Category
📺
TVTranscript
00:00If you had seen her and heard her, it was terrible.
00:08She claimed that Mrs. Carla herself was in the apartment and had spoken to her.
00:15But was there anyone there?
00:18Well, I suppose that the users, of course not.
00:22There was no one there, neither alive nor dead.
00:27Look, in the terraces and in all the rooms.
00:30But Matilde insisted that she had heard her.
00:33But even though you checked it, she kept saying that Carla had been there.
00:37It didn't look like the same Matilde that we know, smart and smart.
00:42You couldn't see how she was shaking. And her eyes were lost.
00:47I left there with a bad body.
00:49I'm not surprised.
00:51What you're describing is typical of a person who is about to go crazy.
00:56We don't exaggerate that.
00:58The only thing that happens to Matilde is that she is very nervous.
01:01She has had many misfortunes in a very short time.
01:03Yes, it's true. It hasn't had to be easy for her.
01:06But if she continues like this, without sleeping, without resting ...
01:10My God, I don't know how it can end.
01:12What do you think? What can happen to her if she doesn't get better?
01:16I prefer not to think about it.
01:18Of course, seeing the panorama of one and the other, I go home and I'm not so bad.
01:25I wish you could say the same.
01:28How are you? With yours?
01:31Well, not very well, really.
01:33Yesterday Pietro came to me with a news about Lucia that hasn't let me sleep all night.
01:38I already knew that she was a lizard.
01:40No, she doesn't get away because she doesn't go out there.
01:43Well, they arrested her.
01:45Yes, and the police took her, claiming that she was a woman of dubious morals.
01:49And isn't that a lizard?
01:51No.
01:52What the police told her is that she lived alone in a boarding house,
01:55that she didn't have a permanent home and that she didn't know how to explain what she was doing in Madrid.
01:59Exactly.
02:01But hey, from what you're saying, they let her go, right?
02:04Yes, but what Pietro is afraid of is that the owner of the boarding house where Lucia stays
02:09is going to do the same as the police and fire her.
02:12And of course, he's so good that he's not going to leave his son's mother on the street.
02:17Well, but don't worry because Pietro is very much in love with you.
02:22So there's nothing to be afraid of.
02:24Yes, yes, I know.
02:26Well, let's get to work.
02:47But hey, Salvita, have you got a fever?
02:50Because I notice that you, Salo, don't get close to a trap.
02:52A rare fever would be that,
02:54that instead of leaving you lying in bed, it makes you clean.
02:57So you've been up all night alone just to leave this like gold bars.
03:02That's right.
03:03And you can do the cotton test if you want.
03:05I assure you that you will not find a single drop of dust.
03:10Where are you going? I just locked you up.
03:13You locked me up?
03:14Put on the rags.
03:16What I think is that you haven't calibrated your idea well.
03:19Because this is bread for today and hunger for tomorrow.
03:22Or are you going to take care of the cleaning every day?
03:25Hey, I'm kidding.
03:26I only do this until Marta changes her mind.
03:28And as far as I know the girls, it doesn't happen today.
03:31Of course, because we still don't value the option of hiring another cleaner, do we?
03:35Marta is ideal.
03:37Yes, except for the insignificant detail that she has rejected the offer.
03:40She's thinking about it.
03:42But I'm telling you that she's going to accept it.
03:44Don't throw the towel because Marta is the best candidate.
03:48Clean a little over there.
03:50Is it that you need a lot to sweep?
03:53You've even been able to do it.
03:55I'm not good at it, but Marta has a taste for organizing things.
03:59A delicacy with the furniture.
04:01And if you had it with the clients of La Moderna...
04:04Marta is what this bookshop needs.
04:06The bookshop or you?
04:09I don't know what that means.
04:11You don't know, Elvita.
04:12And so much.
04:13My God, it has given you more strength than I thought with this girl.
04:16You want to hire her to keep her close.
04:18That you offered to get up early just to open the door.
04:20You, get up early.
04:22Okay, and if so, what?
04:24We both win, you first.
04:26Let's see, let's see, let's see, let's see, let's see, let's see, let's see.
04:28Enlighten me.
04:30Hiring Marta, why is it a benefit for me?
04:33Because...
04:35That would make you more motivated to work.
04:37Isn't that what you want?
04:38More motivated.
04:39To work?
04:41We'll see about that.
04:43But it's a first step, man.
04:45Don't you always complain that I never come to the bookstore?
04:47Well, with Marta here, I wouldn't even take half a walk.
04:50Well, I'm sorry.
04:51Because I must insist that we must find another girl.
04:54Leave it in my hands.
04:55If you have other things to take care of.
04:58Your wedding, for example.
04:59Have you invited my father?
05:00Well, it's going to be an intimate wedding.
05:02With a few guests.
05:03But don't change the subject.
05:05Your father wants someone to take care of the cleaning and he wants it now.
05:08Give me one more day.
05:09If I haven't convinced her today, I'll let her be.
05:14Have you ever done anything crazy for a girl?
05:17My God, if you only knew how many things I've done for love.
05:21That's it.
05:2224 hours.
05:23And one more.
05:25Go, go.
05:26Go over there.
05:27Well, don't overdo it.
05:34The convention of drugstores is going well, Tom Popo.
05:37I have everything ready.
05:38If you think it's good.
