Igra sudbine 1152 Epizoda - Igra sudbine Epizoda 1152
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00:00What?
00:01I hope it's good news.
00:02Great news, but you'll never guess what it is.
00:03I won't even guess.
00:04Come on, tell me.
00:05All right, all right.
00:06Zvrk is with Luka.
00:07What?
00:08Uh-huh.
00:09Wait, where did that come from?
00:10Well, it's the same in Italy.
00:11They heard each other, and...
00:12Well, that's phenomenal.
00:13I mean, I don't know.
00:14I don't know.
00:15I don't know.
00:16I don't know.
00:17I don't know.
00:18I don't know.
00:19I don't know.
00:20I don't know.
00:21I don't know.
00:22I don't know.
00:23I don't know.
00:24I don't know.
00:25I don't know.
00:26I don't know.
00:27I don't know.
00:28What?
00:29I don't know.
00:30Who is that?
00:31Who is that?
00:32It's not far.
00:33It's not far.
00:34I don't know.
00:35It's not far.
00:36It's not far.
00:37It's not far.
00:38Well, this is phenomenal.
00:39It's like she knew exactly when the time would come.
00:40Yeah.
00:41Wait, do you think something's gonna happen between them?
00:42Oh, I honestly hope so.
00:43Now that he's in a chaos, it would be phenomenal.
00:44Yeah, well, I hope it is.
00:45Nothing, we hope so.
00:46We hope so.
00:47What is wrong with you?
00:48I don't know.
00:49Come on, just a little more.
00:50It's fine.
00:51It's just that you do it too little when you're confusing it.
00:52But it's nice for you in the morning.
00:56I'm kidding.
01:01Another story.
01:05Can you wash the dishes in the hotel room?
01:08I wash the dishes because this is my room.
01:10My room.
01:11My room.
01:12My dishes are here and I wash the dishes.
01:15You should. I agree with you.
01:16Sorry.
01:17It's okay.
01:18Do you know that there are two souls around us?
01:22What?
01:24What is what?
01:25What did I try?
01:26Tell me, what did I try?
01:28I don't know.
01:29You don't know what I tried?
01:31Oh no.
01:33Oh no.
01:34Beat him.
01:36Four and two.
01:38Four and two.
01:45I lived for this.
01:46God, I'm so happy.
01:50Akica.
01:51Ask her.
01:52She wants to be your mom.
01:54Ask her.
01:55Who do I love the most in the world?
01:57What do you mean?
01:58Pamela Razdvojic.
01:59Huh?
02:00Razdvojic.
02:01Okay, one more.
02:02Please.
02:04Okay, this time I can tell you.
02:09I will.
02:10I will.
02:11It seems that all my dreams are left.
02:13Yes, you made me heal all my wounds.
02:18And that I have again what I need the most.
02:21I have a family.
02:23Are we really going to be a family?
02:26We are already a family.
02:28Look now.
02:30Oops.
02:32I'm sorry, please.
02:33I had some obligations and I had to tell you that.
02:36You are completely crazy.
02:37Come on, completely.
02:38That's why you love me completely.
02:40Okay, it's not just that.
02:42Do you have anything else?
02:43I mean, if you don't have anything else, except Akica.
02:47Well, there is.
02:48Because you are a great man.
02:50That's all.
02:52My advanced beauty.
02:54Yes, and do you know how much he has?
02:55How much?
02:56This much.
02:57He has so little.
02:59Did you hear that?
03:00Did you hear that for no reason?
03:01Let's be honest now.
03:03Are you happy that you and your dad are getting married?
03:06Well, yes.
03:07Yes, so there's nothing.
03:09The judge said, he's the boss here.
03:10It's time for the wedding.
03:12All I have left is to finish my journalism.
03:16We tried to ...
03:17Well, maybe it just wasn't the right time.
03:22I think that's the main thing now.
03:23It wasn't the right time and that's why we didn't succeed.
03:26Either that, or you always looked at me like a friend.
03:29I look at you like a friend?
03:31What the hell are you talking about?
03:32I don't know where I saw you.
03:33Here's how.
03:34How did I look at you?
03:35I looked at you completely like a non-friend.
03:36I looked at you completely differently.
03:37No, let it be.
03:38Let it be.
03:39It wasn't the right time.
03:40Okay, I agree.
03:42Well, you know what?
03:43It's rare for a girl to be able to boast
03:45that she's been in love with the same guy twice in her life
03:49and never married him.
03:53Do you regret it?
03:54No.
