AFIRE 2023
Category
🎥
Short filmTranscript
00:00:30Love's gonna make us, gonna make us blind We'll be living in a phase we like
00:00:50What's gonna make us, gonna make us find In my mind
00:00:51In my mind In my mind
00:01:06In my mind We're gonna live free and live wild
00:01:15We'll be living in a life just right What's gonna make us, gonna make us find
00:01:27In my mind In my mind
00:01:37In my mind In my mind
00:02:07In my mind In my mind
00:02:27In my mind In my mind
00:02:36In my mind In my mind
00:02:46In my mind In my mind
00:02:56In my mind In my mind
00:03:16In my mind In my mind
00:03:31In my mind In my mind
00:03:51In my mind In my mind
00:04:11In my mind In my mind
00:04:36Felix?
00:04:40Hello?
00:04:59It's not far anymore.
00:05:0115 minutes.
00:05:06It's not far anymore.
00:05:36It's not far anymore.
00:05:46I'm sorry.
00:05:49I'm sorry.
00:06:03Hello?
00:06:11Hello?
00:06:12I'll call my mother.
00:06:43I have two bad news.
00:06:47Is that lasagna?
00:06:49I love lasagna.
00:06:50Now tell me.
00:06:51Yes, we won't say it alone.
00:06:53All the time?
00:06:54It looks like it.
00:06:56Typically my mother.
00:06:57Oh, did I not tell you?
00:06:58Oh, I'm sorry.
00:06:59There's enough room for everyone.
00:07:01Yes.
00:07:03I should greet you nicely.
00:07:07I should hug you tight, as you said.
00:07:13And the second bad news?
00:07:15We have to share the room.
00:07:19What?
00:07:20She has the other room.
00:07:22No, shit, Felix.
00:07:24I need my peace.
00:07:26I need my own place to work.
00:07:29You have to finish your map.
00:07:30How is that supposed to work?
00:07:32You can have the leek.
00:07:34What kind of leek?
00:07:35The one out there, on the edge of the forest.
00:07:37You'll have peace there.
00:07:43She can cook.
00:07:45Do you know her?
00:07:46No.
00:07:48She's the niece of a colleague of mine.
00:07:51What's her name?
00:07:53Nadja.
00:07:55Where to?
00:07:56I don't know.
00:08:07Hello, Nadja.
00:08:08Leon.
00:08:09Hello, Nadja.
00:08:10Leon.
00:08:11And I, Felix, have arrived and are sleeping in the small room.
00:08:18We're taking the small room?
00:08:19Yes.
00:08:20We're two.
00:08:21We're almost the same size.
00:08:39I don't give a shit about the Russians.
00:08:46What am I supposed to do?
00:08:47Damn it, they're crazy.
00:08:51Let her be.
00:08:53I'm sure she hasn't read the note yet.
00:09:00The roof is unlit.
00:09:02The roof is unlit.
00:09:04The roof is unlit.
00:09:06The roof is unlit.
00:09:08The roof is unlit.
00:09:10Look up.
00:09:13That's not good.
00:09:16It's pulling away from the wall.
00:09:20There's going to be trouble.
00:09:25I'm going to sleep.
00:09:26I have to work tomorrow.
00:09:27You too.
00:09:37I'm going to sleep.
00:10:07Shit.
00:10:37Fuck.
00:11:07Fuck.
00:11:24Did you watch her?
00:11:28Idiot.
00:11:31That's what she looked like.
00:11:33Did you talk to her?
00:11:35No.
00:11:39What does she look like?
00:11:43I didn't see her.
00:11:44She was too far away.
00:11:48Is everything okay?
00:11:53Get her a bowl or something.
00:11:55Get her a bowl or something.
00:12:26Are you cleaning her mess?
00:12:29Are you coming with me to swim?
00:12:31No, I have to work.
00:12:34What about you?
00:12:36What about me?
00:12:37With your work.
00:12:39It's good to arrive first.
00:12:56Fuck.
00:13:17Hey.
00:13:23See you later.
00:13:25See you later.
00:13:55See you later.
00:14:25Fuck.
00:14:26Fuck.
00:14:27Fuck.
00:14:28Fuck.
00:14:29Fuck.
00:14:30Fuck.
00:14:31Fuck.
00:14:32Fuck.
00:14:33Fuck.
00:14:34Fuck.
00:14:35Fuck.
00:14:36Fuck.
00:14:37Fuck.
00:14:38Fuck.
00:14:39Fuck.
00:14:40Fuck.
00:14:41Fuck.
00:14:42Fuck.
00:14:43Fuck.
00:14:44Fuck.
00:14:45Fuck.
00:14:46Fuck.
00:14:47Fuck.
00:14:48Fuck.
00:14:49Fuck.
00:14:50Fuck.
00:14:51Fuck.
00:14:52Fuck.
00:14:53Fuck.
00:14:54Fuck.
00:14:55Fuck.
00:14:56Fuck.
00:14:57Fuck.
00:14:58Fuck.
00:14:59Fuck.
00:15:00Fuck.
00:15:01Fuck.
00:15:02Fuck.
00:15:03Fuck.
00:15:04Fuck.
00:15:05Fuck.
00:15:06Fuck.
00:15:07Fuck.
00:15:08Fuck.
00:15:09Fuck.
00:15:10Fuck.
00:15:11Fuck.
00:15:12Fuck.
00:15:13Fuck.
00:15:14Fuck.
00:15:15Fuck.
00:15:16Fuck.
00:15:17Fuck.
00:15:18Fuck.
00:15:19Fuck.
00:15:20Fuck.
00:15:21Fuck.
00:15:22Fuck.
00:15:23Fuck.
00:15:24Fuck.
00:15:25Fuck.
00:15:26Fuck.
00:15:27Fuck.
00:15:28Fuck.
00:15:39Shit.
00:16:10Hey, what's that?
00:16:16The sea is wonderful.
00:16:39What?
00:17:05Leon?
00:17:07Come here.
00:17:09Come here.
00:17:11I need your help.
00:17:15Come.
00:17:16Look.
00:17:17Look.
00:17:19There.
00:17:21That's where the water is.
00:17:24My father left it there.
00:17:27It must be the heat.
00:17:29Look at that.
00:17:32It needs to be fixed.
00:17:35Now.
00:17:36If a mold gets into the house, we can tear down the walls.
00:17:38And that's a disaster.
00:17:39I have a work appointment.
00:17:40You have a work appointment.
00:17:42Let's finish the things that are important.
00:17:44Your application form, my manuscript.
00:17:46That's a matter of an hour.
00:17:48Or two.
00:17:52And it's fun.
00:17:53The relocation.
00:17:54Yes.
00:17:55And the tar smell.
00:17:56I like it a lot.
00:18:00What time is it?
00:18:01Four.
00:18:02Approximately.
00:18:03When do the shops close in the village?
00:18:05In the season.
00:18:0620 o'clock.
