Sueños de Libertad - Capítulo 114

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Transcript
00:30that your products are so powerful that with an adequate approach they could be sold very quickly in the stores of Peugeot and Lefebvre.
00:36I know that you, before joining the priesthood, you were with someone.
00:40There was something.
00:42A 5% of sales in France.
00:45It's a somewhat crazy figure, don't you think?
00:48A fridge, the largest in the store.
00:50Can't you imagine? To climb such a weapon, you have to climb the stairs to the floor.
00:54And I asked him to write a fake death certificate of Valentin and to send it, supposedly, from Brazil.
01:00They have me so sick.
01:02That's not because they're poisoning you, that's because you have the flu.
01:05I asked him to marry me and he said yes.
01:08What?
01:25I don't know.
01:27I don't know.
01:28I don't know.
01:29I don't know.
01:30I don't know.
01:31I don't know.
01:32I don't know.
01:33I don't know.
01:34I don't know.
01:35I don't know.
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02:00I don't know.
02:01I don't know.
02:02I don't know.
02:03I don't know.
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02:10I don't know.
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02:12I don't know.
02:13I don't know.
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02:15I don't know.
02:16I don't know.
02:17I don't know.
02:18I don't know.
02:19I don't know.
02:20I don't know.
02:21I don't know.
02:22But I'll try.
02:23I hope she likes it.
02:29Good morning.
02:30Good morning.
02:31Come, now!
02:33Let them in.
02:34I'm leaving.
02:43How are you?
02:44Better.
02:45I'm better.
02:52I'd do anything to ease your pain.
02:55Tell me, what do you need?
02:57I want to know where my son is buried.
03:00I want his body to rest in peace, as God commands.
03:04And start an endless search, waiting for news of Valentín.
03:08You already went through a calamity when he fled.
03:10I don't want to see you suffer like this again.
03:12Do you think I'm going to suffer less if I don't do it?
03:16I'll only have a little peace if I recover his body
03:19and bury him with his father, close to his.
03:22But you know what you're saying.
03:24That's a worthy funeral.
03:27Tania, for years I've been tortured by the idea of not knowing where he was,
03:32wondering how I would live, burdened with so much guilt,
03:35because my son was repentant.
03:39Now I know
03:42that he no longer suffers.
03:46But I want to have him with me,
03:48even if I have to cross the ocean to swim.
03:52And I need you to help me with that.
04:04It says here that Valentín was buried in a common grave.
04:10No.
04:14He's not even buried in a Christian grave.
04:18Finding an anonymous grave in a country of the extension of Brazil
04:21is almost impossible, Edith.
04:41Begoña, how are you?
04:43How are you?
04:45I'm better today.
04:47Thank you for asking, darling.
04:51Did you sleep well?
04:53I'll serve you.
04:55What would you like, tea or coffee?
04:58A coffee, please.
05:03Careful, Tere.
05:09Thank you.
05:14If you're going to see Mercedes today, can I go with you?
05:19Julia, darling, the sanatorium is not a place for children.
05:22Besides, I wouldn't want you to get infected.
05:24You have to be responsible, darling.
05:26Think about it, if you bring the virus home,
05:28you could infect Grandpa, or Aunt Dina,
05:30or Isidro, who's been very sick.
05:33Your father is right.
05:35And you don't get infected?
05:37Well, I'm a nurse and I take precautions.
05:41But if you want, we can do one thing.
05:43I'm going to see her, I'm going alone,
05:45but I'm taking a lot of kisses from you.
05:47I'm sure you'll be excited.
05:49Yes?
05:51And now, young lady, go up for your things,
05:53or you'll be late. Come on.
05:56Have a good day.
06:01Bye.
06:03Goodbye, darling.
06:11Bye.
06:29Hi, Aunt.
06:30Hi, son.
06:33Come in.
06:38I'm glad to see you.
06:39Do you want a coffee?
06:40No, don't bother.
06:41I'm going to have one at home.
06:42Thank you.
06:48How are you?
06:51I can't wait for you to answer me.
06:53I can already imagine it.
06:57I don't keep many things from when they were little.
07:01I made this little sweater when your cousin was just born.
07:07How nice.
07:09When I got pregnant,
07:12your uncle Gervasio was very excited.
07:15He wanted a girl.
07:18I wanted a boy.
07:20And God gave him three.
07:25All children are special to mothers.
07:30But the first one...
07:32is the first one.
07:35Everything is new.
07:38The illusions.
07:40The vertigo of bringing a being into this world.
07:44The kicks.
07:46The plans.
07:50Your uncle Gervasio loved to come home from work
07:53and stick his ear in my belly
07:56to hear him.