03:56I mean,
03:58who knows why it's so good.
04:00I ...
04:03I'm satisfied with my life.
04:06That's nice.
04:07That's nice. I'm glad to hear that.
04:13Well,
04:16how are you after everything that happened with that guy?
04:19I'm okay.
04:21I mean, I'm good.
04:22I'm great, really.
04:23Like you said, who knows why it's so good.
04:26Yes.
04:28And Aki?
04:33She's good.
04:35She's growing.
04:37Is she missing you?
04:38Yes.
04:43A lot.
04:46But okay, you know what?
04:47I mean,
04:49we have to push through this.
04:50This is why we came here.
04:51We're here for a reason.
04:53This is all because of him.
04:55It's all because of him.
04:57This could change his life.
04:58I want to go back.
05:00I don't want him to think that my boyfriend is a loser.
05:02I want to go back
05:03and that he has a boyfriend
05:04who is a successful businessman.
05:06I agree.
05:09And you?
05:10How did you end up here?
05:12Me? I...
05:13I was waiting for you to come.
05:15I'm speechless.
05:16Yes, this is one of my favorite countries.
05:20And it's really beautiful here.
05:22Beautiful.
05:24Who would have thought we'd meet here?
05:27Yes.
05:30Somehow it turned out
05:33that you're closer to me here.
05:36Yes.
05:56What can I say?
06:03Where did you all come from?
06:06I know I'm here.
06:08I know I'm in Belgrade,
06:10if you really want to know.
06:11You know, huh?
06:12I know.
06:13That's why you stayed without Bayadere's recommendation.
06:15Because everything is closed there.
06:17You can't take anything.
06:36You can't take anything.
06:49Hey, Laura.
07:07What's all this?
07:08An emergency meeting, Milena?
07:14I've decided to stop working for you.
07:17I think it's best
07:19that you stop coming to my sessions.
07:37Here, take this.
07:38Thank you.
07:39Thank you very much.
07:40Miki,
07:41we'll see each other again.
07:42We'll see each other again.
07:43I'm glad we met.
07:44Me too.
07:45Come on, Mido, let's go.
07:46Okay, I'm a Pole.
07:47Come on, I'm not in a race.
07:48We'll make it.
07:50Where did this Mido come from?
07:53Like every sheep that came to Shishanj.
07:56He came from the village of Malograd.
07:59Ah.
08:00He came from the village of Malograd.
08:03Ah.
08:10Do you have company?
08:12Yes, I do.
08:13This is...
08:14Laura, I mentioned her to you.
08:16Laura, this is...
08:18This is Zrko.
08:19She's my...
08:20Friend from Belgrade.
08:21Friend from Belgrade.
08:22From Belgrade?
08:23Yes.
08:24That's nice.
08:25Where are you from?
08:26I'm currently in Verona.
08:27Are you here for work or...
08:28I'm working, yes.
08:29I'm in a program for children and refugees.
08:32That's a kind of humanitarian work, isn't it?
08:35That's nice.
08:36I guess that's why you like solidarity and holding hands.
08:42I'll be downstairs in my room if you need me.
08:44See you later.
08:45Okay.
08:46See you.
08:48I'm sorry.
08:58Oh my God.
09:01It's more dangerous than the photos from the portal.
09:04It's not always like this.
09:05This just happened.
09:06Otherwise, it's not...
09:07I can't believe you.
09:08I can't believe you.
09:09Yes.
09:10But, um...
09:12Anyway, I wouldn't...
09:13I wouldn't like to make you any trouble.
09:15What trouble?
09:17I don't know what you mean.
09:18I don't know what trouble?
09:19I mean, because I'm here.
09:20Because we got stuck here.
09:23I mean, it was obvious that it wasn't right.
09:25What are you talking about?
09:26What got stuck?
09:27What?
09:28Did we do something wrong?
09:29No.
09:30That's it.
09:31Okay.
09:32Where are you going?
09:34I have to go.
09:35It's already late.
09:36Because it's late.
09:37I'm begging you.
09:38It's late, yes.
09:39And now you have to go where?
09:40To Verona?
09:41At 11 o'clock?
09:42Literally at 11 o'clock?
09:43Seriously?
09:44I'll take a room here.
09:45If you want, I'll take a room.
09:46A great room.
09:47Luka, I literally have a night train.
09:50And you need to get back to your life.
09:57Okay, yes.
10:00I would like to see you again.
10:03Me too.
10:05If the opportunity arises.
10:14Okay.