05:40Have you been able to review the budgets?
05:43Yes, yes.
05:44At first glance it seems reasonable.
05:46The only thing that worries me is that I have not seen the specified menu that we are going to serve.
05:51Have you thought of something?
05:53Yes.
05:54What happens is that I don't have it clear yet.
05:56I was waiting for you to approve the budgets.
05:59The dishes are interchangeable and that would affect the price of the menus.
06:03But it all depends on the budget.
06:06But come on, in this folder you can check that everything is in order.
06:09And I think I've been able to solve everything well.
06:11Do you really think so?
06:13I affirm it.
06:14I affirm it.
06:15It was a way of speaking.
06:17Everything is in order, Mr. Fermin.
06:19And everything is going to be fine.
06:21I assure you.
06:23Very good.
06:24Very good.
06:25I will study it.
06:26I know you are a great professional, Matilde.
06:28So I don't want to steal more time from you than necessary.
06:31You can go.
06:32Thank you very much, Mr. Fermin.
06:36Thank you.
06:45What do you think, Teresa?
06:47Have you noticed how many times she has insisted that everything is under control?
06:51Well, yes, I have noticed.
06:53It is difficult to recognize the young woman who gave me so many headaches.
06:57I have never seen her so confused.
06:59And what Inigo tells me does nothing more than increase my anxiety.
07:04Hey, if it's not indiscretion, what did Mr. Peñalver tell you?
07:08Well, that his wife sees attitudes, how to call them, strange, anomalous.
07:14Well, he didn't want to go into details.
07:16Well, he was just quite distressed.
07:20Well, if you allow me, I think Inigo has reasons to be like that.
07:28You see, Esperanza has told me something that I think I should know.
07:35Esperanza has many virtues, but discretion is not one of her strengths.
07:38Yes, but this is different.
07:40She told me before entering the office and she was really worried.
07:44Notice that she didn't know whether to tell me or not.
07:48Well, yes, it is serious, yes.
07:51Tell me.
07:54Well, it turns out that yesterday he says he witnessed a disconcerting episode with Matilde.
08:00What is it about, Teresa?
08:03Well, he says that yesterday he went to his house to bring him the menus for the boutique convention
08:08and that Matilde was out of her mind.
08:10That apparently she was listening to Mrs. Carla, as if she was talking to her.
08:15No, no, no, that can't be.
08:17Well, there was no way you were right.
08:21Does Inigo know this?
08:24She refused to tell him so that he would not be alarmed.
08:27It is normal that she does not want her husband to find out.
08:31Teresa, please, when Esperanza comes, tell her to come to my office, I want to talk to her.
08:36Of course.
08:41Boss, three coffees for table 7, two alone and one with milk.
08:45Right away.
08:51Oh, well, Trini, how well accompanied you come back from picking up the press.
08:56Yes, this is Father Aureliano and he is here because we have to tell you something.
09:02So Father Aureliano.
09:05To serve you and God our Lord.
09:08What my fiancée and I want to announce here is that we already have a date and place to get married.
09:14Let's see if with so much running we will have time to prepare the invitation.
09:17It is that a wedding takes a lot of work.
09:19Don't worry about that, Esperanza.
09:21They can count on my help in everything they need.
09:24Of course, and with mine too, by discount.
09:26But how imminent is the wedding?
09:29When? But do you already have a church where you are going to give the yes I want?
09:32Yes, yes, in a very special one.
09:34In the Hermitage of Santa María del Venado, in Camporreal.
09:37Hermitage of which I have been a priest since I was 10 years old.
09:41Since you were 10 years old?
09:43But that is not the age to be a titular of anything.
09:46Let's see, he was a monk since he was 10 years old.
09:50And then, of course, he ascended.
09:53Really, I'm going to marry a hermit.
09:56Don't be mistaken, ma'am.
09:58That the Hermitage of Santa María del Venado is a wonder.
10:01You could say that it is the cathedral of the hermits.
10:04Then you will officiate the ceremony, Father Aureliano.
10:07Because I suppose there will be a ceremony.
10:10Of course there will be a ceremony.
10:12Like in all weddings.
10:14All that is very good, but when is the date?
10:17It is well known that finding a date to get married today is a miracle.
10:22But God, our dear Lord,
10:24that José Miguel and Trinidad
10:27get married next week.
10:29But your name is José Miguel?
10:31Next week?
10:33First, yes, in a hermitage.
10:35And now to get married there, in a sigh.
10:37Come on.
10:38Better, Esperanza.
10:39You don't have to leave the opportunity of life to grab the link.
10:42Remember, if not, the last weddings we've had around here, how they ended.
10:45Well, Elias, for God's sake, don't tempt the devil.
10:48Trinidad.
10:51Listen, Father, since we are here,
10:53I would like to apply as a hermit for the link.
10:56I say that Father Aureliano will have his men of confidence.
11:00His hermits of confidence, I mean.
11:02Well, but I am also of confidence, José Miguel.
11:06Elias Tejada, to serve him.
11:08Professional waiter and former hermit of the church of my town.
11:11Oh, don't tell me.
11:13Well, you have experience in these ministries,
11:15so that makes you the perfect candidate.
11:18You flatter me a lot, Father.
11:20By the way, you know each other from the seminary, right?
11:26José Miguel from the seminary.
