Igra sudbine, Epizoda 1148,Igra sudbine 1148 ,Igra sudbine 1149,Igra sudbine Epizoda 1148, Igra sudbine Epizoda 1149,Epizoda 1148 Igra sudbine ,Epizoda 1149 Igra sudbine
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TVTranscript
00:00What do you think? Believe me.
00:02Here I am, people.
00:04What did I tell you?
00:06This arrest is killing me.
00:09All day.
00:11Work, work, arrest, arrest, thank you.
00:13Hey, move your hands a little now.
00:15Is it clear to you? First the job, then love.
00:17I was waiting for you.
00:18What did you think?
00:20What do you want? Arrest, arrest, arrest, arrest.
00:22What else do you want to do?
00:23You're not going to lie down and let the money fall on its own like this?
00:26Where have you been?
00:28Where have you been?
00:29I was arrested.
00:30Where have you been, man?
00:31God, all day long.
00:32This is my child.
00:33Wait, I'll pay.
00:34Get out of here.
00:35It was a shame.
00:36You take off your shirt, sit there.
00:37Yes.
00:38I have to, I have to.
00:39I'm arresting, man.
00:40You're arresting.
00:41You're arresting.
00:42Listen to me well.
00:43I called you because of the next thing I'm going to tell you.
00:46Every morning from today you will come from Kosmaj, this Bajadere.
00:52Nice to bring to Belgrade.
00:55Did we understand each other?
00:57Wait, wait, wait.
00:58What's not clear to you?
00:59No, no.
01:00Well, everything.
01:01Because I have, I arrest people, I have my job.
01:04What are you doing?
01:05You're telling me you're not going, aren't you?
01:07How?
01:08You want to, son, you want to.
01:10You want to, you see.
01:12And that's with rotation.
01:13Every day you have to bring them and take them up.
01:17You will be the most wanted inspector in Belgrade.
01:20I gave you that title.
01:23Inspector on Bajadere.
01:25That's right.
01:26Wait, wait.
01:27Okay, people, stop, stop.
01:28Do you understand that I'm the police?
01:30I arrest, I don't bring Bajadere.
01:32I have my job.
01:33People, come on, come on.
01:34What are you doing?
01:35Shake it all.
01:36I'm done with your boss.
01:37Don't be afraid.
01:38Do you have any questions?
01:41We're going to drink.
01:44Okay?
01:45Come on, come on.
01:46You, watch what you do.
01:47And you, daughter, let your phone ring.
01:50Come on.
01:51Come on, what are you looking at?
01:55Bajadere's dog.
01:59You see me?
02:00Here you go, here you go, here you go, my Svetlana.
02:02Here you go.
02:03Here you go.
02:04I can't believe there's chocolate here.
02:07This will be a miracle.
02:09We'll break it.
02:10What are you talking about, Svetlana?
02:12They were sweet, salty.
02:13Salty.
02:14Wonderful.
02:15Sweet, sweet.
02:26Hello.
02:28Is this Andrija Bošnjak?
02:31Who is it?
02:32Nikola Žeković, newspaper of the daily list of voices.
02:34I am sorry to bother you.
02:37Where do you get my number and phone number from?
02:41Would you answer one question?
02:44I think you're interested.
02:47Let me hear the question first, so I can see if I'm interested.
02:51How is your relationship with the newspaper?
02:53What is your connection with the fashionable manager from Milan, Lauro Djordjevic?
02:58No connection at all. One of my former companies accidentally rented the space.
03:06What do you mean by that? Accidentally rented?
03:09I mean exactly as I said.
03:11You are accidentally renting the last space in the world?
03:15Nothing is accidental with me, but this time it just so happened.
03:20What do you mean by the invitation to a close acquaintance with you?
03:25Listen, boy, you are bothering me. I am responsible for my statements, but not for others.
03:33That's why I called you. That woman demolished a football club in Milan.
03:38Did you make her do it?
03:40If it's so easy for you, I did. I made her do it.
03:48I am sorry that she didn't catch you as well.