10:32Aha.
10:34So,
10:36you want to stop
10:38the psychotherapy with me?
10:41This is not psychotherapy anymore.
10:45Then what is it?
10:47It turns into a private meeting, doesn't it?
10:52But,
10:54it helps me.
10:56Yes,
10:57it's my job.
10:59But,
11:00what about that non-business part?
11:04Okay,
11:05like this.
11:06I can apologize
11:08for everything that happened.
11:10To take
11:11all the responsibility.
11:14And to say
11:16that the kiss came spontaneously, didn't it?
11:21That's just a phrase.
11:22What does
11:23spontaneous mean?
11:26Let's call things by their name.
11:30It didn't
11:31happen.
11:33We already kissed.
11:36But,
11:37you didn't realize it,
11:38didn't you?
11:39And,
11:40then,
11:42I had an instinct
11:44to help you.
11:46And,
11:47little by little,
11:48little by little,
11:49it happened.
11:52I'm sorry
11:54that I didn't realize it.
11:56You don't have to apologize to me.
11:59But,
12:00I think that
12:01therapy has no purpose anymore.
12:03That's my professional opinion.
12:06Because of one kiss?
12:09Because of
12:10a lot of things.
12:12I'm sorry and,
12:14I have to go.
12:36You see,
12:42those are the rules
12:45of life and competition.
12:48They all come
12:50to Belgrade
12:51to make money,
12:52to get rich,
12:53you know.
12:54But, it doesn't work like that.
12:55No.
12:57They have to share something with us,
12:59the homeless,
13:00don't they?
13:02Yes.
13:03Well, yes.
13:05Did Mido pay for everything he had?
13:07Yes, he did.
13:08He left a nice deposit.
13:10Okay, let him.
13:11It's good when he pays.
13:13He pays, he pays.
13:14Listen to me now.
13:17If this woman
13:18who was with Mido
13:19shows up again,
13:22according to her,
13:24maximum love
13:26and obedience,
13:27is that clear?
13:28I understand, boss.
13:30She is his
13:33wife.
13:40Let's go.
14:03Who is it?
14:05It's me.
14:18Did you follow
14:20the friend?
14:21Yes.
14:22What's the problem?
14:23Who is she to you?
14:24Why are you acting like that?
14:26How am I acting?
14:27I'm asking you nicely,
14:28who is she to you?
14:29She is my friend,
14:30as they say,
14:31she is my soulmate.
14:33She is very dear to me,
14:34we have some
14:36moments together in the past.
14:40That's it.
14:42Can I know what moments?
14:44It's the past,
14:45so I don't know what's important.
14:48How is it possible
14:49that she showed up here?
14:50How did you get into trouble
14:52if it's the past,
14:53as you say?
14:54I didn't know
14:55she was alive,
14:56because I didn't know
14:57she would come.
14:58So I don't know.
14:59So she came unannounced,
15:02because it doesn't seem
15:03naive to me.
15:05What do you mean?
15:06I don't understand.
15:07What do you mean?
15:08Why didn't you introduce me
15:09as your girlfriend?
15:10How do you know
15:11I didn't introduce you?
15:12I came with her,
15:13we talked about
15:14a hundred different things,
15:15we ate, we slept,
15:16we talked,
15:17we hung out,
15:18we hugged,
15:19we carried each other.
15:20Give me a break.
15:21What?
15:22I can't believe
15:23what you're doing to me.
15:25God,
15:26this is not good.
15:27What's wrong?
15:29I think we should repeat
15:30this anxious attack.
15:34What's wrong?
15:35Did you go around the city?
15:36No.
15:40Are you okay?
15:43Do you feel better?
15:45I could be.
15:48Let's go.
15:59When is your next therapy
16:00with Milena?
16:02I won't go to her anymore.
16:06How come?
16:08I mean,
16:09why?
16:10Because she's unconscious?
16:12No.
16:13It's simple.
16:15She's not going.
16:18Okay,
16:19what did she tell you
16:20that you gave up?
16:22Nothing.
16:23She told me
16:24she's not going.
16:25She's not going.
16:26She's not going.
16:27What did she tell you
16:28that you gave up?
16:30Nothing.
16:31She just agreed.
16:33Just like that?
16:35I mean,
16:36I'm sorry,
16:37but I don't know
16:38which psychotherapist
16:39would just accept
16:40that a patient
16:41stops going to therapy
16:42overnight.
16:44She's not going.
16:46What's so weird about that?
