gave each other have a meaning
35:48and you had to crush your passion for someone.
35:50You are delirious.
35:53How can you distort things that way?
35:56Your hidden passion manipulates you.
35:59Because if you had nothing to hide, you would have already told your wife
36:02so as not to give way to misunderstandings.
36:04I don't want to put the cross against her best friend.
36:06Of course, that's why you're telling me to leave, right?
36:08To separate from her and not to talk to her.
36:12I don't think you care that she knows what happened.
36:16So let's leave it be.
36:18Because it is clear that we are not going anywhere.
36:26No.
36:39I have met you again and I have also mentioned you
36:42to discuss the matter of the mysterious invitation to a snack
36:46organized by Mrs. Margarita.
36:48An unforgivable negligence.
36:50Let me lead this conversation, Mrs. Arcos.
36:56Mrs. Margarita insisted this morning that she wants to get to the bottom of the matter.
37:00And I agree.
37:02And me.
37:03And I claim that you are satisfied.
37:05Let's see if we can find something on this matter.
37:08I am responsible for the entire service
37:11and I have to be aware of any irregularity
37:16to avoid the complaints of the gentlemen.
37:18I already made it very clear to you that I did not make any mistake.
37:21I allowed myself to include Vera in the snack service
37:23and to supervise that what was served was appropriate.
37:26And nothing else.
37:28The invitations were things of Mr. Pellicer.
37:30Which is great for you to get rid of all suspicion.
37:36And I also limited myself only to fulfill my duties.
37:39Well, of course he didn't do it right.
37:42Do not interrupt, Mrs. Arcos.
37:44We have all been very clear about your opinion.
37:47In case there was any doubt, Mr. Baeta.
37:50Can we do a reconstruction of the facts, please?
37:54I think Mr. Pellicer should start.
37:56Since he was in charge of notifying the guests.
38:01Yes, it is true, yes.
38:02But Santos was in charge of that task.
38:04I was in charge and he offered to help me.
38:07On top of the fact that he is in charge of a lackey and his tasks,
38:09he accuses me of the entanglement that was formed with the snack.
38:12You have no shame, Mr. Pellicer.
38:15Mrs. Arcos, let's talk.
38:20That's right.
38:21My father was overwhelmed and the snack had to be prepared from one day to the next.
38:26So we both agreed that it was best for me to write and send those invitations.
38:30I know.
38:32What I am very clear about is that there were five names on that list and not four.
38:36As Mrs. Margarita assures,
38:38I simply limited myself to writing the name on each letter and nothing else.
38:43Well, it's your word against that of a lady.
38:46It is more than evident that it would weigh more on a scale.
38:49That it weighs more does not mean that you are right.
38:52We all know that Mrs. Margarita has her head elsewhere since her daughter was admitted to the sanatorium.
38:58Well, the only proof that could make us doubt is having that paper with the list.
39:03Impossible. The paper was thrown in the trash and it is more than lost.
39:07Anyway, what sense would it make for Santos to lie about this matter?
39:12Why would he include another name?
39:14Well, look at you.
39:16That's where I agree.
39:18The boy has no reason to do such stupidity.
39:23But that does not mean that you put a task on his shoulders that did not correspond to him.
39:27Mrs. Arcos, I have already told you that we know what your opinion is.
39:33Well, let's see if we start acting accordingly.
39:37Well, since we are not going to find out the truth of what happened,
39:41I will manage this matter with Mrs. Margarita in the best possible way.
39:46And what are you going to tell her?
39:47I'm going to tell her to do her job and make the mistake, promising her that nothing like this will happen again.
39:54But that is to assume that she did make a mistake.
39:57Well, the best thing to do is to assume the blame and settle the matter as soon as possible.
40:01Also, if Mrs. Margarita claims that she put four names, there is no way to convince her otherwise.
40:06I see.
40:08Leave the matter in my hands.
40:10Of course, please, I ask you to be more careful in the future.
40:13We will do so.
40:15I'll do it.