00:18:07And how long do we need to get there?
00:18:0810 minutes.
00:18:09By car.
00:18:10But we don't have a car.
00:18:11And we don't have anything to eat.
00:18:12So we're going shopping now.
00:18:15And you take care of the workshop and the car.
00:18:19Here.
00:18:20And now.
00:18:21Like this.
00:18:29Come.
00:18:30Come.
00:18:35Come.
00:18:56What's that?
00:18:57Pinattia.
00:18:59We ate it.
00:19:00Here.
00:19:0292.88.
00:19:05Card or cash?
00:19:06Card.
00:19:08Wait a minute.
00:19:09We're dragging ourselves to death here.
00:19:10Can you ask if there is a tow service or a workshop here?
00:19:13Yes.
00:19:15Excuse me.
00:19:16Do you know a tow service or a workshop nearby that does something like this?
00:19:20Our car is lying on the road.
00:19:22They're calling here now.
00:19:24But they're not coming right now because of the fire.
00:19:26And what about that gas station up there at the roundabout?
00:19:29They don't have a workshop anymore.
00:19:56Where is Waldhüter Forst?
00:19:58West.
00:20:00How far?
00:20:0130 kilometers.
00:20:02At least.
00:20:20Are we going for a swim?
00:20:22It's getting dark.
00:20:24So what?
00:20:28What's the topic?
00:20:32For the UDK.
00:20:33There's no topic?
00:20:34Water.
00:20:37Water.
00:20:39It's not a topic.
00:20:41It is a topic.
00:20:44It's an element.
00:20:47Did you choose it yourself?
00:20:49No.
00:20:51It's a given.
00:20:53Do you have an idea?
00:20:54The sea.
00:20:58The sea.
00:20:59I want to photograph the sea.
00:21:04Are you writing for the Russians?
00:21:08Felix?
00:21:11So, are you coming?
00:21:14I have to work.
00:21:19Why do you always say work?
00:21:21Sealing the roof.
00:21:22That's work.
00:21:24Repairing the car.
00:21:25That's work.
00:21:26Cooking, washing.
00:21:27That's work, too.
00:21:29Do you want to tell me something?
00:21:30Writing is not work?
00:21:32Are you a weakling or something?
00:21:36Are you coming for a swim?
00:21:38No.
00:21:58It's enough.
00:22:05Do you like it?
00:22:06Not so loud.
00:22:08Maybe you like it a little bit.
00:22:16Do you want to go for a swim?
00:22:18No.
00:22:19I have to work.
00:22:21I have to work.
00:22:22I have to work.
00:22:23I have to work.
00:22:24I have to work.
00:22:25I have to work.
00:22:26Do you want my headphones?
00:22:28No, I only sleep with headphones.
00:22:34Do you have mosquito spray?
00:22:36Do you want to sleep outside?
00:22:46I'll stay here.
00:22:56I'll stay here.
00:23:26I'll stay here.
00:23:56I'll stay here.
00:23:57I'll stay here.
00:24:27Good morning.
00:24:29Morning.
00:24:32Did you just wake up?
00:24:35Coffee.
00:24:42I also slept outside a few nights ago.
00:24:45I think it's wonderful.
00:24:47Mosquitoes are a bit of a problem.
00:24:48But you have the spray.
00:24:49Can you smell it?
00:24:50No.
00:24:52Well, yes.
00:24:54Thank you.
00:24:55Well, Leon.
00:24:57I know.
00:24:59I didn't sleep outside on purpose, did I?
00:25:01It wasn't possible in here.
00:25:02It was too loud.
00:25:03Even the last two nights.
00:25:05I wanted to pray.
00:25:06I already talked to Nadja.
00:25:08What?
00:25:10Yes, Felix already brought me your complaints.
00:25:13I see.
00:25:15Well, that's good.
00:25:17I'm sorry.
00:25:18The walls are obviously very thin.
00:25:21I can't stand it anymore.
00:25:23I'd like to invite you to dinner tomorrow evening.
00:25:26I'll cook for you.
00:25:27If that's okay with you.
00:25:29Tomorrow evening?
00:25:31Yes, Felix is already cooking today.
00:25:32I'll cook today.
00:25:35Okay.
00:25:37Nice.
00:25:38I have to get to work.
00:25:40See you later.
00:25:41See you later.
00:25:42What about me?
00:25:44Me?
00:25:53Turn it on.
00:25:58What is she working on?
00:26:00No idea.
00:26:03She's nice.
00:26:11Can you swim?
00:26:12Yes.
00:26:16Great!
00:26:22Come on.
00:26:33Leon?
00:26:35Are you okay?
00:26:52Come on.
00:27:11Nadja's stepfather is a swimmer.
00:27:16The one up there.
00:27:17Really?
00:27:19At least he was here the last night.
00:27:21Did he talk to you?
00:27:22No, why?
00:27:24How do you know?
00:27:26I saw him last night.
00:27:30Is it good?
00:27:32It's great.
00:27:39Are you staying long?
00:27:42Do you want to go?
00:27:44Soon.
00:27:51I'm going.
00:28:04Don't you have to shoot for the swimming section?
00:28:06Yes.
00:28:09The swimming master?
00:28:10Yes, the lifeguard.
00:28:12Can I get him?
00:28:13Yes, come on.
00:28:14He's a good swimmer.
00:28:15He's a good swimmer.
00:28:16He's a good swimmer.
00:28:19Is it good here?
00:28:21Yes.
00:28:23It's very good.
00:28:25It's better than in the past.
00:28:28It's quieter.
00:28:30Is there anything wrong?
00:28:31No.
00:28:33Nothing happened.
00:28:34We went to the swimming section.
00:28:36It's cool.
00:28:37Yes, it's nice here.
00:28:39It's nice here.
00:28:44It's nice here.
00:29:03I covered you.
00:29:07You'd better curl up if you lie in the sun for hours.
00:29:11How late?
00:29:12Almost four.
00:29:14Let's start cooking.
00:29:16Wait for me.
00:29:17I'll be right with you.
00:29:20You haven't been in the water yet.
00:29:22Don't you want to go in the water?
00:29:23No.
00:29:24I'm waiting for you.
00:29:25No, I really don't.
00:29:44I invited David.
00:29:46What's his name?
00:29:48His name is David.
00:29:49With an E.
00:29:50He's an old GDR moron.
00:29:52Mike.
00:29:53With an I and so on.
00:29:56Shit.
00:29:58Now I can go to sleep.
00:30:00You slept so deep.
00:30:01I won't wake you up.
00:30:04It's a shitty night out there.
00:30:06I barely closed my eyes.
00:30:10By the way, I have an idea for the map.
00:30:15Do you want to hear it?
00:30:17Yes, tell me.
00:30:19I told you I wanted to photograph the sea.
00:30:22But I don't photograph the sea, but people looking at the sea.
00:30:28A series of portraits of people looking at the sea.
