Mismatched travelers are stranded overnight at a lonely rural railway station. They soon learn of a local superstition about a phantom train which is said to travel these parts at dead of night, carrying ghosts from a long-ago train wreck in the area. The travelers eventually get to the bottom of the things that go bump in the night. In between the scary bits, comedian Arthur Askey plays the gags with his vaudeville-style humor, to the constant irritation of his fellow passengers.
Source: IMDB
Source: IMDB
Category
🎥
Short filmTranscript
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00:01:15Look, that's ours. The taste for a three-piece bedroom suite. Figured walnut.
00:01:21That's right. Just think, the day after tomorrow we'll be waking up in that.
00:01:27Burglars!
00:01:28Well, we're getting married, aren't we?
00:01:31I can't get over that man in the shop. Wasn't he nice?
00:01:34That's for giving us that lovely fender, firearms and coal scuttle. I hope he doesn't get into trouble.
00:01:39What's the good of him? We've got gas fire.
00:01:43Tickets, please.
00:01:45What time do we get into Truro?
00:01:47You're due at half-past ten. Change at Foulvale Junction.
00:01:51You're there? Half-past ten?
00:01:57I said we should have caught that earlier train.
00:01:59That furniture chap would keep on talking.
00:02:02We shall cop it from her.
00:02:08Now then, my lad. This is a railway carriage, not a playground.
00:02:11Go on, up here.
00:02:16This is the land smoker. Tickets, please.
00:02:18Oh, tickets? What, again?
00:02:20I haven't seen your ticket yet, madam.
00:02:22Well, if you haven't, everyone else on your railway has.
00:02:26Hush, Polly.
00:02:28I've had to show it at every station we've stopped at, all the way from London.
00:02:31I'm sorry, madam, but we have to keep a check on travellers nowadays.
00:02:34Oh, perhaps you think I'm a parachutist.
00:02:37Perhaps you'd like to look at those passers, see if I've got a bicycle or machine gun.
00:02:40I only want to see your ticket, madam.
00:02:43Here's my ticket.
00:02:45And here's my identification card, and here's my ration book.
00:02:48And if you want my birth certificate, you'll have to ask somebody else for it.
00:02:51Truro. Thank you, madam.
00:02:53Change at Foulvale Junction. It's the next stop.
00:02:55You won't see the name on the station.
00:02:57Took a bit of a chance putting it on the ticket, didn't they?
00:03:10Hey! You!
00:03:32Here, you!
00:03:37Here, you!
00:03:38All right, you can go now. I've got it.
00:03:39What do you think you're up to?
00:03:40Well, I lost my tipper.
00:03:41You can't do that.
00:03:42Can't do what?
00:03:43Stop a train just to pick up your hat.
00:03:44Well, I've stopped it. Don't be silly.
00:03:46Here, I'll tell you what I'll do.
00:03:49There you are. I've started it again.
00:03:52Give me that!
00:03:53All right, give me a bunk up.
00:03:58I wish you'd cut your nails.
00:04:05Oh, hello.
00:04:08I bet you I've got a nerve dropping his hat out.
00:04:14I say, what happened?
00:04:16She's smiling.
00:04:17What? Eh?
00:04:18I mean the train. Why did it stop?
00:04:21Oh, some fool's hat fell off. He pulled the cord.
00:04:23Oh, bless my soul. Good gracious.
00:04:36Come back here. I want your name and address.
00:04:39Here, now, what's all the trouble?
00:04:41No trouble at all. I've got it now, thank you.
00:04:43Pull the communication cord and stop the train to get his hat.
00:04:45Do you get his name and address?
00:04:46That's what I'm trying to get. Now, sir...
00:04:50Come on out of there. Come on, come!
00:04:55Hello.
00:04:56You still here?
00:04:57I was having a voice.
00:04:58This puff-puff's filthy.
00:04:59No, sir.
00:05:00All right, I'll handle this.
00:05:02Are you going to give me your name and address or are you not?
00:05:05My name and address. Well, actually, I'm travelling in cogs.
00:05:10Look, that's me, Tommy Gander, comedian and entertainer.
00:05:13Now, what's the address?