11:29Yes, yes, Father Aureliano, you can say it quietly.
11:32Here we all know that José Miguel was a priest.
11:36He told us himself.
11:38Yes, yes, yes, from the seminary, of course.
11:41We studied together.
11:43José Miguel, tell him when the wine and the torrijas.
11:47The wine and the torrijas.
11:49Esperanza, will you accompany me for a moment?
11:51Well, the wine and the torrijas,
11:53has he ever told you?
11:55As if he were looking at the priest like that,
11:57in the end he was going straight to hell.
11:59That's not it, girl.
12:01He doesn't look like a priest.
12:03He is the priest with the least face of a priest I have seen in my life.
12:09Tell me, mother.
12:11Any news regarding Fabio?
12:14Eating from my hand, as it suits us.
12:20He was very upset when I told him
12:22that we wanted to liquidate part of the company
12:24and open an account in Switzerland.
12:27Now he worries about the future of the company.
12:30No, he was worried that I was planning my departure.
12:35I confess that I liked seeing him so sorry
12:37that I thought I was going to go very far.
12:40At least that nonsense of his has helped you
12:42to want to get me out of the country.
12:44A little more liquidity never hurts, daughter.
12:46In any case, I'm going to keep the account open.
12:49You never know.
12:52Did you go out again last night?
12:54Yes, mother.
12:56And my raids at Inigo's house are doing me very well.
12:59He doesn't know what I found there.
13:02Were you there again?
13:04Oh, mother, please don't get dramatic.
13:06I already told you that I would do it again.
13:08And more now that my plan is going on wheels.
13:10Carla, what you're doing seems like a fear to me.
13:13You should leave Spain as soon as ...
13:15I'm not going to have this conversation with you again.
13:19What I was telling you ...
13:24I found a card in the apartment
13:30of a certain Dr. Mendoza.
13:32Does it ring a bell?
13:37Yes, I have information that it is an eminence in his field.
13:40He has treated many ladies of high society.
13:45So you know who he is?
13:47I celebrate hearing it because ...
13:49I trusted that he had some common contact
13:51so that he could tell us what Matilde's diagnosis is.
13:54It is clear that he went to see her.
13:56I will try to find out.
13:57But I can't assure you that he discovers anything.
13:59Oh, mother, don't underestimate yourself.
14:01I'm sure he'll make it.
14:03Matilde is so close to the abyss
14:06that just by causing a little breeze
14:08she will fall into the void.
14:10We have her right where we wanted her.
14:14Mother, didn't you say the service was going to be late?
14:16Go down to the basement quickly.
14:17I'm going down to see you.
14:25Here's your coffee, father.
14:27Yes, yes, as you hear, father.
14:29Three of the sacristans who passed through the parish of my town
14:31congratulated me on my good birth as a moragillo.
14:34Well, I will take your offer into account, I assure you.
14:36Well, and there is nothing that makes me more excited
14:38than being able to honor two of my best friends
14:40with my help at their wedding.
14:42Besides, I have a lot of ideas.
14:46And where did you get this priest from?
14:48A childhood friend, Cañete.
14:50But he is not a priest, but the sacristan of the hermitage.
14:52Look, at least there is some truth
14:54in all the pantomime you have told us.
14:56But maybe it's me, but ...
14:58he doesn't seem to have many lights.
15:00But they call him the bulb,
15:02of the few lights he has.
15:04Look, if he has little retentive,
15:06we invited him to our wedding and the uncle was wrong about the church.
15:08What a firefly.
15:10And don't you have other friends
15:12who can help you with this ceremony?
15:14Yes, as if it were easy to get another priest out of the basket.
15:16But can a sacristan officiate a mass?
15:19Well, if no one finds out, yes.
15:22From what you have told us,
15:24the hermitage is a little far from the urban center of Camporreal
15:26and no one ever goes there,
15:28or when there is robbery.
15:30Even so, Miguel, too much risk.
15:32Many things can go wrong.
15:34Starting with Elias.
15:36And as they become friends,
15:38you can pray well to the Virgin of the deer.
15:40Oh my God.
15:42It's on the altar.
15:44Everything on the altar.
15:46I had thought of filling it with red geraniums.
15:48I love it.
15:50I love it?
15:55Come in, please.
15:57Don Fermin, when he called me,
15:59he didn't tell me he would come accompanied.
16:01They bring me by force.
16:03Esperanza, don't be like that.
16:05He knows as well as I do that the matter is serious.
16:07Has something happened to him, Matilde?
16:09Something, yes, but I'll tell you
16:11that right now he is perfectly fine.
16:15Sit down, please.
16:21Esperanza,
16:23would you be so kind
16:25to refer to Íñigo
16:27the episode he told Teresa this morning?
16:29Maybe he is already aware.
16:31Íñigo,
16:33Matilde told him what happened yesterday
16:35when Esperanza came to visit her.
16:37They had no idea
16:39that she had received a visit.
16:41I beg you, Esperanza,
16:43don't tell them anything.
16:45I beg you.
16:47I beg you.
16:49I beg you, Esperanza,
16:51to tell me what happened.
16:53Because, as you will understand,
16:55I am very worried about my wife.
16:57It should be your wife who tells you.
17:01If I speak, it is because
17:03I am also very worried about her.
17:06What happened?
17:08Her behavior was not normal.
17:11And what she said made no sense.
