Igra sudbine 1146 Epizoda - Domaca serija
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Short filmTranscript
00:00What do you say you give her the phone and she doesn't answer it?
00:12She's not answering.
00:15I don't give a shit about that phone.
00:17She hung up and she's not going to call. That's it.
00:20But she's so...
00:22...so smug, that I can't believe I ever thought that.
00:26So we have to find another solution to convince her somehow.
00:32You think we're cheating?
00:34That's what you're saying.
00:36No, no, no, wait, wait. You know what I was thinking?
00:39I was thinking that maybe it's a better solution
00:43if we overcome our fear and really get married.
00:48I am for that.
00:49Really?
00:50Yes.
00:51But I think it's the hardest option,
00:54and we need to think of a better solution.
00:57Yes, yes, you're right.
01:00We need to think of a better solution.
01:02Where are you?
01:03I'm here.
01:04My dear, where are you?
01:07Hey, man, I think you've been called.
01:11Let's go.
01:13What was that?
01:14Listen,
01:16I heard about my aunt from Australia.
01:19She's rich, has a lot of money.
01:20Yes.
01:21Which I need to inherit, a lot of money.
01:24But she's looking for some additional information,
01:28and she's a bit of a snitch.
01:31Really?
01:32And you know what?
01:33I suggest you call her and tell her,
01:36Hi, I'm the butcher of Mileta Cabbage.
01:39Don't call her Cabbage, she doesn't know me as Cabbage.
01:41And tell her that you're the butcher,
01:44and that we're getting married.
01:48Snitch.
01:49A Montenegrin disguise, you know?
01:52She's yours.
01:53I mean,
01:54she can, but she's 10% mine.
02:003%, that's a lot.
02:0215%.
02:035%.
02:0610%.
02:07Okay.
02:09Here.
02:12Come on, call your aunt.
02:15We're wasting time.
02:28Hi, Senka.
02:29Hi.
02:31Are you working?
02:33As always.
02:34I won't keep you long,
02:36I just need one piece of information.
02:39Go ahead.
02:41Is it true that you checked the Belgrade Apartments company?
02:45Yes.
02:46Why do you want to know?
02:48I want to know if that information is true.
02:50It is.
02:51Did you do it on Andrija's order?
02:54Of course, I always do it on his order.
02:58That's fine.
03:01You came to tell me that it's fine that I do it on my boss's order, right?
03:05He's happy because he has you.
03:07I hope so.
03:09But in the next period,
03:11he'll need your full assistance and your blind loyalty.
03:16What do you want to tell me?
03:19I want to tell you that arrogance is the beginning of the end of all great people, Senka.
03:24What exactly does your great wisdom have to do with this story?
03:28Oh, it does.
03:30Andrija has always been arrogant.
03:32Especially lately.
03:35There.
03:36That's it, Senka.
03:38Thank you.
03:39You're welcome.
03:52Hello.
03:54Andrija was at the office just now.
03:56What did she want?
03:58She acted strangely. I think she tried to threaten me.
04:00Do you have any idea what's going on?
04:02Senka, how many times have I told you not to pay attention to small provocations?
04:07It didn't look that way to me.
04:09It always looks that way.
04:11Sorry, I have to go.
04:13I'm leaving the office.
04:14All right.
04:28Hello.
04:29Hello.
04:30Hello.
04:31Hello, auntie.
04:34Melania.
04:35Good afternoon, auntie Melania.
04:37This is Nenad Seljanovic.
04:40Mileta's husband.
04:42He's waiting.
04:44What are you waiting for, husband?
04:46We're waiting for the wedding.
04:49We're waiting for the wedding, auntie.
04:51But before we get him married,
04:55Mileta has to pay me back the debt.
05:00We heard that the inheritance money will be there,
05:04so if we can finish it somehow,
05:07so he can pay me back the money.
05:09Then wait another six months.
05:12I would wait, auntie.
05:15I would wait.
05:16Who would I wait for if not my husband?
05:18My husband is not my debt.
05:20But auntie...
05:22I...
05:25I owe money to the greengrocers, auntie.
05:30The greengrocers, auntie.
05:32They are dangerous guys.
05:34They threaten me.
05:36They cut my throat.
05:37Believe me, auntie.
05:39They want to cut off my fingers.
05:42And I'm most sorry for my fingers,
05:45because I'm a pianist, auntie.
05:48You're taking my money.