00:05:16Now, what's the address?
00:05:18For the next 16 weeks, I'll be at the Pier Pavilion, Newquay.
00:05:2116 weeks, eh?
00:05:22Well, we'll see how I go on Monday night.
00:05:24You know, this'll mean a prosecution, a five pound fine, sir.
00:05:27What for? I can't understand what all this fuss is about.
00:05:31You stopped the train.
00:05:32Well, it was only a little stop. Besides, nobody minded.
00:05:36Did anyone here mind me stopping the train for a few minutes?
00:05:39No.
00:05:41We'll try another one.
00:05:42Did anybody here...
00:05:44Now, look here, you'd better get back to your compartment.
00:05:46This is my compartment.
00:05:47Thanks ever so for seeing me home.
00:05:49If you wouldn't behave like this, I...
00:05:55You know, I don't think this was your carriage.
00:05:57Wasn't it?
00:05:59The trouble is they all look so much alike.
00:06:01If one only had a different colour scheme in each compartment,
00:06:04one could tell which was one's own compartment.
00:06:07Excuse me, is this gentleman annoying you?
00:06:09Who, me?
00:06:10I wasn't talking to you, little man.
00:06:11Anyway, this is a first class carriage.
00:06:13Well, what about it?
00:06:14Well, I bet you've got a third class ticket.
00:06:15I have not. I've got a platform ticket.
00:06:18Is he a friend of yours?
00:06:20I never saw either of you before in my life.
00:06:22As I thought. You don't even know the lady.
00:06:24You force your way into her compartment and cause everyone a lot of annoyance.
00:06:27Now, run along to your own carriage before I call the guard.
00:06:30Here, let's be fair. After all, this isn't your carriage either.
00:06:33Either.
00:06:34Either.
00:06:35Either.
00:06:36Let's ask the lady.
00:06:37It's a good idea.
00:06:38Is it either or either?
00:06:39Neither.
00:06:40Neither.
00:06:42What's this?
00:06:43Good afternoon.
00:06:44Who are these people?
00:06:45I haven't the slightest idea.
00:06:49Is your name Winthrop?
00:06:50Yes.
00:06:51R.G. Winthrop?
00:06:52Yes.
00:06:53In that case, this is your bag.
00:06:55Oh, and here's your coat.
00:06:57And here's your scarf.
00:06:59And here's your book.
00:07:00Oh, we mustn't lose the place.
00:07:02There you are.
00:07:03What are you two playing at?
00:07:07One moment.
00:07:08Winthrop, R.G.
00:07:10Aren't you the all-rounder that played for the MCC?
00:07:13Yes, as a matter of fact, I am.
00:07:15Oh, isn't that wonderful? I only need you to complete my set.
00:07:18Set?
00:07:19Yes, cigarette cards. Fifty famous cricketers.
00:07:21What are you two doing in here?
00:07:23Well, he lost his hat.
00:07:24Oh, so you're the idiot who stopped the train.
00:07:27Yes, I don't have my own strength.
00:07:29My time happens to be valuable, even if yours isn't.
00:07:32Now, perhaps you'll be good enough to move out of here before I lose my temper.
00:07:35Oh, yes?
00:07:36One minute.
00:07:37If I remember rightly, you were a boxing blue as well.
00:07:40Yes, I was.
00:07:43You mean you used to knock them on the...
00:07:47Well, circumstances alter cases.
00:07:49Goodbye, all.
00:07:50Goodbye.
00:07:51Goodbye.
00:07:53We'd better be getting our things together. We'll soon be at Falvale.
00:07:56Oh, you're changing at Falvale? So am I. Isn't that a coincidence?
00:07:59He wasn't you, Keith?
00:08:00No, we are not.
00:08:01Oh.
00:08:02Well, if you do, you must come and see me. I'm in the concert party there.
00:08:05Tommy Gander.
00:08:06And if you give that to the manager, he'll give you a row of seats to yourself.
00:08:09Are you going to get out or do I have to throw you out?
00:08:11Oh, Richard, there's no...
00:08:12Leave this to me.
00:08:13Get out and stay out.
00:08:15Yes.
