Igra sudbine, Epizoda 1164,Igra sudbine 1164 ,Igra sudbine 1165,Igra sudbine Epizoda 1164, Igra sudbine Epizoda 1165,Epizoda 1164 Igra sudbine ,Epizoda 1165 Igra sudbine
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TVTranscript
00:00Let's eat!
00:09Please, enjoy!
00:17You're welcome.
00:18Here you go.
00:20I need that coffee.
00:22Oh, Mile, I've been unlucky for 7 years.
00:24Hold this for me.
00:25See how tired I am, my hands are shaking.
00:28It's only a week away from the fashion show in Milan.
00:33It doesn't have to be bad.
00:36Who said it was going to be bad?
00:38What are you talking about? I'm just saying I'm excited.
00:40They gave me all the money, they invested,
00:42they broke for the show. I don't know how it's going to go.
00:44I'm worried.
00:45I have a feeling, Panchi, that it's going to be...
00:49I can see it. It's going to be fantastic.
00:51Really, Milan?
00:52Yeah.
00:53Are you going to show up?
00:54Yeah.
00:55I didn't know you were such a star.
00:57I just wanted to show up and have a look around.
01:00Right?
01:01Okay, you're teasing me. I'm just saying.
01:03You don't have to say anything.
01:05I hate people who talk a lot and don't say anything.
01:08What did you do with your aunt?
01:10Nothing.
01:11That's what you're saying?
01:12No, I didn't do anything.
01:13That's what I'm talking about.
01:15Oh, my dear.
01:17Why did you punish me like this?
01:19Why do I always have to deal with all those businessmen?
01:23I'm not capable of doing some elementary, ordinary things.
01:27But, Panchi...
01:28Don't call me Panchi.
01:30You're crazy.
01:31You're going to miss all the money.
01:33The wealth is in front of your nose because you're incapable.
01:36What's wrong with you?
01:37Why don't you take a look at Ljubinka and Trivanović?
01:42They're idiots.
01:43What do you think of me?
01:45Not at all.
01:47It doesn't matter, dear.
01:49You should take a look at them.
01:51How they love each other.
01:52How they function.
01:53How they...
01:54What?
01:55What?
01:56How?
01:57Do you want me to draw you?
01:58Do you want me to show you?
01:59Ask around how two people fall in love.
02:02Take a sample.
02:04That's not a bad idea.
02:06None of my ideas are bad.
02:08None of them.
02:10What did you see?
02:11Where's Kajmak?
02:12How's it going, folks?
02:14What's up?
02:15What's up, dear?
02:16You're not married yet?
02:21No.
02:28I know you don't agree with this decision,
02:30but luckily you don't ask anything.
02:33So you turned your back on me, too.
02:35I knew you'd understand everything so tragically.
02:38How could I?
02:39Those two sent you to kick me out of the project.
02:42Laura, you knew that sooner or later your actions would lead to that.
02:47Well, if it weren't for this job, it wouldn't be me.
02:52Please calm down.
02:54Let's try to talk calmly.
02:57No, we can't talk calmly.
02:58Because I came up with the whole project.
03:00I made all the agreements.
03:02I put them in Milan Fashion Week,
03:04based on their sketches, not to say scribbles.
03:06Okay.
03:07I know that.
03:10You do?
03:11Is that why you're kicking me out?
03:13Laura, no one's kicking you out.
03:15We're just trying to keep you away from the decision.
03:18That's an even bigger humiliation.
03:20You two can't control yourselves.
03:24Now that it's over, when we have the most work,
03:27Sala isn't even paid.
03:28What were you waiting for?
03:29I don't know what I was waiting for.
03:31I was waiting to see how this would end with Sala.
03:35What do you mean?
03:37Explain that to me.
03:40What do you think?
03:42That Sala isn't even paid?
03:54I still don't know what to think.
03:57Yes.
03:58It seemed strange.
04:00Pretty confusing.
04:02It's confusing, but I can't figure out what.