05:51Well...
05:53The money, auntie...
05:55We thought, who wouldn't want auntie?
05:59Isn't that right?
06:00Aunties are kind.
06:02Aunties are gold.
06:03Aunties are angels.
06:05My auntie...
06:07Let me tell you, my auntie raised me.
06:10She raised me from a kilo of meat.
06:14When I was little, she gave me everything.
06:18She gave me money when I didn't have any.
06:21She bought my first dress.
06:24She bought me a car.
06:27She gave me everything, auntie.
06:30And she took me everywhere.
06:33She took me to weddings,
06:36to funerals,
06:38to baptisms.
06:40I met a whole family thanks to my auntie.
06:46I'm so glad for your auntie and you.
06:49When she's so good, let her repay your debt
06:52until Milena gets married.
06:54Hello?
06:56Hello?
06:58Aunt...
06:59Aunt...
07:01What is this?
07:03Your auntie is mad.
07:05You can't talk to her.
07:07What happened?
07:09I don't know, normal guy.
07:11What money?
07:12What greenery?
07:13She's too much.
07:14Let her talk to you.
07:16Let her.
07:17You're driving me crazy.
07:19Why am I driving you crazy?
07:21Calm down.
07:22Take me home.
07:23Give me a Montenegrin beer to calm down.
07:27I don't want to get drunk.
07:30You can't get along.
07:32Whiskey or...
07:33Easy, easy.
07:34What are we going to do?
07:35Easy, we'll fix everything.
07:37I think I...
07:39You're crazy.
07:41You're crazy.
07:52What do you want to talk about today?
07:55About women's ungratefulness.
07:57And what about ungratefulness?
07:59Okay, okay, I mean...
08:01It's not all black and white.
08:05But this is what presses me.
08:08I'm mostly surrounded by women who show ungratefulness.
08:14Maybe we should approach this topic differently or change it.
08:20I'm sorry if I said something wrong.
08:23That's a negative connotation.
08:26I didn't want to be rude.
08:29It's just...
08:31That's how I feel.
08:34Maybe that's how you feel, but I could threaten someone else.
08:40What can I say?
08:43I won't be unprofessional in any way.
08:47I understand.
08:49But I notice that you're generally more impatient towards women.
08:53And that could affect UNO.
08:56But I helped UNO a lot.
09:00And what did I get in return?
09:02Ignorance.
09:04Rejection.
09:06That's not true.
09:08UNO values everything you've done for it.
09:11Then why don't they show it?
09:14Do you know how much I helped all the women?
09:17When they asked for it from me and when they didn't?
09:22I'm sorry.
09:33Um...
09:35I just want to say that...
09:38Um...
09:40Maybe you like to play the role of a savior.
09:44I mean, all men like to do that.
09:48Ah, so in the end we'll be accused of all that.
09:53No, I just wanted to say...
09:56I'm sorry.
09:58Are you okay?
10:00Give me your stuff.
10:22Luna.
10:30Luna.
10:35Are you okay?
10:52You wanted to see me?
10:57Please.
10:59Buy me a bottle of the most expensive champagne.
11:02Here.
11:04And order me some scampi from that Italian restaurant.
11:07Oh, we're in a good mood today.
11:10I feel like I'm about to launch a Tesla rocket.
11:15What are we celebrating?
11:17Female power.
11:19That's nice, but is female power possible in this male world?
11:23Absolutely.
11:24You know why?
11:26Because it's completely different from a man.
11:29And then it surprises the opponent.
11:33As proof, I'm launching a rocket on the moon.
11:37I'm not sure I understand you, but it sounds nice.
11:40Go get the champagne.
11:56Thank you.
11:58Now you've saved me too.
12:01From whom?
12:03From myself. I got scared.
12:06From yourself?
12:08And from you.
12:14And from me?
12:17Yes.
12:22Well, I got scared of you too.
12:25Why?
12:27Just like that.
12:29Is it better now that we're both scared?
12:32No.
12:34It would be easier if I knew the reason.
12:38The reason is...
12:41that I could fall in love with you.
12:45That's not an authentic emotion.
12:49Then what is it?
12:52Well, it often happens in a dream,
12:55as part of an emotional transfer.
12:59Yes, I know.
13:01But do I like it?
13:16Hey.
13:17Hi, Karl.
13:19What's up?
13:20Open the door.
13:24What?
13:27I'll be right back.
