AFHS11 CAP 71
AFHS11 CAP 71
Transcript
00:00I'm old now!
00:15Perfect! It worked!
00:17Time to sleep!
00:19To get out of doubt, I'm going to have to do it myself.
00:21That's not fair, Francis!
00:23He sees you and he's going to get mad!
00:25How do I do it so he doesn't see me?
00:27I know!
00:30What if you disguise yourself?
00:32Oh, Teresa!
00:34You're still thinking about that nonsense about the Gonzaleses!
00:36No!
00:38My name is Lucio and I'll be your waitress today.
00:40Here's the letter.
00:42I'll be right back to take your order.
00:44Oh, thank you so much, darling!
00:46So, with your eyes,
00:48you disapprove that we're back.
00:50That's what I feel.
00:52Julie, my family,
00:54not counting Alesia,
00:56also disapproves of us.
00:58But I don't care what they think.
01:02Chocamantros?
01:04The prestigious gastronomic influencer!
01:06He's in my restaurant!
01:12Do you want me to be a part of your life?
01:14Accept me at once
01:16and forever.
01:18I love you.
01:20I love you, too.
01:28I love you, too.
01:30I love you, too.
01:32I love you, too.
01:34I love you, too.
01:36I love you, too.
01:38I love you, too.
01:40I love you, too.
01:42When you told me you'd moved to Las Nuevas Lomas,
01:44I thought it was a house like this.
01:50Not like this.
01:54Picturesque.
01:56It's only temporary.
01:58Besides, the Gonzales
02:00are super nice.
02:02I'm getting used to it.
02:04At least you have hot water.
02:06Sometimes.
02:08Actually,
02:10the only thing that really bothers me
02:14is that in front of me lives the culprit
02:16of all my misfortunes.
02:22Good afternoon, Mr. Choca.
02:24I'd like to introduce you to Francesca's,
02:26the best restaurant in the country
02:28and owner of a Chivilin Award.
02:30My name is Lucio, and I'll be your host today.
02:32Here's the letter,
02:34and I'll be right back to take your order.
02:36Excuse me, can I ask you a question?
02:38Is Mrs. Francesca Maldini here?
02:40Because a few days ago
02:42she called me to invite me
02:44to taste the delicious dishes
02:46of her Spanish chef, Laia Sanz.
02:48Well, Mr. Choca,
02:50Mrs. Maldini is our manager,
02:52but she's not here right now.
02:54Occasionally she comes, but not always.
02:56And regarding Chef Laia,
02:58she doesn't work with us anymore.
03:00Mr. Chef Peter McKay is in his place.
03:02McKay?
03:04McKay is of Scottish descent?
03:06He's Peruvian, and he's a fan of Spore Boys.
03:08Ah, so he's seasoned.
03:10Let's see.
03:12Bring me
03:14these three entrances
03:16and these three background dishes.
03:18Are you going to eat those six dishes?
03:20No, not all of them.
03:22I'm just going to taste them.
03:24That's the job of a gastronomic influencer.
03:26It's a hard job, right?
03:28But someone has to do it.
03:30Well, Mr. Choca.
03:32Anything to drink?
03:34Yes, a Chateau Lafite.
03:36Something simple for Maridar.
03:38Of course.
03:40I'll be right back.
03:42Thank you.
03:50Francesca has a respectable
03:52cleaning protocol.
03:56Now we're going to taste the food
03:58and decide how many chocas
04:00will be added.
04:02Luckily, Peter is like
04:04the main chef of the restaurant.
04:06That assures me
04:08the highest rating.
04:16Chef Peter, this order is very special.
04:18I recommend that you be careful in your preparation.
04:20And why is there so much question?
04:22Do you know who
04:24Jaime Choca Mandros is?
04:26I don't know who that bastard is.
04:28He is a recognized gastronomic influencer
04:30at national and international level.
04:32The chocas that he gives us
04:34will make us climb
04:36to the top of the ranking of the world cuisine.
04:38Are you serious?
04:40Of course.
04:42Mrs. Maldini herself asked Choca
04:44to come to taste the dishes of the letter.
04:46Let's see.
04:48Show me who he is.
04:54That chubby,
04:56chubby and smiling man
04:58is Choca Mandros.
05:02He looks like the chef
05:04of some cartoons
05:06that I saw when I was young.
05:08Whatever.
05:10In his hands
05:12is the future of our restaurant.
05:16I would like to work
05:18immediately on the order.
05:20Rather, the recommendation
05:22of the chef you asked me
05:24is already ready.
05:26Thank you, chef.
05:32Let's prepare
05:34those dishes in the best way.
05:40Francesca Maldini
05:42confirmed that
05:44Francesca Maldini bought the agency
05:46and fired everyone
05:48who did not consider necessary.
05:50Do you think that at least
05:52he gave us a good compensation
05:54after he had left us on the street?
05:56No! He treated us like anything,
05:58as if we were dogs.
06:00I want to hit him back.
06:02I'm not going to turn the page.
06:04I want to take revenge on this woman
06:06because I want her to go wrong, wrong, very wrong.
