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00:00The Doctor, Mendoza and I, all we want is to help you, my love.
00:04You know, you make a very good team.
00:08If I were him, I'd hire you to help him with the patients.
00:11It's obvious that you're giving him a hard time.
00:19You'll go?
00:21Even if I don't go with you?
00:23Is that all you care about?
00:24No, it's not all I care about.
00:26But I'd be more at ease knowing if you're going or not.
00:29I'll go. You can be at ease.
00:36Ñigo, do you believe me?
00:56All good?
01:13All good, perfect.
01:14I've never seen the library like this in my life.
01:17No matter how hard I try to find it, I can't find a single drop of dust.
01:20I'll do my best.
01:22I'm telling you, you're doing a great job.
01:24But tell me, have you already done your job?
01:27It's not very different from what I do at La Moderna.
01:29Sweeping and passing the rag, always the same.
01:32I say that space will also influence.
01:34Of course. Cleaning the displays is much easier than cleaning the shelves full of books.
01:38Well, and the warehouse, I won't even tell you.
01:41What's wrong with the warehouse?
01:42Well, the back store looks more like a lion's den than anything else.
01:45There you don't have to force yourself to get tons and tons of dust.
01:49Are you suggesting that we have to hire reinforcements to clean the warehouse?
01:52Let's see, I'm suggesting that if it were tidied up, it would be much easier.
01:56I take note.
01:57Today I start with it so that the task is not more complicated for you.
02:00I thank you very much.
02:02There I promise you that it will be cleaner than a skate.
02:06Well, I have to go.
02:11History of Spanish literature, elementary school?
02:14And what is this?
02:15A book.
02:16And I bought it.
02:17Don't think I'm teasing you.
02:18No, no, I would never think that.
02:19It's just that I'm surprised to see you with a study manual.
02:22Well, you see.
02:24Are you going to start studying?
02:26That's my thing, right?
02:27I didn't know you were studying.
02:29What's wrong? Don't you think I'm capable?
02:31Sorry, I didn't mean to offend you.
02:32It's just that I'm a little surprised.
02:33I can't have aspirations in life.
02:35Of course you can, but ...
02:36But you're surprised it's like that, right?
02:40I have to go to Moderna.
02:41I still have a very long day of work ahead.
02:50Well, we'll have to do something, Trini.
02:52Why doesn't a wedding without godparents go well?
02:55Well, it won't be because of godparents.
02:58Because both Esperanza and Elías are applying for the first one in exchange.
03:02At what bad time did Cañete leave us stranded?
03:05It won't do us any good to keep complaining.
03:07Those two are going to be our godparents at the fake wedding.
03:10And may God catch us and confess us.
03:12Yes, never better said.
03:14Oh yes, and speaking of praying, we could already ask the Lord, please.
03:18That he intercede with Elías so that he does not publish the ad.
03:22For God's sake, let a miracle happen.
03:25It won't be necessary.
03:26Yesterday I spoke to him.
03:27I put the points on the yeses.
03:28And he promised me that he was going to leave this topic of the ad.
03:31Oh yeah?
03:32Well, he even told me that he was going to stop slapping Father Aureliano.
03:36No problem.
03:37With how hard of a mollera he is ...
03:38I don't know, I ...
03:41Are you going?
03:47Yes.
03:53Mr. Villas, no more bad news than we just started the day.
03:56Please, I beg you.
03:57You already know me wrong, but I'm afraid so.
03:59I bring bad news.
04:01Elías came to see me yesterday after you read the letter.
04:05Yes, I knew.
04:06Tell me it was to say goodbye until the day of the wedding.
04:10Did he promise me that he was going to leave you alone?
04:12No.
04:13He asked me again to confess.
04:17And he insisted that I help him with the said ad.
04:20But I asked him to leave it!
04:22Yeah, but since he had already paid an advance,
04:24he is still determined to go ahead with the idea.
04:27I really ...
04:28You can't imagine how heavy that man can be.
04:31Yes, we can imagine it.
04:32Yes, you don't know how hard of a mollera he is.
04:34I have tried everything to make him give up, but it is ...
04:37It is decided.
04:38I want to announce your vote.
04:40It will be held at the Hermitage of Santa María del Venado.
04:47I'm very sorry what I'm going to tell you, but ...
04:52I've come this far, I'm getting off the boat.
04:54No, no, no, Bombilla.
04:56No, no, no, you can't leave us like this.
04:58Sit down for a moment, we'll think of something right away.
05:01Come on, we can think of something.
05:02I can't, Miguel.
05:04I already told you how much I was betting on re-officiating a wedding,
05:07and more, a fake one.
05:08Also, if I agreed, it was because ...
05:10because you told me it was going to be something discreet.
05:13But everyone is going to find out what I'm doing.
05:16Well, but being the real priest in Rome ...
05:19And what about the newspaper ad?
05:21Don't you see that it only complicates everything?
05:23It's just that when the news gets to the priest,
05:26I'm going to lose my hair.
05:27Well, not just that, I'm going to lose my job.
05:29And with how little I make in the olive season,
05:32I don't get it, do I?
05:33I can't risk it, Miguel.
05:36Let's see, Miguel, I thank you from the bottom of my heart
05:39for all the snacks you shared with me when you were a kid.
05:42Whenever you want, you come to Campo Real and I invite you to have a snack.
05:45But this has gone to hell.
05:53Well, we already knew it was very risky.
05:56At least we got rid of Esperanza and Elías acting like godfathers.
06:00Yeah, well, we won't solve anything like that.
06:03The wedding is tomorrow.
06:04And we have to get married in front of the gallery.
06:06And what are we going to do?
06:08Well, of course, with a snack in Campo Real we can't solve anything.