13:46What are you laughing at?
13:49What are you laughing at, man?
14:00It's still spinning in my head.
14:03It's best if you go home.
14:06Get some rest.
14:08Come on.
14:10I just don't know why.
14:12Is it because of...
14:15you?
14:17The conversation, or the low pressure?
14:21I'd like this to be the first.
14:25What?
14:44How did this happen?
14:46I don't know, but we have to find out as soon as possible.
14:49Someone followed them and photographed them.
14:51Why do you think so?
14:53Do you think someone did it on purpose?
14:56I don't know. We can't know for sure.
14:59We have to keep an eye on them.
15:03Do you know where they are?
15:05We'll find out.
15:16I didn't call him.
15:18Neither did Laura.
15:20What are we going to do now?
15:22We can't do anything right now.
15:25Should we send a demon to the media?
15:28No, no, no.
15:30That would be counterproductive.
15:33The media has already launched the affair.
15:35We can't do anything right now.
15:37So we just sit here and wait?
15:42Exactly.
15:46We'll wait for things to calm down,
15:49and then it will be over.
16:05I'm glad to see you.
16:07I'm glad to see you, too.
16:09I'm talking to you.
16:11I pushed him to the top.
16:13If it weren't for your people,
16:15they wouldn't let anyone in.
16:17X-rays, radars, scanners.
16:20Alcohol test.
16:22They controlled me.
16:24They thought there was a bomb inside.
16:26They shook me.
16:28One of your people tried to stab him in the ear.
16:31The other one was a rapist.
16:33I told him where I was going.
16:35They just raised their hands.
16:37You won't believe how beautiful this is.
16:39It's like you're not going anywhere without this pig.
16:41The pig is like a beggar to you, right?
16:43It's my dog.
16:45I'd take him for a walk sometimes.
16:50You know what I think?
16:53The way to the human heart
16:56is the best pig.
17:01I came to talk to you.
17:05We'll talk it over.
17:07I'm begging you.
17:09No problem.
17:11But we're not going to sit here.
17:13I'm taking you out for lunch to Fame.
17:15Where?
17:16To Fame.
17:17For lunch.
17:18I'm taking you.
17:19No, no.
17:20I'm taking you.
17:21No, no, no.
17:22That's not going to happen.
17:23You're dead to me, you hear me?
17:25You don't want me to put a leash on you?
17:27Then I won't.
17:28Whatever you say.
17:30I'm paying for lunch.
17:31Let's go.
17:44No, no, no, no.
17:46This is against all rules.
17:56Okay, I guess.
17:59I guess so, but...
18:02What are we going to do now?
18:06I'm sorry, but I can't.
18:10I can't.
18:13Okay, but...
18:15It happened, right?
18:19I knew you were coming up with a bad idea.
18:22I just didn't know why.
18:26Okay, I couldn't even imagine
18:29that it could be like this.
18:31I don't know.
18:35Okay.
18:37It's good that we're clearing the air.
18:41One over the other.
18:44I agree.
18:45There's no point.
18:47Yes.
18:48It happened, and...
18:51That's it.
18:55This is so...
18:57Injustice towards the UN.
19:00Yes.
19:02I agree.
19:04I'm sorry.
19:05Don't worry about it.
19:07It'll stay this way.
19:10Of course.
19:11It has to stay this way.
19:13Okay.
19:14Calm down.
19:15I am calm.
19:17Okay.
19:21Can we continue the meeting?
19:25I don't think so.
19:27It would be best if you left.
19:30We're done for today.
19:32I'll call you when I decide what to do next.
19:36Aha.
19:38Okay.
19:40If that's the case,
19:42then there's no point in me coming, right?
19:46I agree.
19:48So, it would be best
19:50if I sent you another therapist.
19:53Please do.
19:55We've talked about this a hundred times.
19:58I have to go.
20:28I'm sorry.
20:40Where have you been?
20:41Why didn't you call?
20:42Take it easy.
20:43We didn't come for an examination.
20:44Did you see the news?
20:45We saw the news.
20:47This is a set-up.
20:48You thought well that something like this could happen.
20:51I'm sorry.
20:52How did I know this would happen?
20:54I always think positively.
20:56You think a little too positively
20:58considering the fact that you're in our collection.
21:00It's not just about that.
21:01We're in this together.
21:02This is about you.
21:03I'll talk to you later.
21:04Now we have to find out who's behind all this.
