Hanna Movies (2011)

  • 2 months ago
Hanna (Saoirse Ronan) is a teenage girl. Uniquely, she has the strength, the stamina, and the skills of a soldier. These come from being raised by her father, Erik Heller (Eric Bana), an ex-C.I.A. man, in the wilds of Finland. Living a life unlike any other teenager, her upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one; sent into the world by her father on a mission, Hanna journeys stealthily across Europe while eluding agents dispatched after her by ruthless intelligence operative, Marissa Wiegler (Cate Blanchett), who has secrets of her own. As she nears her ultimate target, Hanna faces startling revelations about her existence and unexpected questions about her humanity. —Focus Features
Transcript
00:00:00You
00:00:30You
00:01:00You
00:01:30I
00:01:32I
00:01:58Just missed your heart
00:02:02Oh
00:02:28You're dead right now
00:02:32I've killed you
00:02:46Use your hands
00:03:03I
00:03:05Try to be back yourself
00:03:32I
00:04:02I
00:04:13What's wrong
00:04:15You hurt
00:04:16You were half asleep
00:04:19You must always be ready
00:04:21Even when you're sleeping
00:04:23Think on your feet
00:04:25Adept or die. I'll do better next time
00:04:29German
00:04:31Next is mama. He is better Italian
00:04:35La Prostima Volta Faramilio
00:04:40Spanish
00:04:44Espanol Devorah, could I ask it if I tear a whale I
00:04:51Might be people of the beer
00:04:55120 with scraps 200 pounds in total. I think so
00:05:01That explains it
00:05:04What are you beat me getting strong
00:05:22The great blue whale is the largest animal to have ever existed
00:05:26Its hardware is 1,300 pounds and the male has seven gallons of testicles
00:05:35The blue whales music can be heard for over 500 miles a blue whale's tongue weighs over two and a half tons
00:05:42What does music feel like
00:05:49Music a combination of sounds with a view to beauty of form and expression of emotion. I
00:05:58Want to hear it for myself if all we need right here, it's not enough
00:06:08I'm ready
00:06:10Papa I'm ready
00:06:40You
00:07:10I
00:07:32Live in Leipzig German city population 0.7 million peoples
00:07:36I
00:07:46Go to school at the class called gymnasium and my best friends are Rudy Gunther and Clara Schließ
00:07:52Villen Grimm's house Stefan Strasser 260 105 59 Berlin Germany. I like literature and sport in particular tennis and athletics
00:07:59We live at number seven Weisinger Platz
00:08:01I go to school at the class called gymnasium and my best friends are Rudy Gunther and Clara Schließ. I also have a dog called Rudy
00:08:29I
00:08:43Ready I'm ready now
00:08:59I
00:09:29Did you see it did you hear it it's like thunder it was so beautiful
00:09:59You
00:10:05What is it it tells me it's a regular where we are
00:10:11If you think you're ready you want to leave here all you have to do is flip that switch
00:10:20But once it's done there's no going back
00:10:23She won't stop until you're dead or she is understand I
00:10:32Won't be there to hold your hand
00:10:36So be sure
00:10:39Be sure it's what you really want
00:10:46It's here there's no rush
00:10:52You
00:10:59Like a mongrel dog from the streets of Moscow was the first animal to orbit the earth
00:11:07She was launched into outer space on the 3rd of November
00:11:111957
00:11:13Scientists believe humans would be unable to survive conditions of outer space
00:11:18So flights by animals were viewed as an experimental precursor to human missions
00:11:25The rocket was not designed to be retrievable and like I had always been intended to die
00:11:33But she didn't did she they couldn't bring the rocket back remember I
00:11:39Remember but sometimes I wish you would read it differently
00:11:47You when a star collapses the supernova explosion is 10 billion times brighter than the other stars
00:12:17You
00:12:29Will you hunt with me
00:12:32If you want
00:12:34That's up to you
00:12:37Me
00:12:39Yes
00:12:44I'll stay
00:12:47I
00:13:17I
00:13:27Was a weaker
00:13:35Come and find me
00:13:47You
00:13:57Were lucky you caught the deer there was nothing out there today
00:14:10It smells good
00:14:13When will it be ready
00:14:15Soon
00:14:45You
00:14:47You
00:15:10We picked up an unencrypted signal one of ours when oh 632 Eastern Standard
00:15:14Triangulated about 60 miles below the Arctic Circle near Kusuma. We think it's Eric Heller Eric Heller. You're his handler, right?