06:12We have to find a good excuse to cancel the wedding.
06:15That's the first thing.
06:18Let's see, if you allow me,
06:20since I leave you hanging with this non-wedding,
06:25I have an idea that can help you postpone the event.
06:33How are you, honey? How are you feeling?
06:35Fine. Well, I want to think I'm better.
06:38But I'm not going to lie to you.
06:40It's been very difficult to cope with everything that's been happening to me.
06:43You know.
06:44Yes, I'll take care of it, honey.
06:46It seems that there is someone up there enjoying putting us in difficult situations.
06:51And that I say it, because you are also in a difficult situation.
06:54Yes, I know.
06:55But I'm not going to lie to you.
06:57It's been very difficult to cope with everything that's been happening to me.
07:00And that I say it, because you are also in a difficult situation.
07:02And that I say it, because you are also in a difficult situation.
07:04How are you feeling?
07:06Well, not so good. Not so good, honey.
07:10The truth is that I'm hoping that Lucia's situation will be solved.
07:13Well, her legal situation and all that.
07:16And that it happens now so that Pietro and I can resume our wedding plans.
07:21Of course.
07:22Maria.
07:24Aren't you going to say hello, Esperanza?
07:26Good morning. I just have to...
07:28What you have to do is wait a moment and talk to me.
07:31Look, I'm not going to regret it.
07:33But I need you to understand that I shouldn't have told Inigo anything.
07:36You did it with the best intentions.
07:39I swear on the life of Carmen.
07:41I just wanted to help.
07:43Well, you've achieved the opposite.
07:44Thanks to you, Inigo doesn't believe me.
07:46Neither Inigo nor the doctor.
07:47I did it for your own good.
07:49We just want you to be the same as before.
07:52That I am the same as before.
07:54Esperanza, I haven't changed.
07:57I ask you to put yourselves in my place.
08:00I know what I've seen and heard.
08:02How would you feel if no one believed you?
08:04Would you like it?
08:05Matilde, I'm so happy to see you here.
08:08I was about to send a message to come visit me.
08:11Yes, I had a while, of course.
08:14Do you think we should go to my office?
08:17Of course.
08:20Take care, honey.
08:26Bye.
08:50Does it bother you?
08:52You never bother me, darling.
08:57I'm glad to hear it.
08:59This is not just a courtesy visit.
09:01I have news.
09:03About the company in Morconde?
09:07I've already sold all the assets we had planned.
09:11And the result of the operation is better than expected.
09:15You're going to get more liquidity than you thought.
09:19And the money?
09:21Invested in the Swiss bank, as you wanted.
09:24I wouldn't mind if you proved it.
09:27They are good news.
09:30I appreciate your management.
09:33You don't know the great favor you're doing to us.
09:36To you and who else?
09:39What did you say?
09:41You just said that I'm doing you a great favor.
09:47Let's see, the thing that hurts.
09:51I don't know.
09:53I don't know.
09:56Sometimes I forget that Carla is no longer with us.
10:00I guess it's a defense mechanism, like the doctors say.
10:04Yes, yes, it will be.
10:07In any case, my subconscious is right.
10:11Wherever she is, I'm sure my daughter is very grateful for the way you're helping me.
10:24Well, let's not turn it around.
10:27I just do what I have to do.
10:30Fabio, about the conversation we had a couple of days ago.
10:34No, forget it.
10:36I've already done it.
10:38Well, I can't do it, dear.
10:41It would hurt me to keep thinking that I'm hiding something from you.
10:45I still haven't overcome my daughter's loss.
10:47And I couldn't stand losing you too.
10:50You can be calm.
10:52I don't distrust you.
10:54And I apologize for my comment the other day.
10:57It was certainly not appropriate.
10:59I went too far, I admit it.
11:08Do you have plans for this afternoon?
11:11No.
11:12I'll have dinner soon and go to bed.
11:15Or are you going to go to bed?
11:18Or were you going to propose something to me?
11:21No, no, no.
11:22I wouldn't like anything more.
11:25But I have to go to Aranjuez.
11:28To see a palace.
11:29If you want to buy a good friend of mine.
11:32I guess Perch wouldn't be there.
11:36I'm sorry I can't come and visit you.
11:38Don't worry, dear.
11:40I'm sure you'll find something in the house that will keep me entertained.
11:46Sure.
11:57Come in, Matilde, please.
12:00Antonia and Esperanza are really worried.
12:03You may feel lucky to have friends like them.
12:06I know.
12:07But I don't want to steal your time.
12:09I've come to talk to you about the convention of pharmacists.
12:12I'm very sorry to have disappeared these days.
12:14You are totally excused.
12:16Sit down, please.
12:19And tell me.
12:22Look, Mr. Fermin.
12:24I'm very sorry to have left half the organization of the convention.
12:27I guess I'll have to suspend it.
12:30Don't worry, because the convention will take place tomorrow.
12:32As it was planned.
12:34Really?
12:35How did you do it?
12:37It was all thanks to my manager, Mrs. Lázara.
12:40She was in charge of taking over your management
12:43and making sure that everything went as you had planned.
12:47You don't know how much weight I've taken off.
12:50And, of course, I'll apologize to Mrs. Lázara
12:52for what a task she had to take on.
12:54Don't worry, because Mrs. Lázara has a very broad back.
12:57She has been able to deal perfectly with both her obligations
13:00and this new load of work.
13:02Well, anyway, an apology is not in vain.
13:05And a thank you.
13:06As you wish.
13:07Matilde.
13:09We all know that health is first.
13:12And that you must now be focused on...
13:17recovering.
13:20But if you want to talk to Mrs. Lázara,
13:22right now you are on hold.