21:06I'll find out.
21:08I already did.
21:09And?
21:11A certain journalist, Miki,
21:13has plotted the affair
21:14with two other Milanese paparazzi.
21:16Who is he?
21:17What do you know about him?
21:18I don't know anything yet,
21:19but I'll find out.
21:21Hey, guys.
21:22What's going on?
21:24We'll explain later.
21:26See you later.
21:55Hello, my good Nebojsa.
21:57Welcome.
21:58How are you?
22:01Look, Nebojsa.
22:03I've been thinking.
22:06Every change in the business environment
22:08brings new challenges.
22:10Am I right?
22:11I think you'll agree with me.
22:13Look, I'm a serious man.
22:15And I know there will be
22:17a lot of business problems.
22:20In that sense,
22:22I need your support.
22:24Okay.
22:25I'm listening.
22:27Look, here's the thing.
22:30If it's heard,
22:31and when it's heard,
22:32of course,
22:33that I have good products,
22:34I'm 100% sure
22:35that some crazy drug lord
22:36will come and shoot me.
22:38Do you understand?
22:40In that sense, I need...
22:48What?
22:49Do you understand?
22:51No.
22:54I need...
22:57a raincoat.
23:00Do you understand?
23:01I need protection.
23:02You need to help me.
23:03And look,
23:04I'll pay for all of that.
23:06Don't worry about that.
23:07I'm begging you.
23:08What do you think?
23:09Look, Ido.
23:10Tell me.
23:11I don't deal with such things.
23:13Nebojsa.
23:15Take it easy.
23:17I want to help you.
23:19Because you're my friend.
23:21And no one will judge you here.
23:23And you won't pay for that.
23:25Look.
23:26Because I'm a policeman
23:28who does his job honestly.
23:30My job is to arrest bad guys
23:33and protect good people.
23:35That's right.
23:36That's right, my good Nebojsa.
23:37Look.
23:38Thank you.
23:39Thank you.
23:40I know you're a good man.
23:41Look.
23:42But you have to let me
23:44at least pay for the meal.
23:46And no one will judge you.
23:47I'm begging you.
23:48No, no.
23:49Look.
23:50You can only blame me.
23:51I'm begging you.
23:52We won't.
23:53Ido.
23:54You're my guest.
23:55And you've hosted me enough.
23:57It's time for me to go.
23:58After all,
23:59this is my guest's restaurant.
24:01Really?
24:02That's right.
24:03I have to pay for the meal.
24:04I didn't know
24:05they were your guests.
24:06Good day.
24:07Good day, good day.
24:08Mio Vuko.
24:10That's him.
24:12How are you, Nebojsa?
24:14I'm good.
24:15Thanks for asking.
24:17This is my good friend, Mido.
24:19Hello.
24:20Miki Tambura.
24:22Greetings.
24:23Mido.
24:24Dragovi.
24:30Can we have a drink?
24:32Sure.
24:33Boy.
24:37After you.
24:44All our portals have already reported the news.
24:46I saw it.
24:47Please, read me another one so I can enjoy it.
24:49Watch this.
24:50A miracle in Milan.
24:51A Serbian scandal shook the fashion week.
24:54A naive Belgrade citizen
24:56fell into the clutches of the fashion mafia,
24:59whose representative is his co-founder,
25:01Laura Đorđević,
25:03a well-known first lady and the predator of the fashion scene.
25:07It seems that only Luka Krišić
25:09and the rest of his gang
25:12It seems that only Luka Krišić
25:14is not familiar with these facts.
25:17Pictures of a scandalous show,
25:19a demolished luxury restaurant,
25:21the damage is indescribable.
25:24What does this scandal have to do with
25:27a well-known Belgrade businessman,
25:29Andrija Bošnjak?
25:31Music to my ears.
25:33No, no.
25:34And the photos?
25:35I massacred them there.
25:37I wouldn't be in their shoes.
25:39Listen to this.
25:40The couple is in an alcoholic state,
25:42brought to the nearest police station.
25:45An anonymous Belgrade citizen
25:47and a fashion icon on a pole of shame.
25:50What will Andrija Bošnjak say
25:53with whom Laura is in a close business relationship?
25:57Or maybe not just in business.
26:00Brilliant.
26:02And what is the name of that famous Italian tabloid
26:04that started it all?
26:06Correira della Negro.
26:08That's the most famous and most read
26:10on their website.