00:15:21Sure name sounds familiar
00:15:34One now
00:15:45How does it look good
00:15:53Almost good Eric Heller recruited in 1991 former FSK operative
00:15:58He became integral to our counterintelligence ops in Eastern Europe and Central Asia his file ends in 94
00:16:05There's no sign of life until April 18th
00:16:071996 when his fingerprints were found on a 22 caliber Luger found inside the body of one Johanna Zetik
00:16:13Johanna Zetik born 1970 German. She was spotted and developed by Heller in
00:16:191994 never recruited. Why was she being developed? That's not in the file. Let's keep on task
00:16:23Heller is a rogue asset. I propose we go in and pull him out. We've got bigger problems Marissa. Let interpol pick him up
00:16:29He's no longer our responsibility
00:16:31Interpol nabs in that exposes him to BND FSB France
00:16:35Do you really want every intelligence agency in Europe scratching at this threat Lewis?
00:16:39I'm sorry, but we need to keep this contained gentlemen. Keep it small. I worked with this man. He knows things
00:16:45I don't think you want to know. I appreciate your candor. What do you need Lewis one man one day operation?
00:16:58Tell me again, Marissa Vika then postcard then what the address where we meet villain Grimm's house
00:17:05260
00:17:17Remember what I taught you you'll be fine
00:17:35You
00:18:05I
00:18:35I
00:19:05I
00:19:36I
00:19:46Just find him Louis find him and bring him
00:19:58Where is Chanel
00:20:05Hello Hannah
00:20:07Hello, my name is dr. Burton. Would you like to talk to me? I
00:20:13Was told by my father to gain the upper hand that's very interesting. What else does your father tell you?
00:20:23Where am I you're in holding
00:20:27I've never been in a room like this
00:20:29It must all be very strange for you. How long have you been in the forest?
00:20:35Oh
00:20:39Hannah
00:20:47That's cameras, uh-huh
00:20:50They're taking a picture right now
00:20:54Does that make you feel
00:20:56Cameramscura
00:20:59It's Latin for dark chamber. It was first described by the Arabic scientist
00:21:07Plug the CCTV to the Langley
00:21:11Yeah, you should have visual on the psych evaluation now get you something what do you like music magazines just as
00:21:19anything I
00:21:22Want to speak to Marissa Vickler
00:21:26Tell her I'll be there tonight. I can handle this just do what you told
00:21:36John take a look at this kid's blood sample
00:21:39Is that right is it can't be right? I've got a sample of her hair
00:21:45Must be contaminated or not again
00:21:57I
00:22:14My name is Marissa Baylor you wanted to speak with me
00:22:26I
00:22:43Did you meet my father Eric you mean Eric
00:22:49I
00:22:53Met him at a news kiosk in Alexander Platt's
00:22:57I met him at a news kiosk
00:23:01Alexander Platt's say it was raining in the rain
00:23:05Just arrived from just arrived from Prague. He just arrived from Prague
00:23:18You know where your father is did he tell you where he was going
00:23:34Agent keep your distance, okay
00:23:48Abort
00:24:18I
00:24:48I
00:25:18I
00:25:48I
00:26:18I
00:26:48I
00:27:19I think she got out
00:27:27Detail every unit available
00:27:48I
00:28:18I
00:28:48I
00:29:18I
00:29:48I
00:30:18I
00:30:48I
00:31:18I
00:31:48I
00:32:18I
00:32:34She will never be yours
00:32:48She will never be yours
00:33:18You
00:33:36Hey, hello, don't you speak English?