40:45Thank you.
41:16Where are you, Hanna?
41:23Where are you?
41:37This wait is killing me.
41:41It's lunchtime, sir.
41:43Let's go downstairs.
42:13I mean, back to the original jams.
42:35The new and different flavors.
42:37That's it.
42:38And with that jam mix, sell them.
42:40And the profits, allocate them to the fund to recover Adolfito.
42:43And give him a home while Virtudes finds another job.
42:47It excites me so much that you do that for me.
42:49Virtudes, we do it for you, for Mrs. Simona and for everyone.
42:52That's it. Here we don't know what to do with our arms crossed when one has a problem.
42:55That's right.
42:56I'm looking forward to making the jams, but first I need the sugar and the fruit.
43:03We can buy it with the initial collection.
43:05That's what we thought.
43:07Also, I am convinced that we will recover the money in a week.
43:10Of course.
43:11You can count on my help, in case you had any doubts.
43:14We didn't have any.
43:16Thank you.
43:18Don't worry, Virtudes.
43:20Anything to help you bring your creature back, welcome.
43:24And count on me too.
43:26If I don't have to make the jams, of course.
43:29I'll take care of that.
43:30We'll find you a task so you can fix your shoulder.
43:35Are you going to be able to count on the help of the women of the town?
43:39I wish we could.
43:41But they are under the yoke of Captain de la Mata and his business.
43:44And you?
43:46And we have barely supervised the jams for a long time.
43:49So we have time.
43:51And I've heard that the captain pays a lot.
43:53Yes, that's right.
43:55It's a shame not to have money to pay those women as they deserve and God commands.
43:59Let's see if all this is going to be a conflict with Don Lorenzo.
44:04For nothing in the world would he want to go against you.
44:08Virtudes, it's a risk.
44:11After all, we are going to compete with him in the sale of jams.
44:14That's why we have to be discreet and prevent this from happening.
44:17In any case, I also tell you, no matter how much we sell jams,
44:21ours is a totally different product.
44:23That's right.
44:24Theirs are intended for the sale to the Spanish army.
44:27And ours, we want them to be something more humble, something on a small scale.
44:31And you think that will stop him?
44:34You know how gentlemen are.
44:36Envious and arrogant.
44:38Virtudes, it won't be fun for him if we set up our own business.
44:41Especially because we are vulgar members of the service.
44:45We are inferior beings.
44:47But it is a risk that we have to take.
44:50I am willing to take it.
44:52But we have to make it clear to everyone who enters the company,
44:56everything that is played.
44:59It's just that I don't want anyone to play it for me, Salvador.
45:03Please leave all this jam business.
45:07It seems nonsense to me and I don't want anyone to do anything.
45:22I don't want anyone to do anything.
45:41Good afternoon.
45:42Good afternoon.
45:44How lonely and thoughtful, right?
45:46Me?
45:47Yes.
45:49You haven't even understood the point.
45:51Yes, you're right.
45:54And that's one of the best I've found.
45:57What's got you so drunk?
46:00Well, the truth is that right now I was thinking about Maria Antonia.
46:04Yes, I was thinking if the time had come for her to continue her life outside the promise.
46:09Don't say that, Alonso.
46:11I may have rushed a few weeks ago.
46:13But now that Manuel and Curro have returned, I think their stay here is too much.
46:18I'm sorry, but I still don't understand why you insist on my friend leaving when she has done so much for us.
46:23You are more encouraged. We are all more encouraged.
46:26And she has behaved wonderfully.
46:29So?
46:30Why? Does it bother you so much?
46:32No, it doesn't bother me.
46:34On the contrary, she is a very nice woman and a great talker.
46:38And a loyal friend.
46:41Yes.
46:43She has been by your side in these difficult times, with Manuel at the forefront, fighting for her life.
46:48Well, I understand less and less.
46:50Cruz, I think she deserves to be set free and to continue her life outside here.
46:55Alonso, she herself told us that she has no commitment outside the promise.