03:53What am I talking about?
03:56What was it?
03:58Nothing. Some journalist is mistreating me by talking about Laura, about Luka.
04:02Ok, but don't let him provoke you.
04:06All right.
04:07What did he ask you?
04:08He asked me the same thing as you. How am I related to Laura.
04:14And what did you tell him?
04:15What do I have to tell him? I have no idea who the woman is. I mean, I don't know the woman.
04:19I've never seen her in my life.
04:22Why did she tell that story to protect herself from you?
04:35I could eat a whole pig.
04:39I can imagine what you eat.
04:41Better than chocolate.
04:42I can't anymore.
04:45Hi.
04:46It's good that you came.
04:48The whole team is here.
04:51Wait, what happened?
04:53Wait, you didn't hear anything, did you?
04:55No, what happened?
04:56Luka went on all the portals.
04:59On which portals?
05:00Did he burn Milan?
05:01No, he demolished a football club.
05:04Let me see. What's going on?
05:06Here.
05:07Oh my God.
05:08Look, look, look, look, look, look.
05:09God has pulled me so hard.
05:11When he did all this, God saved me.
05:14Give me this.
05:15On the contrary.
05:16I can't carry this anymore.
05:17I can't.
05:18I can't.
05:19Okay, okay, calm down.
05:20Come on, calm down.
05:21Come on.
05:32Do you have any suggestions?
05:34Now you'd listen to me, huh?
05:35Okay, you two.
05:36Enough with this blaming.
05:38I mean, really.
05:39Really.
05:40I suggest we all listen to what Paolo has to say on this topic.
05:44I mean, he has the most experience in such situations.
05:48Thank you, Lenka.
05:50Alex gave a suggestion
05:53that I didn't agree with at the beginning.
05:56But now I see that we can't do anything else.
06:01So, we're still going to the media.
06:04If you think I'm giving a public apology,
06:07I don't remember.
06:11We're going to make an official document
06:14as a message to the Milan Fashion Week management.
06:19Okay, and what are we going to say?
06:22It should be both demands and apologies.
06:27Yeah, except if we didn't honor the laureate.
06:30Why should I apologize for what someone else did?
06:33It doesn't matter at all.
06:34Laura!
06:36If you didn't honor the laureate,
06:38no one would do anything.
06:40And you're not giving a statement for the media, but for the agency.
06:43That's right, we have to show seriousness
06:45and business loyalty that protects the image of the Fashion Week.
06:51I agree.
06:56We should learn from each other.
06:58What should we learn from? What are you talking about?
07:01We've put together something like this.
07:03Let's hear it.
07:05We are deeply sorry for the events
07:07that prevented the organization of the Milan Fashion Week
07:11and the appearance of one of the biggest fashion shows in the world.
07:16I'll send you this.
07:18Okay.
07:20Milan Fashion Week
07:26Okay, I'm going now.
07:29Bye.
07:30Do you have the keys?
07:31I have everything.
07:32Bye.
07:33Bye, guys.
07:34Bye.
07:35See you.
07:39I can't believe it.
07:40This has shaken you so much, right?
07:42Not so much.
07:46I want to help him all the time.
07:49He's always causing trouble.
07:51I beat him up, I stand calmly in front of him.
07:54I know.
07:55No, he's hurting me.
07:56I know, I know.
07:58But what are you going to do now?
08:00I don't know.
08:01You can't do anything. He's a grown man. Let him go.
08:04Who's a grown man?
08:05Him.
08:06Well, he's not as ugly as Jaslice.
08:10Oh, my dear.
08:13I love that fool as if I had a son.
08:16And I can't help him.
08:18I understand everything.
08:19I understand everything.
08:21I'm in trouble with my daughter.
08:25She's in love with that idiot Trivanovic.
08:27I'm going crazy.
08:28I don't know what I'm going to do.
08:30I know everything.
08:31Everything is easy with children.
08:33Easy.
08:34It's easy to talk to those who don't exist.
08:36What are we going to do?
08:39Tell me about it.