13:30They're usually here at this time.
13:32But today, when we need them, they won't stop.
13:34Well, I hope they arrive soon, because I have to go back to the bookstore.
13:37I still don't fully trust my young assistant.
13:40I think Matilde thinks I did it on purpose.
13:43But I swear I didn't.
13:44Well, don't give her any more chances, Esperanza.
13:46She did what she had to do, and that's it.
13:51Oh, but it's so nice here.
13:53Yes, I think so too.
13:56Well, there's something we have to tell you.
14:01About that godfather, right?
14:03Oh, I knew that sooner or later you were going to ask for it.
14:06Well, I was just telling Esperanza
14:08that I was wearing my suit to be ready.
14:11Because whether we're godfathers or not,
14:13we're going to go head-to-head, as it should be.
14:16Of course.
14:17It's not for nothing that a co-worker doesn't get married every day.
14:21Oh, Trini.
14:22God willing, you'll be the first.
14:24Well, I hope so.
14:25Because after Matilde's wedding,
14:26and Antonia's with the pastry chef,
14:28it's going to be a mess.
14:29Well, there won't be a wedding.
14:30The wedding is cancelled, that's it.
14:32I've told you.
14:34It's a major cause of strength, I assure you.
14:36Come on.
14:37You should have regretted it before you started.
14:40Oh, my God.
14:42You young people are so impatient these days.
14:45No, it's not that.
14:46Miguel and I love each other and we want to get married.
14:48It's just that...
14:50the roof of the hermitage has come down.
14:53A tragedy.
14:54The poor godfather Aureliano, who was out there
14:57preparing everything for tomorrow, is almost in trouble.
14:59And until when is the wedding postponed?
15:01Well, I don't know.
15:02Because now we'll have to start again.
15:04We'll have to find another church,
15:06that church has dates, well, all those things.
15:08What a way to play with one's illusions.
15:11Come on, this is the second time
15:12they put honey on my lips.
15:14For what?
15:15For a wedding that ends in nothing.
15:16I assure you, Esperanza,
15:18that we are as confused as you are.
15:21But it is what it is.
15:22Resignation.
15:23The ways of God are inexhaustible.
15:25No.
15:26You already know.
15:27If you plan to go through the altar,
15:29it's better that before you look for another job.
15:31Let's see, we have postponed the wedding,
15:33but there will be a wedding.
15:34I already tell you,
15:35that Miguel and I are going to get married.
15:36Yes, we just need a few days to know what to do.
15:40But we will find a solution, for sure.
15:43But hey, what?
15:45Extending the break?
15:47Don't joke, ma'am.
15:48What happened? A tragedy?
15:51These two?
15:52That they suspend the wedding?
15:54Oh.
15:55Well, Trinidad, I'm very sorry.
15:57Take the time you need, but the rest to work.
16:00There is a lot of work to do and little time.
16:02More tasks for the manager, right?
16:04Yes, yes.
16:05More tasks for the manager.
16:07Come on.
16:17So you have more and more customers?
16:19Yes.
16:20Let's see, it's not an avalanche of customers,
16:22but it is true that the sales drop is increasing.
16:25And I think it's thanks to cultural activities.
16:27They are the best promotion for the business.
16:29I'm not surprised.
16:30Yesterday I saw many attendants of the colloquium
16:32approaching the store later.
16:34And in part it was thanks to Agustín.
16:36Let's see, it's true that he gave a great talk,
16:38but why do you think it was thanks to him?
16:41Well, because every time someone congratulated him,
16:43he recommended him to go to the store.
16:44Yes, it's true.
16:46And then we had a conversation of the most interesting.
16:50About the cinematographer?
16:52Something like that.
16:53He told me why he had decided to dedicate himself to this world.
16:56We talk about his childhood.
16:58Without technicism, yes.
16:59He seemed to me a person of the most sensitive.
17:03Uy, uy, uy.
17:04I know that look.
17:07I don't know what you mean.
17:09Laurita, don't be stupid.
17:10To you Agustín ...
17:11To me Agustín nothing.
17:12Neither him nor any other man.
17:14It's okay that you go with your feet on lead,
17:16but at some point you will have to jump into the pool.
17:19Well, or not.
17:20I'm not going to jump if I don't know where I'm going.
17:22You have no reason to distrust him.
17:24Oh yes, Inés.
17:25I remind you that at first he lied to me and laughed at me.
17:28But he already apologized to you.
17:30It was just a joke and he didn't lie to you about anything serious.
17:33Let's see.
17:34It's true that if I compare it with not hiding that you have a wife
17:37or that you like men,
17:39it's a minutia.
17:40Of course.
17:41It's normal that you have a lot of caution with men
17:44after what happened with Collado and that Celso.
17:47But I don't want you to close yourself in a band either.
17:49Well, we'll see.
17:51Don't be a pain in the ass.
18:05I'm going to talk seriously to my father.
18:07You don't know the mess that was in the warehouse.
18:10But have you been ordering it all this time?
18:13Someone had to do it.
18:15Poor Marta couldn't even pass the broom.
18:17I've earned a good rest, see you tomorrow.
18:19Take a breath if you want, but nothing to say goodbye to you until tomorrow.
18:22The day has only just begun.
18:24But I don't forgive the breath.
18:32And that's it?
18:34Without complaining or going out the door,
18:37leaving me with the word in my mouth?
18:39What's up, Salvita?
18:43Marta, come in.
18:45We had a little fight before, nothing serious.
18:48Yes, I don't know.
18:49I asked her why she was studying at her age
18:51and you don't know how she reacted.
18:55Salvita,
18:58you can't mess with me anymore.
19:05First of all,
19:07never talk to a woman of her age.