00:30:32Portraits?
00:30:37If you portrait people looking at the sea,
00:30:40then they look at you.
00:30:42Not necessarily.
00:30:43Of course.
00:30:44You stand or sit in front of them with the camera
00:30:47and they know that they are being photographed.
00:30:49At that moment, they are no longer people looking at the sea,
00:30:51but people who are being photographed.
00:30:53That's what I talked to David about.
00:30:55David tells how he goes to the high seat every morning,
00:30:58along the water.
00:31:00Or he sees people who sometimes look at the sea completely depressed.
00:31:04Later, from the high seat, he only sees the same people from behind.
00:31:07Yes, and?
00:31:13I took a few sample shots.
00:31:16Wait.
00:31:18Look.
00:31:20You can scroll on.
00:31:27What are you doing now?
00:31:29While you were sleeping.
00:31:32I was sleeping.
00:31:34What do you think when you were sleeping?
00:31:39I like this one.
00:31:40Look.
00:31:42The picture from behind.
00:31:43In the background, the sea.
00:31:45And then the portrait from the front.
00:31:51I still don't understand.
00:31:53They don't look at the sea.
00:31:55They look at you.
00:31:56But I photographed them from behind.
00:31:59And how they look at the sea.
00:32:00I show them the picture and ask if I can photograph them from the front.
00:32:03Yes.
00:32:17Is he with that Nadja?
00:32:20I don't know.
00:32:22Didn't you ask?
00:32:23Why should I?
00:32:26Yes.
00:32:33Yes, yes.
00:32:36No, I can do that.
00:32:39No, the hotels are not that full.
00:32:42Because of the fire.
00:32:44The beach is also pretty empty.
00:32:46I will definitely find something.
00:32:49Okay.
00:32:51What are you doing?
00:32:52Did you already read the end?
00:32:56Yes.
00:32:57Yes, I liked it very much.
00:33:00And this Lars, the new character.
00:33:02He gives the whole thing like this.
00:33:05Yes, of course.
00:33:06We can also work here.
00:33:10And the title?
00:33:11What do you say about the title?
00:33:14Yes, yes, of course.
00:33:15I understand.
00:33:16Yes.
00:33:17Then I'll just get in touch when I find something, okay?
00:33:23Bye.
00:33:28Leon?
00:33:30Hi, I'm David.
00:33:33Ah.
00:33:34Hi.
00:33:35I saw you at the beach today.
00:33:37Yes, me too.
00:33:39You were sleeping.
00:33:41Felix covered you up.
00:33:43You really have to be careful.
00:33:45The university sun has it in it.
00:33:50Felix told me that you are a writer.
00:33:57I should tell you that there is food.
00:34:00Yes, I'll be right there.
00:34:01Thank you.
00:34:13It was the last evening.
00:34:15We were in a bit of a party mood.
00:34:18And at some point, only Sonja and I were sitting down there at the Langtresen.
00:34:25Sonja was from the Chiemsee.
00:34:27She was a lifeguard there.
00:34:29Yes, she was incredibly beautiful.
00:34:31So, really very beautiful.
00:34:34And we drank a lot.
00:34:36And it was also a flirt.
00:34:39Somewhere.
00:34:40So.
00:34:41Also from me.
00:34:42Actually, I thought, come on, that's not possible.
00:34:45That's not possible.
00:34:46At home, a woman.
00:34:47I have a child.
00:34:48She's just five months old.
00:34:49And I'm messing around with this Bavarian beauty.
00:34:53But then Sonja laughed.
00:34:55And I was completely torn.
00:34:59And then the waiter says, they're closing now.
00:35:06The bar would be closed.
00:35:08And I don't know exactly, but I asked Sonja if she would like to warm the minibar in my room with me.
00:35:18Then we went upstairs.
00:35:20In the room I went to the minibar first.
00:35:22I wanted to mix a little something.
00:35:24But I can see from the corner of my eye how Sonja took off her shoes and lay down on the bed.
00:35:31Looked at me.
00:35:32With her bare feet.
00:35:35Really incredibly beautiful feet.
00:35:38I thought, if I go over there now and sleep with her, then it's all over.
00:35:44My marriage.
00:35:46My family.
00:35:47Everything.
00:35:48And I just wanted to say, come on, Sonja.
00:35:51We'll have another drink now and then you'll go back to your room.
00:35:58I didn't give a shit.
00:35:59She would have thought I was a slut.
00:36:02I don't give a shit.
00:36:05At that moment it knocks on the door.
00:36:08Loud and energetic it knocks on the door.
00:36:11You know, I was sure that my wife was standing there with the child in her arms.
00:36:14And I, so to speak, put myself in my fate and opened the door.
00:36:19There ...
00:36:24There is a small Arab with a moustache.
00:36:29And he's holding something in his arm, a kind of roll.
00:36:33Your carpet.
00:36:36I say, sorry, but they got confused in the room.
00:36:40And he's definitely, this is your carpet.
00:36:43And he holds me to this rolled carpet.
00:36:45And I again, but wrong room.
00:36:48And I close the door.
00:36:50I turn around.
00:36:52And there is still Sonja.
00:36:56But now it's all gone.
00:36:59The whole magic, all the fun is gone.
00:37:02And I just want to tell Sonja, that she should go, please.
00:37:07But then it knocks on the door again.
00:37:09I open it, the guy is standing there again with his carpet.
00:37:12Screams at me now.
00:37:14Screams, this is my, your carpet.
00:37:16Your carpet.
00:37:18Yes.
00:37:19I'm already a little angry at the Arab with his fucking carpet.
00:37:23Yes.
00:37:24But also at me.
00:37:25Also at me.
00:37:26Who almost broke the marriage here at the first opportunity.
00:37:29Yes.
00:37:30And I scream back that he should piss off with his fucking carpet.
00:37:33Yes.
00:37:34And he ...
00:37:37If I don't accept the carpet right now,
00:37:39then he sprays me gay.
00:37:43And I'm like, huh?
00:37:45What is that?
00:37:46And he says, yes, I spray you gay.
00:37:48I spray you gay.
00:37:51All right, I think.
00:37:53I knock on the door.
00:37:55I tell Sonja, Sonja, go.
00:37:57Just go.
00:37:58Really.
00:37:59It is.
00:38:00And it knocks on the door again.
00:38:02And ...
00:38:03I'm not a hitman.
00:38:05But I tear open the door and I want to hit him in the face.
00:38:09Yes.
00:38:10And then he's standing there.
00:38:12And he has such a can in his hand.
00:38:14And sprays me from top to bottom.
00:38:16Full.
00:38:20Yes.
00:38:21And then?
00:38:22Yes, a strange thing came out of it.
00:38:24So, a very strange thing.
00:38:26Yes.
00:38:27Yes.
00:38:28Yes.
00:38:29Yes.
00:38:30Yes.
00:38:31Yes.
00:38:32Yes.
00:38:33Yes.