06:08I'm sorry, my love.
06:10When I talk about Francesca Maldini,
06:12he takes me out of my box.
06:14No, no, calm down, calm down.
06:16But better forget it.
06:18Forget it.
06:20Why are you going to get your hands dirty?
06:22Look, a woman as powerful as she
06:24who has built her empire
06:26on top of the misfortune of so many people
06:28because that's what I imagine
06:30is not worth it.
06:32No, no, no.
06:34Don't hit him back.
06:36You won't be able to.
06:38I'm not afraid, Maxi.
06:40Even about justice.
06:44That's it. Get out.
06:46I have a very important meeting now.
06:48Are you going to wish me luck?
06:50Of course, my love. It will be wonderful.
06:52I don't know if I told you today
06:54that I love you.
06:56Not today.
06:58I love you. I love you very much.
07:00I want the best for you.
07:02Get out.
07:10Get out.
07:40Get out.
07:50I don't know what witchcraft you did to me,
07:52but I slept all night.
07:54The power of my clarinet, Antonia.
07:58Well, then I left you installed.
08:00Okay?
08:02Now, the only condition
08:04is that you are always available
08:06to bother Francesca.
08:08Whenever I want.
08:10Your condition has been very clear to me.
08:12Good.
08:14Then I'm leaving.
08:16Antonia, one more thing.
08:18What about the González?
08:20What's wrong?
08:22I already told you not to worry about them.
08:24Well, but I'm a nuisance to them.
08:26And I don't want to stay here.
08:28Believe me.
08:30Well, but you are so worried
08:32about what they think of you.
08:34I'm worried about my life.
08:36Well, what do you think
08:38if you also
08:40bewitch them with your clarinet?
08:42Oh.
08:44Goodbye, Chicaro.
08:46Bye.
08:48Excuse me. Excuse me. Excuse me.
08:54Bye, girl.
08:56Bye. See you.
08:58Bye.
09:28This is delicious.
09:30It was a great success
09:32to ask Peter
09:34to take charge
09:36of the kitchen in the restaurant.
09:38Ma'am, is everything okay with your order?
09:40Oh, excellent!
09:42Fabulous!
09:44Everything is great!
09:46I want to congratulate the chef.
09:48Where is he?
09:50I loved everything.
09:52Good, good, good.
09:54Well, the chef is in the middle of work now.
09:56You must know his wishes to talk to him personally.
09:58Oh, thank you very much!
10:00Excuse me.
10:02Sir, excuse me, excuse me.
10:04You are going to take a long time with my order.
10:06It's just that I have a tight schedule
10:08and I have to continue with my gastronomic route.
10:10Come on, go, put the turbo in the kitchen.
10:12I'll bring you the entrances, Mr. Choca.
10:14A favor, please. Better bring everything at once.
10:16I'll see what I can do.
10:18Go ahead, go ahead.
10:22Oh, but for this wait of the restaurant
10:24I will not be rated over 5 chocas,
10:26but over 4.
10:28The dishes will have to be extraordinary
10:30to grant him my maximum rating.
10:32With Peter in the kitchen
10:34I'm sure
10:36that we will achieve the 5 chocas.
10:44Chef Peter, hurry up.
10:46The gastronomic influencer has to continue his way.
10:48Are you rushing me?
10:50No.
10:52Come.
10:54No, no, no, it's not necessary.
10:56Come closer.
10:58Come closer.
11:00Have you seen the Vipa?
11:02I look at it, I look at it.
11:08The good always makes you wait.
11:12But Mr. Choca does not wait.
11:14Very well.
11:16There you have all the dishes ready.
11:18With this I'm sure
11:20that they will give us the 5 chocas.
11:22And you, Chef Peter,
11:24will be on the crest of the wave,
11:26at the top of success.
11:28Bring the dishes at once.
11:30Of course, Chef.
11:32By the way, there is a person who wants to congratulate you
11:34for your good cooking.
11:36Do you want to congratulate me?
11:38Let's see who it is.
11:40It is Mrs. Rubia
11:42who is at the entrance table.
11:44Tell her that I'm coming out right now.
11:46First I go for Mr. Choca's dishes.
11:50She is beautiful.
11:54I'm going to get ready a little
11:56to receive your congratulations.
12:16Hello.
12:34Hello.
12:36How are you?
12:38I think I have not seen you since yesterday, right?
12:40Yes, right.
12:42How are you?
12:44Yes, more than well.
12:46That's good, that's good.
12:50It is unfair that she lives like a queen.
12:54Who are you talking about?
12:56About your neighbor.
12:58Ah.
13:00Ah, no, yes, yes.
13:02That aunt for money is capable of everything,
13:04even getting rid of her own family.
13:06Hey, Tito,
13:08and when did she disappear?
13:10Ah, surely it was someone who hates her a lot.
13:12She is very strange.
13:14Many times she hates,
13:16but sometimes she also loves.
13:18I can not fall worse.
13:20Hey Lorena,
13:22if you want to release
13:24a little accumulated tension,
13:26you can count on me.