16:48I told you before
16:50that I'm not
16:51for that psychotherapy.
16:53But look,
16:54she's one of the best.
16:55Did she find a way
16:56to come to you
16:57and give you a chance?
16:58Well, she didn't.
16:59What can you do?
17:00It happens.
17:04You know what?
17:08I'm relieved
17:09that you're not going
17:10to her therapy anymore.
17:12Really?
17:13Yes, yes.
17:14I mean,
17:15look,
17:16she can be the best
17:17in the whole world.
17:18It's not normal
17:19that you and I
17:20go to the same therapist.
17:21And I think
17:22it's not professional
17:23that she agreed
17:24to give me money.
17:26Well,
17:28I like the way
17:29you think
17:30and the fact
17:31that you support me.
17:32Well,
17:33to be honest,
17:34I wouldn't force you.
17:35But it means
17:37that you still
17:38want to try.
17:39And that's enough for me.
17:41Have you thought
17:42about who you're going
17:43to see now?
17:44No.
17:45I haven't thought
17:46about that at all.
17:47You probably won't
17:48give up completely.
17:51Listen,
17:52I've had enough
17:53of this
17:54psychotherapist thing.
17:55I'm going to take a break
17:57and then
17:58I'll think about it.
17:59I'll see.
18:00I'll see what I'll do.
18:11Cheers.
18:15To you, too.
18:23Cheers.
18:49Good morning.
18:50Good morning.
18:52How are you?
18:53Did you get over
18:54the attack?
18:55I'm better.
18:56Thank God.
19:02Wait, wait.
19:03We have to go to work.
19:04What time is it?
19:05We have to go to work.
19:06What?
19:08We have to go to work.
19:09Listen,
19:10do you know
19:11what we're going to do
19:12if we don't go
19:13to work right away?
19:14Nothing,
19:15we're not going to.
19:16Nothing.
19:17We're going to lock
19:18these two up.
19:20I have to go.
19:22They can wait,
19:23but I can't.
19:50God,
19:51this is terrible.
19:52This doesn't make sense.
19:53It doesn't.
19:54I'm a man of manners.
19:56I'm not a
19:57teenager's
19:58thrower.
20:00Horrible.
20:01Horrible.
20:02I hope
20:03God doesn't
20:04hang me.
20:05Give me that water.
20:06If
20:07these journalists
20:08continue
20:09to camp
20:10in front of the building...
20:11I'm more worried
20:12about your throat.
20:13You sound like
20:14you've been
20:15throwing up.
20:16When you were
20:17whistling
20:18I didn't have
20:19a brain.
20:20My throat
20:21wasn't whistling,
20:23it was whistling too much.
20:24Yes, yes.
20:25And that Andrija,
20:26I don't know
20:27what he is,
20:28he's been
20:29whistling so much
20:30that there's
20:31so much chaos.
20:32Thank you.
20:33Please.
20:34We always support
20:35the boss of the company
20:36we work for
20:37and we don't
20:38put up
20:39a high bar.
20:40I support him.
20:41Bobo, Bobo,
20:42I support him.
20:43We know that.
20:44Listen, Bobo,
20:45I didn't mean
20:46to say anything bad,
20:47but the latest
20:48issue of Slobodan,
20:49I want to use
20:50it.
20:51OK, thank you.
20:52See you.
20:53Bye.
20:58Hello?
21:00Tabloid Glas.
21:03Please give me
21:04the manager
21:05Kostu Zeljkovic.
21:06Tell him that
21:07Andrija Bošnjak
21:08wants to talk to him.
21:12Andrija Bošnjak?
21:13Where are you from?
21:14Yes, it's me.
21:16I just want to tell you
21:17that I'm going to
21:18file a complaint
21:19if you don't
21:20dismantle the nonsense
21:21you've published.
21:22I'm really sorry,
21:23but the golden rule
21:24of tabloid journalism
21:25is not to
21:26put an end to affairs,
21:27but to dismantle them.
21:29And what did you
21:30dismantle?
21:32Nothing from what
21:33you've published
21:34is true.
21:35Our sources
21:36say it is.
21:37What sources?
21:39I was provoked
21:40by your journalist
21:41for no reason.
21:43How true?
21:44I was on my way
21:45so I don't know
21:46who you called.
21:47You don't know
21:48who I am?
21:49You published the news.
21:50The news wasn't
21:51for dismantling.
21:52We're used to
21:53judging.
21:54But how exactly
21:55did our journalist
21:56present himself?
21:57I can't remember.