19:09Neither the one she has nor the one she looks like.
19:11It's never going to work out.
19:13Still, it doesn't justify how she got on.
19:15And there's the second point.
19:17You have to learn
19:19to put yourself in the other person's shoes.
19:23Marta comes from a very humble family.
19:26She had to start working when she was a child
19:29and she hasn't been able to study.
19:32Didn't she go to school?
19:34As far as I know, she never went to school.
19:36And if she knows how to read and the four rules,
19:38it's because a neighbor lent himself to teach her in his free time.
19:43You see, she hasn't had an easy life.
19:46And instead of telling her
19:48that she wants to start studying now,
19:50maybe you should support her
19:52by wanting to go to adult classes.
19:54Adult classes? Does that exist?
19:57Do you remember the lady Marta was talking to the other day in the gallery?
20:02Well, she's one of the many teachers
20:04who lend themselves to train those
20:07who didn't have the option to do so when they were children.
20:12Okay, I understand that Marta wants to study
20:14and I think it's great.
20:16It's never too late.
20:17But I still don't understand why she got like that.
20:19She was like... angry.
20:22Or ashamed.
20:25There you have it.
20:27Sometimes it's a hassle
20:29to admit that you've been left behind.
20:32That you have a certain lack of a child.
20:35It shouldn't be easy to realize that.
20:37No.
20:38So we should all work on empathy.
20:42Especially with those who didn't have the same origin as you.
20:46You're a lucky guy, but not everyone has been.
20:50Thank you, Miguel.
20:52Now I see that I've got my foot in the door.
20:55I'll think about it tomorrow.
20:57I have the library to myself.
21:00Regarding that...
21:03There won't be a wedding.
21:04At least for now.
21:05Don't I have to come to work?
21:08I just said there won't be a wedding.
21:11Come on.
21:14And clean your head.
21:25Mrs. Juanes, you look very serious.
21:28I hope nothing bad happened.
21:30It all depends on the perspective from which you look at it.
21:33One of my patients is going to start a season at the Olympia Theatre in Paris.
21:38Well, that's great.
21:40It means that you work with top-level artists.
21:43So you're in the best hands.
21:45That's the problem.
21:47The artist needs my services and I have a contract with her.
21:51So I have to go to her call.
21:54Yeah, sure.
21:55If there's a contract in the way, nothing can be done.
22:00And when is she leaving?
22:02Tomorrow.
22:03Her call will be the last class I give in Madrid until New Year's Eve.
22:07But don't worry.
22:09Because I have prepared an exhaustive program of exercises
22:14and a list of specialists to whom she can go to replace me.
22:18Well, I'm leaving and I'll let you work on this last day.
22:26It won't be easy to find a substitute at your level.
22:29I'm very sorry that this ends like this.
22:31But I'm bound by feet and hands.
22:34There are the exercises.
22:38But that will be tomorrow.
22:39Today I have all day to work with you.
22:42If you think it's good.
22:44I think it's very good.
22:46Well, sit down. Let's review.
22:48I have prepared some exercises that I think will suit you very well.
22:58Good morning, partner.
22:59Have you been able to read the press?
23:01No, I come straight from my house.
23:04Is it worth it?
23:05Come here.
23:07A small article on page 7.
23:09They talk about an act that took place in La Moderna
23:12where the secrets of the cinematographer were revealed.
23:15Well, it seems that they don't make as much of an echo
23:18as with the conference of Zenobia Camploui,
23:20but it's not bad that they dedicate some lines to us, right?
23:23No, and that they praise the act and the good work of the organizers.
23:26That is, of us.
23:27That's right. Another success.
23:30And so much.
23:31Although it doesn't seem quite fair to us to hang all the medals, right?
23:36Agustín gave a perfect talk.
23:38He spoke with enthusiasm and passion.
23:41And that always guarantees success.
23:44Yes, I guess so.
23:46Speaking of the king of Rome.
23:49I don't know how to get them to be talking behind my back.
23:52No, no, no, for God's sake.
23:53We were commenting on how well everything came out yesterday.
23:56Have you been able to read the press?
23:58Yes, I have read it.
23:59The truth is that it came out better than I thought.
24:01But hey, we can celebrate it later.
24:04I went through La Moderna to look for the portfolio that I had forgotten.
24:12How is your sister?
24:14Well, Inés has already received bad news today.
24:16His logo will be Mrs. Juanes on the move.
24:19But what do you say?
24:20Yes, tomorrow it will be heading to Paris.
24:22Now they are together.
24:24Well, I guess you have to stay with the best, right?
24:27He has made a hole for her and I am sure that Inés
24:30is going to make the most of his last session.
24:34Yes, yes, yes.
24:35Laura, you know your sister and you know that she is going to make the most of everything she has learned these days.
24:41In fact, why don't we celebrate it?
24:45What? That Mrs. Juanes is leaving?
24:47No, no, no, woman.
24:48Everything that Inés has learned with Mrs. Juanes.
24:50It is that tonight they give a jazz concert in Madrid Cavalli.
24:53And we could go.
24:54I would love to, but I will not be able to.
24:56I have a job dinner with a distributor.
24:58I'm going to buy him a couple of movies.
25:00No, don't worry.
25:01No, no, no, no, no.
25:02Yes, I could any day.
25:04Laura, another day.
25:06Yes, another day.
25:08Well, I imagine he is very busy, so ...
25:11Yes.
25:12We don't bother him anymore.
25:14Goodbye.
25:17Oh, Laura, forgive me.
25:19Forgive me, I didn't want to bother you.
25:21I thought you wanted to have something to drink tonight with Agustín.
25:24No, no, no, you haven't bothered me.
