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  • 4 months ago
CRIME, THRILLER

A small group of Albanians are hunted by nationalist Yugoslav forces.

Director
Miomir 'Miki' Stamenkovic
Writers
Petrit Imami, Milutin Jankovic, Dragan Markovic
Stars
Milan Strljic, Vladislava Milosavljevic, Velimir 'Bata' Zivojinovic
*
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Transcript
00:02:30Look, there they are.
00:02:53It seems to me that they have already noticed us.
00:03:02A pigeon.
00:03:03Slow down.
00:03:04Signals that they are passing you.
00:03:05Be calm.
00:03:06The Belgians.
00:03:07Who knows, the police is used to all kinds of things.
00:03:26How far to the motel?
00:03:31Which motel?
00:03:32You said you would take a plane to the motel, didn't you?
00:03:33You have one more, you will live.
00:03:38Give me a cigarette.
00:03:42Are you tired?
00:03:46No.
00:03:49Can I drive?
00:03:54No.
00:03:56This isn't it, I would like to get rid of this frozen shit.
00:04:02This shit is frozen. You won $2,000 in this shot.
00:04:06The Yugoslav police will surely pay double.
00:04:15You have to pay me more.
00:04:19In our country, it's called blackmail.
00:04:29Stop.
00:04:32What?
00:05:02Stop.
00:05:32Stop.
00:06:02Stop.
00:06:32The police is here.
00:06:49Regulašn, right?
00:06:51Wait.
00:06:53It can't be.
00:06:54Where's the driver?
00:06:55Can't you see he left us the keys?
00:06:58Call him if he's in.
00:06:59You're joking. Everything's been arranged.
00:07:01All right. I'll go ask him.
00:07:05There's a truck.
00:07:07Someone might hear us.
00:07:09Don't be afraid.
00:07:10They might hear you on the road.
00:07:13Where are we?
00:07:27Who are you?
00:07:31We are in Belgrade.
00:07:48This is just the beginning.
00:07:50The beginning of the night program of Radio Belgrade...
00:07:53...is this time at midnight.
00:07:55So, half past midnight and seven minutes.
00:08:01Good evening.
00:08:04Good evening.
00:08:17Don't be afraid.
00:08:19It won't rain.
00:08:21I hope so.
00:08:22I don't like the cold.
00:08:28Take a break.
00:08:31Sit down.
00:08:44Leave it to me.
00:08:49Cigarette?
00:08:52I used to work as a housekeeper in Klagenfurt.
00:09:02When my husband died, I came back.
00:09:05What do you mean, died?
00:09:07I had a car accident.
00:09:08A car crash.
00:09:10I'm sure insurance paid you well.
00:09:12Insurance?
00:09:14I told them I didn't pay.
00:09:16They said it was his fault.
00:09:18If I were free, I'd come back.
00:09:21I'm replacing some women with labor pains.
00:09:24I work as a housekeeper before midnight.
00:09:26At night.
00:09:28You see?
00:09:29So, they didn't pay you?
00:09:32It's not what you think.
00:09:34I have a five-year-old daughter.
00:09:37I'm sorry.
00:09:40You're beautiful.
00:09:41I thought there was someone who didn't pay you.
00:09:43Someone who cares about you.
00:09:46Men only care about women when they steal them.
00:09:52I wanted to offer you something.
00:09:54But I can't now.
00:09:56I'm afraid you might misinterpret it.
00:09:58No, I'm just saying.
00:10:01Are you free?
00:10:04I have a friend in Zurich.
00:10:06Our compatriot.
00:10:07He lives in a big cafe.
00:10:09He speaks German.
00:10:11I could ask him.
00:10:12Really?
00:10:15It's dangerous, but you're so beautiful.
00:10:24Where are you from?
00:10:25Hello.
00:10:27I'm from Niš.
00:10:28My name is Crni.
00:10:30If you want me to tell you something else,
00:10:32I'm afraid I'll disappoint you.
00:10:34Believe me, I'd like to help you.
00:10:38Can I write down the address?
00:10:41Yes, write it down.
00:10:43Just a moment.
00:10:45I'll write down the phone number.
00:10:55Okay.
00:11:55Hello?
00:12:25Hello?
00:12:55Hello.
00:13:01Hello, Kosta.
00:13:02Hello.
00:13:04Listen.
00:13:05A Greek noticed the light was on.
00:13:08There was no one in the cabin.
00:13:10When he saw the light was off, he became suspicious.
00:13:13Did he report it?
00:13:14Yes.