04:06You know what?
04:07There's something strange and unusual about this whole situation,
04:11and I can't figure out what it is.
04:13What do you mean?
04:14Who's Andrija?
04:18A dress.
04:20What dress?
04:21A dress.
04:22I saw that dress for the first time.
04:24What's so unusual about it?
04:26There are hundreds of dresses.
04:27Yes, but it's 5-6 months old, and then it changes.
04:30Maybe it's changed now.
04:32Don't make a fool of me.
04:33I know what I'm talking about.
04:35I saw this dress for the first time.
04:38And what does it tell you?
04:40First of all, it's an unknown dress.
04:44And secondly, it's an unknown piece of work.
04:53Here's my punchline.
04:57Completely unsuccessful.
05:00We're considering the possibility of me not getting married,
05:04but taking the money.
05:06What's this, people?
05:08You're not able to take the money, not even when it's under your nose.
05:13That's what I'm talking about.
05:15That's what I'm talking about.
05:16Because I'm a good man with a warm heart, I can't do that.
05:21And I, Vala Šašava, instead of listening to that Seljanović,
05:24it's nice that I agreed to take a percentage from him.
05:26May God see me.
05:28That Seljanović is dangerous.
05:30See, that's how things work.
05:32Everything is in your interest.
05:34I'm waiting for something.
05:36I'm waiting to fall in love, to make up.
05:39There's no such thing.
05:41There's no such thing.
05:43That's a dead species.
05:45There's no such thing.
05:46What's a dead species?
05:48There are people who survived from that species.
05:50Who survived?
05:51Who?
05:52What are you?
05:53You're like a cockroach.
05:55Quiet!
05:56He's gone mad.
05:58He's gone mad.
05:59Who's left?
06:00Let's hear it.
06:01Everyone is a cockroach to you.
06:03Definitely.
06:04Come on.
06:05Everyone is getting divorced.
06:07They're getting married.
06:08Everyone is going their own way.
06:10Whatever it looks like.
06:11Yes, yes.
06:12Only that Mido is still a bit ugly.
06:14He gives signs of life.
06:15But he won't last long.
06:17She kicked him.
06:18I'm pretty.
06:21When we're at Mido's,
06:23did he come back?
06:25Did anyone see him?
06:31No.
06:41Miki.
06:42Oh, Mido.
06:43How are you?
06:45I'm good, Miki.
06:46Sit down.
06:47How are you?
07:01How are you?
07:17Una, good afternoon.
07:19Hi, Milena.
07:20I've been thinking
07:22and I think it's a good time
07:24to switch to you.
07:26If you don't mind.
07:28Could you please tell me
07:30about the meeting?
07:39Yes.
07:40Okay, okay.
07:42I understand.
07:44Okay.
07:45Bye.
07:54Hey.
07:55What's up?
07:57We have a problem.
08:01Laura doesn't want to buy a room.
08:03What?
08:13I'm good.
08:14I'm glad.
08:15Never better.
08:16I mean, excellent.
08:17And all thanks to you.
08:18Really?
08:19Yes.
08:20How come?
08:21Listen to me.
08:22I found a phenomenal business space.
08:24We just have to react quickly.
08:26Really?
08:27Yes.
08:29The owner urgently needs money.
08:31That's why he's so low.
08:33Low?
08:34Yes.
08:35Okay.
08:36If it's as great as you say,
08:38I think we should take a look.
08:40But...
08:42I don't really want to rush myself.
08:44You know?
08:45Why not?
08:46What for?
08:47I don't want to turn out
08:49to be a provincial peasant
08:51so I end up on the first ball.
08:53You know?
08:54Come on, please.
08:57Provincialism isn't that bad.
09:00You shouldn't be ashamed of it.
09:02You should be careful about it.
09:04I tell everyone
09:07that without the energy of the people from the province,
09:10this city wouldn't expand so quickly.
09:13That's good.
09:14It's even good to be Mido Pianović in Belgrade.
09:18You think so?