08:49What is it? Tell me.
08:52Your father.
08:54Mido?
08:56No, Bogdan.
09:00Ljubinka, Mido.
09:02Yes.
09:03He's a man, man.
09:05Despite how he's torturing me.
09:07As if I'm alias Ratanovic, you know?
09:10So, what is it?
09:13Why are you asking me?
09:16Why are you asking me?
09:18If you don't want to work.
09:20How?
09:22What do you think?
09:24Ljubinka, I'm here to be a lover.
09:27In the name of the people.
09:29Do you understand?
09:30And that.
09:31And not here.
09:32The man thinks I'm a fool.
09:34Listen, Mido entrusted you with this important task.
09:37Because he values you.
09:39He values me?
09:40To transport piglets?
09:42No.
09:43Why are you laughing? I'm serious.
09:45Let's say he values me a little less.
09:47Please, do me a favor.
09:49You're exaggerating. Believe me.
09:51Believe me, Ljubinka.
09:53Ljubinka, I'm telling you.
09:55It's not about that.
09:57I won't have time for you and me.
10:00Every morning I go there.
10:02I'm a policeman, I'm a transporter.
10:05I don't know what I become.
10:08All day long.
10:09And where are you?
10:10Where are we?
10:13I know you don't like it.
10:16But I'm happy because of that.
10:27It's not easy with children.
10:29But it's not easy with adults.
10:32I don't give a damn.
10:34You and I know that.
10:37Let's take for example my husband, Tihomir.
10:43Him.
10:44We'll throw him on the carpet now.
10:46We will.
10:47Because we're transporting him now.
10:49Him.
10:50He's hanging out there, right?
10:52In exotic destinations.
10:55In the program of a protected witness.
10:58Really?
10:59He's protected like a polar bear.
11:01And what am I?
11:03No one will protect me.
11:05What am I asking?
11:06Everything is coming.
11:08Everything is coming.
11:09He's just looking for a reason not to have it.
11:12But because he's transferring,
11:14because he doesn't like it, he knows that.
11:16Right?
11:17He knows that.
11:18And you, Marica Rintaj.
11:19And you're mad.
11:20You're mad.
11:21He's mad.
11:22He's mad.
11:23He's mad because I'm working with you.
11:26Look at him.
11:28It was a shame.
11:29It was a shame.
11:30Come on, his name is Mileta,
11:32but he doesn't feel sorry for him.
11:34Imagine.
11:35Why doesn't he call me?
11:36Why doesn't he tell me?
11:38He won't.
11:39You hear?
11:42Look, grandma.
11:43Please.
11:44Something came to my mind.
11:46Come on.
11:47I'm listening.
11:48I'm seriously asking you.
11:49Could I, for example,
11:51put this program of a protected witness in my beautiful village?
11:55Come on.
11:56Please, look.
11:57If you have a chance,
11:59don't jump on my head
12:01so I can rest a little longer.
12:03Believe me,
12:04if you help me,
12:05I'll pay for everything.
12:06Oh, Mileta.
12:08Don't laugh, Mileta.
12:09Come on, let it go.
12:10We've already started,
12:11but we'll talk later.
12:12It's time to go.
12:14Let's go, Vajrond.
12:16You're right.
12:17Let's have another drink,
12:18and then we'll go.
12:19I have to find my scissors.
12:20Where did she go
12:21with that idiot Trivanović?
12:24Easy.
12:25How am I going to wrap his neck?
12:27You have no idea.
12:28Good night.
12:29Good night.
12:30Good night.
12:31See you.
12:59Wait.
13:06It's you?
13:07How could you?
13:08What do you mean how could I?
13:09How could you stand up for Pavle and Alekša?
13:12I stand on their side
13:13because they were right.
13:14Why were they right?
13:15Yes, we have to change the situation
13:17and apologize.
13:18For what, Luka?
13:19For breaking their glass?
13:20That's not a reason to arrest.
13:22Anyone could have done that.
13:24Laura, that's not the reason to arrest
13:26We can't find out who set us up, so we have to get the best out of this situation.