25:25The only thing that bothers me is that I don't want to get any closer to Agustín.
25:30Are you sure?
25:31Yes.
25:32Right now I don't want to take any risks.
25:47Good morning, Antonia.
25:49Hello.
25:50I hope I don't bother you.
25:52No, no, no, but I just happened to see you.
25:56Yes, I know, I saw you coming up.
25:58I brought you some food.
26:00Can I come in?
26:02Yes, yes, of course.
26:14Here you go.
26:16I really appreciate it, but you didn't have to.
26:19It's my shift today, so I could have prepared the food.
26:22No, no bother.
26:23If it's just cooking for one person, it's very sad.
26:27Tell me, have you ever tried fettuccine?
26:30No, I haven't had the pleasure.
26:33Laura will tell me later what she thinks.
26:38It smells very good, the fettuccine.
26:40Fettuccine.
26:44Do you want to sit down?
26:45Yes.
26:53Well, I hope I did a good job.
26:55That I didn't miss the point with the food.
26:58I assure you, cooking in Italy is not the same as in Spain or the Americas.
27:04The truth is, I'm in a hurry to cook for Pietro.
27:07He has a very high standard.
27:09Luckily, the other day he said that my cachepepe tasted like glory.
27:15Well, we both know Pietro very well
27:17and we know that he is polite and correct until he says enough.
27:21Well, you said it.
27:23We know him very well.
27:25So I don't think he said it to look good.
27:28In fact, he assured me that the pasta smelled like home.
27:33And we started to remember the old days.
27:40I read in the press that the colloquium was great.
27:43In my opinion, the article is a bit sketchy, but it's better than nothing.
27:48Without a doubt, associating myself with these two girls has been a great idea.
27:51Yes.
27:52Well, I've had the best teacher.
27:54Laurita, I wish I had brought La Moderna the same profitability as you to the store at the beginning.
28:01It is clear that you are going to surpass me.
28:03Thank you very much.
28:04I hope you are right.
28:06By the way, have you been able to take a look at the economic balance sheets?
28:09Yes, yes, I have.
28:10Although we cannot yet make any firm assessment, it can be said that the forecasts are very good.
28:16Not to mention the social and cultural impact that I think we are achieving.
28:20I hope that also includes that in your balances.
28:23Of course I take it into account.
28:24In addition, those initiatives are the best advertising for the store.
28:27I wish all the young people were like your partners, Mr. Fermin.
28:31The future would be much more promising.
28:33I agree with you, Mrs. Lázara, but I prefer to focus on the present.
28:38And my present, at the moment, is completely clear.
28:43I see that you also know how to take part in meteorology.
28:47Actually, I was going to take advantage of this free time I have to show me that gramophone you have told me so much about.
28:53I think it's a great idea.
28:54Shall we go?
28:55Of course.
28:56Well, I'll catch up with you later. I don't really know where I left my folder.
28:59Don't worry. I know how to deal with demanding clients.
29:07I'm sorry.
29:14You know that Pietro and I wanted to open a trattoria together.
29:21What a shame that it didn't work out in the end.
29:26Which is also a shame that we didn't try his dishes again, right?
29:33Returning to Italy soon.
29:37Maybe I won't go so soon.
29:39Ah, I thought it was something temporary.
29:41That as soon as he solved his legal problems, he would return to his country, which is what he wants, right?
29:47Yes, but you know the bureaucracy.
29:51At the consulate they tell me that it is a complicated process.
29:54And they advise me to be patient and not to separate from Pietro.
30:00That's what they tell you at the consulate.
30:03Well, I guess it makes perfect sense.
30:06Pietro is considered my tutor.
30:09It will be better for him to stay by his side.
30:13Of course.
30:16And know that it won't be for me.
30:18I'm looking forward to leaving Italy.
30:20I can't wait to hug my son Giancarlo.
30:24But I can't do anything to speed up the process.
30:28Well, patience.
30:31As they say at the consulate.
30:34And now, if you'll excuse me, I have little time before going back to work.
30:40I'll return the pot very clean.
30:46You're welcome.
31:04Do you need help to find the folder?
31:07No, no, don't worry. I've already found it.
31:10Besides, I'm sure you're very busy.
31:12No, don't worry.
31:15Besides, I wanted to talk to you.
31:17I don't know, I was wondering if maybe I've done something that bothers you.
31:22I don't know what you're talking about.
31:25Well, I don't know, maybe it's my impression, but I have the feeling that our relationship doesn't flow as it should.
31:32I don't know what to tell you, Zara. For my part, everything is fine.
31:36Well, it takes away a lot from me.
31:38You and your sister are one of the main pillars in Mr. Fermin's life.
31:42And I wouldn't like to contradict you for anything in the world.
31:45You get along very well with my uncle, don't you?
31:47For the little time you've known each other, you have a lot of complicity.
31:51Well, the truth is that your uncle is an easy-going man.
31:56But I mean in the work environment.
31:58Don't think that our relationship goes beyond that.
32:01No, no, I wouldn't think about it.
32:04Well, I have everything. If you want, I'll answer the phone and tell my uncle to call you.
32:18Mr. Fermin Villanueva's office.
32:20Tell me.
32:22What?
32:24No, it's not Ben Ester who describes it to me.
32:27I know perfectly well who it is.
32:39And he didn't even know how to answer me clearly.
32:41And look, the question was easy. Either he believes me or he doesn't.
32:44There are silences that say much more than any word.
32:47Yes, and this silence hurt me more than any answer.
32:50It left no room for doubt. I don't know what else to do to end this situation.
32:54You're on the right track.
32:56You came to the consultation by your own will and that's a lot.
32:59And the other day too, after drinking the lemonade.