00:33:42It's not your fault if you can't
00:33:44MIA couldn't speak English until she was eight because she was like a refugee or something from Sri Lanka now
00:33:50She's a pop star in America, too. So don't worry if you can't speak English yet. Who's she I found her
00:33:57She can't speak English. She's from Sri Lanka. I'm from Germany. I
00:34:04Live in Leipzig population 0.7 million peoples. We live at number 7 Weisinger Platz
00:34:09I like literature and sport in particular tennis and athletics
00:34:12I go to school at the class called gymnasium and my best friends are Rudy Gunther and Clarice lease
00:34:17It sounds fun. I also have a dog called Trudy. He had a dog called Vincent. He went mad and died
00:34:35See ya
00:34:42I
00:34:55Say again, that's my brother miles. I'm Hannah. Do you need lift somewhere?
00:35:04No, I prefer to walk
00:35:13Come on we're all waiting for you
00:35:18Tactical says she's in the desert southeast of us. Oh, we're focus all operations on Heller
00:35:22Are you saying the girl is not of interest to us?
00:35:24Yes, of course
00:35:25She's of interest Lewis but not an immediate threat to the security of the United States of America
00:35:30Eric Heller is the immediate threat focus on Heller
00:35:42I
00:36:12I
00:36:42I
00:37:12I
00:37:42I
00:37:52Where is your family? Are you Arab? I'm Moroccan
00:37:57Morocco
00:37:58capital city Rabat places of interest Marrakech Swearer religion Islam language Arabic
00:38:06Get a jubilee love you
00:38:08I
00:38:10Love you, baby
00:38:13Good to kill me. I love you
00:38:15me alone
00:38:17We need our kids
00:38:21Matt has a beat a little boy. I don't know. I'm gonna tell me my hand is left loose
00:38:38Oh
00:39:08What's the matter with him?
00:39:11He's got a bill in his pocket.
00:39:14Is he French?
00:39:15No, he's American.
00:39:21This is his little brother.
00:39:25He's a good boy.
00:39:27He knows what he's doing.
00:39:38What's the matter with him?
00:39:48He's got a bill in his pocket.
00:39:58What's the matter with him?
00:40:01He's a good boy.
00:40:08He knows what he's doing.
00:40:38What's the matter with him?
00:41:09What's the matter with him?
00:41:19It's the German girl.
00:41:20It's Kraut and I think Zla.
00:41:22Like queer or lesbo.
00:41:24I think I'd quite like to be a lesbian.
00:41:26But not one of those fat ones.
00:41:27One who's like a supermodel.
00:41:29But we'd only hold hands
00:41:30and I think I'd probably marry a man.
00:41:33What?
00:41:39What's the matter with him?
00:41:41He's a good boy.
00:41:43He knows what he's doing.
00:41:45What's the matter with him?
00:41:47He's a good boy.
00:41:49He knows what he's doing.
00:41:51What's the matter with him?
00:42:08No kiss?
00:42:21She's a bit old for you, isn't she?
00:42:23She has male and female genitalia.
00:42:26And you love her just the way she is.
00:42:29I like to give people what they want.
00:42:35I'll save it for when I need it.
00:42:38What do you want, Marisa?
00:42:40Eric Heller is still alive.
00:42:42Of course.
00:42:44And the girl.
00:42:48Why are you here? Be concise.
00:42:50I need you.
00:42:52You need me?
00:42:53Little old me, I'm very flattered.
00:42:56I need your talents, Darwin.
00:42:58I need you to do things my agency will not let me do.
00:43:02Stop!
00:43:04Again!
00:43:06Again!
00:43:26Should I kill her?
00:43:33Marisa.
00:43:37Did she turn out as you hoped?
00:43:40Better.
00:43:47Again!
00:44:06The boob implants would have to be replaced every ten years,
00:44:09but the Hermes Kelly bag never depreciates in value.
00:44:12That's common sense.
00:44:14That's why I really love her.
00:44:16Mama's against plastic surgery.
00:44:18I am.
00:44:19Mama doesn't even wear makeup.
00:44:20I don't. I think it's dishonest.