07:59I even talked to him, can you believe it?
08:01Can you believe it?
08:06He was a man so ahead of his time.
08:09Even for the names.
08:12He didn't want to put his name on it.
08:15Nor any ancestor's.
08:20And why Valentín?
08:24It means brave.
08:28I don't know if your cousin was.
08:31But he deserves to be buried with his father.
08:35And who does?
08:38Fate.
08:41Valentín has been buried in a common grave
08:45lost in Brazil.
08:46It's not known where.
08:52You'll have to contact your friend again
08:55and tell him not to keep looking for him.
08:58This looks like a sign.
09:02A sign from heaven.
09:04I wanted to know where he was.
09:09God sent me this.
09:20Can I see the letter?
09:21Yes, it's there on the table.
09:28In a common grave.
09:33Why didn't they contact us before burying him?
09:38A mother never thinks she can survive her son.
09:43A son as healthy and strong as mine.
09:49Valentín had died for many a long time ago.
09:53But not for me.
09:54I'm very sorry.
09:55I don't know what else to say.
09:58Don't give him another chance.
10:03What we needed.
10:06For you to get infected with your aunt's madness.
10:09Aunt?
10:11Burying a son is not madness.
10:14And if I can do something, believe me, I will.
10:17I think maybe it's better this way.
10:21I think maybe it's better this way.
10:26But you just told me that...
10:29It's okay this way.
10:33In the midst of so much pain,
10:36I found a little hope.
10:41That finally our families
10:44can live in peace.
10:50We were waiting for you last night.
10:54Your mother may need you,
10:56but you don't have to forget your family either.
11:04What's clear is that Julia seems to understand the situation much better than you.
11:09Begoña,
11:11I don't want us to start arguing or distance ourselves again.
11:15I understand your state of nerves,
11:16but I really need you to stop punishing me.
11:20Yesterday, my mother begged me to get her out of there.
11:24And when I tried to explain to her that it couldn't be,
11:26she told me to get out of there,
11:28that she didn't want to see me again in her life.
11:31But honey, you know that your mother lives in another world.
11:35I'm sure that today...
11:36Well, today.
11:37That after a while, she forgot.
11:41I'm sorry if I'm offending you.
11:42It's not that I don't care about your mother.
11:45But I feel like you're leaving us aside.
11:47And I'm not saying this just because of me,
11:49but also because of Julia.
11:52In the pantry.
11:53Begoña.
11:57Begoña, honey.
12:01Begoña, how are you?
12:03Here we go, Jaime.
12:04Have a good day.
12:05Thank you.
12:09Good morning.
12:10Good morning, Jaime.
12:18Excuse me.
12:25Good morning. Do you have a minute?
12:27Yes, of course.
12:28I wanted to ask you a question.
12:30Make it easy.
12:31Yes, yes, of course.
12:34You see, I have the feeling when I talk to you that...
12:37you're kind of nervous.
12:39As if something is bothering you.
12:41Dr. Begoña,
12:43you're kind of nervous.
12:44As if something is bothering you.
12:46Dr. Borrell also had that feeling.
12:50Can you specify a little more?
12:53I understand that yesterday you didn't react very well
12:56when the doctor proposed to do a checkup for your pregnancy.
13:00Well, I didn't expect it.
13:01It came at a bad time.
13:03Look, I understand that it bothers you that I do it
13:05for the fact of being a man and your brother-in-law.
13:08I hope you don't feel bad.
13:09No, it wasn't my intention.
13:10No, no, no, of course not.
13:12That's why I asked my partner to do it for her.
13:14She's a woman.
13:16But I don't think that's the reason.
13:19Paranoia is a common symptom in many mental illnesses.
13:24Mercedes may have had a fever.
13:28It doesn't matter what you say, Luz.
13:30The feeling of guilt will not disappear.
13:33I live in a state of continuous nerves
13:35and I haven't closed my eyes again all night.
13:38You know you can count on me for whatever you want.
13:41How can I help you?
13:45I thought I could get more sedatives.
13:51I need to regain that serenity.
13:55I need to silence that noise in my head
13:57even if it's for a few hours at night.
14:00Begoña, I've already given you some very strong ones.
14:02Precisely because of the pain of the wound and the nightmares.
14:05We can't increase the dose, you know that.
14:07I know, but the situation at home is very difficult
14:09and I'm overwhelmed.
14:11Again, Jesus?
14:13Jesus, always.
14:15Good words run out, Luz.
14:17It makes me think that I only take care of my mother
14:20and that I'm not for the family.
14:22What did you expect?
14:23It won't change, Begoña.
14:25Look, I'm very worried about you.
14:28I don't see you well.