00:13:16Do you want to talk to him?
00:13:17Where is that Greek?
00:13:18There he is.
00:13:20Thank the man and let him go.
00:13:22Okay.
00:13:26If it's warm, let's have a drink.
00:13:29It's empty, but we'll find something to drink.
00:13:34There's 12 watts missing on the boilers.
00:13:36I chose them.
00:13:38So someone took them?
00:13:39Who knows where they are.
00:13:42What are you waiting for?
00:13:43Go look for them.
00:13:49Open it.
00:13:55Open it.
00:14:21Open it.
00:14:26Open it.
00:14:28Hello.
00:14:29I'm looking for my friend Mila Jovanovic.
00:14:31Please come in.
00:14:32Thank you.
00:14:33Mila, you're looking for a friend.
00:14:35I'm coming.
00:14:37Hello.
00:14:38Hello.
00:14:40She's a client.
00:14:41We need to talk to her.
00:14:42Hello.
00:14:43I'm from security.
00:14:44Svetlana.
00:14:45Mom needs to talk to you.
00:14:47Have a seat.
00:14:48Thank you.
00:14:49Last night around midnight a Swiss driver was in your hotel.
00:14:52He was wearing a black jacket.
00:14:54You mean the black one?
00:14:56They told me you talked to him.
00:14:58Who told you?
00:14:59Your cleaner.
00:15:01I did.
00:15:02Is that forbidden?
00:15:03Don't say that.
00:15:04It's not a crime.
00:15:05Did you know that man since you were born?
00:15:10This isn't black.
00:15:12Are you sure?
00:15:14Yes, I'm sure.
00:15:23It's not.
00:15:25No.
00:15:28Let's take a break.
00:15:35How many more criminals do you have?
00:15:37We'll keep an eye on them until the end of the year.
00:15:42Why me?
00:15:44Bring three more coffees.
00:15:49Everything is suspicious to you.
00:15:51He doesn't look like a criminal.
00:15:53He might not be a criminal, but you can see he's a man.
00:15:58And don't be silent if you recognize him.
00:16:00There's nothing to be ashamed of.
00:16:03I'm just reminding you.
00:16:06Gany, let's go to the photobooth.
00:16:21No.
00:16:24No.
00:16:32It's not.
00:16:34It's not worth it.
00:16:37Take the girl home or to the motel.
00:16:40To the motel.
00:16:45Momenat.
00:16:46Momenat.
00:16:49You're the only one who saw the killer.
00:16:51If he shows up, call me.
00:16:56No matter if it's day or night.
00:17:12Avoid contact for several days.
00:17:16Tell Kemal not to call me unless it's urgent.
00:17:20Have a nice trip.
00:17:21Thank you.
00:17:46Daoud.
00:18:11Daoud.
00:18:16Daoud.
00:18:24Where's Misha?
00:18:25He's in Morocco.
00:18:26Where are the others?
00:18:27They're in Morocco.
00:18:28I'll ask them to come here.
00:18:29Let's go.
00:18:46Let's go.
00:18:59Mayap.
00:19:02The police.
00:19:03What do they want?
00:19:04I don't know.
00:19:05They're looking for a motorcycle thief.
00:19:06Let's go.
00:19:08You're the captain.
00:19:09You're the pilot.
00:19:11Come on.
00:19:12Quickly.
00:19:17Come on.
00:19:30Take him away.
00:19:43Captain, it's Mikoyan.
00:19:46Come on.
00:19:56Do you know Albanian?
00:19:57No.
00:19:58No, no.
00:20:01Professor Kemal told you to get ready.
00:20:03It's time.
00:20:04What should I do with you?
00:20:05If you want to kill someone, do it yourself.
00:20:09Take him away.
00:20:10Yes.
00:20:16Let's go.
00:20:35Mila.
00:20:36Mila.
00:20:43I noticed you when you came to our village.
00:20:48Let's talk.
00:20:56What's the matter?
00:20:58What's the matter?
00:21:01You're driving a car to work.
00:21:03What car?
00:21:04You know what?
00:21:06You'll call the police on me.
00:21:09Shame on you.
00:21:12Give me the suitcase.
00:21:15I want to be a man.
00:21:17I'm over the shame you brought to the company.
00:21:34I'm over the shame you brought to the company.
00:21:58I lost my job because of you.
00:22:00What are you talking about?
00:22:02You told the police I talked to the driver,
00:22:05but you went to the manager.
00:22:07I told them when they mentioned the murder.
00:22:09I had to.