00:44:22This is my face. Take it or leave it.
00:44:25If you study history of art or anthropology...
00:44:27Rachel got a first at Cambridge.
00:44:29...you learn that red lipstick mimics arousal
00:44:31and suggests the geography of the labia minora.
00:44:33Puke.
00:44:34I have a lot of natural red pigment in my lips,
00:44:36and so I really don't need it.
00:44:37Vomitorium?
00:44:38Soph.
00:44:39It's embarrassing.
00:44:40Just grow up, all right?
00:44:41Grow up?
00:44:42Yeah.
00:44:43Oh, because yesterday Mama saying how I shouldn't act beyond my years?
00:44:44No, it does leave her with mixed messages, darling,
00:44:46because we're trying to communicate to her how to enjoy childhood.
00:44:48I just want her to stop saying vomitorium, all right?
00:44:51What?
00:44:52Oi, it's not funny.
00:44:58So, Hannah, Hannah,
00:45:00quite impressed about you traveling around on your own?
00:45:03My father encourages me to be independent.
00:45:05You see, that's wonderful.
00:45:06I was backpacking at your age.
00:45:07And where is he, your father?
00:45:08I spent a heavenly summer just island-hopping around Greece.
00:45:12Bed-hopping around Greece.
00:45:14What?
00:45:16No, it's valuable.
00:45:17Our experience makes us who we are.
00:45:19Isn't that right, kids?
00:45:22So, Hannah, is your mum and dad still together?
00:45:26My mother is dead.
00:45:28Nice one, Dad.
00:45:29I'm sorry to hear that.
00:45:30I lost my mum when I was very young, so...
00:45:32It's all right.
00:45:33It happened a long time ago.
00:45:36Hannah,
00:45:38what did your mum die of?
00:45:40Three bullets.
00:45:42Oh, my God, that's appalling.
00:45:54A combination of sounds
00:45:57with a future beauty of form.
00:46:00With the expression of emotion.
00:46:12I have no one.
00:46:24What happens if it rains?
00:46:25Well, you're going to get wet, aren't you?
00:46:27Because someone broke the sunroof.
00:46:29Seeing as me and your mother are responsible...
00:46:30Your mother and I?
00:46:31Seeing as me and your mother, your mother and I,
00:46:33are responsible adults, it leaves you two.
00:46:35My fungal nail infection is back.
00:46:40Yeah, there'll be a swimming pool.
00:46:41Yeah.
00:46:42Yes, there will be.
00:46:43I can't stand what VIP means after the illegal immigrants and the goats.
00:46:47Who are you?
00:46:48What do you want from this girl?
00:46:50I'm her uncle.
00:46:52We worry about her.
00:46:55I don't know what you want.
00:46:58She came.
00:46:59She was nice.
00:47:00She left.
00:47:01Bingo.
00:47:06There.
00:47:10Did the truck leave?
00:47:13Today.
00:47:15North or south?
00:47:16The ferry.
00:47:17They take the ferry to Spain.
00:47:20Will you lend me your pen?
00:47:24Ah!
00:47:54Ah!
00:48:24Ah!
00:48:54If you stay in, I'll love the story.
00:48:57If you stay, you won't be sorry.
00:49:01Because we believe in you.
00:49:04Soon you'll grow, so take a chance.
00:49:08With a couple of kooks, hung up on romancing.
00:49:14We bought a lot of things to keep you warm and dry.
00:49:18And a funny old crib on which the paint won't dry.
00:49:37I've contacted Interpol.
00:49:39On what?
00:49:41I've contacted Interpol.
00:49:42On whose authority?
00:49:43Walt.
00:49:44We can't keep this to ourselves anymore.
00:49:46Were you not listening?
00:49:47He killed two policemen.
00:49:49He's reframed the situation.
00:49:50It is out of our control.
00:49:52Then we must regain control, Mr. Lewis.
00:49:55I am the first and the last person Eric Heller will see.
00:49:58Are we clear?
00:50:02Are we clear, Mr. Lewis?
00:50:05Yes, ma'am.
00:50:10Thank you.