13:30How can't you understand that if we give a message to the management,
13:33we'll admit a mistake?
13:34Please, let's put justice aside.
13:36We have to put the ball down and show humility.
13:39Fuck it, we threw it and that's it.
13:41I didn't.
13:42I'm not ashamed of you.
13:44Here, I'm not ashamed of you. What are we going to do now?
13:47Maybe you're not ashamed of me, but you're kicking me out.
13:49Who's kicking you out? Please, what are you talking about?
13:51Come on, sit down. Here's your tea. Let's have a nice cup of tea.
13:54You betrayed me.
13:56How did I betray you?
13:57Laura, wait!
14:05What are you doing?
14:24What are you doing?
14:34Andrija, what is this?
14:36I don't know, some nonsense. What is it?
14:41What's going on here?
14:45Come on, calm down.
14:46What is it? Why are you so upset?
14:49How can we calm down? What are we going to do?
14:54What are we going to do?
15:04You can't believe how I pulled him.
15:07That's strange to me, because he usually doesn't give any statements to the media,
15:11journalists, nothing.
15:12No, no, I presented myself as a journalist of the Daily Voice,
15:17not as a tabloid, you know.
15:18Congratulations, so he believed, he believed the story.
15:22You can't believe how easy it was.
15:24Yes.
15:25Bravo, master, that's it.
15:27What is not clear to me?
15:28How is it possible that such an experienced man does not fail on the target?
15:33Because he is untouchable, he thinks that everything is possible.
15:37You understand that no one can do anything to him.
15:39Arrogance, dear, my ego.
15:42Bravo, you knew which card to play, bravo.
15:45See, arrogance is your best field for deception.
15:49That's right.
15:53Yes, exactly.
16:11Oh, Kostya.
16:23Ljerk?
16:24Where are you from?
16:25Well, here I am.
16:26What do you mean here I am, man, you are not a hundred years old.
16:29Where are you, how are you?
16:30Well, I'm fine, and you?
16:31Well, I'm, I'm just okay.
16:36Aha.
16:37And why are you calling me now, at this moment?
16:41Well, Luka, you were with me when I had problems,
16:44when I was in treatment after the conversion.
16:47Well, okay, wait, it's not good to call me just because you feel you owe me.
16:51It's not just that.
16:54Yes, well, what is important now, and what is most important,
16:58is that your sentence went well and that it ended well.
17:03Well, it wouldn't end well if he didn't pay him.
17:07And I never asked who it was.
17:10Eh, that's what I wanted to tell you.
17:12Thank you and I appreciate it.
17:14Eh, but, where are you?
17:17Where are you?
17:18Well, I'm here, next to the table, I'm walking.
17:22They say, it's written on the clock, I have to make 10,000 steps a day,
17:26and then I walk, what am I going to do all day?
17:28Where are you?
17:29Eh, yes, I'm, I'm here, somewhere near Milan, in Lombardy.
17:37How are you?
17:41Hello?
17:42Hello?
17:43Hello?
17:44Hello?
17:45Hello, are you there? I mean, I'm here, I'm here.
17:48Are you listening to me?
17:49Yes, yes, yes, yes, you say you're close, you're close to Milan, so,
17:53close to Milan, in Italy, yes, in Italy.
17:57Yes.
17:59Well, I don't know, I would love to see you, but,
18:03I'm in such trouble that I don't know how smart that is.
18:07Eh, I'm not going to ask you anything about details,
18:10I just wanted to let you know that I'm here for you.
18:16Well, thank you, thank you, it means a lot to me.
18:29You know, Andrej told me a pretty straightforward story about the incident that happened.
18:36About the incident?
18:39Yes.
18:42Remind me.
18:44Well, that you didn't realize it.
18:47Ah, that. Well, okay, it wasn't anything special, everything's fine.
18:52Well, it's not anything special.
18:55I mean, he told me that, of course, he jumped in to help,
18:58but he's talking about it as if it happens every day, as if it's a normal thing.