00:22:11And that pig-headed guy...
00:22:13You're crazy.
00:22:17I'm sure they told him.
00:22:18Who?
00:22:19The police.
00:22:20They were interrogating us about you.
00:22:26What do they want?
00:22:27I don't know.
00:22:30I told them I don't know anything.
00:22:50Don't get drunk.
00:22:52Again?
00:22:53Serbs drink like dogs.
00:22:55What are you doing?
00:22:57I don't know.
00:23:03Hurry up.
00:23:20Are those dogs European?
00:23:22No, they're German.
00:23:23Hurry up.
00:23:25Come on.
00:23:27I don't care.
00:23:28I'm going to Belgrade.
00:23:57I'm going to Belgrade.
00:24:27I'm going to Belgrade.
00:24:41Take her to the ambulance.
00:24:57Take her to the ambulance.
00:25:07Put her on the floor.
00:25:28Put her on the floor.
00:25:30Put her on the floor.
00:25:57Put her on the floor.
00:26:27Put her on the floor.
00:26:57Put her on the floor.
00:27:22Mr. Ramis, tell them the accident is over.
00:27:27I don't have time for jokes.
00:27:29When did the nurse leave?
00:27:31What nurse?
00:27:32The driver's brother.
00:27:33Call the ambulance.
00:27:35Ambulance?
00:27:37The one with the car.
00:27:40What's going on?
00:27:42You hit your engine.
00:27:44I hit the engine of the truck.
00:27:46I don't know.
00:27:47I don't have time.
00:27:48I'm in a hurry.
00:27:49What's going on?
00:27:50You're right.
00:27:51I'm in a hurry.
00:27:52I'm sure there's a truck behind me.
00:27:54Don't worry.
00:27:57I'll take care of it.
00:28:02Thank you.
00:28:03Thank you very much.
00:28:22What are you doing?
00:28:23I have to go to work.
00:28:25It won't be long.
00:28:27You'll get better.
00:28:28No, thank you.
00:28:31It's good of you.
00:28:36It would have been better if you had stayed a little longer.
00:28:39You could have taken care of Zanata.
00:28:41Thank you.
00:28:42I'm tired.
00:28:44I've been working for four years in Belgium.
00:28:47I've thought about it.
00:28:50The newspaper says you're a...
00:28:52I think you're a...
00:28:54a real man.
00:28:56You're a man of your word.
00:28:58You're a man of your word.
00:28:59I read the newspapers, father.
00:29:00I believe in them.
00:29:03Some of the men have started to go to war.
00:29:06They've built monuments.
00:29:08They've built a castle.
00:29:10They've even built a morgue.
00:29:12In Belgium?
00:29:13They say they're going to kill you.
00:29:14They've said that, father.
00:29:16No, they haven't.
00:29:18I don't think you can do it, son.
00:29:20I've been working for four years.
00:29:22I'm a man of my word.
00:29:23You're a man of your word.
00:29:26I've fought for this country.
00:29:27I know.
00:29:28I'm a man of my word.
00:29:30Father,
00:29:31I have to go.
00:29:32You can go.
00:29:36Goodbye.
00:29:37Goodbye.
00:30:07Ask your father how he is.
00:30:08He knows better.
00:30:1020 years ago,
00:30:11your father was only 14 years old.
00:30:13Today, he's only 39.
00:30:14He's illiterate.
00:30:15He was trained as an engineer.
00:30:16He's a Serb, father.
00:30:18Listen.
00:30:20We're friends.
00:30:22We don't know if we're going to be Serbs, Malians, or Albanians.
00:30:24We're going to be Serbs,
00:30:26and if we have to, we're going to fight.
00:30:29These are his words
00:30:30about Kosovo after the ethnic war.
00:30:32He's a good man, but why?
00:30:33Let's continue our conversation.
00:30:34I told you,
00:30:35before we started,
00:30:36we knew that Jack,
00:30:37who was following us,
00:30:38was a traitor.
00:30:39What about you?
00:30:40We're all in this together.
00:30:41Don't worry.
00:30:42What do you want?
00:30:43To make Jack fight?
00:30:45Thank you.
00:30:47Thank you, too, Raman.
00:30:48It's all because of us.
00:30:50Because of us and them.
00:30:52It's all because of me.
00:30:53Don't say that.
00:30:54Those who are not Albanians,
00:30:55don't come here.
00:30:57Either good or bad.
00:30:58What do you want?
00:30:59What are you?
00:31:00A fascist?
00:31:01What?
