Alamin ang ginawang mabusising paghahanda at paggawa sa detalye ng mga costume ng cast ng 'Pulang Araw' sa online exclusive video na ito.
Subaybayan ang 'Pulang Araw,' Lunes hanggang Biyernes, 8:00 p.m. sa GMA Prime.
Subaybayan ang 'Pulang Araw,' Lunes hanggang Biyernes, 8:00 p.m. sa GMA Prime.
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FunTranscript
00:00I'm Margie Sorio, stylist in the costume department.
00:21Our first inspiration, aside from the 1930s and 1940s,
00:26is the land that we inherited as an inspiration to dress up the artists.
00:31I put my heart and soul into Teresita's clothes.
00:35For the clothes that they wear, we also convey a message to the audience.
00:41Not only do we dress them up, but we also have a story to tell
00:45about each character's clothing.
00:48For example, Eduardo, why is he wearing denim material?
00:53Because during the 1890s and 1900s,
00:57laborers were already using denim materials.
01:00We just added, for example, his pants have pockets.
01:04It's dependable, it's like he's holding a person.
01:07He's the hero of people who are brave and fight.
01:11What Teresita represents,
01:13is the brave, reserved, demure Filipino woman.
01:17That's why she's wearing a color palette of subtle pastels.
01:21Later on, it became purple because of domestic violence.
01:26That's what is represented by domestic violence,
01:29the shades of purple.
01:31As for Roche, he was born in Japan.
01:34But because of the conflict between the characters,
01:38what will he choose, his country or the person he loves?
01:42I said, how can I show that Japan is still visible there?
01:47We put lapel pins with Sakura.
01:50The colors we put are a bit tough,
01:53the shades are a bit darker.
01:55We put something inside to make it vulnerable.
01:59We also put lapel pins and accessories.
02:03Because he's been here for a long time,
02:05he has a heart that he gets from his friends,
02:08from the people who love him, the Filipinos.
02:11In short, the artists,
02:13this story of history is in the lives of the artists.
02:17As for us in the costume team,
02:19we want the stories that are in the books,
02:23that we researched,
02:25to be in the lives of the people who wear the costumes.
02:29To be in the lives of the people who wear the costumes
02:32of each artist or character that will appear here in Pulang Araw.
02:37Hello, I'm John Rararoque.
02:39I'm the stylist for Pulang Araw.
02:42As a stylist, it took really some deeper research
02:46because there are different influences,
02:49different cultures in the costumes.
02:51There are more trading systems,
02:54therefore the influence of Western and Japanese
02:58can be seen in this show.
03:00Barbie Forteza as Adelina de la Cruz.
03:03I started with what works for her body type.
03:06We got so many references from the youth styles of the 1940s.
03:11Girlier silhouettes, more dainty fabrics,
03:14more embroidery with floral motifs,
03:18and prints.
03:19Adelina loves prints.
03:20As a character, she is very bubbly.
03:23She wants to stand out.
03:24For Teresita, her styling is more mature and sophisticated.
03:30She's the older sister, and she's more capable in the story.
03:34We went all out with her in the accessorizing.
03:37She usually wears a fascinator, gloves, jewelry,
03:42and our inspiration for her,
03:45old Hollywood sirens mostly.
03:47For Sir Dennis Trillo's character, Yuta,
03:50he had to research the military uniform of the 1940s.
03:55For his casual looks,
03:56we took inspiration from the men of Japan during the 1940s.
04:01You can see him in suits that are Western,
04:04but it was our decision to play some hints of the Oriental fashion.
04:10Instead of trench coat, which is very Western,
04:12we would place him in kimonos on top of the suits.
04:16Our approach with his casual looks are much more sharp.
04:19They're tailored and very intimidating.
04:22He's far from the Dennis that we usually see.
04:26For Amalia, Ms. Rochelle Pangilinan,
04:28we took inspiration from the silhouettes of the 1930s.
04:32We had to do it without glamour because he is a poor character.
04:38And for Julianne, who's playing the Queen of Baudeville,
04:42Ms. Katie de la Cruz,
04:44we took inspiration from existing photos of her
04:47inspired by the 1920s.
04:49It's very Gatsby-ish.
04:50While doing this show, especially the Baudeville part,
04:53I feel like I'm doing a theater production
04:56or I'm doing a concert, basically.
04:59Because the stage is live,
05:01so every take has to be that precise.
05:05The changes have to be that precise for the choreography,
05:08for what works with the light, and what works with the stage.
05:11So I'm very grateful that I get to do that this time, this year.
05:15Hi, I'm Abner, stylist for Pulang Araw,
05:18and I'm actually working with Angelou de Leon as Carmela.
05:23And the inspiration for this look for Carmela
05:26is actually Western-inspired outfits
05:29to show how rich Carmela is during that day.
05:33With the Western-inspired,
05:35the fabrics, the materials that I used for Carmela's outfit,
05:40like I used velvet, charmeuse, satin, wool.
05:44I wanted to show the audience
05:46what the materials looked like during that time.
05:50The nun, we also researched for that,
05:52that this actually looks like St. Augustine mothers.
05:56It's just a simple all-white badre gown.
05:59Tasho is very, very simple.
06:01It's like, maybe here we won't see
06:03other characters wearing T-shirts.
06:05That's only Tasho.
06:14♪