09:19I envy you a bit.
09:20Me?
09:21Yes.
09:22Whenever I see you.
09:23I see myself when I come to Belgrade.
09:27Okay.
09:30What's this place like?
09:32Whose is it?
09:33Let's not talk about it.
09:34Let's go see.
09:35Okay?
09:36Come on.
09:54Wait.
09:55Laura doesn't want to buy the Mezezer?
09:58No, unfortunately.
09:59Where did you get that information?
10:01Pavla saw it with her.
10:02What did she say?
10:03Nothing.
10:04She said she was going to make a deal with the purchase.
10:07In fact, she's underestimating us
10:09because of her connections.
10:11She wants to ruin our project.
10:13Directly.
10:14She wants to ruin us.
10:15Don't worry about them.
10:17Okay, listen.
10:20So,
10:21we don't have a room,
10:23the payment deadline has expired,
10:25the review is due on Sunday,
10:27and that's it.
10:29Pavla will have to solve it.
10:31How will she solve it?
10:32She can't solve it, man.
10:33She can't go to the end with it.
10:35She has to do something.
10:41I'll go to her.
10:43Smart move.
10:46We don't have a choice.
10:49We'll solve it.
10:50Yes.
10:51We'll figure it out.
10:55Are you okay?
10:57Yes, I have to go.
10:58I have to finish something quickly,
11:00then I'll be back.
11:01It's okay.
11:02Okay.
11:18A meeting?
11:20Of course, of course.
11:23I don't know what to do now.
11:26Maybe it's some kind of
11:28unconscious mistake.
11:31It's not a mistake.
11:33Okay.
11:34What's the topic?
11:37That will be the topic of our meeting.
11:40Really?
11:42Aha.
11:43What is it about?
11:46Something between us two, Milan.
11:48I found a piece of Andrija Breveru's body.
11:53What does that have to do with me?
11:56You're my psychotherapist, aren't you?
11:58No.
12:00Oh, yes.
12:01Of course.
12:03I think Andrija is up to something.
12:06Aha.
12:07You think he's cheating on you.
12:09I don't know.
12:10Probably.
12:12Okay.
12:13Calm down.
12:15He's a jerk.
12:17I mean,
12:18he could have picked her up anywhere.
12:21Maybe she's yours, too.
12:24She's not mine.
12:25I checked.
12:26I have them with me.
12:28Okay.
12:29Let's not talk about this over the phone.
12:32Let's talk during the session,
12:34in the tent,
12:35and slowly.
12:37I'm lying.
12:39We'll talk tonight,
12:40at the usual time.
12:42Great.
12:57Okay.
13:08How could you do this to me?
13:09Why are you doing this?
13:11I'm asking you, why are you doing this?
13:12What do you want?
13:13To kill Rewi?
13:15You know very well why I'm doing this.
13:17Okay.
13:18Now you're going to call me and tell me everything about Rewi.
13:19Is that clear?
13:21Aha.
13:22So you can't do it without me.
13:24Please, don't provoke me.
13:26In the end, everything boils down to the fact
13:27that you need me.
13:28No, everything boils down to the fact
13:29that you're not professional.
13:30And you're like a better person.
13:32You're ruining my job,
13:33my life.
13:34I'm paying for it.
13:35Are you normal?
13:36Luka,
13:37I didn't do this on my own.
13:38For things like this,
13:39you need two people.
13:40What two people?
13:41You can't develop a business in private.
13:42That's your problem.
13:43I can.
13:44You can.
13:45I can, yes.
13:46You're the same as me.
13:47Of course I'm not.
13:57You know what, Miki?
13:58You were right.
13:59The space is excellent.
14:00I told you that you wouldn't make it.
14:01Give us drinks, please.
14:02Who's paying?
14:03Let's drink one at a time.
14:04Of course.
14:05If the papers are in order,
14:06maybe I'll buy it.
14:07Everything will be in order.
14:08I've hired a lawyer for every case.