00:31:04I'm not a fascist.
00:31:05I'm a good man.
00:31:07I would have killed you anyway.
00:31:24What is it?
00:31:32It's true.
00:31:33Who are you?
00:31:39Reika.
00:31:40Senelice.
00:31:42I'm sure you're the one
00:31:43the truck is looking for.
00:31:46I didn't find you
00:31:47because of me.
00:31:49I found you because
00:31:50of what was around you.
00:31:51What was it?
00:31:52Weapons.
00:31:53What weapons?
00:31:54What is it?
00:31:55Weapons.
00:31:56Weapons.
00:31:57Who are they?
00:31:58I don't know.
00:31:59How can you be sure
00:32:00that they were weapons?
00:32:01Yes, they were.
00:32:04What is it?
00:32:05It's a weapon.
00:32:07With this gun,
00:32:08you can see the grass.
00:32:10It's a good weapon.
00:32:12I don't know what it is,
00:32:13but I'm sure it is.
00:32:14I'll show you in the analysis.
00:32:16How can you be so sure
00:32:17that this is a weapon?
00:32:19Judge,
00:32:20in your city,
00:32:21the most common weapon
00:32:22is this one,
00:32:23the rifle.
00:32:24It's the most common weapon
00:32:25when the father shoots.
00:32:29What do you say, sir?
00:32:31What do the Swiss say?
00:32:34They assume that the meat
00:32:35was filled with weapons
00:32:36back in Klanica.
00:32:37Sure.
00:32:38In Switzerland,
00:32:39there is an irredentist group.
00:32:41Our caterers
00:32:42are complaining
00:32:43that they are being pressured.
00:32:44It's not even better here
00:32:45for people to sit down,
00:32:46cut the fruit,
00:32:47burn.
00:32:49And you?
00:32:50As far as I'm concerned,
00:32:51I write reports.
00:32:53They tell me
00:32:54that I dramatize things,
00:32:55that I have no political hearing.
00:32:58Sometimes,
00:32:59it seems to me
00:33:00that it suits me.
00:33:02I don't understand
00:33:03why that black man
00:33:04left the refrigerator.
00:33:06I think it's normal.
00:33:07Who would go through Yugoslavia
00:33:08with a murdered man?
00:33:11I'm bothered by the other track.
00:33:13Do you mean the truck?
00:33:15Yes.
00:33:17If the weapons were pulled
00:33:18from that parking lot,
00:33:20why were the meat
00:33:21even brought to you?
00:33:22Who knows?
00:33:23Maybe you want us
00:33:24to be pulled to the wrong terrain.
00:33:26This is the analysis
00:33:27of the driver's blood.
00:33:29If the percentage of doses
00:33:30is correct,
00:33:31he couldn't even sit down,
00:33:32let alone drive.
00:33:34According to the autopsy,
00:33:35the death occurred
00:33:36just before 5 o'clock.
00:33:38The driver of that
00:33:39French refrigerator
00:33:40was already asleep.
00:33:42He was thrown in the back
00:33:43while he was still alive.
00:33:45Ah, Musa, come in.
00:33:49He was the first
00:33:50to arrive at the scene of the accident.
00:33:52Please.
00:33:53Everything is in order with the others.
00:34:23Abyssinian.
00:34:39Abyssinian.
00:34:54What's going on?
00:34:56These people
00:34:57are taking away the money.
00:34:58What's going on?
00:34:59They even took the car.
00:35:02What's going on?
00:35:03We were afraid
00:35:04that you wouldn't let us go.
00:35:06That's why we were
00:35:07waiting for you at the police station.
00:35:08Tell me, what's going on?
00:35:12Why were the weapons
00:35:13pulled from that parking lot?
00:35:14We were waiting
00:35:15to be arrested.
00:35:17We wanted to be arrested
00:35:18by the police.
00:35:20Mire, who is Mila?
00:35:21Mila?
00:35:22Is she the spy
00:35:23of the operative
00:35:24who sold the car?
00:35:25Belgian is better than us.
00:35:27If she's a spy,
00:35:28it's a job for her.
00:35:30She's the only one
00:35:31who knows about me.
00:35:32The others pay her.
00:35:33How do you know about Mila?
00:35:34I don't know anything about her.
00:35:35But it's better
00:35:36that the police do.
00:35:38Those bastards
00:35:39of yours
00:35:40will pay for us
00:35:41one day.
00:35:42Don't think
00:35:43that I'm leaving
00:35:44for nothing.