00:50:40Thank you.
00:51:10Thank you.
00:51:40Hey, Mr. Isaac.
00:51:41Miss Hepsie.
00:52:02Oh, my God.
00:52:04What are you doing here?
00:52:06Oh, my God.
00:52:07What are you doing here?
00:52:10The sunroof.
00:52:12Was it you?
00:52:13Would it be very bad if it was?
00:52:15You mean you were in the van the whole time?
00:52:18My dad would have a heart attack if he found out.
00:52:20Well, you have to tell him.
00:52:21Hannah, you are so mental.
00:52:24Of course I'm not going to tell him.
00:52:26I think it's brilliant.
00:52:28Have you got anywhere to stay?
00:52:30No.
00:52:31Yes, you do.
00:52:32You're staying with me?
00:52:33I am.
00:52:34Yeah, obviously.
00:52:35I'm sneaking you in on one condition.
00:52:37What?
00:52:38These boys, Spanish, gorgeous.
00:52:43No, don't say that.
00:52:45Don't go preeny about it like footballers.
00:52:47Haven't got their eyebrows waxed or anything.
00:52:50Good.
00:52:51Anyway, meet them tonight and you have to come.
00:52:54All right.
00:52:55God, you're not hard to convince.
00:52:56Who?
00:52:57Who?
00:53:00Got anything to wear?
00:53:03You can't wear those.
00:53:04You look like some mad jump.
00:53:15Are you scared?
00:53:17Of what?
00:53:33I don't know.
00:54:04Hey!
00:54:05Hey!
00:54:06Hey!
00:54:07Hey!
00:54:08Hey!
00:54:09Hey!
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00:55:25Hey!
00:55:26Hey!
00:55:27Hey!
00:55:28Hey!
00:55:29Hey!
00:55:30Hey!
00:55:31Hey!
00:55:32Hey!
00:55:33Hey!
00:55:34Hey!
00:55:40Hey!
00:55:42Why are we going to kiss now?
00:56:10Would you like to?
00:56:21Kissing requires a total of thirty-four facial muscles and one hundred and twelve postural
00:56:28muscles.
00:56:29The most important muscle involved is the orbicularis oris muscle because it is used
00:56:35for the back of the lips.
00:56:42Hannah!
00:56:43When are you mentalist?
00:56:46Please, tell your friend.
00:56:49I just wanted a kiss.
00:56:52Hannah!
00:56:53Should I let him go?
00:56:56As opposed to what?
00:56:59Yes, you should let him go.
00:57:05I'm going to go now.
00:57:08Okay.
00:57:09It was nice.
00:57:34Sophie, is that you?
00:57:49Oh my God, that acted like the rabbit sat down.
00:58:18That's so embarrassing.
00:58:19Edward.
00:58:20I can't believe you.
00:58:21Hello, Mama.
00:58:22I know you're disappointed in me.
00:58:23I know it.
00:58:24I'm so sorry, Mama.
00:58:25But...
00:58:26But maybe I have found a way to make it better.
00:58:53I'm in a program now.
00:58:54A program to make babies stronger.
00:58:55It's an American program.
00:58:56Very scientific.
00:58:57How did you get into my apartment, Mrs. Wiegler?
00:58:58I'm looking for Eric.
00:58:59He said he's dead.
00:59:00So you saw him?
00:59:01He left me a message.
00:59:02I don't understand.
00:59:03I don't understand.
00:59:04I don't understand.
00:59:05I don't understand.
00:59:06I don't understand.
00:59:07I don't understand.
00:59:08I don't understand.
00:59:09I don't understand.
00:59:10I don't understand.
00:59:11I don't understand.
00:59:12I don't understand.
00:59:13I don't understand.
00:59:14I don't understand.
00:59:15I don't understand.
00:59:16I don't understand.
00:59:17I don't understand.
00:59:18I don't understand.
00:59:19I don't understand.
00:59:20I don't understand.
00:59:22Where is Hannah?
00:59:32Do you have yourself children, Mrs. Wiegler?
00:59:39I have made some choices.
