Pulang Araw: Ang mga kasuotan ng cast | (Online Exclusive)
Alamin ang ginawang mabusising paghahanda at paggawa sa detalye ng mga costume ng cast ng 'Pulang Araw' sa online exclusive video na ito.
Subaybayan ang 'Pulang Araw,' Lunes hanggang Biyernes, 8:00 p.m. sa GMA Prime.
Subaybayan ang 'Pulang Araw,' Lunes hanggang Biyernes, 8:00 p.m. sa GMA Prime.
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00:00I'm Margie Sorio, stylist in the costume department.
00:21Our first inspiration, aside from the 1930s and 1940s,
00:26is the land that we inherited as an inspiration to dress up the artists.
00:31I put my heart and soul into Teresita's clothes.
00:35For the clothes that they wear, we also convey a message to the audience.
00:41Not only do we dress them up, but we also have a story to tell
00:45about each character's clothing.
00:48For example, Eduardo, why is he wearing denim material?
00:53Because during the 1890s and 1900s,
00:57laborers were already using denim materials.
01:00We just added, for example, his pants have pockets.
01:04It's dependable, it's like he's holding a person.
01:07He's the hero of people who are brave and fight.
01:11What Teresita represents,
01:13is the brave, reserved, demure Filipino woman.
01:17That's why she's wearing a color palette of subtle pastels.
01:21Later on, it became purple because of domestic violence.
01:26That's what is represented by domestic violence,
01:29the shades of purple.
01:31As for Roche, he was born in Japan.
01:34But because of the conflict between the characters,
01:38what will he choose, his country or the person he loves?
01:42I said, how can I show that Japan is still visible there?
01:47We put lapel pins with Sakura.
01:50The colors we put are a bit tough,
01:53the shades are a bit darker.
01:55We put something inside to make it vulnerable.
01:59We also put lapel pins and accessories.
02:03Because he's been here for a long time,
02:05he has a heart that he gets from his friends,
02:08from the people who love him, the Filipinos.
02:11In short, the artists,
02:13this story of history is in the lives of the artists.
02:17As for us in the costume team,
02:19we want the stories that are in the books,
02:23that we researched,
02:25to be in the lives of the people who wear the costumes.
02:29To be in the lives of the people who wear the costumes
02:32of each artist or character that will appear here in Pulang Araw.
02:37Hello, I'm John Rararoque.
02:39I'm the stylist for Pulang Araw.
02:42As a stylist, it took really some deeper research
02:46because there are different influences,
02:49different cultures in the costumes.
02:51There are more trading systems,
02:54therefore the influence of Western and Japanese
02:58can be seen in this show.
03:00Barbie Forteza as Adelina de la Cruz.
03:03I started with what works for her body type.
03:06We got so many references from the youth styles of the 1940s.
03:11Girlier silhouettes, more dainty fabrics,
03:14more embroidery with floral motifs,
03:18and prints.
03:19Adelina loves prints.
03:20As a character, she is very bubbly.
03:23She wants to stand out.
03:24For Teresita, her styling is more mature and sophisticated.
03:30She's the older sister, and she's more capable in the story.
03:34We went all out with her in the accessorizing.
03:37She usually wears a fascinator, gloves, jewelry,
03:42and our inspiration for her,
03:45old Hollywood sirens mostly.
03:47For Sir Dennis Trillo's character, Yuta,
03:50he had to research the military uniform of the 1940s.
03:55For his casual looks,
03:56we took inspiration from the men of Japan during the 1940s.
04:01You can see him in suits that are Western,
04:04but it was our decision to play some hints of the Oriental fashion.
04:10Instead of trench coat, which is very Western,
04:12we would place him in kimonos on top of the suits.
04:16Our approach with his casual looks are much more sharp.
04:19They're tailored and very intimidating.
04:22He's far from the Dennis that we usually see.
04:26For Amalia, Ms. Rochelle Pangilinan,
04:28we took inspiration from the silhouettes of the 1930s.
04:32We had to do it without glamour because he is a poor character.
04:38And for Julianne, who's playing the Queen of Baudeville,
04:42Ms. Katie de la Cruz,
04:44we took inspiration from existing photos of her
04:47inspired by the 1920s.
04:49It's very Gatsby-ish.
04:50While doing this show, especially the Baudeville part,
04:53I feel like I'm doing a theater production
04:56or I'm doing a concert, basically.
04:59Because the stage is live,
05:01so every take has to be that precise.
05:05The changes have to be that precise for the choreography,
05:08for what works with the light, and what works with the stage.
05:11So I'm very grateful that I get to do that this time, this year.
05:15Hi, I'm Abner, stylist for Pulang Araw,
05:18and I'm actually working with Angelou de Leon as Carmela.
05:23And the inspiration for this look for Carmela
05:26is actually Western-inspired outfits
05:29to show how rich Carmela is during that day.
05:33With the Western-inspired,
05:35the fabrics, the materials that I used for Carmela's outfit,
05:40like I used velvet, charmeuse, satin, wool.
05:44I wanted to show the audience
05:46what the materials looked like during that time.
05:50The nun, we also researched for that,
05:52that this actually looks like St. Augustine mothers.
05:56It's just a simple all-white badre gown.
05:59Tasho is very, very simple.
06:01It's like, maybe here we won't see
06:03other characters wearing T-shirts.
06:05That's only Tasho.
06:14♪