33:02Yes, and what a bad time.
33:04Why do you say that?
33:05Yesterday when you left, the doctor and my husband found me.
33:09And you don't know how they were.
33:10Worried?
33:11A lot.
33:12They asked me for explanations about where I had been.
33:14The truth is that we were a little late.
33:16Well, but that can happen to anyone.
33:18Anyway, I didn't deserve that fight.
33:20They laughed at me as if I were a little girl.
33:22Of course, I don't think it's the best way to start a session.
33:26No, it was the best way to end it.
33:28I left.
33:29And yes, I know I shouldn't have left them with the word in their mouth,
33:32but being angry as I was, it was useless to go to the consultation.
33:36I imagine your husband wouldn't find it funny.
33:39He's had long faces since last night.
33:42This situation is hurting me a lot.
33:46We got married very in love,
33:48and now we're going through a horrible time.
33:50And I hope this ends soon,
33:53because if not, all this will end with our love.
33:56You have to be strong, Matilde.
33:58From what you're telling me, you've fought a lot to get here.
34:01You shouldn't be afraid.
34:02Yes, but I am.
34:03Stiff.
34:04I've had my heart in my fist for weeks.
34:07If it's not because of the hallucinations, it's because no one believes me.
34:10I don't know how long I'm going to hold out like this.
34:13We agree on that.
34:15I don't think you can hold out much longer.
34:18But you know that things don't get solved just because.
34:21You have to take a step forward.
34:23A step forward towards entering the sanatorium, right?
34:27It's an option.
34:28An option I don't like a bit.
34:30And it's normal. I didn't like it either.
34:32What's more, I was terrified.
34:33I was as scared as you are now.
34:35Or worse.
34:37And now you're fine.
34:39I've been much better since I allowed myself to enter the sanatorium.
34:42And when I came out, I was great.
34:44Now I'm just coming to the check-ups because...
34:47With this, you don't have to lower your guard.
34:52It wasn't easy.
34:54But looking at it from a perspective,
34:56I realized that it was the right decision.
35:00Just think about it.
35:02You don't have to decide anything right now.
35:05But it can't go on like this.
35:13Clara, don't take too long with the order, please.
35:16Montero, get on the bar.
35:26Mrs. Teresa, do you have a moment?
35:28Of course.
35:30For a client, always.
35:32You tell me.
35:33Vera, I'm not going to steal your time.
35:35I'm thinking about organizing a meal with my employees
35:38to celebrate the fifth anniversary of the opening of the cinemas.
35:41Five years already?
35:43My God, how time flies.
35:45Well, if I may say so, I think it's a great idea.
35:48Well, I think good work has to be rewarded.
35:50And what better place to reward my employees than the bar?
35:54Not at all.
35:56Well, tell me, what do you prefer?
35:58To be in the upper room or to look for a more intimate space like the reservation?
36:02If you allow me, let me be sure of the number of attendees.
36:05And based on that, we decide.
36:07And as far as exquisiteness.
36:09Don't miss it.
36:10Nor good wine.
36:12Man, an anniversary like the one of your cinemas deserves a toast for everything, for God's sake.
36:16Not just for the anniversary.
36:18I want to take advantage of the event to announce to my employees
36:21that they will receive a gratification in their salaries.
36:23Wow, you know how to win over employees.
36:26Well, I think the best investment a businessman can make
36:30is to have his employees motivated.
36:33Well, yes.
36:34Oh, by the way.
36:36I told Pajarito that the talk he gave yesterday was a success.
36:39Congratulations.
36:40And don't think I didn't miss it.
36:42I missed you, huh?
36:44I would have loved to go, but the obligations.
36:47Well, you don't have to apologize.
36:49You don't always have the time you'd like.
36:51As for the food.
36:52Yes.
36:53Mr. Agustín.
36:55What a pleasure to see you here.
36:57All right?
36:58Well, great, Mrs. Lázara.
37:00Here I was with your manager,
37:02telling him that I would like to make a meal with my employees
37:05and we were finalizing the details.
37:08I advise you to do it in the upper room.
37:10They will be much more comfortable.
37:12That's what Mrs. Teresa told me,
37:14but if you allow me,
37:16I will wait to have a clear number of commissioners
37:18and based on that I decide.
37:19In any case, I will take your advice into account.
37:22Listen to me.
37:23I'm very fond of these menesteres.
37:25And as for the money, don't worry, I don't know how to understand them anymore.
37:28It won't be for me, Mrs. Lázara.
37:30Anyway, I don't want to steal a lot of your time.
37:33We are in contact.
37:35Have a good afternoon.
37:39I hope you come tomorrow with all the details.
37:42I wouldn't like you to outdo yourself with your skills.
37:45Don't worry, because I'm going to be here.
37:48Finally, Trinidad and Miguel are not getting married,
37:50so I don't need to take the day off.
37:52Well, he's going to have plenty of days off from now on, I tell you.
37:57I thought you weren't going to tell me what you've done.
38:00What? Taking a client's reservation?
38:03No.
38:04Sneaking into my old job.
38:06Do you think I'm stupid?
38:09Teresa is obsessed with me.
38:13And I'm not going to tolerate a behavior like that
38:16in a posting room like this.
38:18So I'm forced to strongly recommend to Don Fermín
38:22that you resign.
38:25I'd tell him to think about it better next time, but of course.
38:29There won't be a next time.
38:39I see you've taken good note of the fact that you need to
38:42periodically refresh your vocal cords.
38:45But don't leave the gills out for that.
38:48Don't worry.
38:49At the slightest itch I feel, I'll make myself an oregano infusion.
38:53You're an excellent student.