13:28What do you mean?
13:30No, no,
13:32if you want to get revenge,
13:34I can help you.
13:42Red to celebrate the good.
13:46Family,
13:48lunch is ready.
13:50Come Lorena, hurry up,
13:52it gets cold. Come, come, come.
13:54Wow.
13:58How delicious it smells.
14:02Pachamanca in the pot.
14:04Olinda, you do know how to entertain us.
14:06My mom never made pachamanca in the pot.
14:08You have to know how to do it,
14:10but the most delicious is when it is cooked under the ground.
14:12But hey, in the pot,
14:14the flavor is there.
14:16Little daughter Lorena, please sit here.
14:18This is reserved for you.
14:20Thank you. This looks very good.
14:24You eat and thank.
14:26How lucky I am to have you
14:28in my life, Tortolita.
14:30This pachamanca
14:32is a dream come true.
14:34Really yes, Mr. Gila.
14:36You won the lottery with Olinda.
14:38It's delicious, Olinda.
14:40Is there to repeat?
14:42But you haven't even finished.
14:44I am a cautious man.
14:46Well, there is a little more
14:48for those who want to repeat.
14:50And just in case a visit comes.
14:52I hope no one comes.
14:54How bad luck is mine today.
14:56Hello family.
14:58Hello Yuli.
15:00Good afternoon everyone.
15:02Hello.
15:06Family.
15:08I would like to clarify things with you.
15:10I know that most
15:12do not agree that Cristóbal and I are together.
15:16We are not going to deny you that we prefer
15:18Baikal and his magical hands.
15:20But it is that Cristóbal and I have already talked
15:22and we have decided to resume our relationship
15:24and give us a new opportunity.
15:26After what he did to you, and he will do it again,
15:28a girl with a foreign accent will come
15:30and he will leave you again.
15:32Are you sure you want to forgive him?
15:34Family.
15:36You are not our family.
15:38Yes.
15:40González family.
15:42I understand your concern
15:44and I understand your rejection.
15:46I understand that you do it because you want Yuli to be fine.
15:48But I tell you
15:50that with me and by my side
15:52she will be.
15:54We are going to love each other
15:56with all our hearts.
15:58Do you think
16:00that's the way to express yourself?
16:02Of the girl's family
16:04that you want, you should have
16:06more respect and humility, young man.
16:10Don Gil is right.
16:12You can't come here to our house and say
16:14that you don't care about our opinion.
16:16It's true. We're going to lynch him.
16:20This time without a fight
16:22out of respect for my daughter.
16:24Enough!
16:26Enough, please!
16:28What's wrong with you?
16:30You're not even letting the boy finish speaking.
16:32You look like savages.
16:34The guest is calling us savages?
16:36Sometimes they look like.
16:38Sorry. Excuse me, please.
16:40We forgive you. Sit down.
16:42Let's see what he has to say.
16:44Excuse me.
16:46I didn't want to disrespect anyone.
16:48My only purpose was to tell you
16:50that neither Laia, nor Benjamin,
16:52nor our families,
16:54will oppose what's ours.
16:56We love each other madly.
16:58And that's how you talk.
17:00That's just what I was going to say.
17:02Olinda, you have to be with us, not against us.
17:04I'm in favor of true love.
17:06And these guys who are here
17:08in front of us are really in love.
17:10And they're proving it
17:12by being here in front of us.
17:16I'm sorry to meddle,
17:18but I also agree with Olinda.
17:20If Cristobal and Yuli have had the courage
17:22to come here and declare their love
17:24in front of everyone,
17:26then they should be happy for them
17:28and not recriminate them.
17:30Love is not so easy to find.
17:32And when you get it,
17:34you have to take advantage of it.
17:36For example, I waited so long
17:38to find that my heart
17:40is excited again.
17:42I agree that you are together
17:44and I wish you all the best in the world.
17:46Because you are a very beautiful couple.
17:48And I'm Tim Crisley.
17:50Oh, that sounds horrible.
17:52No, it sounds good.
17:54Well, we want to live our love
17:56and fulfill our dreams together.
17:58And, cousin, what are those dreams like?
18:00We prefer to keep it a secret.
18:02That's how it really becomes.
18:04That's how it really becomes.
18:06Ta-ta-ta-ta!
18:08Ta-ta-ta-ta-ta!
18:10Ta-ta-ta-ta-ta!
18:12Ta-ta-ta-ta-ta!
18:14Ta-ta-ta-ta-ta!
18:16Ta-ta-ta-ta-ta!
18:18Hurray for the couple!
18:20Hurray! Hurray!
18:22Hurray! Hurray!
18:24Hurray! Hurray!
18:26Hurray for the cheese!
18:28Eat, eat!
18:30Cousin,
18:32do you want some cheese?
18:36Oh, how delicious
18:38everything is!
18:40We have come to try
18:42a little bit of
18:44Francesca's dishes.
18:46From the hand of
18:48Peter McKay, the chef
18:50who is in charge of everything.