00:08:18I don't like strange men trying to scrape up an acquaintance with you.
00:08:21Oh, don't be silly, Richard. You sound like something out of East Lim.
00:08:25I forgot my hat.
00:08:29Cause of all the trouble.
00:08:34See you at Falvale.
00:08:54Okay.
00:09:24Oh, go away.
00:09:54Okay.
00:10:25Falvale, change for Truro.
00:10:27Falvale, change for Truro.
00:10:29Red Rose of the night.
00:10:31Well, Herbert, there's one thing. The worst of the journey's over now.
00:10:34Yes, I know, but I'll pass ten.
00:10:37What's she going to say to that, I'd like to know.
00:10:44I'm sorry.
00:10:45I'm sorry.
00:10:46I'm sorry.
00:10:47I'm sorry.
00:10:48I'm sorry.
00:10:49I'm sorry.
00:10:50I'm sorry.
00:10:51I'm sorry.
00:10:52I'm sorry.
00:10:54I'll take the lady's bag.
00:10:56Can I take that one?
00:10:58I'll take it.
00:10:59Can I have your connection?
00:11:01I'll show the lady.
00:11:05Excuse me.
00:11:06When the connection arrives, it's sure to be crowded.
00:11:09Wouldn't it be a good idea if you were to come in my compartment?
00:11:11You and your brother.
00:11:12The lady and her brother are travelling first class.
00:11:14Besides, he doesn't like you.
00:11:16Oh, a lot of people don't like me at first, but you'd be surprised how I grow on one.
00:11:19Even your brother might learn to care.
00:11:21Yes, I'm sure he would.
00:11:22But he's not my brother.
00:11:23Oh.
00:11:24I know.
00:11:25He's your father.
00:11:26I say, are these fellas annoying you again?
00:11:28Good afternoon.
00:11:29Sorry, Dad.
00:11:31Cheek.
00:11:36Guard!
00:11:38Guard!
00:11:39Open this door at once!
00:11:41Oh, I'm locked in.
00:11:43The door's further along, madam.
00:11:45That's just a window.
00:11:47Oh, thank you.
00:11:49Silly idea.
00:11:58Allow me, madam.
00:11:59Can I take your parcel?
00:12:00I'll take the Avery.
00:12:04One, two, three, four, five, six, seven, eight.
00:12:09And my guest mask.
00:12:12I'm going to see my evacuated nieces, you know.
00:12:14How nice.
00:12:15They're staying on one of those farms.
00:12:17I'm taking them butter and eggs from London
00:12:19in case they can't get them down there.
00:12:21That one is very nice.
00:12:23How?
00:12:24Well, that's poolies.
00:12:26Sauce!
00:12:27He won't mind, will she?
00:12:30Oh, hey, wait a minute.
00:12:31I've left my basket in the guard van.
00:12:36Hey, my basket's in the van.
00:12:38No, it isn't.
00:12:39I threw it out on the platform.
00:12:40Threw it out?
00:12:41You'll be hearing from my solicitor.
00:12:43You'll be hearing from the company.
00:12:45I'll tell my mum of you.
00:12:46I got you.
00:12:47I got you.
00:12:56Dead and alive sort of hold this?
00:12:58Where is everybody?
00:13:01Hello?
00:13:04Hello?
00:13:07Hello?
00:13:09Service?
00:13:10Service?
00:13:15Over?
00:13:22Anyone at home?
00:13:25There's no one around there.
00:13:28Here's someone.
00:13:32Ah, about time too.
00:13:36When does our connection for Truro come in?
00:13:38Come in?
00:13:39A quarter of an hour ago.
00:13:40Oh, blast, when's the next?
00:13:41There ain't no next.
00:13:42There's no more trains through here tonight.
00:13:44I betcha it's going to lock up.
00:13:46Oh, Herbert.
00:13:47Rapporteur!
00:13:49When does the Truro train come in?
00:13:51In about nine hours, ma'am.
00:13:53What?
00:13:54I'm afraid our train was so late that the connection went without us.
00:13:58And do you know why it was so late?
00:13:59Our comic friend with his comic hat.