26:12Specialized in fashion week.
26:14Perfect.
26:15Please, read the comments.
26:17Wait, there are over a hundred.
26:19Read the most popular ones.
26:21Wait, wait.
26:22And the rich are crying.
26:24The truth will reach all those thieves and perverts.
26:28Drunk fool.
26:29He came to conquer the world of fashion
26:31and conquered the headlines of the tabloid.
26:34Please, hurry up and buy me a printed version.
26:38I want to, but...
26:39You know what I'm interested in?
26:40I'm interested in what Andrija will say
26:42when he reads all this.
26:43He will be delighted.
26:44He loves publicity.
26:46No, I mean...
26:47I'm just worried if he will read it.
26:49He doesn't open those tabloids.
26:52Don't worry.
26:54We will bring him one of his robins.
26:57What are you saying?
27:05What are you doing?
27:18Hey, did you steal something from me?
27:21I'm trying to understand why this happened.
27:24Well...
27:26We will find out, I guess.
27:28Then we will understand.
27:30Yes, I already have some information.
27:33I called the editor-in-chief of Dela Negra.
27:36And what did he say about Dela Negra?
27:38He said that Miki is from Belgrade.
27:40Of course he is from Belgrade.
27:41He said that.
27:42He must have said that to Andrija.
27:43Yes, but there is no evidence that he is an impostor.
27:46I don't know about the evidence,
27:48but this is definitely not a coincidence.
27:54Well, cheers.
27:55Come on, Ljucka, don't refuse.
27:57You never refused.
27:58Not tonight, not now.
27:59Cheers.
28:00Cheers.
28:01When my son Nebojsa brings his friend here,
28:04it's very important to me.
28:06Sure, I can imagine.
28:08Mido is a real friend.
28:10Yes.
28:11And a good man.
28:12Yes.
28:13I haven't seen you here before.
28:15Well, you couldn't, because he just came
28:17and is trying to start a business here in Belgrade.
28:19That's right.
28:20Really?
28:21Yes, yes.
28:22What kind of business?
28:31Yes.
28:36Andrija.
28:37Yes?
28:38Have you seen this?
28:39What?
28:40This?
28:42It's not good for you?
28:43No, I have to sit.
28:45Sit, sit.
28:48What happened?
28:49It looks like Luka and Laura
28:51have demolished a cafe in Milan.
28:54Well, okay.
28:55You know that Luka has a lot of money.
28:58Well, okay.
28:59You know that Luka has a lot of money.
29:15Put it nicely.
29:16Put it!
29:17I'm putting it!
29:18Put it nicely, don't mess it up.
29:21Ta-da!
29:23Wow!
29:24When I see this!
29:26What a surprise!
29:29Where have you been?
29:31Just what I wanted.
29:32Here you go.
29:34If you want to drink coffee, be healthy.
29:48He came all the way here.
29:49He came all the way here.
29:50He came all the way here.
29:51He hasn't been following Chale Svita for five years.
29:56Not even Chelsea Clinton.
29:58He's a genius.
30:02He's a friend.
30:04Look, you won't get away with this so easily.
30:20What do you do for a living?
30:24I used to work for the police
30:27and for the state security.
30:29Lately, I've been taking care of my son.
30:33That's right.
30:34That's how it should be.
30:35But,
30:37tell me,
30:39how much of that square do you need?
30:41I mean, what would you like to have?
30:50I don't know.
30:59Have you seen the website?
31:01What's the matter with you today?
31:03Everyone's going crazy about that website.
31:06And, of course, you don't care about it.
31:08The fact that Luka ruined that coffee shop of yours.
31:11I'm telling you, I won't give you five bucks for that.
31:14Andrej, that's not the point.
31:20Hey, honey, how are you?
31:23Hello?
31:25I'm here.
31:27I'm not well.
31:28Talk to me, don't worry about me.
31:30I feel pretty weird.
31:33I was unconscious today.
31:35Seriously?
31:51Who's calling you?
31:52Who's calling me?
31:53Who's calling me?
31:54Who do you think is calling me?
31:56Ljubinka.
31:57Why?
32:01Tell me, Ljubinka.
32:02It's not Ljubinka, Zete.
32:04It's not.
32:05It's Ido.
32:20I'm not going to call you.
32:23I forgot to ask you something.
32:26Say it.
32:30Why are you back so early from therapy?
32:32Is everything okay?
32:50You