00:38:34I don't know.
00:38:35It is a very strange smell.
00:38:37Not unpleasant.
00:38:38No, not at all.
00:38:39That's the opposite even.
00:38:43It's funny.
00:38:44Because I also wore the T-shirt on that day.
00:38:46Exactly the same.
00:38:49I washed it 10 times.
00:38:50The smell is still in it.
00:38:51You can't get it away.
00:38:52You don't get that.
00:38:53Here, smell it.
00:39:02Laughs
00:39:06Yes, that's it.
00:39:10Great!
00:39:12With all of the details.
00:39:15Are there any bathing masters' conferences?
00:39:17No, of course not.
00:39:19I'm not married.
00:39:21I've never been to Hamburg.
00:39:24I understand.
00:39:27Are there any training camps for bathing masters?
00:39:29I'm a lifeguard.
00:39:32Isn't it the same thing?
00:39:34No.
00:39:38And what do you do?
00:39:40You have to do the test.
00:39:42An exam.
00:39:44A special first aid course.
00:39:46Do you also learn how to shout?
00:39:50Don't jump in from the sides?
00:39:54The sea has no sides.
00:39:56And what do you get out of it?
00:40:02Don't you want to apply?
00:40:04I don't know. I'm just interested.
00:40:06Yes? Why?
00:40:10What do you do when the season is over?
00:40:12Hall baths?
00:40:14No.
00:40:16Why not?
00:40:18I'm afraid of halls.
00:40:20It's psychological.
00:40:22It wasn't that easy.
00:40:24What?
00:40:26I can't stand it.
00:40:28What's wrong with you?
00:40:38I have to go to the gym.
00:40:42Great idea.
00:40:44Come on.
00:40:46We can clean up later.
00:40:54Okay.
00:41:12Can't you come with me?
00:41:14No, I can't.
00:41:16Come on.
00:41:18No, really.
00:41:20The work doesn't allow it.
00:41:24Come on.
00:41:30Okay.
00:41:32Too bad.
00:41:46The work doesn't allow it.
00:41:50I'm such an asshole.
00:41:54Come on.
00:41:56Come on.
00:42:22Leon.
00:42:24You have to look at this.
00:42:26What?
00:42:28Come on.
00:42:40It's scary, isn't it?
00:42:44Yes.
00:42:46We can't control the fire.
00:42:50We're lucky. The wind comes from the sea.
00:42:52But in Marlow it looks really bad.
00:42:56We have to evacuate.
00:43:22This is our most beautiful room.
00:43:24It's usually booked until September.
00:43:26It was stormed.
00:43:28How stormed?
00:43:30The fire.
00:43:32But it should be under control.
00:43:36Here you are.
00:43:38We call this suite our writer's room.
00:43:40Why?
00:43:42Uwe Johnson often stayed here.
00:43:48Excuse me.
00:43:52Yes, okay.
00:43:54I'll be right there.
00:43:56I have to go downstairs.
00:43:58If you want to have a look around.
00:44:22Yes.
00:44:38Hi.
00:44:40Yes.
00:44:42I like it here.
00:44:44Uwe Johnson used to live here.
00:44:48Or Uwe Johnson.
00:44:50Yes.
00:44:52Uwe Johnson.
00:44:56Yes.
00:45:00You have to take the highway from Rostock.
00:45:02Yes.
00:45:06Okay.
00:45:08I'll book it.
00:45:20I'd like to have an ice cream.
00:45:26What would you like?
00:45:28I'd like a
00:45:30bubble ice cream.
00:45:32In the water or in the cup?
00:45:34In the water.
00:45:36Thank you.
00:45:38Here.
00:45:40Okay.
00:45:42Maybe next time you can try something else.
00:45:46Here is a black plate.
00:45:50Hi.
00:45:52Hi.
00:45:56The Erdnuss ice cream is really good.
00:45:58They call it Snickers ice cream here.
00:46:00If you like.
00:46:02I'll give you two.
00:46:04We're not in the mood right now.
00:46:06I'm not a big ice cream lover.
00:46:08I can get you an espresso.
00:46:10It's surprisingly good here.
00:46:12Thank you.
00:46:14I really have to go.
00:46:16Don't you know?
00:46:20If you wait a moment,
00:46:22I'll be done soon. Then we can go together.
00:46:24What's really going on?
00:46:28Another time.
00:46:30Okay.
00:46:32Too bad.
00:46:34Later.
00:46:50Okay.
00:47:20Shit.
00:47:34Shit.
00:47:36So?
00:47:38Already done with work?
00:47:40It's been going on for a while now.
00:47:42What?
00:47:44I'm constantly falling asleep.
00:47:46Maybe the work is too hard.
00:47:48You're quite charged.
00:47:52When did it start yesterday?
00:47:54What do you mean yesterday?
00:47:56Last night.
00:48:00Come on, you were so charged.
00:48:02I was charged?
00:48:04Yes.
00:48:06Why did you turn on David?
00:48:08I didn't turn on David.
00:48:10You did.
00:48:12I didn't feel that way.
00:48:14I'll put these things in the fridge.
00:48:38Everything okay?
00:48:40Yes.
00:48:42Yes.
00:48:50What's that?
00:48:52Goulash.
00:48:54Can you save something?
00:48:56Really?
00:48:58Yes, it's tasty.
00:49:02The bag is torn.
00:49:12The bag is torn.
00:49:14Now you're going to make a blue cut.
00:49:16Now you're going to make a blue cut.
00:49:18I see.
00:49:42Shit.
00:49:46Did it hurt?
00:49:48No, it's okay.
00:50:00That's goulash.
00:50:02The other side.
00:50:08And there's something else.
00:50:12And there's something else.
00:50:18Yes, it's quite tasty.
00:50:20I see.
00:50:22There you go.
00:50:24Thank you.
00:50:27Wow.
00:50:39Nadja?
00:50:43You were right.
00:50:45About what?
00:50:47About David.
00:50:49What I did to him.
00:50:52Why?
00:50:54Oh.
00:50:56It doesn't have much to do with him.
00:51:00But?
00:51:04I wrote a book.
00:51:06My second, or rather first manuscript.
00:51:11The publisher thinks it's shit.
00:51:13He'll come by tomorrow to tell me.
00:51:16He's coming here to tell you?
00:51:19Sounds more like an order.
00:51:22He says things like...
00:51:25...exciting...
00:51:27...promising, has potential and shit like that.
00:51:32Maybe I'm just a bit sensitive, but...
00:51:36...it's just overwhelming and done.
00:51:39And it happened that I was a bit crazy about David.
00:51:48What's the name of your book?
00:51:51Club Sandwich.
00:51:53Club Sandwich?
00:51:55Shit, I didn't know.
00:51:57Huh? No!
00:51:58I didn't know you could start.
00:51:59It's a good title.
00:52:01It didn't sound like it.
00:52:04Club Sandwich?