00:14:02Hey, you!
00:14:04What's his confounded name?
00:14:06Mr. Gander.
00:14:07Gander, come here!
00:14:10Most intelligent basket.
00:14:11That, you know, it seems to know me.
00:14:13Whenever I go near it, it creaks.
00:14:15As you got us into this mess, perhaps you can think of some way of getting us out of it.
00:14:19Out of what?
00:14:20Going to your EDSC, we've missed the connection.
00:14:22Yes, and what's more, there's no train for nine hours.
00:14:25Nine hours?
00:14:26That'll be tomorrow, won't it?
00:14:28I've got to rehearse at Newquay at half past ten.
00:14:30You should have thought of that before you stopped the train.
00:14:33Oh, I know.
00:14:34We'll charter a special.
00:14:36Special, indeed.
00:14:37And who's going to pay for that?
00:14:38Darling, take it out of the money I owe them.
00:14:40In for a fiver, in for a special, that's me.
00:14:42Excuse me, old man.
00:14:43You're getting no specials here.
00:14:45I could go up to Form 6 for...
00:14:47Do you mean to tell me we can't get to Truro tonight?
00:14:49Aye.
00:14:50Leastways, not my train.
00:14:52Doesn't bear thinking about, does it, Herbert?
00:14:54That's right.
00:14:56I suppose that applies to Red Roof too, eh?
00:14:58No more trains tonight.
00:15:00Nowhere.
00:15:01But I'm expected at Red Roof.
00:15:03I promised Dr. Hanover...
00:15:05Well, of all the quaint places...
00:15:07Oh, hello.
00:15:08Where does that line the other side go to?
00:15:12It don't go nowhere.
00:15:14Oh, don't go nowhere.
00:15:15He means it stays where it is.
00:15:21I haven't said anything wrong, have I?
00:15:23Hello.
00:15:25Oh, lovely.
00:15:26This is real concert party weather.
00:15:27This'll send them in.
00:15:29Good gracious.
00:15:30We can't stand here and get soaked, eh?
00:15:32He could stand anywhere and get soaked.
00:15:38Pardon me.
00:15:52Cozy little place, isn't it?
00:15:54Well, if this is the Cornish Riviera, give me Camberwell.
00:15:58Well, if this is the Cornish Riviera, give me Camberwell.
00:16:02It is gloomy, isn't it?
00:16:15So this is the Ritz-Carlton.
00:16:17Oh, allow me.
00:16:19There you are.
00:16:20What the devil are you doing?
00:16:21I was putting it on.
00:16:23Young man, you ought to be ashamed of yourself.
00:16:28Am I popular?
00:16:29Hello, Polly.
00:16:30Polly?
00:16:31Will you talk to me?
00:16:32Polly.
00:16:33Polly, moi d'amour.
00:16:35No.
00:16:36Sketch a Polly.
00:16:37Pretty Polly.
00:16:38There's a Polly.
00:16:39There's a lovely girl.
00:16:41Are you one of the parents of Wimpole Street?
00:16:44Oh, don't do that.
00:16:45Not with company about.
00:16:46There she is.
00:16:47There's a girl.
00:16:48I say, I wonder if I could teach you to talk.
00:16:50I wonder if you could say, Heil Hitler.
00:16:52Eh?
00:16:53No.
00:16:54Not with a beak like that.
00:16:55Don't listen to him, Polly.
00:16:59If you ladies and gentlemen be ready, I'd like to lock up now.
00:17:02Lock up?
00:17:03You're not going to turn us out in this.
00:17:04No, why should I catch pneumonia?
00:17:06I've had pneumonia, you know.
00:17:08That was witty.
00:17:09You can't stay here.
00:17:11No?
00:17:12Well, I'm going to surprise you for a start.
00:17:18We're all staying.
00:17:19The railway company has taken our money and it's got to play the game.
00:17:21Yes, even on a sticky wicket.
00:17:23But Richard, if there aren't any more trains...
00:17:25Then he'll have to get us a bus or something.
00:17:26That's right.
00:17:27Give me a number six.
00:17:28I've got some friends who live in Hackney.
00:17:29All fares ready.