14:30I don't want to insist, but I don't understand
14:32the reasons you have to forgive...
14:33Luz, please, I've never said I want to forgive him.
14:35Don't make me have to justify myself again.
14:37I know you do it for my own good, but please don't insist.
14:41It's okay.
14:43It's okay.
14:46If you can't count on your husband,
14:49at least you can count on me or Andrés.
14:52We're here to support you.
14:58Begoña, what's wrong?
15:01Did I say something wrong?
15:04Andrés wants to focus on his future paternity.
15:10He's going to have a child with his wife.
15:12I can't interfere because...
15:14because it's very selfish of me.
15:16And what happened at the cabin?
15:17I don't know, another false step.
15:19Ours is a relationship doomed from day one.
15:23But you can't avoid what you feel.
15:25And this will happen more times, you know that.
15:27Luz, I'm trapped in an unhappy marriage
15:30and I'm in love with a man I can't be with.
15:34But now it's the least of it.
15:37What I need is to be okay.
15:39And for that, I need your help because my mother needs me.
15:44The sedatives aren't the solution, Begoña.
15:46Please.
15:48Please, Luz, I'm not asking you for a whim.
15:51The sedatives are just a patch.
15:53You know that, don't you?
15:55I need you to be very clear about it.
15:57I'm very clear about it, I promise.
16:01Let's go.
16:11Take just one a day, preferably at night.
16:15I'll give you...
16:18enough for a week.
16:21Thank you.
16:25Yes, tell me.
16:30Right now, yes.
16:33Begoña, it's for you.
16:36From the sanatorium.
16:38Tell me.
16:43Okay.
16:45I'm on my way.
16:47My mother is worse.
16:50I'll help you, give it to me.
16:51Thank you.
16:52Thank you.
16:58I already told you that the follow-up of my pregnancy is done by the obstetrician of trust.
17:01You don't have to be so careful.
17:03Yes, but you didn't tell me who it was.
17:06Who is who?
17:07Your obstetrician.
17:09If you've met me, you can still save your trips to Madrid.
17:12As well-known as I am, I doubt he'll come this far.
17:16Why are you so sure?
17:19It's Dr. González.
17:22González.
17:24González, what else?
17:26Well, you're Dr. Berenguer, Luz is Dr. Borrell,
17:29you don't give more surnames, do you?
17:30María, I'm not attacking you.
17:33I'm sorry, I'm sorry.
17:34I'm sorry, I'm sorry.
17:36It's the mood swings of pregnancy.
17:38I get a little grumpy.
17:40And you've discussed all this with Andrés?
17:43Andrés and I are very close.
17:46No, I doubt it.
17:47Let's see, I don't want to get involved, but...
17:49Not long ago, you pretended to have a flu
17:51to avoid telling your fears to your husband.
17:54That's already been discussed and overcome.
17:56You don't have to worry.
17:58Oh, you've already talked to him?
17:59Well, I'm calmer now.
18:01So when Andrés asks me, I'll know he's aware of everything.
18:04Look, Andrés is a model husband.
18:06But I don't want to worry him about my pregnancy.
18:09Besides, why give so much importance
18:11to a firstborn mother affected by hormones?
18:15I'm very sorry for my behavior.
18:17And I'll personally apologize to the doctor for him.
18:21Send my regards.
18:24And you, to Dr. González?
18:27Of course.
18:29Well, I'll leave you.
18:47What a beautiful mass, eh?
18:48It looked like Don Agustín knew Juan Felipe all his life.
18:52You've told him everything.
18:53Well, your father was a saint.
18:54I know that.
18:56I was telling Claudia how beautiful the mass was.
18:58Thank you very much.
19:00As you can see, years of experience are a degree.
19:03Yes, yes, yes.
19:04Of course, I have to learn a lot from him.
19:06You have also been very good.
19:07What a temple, what a clear reading.
19:09It happens to me like you, years of experience.
19:11The amount of times I've read in Don Benito's church.
19:13You should learn from your mother, Claudia.
19:15So that your voice does not tremble next time.
19:17Well, he was moved by his father's memory.
19:19But it has been very nice.
19:20Just like the flowers he has brought to the church.
19:22Less flowers and more mass.
19:23You learn by reading aloud, practicing.
19:25Amen.
19:26I have to visit a sick parish priest.
19:28If you'll excuse me.
19:29See you later.
19:31I'm going to the park.
19:32Until the weekend, I want to read the Gospel to you.
19:34That on Sunday, at mass, I want to hear you
19:36from the back of the church.
19:37I've already told you I'm not going home.
19:39Don't take me to the contrary.
19:40I'm looking forward to seeing Joselito's face
19:42when I see him back in town.