14:09Let him check it out.
14:10I think that's the best way.
14:11But...
14:13You're welcome.
14:14You're welcome.
14:15You're welcome.
14:16You're welcome.
14:17You're welcome.
14:18You're welcome.
14:19You're welcome.
14:20You're welcome.
14:21You're welcome.
14:22You're welcome.
14:23You're welcome.
14:24You're welcome.
14:25You're welcome.
14:27So long.
14:31Where do you live when you're in Belgrade?
14:34I rent a house.
14:35You know that?
14:37I know some people who live in the city.
14:41If you want to buy a house,
14:42I can help you.
14:46Miki, Miki.
14:48You won't leave until you show me around,
14:50and you give everyone a pocket.
14:52Where have you been?
14:54I have a plan for Ljeposavl.
14:56No, no, it's not like that.
14:58I'm just worried that your wife and daughter
15:00won't be harassing you in some apartments.
15:02I'll protect my daughter.
15:04And I have a plan for Ljeposavl.
15:06That is, to stay in Kosmaj.
15:10Well, okay, have you talked to your wife?
15:12Will she agree to that?
15:14Ex-wife, Miki.
15:16Ex-wife.
15:18Okay, Mido, ex-wife, ex-wife.
15:20Once a wife, always a wife.
15:22I have to go.
15:26Okay, okay, see you.
15:28Bye.
15:30What do you want from me?
15:52No, the first question is, what do you want?
15:54What do I want?
15:56I don't understand.
15:58Listen, are you really crazy
16:00to leave me because of that whore?
16:02I don't know why we're talking about that.
16:04That's not the point now.
16:06Why are we talking about whores?
16:08She's a good girl.
16:10But she's heartless.
16:12And she's not a challenge for you.
16:14Listen, first of all, you don't know that girl.
16:16It's very ugly to talk about such things about her.
16:20Do you know what kind of life
16:22you could have with me?
16:24Oh, God.
16:26Okay, I'll tell you right away.
16:28There's nothing in it.
16:30I would take you to the top of this business, Luka.
16:32Great, thank you.
16:34Maybe next time.
16:36You obviously don't understand
16:38how much I need you.
16:40You obviously don't understand
16:42that this mess will go on for hours
16:44or without you.
16:46It will, but what are you going to do
16:48when it comes to sales, marketing,
16:50everything related to money?
16:52I'll need you like the air you breathe.
16:54Okay, enough.
16:56You brought another woman here.
17:02I came to talk about business.
17:04I didn't come to talk about love.
17:06It's the same for me.
17:10If it's the same for you,
17:12send us all to hell.
17:14I will.
17:16But you have to apologize
17:18for all this so far.
17:24I'm sorry.
17:30You pulled out
17:32for now.
17:34But that's not all.
17:38I want us to spend the night together.
17:40It's the last time, I promise.
17:42And then I'll arrange
17:44a place for you to perform.
17:46Can you go now?
17:54Okay.
18:16Come in.
18:18Where have you been?
18:20Where's Bojsa?
18:22Is Bojsa here?
18:24Just sit down.
18:28Anything else?
18:30No, I can't.
18:32Tell me.
18:34Here's the thing.
18:36I came to see you
18:38and I have to tell you
18:40to do me a favor.
18:42What is it?
18:44Don't be afraid.
18:46You know I'm an expert in business.
18:48Okay.
18:50It's a great place.
18:52But my lawyer says
18:54that the one who sold it
18:56didn't sell it to himself.
18:58Do you understand?
19:00Okay.
19:02If you could
19:04see through your people
19:06who that man is
19:08and what he does,
19:10whose place it is.
19:12It's a great place, not Bojsa's.
19:14I wouldn't want to lose it.
19:16And I wouldn't want
19:18a sheep
19:20to sell it.
19:22Do you understand?
19:24I see.
19:26It looks like a scam.
19:28Really?
19:30It doesn't have to mean anything.
19:32Many people
19:34won't take it personally.