00:52:06I didn't say that.
00:52:08Just forget it.
00:52:13Can I read it?
00:52:15What?
00:52:16Can I read it?
00:52:17No way.
00:52:18It's not wrong.
00:52:19It's just a wrong remark, a stupid comment.
00:52:21It's just driving me crazy.
00:52:23It's fine.
00:52:24I don't know how to explain it.
00:52:27I once told Felix' mother about me.
00:52:31Just a retelling.
00:52:33In the end, she just thought it was a bit cheesy.
00:52:37It cost me weeks of self-doubt.
00:52:39And when the publisher comes tomorrow...
00:52:41It's fine.
00:52:42I got it.
00:52:44The things need to go to the fridge.
00:52:49I'm sorry.
00:53:01Shit.
00:53:03Shit.
00:53:33Shit.
00:53:57Nadia?
00:54:03Nadia?
00:54:17I wanted to ask if you'd like to...
00:54:21take a look at...
00:54:23this.
00:54:27Do you have moustache?
00:54:30That was stupid.
00:54:31I'm sorry.
00:54:32I can't throw you and the cleaning lady in a pot.
00:54:37I'm stupid.
00:54:38At the moment.
00:54:40Okay.
00:54:44Give it to me.
00:54:45Right now?
00:54:47Yes, that's it.
00:54:48Yes.
00:54:49You wanted to give it to me.
00:54:51Yes, I did.
00:54:55Do you want to read it now?
00:54:57Sure.
00:54:58It's not that long.
00:55:00134 pages.
00:55:02Do you have the rest in the fridge?
00:55:04Then I'll start.
00:55:06Yes, sure.
00:55:08Cool.
00:55:30I'm sorry.
00:56:00Nadia?
00:56:18Nadia?
00:56:19Nadia?
00:56:28I'm stupid.
00:56:29I'm sorry.
00:56:30I'm sorry.
00:56:36I'm sorry.
00:56:38I'm sorry.
00:56:49I'm sorry.
00:56:54Leon?
00:56:56Felix and I want to go swimming.
00:56:58If you're up for it...
00:57:01Maybe later.
00:57:02I'm waiting for Nadia.
00:57:04Is she there?
00:57:05Yes.
00:57:06In her room.
00:57:07She's reading.
00:57:08I told you she wouldn't come.
00:57:10Leon, come with us.
00:57:12Wait for Nadia.
00:57:15Where is she?
00:57:16In her room.
00:57:17Reading.
00:57:20Your book?
00:57:22Really?
00:57:24Celestie?
00:57:25Yes.
00:57:29What is it?
00:57:31Nothing.
00:57:32Come.
00:57:33What?
00:57:34Come before it gets dark.
00:57:35Your camera.
00:57:36In your backpack.
00:57:49Come.
00:58:08So?
00:58:15You didn't like it?
00:58:17No.
00:58:24Can you be a bit more specific?
00:58:28You know it's bullshit.
00:58:34I'll make goulash.
00:58:35We can talk later.
00:58:36I'll go swimming.
00:58:37It's better that way.
00:58:42Fuck!
00:58:46She doesn't get it.
00:58:48She's afraid of golfers.
00:59:11Shit.
00:59:16Shit.
00:59:35Leon, do you want goulash?
00:59:36No, thanks.
00:59:37I'm not hungry.
00:59:38Wait.
00:59:47Let's try this.
00:59:48With the big one.
00:59:49No, with the small one.
00:59:50With the small one.
00:59:51But really, you have to stay with me.
00:59:53Yes.
00:59:54Come with me.
00:59:56Yes?
00:59:57I'll fight with you.
00:59:58Okay.
01:00:03André, let's try.
01:00:05Okay.
01:00:06Yes.
01:00:08Good.
01:00:11Bring the game.
01:00:13A normal game.
01:00:17Come on.
01:00:19Come on.
01:00:20Come on.
01:00:22Come on.
01:00:23Come on.
01:00:34Come on.
01:00:35Bring the game.
01:00:36A normal game.
01:00:38Yes.
01:00:39Yes.
01:00:46Come on.
01:00:47Come on.
01:00:48Oh, my God.
01:01:10No.
01:01:13No.
01:01:19What are you doing here?
01:01:22My room is obviously occupied.
01:01:24And Felix offered me his bed.
01:01:26What, with the couch in the living room?
01:01:28Yes, I wanted to.
01:01:29And we left the door open.
01:01:30So now there's a huge mosquito swarm.
01:01:33Tell me, who's over there?
01:01:36Who would be?
01:01:41Oh, Leon.
01:01:45Felix?
01:01:48I thought he was your boyfriend.
01:01:57Felix said the sea was shining tonight.
01:01:59Have you seen it?
01:02:01He told me about it.
01:02:04David says it's called bioluminescence.
01:02:06Because of the algae, somehow.
01:02:09I'll take a look at it now.
01:02:11Do you want to come with me?
01:02:14I'm tired. I have a hard day tomorrow.
01:02:19Come with me.
01:02:22I think the sea is a little scary at night.
01:02:26It was a little rough, wasn't it?
01:02:29What was rough?
01:02:30The criticism.
01:02:32My criticism.
01:02:35I wouldn't call it criticism.
01:02:42I have to sleep now.
01:02:48Good night.
01:03:19The nicest thing you've had.
01:03:24Tell me, Leon.
01:03:29Yes.
01:03:31It's nice here.
01:03:35How about Johnson Suite?
01:03:38Yes, very nice.
01:03:39I just won't have much of it.
01:03:42Why not?
01:03:43I have to go to Berlin tomorrow morning.
01:03:46I thought we had the whole weekend.
01:03:48No.
01:03:49Something came up.
01:03:52Let's get started.
01:03:53We don't have much time.
01:04:15Come on.
01:04:17Come on.
01:04:44Great.
01:04:46Let's go.
01:05:02You wrote here, didn't you?
01:05:04Only the last sessions.
01:05:06I wrote most of it in Berlin.
01:05:10It's a great place.
01:05:16Did you rent it?
01:05:18No.
01:05:19Felix's father bought it.
01:05:23He died six years ago.
01:05:28Is Felix on vacation now?
01:05:32Not quite.
01:05:34He's still working on his map.
01:05:37What kind of map?
01:05:38Advertising map for the UDK.
01:05:41Shall we read it?
01:05:42Shall we read it?
01:05:45Yes, let's start.
01:05:48You don't have to read it, Leon.
01:05:51Just listen to me.
01:05:52I'll read it and you listen to me.
01:05:55I thought I'd read it to you.
01:05:59Did we do that with the last book?
01:06:01No, but let's do it this way.
01:06:05Just listen.
01:06:07I'll start now.
01:06:08Okay?
01:06:11So, watch this.
01:06:15Sof had the little one on her arm,
01:06:18who knuckled at her amber chain.
01:06:21He teased her, said she.
01:06:23The little one's saliva ran into her cut.