19:44Very good.
19:45What do you mean, back in town?
19:46Are you leaving?
19:47Yes.
19:48Come on, and don't be surprised
19:49if the wedding invitation arrives in a week.
19:52What wedding?
19:53The one with Joselito, the golden bull of the town.
19:55It's just that the poor baby is crazy about her.
19:58Come on, I wouldn't be surprised
20:00that as soon as we set foot in the town,
20:02you ask me for your hand.
20:03I don't understand anything.
20:05Have you ever been in love?
20:07No.
20:08I don't understand anything.
20:09Ramona wants Claudia to go back to Don Benito.
20:12But she's not sure yet.
20:14What do you mean, she's not sure?
20:15We've had a better candidate.
20:19You should be grateful
20:20that you solved the mess you got yourself into.
20:23What mess are you talking about?
20:24If you're talking about the baby,
20:25he has a father and there's nothing to solve here.
20:27He doesn't have a brain.
20:29You tell him, Claudia.
20:31You knew?
20:32When were you going to tell me?
20:34Estasio, calm down.
20:35I'll explain it to you.
20:36I'm all ears, woman.
20:37But not here.
20:38Who does he think he is, Claudia?
20:40Mom, please, let's have the party in peace.
20:42Please, you can talk about it later.
20:44Yes, I'll tell you later, really.
20:45But now I have to go back to Tina.
20:46Besides, I can't take it anymore.
20:48You're free because you have to work.
20:49We have a conversation to talk about.
20:59Come in.
21:03Hi.
21:04Hi.
21:06Is Begoña here?
21:07No, she just went to the sanatorium.
21:09It looks like her mother isn't there.
21:12My God.
21:14Do you think she should go?
21:16No, she didn't let me go with her.
21:18Maybe it's better if she goes alone.
21:21You're right.
21:23Can I make a call?
21:24What's wrong?
21:25Isn't there a phone in the boss' office?
21:28No, I don't want anyone to come in here
21:30and where I'm going to call.
21:32It's a conference.
21:35In Brazil, right?
21:38Yes, how do you know?
21:41I was serving a countryman yesterday.
21:43The letter he received came from there.
21:46It was my cousin Valentín's death certificate.
21:50Don't you think it's too much coincidence
21:52that just when I contacted my friend to look for Valentín,
21:55I got the news of his death?
21:57I don't know what to tell you, Andrés.
22:00That's why I want to talk to Cristóbal.
22:03What do you want me to tell you?
22:05Is your cousin still alive?
22:07I don't know, Luz.
22:09I checked the document my aunt received.
22:11It had the government's stamps on it.
22:13It looked like an official document.
22:15What else do you want?
22:17The letter said that Valentín had died naturally.
22:21But I want to make sure.
22:23I don't know. Contact the hospital that treated his circumstances.
22:27Andrés, I know it's important for you to know the truth.
22:29And you're doing it for Begoña.
22:31But maybe you're seeing ghosts where they don't exist.
22:35If there's something I've learned since I came back,
22:37it's that my brother is capable of doing anything.
22:40What do you think?
22:41That he ordered Valentín's death?
22:44I don't know. I don't believe anything, Luz.
22:46I just want to know.
22:48And Cristóbal is a reliable source.
22:51I'm going to ask him to investigate as much as he can
22:53about Valentín in Brazil.
22:55What if Begoña finds out that we're still stirring this up?
22:58Begoña doesn't need to know anything.
23:01It has to stay between you and me.
23:05She's got a lot of nerve.
23:08Besides,
23:10we've put some distance between her and me.
23:14I know.
23:18She was exhausted.
23:20She needed to vent with someone.
23:23I see.
23:25Let's go.
23:32OPERATOR
23:39Operator.
23:41I'd like to hold an international conference with Brazil.
23:48I don't know. It's a lot of money.
23:50But her management will help us make a lot of money.
23:52That woman wants 5% of sales in France, Marta.
23:555%.
23:56And that commission takes almost all the profit.
23:58I don't even know if we'll get to 20%.
24:00Let's forget about her and it's over.
24:02No, not at all.
24:04Just think that selling advertising in France
24:06will increase our internal sales.
24:09Not to mention opening doors to foreign markets.
24:11Because France is just the beginning.
24:13From there, the leap to England, Switzerland or Germany
24:16is much easier.
24:17Yes.
24:18The benefits of international travel are unquestionable.
24:20But at what price, Marta?
24:22No, I refuse to have to go through the ring without even being able to negotiate.
24:25Then let's negotiate, Jesus.
24:27Let's both talk to her again and squeeze her.
24:30Although the truth is that she has made it clear that she is going to invest in 5%.