19:36Someone inherits it
19:38or doesn't report it.
19:40Someone takes it as a gift.
19:42But don't worry.
19:44I'll see it through my people.
19:46I'll see it through my people.
19:50I won't forget you.
19:52It means a lot to me.
19:54Don't worry.
19:56How's your family?
19:58Leposava, Ljubinka?
20:00Don't ask me anything.
20:02I'm going to the revolution.
20:04It's not my revolution.
20:06Don't talk nonsense.
20:08I won't.
20:10It's strange.
20:12Since they came to Belgrade,
20:14I know everything.
20:16Everything comes to my mind.
20:18While they were in the village,
20:20I didn't think of anything.
20:22They didn't remember anything.
20:26Ideas?
20:28Like what?
20:30My ex-wife Ljeposava
20:32wants me to buy her an apartment.
20:34My Ljubinka
20:36wants me to rent her an apartment
20:38so she can live with Trvanović.
20:40Where am I?
20:42I don't have any money left.
20:44Yes.
20:46I feel like a character
20:48from a song.
20:50Montenegro, my dear mother,
20:52would you be my wife?
20:54I'm like a fountain of wishes for you.
20:56Don't be afraid.
21:00Mr. Toro.
21:02Tell me.
21:04You know my situation.
21:06Okay.
21:08Would you be
21:10my wife?
21:12Excuse me?
21:14Would you be my wife?
21:16How?
21:18Don't.
21:20I beg you.
21:22I would, but I can't.
21:24I'm sorry.
21:26This is over.
21:28It's easier now.
21:30Give me the data.
21:32I need the data.
21:34Everything is in my phone.
21:36Oh, Mito, Mito.
21:38Where are you?
21:56Bobo.
21:58Have you seen Una?
22:00She's not at work today.
22:02Do you know why?
22:06Bobo.
22:08Do you know why?
22:10Why?
22:12She's not at work.
22:14I don't know.
22:16Mito.
22:34Mito.
22:36I have to tell you.
22:38I'm telling you for the last time.
22:40Me and Miki
22:42will never be together again.
22:44For God's sake.
22:46Mito.
22:48A man is a criminal.
22:50I'm not talking to you.
22:52Stop it.
22:54What do you think of me?
22:56Am I a naive fool?
22:58Thank you for your concern.
23:00But it's my decision.
23:02Mito, I have to tell you.
23:04Enough.
23:06Trivanović.
23:08We're done here.
23:10I have to go.
23:12Because of the information
23:14about the places you went to.
23:16That's how I meet people.
23:18That's what I need the most
23:20right now.
23:22I understand, but I have to tell you
23:24one more time.
23:26Trivanović.
23:28You're talking so much.
23:30You're scaring me.
23:32That's right. Because of that Miki.
23:34It's not because of Miki.
23:36It's because Mito wants to work with him.
23:38Wait, how do you work with him
23:40He's a criminal.
23:42What do you care?
23:44Guys, take it easy.
23:46I know.
23:48Don't worry.
23:50Everyone says that.
23:52Before they start crying.
23:54Listen to me, Vazdović.
23:56I'm a good friend
23:58with Nebojša, his son.
24:00He's a guarantor
24:02that everything will be fine.
24:04Period.
24:06Okay.
24:08I can't do this anymore.
24:10I have to go.
24:12Go.
24:14Don't push me.
24:16Do you want to pay?
24:18Mito will pay.
24:20No, I will.
24:22You will.
24:26Nebojša, what's up?
24:28I have bad news
24:30about this papyrology.
24:32I'm listening.
24:38I'm listening.
24:50Hello, Milena.
24:52Hi.
24:54I'm glad you're so happy.
24:56I don't understand.
24:58You didn't run away from the call.
25:00It's like you were distancing yourself.
25:02I'm busy.
25:04I have a lot of work.
25:06It's always about you.
25:08So I can't call you anymore
25:10to ask what you're doing?
25:12Why don't you answer?
25:14Of course you can.