00:35:45We're working
00:35:46at the motel
00:35:47where the arrest took place.
00:35:48It's good to have a job
00:35:49in Belgrade.
00:35:50You're right.
00:35:52First,
00:35:53you'll have to pay the fine.
00:35:55What do you mean?
00:35:58You'll be sent here
00:35:59to check the car.
00:36:02Mila can be arrested
00:36:03either in Nis
00:36:04or in Zvitser.
00:36:08For us,
00:36:09it's better
00:36:10that you go to the police.
00:36:11You don't know anything.
00:36:13Do you think
00:36:14I'm a fool?
00:36:15You should be ashamed.
00:36:17But the money
00:36:18will be there.
00:36:20No,
00:36:21I'll pay it myself.
00:36:22You'll go for a while
00:36:23until the money comes back.
00:36:24There's no money left.
00:36:25That's the problem.
00:36:27We can't decide
00:36:28on our own.
00:36:29I don't know
00:36:30who decides,
00:36:31but I don't like
00:36:32the plans of the demonstrators.
00:36:33We'll find out later.
00:36:34Don't worry,
00:36:35everything is organized.
00:36:36In the end,
00:36:37we won't be late.
00:36:38There's no need
00:36:39to worry.
00:36:40What do you mean
00:36:41by that?
00:36:42First, the demonstrators.
00:36:44Then,
00:36:45we'll be successful.
00:36:50Why didn't you
00:36:51hand over the material?
00:36:52A part of it
00:36:53was stolen.
00:36:55I see.
00:36:56We also serve
00:36:57the benefit of the students.
00:37:01Officer,
00:37:03this way.
00:37:05What if the police
00:37:06stop us?
00:37:07Don't worry.
00:37:09I have a plan.
00:37:20Let's go.
00:37:39They're looking
00:37:40for a man's voice
00:37:41on the telephone.
00:37:42They say
00:37:43he's calling again.
00:37:44They must have
00:37:45checked it thoroughly.
00:37:46No,
00:37:47I think
00:37:48it was Medjugorje.
00:37:49I don't know what you're talking about.
00:37:52Give me something to eat, Svetlana.
00:37:54Give it to me. Don't ask where I got it from.
00:37:56I bring home all the money I earn.
00:37:59With your money, we could spend ten days a month.
00:38:05Have they arrested you?
00:38:08Did some driver kill you?
00:38:10Yes.
00:38:12No, no, I didn't say anything.
00:38:15Did they tell you when you called?
00:38:17Yes.
00:38:19One moment.
00:38:24Kostja, Marko...
00:38:26Right?
00:38:27All right.
00:38:29All right, I understand.
00:38:33Goodbye.
00:38:34Bye.
00:38:50A Swiss man called.
00:38:53Where did they arrest him?
00:38:55They didn't arrest him. I was right.
00:38:57A man ran over him when the police heard him.
00:39:00Call the police.
00:39:02He'll call himself. I gave him the phone number.
00:39:06I'm going to work in a farmhouse in Cirija.
00:39:09Did you see how much they'll pay you?
00:39:11We'll arrange it in Skopje.
00:39:14What Skopje?
00:39:15I have to go to Skopje right away.
00:39:19I owe a lot of money to Iraq.
00:39:28What are you going to do with Svetlana?
00:39:32I'll stay with you until I find a job in Cirija.
00:39:36Do you know how much a child costs nowadays?
00:39:38I'll send the money, don't worry.
00:39:40I'm going out.
00:39:48Don't work for the blacks.
00:39:52Did you sleep with that man?
00:39:55With whom? The blacks?
00:39:56The blacks, the whites, it doesn't matter.
00:39:59I didn't.
00:40:01But that doesn't mean he's not a good man.
00:40:03He's a good man.
00:40:09Don't let him use you.
00:40:11He'll leave you later.
00:40:13He made a professional hairdresser out of you.
00:40:16I'm not as bad as I look.
00:40:19Mom, I'm still hungry.
00:40:21Come on.
00:40:22I'll make you another croissant.
00:40:26You're luckier than you think.
00:40:33KOSOVO
00:40:39Ambulance number 773 for Skopje,
00:40:41across the Kosovo field,
00:40:43departing at 9.30 p.m.,
00:40:45placed on the fifth roundabout.
00:40:49I repeat, ambulance number 773 for Skopje,
00:40:52across the Kosovo field,
00:40:54departing at 9.30 p.m.,
00:40:56placed on the fifth roundabout.
00:41:04KOSOVO
00:41:07This is Sup, go ahead.