24:33You see?
24:34We have never been so biased in front of anyone's claims.
24:37I can't stand being forced to do anything.
24:39And that's what Patricia is doing.
24:41Because Patricia has the contacts and knows the French market.
24:45And she knows it.
24:46She's doing it on purpose.
24:49I don't want to lose her, Jesus.
24:51So let's stay with her and negotiate.
24:54If you want, you can keep praising her workshop
24:57while I carry the helm of the negotiation.
25:00I think we will understand each other better among women.
25:17They have called from the workshop that deals with the repair of the trucks.
25:21And?
25:23They want to charge.
25:25What do I care?
25:26Andrés is in charge of logistics.
25:28Tell him.
25:29I know.
25:30But he told me that any extra expense had to be approved by you.
25:33And this is it.
25:35Do you have the bill?
25:41I'm very sorry that the negotiations with Mrs. Lambert are not going to your liking.
25:47Have you been listening in secret?
25:49I didn't need to.
25:51A good secretary knows how to read the mood changes.
25:54And yours has changed a lot since yesterday.
25:56Well, it can still get worse, so be careful.
26:00If you allow me to comment,
26:02Mrs. Lambert is a relentless negotiator.
26:07Anything else to add?
26:14I think I know what your weak point is.
26:17Really?
26:18Well, surprise me, what is that weak point?
26:22You.
26:27Oh yeah?
26:29I think the negotiations would go much better if you and she negotiated.
26:34Alone.
26:37Look, Isabel.
26:40I don't know what you were doing in your previous jobs,
26:43but here in Perfumerías de la Reina, secretaries listen, look and shut up.
26:48They don't comment.
26:50I apologize.
26:51I just wanted to help.
26:53To your tasks.
27:13Thank you.
27:30Hotel Embajador?
27:32Yes, I would like to speak with Mrs. Patricia Lambert, please.
27:37Maya?
27:39No, it's not necessary. I'll call again.
27:41Thank you.
27:43Bye.
28:01Can I remove the tray?
28:04Yes, yes, yes.
28:10Wait.
28:12How are you?
28:14Well, with the suitcases half done.
28:17Deciding if I'm leaving tonight or not. Come on, come on.
28:19No, Gemma, don't go anywhere.
28:21You resist.
28:22You have a lot in your favor.
28:23Well, yes, what?
28:25Your husband's family supports you.
28:27Not like me.
28:29But if you, Don Damián, have you between cotton?
28:32And stop counting.
28:34For the rest of the family I am invisible.
28:37Less for Jaime, of course, the family doctor.
28:40I don't know, in the end he's going to find out.
28:43Why?
28:44He just keeps denying that he sees you.
28:47I'm over it, Gemma.
28:49I can't keep calm.
28:51And Jaime has noticed it.
28:54He has made me reluctant to the infected flu.
28:57He has asked me the name of the gynecologist.
28:59He has sent me to Dr. Borrell.
29:02Well, I didn't think Jaime was one of those who meddle.
29:05Well, look, you see he does.
29:07I can't take it anymore.
29:10I can't keep making excuses.
29:13Neither to Jaime, nor to the doctor, nor to my husband.
29:20This is getting very difficult.
29:24And I don't know how I'm going to stand all this if you leave.
29:28You can.
29:29You will.
29:31And another Gemma will come who knows how to listen to you
29:35and give you almost as good advice as I do.
29:39That's impossible.
30:00Mom.
30:10Mom.
30:12You're finally awake. How are you?
30:16Tired.
30:20That's because of the fever.
30:23You have it very high.
30:26Do you want me to tell the nurse to bring you something to eat?
30:30A flan.
30:36Have you done something funny?
30:40No.
30:42I just remembered how much you liked to eat flans at home.
30:46Be careful.
30:50I'm going to see if I can bring it to you.
31:00What are you doing here?
31:03Hi.
31:08Mercedes.
31:10How are you?
31:12Who are you?
31:14I'm Jesus.
31:16Your daughter's husband.
31:18Don't you remember me?
31:24You don't look well.
31:26Have you seen a doctor?
31:28Yes, he just left, but the fever doesn't go down.
31:31And my flan?
31:33I'm going.
31:35I was going to get something to eat just when you came.
31:38Don't worry, I'll stay with her.
31:41Let's go.
31:57Hi.
31:59Hi.
32:02How did the visits go?
32:05Good, very good.
32:07The baby of the Garcías has surpassed the Sarampión.
32:10And now the eldest has taken it, Fausto.
32:13Well, we'll have to let the school know so they can send a message to the families.
32:18By the way, I've been sick for a while and I'm better now.
32:22Have you gone to work?
32:23No.