38:56From the bottom of my heart, I'm going to miss you.
38:59Me too.
39:01I've spent too many hours exercising my voice.
39:05Maybe it was a bit excessive,
39:07but your throat has withstood a thousand wonders.
39:11And I wanted to make the most of every possible hour with you.
39:15Thank you for everything you've taught me, Mrs. Juanes.
39:18It's incredible that in such a short time
39:20I've learned to use my voice without hurting myself.
39:23The best way to thank you is to continue doing
39:25all the exercises I've taught you and the ones I've left in writing.
39:29Count on it.
39:31I have to ask you not to fail.
39:34There will be better days and worse days.
39:37And the latter will be the most important.
39:41Why?
39:42Because that's where you must show your willpower.
39:45That success is not guaranteed
39:47If it's not guaranteed, it doesn't mean you shouldn't do everything in your power.
39:51Do you understand?
39:53Yes.
39:54Yes, yes.
39:55And I promise I won't throw the towel.
39:59As for that notebook from the court of Pharaoh...
40:02Do you want me to throw it?
40:03No, no, don't do it.
40:04Keep it.
40:05There will come a day when you'll feel you're ready
40:08to try and interpret that work.
40:11Do it.
40:13Carefully, but without fear.
40:16That you believe in it is essential, Inés.
40:19In the end, everything starts and ends here.
40:29Well...
40:39It's been a pleasure working with you, Miss Balbuena.
40:42I'll contact one of my colleagues to help you with everything you need.
40:47He's good, but not as good as me.
40:51Thank you for everything, Marcela.
40:54I hope we'll meet again very soon.
40:57And I hope it's on stage.
41:06It won't be the first time she's late, but let's try to keep her on time.
41:11Okay.
41:18What are you doing here?
41:20You said you were going to be here all day.
41:24Luckily, I won't have to spend all night here.
41:27I've given the waiters some instructions and I'll be able to go home early.
41:32Is there no performance today?
41:34They'll know how to handle it.
41:36Besides, I have other priorities now.
41:42Did you go to the consultation?
41:44Yes, that's why I'm here.
41:46Dr. Mendoza can confirm it for you.
41:48No, you don't have to tell me anything.
41:52How did it go?
41:54Good, normal.
41:56Well, better than good.
41:59I think it was the best day and the best consultation.
42:04I'm glad.
42:06Could you tell me why?
42:09I've been thinking and I think you're right.
42:13I don't think it's a good idea to go to a sanatorium.
42:19But I need time to think about it, it can't be immediate.
42:23And of course, we'd agree on a short and limited time.
42:29But I think it would be good for me.
42:32I'm glad to hear it.
42:34I don't want to rush you, but given the circumstances,
42:38I don't think you should take too long to make a decision.
42:41But why?
42:43Don't you want me to do well in the sessions with the doctor?
42:46No, on the contrary.
42:48The thing is...
42:50What?
42:53The doctor called me.
42:56Apparently, he's been doing a series of investigations and...
43:00He's discovered something.
43:06Matilde...
43:08Was it you who bought the San Cayetano medal?
43:13That appeared at home.
43:19What are you telling me?
43:23Well, the attendees have confirmed their presence.
43:27And the event will be held tomorrow at the agreed time.
43:30The menu is agreed.
43:32It's true that they have changed the desserts,
43:34but Pietro is already aware that two more meringues will be needed.
43:40Mrs. Lázaro, I have to thank you for your effort.
43:43Now you've had to do real juggling to get all this done.
43:48No, it doesn't matter.
43:50I'm glad you're doing it.
43:52Not only are you doing your job,
43:54but you're also making tomorrow's conference possible.
43:57And all this without the help of our chief of staff.
44:00I insist, I've only done what I had to do.
44:03Well, there are times when you have to make certain sacrifices.
44:07And other times when you have to put the dots on the yes.
44:11What do you mean by that?
44:15Believe me, it's not easy for me to have this conversation with you, Mr. Fermin.
44:21But I think that, as your manager,
44:26you deserve to be trusted.
44:29Of course.
44:31But tell me, who do you think we should pay attention to?
44:36First, Cañete.
44:38He shouldn't overlook what happened.
44:41And then...
44:43Teresa.
44:44Teresa?
44:46In all these years, I've never had a serious complaint from Teresa. Never.
44:51I know, I know.
44:53But this is serious, Mr. Fermin.
44:57Teresa has exceeded all limits for me.
45:01Mrs. Lázaro, can you be a little more specific? What has she done to you?
45:05Sneaking around in my old job.
45:07Asking people about me.
45:09She's gone to my house, to my staircase.
45:11She hasn't found anything wrong?
45:13Obviously.
45:14But the gesture is intolerable, Mr. Fermin.
45:17I don't think it's welcome for her to go around whining about me.
45:20Don't you think so?
45:22What I think is that it's a completely inaudible attitude towards Teresa.
45:26Are you sure she's not confused?
45:28Many of my very good friends in the Madrid-Paris warehouses
45:33have told me it was her.
45:36I see.
45:38And what do you suggest we do?
45:44Well, I know you won't like the idea, but...
45:48I think it would be a good time to propose a double farewell.
45:57Are you asking me to fire Teresa and Cañete?
46:03I know that...
46:06that would make her very unhappy.
46:08It's been many years and it would break her heart,
46:10but I can't find another solution.
46:13If they continue like this, they could compromise my authority.
46:17And things are going very well.
46:19It may not continue like this.
46:23I understand your reasons, because what has happened is serious, but...
46:28But I can't make that slight decision.
46:34I have to think about it very carefully.
46:38Of course.
46:44Matilde, let's sit down, please, so we can talk about this calmly.
46:47Do you want to?