21:59Palikuć,
22:00someone like that.
22:01I'm not sure.
22:03I don't know
22:04his last name.
22:05Maybe he
22:06doesn't even work here.
22:07How did you publish
22:08when
22:10you don't even know
22:11where the affair
22:12comes from?
22:14It's simple.
22:15No journalist
22:16can deny such affairs.
22:17But don't worry.
22:18You'll be able
22:19to dismantle everything
22:20and you'll have
22:21plenty of room.
22:23I can't remember
22:24how to dismantle
22:25tabloids.
22:27But the news
22:28is in the middle
22:29of a tabloid scandal.
22:30And it looks like
22:31a victim
22:32of a sly
22:33fraud, unfortunately.
22:34Whose?
22:36I can try
22:37to find out
22:38the source of the news.
22:39I'd be grateful
22:40to you.
22:44Palikuć.
22:46Mutikas.
22:47Something like that.
22:50I'm such a fool.
23:03It's total chaos.
23:04The journalists
23:05have occupied the company.
23:06They're busy interviewing
23:07Andrija.
23:09When we're at Andrija's
23:10I have something to tell you.
23:11What?
23:13He won't come to me
23:14for therapy anymore.
23:17I knew he'd give up.
23:19He didn't give up.
23:21I was the one
23:22who turned him down.
23:24Why?
23:28Well...
23:31He kissed me
23:32during the session.
23:34What?
23:36How did that happen?
23:39It happened
23:40in a moment
23:42when I was
23:43collaborating.
23:45OK.
23:46He was conscious.
23:47I know.
23:48You told me.
23:49Yes.
23:51And then
23:52he helped me.
23:55He kissed you.
23:56There was no other way
23:57for him to help you.
23:59I'm telling you
24:00exactly how it happened.
24:02OK.
24:03Who initiated
24:04that kiss?
24:05You or him?
24:07I'm telling you.
24:08Him.
24:09Are you sure?
24:11I'm sure, Bobo.
24:12What's wrong?
24:14Come on, please.
24:15You found a way
24:16to get rid of him
24:17in the middle of a session.
24:34Why are you so quiet today?
24:39I'm thinking.
24:40About what?
24:43I'm thinking about
24:44that monkey Luka.
24:47How he mixed up
24:48the water again.
24:50And it's all
24:51at his expense.
24:55I don't know how
24:56to help her.
24:58You don't know?
24:59You don't know
25:00because you don't know
25:01the main thing.
25:02You don't know
25:03what happened in Milan.
25:05I don't know.
25:06In Milan,
25:07Luka
25:08visited
25:09who?
25:10I don't know.
25:11A monster!
25:12A monster went to Milan
25:13to visit Luka.
25:14OK, she was always
25:15a good girl,
25:16she was always
25:17with him.
25:18No, she's not good.
25:19No, she's not.
25:20How could she?
25:21OK, OK.
25:23You know,
25:24it all turned out
25:25so strangely
25:26with that girl.
25:28What?
25:29Yes.
25:31And she was sick.
25:32Yes.
25:33I'm sorry.
25:34I don't know
25:35if she's drowsy
25:36or not.
25:37Should we
25:38activate her
25:39in society?
25:40What do you think?
25:41Yes, yes.
25:42You and Kaja.
25:43No.
25:44Why?
25:45No, Pančić,
25:46because I'm incapable
25:47of finding
25:48a wife for myself
25:49because of the inheritance
25:50and where else
25:51could I find one?
25:52Don't.
25:53Look,
25:54what happens with that?
25:56Nothing happens
25:57with that.
25:58Nothing?
25:59No, until she gets married.
26:01What does Kaja say
26:02about that?
26:03I mean,
26:04how does she see things?
26:06She's sober,
26:07smart,
26:08but
26:09she understands,
26:11she understands the circus,
26:13and she understands
26:14that I need money.
26:16Well,
26:17why didn't she marry then?
26:18She won't marry
26:19because she's not given
26:21dignity.
26:22She's not given it.
26:24Dignity.
26:26Yes.
26:27Kaja is
26:28just that
26:29dignified.
26:30Yes.
26:31She's a good girl.
26:32Yes.
26:33But I don't trust her.
26:34Money is money.
26:35Money is money.
26:36Miele,
26:37it's stupid to waste it.
26:39Look what people do
26:40for money.
26:41Look,
26:42Aleksa and Luka
26:43went to Milan
26:44for money.
26:45What are they going to do
26:46in Milan?