32:24I recommend rest, but I think this woman doesn't know how to stay still.
32:28Well, sometimes it's better to keep your head busy so you don't think about misfortune.
32:33By the way, I spoke to María this morning.
32:36You haven't told her anything about her behavior, have you?
32:39I'm afraid I haven't been able to avoid it.
32:41She intends to apologize, but until that moment arrives, she tells me to tell you that she's very sorry.
32:48Really?
32:49Uh-huh.
32:50Does that mean she'll come to make a confession here at the dispensary?
32:53No, she's still determined to continue with her obstetrics.
32:56Does Dr. González ring a bell to you?
32:59Well, by his last name...
33:02Dr. González, there must be many, right?
33:05Who is he?
33:06His doctor.
33:07I asked him if he knew his last name and he told me he didn't.
33:11Or doesn't he want to tell you?
33:14It's clear that María wants to carry on her pregnancy without intervention.
33:17And we must respect that.
33:19Of course.
33:23It seems that intimacy is a very precious asset in this colony.
33:28Why do you say that?
33:31I say it for you and for me.
33:35I'm not following you.
33:37It's clear that something is happening to you with me, Luz.
33:40But you've decided to keep it and lock yourself up.
33:44Jaime...
33:46Jaime, if you want to tell me something, it's better to be clear with me.
33:59Nice drawing.
34:01Andrés did it.
34:04Yes, Mom.
34:06He did it so my mother could give me the present.
34:10Of course.
34:11To you and him.
34:13He remembers your brother-in-law, but he doesn't remember your husband.
34:17My mother loves that drawing.
34:21That he remembers who did it is just a coincidence.
34:26I see.
34:28This table is like the ones in the garden.
34:32Has Andrés been visiting your mother?
34:36He came one day and portrayed us.
34:39Do you want to know something else?
34:42I like it a lot.
34:45Don't you?
34:48Yes, a lot.
34:50You both look very pretty.
34:53Mercedes, I'm leaving.
34:56So soon?
34:58Yes, I don't want to tire you.
35:01I hope you recover soon.
35:08Why do you insist on provoking me?
35:12Jesus, I've told you what happened.
35:14He came one day and drew us.
35:16Don't go around in circles.
35:19Anyway, I'm leaving.
35:21I've come to visit her, making an effort, but it seems she prefers my brother to come.
35:24Please, don't do that.
35:26I have something important to solve at the factory.
35:28And put on the damn mask.
35:29Enough.
35:41Let's see how I say this without looking like a jealous idiot.
35:47Going around in circles with Igna again, right?
35:51Do you mind?
35:53Of course.
36:00I've seen the way you look at each other.
36:03I've tried to convince myself that there's nothing between you, but it's obvious that there is.
36:07There can't be anything between Luis and me.
36:10Look, if you do it for me, I'd appreciate it if you didn't.
36:13I don't want sacrifices.
36:15Jaime, you don't understand me.
36:17I don't know what I feel towards Luis.
36:20But I do know that what he feels towards me is based on a lie.
36:25He thinks I'm a doctor.
36:26That's an easy solution.
36:28Tell him the truth and that's it.
36:30If he wants you, he'll understand. I did it.
36:32No, it's too late.
36:34A lot of things have happened.
36:36A long time.
36:38I wouldn't understand if I told him now.
36:40I see.
36:42And since you can't be with Luis, do you agree with me?
36:45That's not the case.
36:47I don't need to lie to you.
36:49You and I are in tune.
36:51We have a good time together.
36:53We get along.
36:55You've missed a small, important detail.
36:59What?
37:01Love.
37:05Who says it's love and how to live it?
37:08It's obvious that there's no one-of-a-kind recipe for love.
37:11But, Luz, I'm very clear that I'm in love with you.
37:16And I am in the traditional way.
37:19I want to be in your life.
37:21I want you to share your things.
37:22I love you without reservation.
37:34Thank you for the tea.
37:43Gemma.
37:46I'll leave you for a couple of hours and I think the kitchen will reveal itself to you.
37:49What are you doing here?
37:50Well, I'm going to try to put an end to this mess you've got going on here.
37:56The doctors have already said that you have to take care of yourself and rest.
37:59Why don't you listen to what they say?
38:01I'm going to leave the food ready and I'm going home, I promise you.
38:04I couldn't be there.
38:06It's worth it.
38:08What's this?
38:10It's a stew.
38:13Stewed?
38:15It smells good.
38:17You're on the right track.
38:18I'll make you some tea right away.
38:21Mother.
38:23Here it is.
38:25I should have imagined it.
38:27Right?
38:29And how do you allow it?
38:31Leave Gemma alone.
38:33She's been taking care of me all night.