00:17:30No standing on top.
00:17:31Oh, shut up.
00:17:32I'm not travelling in any bus.
00:17:33I paid to go all the way by train.
00:17:35Besides, Polly hates the smell of petrol.
00:17:37Polly, Polly, don't you?
00:17:39There must be some way.
00:17:41Hmm?
00:17:42Dr. Harrabee of Redrose is expecting me.
00:17:44I'm going there as his locum and he's leaving on holiday tonight.
00:17:47Yes, please.
00:17:48You must do something.
00:17:49We've got to get back tonight, haven't we, Herbert?
00:17:51That's right.
00:17:52For one thing, the ceremony's in the morning.
00:17:55Ceremony?
00:17:56Oh, you mean a family bereavement.
00:17:58Oh, no.
00:17:59Herbert means we're getting married.
00:18:01That's right.
00:18:03Oh, I've cut myself a piece of wedding cake.
00:18:05Isn't that marvellous?
00:18:06I must kiss the bride.
00:18:07Oh, wrong lady.
00:18:08Excuse me.
00:18:09Speech, speech.
00:18:10Must have a speech.
00:18:11I hope you'll be very happy.
00:18:12So do I.
00:18:13Same here.
00:18:14First a girl and then a boy.
00:18:16I'll be quiet.
00:18:17But this isn't much of a place to spend your last bachelor hours.
00:18:20Oh, I don't know.
00:18:21I've slept in worse.
00:18:22More to see my Anderson shelter.
00:18:24I think I'd better get down.
00:18:26Call me at eight o'clock with a nice cup of tea.
00:18:28Shut up there, auntie.
00:18:29Good night all.
00:18:31There'll be no sleeping here.
00:18:33The last train's gone and I've got to lock up.
00:18:36You can't stay here.
00:18:37I've had enough of this nonsense.
00:18:39The least you can do is to ring up a garage and get us some sort of a conveyance to the nearest village.
00:18:42And we are staying here until you do.
00:18:44Yes, surely there must be a hostel race somewhere.
00:18:48He means a boozer.
00:18:50All right.
00:18:51I'll try.
00:18:53It won't be no good, I tell you.
00:18:55I'll come with you.
00:18:56Passengers must cross by the footbridge.
00:18:59You stay where you are.
00:19:00You're a menace.
00:19:01And the next time you drop your hat out of the window, I hope you forget to take it off.
00:19:05You'll rue every word you said.
00:19:10Unfropped.
00:19:12La-da-dee-dee, la-da-dee-dee, la-da-dee-dee-dee-dee.
00:19:19I wonder if it's stopped raining.
00:19:21I'll have a look.
00:19:26Oh!
00:19:27What is it?
00:19:31My basket.
00:19:36Halfway.
00:19:39Edna.
00:19:41You know what this means, don't you?
00:19:44We'll have to be together all night.
00:19:47Yes, Herbert.
00:19:49Before we're married, like.
00:19:52There are six other people with us, Herbert.
00:19:57She wouldn't believe it.
00:19:58Not if we said there were sixty.
00:20:00Would she?
00:20:02No, Herbert.
00:20:04Edna.
00:20:05Who's going to face her in the morning?
00:20:07You, Herbert.
00:20:09Why should I?
00:20:10After all, she's your mother.
00:20:13She'll be your mother, too, tomorrow night, Herbert.
00:20:17That's right.
00:20:19Hello.
00:20:20This is Saul Hodgkin up at station.
00:20:22I've got eight passengers here.
00:20:25Yes, they missed the Turo connection.
00:20:27I know, but what am I going to do with them?
00:20:30They want you to send a bus for them.
00:20:33Yes, but...
00:20:34Hello.
00:20:35Hello.
00:20:39Well, what's the verdict?
00:20:41Did we get a bus?
00:20:42I said it wouldn't be no good.
00:20:44But I'll tell you what.
00:20:45If you would all walk across to Fowl Village,
00:20:47maybe they'd put you up at the pub.
00:20:49Splendid, eh?
00:20:50I always say there are worse places than pubs, eh?
00:20:53Why didn't you tell us that before?