18:52Look, look at these delicious things.
18:54Well, the plating,
18:56unique.
18:58The aroma is delicious.
19:00Now we are going to try
19:02to see if they are
19:04at the level of the Chiviling Awards
19:06and if they deserve the five chokes.
19:08So let's try it.
19:10There it is.
19:16Good afternoon,
19:18beautiful lady.
19:20I left one of my mozzos
19:22that you wanted
19:24to give to me.
19:26Oh yes, chef!
19:28I want to congratulate you
19:30for the wonderful dishes!
19:32Very tasty, everything, very good!
19:34Congratulations!
19:36Thank you very much,
19:38but there are better cooks than me.
19:40Oh no, modest!
19:42Modest, chef, no, no!
19:44You are the top
19:46cook in the world!
19:48The best!
19:50I feel praised with your words
19:52and I thank you from the bottom of my heart.
19:54They are years of experience
19:56because the devil knows
19:58more for the old man
20:00than for the devil.
20:02Because I have also been a devil.
20:12Can the chef come, please?
20:16Excuse me, beautiful lady,
20:18but another customer wants to congratulate me.
20:20Oh, come on, come on!
20:22Your name was gentleman?
20:24You are the chef, right?
20:26Sorry to be so direct
20:28and so sincere, but that's why
20:30they called me.
20:32What happens is that the solomillo
20:34I feel that it does not have
20:36the perfect cooking
20:38and the demi-glace
20:40is a little acid.
20:44Do you think you can rethink it?
20:46A wasp.
20:48What? Where?
20:52What's wrong with you? Why do you hit me?
20:54For being disrespectful.
20:56How are you going to correct?
20:58I have more than 50 years
21:00cooking
21:02and I will not allow
21:04a good customer
21:06to come to teach me
21:08how to cook.
21:10Excuse me,
21:12but you are the chef, right?
21:14I teach cooking lessons.
21:16Excuse me, sir, I am not any chef.
21:18I will be a good tooth,
21:20but I have studies in Spain
21:22that support me.
21:24But I already have studies
21:26at the University of Life
21:28and that's the real
21:30cooking school.
21:32Bring me the bill, please.
21:34Of course, sir.
21:36There it is.
21:38I should never have paid
21:40for a mediocre meal.
21:42How did you say?
21:44Your mediocre meal.
21:46No, no, no.
21:48Excuse me, please.
21:50Peter, you are ruining everything.
21:52Madam.
21:54Yes, yes, it's me.
21:56Apologize to him, let him go.
21:58Apologize.
22:00Whatever you order, madam.
22:02Mr. Influencer,
22:04I apologize.
22:06Actually,
22:08everything is part of a play
22:10that I am rehearsing
22:12with my classmates
22:14from the adult club.
22:16William Shesper.
22:18What play?
22:20Nothing.
22:22I will never forgive him for this.
22:24Excuse me.
22:26Mr. Influencer.
22:30Peter, what have you done?
22:32That guy said
22:34that my salami was
22:36a piece of crap.
22:38A piece of crap?
22:40And what do I care about a piece of crap?
22:42I've spent all day
22:44in the kitchen.
22:46I have prepared
22:48more than fifty
22:50dishes
22:52under
22:54a very high
22:56level of tension
22:58that has left me
23:00with the pressure of a thousand.
23:02I am...
23:04I am exhausted.
23:08No, no, no, no, no.
23:10Peter, for God's sake, call an ambulance,
23:12fast!
23:14Peter, help!
23:16Peter, Peter.
23:18Call an ambulance, fast!
23:20Calm down, Peter.
23:30Always taking care of the smile.
23:32We just had lunch.
23:34Yes, but the pachamanca has been so delicious
23:36that the flavor came out so fast, right?
23:38I'm not embarrassed.
23:40No? Hey, you know,
23:42one of the things that caught my attention
23:44the first time I saw you was
23:46your smile.
23:48When we met?
23:50How are you going to remember? You were drunk.
23:52No. Well, yes. But that doesn't matter.
23:54Even though I was drunk,
23:56I remember the important things
23:58and your smile was one of them.
24:00Yes.
24:04Hey, this...
24:06What was I going to tell you? Oh, yeah.
24:08I came up with some drastic ideas
24:10to satiate your thirst for revenge
24:12against Mrs. Francesca.
24:14Yes, Tito, but I don't want to do anything illicit
24:16because I don't want to get into trouble.
24:18Of course, of course. And I really said drastic, right?
24:20Well, don't worry.
24:22I'll think of something
24:24softer.
24:26Thank you.
24:28Gracias una vez más
24:30por darnos una casa.
24:32Ah, eso.
24:34Bueno, así somos los González.
24:36Sí, yo les digo salvajes.
24:38Es que sí, también somos salvajes.
24:40Sí, bueno.
24:42Solo quiero que te sientas en familia.
24:44Y sabes, me hiciste recordar a la Charo.
24:46Ella hubiese sido la única que se hubiera puesto
24:48al hinchamiento.
24:50Sí.
24:58¡Alesia, Alesia!