17:16Esperanza, please tell me
17:18what my wife told you.
17:23That Mrs. Carla had spoken to her
17:25as if she were here, in the house.
17:28I, just in case, checked all the rooms with her,
17:32especially to make sure
17:34that no bad guy had sneaked in.
17:36And, as you can imagine,
17:38they didn't find anything.
17:40But that didn't help Matilde to calm down.
17:43She insisted that
17:45she had heard Mrs. Carla's voice.
17:47It can't be again, right?
17:50I was very scared, sir.
17:52Because I had already heard
17:54that she had a vision in the gallery.
17:56But to hear her swear and perjure
17:59that the late Mrs. de Morcuende
18:01spoke to her, well ...
18:03Do you understand now, Iñigo,
18:05the urgency I had to meet you?
18:07I don't understand.
18:10She told me not to tell anyone, but ...
18:12Look.
18:14I thank you both for coming to tell me.
18:17And I have to ask you that if it happens again,
18:20let me know.
18:22Of course, we will be attentive.
18:24Esperanza, if you are so kind
18:26to come to the living room,
18:28I would like to talk to Iñigo alone.
18:30As you command, Mr. Fermin.
18:32Esperanza, thank you very much for everything.
18:45How are those spots going?
18:47Well, good.
18:49After a lot of rubbing.
18:51That's what the spots have,
18:53they don't go away easily.
18:55And the dress, how is it?
18:57It seems good.
18:59And the hands, impeccable.
19:01I'm very glad.
19:03It would be a pity that such delicate hands
19:05would be so hard to clean.
19:07It's a shame.
19:09It's a shame.
19:11It's a shame.
19:13It's a shame that such delicate hands
19:15like yours would spoil for something like that.
19:17They had never told me that about my hands.
19:19Really?
19:21I don't know, I think it's obvious.
19:23You have beautiful hands,
19:25with very long and very fine fingers.
19:27Do you play any instrument?
19:29I don't know, maybe the piano,
19:31maybe the violin.
19:33No, no, nothing.
19:35The only instrument that I master is my voice.
19:37And that's it.
19:39And wouldn't you like to sing again?
19:41Yes, but for that I would have to
19:43do a long rehabilitation process
19:45that doesn't even assure me
19:47that I can do it again.
19:49Time is relative, miss.
19:51Well,
19:53in this case it would be months.
19:55And I prefer to focus
19:57on my secretary job.
19:59Well, I wouldn't like
20:01to get into where they don't call me,
20:03but from what Mr. Fermin has told me,
20:05it would be a real shame.
20:07He told me that they have offered him
20:09to be the protagonist of a play.
20:11Yes,
20:13The Court of Pharaohs.
20:15The producer wanted to wait for me to recover,
20:17but I asked him not to do it.
20:19With all due respect,
20:21wouldn't the decision be reconsidered?
20:23It's just that
20:25it has taken me a long time
20:27to make this decision and
20:29I prefer to leave things as they are.
20:31I have to get back to work.
20:40Excuse me,
20:42it's true that I have to get back to work,
20:44but I wouldn't like you to leave so upset.
20:46Maybe I can do something
20:48to cheer you up.
20:50And what do you propose?
20:52I read in the press that there is a concert
20:54of the municipal band
20:56in the temple of the retreat,
20:58at noon.
21:00Or maybe we could go at the time of rest,
21:02even eat there.
21:04But will we have time?
21:06Yes, yes, yes, a little tight,
21:08but maybe your uncle
21:10would like to come with us.
21:12Of course,
21:14he loves music bands.
21:16And so he won't be aware
21:18if we delay a few minutes.
21:20Well, let's not talk about it anymore.
21:22I'm sure if his niece tells him,
21:24he can't deny it.
21:26And the truth is, now that I think about it,
21:28maybe it would be a bit ugly
21:30if his sister didn't tell him, right?
21:32Hmm.
22:02Inigo,
22:04have you been able to think about
22:06Dr. Mendoza's proposal?
22:11Well, I keep thinking about it.
22:14And every day that passes,
22:16I worry more about Matilde.
22:18But at the same time,
22:20the solution the doctor proposes to me
22:22is that it is difficult to take.
22:24But something will have to be done.
22:26Yes, yes, I know.
22:28I am the first to see the alarming drift
22:30of my wife.
22:32And I also know that
22:34I am delaying the inevitable.
22:36I am not in favor of advising anyone,
22:38because after all,
22:40everyone knows what they want.
22:42And as I told you yesterday,
22:44I would not like to give an opinion
22:46on such a delicate matter as this.
22:48Don Fermi,
22:50I would like to know your opinion.
22:52You are, along with Jaime,
22:54one of the most sensible
22:56and capable people I know.
22:58Given the seriousness
23:00of Matilde's situation,
23:02I think the most convenient thing
23:04is that you authorize
23:06your entry.
23:08I know this is not
23:10what I wanted to hear,
23:12but I am convinced
23:14that it is the best for Matilde.
23:16Anyway,
23:18this is a decision
23:20that only you can make.
23:22And now, if you'll excuse me,
23:24I must return to the modern.
23:26May I accompany you?
23:28I would like to know
23:30how my wife is doing.
23:32Of course.
23:40I hope we'll see you again soon.
23:42Thank you very much for your visit
23:44and have a nice day.