00:20:55It's all right, people. I fixed everything.
00:20:57There's no bus, but if we walk down to Fowl Village,
00:20:59they'll wind us and dine us and put us to bed.
00:21:01Oh, good. Lovely.
00:21:03It's worth a dash through the rain for a night's rest.
00:21:06Just a minute. How far is this village?
00:21:08Oh, it's about, um...
00:21:10I don't know. How far is it?
00:21:12Oh, if you walk across the fields,
00:21:15it's only four short miles.
00:21:17Four short what?
00:21:19Four miles in this.
00:21:20I wouldn't dream of it.
00:21:22Are we in the middle of a moat?
00:21:24Surely there's some place nearer than Fowl Village.
00:21:27That be the only place within ten miles of here?
00:21:30What do you think you're doing?
00:21:31Come on, give me a hand with this.
00:21:37I forgot all about my tisket at Towskip.
00:21:39I do hope my tusso's not ruined.
00:21:41Now, don't do that. You'll have puddles all over the floor.
00:21:43Well, I'm soaking wet. I've got to change.
00:21:45It's another thing you can't do. You can't change your...
00:21:47Well, that's a funny thing. The guard said we must all change yours.
00:21:50Oh, go and change in the ticket office.
00:21:52All right. Come on, you basket.
00:21:55Don't leave me alone.
00:21:57No peeping.
00:22:01Well, we've got to stay here all night,
00:22:02so we might as well make ourselves comfortable.
00:22:07Don't you like that fire?
00:22:08Now, listen, my good man, you've said your piece,
00:22:10so jump on your bicycle and pedal off.
00:22:12I got my orders and I got to obey them.
00:22:15You can't stay here.
00:22:17And who's going to stop us?
00:22:20Ivy.
00:22:21And who's going to stop us?
00:22:23Ivy.
00:22:24What are you going to do, throw us out?
00:22:26Well, I suppose I'll have to.
00:22:28In that case, you can start on me.
00:22:30And me.
00:22:31Don't you lay your hands on me.
00:22:33Gentlemen, gentlemen.
00:22:34I do wish you'd ask.
00:22:35Polly wants to go to bed.
00:22:37We are staying here whether you like it or not. Understand?
00:22:40I can't leave the station with you people here.
00:22:43Then you'll have to stay here with us.
00:22:45No, that I won't.
00:22:46Why, what's the matter with it, apart from everything?
00:22:48Anyone would think from the way you're going on the place was haunted.
00:22:53It is haunted.
00:22:56Oh, my God.
00:22:59Herbert.
00:23:00Oh.
00:23:16My next, Napoleon.
00:23:20Haunted?
00:23:22What are you trying to do?
00:23:24Scare us out of here?
00:23:26It's beyond it, all right.
00:23:28You won't find any in these parts that would stay here.
00:23:31Especially tonight.
00:23:33Well, as we've decided to stay the night, you'd better let us know what to expect.
00:23:39There's no story for ladies here.
00:23:41Well, after that, we've got to hear it.
00:23:43Yeah, come on, spit it.
00:23:44We want something to entertain us.
00:23:46Entertain you?
00:23:47Powers above.
00:23:49Oh, come on, do tell us.
00:23:52Very well.
00:23:55I warned you, there's no pretty story.
00:23:57Maybe when you've heard it, you'll change your mind about staying.
00:24:02Will you keep that confounded bird quiet?
00:24:05It was a time of the diamond jubilee.
00:24:07Forty-three years ago this very night.
00:24:10In them days, the stationmaster here was a man by the name of Ted Owens.
00:24:14You was asking about the old lines.
00:24:16You mean the ones that don't go nowhere?
00:24:18Aye, but in them days, the trains used to run on it.
00:24:21Through the undershore tunnel down to the old port.
00:24:24The other side of the tunnel, the line bridges the river.
00:24:27It'd be a swing bridge,
00:24:28rocked by a lever wheel out there on the platform.
00:24:32This were the bridge.
00:24:34In 97, it was always left open for the clayboats to go out on the tide.
00:24:38And they closed it when the tide was low.
00:24:40It was the only way out.