25:00¡Ve, ve, ve! ¡Cole, cole!
25:02¡Alesia, un favor! Atiende esta mesa
25:04mientras yo veo la cocina. ¡Rápido, rápido!
25:06¡Ya, ya!
25:08Hola, bienvenidos al Chifa Guillaume,
25:10expertos en comida cantonesa. ¿Qué les puedo ofrecer?
25:12Hola, mi amor.
25:14Hermanita. ¡Sorpresa, amiga!
25:16Bueno, yo soy el administrador
25:18de este respetado local.
25:20Y el administrador de este respetado local
25:22nos dijo que vengamos por una sopita
25:24y que nos trajeramos a comer.
25:26Y el respetado local nos dijo que vengamos
25:28por unas sopitas guau guau.
25:30Sí, además la pachamanca en la olla de Olinda
25:32se nos quedó en el diente.
25:34Cocina bien rico, pero todavía no domina muy bien las cantidades.
25:36No, entonces les voy a traer unas sopas guau guau especiales.
25:38Más pollo, menos velula.
25:40¡No, ve! ¡Menos pollo, más velula!
25:46¿Y eso?
25:48Cristóbal y Yuli tienen algo que decirte.
25:50Yuli y yo
25:52estamos juntos.
25:54Y esta vez nada ni nadie nos podrá separar.
25:56Bueno, solo Diosito, pero...
25:58Él también nos quiere ver juntos.
26:00Él es el amor de mi vida y no va a dejar que nada nos separe nunca.
26:02Estamos dispuestos a todo.
26:04Como nosotros, mi amor.
26:06Ay, qué lindo escucharlos hablar así.
26:08Arriesgándose y confiando
26:10en ese amor que se tienen.
26:12Yo sé que van a ser muy felices uno al lado del otro.
26:14Así que, para celebrar, les voy a traer una porción
26:16de guantanes de cortesía.
26:18¡No, cortesía no!
26:20Más cortesía, menos ganancia, ve.
26:22No, tranquila, socia.
26:24Es para fidelizar al cliente.
26:26Sí, señora Li. Va a ver que después de este almuerzo,
26:28Yuli y Cristóbal van a venir acá al G.Y.O.N.
26:30todos los días, ¿sí o no?
26:32Sí, sí. Este va a ser mi restaurante favorito.
26:34Sí, vendremos todos los meses para celebrar nuestro aniversario.
26:36Ay, ya, ve.
26:38¡Cortesía de guantán, vaya todos!
26:40¡Sí! ¡Señora Li! ¡Señora Li! ¡Señora Li!
26:46Asiento, por favor.
26:48¡Cross! ¡Bienvenido a my house!
26:50Toma asiento.
26:52Hola, Teresa.
26:54¿Qué tal? ¿Te provocaría un pedacito de cheesecake?
26:56Oh, eres muy amable. Es de mis favoritos.
26:58¡Ay! Claudio, sírvele un pedazo.
27:00Por favor.
27:02Sírvase, doctor. Muchas gracias.
27:04Cuénteme.
27:06¿Cómo va lo de mi cambio de apellido?
27:10Delicioso.
27:14Solo necesito que firmes estos documentos.
27:16Y yo mismo los llevaré personalmente a la institución.
27:18¡Ay! ¡Qué emoción!
27:20No se me gusta, te lo hago.
27:24Triggy, Rocky, Rocky, tú.
27:30No puedo creerlo, pero en poco tiempo me convertiré en una Maldini.
27:36Y tendrás todos los beneficios que te corresponden.
27:40Doctor Cross, deme su cheesecake un ratito.
27:42Sí, un ratito.
27:46Quiero agradecerle profundamente todo lo que está haciendo por mí.
27:48Con el mayor gusto, Teresa.
27:50Y ahora, si me permites,
27:52debo continuar mi camino.
27:54Por supuesto.
27:56Para que este trámite concluya lo más pronto posible.
27:58Siganos.
28:00Estamos en contacto.
28:02No compaño, doctor.
28:04Ay.
28:10En poco tiempo me convertiré en
28:14Teresa Maldini Camacho.
28:18¿Y si me cambio el segundo apellido también?
28:20No, Teresa, ¿qué estás diciendo?
28:22¿Cómo vas a hacer eso?
28:24Tu mamita se puede molestar mucho.
28:28No, no quise decir eso, mamita.
28:34No.
28:48Mi amor, soy yo.
28:50Escúchame, ¿no quieres salir un ratito para contarte cómo me fue en la reunión?
28:54Dale.
29:00Eh, Maximilianos, ¿qué tal?
29:02Que gusto verte.
29:04Igualmente. ¿Cómo estás?
29:06Acá bien.
29:08¿No querrás una cuidadita?
29:10Sería por una propinita nada más.
29:12No, no, gracias.
29:14Voy a conversar con mi novia acá adentro.
29:16Ah, ya. Está bien.
29:18Pero, eh, digo, podría venir un carro
29:20y de ese carro podrían bajar unos delincuentes armados,
29:22te podrían encañonar
29:24y se podrían llevar tu pertenencia.