25:16I told you everything is fine.
25:18Maybe you're insecure
25:20because of your bad conscience.
25:22What does my conscience have to do
25:24with our relationship?
25:26I was kidding.
25:28You forgot what a joke is.
25:30Why are you so serious?
25:32What really happened?
25:34She canceled the session.
25:36Aha.
25:38And that's unusual because...
25:40Because she sounded like
25:42she was ready for a military campaign.
25:44Well, I don't know.
25:46I think she's behaving normally.
25:48She mentioned a drag.
25:50A drag?
25:52Whose drag?
25:54You don't know?
25:56I have no idea.
25:58Did she find out?
26:00No, but...
26:02I thought
26:04you were involved.
26:06Why would I?
26:08I'm not like Andrija and Bošnja.
26:10I have to go.
26:12I need to do something.
26:14OK, Milena. See you.
26:16Bye.
26:32Bye.
26:52Yes?
26:54Marko?
26:56Can I help you?
26:58I'm sorry.
27:00Do you remember
27:02the last time you wore this piece?
27:06No, why?
27:10It doesn't matter.
27:12I don't even remember this piece.
27:14It looks like it's new.
27:16It looks like it's new to me, too.
27:20Even the pockets are sewn.
27:22Yes, this is a brand new piece.
27:24This is a brand new piece.
27:28What is this?
27:32It doesn't look like it.
27:34It has pockets.
27:42Yes.
27:44It looks like
27:46Mr. Bošnjak started buying
27:48this piece
27:50in secret.
27:54Yes.
27:56Yes.
27:58Or should I just
28:00leave it here?
28:18You won't
28:20look at it now, will you?
28:22I wasn't really
28:24surprised when Senka
28:26offered a leave
28:28and that they wanted to go to America.
28:30I wasn't at all.
28:32What do you mean you weren't?
28:34Everyone was surprised.
28:36Everyone was surprised, but you weren't.
28:38You always have to be against it.
28:40Come on, be surprised.
28:42Look at the chaos.
28:44There has never been such chaos in this company.
28:52What is this?
28:56I checked the papers.
28:58The owner is
29:00Kockar.
29:02What does that mean?
29:04Father won't sign the lease
29:06but he will sell it
29:08without his father's knowledge.
29:10Are you kidding me?
29:12No.
29:14He has been selling it for years
29:16as a family property.
29:18He doesn't even own it.
29:22I don't even own it.
29:32I totally understand
29:34your right to slap me.
29:36What do you mean?
29:38What are you talking about?
29:40Like a wolf slapping a sheep?
29:42Shut up!
29:44That's what I meant.
29:46Where is this peasant?
29:48I'm so jealous of him.
29:50He is smiling with his little fingers.
29:52He is a real peasant.
29:54He won't put his hand in his pocket
29:56to open it a little bit.
30:12Octopus?
30:16That's what I think.
30:20All of a sudden?
30:22Sometimes I change my hair
30:24so impulsively.
30:26You know,
30:28small changes from the outside
30:30bring some changes
30:32from the inside.
30:44I hope
30:46I'm not interrupting you.
30:48What?
30:50Aren't you going to invite me in?
30:52I think it's better for you
30:54not to come in.
30:56Why?
31:00Because Luka needs to come in.
31:14I just got bored of writing.
31:16You just got bored of writing.
31:18And the most beautiful girl
31:20came in.
31:22Let's not exaggerate.
31:24You know what?
31:26I need to hire a film crew
31:28to film you entering.
31:30Why would we do that?
31:32Why not?
31:34You will make history.
31:46What does
31:48that label tell you?
31:52That Andrija bought
31:54that piece
31:56in the morning.
32:12I'm the only one
32:14who can reserve a space
32:16because it goes
32:18through my friends.
32:20But...
32:22Why didn't you do it then?
32:36Well, it wasn't
32:38a father against a son yet.
32:44Good evening, Viki.
32:46Look who I brought you.
32:50Sit down.