46:49So you're not going to believe me either?
46:52Matilde, I was the first one to suspect
46:55that it was a trick of Mrs. Bárbara.
46:58But then I found out it wasn't her.
47:00And that makes me innocent?
47:03Dr. Mendoza has an Alba Aran in your name.
47:06I think it's a very irrefutable proof.
47:08It's impossible. I didn't buy that medal.
47:10But you're sure of that.
47:11What if I'm sure?
47:12Do you think I can forget I bought it?
47:14Besides, as soon as that doctor takes the liberty of investigating me.
47:17Well, because he does his job, my love.
47:20And he wants to know if there are really all those mysterious objects at home.
47:24That's it.
47:26And why didn't he tell me at the consultation?
47:29Because they just confirmed it.
47:31And you weren't there anymore.
47:33And a cheat.
47:34Matilde, please.
47:35That doctor already has his verdict and wants to declare me crazy.
47:38No.
47:39Whatever it takes, just like you.
47:40No.
47:41And I'm sorry, but he's not going to get away with it.
47:43And I'm not going to enter that sanatorium for a limited time or for nothing.
47:46Matilde, please.
47:47If you talk to him...
47:50I'm sorry.
48:20I'm sorry.
48:51Carla.
48:52We're going to your mother.
48:54I hadn't been able to go until now.
48:58♪♪♪
49:03♪♪♪
49:08-♪♪♪
49:11Carla.
49:13-¡Estamos tratando a tu madre!
49:15Hasta ahora no había podido, hija.
49:18-¡Uf!
49:20-♪♪♪
49:24Ya, imagino. ¿Alguna novedad?
49:27No, ninguna novedad.
49:29-♪♪♪♪
49:34-♪♪♪♪
49:39-♪♪♪♪
49:46-♪♪♪♪
49:53Estoy haciendo todo lo que puedo para que cierren a Matilde en un sanatorio,
49:56pero no está resultando nada fácil.
49:58Pues esfuércese más.
50:00-♪♪♪♪
50:07Carla.
50:09-♪♪♪♪
50:22No nos va a delatar.
50:24Si acaba con mi reputación, también la hará con la suya.
50:27Más nos vale.
50:29No entiendo cómo puedes ver y oír a Carla,
50:32sabiendo que está muerta.
50:34Yo tampoco lo entiendo.
50:36Pero es que sucede.
50:38Y tiene que haber una explicación, que no sea que estoy loca.
50:41Por cierto, ¿qué tal lleva a la cancelación
50:43de la boda de Miguel y de Trini?
50:45Ay, regulada por no decir mal.
50:47Lo que más me preocupa es el estado en el que se encuentra Trini.
50:51Yo siempre he sospechado que Trini está en estado de buena esperanza.
50:55Yo embarazada.
50:57Bueno, a ver, he comido un poquito más de lo normal últimamente,
51:01pero en Barcelona no.
51:03Laura ha tenido relaciones que no le han salido nada bien.
51:05Y es normal que le cueste dejarse llevar.
51:08Si al menos pudiese, no sé,
51:10tener un momento de intimidad con ella como una cita,
51:12yo estoy seguro que podría convencerla
51:14de que no la voy a defraudar,
51:16de que soy una persona que va de frente.
51:18¿Tanta boda este capaz de anunciarnos que se casa también?
51:21Que no, que lo que he hecho ha sido remover Roma con Santiago
51:23para que estos dos tengan una iglesia.
51:25Pero...
51:26Pero no lo has conseguido, ¿no?
51:28¡Sí!
51:31Así que has decidido ponerte a estudiar.
51:33Sí.
51:35Me cuesta un poco con tanta faena, pero lo quiero intentar.
51:38Ya sé que mi opinión da igual,
51:40y que todo lo que diga o deje de decir no importa,
51:42pero de verdad que creo que haces muy bien en estudiar.
51:46¿Y todo lo que hay en esa caja son grabaciones para mi hermano?
51:49No exactamente, las grabaciones...
51:52de la corte de Faraón son estas.
51:56Y...
51:58la caja...
52:01es más bien para usted.
52:03Espero que no haya tenido el cuajo de liberar a Elías
52:05cuando sabemos que Cañete está de libranza.
52:08Es una cosa importante, doña Lázaro.
52:10Estará fuera poco tiempo.
52:12Poco tiempo es el que le queda a usted en este salón.
52:15Y la mejor solución sería facilitar su marcha.
52:18Es lo que le dije ayer.
52:20Es importante.
52:21Porque si no, preferiría hablar con usted después de la convención.
52:25Bueno, si valora en algo su puesto de trabajo, entonces sí.
52:28Esta conversación es importante.
52:30¿Está en contacto con Íñigo Peñalver?
52:33Le llamé a su apartamento y me pasé por el Madrid Cabaret,
52:35pero no logro dar con él.
52:37Quizá haya pasado por aquí, no sé.
52:39No, hoy no, pero si sucede algo y le puedo ayudar en algún asunto...
52:45Buenos días, doña Bárbara.
52:47Buenos días.
52:48Bárbara, no esperaba verte por aquí.
52:51Ayúdame.
52:53No, que no he hecho nada.
52:56¡Déjame!
52:57Lucia.
52:58Oh, tío.
53:01¿Qué está pasando?
53:03Estabas teniendo una pesadilla.
53:05No, Pietro.
53:07No lo juro.
53:09No es su motivo niente, tranquila.
53:12No es la primera vez que tratan de coaccionarme.
53:15Lo que me entristece es que esta vez seas tú la que lo haga.
53:19Que lo acierto, no me retes.
53:21Me da igual lo que me digas.
53:23Sé perfectamente lo que tengo que hacer.