29:26O también se podrían llevar el carro.
29:28Incluso podrían secuestrarte
29:30porque las calles están peligrosas.
29:32Sí, sí, sí, tienes razón.
29:34Pero estamos en las nuevas lomas
29:36y eso no va a pasar.
29:38No te preocupes. Gracias.
29:40Bueno, sí, es cierto, estamos en las nuevas lomas
29:42y aquí es seguro, pero yo no me confiaría, ¿ah?
29:44No me confiaría.
29:46Yo pienso que mejor debemos tomar el camino
29:48de la cuidadita, la propinita
29:50y quedamos todos felices y contentos.
29:52Mira.
29:54Ahí está.
29:56Ya.
29:58Sí, sí, es lo único que tengo.
30:00No tengo sencillo.
30:02Ah, ya, pero me puedes dar una transferencia con toda confianza.
30:04No, no, y no más. Gracias.
30:06Ah, ya, bueno. Ahí está, ahí está.
30:08Rompa, rompa, rompa.
30:16Mira a este ganador, ¿ah?
30:18¿Quién ganó? ¿Quién ganó la licitación?
30:20¡Yo! Todo este año voy a facturar.
30:22¡Mira lo lindo!
30:24Muy bien. Felicitaciones.
30:26No sabía que lo conseguirías. Gracias, mi amor.
30:28Esto merece que tú y yo salgamos a celebrar esta noche.
30:30¿Qué te parece? Me encanta la idea.
30:32A mí me encantas tú.
30:34Y quizá podemos bailar también un poquito más pegaditos.
30:36Con un olor rico.
30:56Hoy hasta parece gualzo este sol.
31:04Lucio, te nombro chef principal
31:06hasta que consiga otra persona.
31:08Está bien.
31:10De acuerdo, de acuerdo.
31:16¿Qué te reacciona?
31:18Tienes que ponerte bien.
31:20Nada.
31:26¿Dónde estoy?
31:28Estamos en la ambulancia
31:30yendo a la clínica.
31:32Te vas a recuperar, ¿viste?
31:36¿Pero tengo que ir a cocinar?
31:38No te preocupes por eso.
31:40Ya está todo bajo control.
31:42Descansa, descansa.
31:44Señora, por favor, evite hablar al paciente
31:46que se puede agitar.
31:48Perdón.
31:52Todo por culpa de ese
31:54choca.
32:14Cada vez que lo pruebo
32:16me sabe más rico.
32:18Algún día me gustaría aprender a cocinar
32:20también como tú, Ale.
32:22Cuando quieras te doy clases, puñerita.
32:24Eso estaría bueno. Así cuando vivamos juntos
32:26me preparas algo rico.
32:28Oigan, y desde que Jimmy
32:30es el administrador aquí, ¿qué tal van las cosas?
32:32No. Mejor que nunca.
32:34Yo sabía que mi amorcito tenía un talento
32:36innato para los negocios.
32:38Con sus ideas hemos alcanzado muchos más clientes.
32:40Sí. También vienen porque Alesi es la chef principal.
32:42La dupla perfecta.
32:44Somos un tlío.
32:46El tlío perfecto.
32:48Así es, socia.
32:50Oye, ¿qué les parece si para celebrar el éxito del restaurante
32:52y para celebrar que Julie y yo
32:54estamos juntos,
32:56nos vamos el fin de semana a algún lugar?
32:58¿Gran idea?
33:00Sí. Sí.
33:02¿Dónde?
33:04Teresa
33:06Maldini, TM.
33:08¿Qué haces, mom?
33:10Aquí practicando mi nueva firma.
33:12¿Por qué?
33:14¿Ya no te gusta la que tienes?
33:16Sí, pero ahora que me voy a cambiar de apellido
33:18tengo que tener una nueva firma.
33:20Entonces, ¿cómo te llamarás?
33:22Teresa Maldini.
33:24Pero, mom, ¿sabes que si tú te cambias de apellido
33:26yo también tengo que cambiármelo, no?
33:28Claro, criatura divina.
33:30Tú te llamarás Richard Jr. Wilkinson Maldini.
33:32Yeah, I love it.
33:34Escúchame.
33:36Mírame a los ojos.
33:38Mi querubín,
33:40nuestra vida cambiará para siempre.
33:42Llevaremos la vida de ricos
33:44y femios.
33:46¿Querrás decir bi?
33:50A mí que me importa, hijo.
33:52En este momento de la vida podemos hablar
33:54como querramos.
33:56Bueno, si tú lo dices.
34:08Bueno, Peter,
34:10ahora hay que seguir al pie de la letra
34:12las indicaciones que el doctor nos dio.
34:14Yo me siento bien, madam.
34:16Pito, tú no te preocupes por nada
34:18que yo me encargo de atenderte.
34:20Es más, te voy a preparar
34:22una rica sopa de pollo para la cena.
34:24Ya vuelvo.