00:41:09Hello?
00:41:10Hello?
00:41:11Hello, who is this?
00:41:13KOSOVO
00:41:32Are you sure he's not alone?
00:41:34I'm sure of it.
00:41:35Let's go.
00:41:36We've been told he doesn't want to be seen.
00:41:39You don't worry.
00:41:44KOSOVO
00:41:50Good evening.
00:41:51Good evening.
00:41:52I need to see Mila.
00:41:53She's not here, she's gone.
00:41:55Where to?
00:41:56To Skopje.
00:41:57When?
00:41:58By train at 9.30 p.m.
00:42:02Wait, I told her to call you.
00:42:13SKOPJE
00:42:30Good evening, excuse me, is it free?
00:42:32It's free.
00:42:44KOSOVO
00:42:50Get it, George, we only have 20 minutes.
00:42:53Are you crazy?
00:42:54I just got home.
00:42:55Dad, you can't.
00:42:56You heard him.
00:42:57You go.
00:42:58He knows me, I'm afraid he'll kill her.
00:43:01We'll tell him she's gone to Skopje,
00:43:03and we'll stay calm.
00:43:04What if she doesn't make it?
00:43:06Go to hell.
00:43:14KOSOVO
00:43:28Do you want to read?
00:43:30Thank you.
00:43:34I can't go by train either.
00:43:36That's why I don't take a sleeping car.
00:43:39You're going far.
00:43:42To Skopje.
00:43:43All right.
00:44:11SKOPJE
00:44:20Good evening.
00:44:22I'd like a ticket.
00:44:35Is this your first time?
00:44:37I know, I've seen more places.
00:44:40You can sleep here.
00:44:42It doesn't matter, I'll pass later.
00:44:45When do we arrive in Skopje?
00:44:47At 6.50, if I'm not late.
00:44:50Goodbye.
00:44:56Is this the hotel?
00:44:57No, I'll show you when I get there.
00:45:00Do you work in Skopje?
00:45:02No, I study in Belgrade. Why?
00:45:06I thought you were following me.
00:45:09What do you mean?
00:45:11I don't understand.
00:45:14You look like a cop to me.
00:45:17Really?
00:45:22You must have made a lot of mistakes when you were scared.
00:45:27SKOPJE
00:45:33I got it.
00:45:36Inspector Vasil Tevara.
00:45:38Give me the book.
00:45:45Show me another book.
00:45:49Here you are.
00:45:51Is there a foreigner?
00:45:53Three from Greece, a few from Turkey.
00:45:56He's our Belgian, Mr. Roper.
00:45:59Is there anyone from Switzerland?
00:46:01No.
00:46:03We have two from Sweden.
00:46:05They're leaving tomorrow.
00:46:06Take their passports.
00:46:07All right.
00:46:09And that Belgian?
00:46:11He's our guest for two years.
00:46:13He sells wine in Angra.
00:46:14Do you know him?
00:46:15I do.
00:46:17Is there a room reserved for tomorrow
00:46:19in the name of Milo Jovanovic from Belgrade?
00:46:22As far as I know, there isn't.
00:46:24Let's see.
00:46:25There's nothing in the book.
00:46:27Be careful.
00:46:28If there's a room reserved in the name of Milo Jovanovic,
00:46:30call me immediately.
00:46:31All right.
00:46:32Can I call Belgrade from here?
00:46:34Go ahead.
00:46:36My wife doesn't know I'm in Skopje.
00:46:39Let's go for coffee.
00:47:09Let's go.
00:47:39Is it closed?
00:47:58Get in.
00:47:59You're free to go.
00:48:05Why did you turn around?
00:48:06No, no.
00:48:07Let's go.
00:48:37Oh, hell.
00:49:08What can I do for you?
00:49:11Rachmaninoff told me you were looking for me.
00:49:14Did he tell you where I was?
00:49:17He told me you were looking for me.
00:49:20Don't talk to me like that.
00:49:23Do you know who I am?
00:49:26I don't know.
00:49:28I don't know who you are.
00:49:31I don't know who you are.
00:49:35I don't know who you are.
00:49:43I told you you were looking for me.
00:49:49I'm sorry.
00:49:54I'm sorry for you, too.
00:49:57I don't want to offend you.
00:49:59I'm older than you, and I'm younger.
00:50:02But remember,
00:50:05if you don't have a mind, you're against us.
00:50:10I'm sorry for the occupation.
00:50:12This is an occupation.
00:50:14No, no.