00:59:43I don't know what it's like to lose your own child.
00:59:48I don't know how it happened.
00:59:54All those years of waiting.
01:00:00Standing by the window.
01:00:03And waiting.
01:00:07Waiting.
01:00:13Waiting.
01:00:30Have you seen her?
01:00:32Hanna!
01:00:35Tell me what she looks like.
01:00:37Hanna?
01:00:38Yes?
01:00:39Where do you really come from?
01:00:42Leipzig.
01:00:44I live in Leipzig.
01:00:45If we're going to be friends, you're going to have to be honest with me.
01:00:48Thumbs the rules.
01:00:51Are we friends?
01:00:52Yes.
01:00:53I like you.
01:00:55I like you too.
01:00:57I like you too.
01:00:59I like you too.
01:01:01I like you too.
01:01:03I like you too.
01:01:05I like you too.
01:01:08I'd like to have a friend.
01:01:11I mean, you're a freak and everything, but I like you.
01:01:15I like you too.
01:01:17I really do.
01:01:18But...
01:01:20There are things I can't tell you.
01:01:23Do you understand?
01:01:25Yes.
01:01:28Actually, no, I don't.
01:01:31There are people that want to harm me.
01:01:34Bad people.
01:01:35Bad peoples.
01:01:37I see.
01:01:38And they won't stop.
01:01:39Right.
01:01:40So, for your own safety...
01:01:47Can we still be friends?
01:01:49I don't know.
01:01:52I mean, I don't really know who you are, do I?
01:01:55That's just it.
01:01:58Neither do I.
01:02:05What is it?
01:02:06It's something about me.
01:02:09I know what DNA means, but...
01:02:12I don't understand the rest of it.
01:02:14Are you sick?
01:02:15I don't feel sick.
01:02:17What's wrong with you?
01:02:18Nothing's wrong with me.
01:02:22What are you going to do?
01:02:27I'm going to Berlin.
01:02:29I have to meet my father at the house of Willem Grimm.
01:02:32Sing Grimm's fairy tales.
01:02:34That's right.
01:02:36If you say so.
01:02:38Did I say the wrong thing again?
01:02:47Keep this.
01:02:49To remember me.
01:02:53It's a friendship bracelet.
01:03:00Thank you.
01:03:04You're welcome.
01:03:34Where's Hannah?
01:03:36Wow, you look rough.
01:03:37Do you want some tea?
01:03:38I've had some.
01:03:39Who's Hannah?
01:03:40The girl we ate dinner with in Morocco.
01:03:41She's here, or was.
01:03:42She came out with me last night.
01:03:44How did she get here?
01:03:45Is she with her father?
01:03:46No, she came on her own.
01:03:48What?
01:03:49Why do you let other people have their own style of parenting?
01:03:52He's promoting independence.
01:03:54She's like an orphan.
01:03:55Call me conservative.
01:03:56I don't care.
01:03:57I don't care.
01:03:58I don't care.
01:03:59I don't care.
01:04:00I don't care.
01:04:01I don't care.
01:04:02I don't care.
01:04:03She's like an orphan.
01:04:04Call me conservative.
01:04:05You're inherently conservative, darling.
01:04:06No, I'm not.
01:04:07I said we'd give her a lift to Lille.
01:04:08We are going to Lille, aren't we?
01:04:10I found breakfast.
01:04:12That's gross.
01:05:03I'm so tired.
01:05:04I'm so tired.
01:05:05I'm so tired.
01:05:06I'm so tired.
01:05:07I'm so tired.
01:05:08I'm so tired.
01:05:09I'm so tired.
01:05:10I'm so tired.
01:05:11I'm so tired.
01:05:12I'm so tired.
01:05:13I'm so tired.
01:05:14I'm so tired.
01:05:15I'm so tired.
01:05:16I'm so tired.
01:05:17I'm so tired.
01:05:18I'm so tired.
01:05:19I'm so tired.
01:05:20I'm so tired.
01:05:21I'm so tired.
01:05:22I'm so tired.
01:05:23I'm so tired.