34:26Madam,
34:28ahora que estamos en casa,
34:30dígame,
34:32¿por qué se disfrazó para ir al restaurante?
34:34Tuve que hacerlo, Peter.
34:36Tenía que ver de forma directa
34:38lo de los maltratos.
34:40Y ya me di cuenta de dónde venían.
34:42Madam,
34:44yo no tenía ninguna intención
34:46de maltratar a ninguno de mis trabajadores.
34:48Pero son unas bestias.
34:50¿Y a los clientes?
34:52No debiste maltratar a Choca
34:54como lo hiciste.
34:56Es que me sacó de mis casillas
34:58cuando habló mal de mi comida.
35:02Tranquilo, Peter, no te exaltes.
35:04Más bien, quiero pedirte disculpas
35:06por haberte puesto en esta situación.
35:08¿De qué me habla, Madam?
35:10Tú eres un excelente cocinero, Peter.
35:12Lo has demostrado con creces.
35:14Pero ser el chef de un restaurante
35:16tan importante
35:18es una responsabilidad muy grande.
35:20Demanda mucho esfuerzo
35:22físico, mental, emocional.
35:24Y tú no estás para estas cosas.
35:26¿Y si no
35:28a que ya estoy viejo, Madam?
35:30No, no, pero ese tipo de actividades
35:32requieren de jóvenes
35:34que estén llenos de energía, de dinamismo.
35:36Y ahora lo que tú necesitas
35:38es descanso.
35:40Y eso es lo que vas a hacer.
35:44¿Pero qué va a pasar con el restaurante?
35:46No te descuidas, Peter.
35:48De eso me encargo yo.
35:50Descansa.
35:58¿Hola?
36:00¿Lucio? ¿Quién es Lucio?
36:02Ah, el nuevo chef.
36:04¿Cómo que renuncias?
36:06Pero si acabas...
36:08Que no sabes cocinar.
36:10¿Y por qué no me lo dijiste antes?
36:14¿De dónde saca otro chef ahora?
36:26En unos días más
36:28debe salir la resolución
36:30que permita que firmen las actas
36:32Teresa y tú. De ese modo
36:34Teresa llevará oficialmente el apellido Maldini.
36:36Buen trabajo, Ronald.
36:38Ahora lo que me preocupa
36:40es encontrar un nuevo chef
36:42para el Francescas.
36:44¿Piensas buscar un chef de alta cocina?
36:46Obviamente.
36:48Si va a encargarse de mi restaurante
36:50tiene que ser un chef de prestigio.
36:52Discúlpame que interfiera, Francesca,
36:54pero según las estadísticas que he estado
36:56analizando últimamente
36:58te conviene orientar al Francescas
37:00hacia la cocina popular.
37:02¿A qué te refieres, Ronald?
37:04Mira, la gente está cansada
37:06de la comida sofisticada,
37:08los platos gourmet y esas cosas.
37:10A la gente le gusta comer sabroso,
37:12abundante. En ese sentido
37:14pienso que debes buscar un cocinero o cocinera
37:16que venga del pueblo.
37:18¿Que venga del pueblo, dices?
37:26Bueno.
37:36Buenos días, Olinda.
37:38Señora Francesca.
37:40Buenos días.
37:42¿Qué se le ofrece?
37:44Olinda, tengo una propuesta que hacerte.
37:46¿A mí?
37:48Bueno.
37:50¿Para qué soy buena?
37:52Quiero que te hagas cargo de mi restaurante.
37:56No.
38:02Habla, Tere.
38:04¿Habla, Tere?
38:06Mucho cuidado en cómo te diriges a mí, ¿ah?
38:08Que muy pronto seré una Maldini.
38:12¿De qué habla, Tere?
38:14Mis papeles están por salir.
38:16Y cuando yo me convierta en una Maldini,
38:18seré inalcanzable para ti.
38:26¿Quiere que yo me haga cargo de la cocina
38:28de su restaurante lujoso?
38:30Sí, Olinda.
38:32Eso es exactamente lo que quiero decir.
38:36Señora Francesca.
38:38Usted se ha confundido.
38:40Yo solamente sé cocinar la comida
38:42de mi tierra.
38:44Y uno que otro plato criollo,
38:46como arroz con pollo, palau ancaína,
38:48ají de gallina o cacao.
38:50Solamente esas cosas. Yo no sé nada de
38:52restaurantes y comidas grumet
38:54y esas cosas que ustedes le dicen.
38:56Es justo lo que necesito, Olinda.
38:58Comida más cercana
39:00al bolsillo del país.
39:02¿Tú sabes que Francesca
39:04se está considerando un restaurante
39:06elegante, donde se sirven platos gourmet?
39:08Pero es justamente
39:10lo que quiero cambiar.
39:12¿Quiere cambiar?
39:14¿O sea, ya no quiere que sea
39:16un restaurante elegante?
39:18Mi restaurante siempre va a ser elegante.
39:20En el sentido de mantenerse impecable.
39:22Y utilizar insumos
39:24de primera calidad.