00:50:19I'm thinking about you,
00:50:21whom I haven't seen for a long time,
00:50:23because I think you've changed.
00:50:28I'm thinking about you.
00:50:31You've grown up.
00:50:35You've grown up, but you haven't changed.
00:50:38I've grown up, too,
00:50:41because we haven't seen each other for a long time.
00:50:44We haven't seen each other.
00:50:46We haven't seen each other.
00:50:48I know that.
00:50:52If anyone asks me about him, I'll tell him.
00:50:56I'll tell him, too.
00:51:26967 from Belgrade, Lapovo, Kragujevac, Kraljevo, Kosovo,
00:51:30Polje, Ruševac, arriving at the third roundabout.
00:51:33Welcome, dear passengers.
00:51:35We wish you a pleasant arrival in our city.
00:51:56Polje, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujevac, Lapovo, Kragujev
00:52:26Music
00:52:56Thank you
00:53:01Excuse me, I think I have a reservation for a room
00:53:03Your name?
00:53:04Milo Jovanovic, from Belgrade
00:53:08One moment
00:53:11Here you are, room 606
00:53:13Your ID please
00:53:20Thank you
00:53:25Thank you
00:53:30It was absolutely great, you know
00:53:31Yeah, in Orient Express, Greece and everything
00:53:33Going for the North?
00:53:34Yep
00:53:36You must ring sometimes, no?
00:53:37Shh
00:53:55Shhh
00:54:10Hello, professor Cemajli
00:54:12Moment please
00:54:16Cemajli!
00:54:17Hey, Cemajli!
00:54:25He's been martyred
00:54:28Six months ago, he was in Pristina
00:54:31He's been shot
00:54:32I don't know where he went
00:54:34He was shot in Smoljevac
00:54:36Don't worry, he didn't have a successful train
00:54:39Milo, we have to find him
00:54:49Excuse me
00:54:50Excuse me, where is the restaurant?
00:54:52Right next to the bakery
00:54:54If a young man asks for me, tell him I'm at the restaurant
00:54:58All right, don't worry
00:54:59Nice to meet you
00:55:23Thank you
00:55:40Good day
00:55:41Good day
00:55:42Are you here for lunch?
00:55:43Yes
00:55:44Here, take this
00:55:45Thank you
00:55:46Here, right away
00:55:53Thank you
00:56:16Don't worry
00:56:18We'll get him out of there
00:56:19Don't worry
00:56:20We'll get him out of there
00:56:21Don't turn the engine on
00:56:22Don't turn the engine on
00:56:24I'm Gorditschka
00:56:25I'm Gorditschka
00:56:27Come on
00:56:42We got him
00:56:52Are you from Talizanov?
00:57:20Mr. Roper, I'm at the front.
00:57:30Alone?
00:57:31Mr. Roper, please.
00:57:32Thank you.
00:57:33Hello?
00:57:34Yes, it's me.
00:57:35Yes.
00:57:36Ah, it's you.
00:57:37Yes.
00:57:38Yes.
00:57:39Yes.
00:57:40Yes, I understand.
00:58:56but I'm still here.
00:59:00Ah, yes.
00:59:02And you are?
00:59:05It could've been her, too.
00:59:09I told them to call if they had any news.
00:59:16I wanted to.
00:59:17Honestly.
00:59:18Do you have meetings here?
00:59:19Yes, actually, in the restaurant.
00:59:20But something blocked it out.
00:59:21You act like you're 16 so you don't know what double murder means.
00:59:22Who are you letting in? Do I know him?
00:59:27I'm avoiding this window.
00:59:29I'll try to eliminate you in any way.
00:59:32You're the only one who knows him.
00:59:41Do we understand each other?
00:59:47You know what?
00:59:49There was a young student in the bus.
00:59:52He said he was going to Skopje, but then he got lost.
01:00:19I'm going to Skopje.
01:00:40Please.
01:00:43Tonight...
01:00:45we have to kill someone in your hotel.
01:00:50I'd like to see the details.
01:00:53Our police informant...
01:00:56just told us...
01:00:59that the man who was supposed to kill this person...
01:01:02has been killed.
01:01:04Is this revenge?
01:01:06This is not revenge.
01:01:42Let's go.
01:02:12I'm going to kill him.
01:02:15HOTEL BALKAN
01:02:40Hello?
01:02:41Hotel Balkan.
01:02:43This is Milo Jovanović.
01:02:45I'm listening.
01:02:48Hello?
01:02:50Milo, is that you?
01:02:52I don't know how to apologize.