01:06:26Long saliva threads trembled in the draft.
01:06:33I hadn't seen Sof for two years.
01:06:35He also rarely thought of her.
01:06:38In the last few months, when it became clear
01:06:41that I had to go back to Berlin,
01:06:43he thought of her more often.
01:06:45Now I wanted to hug her,
01:06:47and we huddled together
01:06:49so as not to crush the little one,
01:06:51who didn't let herself be disturbed,
01:06:53and continued to talk,
01:06:55and wiggled around like one of Berlin pigeons.
01:06:58I'll go and quickly wrap her up,
01:07:00she said. I'll be right back.
01:07:02Then I sat in the kitchen, waiting.
01:07:04I thought to myself,
01:07:05had I told one of the mails
01:07:07that she was expecting a child?
01:07:09Had I read that?
01:07:11I'm sure I had.
01:07:13I had imagined how I would pick her up,
01:07:15and how we would go to the barbecue,
01:07:17and afterwards to the club.
01:07:19Still in the plane, in the twilight,
01:07:21those were almost exclusively Sof's dreams
01:07:23that I longed for.
01:07:25I held Sof in my arms,
01:07:27at the back of the spray,
01:07:29and the sun was just rising.
01:07:31And we were smoking cigarettes and dancing,
01:07:33and it was the sweat of the night
01:07:35that made me think,
01:07:37are there smells in dreams?
01:07:39Or are there only pictures and sounds?
01:07:41Here, in a kitchen,
01:07:43in one of the shabby Berlin townhouses,
01:07:45it smells like children's shit.
01:07:48She must have mentioned a child,
01:07:50I thought.
01:07:52And with whom does she live?
01:07:54Excuse me, I have to go.
01:07:56It's really important.
01:07:58Yes, Werner?
01:08:00Yes.
01:08:01Yes.
01:08:05Yes, you already said that.
01:08:09Yes.
01:08:11And should I come straight to the office?
01:08:22Shit.
01:08:32Hello.
01:08:34Hello.
01:08:36Hello.
01:08:38You told us you were coming.
01:08:40Did you arrive well?
01:08:42Yes, yes.
01:08:44Yes, that worked out,
01:08:46especially with the train.
01:08:48I'll make goulash later.
01:08:50If you don't mind,
01:08:52I'll invite you to dinner,
01:08:54if you like.
01:08:56If you find the time, of course.
01:08:58No, no, no.
01:08:59Have fun.
01:09:01Well, good luck.
01:09:11Excuse me.
01:09:13All good?
01:09:15It was really important.
01:09:18She's nice, Nadja.
01:09:21Yes, did you talk to her?
01:09:23Yes, she's worried.
01:09:25What is she worried about?
01:09:27Because of the forest fires.
01:09:29Oh, they say
01:09:31that the winds usually blow
01:09:33from the sea to the interior.
01:09:35It's not dangerous here.
01:09:37That's good.
01:09:39We invited you to dinner.
01:09:41Excuse me?
01:09:43Nadja is cooking today.
01:09:45I thought we'd go to the city.
01:09:47I explored a bit.
01:09:49There's a pretty good fishing hut.
01:09:51Oh, come on.
01:09:53It's much nicer here.
01:09:55Come on, let's continue, okay?
01:09:57Yes.
01:09:59So, wait a minute.
01:10:03I've been to
01:10:05Flugzeug,
01:10:07Softträume.
01:10:09I'll go back a little bit,
01:10:11because there's a place
01:10:13I don't really understand.
01:10:15Why?
01:10:17Just listen.
01:10:19Are there smells in dreams
01:10:21or just pictures and sounds?
01:10:24Here,
01:10:25now in an installation kitchen
01:10:27in one of the shitty Berlin townhouses
01:10:29it smells like children's shit.
01:10:31She must have mentioned a child,
01:10:33I thought.
01:10:35And with whom did she live here?
01:10:37I could hear her singing.
01:10:39She probably wanted to
01:10:41give the little one,
01:10:43was it a boy at all?
01:10:45Damn, didn't he wear a blue striped shirt?
01:10:47So probably a boy
01:10:49to put to sleep.
01:10:55Do you already know how you want to arrange the pictures?
01:10:57So first the portraits
01:10:59and then the back view with the sea?
01:11:01Or how do you want to do it?
01:11:03What do you mean?
01:11:06First the portraits?
01:11:08Yes, absolutely.
01:11:10It's beautiful.
01:11:12May I make a suggestion?
01:11:14A third level.
01:11:17The sea.
01:11:23Just the sea.
01:11:26Very quiet.
01:11:28Very empty.
01:11:30David suggested that too.
01:11:32Is David your professor?
01:11:34No, he's my friend.
01:11:37If I may say something,
01:11:39these are very simple black and white pictures.
01:11:41Hey, in the village there was no color printer.
01:11:43No, no, I think that's just fine.
01:11:45Yes?
01:11:47That's how it all belongs together.
01:11:49It's all, how should I say it,
01:11:51a level.
01:11:53It's very
01:11:55a very beautiful map.
01:11:57Thank you.
01:11:59Do you also have to write any texts
01:12:01like in the exhibition catalogue?
01:12:03Yes, unfortunately.
01:12:05Why unfortunately?
01:12:07With texts, writing at all,
01:12:09that's not my thing.
01:12:11Oh.
01:12:13Yes, if you don't get any further,
01:12:15just get in touch when you're back in Berlin.
01:12:17We'll think of something.
01:12:19No big deal.
01:12:21Dinner is ready.
01:12:23Leon, can you help me carry it?
01:12:25Are you coming?
01:12:33You're doing this on purpose, aren't you?
01:12:35It's my publisher out there.
01:12:37He's here so we can work.
01:12:39What the fuck?
01:12:41What's he doing with these shitty pictures?
01:12:43I'm doing a table service here, or what?
01:12:45I'm sorry, but we still have the next few days.
01:12:47No, we don't.
01:12:49He's leaving tomorrow.
01:12:51Tomorrow morning.
01:12:55You didn't run well.
01:13:25What's that?
01:13:27A tractor, MTS 50.
01:13:29I brought two.
01:13:31This is Helmut, Leon's publisher.
01:13:34Hi.
01:13:36I borrowed this from a friend of my parents.
01:13:38We can use it to tow the car.
01:13:40That's great.
01:13:42That's good.
01:13:44That's good.
01:13:46Leon, can you put the cart away?
01:13:51After dinner we'll tow the cart.
01:13:53David?
01:13:55Did you have an epilepsy?
01:13:57You must have hit a car.
01:14:09Nadja, this is very good.
01:14:12Thank you.
01:14:14I didn't cook this myself.
01:14:16It's from the hotel kitchen.
01:14:18They distribute the leftovers.
01:14:20It's very honorable.
01:14:22Yes, to the employees.
01:14:24Are you in gastronomy?
01:14:26Seasonal power.