47:00And you know as well as I do that she needs me too.
47:04Yes.
47:06But I'm afraid that now that we are all in the palace, she has the feeling that we are putting her aside.
47:12It's a matter of time before she feels out of place.
47:15And I don't want that to happen.
47:17After everything she has done for us, I wouldn't want things to end badly.
47:23Cruz, everything has a beginning and an end.
47:27And prolonging things more than is convenient always brings problems.
47:33Why don't you talk to her and explain it to her?
47:37I'm sure you have more tact than I do.
47:41Is it okay? Is it okay?
48:11Hello.
48:16How are you?
48:20I'm fine.
48:22Why do you ask that question?
48:24I noticed that you were a little upset when you stopped serving the snack that Mrs. Margarita had prepared for her friends.
48:34Vera, you can trust me.
48:37I know something is happening to you.
48:39We may not be dating anymore, but I know you very well.
48:44One of Mrs. Margarita's guests was my mother, the Duchess of Carré.
48:51I was stunned when I saw her face to face.
48:56I guess so.
49:00I guess so.
49:03I had no idea she was Mrs. Margarita's friend.
49:08And how did your mother react when she saw you?
49:11Well, she was just as surprised as I was. Even more.
49:15Imagine seeing your daughter disappear after so long, and on top of that, dressed as a maid.
49:20That must have been what shocked her the most.
49:24My mother couldn't get out of her shock when she saw that she was part of the service of the Marquise.
49:30But Mrs. Cruz has less rank than she herself.
49:34Now I understand your disembodied face.
49:39I still can't get over that impression.
49:42It's not for less.
49:46And what are you going to do?
49:49Well, now that my family has located me, I'm in a bit of a complicated situation.
49:55Maybe your mother is understanding with you.
49:59No.
50:01The meeting was a bit violent. She even slapped me.
50:06Really?
50:09I didn't know it was that bad.
50:13Good manners are always so rooted in my family.
50:20If you need anything, I'm at your disposal.
50:29Pera, you can trust me. Really.
50:32I know I've been very bad to you, but I promised to keep your secret.
50:36And I haven't revealed it to anyone.
50:39All I want is to support you, unconditionally.
50:44Thank you, but there's nothing you can do.
50:49Santos, I prefer to be honest with you.
50:51I'm in love with Lope and this won't change my feelings.
50:57I know.
51:00I'm sorry it's a bit sudden, but I don't want you to get your hopes up.
51:05I understand. Don't worry.
51:24An invisible airplane?
51:26Yes.
51:27The fabric of these planes has been replaced with a transparent material, almost invisible.
51:32A mixture of cellulose and acetic acid.
51:34But it's not a very fragile material.
51:36No, on the contrary.
51:38It has the resistance of an elastic band.
51:41It's very foldable and can't be burned.
51:43And this plane has been tested? Or is it just a project?
51:47Two years ago, the first tests were made, in the summer of 1913.
51:52Sister, at a height of 1,000 meters, an airplane with this material is invisible.
51:58Don't you think it's incredible?
51:59A lot.
52:00If you don't tell me, I won't give you credit.
52:03Does this have to do with the prototype you're working on?
52:07No.
52:09No, mine has more to do with the aerodynamic design of a new aircraft.
52:13That's why I'm studying the new models in depth, so I can improve them.
52:17I'd love to see it when you have it more or less, Pergeña.
52:23I will.
52:27Thank you for the visit.
52:29The most pleasant thing has been the instructive talk.
52:34I know I get very heavy when I talk about planes, sister.
52:37Not at all.
52:38I love to see the passion you talk about.
52:44It was you who brought out the passion to do things.
52:50And I'm sorry I gave you up.
52:54I don't think you've come to talk to me about the progress of aviation.
53:01I know.
53:03I know.
53:04Last night's dinner was a complete disaster.
53:10I wouldn't be the one to take away your reason.
53:13Even if it was worse, it was your guest.
53:17It was my fault.