19:04Well, yes, it's uncomfortable that it happened in the police station,
19:08but it's great that someone was there, isn't it?
19:11And that's exactly Andrej.
19:14I couldn't, God forbid, be alone, could I?
19:17Well, yes.
19:18Here, Andrej did something nice behind your back.
19:22Well, I guess that's expected from a man.
19:25It would be strange if he didn't do anything.
19:27I know, that's true.
19:29He could have called an ambulance, not a rescuer.
19:35Yes, you're right.
19:38You know what the problem is?
19:40This isn't the first time, he's doing it all the time.
19:43It's as if he's trained and has a constant need to save women.
19:48There, that's an ideal topic for a session for him.
19:53Good evening.
19:56I just don't want you to fall unconscious.
20:01He told me you were talking about female ungratefulness.
20:07Una, I advised you not to talk too much during the session.
20:13He told me that himself.
20:15And that's that.
20:17I'm not going to explain further.
20:19Okay.
20:22Tell me, what's new in terms of sex?
20:27If you ask me, there's nothing new.
20:35Yes.
20:51Where's Mido?
20:53I don't know.
20:55And you?
20:57How long have you been standing here?
20:59You Maldives are a bunch of ruffians.
21:01I don't know what that pale Mido sees in this place.
21:04Maybe he saw the impassable style.
21:07And the friendship that rules here.
21:10The friendship with Panchetta, I'm sure of that.
21:13I don't know.
21:15I don't know.
21:17The friendship with Panchetta, I'm sure of that.
21:21And what do you want?
21:23To tell me when Panchetta comes to the cafe.
21:26At noon, why?
21:28He's definitely going to come with Mido.
21:30You can't tell anyone I'm here.
21:33I have to find out what they're up to, got it?
21:36And do you threaten everyone or just now?
21:39Only those who depend on me.
21:43Well, no one here depends on you.
21:46So what do you want?
21:48In this hole you call a cafe, you're all moneyless.
21:52And I bring money, so you depend on me.
21:55Mido brings the money, not you.
21:58Just call me again and you'll see whose money it is.
22:02Now make me a cup of coffee.
22:04Don't be too smart.
22:06Okay.
22:13I still don't know how we got to the point
22:17where the question of sex is actually the question of domination.
22:22Well, nice.
22:24Andrej is a dominant man in himself,
22:27and I want to parry him.
22:29In what way?
22:31In every way.
22:33I just want to be fair.
22:35How exactly?
22:37Why is it so strange?
22:39I mean, we live in the 21st century,
22:41and we women managed to fight for some right.
22:44That's true.
22:46But you're Andrej Bošnjak's wife,
22:49so I'm asking how.
22:52Do you think it's impossible to compete with him?
22:56Well, I'm not sure I like the word competition in this context.
23:01Me neither.
23:03But that's reality.
23:07What are you planning?
23:09How many companies and how much money do you need?
23:14Well, for a start,
23:18I don't have any.
23:20And?
23:23It doesn't look like it's going to change.
23:28I see that I'll be outnumbered after this session.
23:32Okay, let's turn things around.
23:35Do you think that Andrija's domination
23:38is measured by his money and his companies?
23:42No, no.
23:44I mean, that's the majority of his life.
23:47He's focused on that all his life,
23:50and the fact is that without all that,
23:52he wouldn't have had self-confidence.
23:54There.
23:55Maybe that's a more concrete word.
23:57Self-confidence.
23:58Maybe we should work on that.
24:01Well, we don't really have the material to talk about self-confidence.
24:04You're wrong.
24:05Every woman can win.
24:08Women's power.
24:11What do you mean by that?
24:14Leading.
24:16Understanding men.
24:18That's where women's strength lies,
24:21which a man can get from everything.
24:26Maybe there's still a chance
24:30that I won't be outnumbered after this session.
24:44You don't like this coffee.
24:47No one's ever complained.
24:50Because they don't have the same taste as I do.
24:53Who's the owner of Maldives, Panchetta?
24:58Why don't you say something?