01:14:28You didn't get your scholarship.
01:14:30What kind of scholarship?
01:14:34Hans Böckler?
01:14:36Oh, yes, that's difficult at the moment, I heard.
01:14:39What did you apply for the scholarship for?
01:14:43Write your doctorate.
01:14:45Oh, yes?
01:14:47Which faculty?
01:14:49Literature in Marburg.
01:14:53Really?
01:14:57What's the topic of your dissertation?
01:15:04I'm sorry.
01:15:07I'm struggling here.
01:15:09I don't want to start an interrogation.
01:15:12I'm really interested.
01:15:14I'm writing about the novel by Heinrich Heine.
01:15:17Aha.
01:15:19And what's your topic exactly?
01:15:24I'm really interested.
01:15:26Love, Heine.
01:15:32The wave of love in Heine's novel.
01:15:35It's about the representation.
01:15:38The wave of the representation.
01:15:40Do you know the text by Werner Hamacher about the wave in the representation of Schiele's earthquake?
01:15:47Yes, it's the reference, so to speak.
01:15:49Really?
01:15:50Yes.
01:15:52What's your favorite poem?
01:15:56Well, one that you particularly like.
01:16:01The Asra.
01:16:03The Asra?
01:16:05Yes.
01:16:07One day...
01:16:10No.
01:16:12Every day the beautiful Sultan's daughter went up and down in the evening.
01:16:18In the evening...
01:16:20At the spring well.
01:16:22Where the white water splashes.
01:16:25Every day...
01:16:27The young slave stood at the spring well in the evening where the white water splashes.
01:16:32Every day he was paler and paler.
01:16:36One evening the princess came up to him with harsh words.
01:16:40I want to know your name.
01:16:42Your homeland.
01:16:44And the slave said,
01:16:45My name is Mohammed, I am from Yemen.
01:16:49And my tribe are the Asra, who die when they lie.
01:17:02That's beautiful.
01:17:04Again?
01:17:06Yes, again.
01:17:08Really?
01:17:10Yes, please.
01:17:11Thank you.
01:17:41Your homeland, your tribe.
01:17:43And the slave said, My name is Mohammed, I am from Yemen.
01:17:48And my tribe are the Asra, who die when they lie.
01:17:51We'll get the car.
01:18:22We'll get the car.
01:18:24Do you need help?
01:18:26No, we can do it.
01:18:28How long do we need?
01:18:30An hour.
01:18:32An hour and a half.
01:18:34Let's go.
01:18:40Shall we drink something?
01:18:42Sure.
01:18:44The goulash.
01:18:46Look.
01:18:51Let's go.
01:19:08Are you coming?
01:19:12Do you want another glass?
01:19:21No.
01:19:31Shit.
01:19:32It's Asha.
01:19:34It's Asha!
01:19:36It's Asha!
01:19:44Come to my side.
01:19:46Nadia.
01:19:48Do you pretend to be an ice cream saleswoman?
01:19:51What?
01:19:53You are a literary scientist. Why didn't you tell me?
01:19:56Because you never asked me.
01:20:02I showed you my manuscript.
01:20:04That would be...
01:20:07Helmut!
01:20:09Helmut!
01:20:10What's wrong?
01:20:12Can you breathe?
01:20:15Leon, we need an ambulance.
01:20:17Can you get up?
01:20:19Breathe.
01:20:21What's wrong?
01:20:23Leon!
01:20:24I can't get through.
01:20:25Shit.
01:20:26Come, help me.
01:20:28Let's go to the car.
01:20:29I'll take you to the hospital.
01:20:48Come on.
01:20:54Careful.
01:20:56Careful.
01:20:59Are you okay?
01:21:00I don't have a driver's license.
01:21:01You can drive.
01:21:02No, I can't.
01:21:04No, I can't.
01:21:05Leon!
01:21:12Do you know where the hospital is?
01:21:14No.
01:21:15It's on the left.
01:21:17Careful.
01:21:45Come on.
01:22:15Come on.
01:22:45Come on.
01:23:10Nadia?
01:23:15Nadia?
01:23:46Mr. Werner is on the fourth floor.
01:23:48Up the stairs and then left.
01:24:01Come.
01:24:10I saw a burning swan.
01:24:12In a dream?
01:24:13In the forest.
01:24:15A young one.
01:24:17It died in front of my eyes.
01:24:27Oh, sorry.
01:24:28I'll be right back.
01:24:31Look.
01:24:32What's wrong?
01:24:34Drinking and running.
01:24:35I have to do that in the next few days.
01:24:38I have kidney stones.
01:24:39I don't know if it's true.
01:24:40I'd like to invite you for a cup of coffee or a cup of tea,
01:24:42but I have to go to Berlin soon.
01:24:45I won't be able to come to your house again.
01:24:47Unfortunately.
01:24:50Yes.
01:24:52Thank you.
01:24:53Thank you for the nice evening and the great food.
01:24:57Enjoy the time you still have.
01:25:00I'll see you soon.
01:25:01Goodbye.
01:25:03Goodbye.
01:25:05Goodbye.
01:25:06Goodbye.
01:25:07Goodbye.
01:25:08Goodbye.
01:25:09Goodbye.
01:25:10Goodbye.
01:25:11Goodbye.
01:25:17I want to go to the doctor again.
01:25:19He said he wasn't doing anything.
01:25:21You look tired.
01:25:24Take care of yourself.
01:25:31I'm sorry.
01:25:35Nadja?
01:25:36Lea, do you have the car key?
01:25:38Oh, yes.
01:25:43There is a key for the car, isn't there?
01:25:49Is it bad?
01:25:50Yes, it is.
01:25:57I'm Lea.
01:25:58That's quite desperate.
01:26:00Lea.
01:26:06Lea.
01:26:15Lea, listen.
01:26:19You are a wonderful writer.
01:26:21Yes?
01:26:25Let's not sit here.
01:26:27But this Club Sandwich, it won't work.
01:26:41Put it away.
01:26:45Write something new.
01:26:48And then it will be right.
01:26:52I know that.
01:26:58I will accompany the work as long as I can.
01:27:01And I'm looking forward to it.
01:27:03And at some point, Katharina Kunkel will take over.
01:27:06I introduced you to each other in Frankfurt.
01:27:09She is a very good lecturer.
01:27:27You think I'm completely stupid, don't you?
01:27:41I saw you.
01:27:43Yes.
01:27:44I saw that you...
01:27:45What did you tell him?
01:27:48He asked you if you read my book.
01:27:51What did you tell him?
01:27:53Of course he asked you.
01:27:55I know him.
01:28:02Leon, stop it, please.
01:28:03Leon, stop it, please.
01:28:05Stop it.
01:28:06You and Heine together, yes?
01:28:08Love at first sight, yes.
01:28:10He will like that.
01:28:11And Leon can suck the shit out of a fucking intern.
01:28:18That's even more stupid than your book.
01:28:21Do you remember anything?