01:05:24I'm so tired.
01:05:25I'm so tired.
01:05:26I'm so tired.
01:05:27I'm so tired.
01:05:28I'm so tired.
01:05:29I'm so tired.
01:05:30I'm so tired.
01:05:31I'm so tired.
01:05:32I'm so tired.
01:05:33I'm so tired.
01:05:34I'm so tired.
01:05:35I'm so tired.
01:05:36I'm so tired.
01:05:37I'm so tired.
01:05:38I'm so tired.
01:05:39I'm so tired.
01:05:40I'm so tired.
01:05:41I'm so tired.
01:05:42I'm so tired.
01:05:43I'm so tired.
01:05:44I'm so tired.
01:05:45I'm so tired.
01:05:46I'm so tired.
01:05:47I'm so tired.
01:05:48I'm so tired.
01:05:49I'm so tired.
01:05:50I'm so tired.
01:05:51I'm so tired.
01:05:52I'm so tired.
01:05:53I'm so tired.
01:05:54I'm so tired.
01:05:55I'm so tired.
01:05:56I'm so tired.
01:05:57I'm so tired.
01:05:58I'm so tired.
01:05:59I'm so tired.
01:06:00I'm so tired.
01:06:01I'm so tired.
01:06:02I'm so tired.
01:06:03I'm so tired.
01:06:04I'm so tired.
01:06:05I'm so tired.
01:06:06I'm so tired.
01:06:07I'm so tired.
01:06:08I'm so tired.
01:06:09I'm so tired.
01:06:10I'm so tired.
01:06:11I'm so tired.
01:06:12I'm so tired.
01:06:13I'm so tired.
01:06:14I'm so tired.
01:06:15I'm so tired.
01:06:16I'm so tired.
01:06:17I'm so tired.
01:06:18I'm so tired.
01:06:19I'm so tired.
01:06:20I'm so tired.
01:06:21I'm so tired.
01:06:22I'm so tired.
01:06:23I'm so tired.
01:06:24I'm so tired.
01:06:25I'm so tired.
01:06:26I'm so tired.
01:06:27I'm so tired.
01:06:28I'm so tired.
01:06:29I'm so tired.
01:06:30I'm so tired.
01:06:31I'm so tired.
01:06:32I'm so tired.
01:06:33I'm so tired.
01:06:34I'm so tired.
01:06:35I'm so tired.
01:06:36I'm so tired.
01:06:37I'm so tired.
01:06:38I'm so tired.
01:06:39I'm so tired.
01:06:40I'm so tired.
01:06:41I'm so tired.
01:06:42I'm so tired.
01:06:43I'm so tired.
01:06:44I'm so tired.
01:06:45I'm so tired.
01:06:46I'm so tired.
01:06:47I'm so tired.
01:06:48I'm so tired.
01:06:49I'm so tired.
01:06:50I'm so tired.
01:06:51I'm so tired.
01:06:52I'm so tired.
01:06:53I'm so tired.
01:06:54I'm so tired.
01:06:55I'm so tired.
01:06:56I'm so tired.
01:06:57I'm so tired.
01:06:58I'm so tired.
01:06:59I'm so tired.
01:07:00I'm so tired.
01:07:21Do you read me?
01:07:22Bring her to Bigeler.
01:07:23She will Id and interview.
01:07:25Is that what she said?
01:07:26Court is confirmed with her two minutes ago.
01:07:29All right, son.
01:07:30Damn it.
01:07:31I feel so grounded in the countryside.
01:08:00The city stifles me, emotionally, creatively, spiritually.
01:08:10Places like this bring us closer to God.
01:08:13God?
01:08:14Well, not in any monotheistic sense.
01:08:17Buddha, Krishna, the God within.
01:08:21Whatever you believe in.
01:08:28What do you believe in, Hannah?
01:08:34Nothing.
01:08:45Everything all right?
01:08:50I don't think so.
01:09:21I'm not sure if it's true that the baby can hear me.
01:09:25But at night, I sing.
01:09:27I hope she hears me.