01:02:54Where are you calling from?
01:02:55From Skopje.
01:02:56I had to go to Belgrade because of a passenger.
01:02:58I'll talk to you later.
01:03:00The job is okay.
01:03:01Can you hear me?
01:03:02Yes.
01:03:03I'm in Hotel Balkan at nine.
01:03:04I'll explain everything to you.
01:03:06Don't be angry.
01:03:07I'm not angry.
01:03:08I'm just scared.
01:03:10Wait for me at nine.
01:03:12At the restaurant.
01:03:13I'm coming with a friend.
01:03:15Okay.
01:03:16At nine.
01:03:18We're losing him.
01:03:22Do you think it's Varka?
01:03:24He's trying to distract us from Kosovo.
01:03:40HOTEL BALKAN
01:03:48Hello?
01:03:49We're at 21.
01:03:50The bus is at nine.
01:03:54I'm sorry.
01:03:55I had to go to the ambulance.
01:03:58Who was on duty today?
01:04:00The secretary, the postmaster and the head of the bus station.
01:04:06At 21.
01:04:07Nine.
01:04:08Just one bus?
01:04:13415.60.
01:04:19Hello?
01:04:20What did you say?
01:04:23Hello?
01:04:25I'm the head of the bus station.
01:04:27Don't be angry.
01:04:29If you suspect that we're here,
01:04:31tell me about the bus station.
01:04:34Don't say a word about this.
01:04:37Don't worry.
01:04:38Goodbye.
01:04:39Goodbye.
01:04:46THE BUS STATION
01:04:58Where are you going?
01:05:00I don't know.
01:05:16THE BUS STATION
01:05:36This is the bus station.
01:05:40THE BUS STATION
01:05:44Stop!
01:05:48Stop!
01:06:09THE BUS STATION
01:06:26Stop!
01:06:29Stop!
01:06:30Stop!
01:06:39Stop!
01:06:40Stop!
01:07:00THE BUS STATION
01:07:31THE BUS STATION
01:07:34We have another 15 minutes.
01:07:36He told me you're going at exactly nine.
01:07:38Maybe we should have left someone with him in the room.
01:07:41Do you think he'll follow that guy?
01:07:44THE BUS STATION
01:08:00$2.70.
01:08:06$7.70.
01:08:07Thank you very much.
01:08:30THE BUS STATION
01:09:00THE BUS STATION
01:09:30THE BUS STATION
01:10:01THE BUS STATION
01:10:13Call 606.
01:10:23What is it?
01:10:25No one's answering.
01:10:30You can sit down.
01:10:55I'll call 606.
01:11:00THE BUS STATION
01:11:06Nothing.
01:11:07Give me the spare key.
01:11:30THE BUS STATION
01:11:33THE BUS STATION
01:11:58Is there another exit?
01:12:00It's all blocked.
01:12:03THE BUS STATION
01:12:33THE BUS STATION
01:13:03THE BUS STATION
01:13:08We have to go to the road.
01:13:10We need to get to the village.
01:13:13And we have to get to Prishtina.
01:13:34THE BUS STATION
01:13:37Hello.
01:13:38Hello.
01:13:40Here's the key.
01:13:42Thank you.
01:13:47Thank you.
01:13:55Here, this is for you.
01:13:57No, please, sir.
01:13:59I beg you.
01:14:00I'll be back in six days.
01:14:02Your room is waiting for you.
01:14:04Everything is in the trunk.
01:14:06Thank you.
01:14:07This is for the young man.
01:14:08The key.
01:14:11Thank you, sir.
01:14:13See you soon.
01:14:14Goodbye.
01:14:15Have a good trip, Mr. Roper.
01:14:18THE BUS STATION
01:14:31Have a good trip.
01:14:32Thank you.
01:14:47THE BUS STATION
01:15:17THE BUS STATION
01:15:40Your passport, please.
01:15:42Yes.
01:15:44Here you are.
01:15:45Thank you.
01:15:48THE BUS STATION
01:16:08Open the trunk, please.
01:16:18THE BUS STATION
01:16:21Gouma.
01:16:29I'll change the tire once I'm on the other side of the border.
01:16:32You'll turn the wheel, park the car there and change the tire.
01:16:43Your passport, sir.
01:16:46Thank you.
01:17:16THE BUS STATION
01:17:25What is it?
01:17:26You forgot this.
01:17:37Wait a minute.
01:17:39It's all in English.
01:17:46THE BUS STATION
01:18:16THE BUS STATION