23:50In the end, you haven't taken anything, have you?
23:52Well, I wanted some records
23:54that we don't have.
23:56By the way, how are you?
23:58Yesterday you left in a bit of a hurry.
24:00Fine, fine, fine.
24:02The pressure of having to organize
24:04the event made me nervous.
24:06Of course, normal.
24:08Well, later you can help me
24:10with some things that, with the whole conference,
24:12have accumulated.
24:14Laura, I wanted to talk to you.
24:18I wanted to apologize.
24:20Yesterday I ran away,
24:22I said it with the word in my mouth
24:24that if you want to finish
24:26telling me about Agustín...
24:28Well, it's just that
24:30there's nothing to tell.
24:32I already told you that it's true
24:34that I like him, but I prefer
24:36to go head-on.
24:38Do you really like him?
24:40A bit.
24:42Well, then,
24:44I don't know,
24:46if you need help
24:48to get closer to that boy,
24:50you don't have to ask me.
24:52Celia, you're a wonderful friend.
24:54Where have you been all this time?
24:56That's what I'm asking,
24:58because you haven't appeared in my life before.
25:00Well,
25:02so, Mr. Fermin,
25:04how was yesterday's talk?
25:06Well, I think better than we thought.
25:08Yes, right?
25:10The poor man came looking for a talk
25:12about literature and found a talk
25:14about feminist claims.
25:16But I think Zenobia thought
25:18that if he dared to contradict them,
25:20it's because she's Juan Ramon Girona's wife.
25:22Well, I'm glad to hear that
25:24not all men are able to accept
25:26that they're taken the opposite way.
25:28Although, well, the important thing
25:30is that the talk was a success
25:32and that's what the press says.
25:34And as long as it goes on like this,
25:36I'm sure we'll have my uncle's support.
25:38By the way, did you contact
25:40the International News Agency?
25:42Yes, I called them to tell me
25:44about the conditions of the job.
25:46Well, I'm sure I'll manage.
25:48I don't want you to sacrifice
25:50your job as an advertiser in La Moderna.
25:52So I've told them I'm going to do
25:54specific collaborations.
25:56Well, that's very good.
25:58It's an intermediate solution.
26:00Do you like it?
26:02Yes.
26:04Well, I'm glad to hear it.
26:06Hi, girls.
26:08Does Laurita have a second?
26:10Well, I gave it to visit Inigo.
26:12I did it with all my good intentions.
26:14But, of course,
26:16now I have to learn
26:18and recover the hours lost.
26:20Oh, if it's what I say.
26:22You can't be in mass and repeating.
26:26There he comes again.
26:28Do you want me to dispatch him?
26:30I don't care.
26:32No, don't worry, Esperanza,
26:34I already know what foot to take.
26:36Good morning.
26:38What a look you have on your face.
26:40If you want something,
26:42I can be your partner.
26:44Can't you take care of me?
26:46No, my job is to clean.
26:48I'm not going to play my role
26:50because a client wants it.
26:52You're the most responsible there is.
26:54Actually, what caught my attention
26:56was not the genre,
26:58but how clean and reducing
27:00the posters are.
27:02It shows you're bad at these things.
27:04She's got a good teacher,
27:06that's me.
27:08Good and a good painter.
27:10Hey, have you thought about what I told you?
27:12Come on, no.
27:14I already told you no.
27:16I'm not going to accept the job.
27:18Say yes, Marta.
27:20Work in the classroom is very important.
27:22And I don't want you to dismiss me.
27:24I assure you that the job of your pupil
27:26will not have affected you.
27:28Well, the schedules don't even coincide.
27:30So what do you want?
27:32For me to come to the classroom and blow up?
27:34No, don't worry, Esperanza,
27:36that's not going to happen.
27:38I think you don't understand.
27:40You're going to earn some good money
27:42for working a little more.
27:44I don't know what the problem is.
27:46I've already given you my reasons.
27:48Don't make me repeat them to you again.
27:50I'm not for the job and period.
28:00You could already help me, ma'am.
28:02Marta is going to get extra money.
28:04What she's going to get from Perla
28:06If she says no, it's over. Period.
28:08Don't you want your pupil
28:10to get a new opportunity?
28:12That's what I offer him.
28:14The possibility of growing up.
28:16My God.
28:18Not that I was offering you
28:20to be the president of the savings bank.
28:22Besides, I'm training her
28:24to replace me tomorrow.
28:26It's just that between the years,
28:28the lumbar...
28:30Lumbar? You?
28:32But you're like a roble.
28:34Don't give me that.
28:36When you go, I've already come back four times.
28:38When a girl gives you a hard time,
28:40what you have to do is bow your head
28:42and not insist.
28:44But...
28:46You can't have it all in life.
28:48My God.
28:50I don't want to see you around Marta again.
28:52Are you upset?
28:54Yes.
29:04Can't you?
29:06What are you doing here?
29:08Nothing.
29:10I wanted to see you.
29:12Antonio told me you were here.
29:14I hope my presence
29:16doesn't bother the rest of your classmates.
29:18I needed to rest a bit
29:20and sort out my ideas.
29:22Sit down if you want.
29:28I'm sorry.
29:30I'm sorry.
29:32I'm sorry.
29:42Is something wrong?
29:44No.
29:46I told you I wanted to see you
29:48and hear from you.