00:24:42This bar was left open for the clayboats to go out on the tide.
00:24:45And they closed it when the trains went across.
00:24:48But no train ever runs over that bridge now.
00:24:51And it ain't been closed for 43 years.
00:24:55On the day I'll be telling you about,
00:24:56a party of some plants folk went to a bean feast up at Truro.
00:25:00And they charted a special to take them home late that night.
00:25:03Ben Isaacs was the driver of that special.
00:25:05Ted Owens was kept on late duty here to close the bridge.
00:25:09He was a sick man, but no one knew it at the time.
00:25:12When they phoned through here from Truro,
00:25:14wanting Ted to close it as the special were starting off,
00:25:17Ted answers, as he'll go and shut the bridge that moment.
00:25:22But none were the last words he was ever heard to speak.
00:25:26Well, what happened?
00:25:29It was striking 11 o'clock when he lit his lamp and went out on the platform.
00:25:35He reached the bridge wheel,
00:25:36and as he tried to turn it,
00:25:40a terrible illness come on him.
00:25:45Poor chap, something must have told him it was all up with him.
00:25:48But he gathered up his strength
00:25:50and struggled back towards the waiting room.
00:25:52His one thought was to get to that phone and stop the train from coming.
00:25:56But he never reached it.
00:25:59He falls down there,
00:26:01dead, with his lamp still burning in his hand.
00:26:05The special was dead on time.
00:26:07The signals were with it,
00:26:09and it were coming along fast with the bridge wide open,
00:26:11and Ted opens it.
00:26:12I am there, dead.
00:26:15It seemed as though, when he was just above the station,
00:26:17something warned Ben Isaacs of danger.
00:26:19But he claps on his brakes,
00:26:21and the train went a-tearing through the station yard,
00:26:23with all the brakes on and the whistles screaming.
00:26:26For no use.
00:26:27The train goes a-thundering through the tunnel,
00:26:30straight through the open bridge, into the river.
00:26:32Crash!
00:26:34Crash!
00:26:36Horrible.
00:26:38Oh, Herbert.
00:26:42I wonder it weren't no pretty story you was making me tell.
00:26:46Yes, but where does the haunting come in?
00:26:49Some nights, the signal bell rings,
00:26:52and a train comes screaming and a-tearing through the station with its whistle blowing.
00:26:57Probably a goods train.
00:26:59Rarely do I find no trains run on these metals from ten at night till seven in the morning.
00:27:04Besides, whatever it is,
00:27:07it never starts from Truro,
00:27:09and it never runs into St. Vance.
00:27:13If it be a natural thing,
00:27:15where do it come from?
00:27:17Where do it go?
00:27:24Have you ever seen it?
00:27:26I shouldn't be here, if I had.
00:27:28What you say, as to look on the ghost train,
00:27:31don't mean death.
00:27:39You can stop here if you like, but not me.
00:27:41I got a wife and children looking to me.
00:27:43Do you mean you're afraid?
00:27:44Afraid? Why, I'm afraid. I'm ashamed to want it.
00:27:46Well, we're not.
00:27:48Very well.
00:27:49Seen you've made up your mind to it.
00:27:53But if you do hear a train,
00:27:56for God's sake, don't you go running out to look at it.
00:28:03Good night to you all.
00:28:05Good night, old boy. Thanks for the bedtime story.
00:28:11Cheerful bloke.
00:28:14I'm glad he's gone.
00:28:16Me hands have all come out in a perspiration.
00:28:19Ghost train.
00:28:22Never heard such nonsense in all my life.
00:28:26That railway accident did take place, you know.
00:28:29Yes, possibly.
00:28:30But all that nonsense about the sight of a train having killed people.
00:28:33Surely, as a medical man, you don't believe that.
00:28:35Of course he doesn't.
00:28:37Young lady, I expect you think I'm just an old-fashioned GP.
00:28:42Nowadays, if these specialists don't understand something,
00:28:45they chatter about inhibitions and split personalities.
00:28:49I prefer the immortal William.
00:28:51There are more things in heaven and earth.
00:28:56He knew a thing or two.
00:28:59You don't think there's anything in what he said, do you?