01:28:24Do you see anything happening around you?
01:28:28Have you ever listened to Helmut?
01:28:30Do you know what kind of station the four of them were?
01:28:33You don't get anything.
01:28:34What does that mean?
01:28:35It's not always about you.
01:28:37Which station?
01:28:38Oncology, you asshole!
01:28:54Fuck.
01:29:24Nadia?
01:29:55We should get out of here.
01:29:57The fire is coming.
01:30:11Forgive me, please.
01:30:13Forgive me.
01:30:21I have to tell you that I was in love with you from the first moment.
01:30:36I think about it day and night.
01:30:39That's more and more ...
01:30:42Thank you.
01:30:49Mrs. Schubert?
01:30:50Yes?
01:30:51We received a bad news.
01:30:54We found two dead people.
01:30:56David Miku and Felix Wagner.
01:30:59The fire must have reached them like a roller.
01:31:03The young man probably jumped off the tractor,
01:31:06to the back, to warn the other young man.
01:31:10Around them, then everywhere the flames.
01:31:13If they had taken the other forest path,
01:31:16yes, then they would have had a chance.
01:31:19Behind it is the Sengeswieser,
01:31:21a very beautiful place.
01:31:24Yes, then they would have had a chance.
01:31:27Behind it is the Sengeswieser,
01:31:29a free field.
01:31:31But then to the right, in the old post office.
01:31:34That was the dead end.
01:31:36When they realized that, it was too late.
01:31:39It was already around them, the fire.
01:31:46The police officer spoke very sympathetically,
01:31:49but he knew nothing about the police officers,
01:31:52who in the movies,
01:31:53bring the terrible.
01:31:55She insisted,
01:31:56to see the two again.
01:31:58Although the police officer,
01:32:00as well as the white man in the pathology,
01:32:02had advised her against it.
01:32:04Now they stood here,
01:32:05in front of a table,
01:32:06which was wider than the others in the room.
01:32:08And he noticed,
01:32:09that they had pushed two of the abduction tables together.
01:32:13The police officer took a step back,
01:32:15when the pathologist pulled the cloth away.
01:32:20There they lay.
01:32:22They held each other in arms.
01:32:26The pathologist later explained,
01:32:28that they were not suffocated.
01:32:30That means,
01:32:31that they were burned alive.
01:32:36And he saw them next to each other,
01:32:38looking down on the two bodies,
01:32:40which could not be separated.
01:32:42So they were together.
01:32:45And then he saw,
01:32:46that she was crying.
01:32:48And he looked down,
01:32:49and felt,
01:32:50that she was looking at him.
01:32:52And he wanted to cry.
01:32:54But instead of crying,
01:32:55he thought of the loved ones in Pompeii.
01:32:58A picture of the excavations.
01:33:01He shook his head,
01:33:02as if he wanted to erase the pictures,
01:33:03and these thoughts,
01:33:04and really mourn.
01:33:06Here and now.
01:33:07Here.
01:33:08With her.
01:33:10And then he looked at her,
01:33:11and her gaze,
01:33:12tears overflowing,
01:33:13he met her.
01:33:15She looked at him for a long time.
01:33:19And then she left.
01:33:26He had to stay.
01:33:29The mother of his friend
01:33:30had to be informed.
01:33:32He followed the policeman to the station.
01:33:35It all took a while,
01:33:36a few hours maybe.
01:33:41When he returned to the house in the afternoon,
01:33:43she was gone.
01:33:45Her room was empty.
01:33:47He went through the quiet house,
01:33:49hoping that
01:33:50she might have left something behind.
01:33:55It was dark outside.
01:33:57He went down to the sea,
01:33:58through the dunes.
01:34:01He sat down in the sand.
01:34:05He waited.
01:34:08The terrible thing is,
01:34:09that they are all right.
01:34:12That he can forget all this
01:34:13at some point.
01:34:15The house,
01:34:17the sea,
01:34:20and her.
01:34:23Very rarely,
01:34:24only in moments,
01:34:25when he is tormented by loneliness
01:34:27and he is sad,
01:34:29an unclear memory will
01:34:31overwhelm him.
01:34:36And maybe then it will appear to him
01:34:38that you remember him too,
01:34:40wait for him,
01:34:42and you will meet again.
01:34:44Where are you?
01:34:46When he looked up,
01:34:47it was night.
01:34:49The sea was shining.
01:35:01I talked to Felix' mother.
01:35:04She was very happy
01:35:05that you wanted to dedicate the book to her.
01:35:07Well, maybe happy is
01:35:10the wrong expression.
01:35:11She was very touched.
01:35:15Did you read the whole book to her?
01:35:18Yes, she wanted it.
01:35:21Did she call you?
01:35:23No, I called her.
01:35:25Why?
01:35:26Well,
01:35:27I changed the name,
01:35:29legally.
01:35:30And the places,
01:35:31that should ...
01:35:32Not because of that.
01:35:36I
01:35:38wanted to give her an understanding.
01:35:44Thank you.
01:35:54The title?
01:35:55No, no picture on the title, for God's sake.
01:35:58I thought for the end.
01:36:05When he looked up,
01:36:07it was night.
01:36:09The sea was shining.
01:36:12Is this Nadja?
01:36:14Hm?
01:36:15Do you think so?
01:36:21This is the only picture
01:36:22without a portrait.
01:36:27You have to leave me alone for 20 minutes.
01:36:32Can I help you somehow?
01:36:33No, no.
01:36:34Someone is coming,
01:36:35who does it
01:36:37professionally.
01:36:39Always with the sentence,
01:36:40Well, Mr. Werner.
01:36:43Let's see.
01:36:46Do you have something to read?
01:36:48No.
01:36:52This is from a young Isbjorn.
01:36:54I'm not sure.
01:36:55Can you read it?
01:36:57I would be interested,
01:36:58what you think about it.
01:37:04Yes.
01:37:06Mr. Werner.
01:37:07Yes, come in.
01:37:08Can I help you somehow?
01:37:38Yes.
01:38:08Yes.
01:38:38Yes.
01:39:08To be continued...
01:39:38What's gonna make us,
01:39:40gonna make us find?
01:39:45In my mind.
01:39:50In my mind.
01:39:55In my mind.
01:39:58We're gonna live free
01:40:00and live wild.
01:40:03We'll be living
01:40:05in a life just right.
01:40:08What's gonna make us,
01:40:10gonna make us find?
01:40:15In my mind.
01:40:20In my mind.
01:40:25In my mind.
01:40:30In my mind.
01:40:35In my mind.
01:40:38In my mind.
01:40:58In my mind.
01:41:08In my mind.
01:41:18In my mind.
01:41:23In my mind.
01:41:28In my mind.
01:41:33In my mind.
01:41:38In my mind.
01:41:43In my mind.
01:41:48In my mind.
01:41:53In my mind.
01:41:58In my mind.
01:42:08In my mind.