29:50How are you?
29:52I'm fine.
29:54I'm trying to focus
29:56so I can do my best at work.
29:58And?
30:00Can you do it?
30:02No.
30:04Even if I try,
30:06I can't get my head
30:08out of yesterday's argument.
30:10I'm very sorry.
30:14I thought you'd come
30:16wanting to fight.
30:18Quite the opposite.
30:20I wanted to ask you
30:22if you wanted
30:24to have lunch with me.
30:26You didn't bring the grill.
30:28I was going to have empanadillas later.
30:30I'm not the one
30:32who looks down
30:34on the modern genre,
30:36but I think it would be good
30:38to have a hot meal
30:40and get some fresh air.
30:44I promise
30:46I won't bring up the subject
30:48if that's what worries you.
30:50It's not a subject.
30:52It's a reality like a big castle.
30:54I don't want to talk about it.
30:56Besides, I want to be with you.
30:58What do you think
31:00if we plan a trip?
31:04Now?
31:06Sure, now.
31:08I think it would be good
31:10to get some fresh air.
31:12I don't think it's the right time.
31:14I think it's a good time
31:16like any other.
31:18What about my job?
31:20It's been hard for me
31:22and I don't want it to be
31:24because of an escape.
31:26We could make it
31:28because we could stay
31:30outside for a few weeks.
31:32We could travel around Europe.
31:34No, we can't.
31:36I won't quit my job.
31:38It's what gives me the most stability.
31:44Okay.
31:46We won't travel,
31:48but...
31:50Honey,
31:52what do you think about eating together?
31:58Okay.
32:00You're right, we'll be fine.
32:02It's not easy for you
32:04and I think eating together
32:06can help us relax a bit.
32:10I'll wait for you outside.
32:20Okay.
32:40Well, it's been a nice evening, hasn't it?
32:42It's been a pleasure
32:44listening to the band.
32:46For pleasure, the rice with milk
32:48and the dessert.
32:50They're a family of gourmets.
32:52They almost eat the whole pot with their fingers.
32:54If we were at home,
32:56we would have done it.
32:58You have a great idea.
33:00It's been a long time
33:02since I had such a nice time with my nieces.
33:04Eating together
33:06outside is just for
33:08boring businessmen like me.
33:10We've had a good time.
33:12By the way, I remind you
33:14that you have a meeting tomorrow.
33:16By the way, why don't you go to the office
33:18and organize my agenda for next week?
33:20I'd like to review it.
33:22I have to go,
33:24it's getting late.
33:26If the boss puts you a lot of work,
33:28you tell me and I'll do it.
33:30You'd better do it.
33:34I'm leaving too.
33:36I'm going to get changed and start working.
33:38Wait a minute.
33:40May I invite you to a coffee?
33:42Well,
33:44I'll invite you to come with me.
33:46I'll pay for the drinks
33:48because you invited me.
33:50We'll negotiate that.
33:52Now that I'm out of the office,
33:54you'll have to come back.
33:56Thank you.
33:58Teresa, ask Montero
34:00to bring us two coffees.
34:02Very well.
34:08Montero, two coffees with milk
34:10for Fermín and Mrs. Lázara, please.
34:20Why are you so serious?
34:22Look,
34:24Mrs. Lázara's plan
34:26to seduce Mr. Fermín is going very fast.
34:28They even make family plans and everything.
34:32I have to find a way
34:34to stop her from taking advantage of him.
34:36But the information I've gotten
34:38from her neighbors
34:40is not enough to unmask her.
34:42There's no mask to take off, Teresa.
34:44I told you so.
34:46Maybe Mr. Fermín isn't the only one
34:48who's fallen for Mrs. Lázara.
34:50No, not at all.
34:52I know who she's with.
34:54Someone has to be the devil's lawyer.
34:56Well, the devil's lawyer, yes,
34:58but not that woman.
35:00I'm sorry.
35:02Did you think I was defending Mrs. Lázara?
35:04All I want is for you
35:06to calm down.
35:08I'll think about the steps I take,
35:10but I'll let you know.
35:22Ms. Celia,
35:24do you have a moment?
35:26I'd like to talk to you about Laurita.
35:28No, no, no.
35:30It can't be right now
35:32because I have to go to Correos
35:34to talk to the gramophones that aren't in good condition.
35:38I assure you
35:40that I'm not going to steal your time.
35:42Have you thought about what I asked of you?
35:46I assure you that I can be very insistent.
35:52I don't think it's necessary
35:54for me to help you get close to my friend Laura.
35:56Well, it's obvious that Laurita
35:58doesn't want to know anything about me
36:00and I'm going to respect her wish.
36:02Maybe she doesn't know how to interpret
36:04the signals well.
36:06Has Laurita told you
36:08that she feels something for me?
36:10Look, what I talk to Laura
36:12in confidence is our thing.
36:14I already told you that I don't like to
36:16hurt the intimacy of my friends.
36:18No, of course not, of course not.
36:20But I know Laura
36:24and I know that between you and her
36:26the spark could arise.
36:29And you could help me
36:31to revive that spark, right?
36:36Hey, this isn't a trick
36:38to separate me from her, right?
36:40Please, don't say nonsense.
36:41No, it's not nonsense.
36:42The last time I saw her,
36:44she refused to help me and now she has changed.