38:35And it's the first time she's asked me not to come to work.
38:37But I'm better here than at home alone.
38:41And her tension?
38:43My tension?
38:44What she wants is that I don't get upset.
38:47So leave me alone and my tension will be fine.
38:51Where are you going?
38:53I'm going to see if everything is in order.
38:56And don't tell me anything.
38:58I'll be right back.
39:02So you've been taking care of her all night.
39:08Thank you very much.
39:11There's no need to thank me.
39:14She's like a mother to me.
39:17Of course.
39:19You don't do something like this out of obligation.
39:24You haven't treated her with so much love in a long time.
39:29It's the same thing I've been trying to do lately.
39:32I've been trying to put everything in place lately.
39:40Let's go back...
39:45to being who we were before, Joaquín.
39:51You're good to my mother.
39:56You don't have to leave.
40:02What are we going to do at home?
40:05I mean, living together is...
40:08I don't know, Gemma. I don't know.
40:10We'll figure something out.
40:12For now, I'd rather take it discreetly.
40:16If you think it's right, of course.
40:19Of course.
40:22I think it's right.
40:33There's a bus that leaves at the same time you finish work.
40:37Mom, what?
40:39Don't interrupt me, I'm talking.
40:41You leave half an hour early, pack your bags,
40:44and we'll be at the slaughterhouse by tomorrow.
40:47I'm sorry, I'm sorry.
40:49I'm going to the warehouse to get more lavender soaps.
40:51No, no, Fina, don't go.
40:53We're leaving.
41:02Mom, I'm not getting on the fucking bus.
41:05This is the perfect time to get together with Joselito,
41:08who's going to waste your opportunity.
41:10Well, let's leave Joselito aside,
41:12but come with me to town.
41:14You're not going to miss the slaughterhouse.
41:16Take me to the opposite one.
41:18Mom, I hate slaughterhouses and I hate Joselito.
41:20You've tried to sell them to me all your life,
41:22and I can't with Joselito.
41:24Now you want to sell him to me along with the chorizos?
41:26What are you going to do? How are you going to get out of this?
41:28The plan is extravagant. I don't see much point in it.
41:30Look, Mom, I'm sorry you don't see the point,
41:32but I've made up my mind.
41:34I'm going to stay here and raise my son alone,
41:36with Carmen and Tassio.
41:38You want me dead.
41:40Don't make me feel bad, Mom.
41:42I'm really sorry you don't like my decision,
41:44but it's already taken.
41:46And now, please, I'm asking you to let me keep working.
41:49I don't know what this is about.
41:51You don't know what you're doing.
41:52You don't know what you're doing.
41:59Another conversation like this,
42:01and I swear I'll let the kid go.
42:03Well...
42:05Hello, how's it going?
42:07Everything's fine, Mrs. Marta.
42:09I'm just going to the warehouse to get a couple of albaranes
42:11and I'll be back at the office.
42:17But, well, what happened?
42:19You're missing.
42:20The conversations with Mrs. Lambert are getting complicated
42:23and Jesús and I still have to meet with her again.
42:25But I promise I'll find a way to be with you.
42:28No, don't worry, it's not necessary.
42:30Of course it is.
42:32And tonight we're going to Madrid
42:34and we'll sleep there.
42:51Yes?
42:54Patricia Lambert is here.
42:56Let her in.
42:58Come in, please.
43:00Thank you.
43:02Patricia.
43:04Jesús.
43:08Isabel, don't call me.
43:10Please, thank you.
43:14How are you?
43:16I didn't expect to hear from you so soon.
43:17Can I offer you something to drink?
43:19No, thank you.
43:21I don't usually drink at work meetings.
43:23Will the others take a long time to arrive?
43:25This meeting will be alone.
43:28And isn't Marta coming?
43:30We don't need her.
43:32Listen to me.
43:35If you think that with a little chat and a drink
43:38you're going to get me to lower my economic claims,
43:41you have nothing to do.
43:43You're always so nice.
43:44Well, I'm moving in a world of hyenas.
43:46I'd rather show my teeth than end up like carnage.
43:50You think I'm that?
43:52A hyena?
43:54You should have seen your face
43:56when I said I wasn't going to lower my percentage.
43:58Well, it's business.
44:00I know.
44:02For me too.
44:04For our agreement.
44:07What are we celebrating?
44:09My position hasn't changed since yesterday.
44:11But mine has.
44:12I can't stop thinking about him.
44:14I can't.
44:16You shouldn't be working.
44:18Soon you'll be the lady of the house.
44:20No.
44:22I don't want to be a lady.
44:24I'm not a lady.
44:26I'm a man.
44:28I'm a man.