53:19I shouldn't have invited Adriano.
53:21I put him in a very violent situation.
53:23Didn't you suspect that my mother would explode when you saw yourself appearing with him?
53:27Well, yes, maybe.
53:29But I didn't think it would be that bad.
53:33I thought he would coerce himself in front of everyone.
53:35I don't know.
53:37I was naive.
53:43You see, something tells me that...
53:47if you insisted on taking Adriano to that family dinner, it was...
53:53Because for you, that man is something more than just a tenant.
53:58Am I wrong?
54:05Okay, I'll tell you another way.
54:10Is Adriano your boyfriend?
54:17Well, I praise that boy's effort to try to behave at the table.
54:22An effort that turned out to be improvised.
54:24You can't learn good manners in two minutes.
54:26That boy would have needed a century to learn to behave.
54:30No one is born taught.
54:33But there are people who learn faster than others.
54:36And we already know what kind of person Adriano was.
54:39Yes, the kind of person who shouldn't sit at our table.
54:42Although Catalina doesn't seem to understand something so simple.
54:45She has always gotten along with the workers.
54:48She has nothing wrong with that.
54:50Well, yes, she does.
54:51We each have our place, Alonso.
54:53If she wants to relate to those people, I think it's very good.
54:56But not to force us.
54:58It's a very bad taste.
54:59She has a good relationship with him and I just wanted us to meet him.
55:02Despite everything, for me, the party was the most entertaining.
55:07Well, for that, I prefer to go to the circus.
55:09I don't want the circus to come to my house.
55:11It will take me centuries to recover from such a mess.
55:16I'll take it.
55:18I'm waiting for a friend's call.
55:25Yes.
55:30So?
55:32Good.
55:34I understand.
55:36Good afternoon.
55:46It was from Martina's sanatorium.
55:49What happened?
55:52Bad news.
55:55What bad news?
56:15I received this from Scarmiento to Mrs. Margarita and Conde Dayala.
56:19What a nice solution to lock up the poor girl being innocent.
56:22Mrs. García, I remember you talking about the gentlemen.
56:25Am I telling a lie?
56:27We must give part to the Civil Guard.
56:29And give it.
56:30But what insistence with the Civil Guard.
56:32Can you think of a better way to face the situation?
56:34I still think that Mrs. Arcos is behind all this in one way or another.
56:38Yes, it is possible, but as long as we don't have proof, everything has to stay that way.
56:42That list with the names of the guests is the answer to everything.
56:46So you'll have to find it.
56:48How?
56:49It's all in the trash.
56:51Well, we'll have to look elsewhere.
56:54It couldn't have been a simple misunderstanding.
56:56I don't want to go to bed yet.
56:58Lately, it's been a bit difficult for me to reconcile sleep.
57:01From your indisposition in Mrs. Margarita's snack.
57:06Has something happened in that snack?
57:08I met my mother.
57:11And Curro doesn't know anything either?
57:13What does Curro have to do with all this?
57:15It's obvious, isn't it?
57:16Curro was perhaps the person who had a closer relationship with Martina before going to war.
57:22And I don't see it from his welcome dinner.
57:25To which, by the way, he did not attend.
57:27He is very clear that he loves me.
57:30Has he told you?
57:32Yes.
57:33A beautiful statement.
57:35And I just have to spoil everything.
57:37I invited him because he is my friend.
57:39I know, daughter.
57:41What I don't know is if there was any other intention on your part.
57:46Like what?
57:47You wanted to bother Cruz.
57:49The time has come for us to talk.
57:52And that's not exactly what we're doing.
57:55Your generosity to me has been infinite.
57:58You abandoned all your obligations to take care of my help when I needed you.
58:02And that's an effort I can't keep asking you anymore.
58:09Are you throwing me out of the promise?
58:11I want you to tell me where Curro is.
58:13Come on, Ignacio.
58:15That boy is just sick.
58:17And you shouldn't bother him.
58:19Curro is not here and you know it as well as I do.