36:46But what's wrong? Isn't it enough?
36:47As long as she continues on that path,
36:48I'm going to get tired of you.
36:49I'm serious, Celia.
36:51I know you have a lot of affection for Laurita.
36:53If you help me, it will be for a reason, right?
36:58When she showed up at the store,
37:00I didn't know her at all.
37:01And I don't like trusting strangers.
37:05But I've seen how she behaves with Inés
37:07and everything she's done for her.
37:11And you are a man of your word.
37:13So if Inés trusts you,
37:15so do I.
37:17Wow.
37:18So you've changed your mind about me.
37:21Will I have to thank Inés?
37:25Well, my offer has a expiration date.
37:28Take it or leave it.
37:31Of course.
37:32Any help in this regard will come in handy.
37:36Very well.
37:37It's a deal.
37:38I'm going to help you get closer to Laura.
37:41But you have to know one thing.
37:44Laura can't stand lies.
37:46They're not funny at all.
37:51No matter how kind she is.
37:54No lies.
37:55It's a deal.
37:59Thank you, miss.
38:13Trini, get me two Swiss,
38:15two ensalmadas and a merengue, please.
38:18Very well.
38:19And...
38:20Disimola, keep working.
38:22But lend me your ears.
38:24I have news for you.
38:27I don't want it to spread.
38:29So this order is just to keep me entertained?
38:32No, I need the ears.
38:34But I'm going to put you in charge.
38:36I'm going to talk to Mr. Fermin.
38:38Very well, Elias.
38:39What do you want me to tell you?
38:41I'm going to mediate on my own.
38:43I'm going to tell Mr. Fermin to close La Moderna
38:45for your wedding day.
38:46That way, all the employees can get in touch.
38:49I knew this wasn't a good idea.
38:51No, it's not a good idea.
38:53What we want is a simple wedding.
38:56Just with the family.
38:59Trini, you don't have to pretend with me.
39:01I know this is all Miguel's doing.
39:04But you want a wedding,
39:06and that's all that matters, right?
39:08For once you get married.
39:10Of course, I'm not getting married twice, Elias.
39:12What are you talking about?
39:13But I'm telling you no.
39:14And about talking to Mr. Fermin,
39:17if I get married, I'll do it.
39:19Excellent idea.
39:20Because maybe he won't listen to me,
39:22but if his girlfriend asks for it,
39:24she won't be able to say no.
39:25But you're not going to do anything, are you?
39:27Promise me.
39:28I promise.
39:29But if you change your mind,
39:31or need reinforcements, you know.
39:32Yes, I'll tell you.
39:34But I'm telling you it won't happen,
39:35because we don't have the money
39:36to have a post-team banquet.
39:39But what if we tell Miguel?
39:41I'm sure he'll be very excited to see us all together.
39:44Do you really think Miguel will want to invite
39:46all the employees of La Moderna
39:48when he barely even knows them?
39:49Well, yesterday we told Esperanza
39:51that we were going to have a big wedding,
39:53and you can't imagine how excited he was.
39:56Well, because he would have gotten a slap in the eye.
39:59But no, I know my future husband,
40:01and I know that he wants to go through the altar
40:03in a discreet way.
40:05Well, that's a shame,
40:06because Father Aureliano told me
40:08that next to the hermitage
40:09there is a sale that would be done at a good price.
40:11Now, yes, we have to be at least 100 guests.
40:13100 guests, for God's sake.
40:14Have you dried your scarf?
40:16Come on, take it, take it.
40:18Take this.
40:21Let's go.
40:25Please, God, help me.
40:38I told you you'd be fine.
40:40And not just for the food,
40:41but to spend the afternoon off from work.
40:44Yes, but...
40:46I can't help but feel guilty
40:48for taking the afternoon off.
40:52I didn't take the afternoon off either.
40:54You had a good time waiting for me in the living room
40:56to finish doing a couple of things.
40:59It only took me ten minutes.
41:03And...
41:05did you have a good time?
41:09Yes, I had a great time.
41:13I'm glad to hear it.
41:15Because the truth is that I didn't have all of them with me.
41:17Shut up!
41:22Do you remember anything?
41:24Yes.
41:25Darling,
41:27have you heard anything?
41:31What do you mean?
41:33I think you know what I mean.
41:37Have you heard Carla?
41:41Why do you say that?
41:44Because you heard her yesterday, didn't you?
41:47Matilde, Esperanza told me everything.
41:49She's very worried about you.
41:52Esperanza told you?
41:54I know I'm surprised.
41:55She's always liked to talk too much.
41:57Darling, don't pay her.
41:58If she told me,
41:59it's because Mr. Fermin forced her to tell me.
42:01Mr. Fermin was here?
42:04Yes.
42:05So I guess he also thinks I'm crazy, right?
42:08No, Inigo, I'm not crazy.
42:10I'm not crazy.
42:11And I'm not going to let anyone question what I see,
42:13what I do,
42:14I'm not crazy.
42:15And I'm not going to let anyone question what I see,
42:17or what I hear.
42:18Matilde, please.
42:19No, no, that's it.
42:20Inigo, everything I see is real.
42:22Everything I see is real.
42:23Do you understand?
42:25Darling, let's sit down and calm down.
42:27No, I'm not going to sit down.
42:28I can't believe that the whole world is talking about me.