25:01The owners of this place are Aleks and Luka.
25:07But Panchetta raised them from a young age.
25:11You can't understand that. It's a long story.
25:14Panchetta is responsible for everything.
25:16And where are Luka and Aleks?
25:19They're in Milan.
25:23And where's Panchetta's husband?
25:25He's in Milan, too.
25:26He's not in Milan.
25:28He's abroad.
25:30Well done, Panchetta.
25:32You've ruined them all.
25:34Maybe that's how it works, but it's not.
25:37You have no idea.
25:39But it's all as it seems.
25:43Listen.
25:45I'm going now.
25:46Thank you.
25:47Don't tell anyone I'm here.
25:57Of course not.
25:58I have to tell everyone you were here.
26:05I think men and women will never fully understand each other.
26:09Why?
26:10Because, first of all,
26:12men's solidarity is much stronger
26:14because of the domination we've been talking about for a while.
26:17Excuse me. It's Boba.
26:19I wouldn't say it's urgent.
26:21It's OK.
26:22Hello?
26:23I can't. I'm on a meeting.
26:26Just this.
26:27Look at the link I sent you.
26:53Good afternoon.
27:01Good afternoon.
27:23What are you doing?
27:33I told you I'm close.
27:38This is what I'm talking about.
27:41A classic demonstration of power.
27:43Almost a rapist.
27:46OK.
27:47Let's not exaggerate.
27:50You know how journalists are.
27:52The better the story, the better the sales.
27:55I'm surprised they didn't exaggerate this time.
27:59I honestly think the journalist cheated on Andrija
28:02and then provoked him.
28:15What are we going to do now?
28:17This is hell.
28:19It would be best to turn off the phones.
28:23Boba, put my phone down.
28:25I will.
28:26How are we going to work like this?
28:28Take it easy.
28:30This won't last forever.
28:32I wouldn't say so.
28:34I just got a message from Dobrica.
28:36What does it say?
28:37Journalists have occupied the entrance to the building.
28:39Horrible.
28:41Dobrica and Gala are fighting.
28:43I'm with them.
28:50What are you doing here?
28:55Who are you talking to?
28:57Are you crazy?
28:59What does that mean?
29:01I don't know.
29:03What do you mean?
29:05It's not crazy at all.
29:07Do you know that parking is more popular than anything else?
29:11Whoever finds a parking lot wins.
29:14Are you drunk?
29:16What's wrong with you?
29:18Let's go.
29:30It's going well.
29:32It's going somehow.
29:36First, we found the money.
29:38I'll tell you about the money later.
29:40We somehow found the money.
29:42We found great people for the job.
29:45And then everything turned upside down.
29:47And then everything turned upside down.
29:49Scoundrels and cats.
30:04Hello.
30:06Good afternoon.
30:08Did we come back to you?
30:10No, I'm just saying good afternoon.
30:12Tell me, Milena.
30:14I would like to invite you to a drink at the business club.
30:20That's impossible.
30:22Why is it impossible?
30:35Hey, Alexa.
30:37Did you think about how you're going to solve this look-in-house?
30:42We put together a message that we followed Fashion Week.
30:46Really?
30:48Do you think it's going to be good?
30:51I sincerely hope so. I'm still waiting for the answer.
31:08Hello, Mido. How are you?
31:10Where are you, Miki?
31:12Sit down, please.
31:14I want to pay this bill.
31:16This? No.
31:18My son paid for lunch yesterday.
31:20I'll pay today.
31:22It's my habit to pay for lunch as a guest.
31:26I'm sorry.
31:38I see you're all drunk.
31:40I thought I could help you.
31:43You're helping me by getting drunk on my account.
31:46I'm fine.
31:48Why do you keep asking for a drink?
31:50Let's have a drink.
31:52Shut up.
31:54Where's Mido?
32:09Hello.
32:12Who's that?
32:14Andrija Bošnjak.
32:17Hello, Andrija. How can I help you?
32:19I just wanted to thank you.
32:21For what?
32:24For helping me.
32:26Thank you.