01:09:29Was it like this for you, Mama?
01:09:32I think I know what she looks like.
01:09:35I can see her when I close my eyes.
01:09:38I can hear her inside me, moving.
01:09:42Is that silly?
01:09:44Oh, I think it's a girl.
01:09:47I hope so.
01:09:52What?
01:09:55Oh, for Christ's sakes, Lewis.
01:09:56Hello, Martha.
01:10:00I heard you were dead.
01:10:03Did your little girl tell you that?
01:10:06What are you listening to?
01:10:07Self-help.
01:10:09Are you in need of help?
01:10:12It's good to hear you.
01:10:14I didn't imagine we'd have the chance to talk.
01:10:17You don't have her, do you?
01:10:18You're not that good.
01:10:19Oh, Eric, you're such a flirt.
01:10:25You were a good agent, Eric.
01:10:28Sad to see you go dumb.
01:10:33What did I miss?
01:10:35I couldn't do it anymore.
01:10:37The things we did.
01:10:39I'm sorry, with Johanna.
01:10:42With all of them.
01:10:44With Hannah.
01:10:46So why come back now?
01:10:49Dead guys.
01:10:51I asked you a question, Eric.
01:10:56Eric, are you still there?
01:11:13Oh, my God.
01:11:39Move.
01:11:40Get up.
01:12:09Shit.
01:12:11Shit, shit, shit.
01:12:14Hannah, I think we're lost.
01:12:24I'm gonna have to pull over.
01:12:25No, don't.
01:12:26I can't see the map.
01:12:44Have we stopped?
01:12:45I need to pee.
01:12:46What?
01:12:47I don't want you going too far right now, love.
01:12:49I think you should stay where you are, Sophie.
01:12:52Come on.
01:12:58Oh, God.
01:13:13Are we in Leo?
01:13:14No, we're not.
01:13:16Whatever you do, don't follow me.
01:13:20I promise.
01:13:32Thank you for being my friend.
01:13:36Hannah!
01:13:37Okay, no!
01:13:38Okay!
01:13:44Oh, my God!
01:13:45Oh, my God!
01:13:46Oh, my God!
01:13:47Oh, my God!
01:13:48Oh, my God!
01:13:49Oh, my God!
01:13:50Oh, my God!
01:13:51Oh, my God!
01:13:52Oh, my God!
01:13:53Oh, my God!
01:13:54Oh, my God!
01:13:55Oh, my God!
01:13:56Oh, my God!
01:13:57Oh, my God!
01:13:58Oh, my God!
01:13:59Oh, my God!
01:14:00Oh, my God!
01:14:01Oh, my God!
01:14:02Oh, my God!
01:14:03Oh, my God!
01:14:04Oh, my God!
01:14:05Oh, my God!
01:14:06Oh, my God!
01:14:07Oh, my God!
01:14:08Oh, my God!
01:14:09Oh, my God!
01:14:10Oh, my God!
01:14:11Oh, my God!
01:14:12Oh, my God!
01:14:13Oh, my God!
01:14:14Oh, my God!
01:14:15Oh, my God!
01:14:16Oh, my God!
01:14:17Oh, my God!
01:14:18Oh, my God!
01:14:19Oh, my God!
01:14:20Oh, my God!
01:14:21Oh, my God!
01:14:22Oh, my God!
01:14:23Oh, my God!
01:14:24Oh, my God!
01:14:25Oh, my God!
01:14:26Oh, my God!
01:14:27Oh, my God!
01:14:28Oh, my God!
01:14:29Oh, my God!
01:14:30Oh, my God!
01:14:31Oh, my God!
01:14:32Oh, my God!
01:14:33Oh, my God!
01:14:34Oh, my God!
01:14:35Oh, my God!
01:14:36Oh, my God!
01:14:37Oh, my God!
01:14:38Oh, my God!
01:14:39Oh, my God!
01:14:40Oh, my God!
01:14:42Oh, my God!
01:14:45Oh, my God!
01:15:06Oh, my God!
01:15:09-♪♪
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01:15:20Anna?
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