42:30I can't believe it.
42:31Darling, if they're talking about you,
42:32it's because they're worried about your condition.
42:33Because they love you very much, really.
42:35Well, let them worry.
42:36Let them worry,
42:37but don't talk behind my back.
42:39Do you understand?
42:40That's ugly.
42:41Do you understand?
42:44Come on.
43:15Hi.
43:16Hi.
43:20Come in.
43:27I really wanted to see you.
43:28We haven't seen each other all day.
43:30I'm sorry.
43:31I haven't had a minute,
43:33not even a breath in the workshop.
43:36Yeah.
43:37We've also been quite busy in the living room.
43:41It seems that the clients have had a gulag attack
43:43and we haven't stopped taking out trays.
43:46The good thing about working so much
43:48is that you have an entertaining mind, don't you?
43:51But I, not even sleeping,
43:53stop thinking about it.
43:59Sit down, please.
44:03What's wrong?
44:05The owner of the pension where Lucia is
44:08has found out that she was arrested.
44:13Bad luck.
44:17We knew it was going to happen, didn't we?
44:20We knew she would be thrown out.
44:23No one wants a woman with a dubious moral
44:26under their roof.
44:28I don't know what to do.
44:30I don't know what to do.
44:32I don't know what to do.
44:37What's going to happen now?
44:39Lucia has one day
44:41to pack her things and then go out.
44:49You've made a decision, haven't you?
44:55Not the one I want.
44:58But what do you think you should do?
45:02Yes.
45:05I think so.
45:08She's the mother of John Carlos.
45:12I can't leave her on the street, can I?
45:17No one would want to be aware
45:19of leaving someone on the street.
45:25I didn't know if you would understand.
45:29So you're going to...
45:32live under the same roof?
45:41Pietro, is there something between you two?
45:49Not for me.
45:54And for her?
45:55No.
46:01Lucia told me she's still in love with me.
46:07I can't lie to you.
46:25I can't.
46:36Operator?
46:3913297, please.
46:44Put me through to Dr. Mendoza.
46:48Yes, I'll wait.
46:50Doctor?
46:52Yes, I'm Inigo Peñalver.
46:55I've made a decision regarding Matilde.
47:02No, it's not getting any better.
47:05On the contrary, I'm afraid it's getting worse.
47:10Yes, that's what I want to avoid,
47:13that when we make the decision,
47:15it's too late for my wife.
47:22I've prepared everything to bring her back.
47:30Don't worry, I won't hurt her.
47:35Thank you.
47:36Goodbye.
47:38Goodbye.
47:50They're still married and have a son in common.
47:53Esperanza wanted to put me in the body.
47:55I congratulate her because she did it.
47:57Mom, that woman emigrated because of force majeure.
48:00What does that have to do with it?
48:01It has to do with the fact that she didn't leave
48:03because she wanted to or because she was scolded.
48:05What do I do? Do I stand guard?
48:08Mrs. Lázaro, you're a blessing.
48:12You're also a blessing to me, Mr. Fermin.
48:19Hey!
48:24How are you?
48:25Good, Father.
48:26What a mess.
48:28False priest, false wedding.
48:32False wedding?
48:33What are you talking about?
48:35What wedding? What false priest are you talking about?
48:37I'm not crazy.
48:38I'm not crazy, do you understand?
48:40I'm not!
48:41Matilde, don't shout like that.
48:43The only thing you're going to get
48:44is for people to think otherwise.
48:46That's what I've come to, Marta.
48:48If I deny that I'm crazy, it's because I am.
48:52It turns out that they found
48:54carcoma in the beams of my house.
48:57What does that mean?
48:59That now that you're leaving Matilde's house,
49:02you're going to do the homework there.
49:07With Lucia.
49:09Pietro, I trust you.
49:11But I can't say the same about her.
49:14Salvita, can you tell me why you had to
49:16give Tabas the hope to let me work here?
49:19I've already made it clear
49:20that I'm not going to make you change your mind.
49:22All I can tell you is that I'm sorry
49:24and more than that I'm going to feel it.
49:26Because I can't imagine anyone
49:27that you're not the one who cleans here.
49:28Look, I'd rather clean.
49:29I don't consider another way of seeing the world
49:31but through confidence and sincerity.
49:36I share your vision.
49:39My neighbor has come here.
49:41It turns out that a woman
49:44has been asking for me at my house.
49:47Even for the neighbor.
49:49Look, I don't know what you're talking about
49:51and I have a lot of work.
49:53Excuse me.
49:54I'm not done, Teresa.
49:56In fact,
49:58I've just started.
50:00Close the door and sit down.
50:02Since an agreement with Dr. Mendoza,
50:04who is the doctor who is treating her,
50:07we have decided to put her in a sanatorium.
50:11Does she agree?
50:13She doesn't know.
50:15When will it be?
50:17Today.
50:18I just had a very revealing conversation
50:20with a person who works in the sanatorium.
50:22She just confirmed to me
50:23that they are waiting for a new entry this afternoon.
50:25Did you get it, Carla?
50:27Have you managed to drive her crazy?
50:30It's not enough.
50:31Don't you think it's enough for her to be locked up?
50:34What else do you want?
50:35You said it yourself.
50:37I've taken too many risks
50:39and all that effort can't be wasted.
50:41I love you.