39:26Pero este nuevo Francescas
39:28va a estar al alcance
39:30de cualquier vecino, cualquier
39:32trabajador o empleado
39:34que guste de un buen plato criollo,
39:36un plato sabroso,
39:38de pueblo y bien
39:40taipa.
39:42Eso sí lo puedo preparar.
39:44Entonces, bienvenida al Francescas.
39:46¡Ah! ¡Qué emoción!
39:48Perdón,
39:50doña Francesca, pero no pudimos evitar
39:52escuchar su conversación.
39:54No me extraña de ustedes.
39:56Bueno, linda, cuando tengas tiempo,
39:58vienes a mi oficina a otimar detalles.
40:00¡Eh, eh, eh! Disculpe, doña Francesca,
40:02¿pero ya ha pensado cómo va a ser para
40:04dar a conocer el cambio del Francescas?
40:06¿A qué te refieres?
40:08¿Cómo se van a enterar los futuros clientes
40:10que el Francescas ya no es tan ficho?
40:12🎵
40:17🎵
40:29Jimmy, si te cansas de manejar, me avisas.
40:31No mano, tranquilo, para chequear no más.
40:33¿A Juli también le parece lejos, no amor?
40:35Con contra.
40:36¿No te parece lejos?
40:37Sí, al juego.
40:38¡Ay, ya sé!
40:39El próximo viaje podemos hacerlo a tu pueblo.
40:40¡Ay, sí!
40:40Yes, it was nice!
40:42I have a friend who lives in Lurin.
40:44He has to get up at 4.30 to get to work at 8.00.
40:47Oh, so early?
40:48Yes, and he gets home at like 10.00.
40:50Yes, yes, in my high school there are also several students
40:52who are late and come back very late.
40:55Wow, crazy.
40:56We don't know those sacrifices.
40:58No, we lived in a bubble.
41:00Until they met us and realized that there was another Peru.
41:03That's true, cousins are the best.
41:05And I mean it, huh?
41:06That makes me admire you and love you every day.
41:08Hey, hey, hey, hey!
41:10Stephe!
41:11Drive!
41:12Calm down, what's up?
41:14There is nothing here!
41:15You are in the open, panorama!
41:29Listen to the nonsense you say.
41:31No nonsense.
41:33Very soon, I will become Teresa Maldini
41:34and you will swallow your words.
41:36Do you think that by changing your last name you're going to be a prudent person?
41:39Are you trying to make me think that I'm an interested person?
41:41A greedy person?
41:42Be very careful, Gaspara.
41:43Because since I have my divine creature, I move forward.
41:46I'm a fighting woman.
41:48Although, of course, a good last name opens doors for you and eliminates prejudices.
41:53But you're the most prejudiced.
41:54Why do you say that?
41:56Because you're the one who thinks that a good last name and social class divides people.
42:00And isn't that true?
42:01No, I don't think like that.
42:03And what do you think?
42:09I think you're a wonderful woman.
42:11I've never had a woman like you in my arms.
42:14I think I love you.
42:16I don't care what last name you have.
42:33Thinking all the time about you.
42:36But what have you seen in my eyes, Yagüelta?
42:38The TV chatting with Gaspar?
42:41Not that they hate each other, but that they hate each other, Yagüelta?
42:44Then everything is a lie.
42:48Just like the game, my Suleyman.
42:54Marketing is a term that is used in advertising when you want to position a product.
43:01In this case, the Francesca.
43:05My colleague and I heard that you want to turn your exclusive restaurant into one closer to the Peruvian on foot.
43:11And my compadre knows how.
43:14Please.
43:15What does the alfajor's donkey know?
43:17And being the great and successful entrepreneur that you are, Mrs. Francesca,
43:22I imagine that you already have the advertising agency for your campaign in mind.
43:26I have thought of entrusting the matter to the marketing department of the corporation.
43:31Let me be discreet.
43:34I would like to hear your arguments.
43:36I don't think that in the marketing department of the Maldini Corporation
43:40there are suitable people to upload this campaign.
43:43Only professional contracts to one.
43:45Like us.
43:46Yes, we do not doubt it.
43:47But to reach the customer on foot, street advertisers are needed.
43:53And those are new TV commercials.
43:55That, Linda!
43:57It's marketing.
44:06And if with the experience you have, why don't you set up your own agency?
44:10Do you know that I have thought about it?
44:12In fact, when I was in the agency, many of the clients asked me to advise them and give them the trips.
44:17Sure. You can say that now I work on your behalf.
44:19Mrs. Francesca came to see me.
44:22And he proposed to me to take care of the kitchen of his luxury restaurant.
44:27What are you telling me?
44:29Yes.
44:33Madam.
44:35What you are doing for Teresita is incredible.
44:40It makes me company.
44:42And it's what I need the most right now.
44:51Watch out!
44:54What now? What are we going to do?
44:55I have no idea.
44:57At any moment it will get dark.
44:58Well, we have to square the car and go look for help.
45:01But if we don't find someone to help us.
45:03We'll have to stay.
45:04To sleep?
45:05There is no other, cousin.
45:08No?