44:30I'm a man.
44:32I'm a man.
44:34I'm a man.
44:36I'm a man.
44:38I'm a man.
44:40I'm a man.
44:42I'm a man.
44:44I'm a man.
44:46If I stop thinking it's a waste of energy.
44:48It's too late to stop thinking.
44:50Being active during the day helps me a little.
44:53I'd do anything to get you back, Valentín.
45:00What's the matter with you?
45:04Nothing.
45:08I can't stand seeing you so sad,
45:10I'm sad, desolate, because it's not fair.
45:15You don't deserve it.
45:17You...
45:19You deserve at least to have a good memory of your son.
45:25Of his absence.
45:27I don't understand you, Damián.
45:30What do you mean?
45:32It's just that...
45:37I don't know how to tell you this.
45:40It's going to change everything between us.
45:43And I don't want anything to change.
45:46You swore to me that there would be no more secrets between us.
45:53Can I know why that change is due?
45:56Of course.
45:58I need you, Patricia.
46:00I mean, we need you, Patricia.
46:03That sounds like a declaration of intentions.
46:05Well, for Perfumerías de la Reina, it's important to enter the French market.
46:10And I think your 5% commission is the toll to pay.
46:13Oh, I don't know if I like to hear that word to refer to me.
46:18Toll.
46:20I don't think it's fair.
46:22How do you prefer me to call it?
46:25If we reach an agreement, we'll be partners.
46:28You, me and your family.
46:31If you agree, let's leave my family aside for now.
46:33But for the moment,
46:35crowds are not good for certain things.
46:38And what would the patriarch and his children think of this meeting?
46:42I don't know.
46:44And that's why I ask you to be discreet.
46:46I need time to convince them that this is the best for the company.
46:50Discretion is something I practice both in business and in my private life.
46:55Wow.
46:57If in the end it will turn out that we understand each other in everything.
47:01What if we celebrate it?
47:03Surprise me.
47:05I thought we were going to eat.
47:08Is your wife coming?
47:10It's just that my wife is bored with business meals.
47:15She doesn't know what she's missing.
47:17Shall we go?
47:19On y va.
47:28I found out about this very recently.
47:31Valentín.
47:33Tell me now, for God's sake.
47:36You'll see.
47:41Valentín and Clotilde
47:47had an affair.
47:51An affair?
47:54She...
47:57Does that mean that my son was responsible?
47:59Well, until Clotilde decided to reject him to continue with Jesus.
48:06That didn't suit your son well.
48:09And well, you already know the rest of the story.
48:12And why are you telling me all this now?
48:15What good would it do if they had an affair?
48:17In the end, he ended up killing her, didn't he?
48:21I'm telling you
48:24because of that idyllic relationship.
48:27Because of that idyllic relationship between Valentín and Clotilde
48:33a girl was born.
48:39A girl?
48:42No.
48:44It can't be.
48:46Julia is not the daughter of Jesus, but of Valentín.
48:51She's your granddaughter.
48:52No.
48:56She's my granddaughter.
49:03Julia is an Amerindian.
49:09Since when do you know that?
49:12Well, that doesn't matter now.
49:15What matters is that Valentín hasn't left.
49:18His daughter is here, by your side.
49:20Don't you understand?
49:22Digna, please tell me something.
49:25If I've told you, it's because I love you more than anything.
49:29And I need to heal your wound.
49:32Valentín left you the best of him.
49:36You've done it again.
49:40Again.
49:45You've done it again.
49:49Making me see things I'm not.
49:52Digna, please tell me.
49:54Again.
49:56Again.
50:06The fever won't go away.
50:08The doctors don't think it'll go away tonight.
50:10It's a recipe of cookies that has passed from generation to generation
50:14among the women of our family.
50:16But I can explain it to you.
50:18To me? If I'm not your granddaughter?
50:20You're my sister's granddaughter.
50:22You're going to come with me to Madrid tonight.
50:24To Madrid?
50:26I have a friend who's leaving me her apartment.
50:28Be careful.
50:30In short, I've told her to marry a priest, Rita the Cantabrian.
50:33Why not me?
50:35The relationship my daughter has with that priest who instructs you, the young man.
50:38Mateo.
50:40I think they get along too well.
50:42Do you know what I mean?
50:44You can be sure that she'll make an effort
50:46and a lot so that the products of the queen
50:48are sold like hotcakes in France.
50:49We were working on him before he died.
50:51He's so discreet.
50:53He doesn't transcend.
50:55Jesus has done one thing.
50:57What thing?
50:59I've told Dina that Julia is his granddaughter.
51:02And the blessing of Almighty God,
51:04Patris et Fili et Spirit.