26:47It's not the same, Pancic,
26:48because they went
26:49for the memory
26:50of the late
26:51Aduka Nackina,
26:52not just for money.
26:55What are you talking about,
26:56Miele?
26:58And the glass
26:59is in the house.
27:00It is in the house.
27:01What do you mean, it is?
27:02Do I need to tell you that?
27:03That's what I like.
27:04Oh, my people.
27:07You're telling the story
27:08you know.
27:09Wait,
27:10how does it stand here?
27:12Hey.
27:14Hi.
27:15Hi, people.
27:16What's up?
27:17How are you, how are you?
27:19Pretty
27:21and a beast.
27:23What?
27:33What?
27:42Bobo,
27:44I need you,
27:45quickly.
27:46Sorry,
27:47just ten minutes
27:48to calm down.
27:49What?
27:50Nothing, nothing,
27:51I'm just a little upset.
27:52What, did you cry?
27:54Nothing,
27:55I just need ten minutes
27:56to calm down.
27:58Do you want to tell me
27:59what's wrong with you?
28:01Okay,
28:02if you don't want to tell me
28:03what's wrong with you,
28:04then you don't have
28:05those ten minutes.
28:06Okay?
28:07Find another place
28:08to calm down
28:09at work.
28:10Okay, you're right.
28:12Are you okay now?
28:13I am.
28:14Well, good.
28:16So,
28:17call that number
28:18from your phone.
28:21What should I say?
28:23Well, you should say
28:24that you had
28:25a missed call
28:26from that number
28:27and ask
28:28that person
28:29to introduce himself.
28:30Okay.
28:33Do we understand each other?
28:34I mean,
28:35it's very important
28:36for me to get
28:37that person's name.
28:38Okay?
28:39Okay.
28:49Hello?
28:50Good afternoon.
28:51I apologize,
28:52I had a missed call
28:53from this number.
28:57Well,
28:58your number
28:59seems familiar to me.
29:00I thought
29:01my brother
29:02changed the number
29:03of his phone,
29:04so it was very important to me.
29:07Can I know
29:08who I'm talking to?
29:11Thank you.
29:12Nice to meet you.
29:15Vito Mirtutic.
29:30Milo,
29:31you have a couple of days
29:32to prove your love to me
29:33against Kai.
29:34By the way,
29:35nothing from my arrival
29:36and money.
29:37That's it.
29:38Goodbye now.
29:54I didn't come here
29:55to hurt you.
29:56Well,
29:57I understand you.
29:58You know,
29:59now
30:00the time has come
30:01that when someone
30:02gets a little more money,
30:03everyone tries
30:04to rob him.
30:05Do you understand?
30:06You're right.
30:07Listen,
30:08we'll do it like this.
30:09We'll come to Belgrade tomorrow,
30:10we'll have a nice walk
30:11and try
30:12all the spaces.
30:14Okay.
30:15Okay.
30:17See you later.
30:18Goodbye.
30:28Music
30:36I'm asking you
30:37to be careful
30:38next time.
30:39Because next time
30:40he won't be so nice.
30:41Let's have a drink.
30:45Cheers.
30:47Cheers.
30:49Is it okay?
30:54It's okay.
30:55What about me?
30:57What are you talking about?
30:59The owner of the club accused the management of Milano Fashion Week.
31:16I was at Milena's.
31:20She told me that she stopped the therapy.
31:26How do you know that I was at the therapy?
31:30Milena told me.
31:32You know that we are friends.
31:47Are you ok?
31:48Yes, I'm ok.
31:50Are you sure?
31:51I'm ok, I'm ok.
31:52Don't leave me.
31:54Let's just solve this.
31:58Let's go to bed.
32:02I'll take this for you.
32:04Can you do it yourself?
32:06Yes, yes.
32:08Hold on.
32:23You tried to cheat on me,
32:25not to say that you are cheating,
32:27but my brain is still working.
32:29How can we cheat on you?
32:32No, I want to ask you
32:35why don't you pack your things
32:38and come to Belgrade?
32:40To Belgrade?
32:42To visit half of the world?
32:44Yes.
32:52Why are you crying now?
32:55I don't understand.
32:57I didn't fall in love with you,
32:59but with Milena, right?
33:01Exactly.
33:23Hello?
33:28Yes, it's me.
33:32I just got a call for a trial.
33:36Andrija, all those women,
33:38all those other women got from you
33:40everything they wanted,
33:42and I...
33:43Hey!
33:44Enough!
34:05You