00:29:02Of course not.
00:29:04All change. Come along, please.
00:29:05Any more for Tuesday, Wednesday, Thursday or Friday?
00:29:08Who will have a ticket for the ghost train? Guaranteed haunted in every bogie.
00:29:14Will you shut up?
00:29:15Shut up. Very good, sir.
00:29:17Pipe, please.
00:29:20This be a natural thing?
00:29:22Where do we come from?
00:29:24Where do we go?
00:29:26To think we've got to put up with that little squirt for the next eight hours.
00:29:30An alarming thought, eh?
00:29:32Do you play chess by any chance, doctor?
00:29:34Chess? Yes, yes, I have played.
00:29:36I'm afraid I'm a bit rusty now, though.
00:29:38Well, it's hardly my game, of course, but it helps to pass the time away.
00:29:42Yes.
00:29:43I have a set here.
00:29:44Splendid.
00:29:55Here we are, playmates. Never a dull moment.
00:29:57Gandalf's at the rescue. He's a scream.
00:29:59Now, never mind about the ghost train.
00:30:01What you want's a bit of music to cheer you up.
00:30:03And here's a little song I'm going to sing at Newquay this summer.
00:30:05It'll paralyse them.
00:30:14Once at the seaside, feeling very reckless
00:30:16I banged down Tutmerson, I rolled over
00:30:18And I fell on my face
00:30:20Once at the seaside, feeling very reckless
00:30:22I banged down Tutmerson, I rolled on the pier
00:30:24Hadn't gone far when the strings of music
00:30:26Whapped it on the breeze and landed in my ear
00:30:28I'd quickened up my steps, for I love nice noises
00:30:30Very soon arrived right opposite the man
00:30:32Saw the conductor on a lemonade box
00:30:34With his little bat and stuck up in his right hand
00:30:36One, two, three, four, off went the corner
00:30:38Five, six, seven, eight, the fiddles followed suit
00:30:40Man in the corner playing on the piccolo
00:30:42Keeping time with the soul of his flute
00:30:44Right behind him was a fellow with a trombone
00:30:46Blowing like the devil with his cheeks out wide
00:30:48Working so hard that most of his little eyeballs
00:30:50Left their sockets and stood outside
00:30:52Eying on the rostrum, a drummer very lonely
00:30:54Drums all round like bees in a swarm
00:30:56Looking very cold with his nose quite scarlet
00:30:58Banging on the cymbals to keep himself warm
00:31:00Opposite to him was a man with a two-faced
00:31:02Splitting down a reed, what a nasty man
00:31:04Sitting next to him was a fellow with a French horn
00:31:06Full of soul and bitter beer, tums on the can
00:31:08Fellow with the cello, um-pum-pum-pum
00:31:10Trying very hard to saw it in two
00:31:12He fell with a double bass, cuddling it fondly
00:31:14Looking like a camel with a dose of the flu
00:31:16The man with the piccolo, fed up with the damn thing
00:31:18Sickened, tired of hearing the same old toot
00:31:20Thought he'd like a change, so he put it down beside him
00:31:22And then started messing with a full-sized flute
00:31:24The man with the bassoon, nothing on his music
00:31:26Sounded like a hoot, never said a word
00:31:28Just as I thought he was going to fall asleep
00:31:30He picked up his bassoon
00:31:32And gave it all the bird
00:31:46Why you little...
00:32:02Richard, Richard, Richard
00:32:04After all you started it
00:32:06Yes, yes, we don't want any more unpleasantness, do we?
00:32:08Well, I've had just about enough of him
00:32:10I was only trying to cheer things up
00:32:12Well, don't
00:32:15So you don't want me to entertain you, eh?
00:32:18No
00:32:20Dobro, Napoleon
00:32:44I heard something, in there
00:32:46In where?
00:32:48The refreshment room?
00:32:50I'll go and see
00:32:52I'll attend to this
00:32:54Yes, certainly, you go first
00:33:02Oh, help, help
00:33:04Oh, help, help
00:33:06Oh, let me go, oh, he's got me
00:33:08Help, let me go, help
00:33:10Oh, help, help
00:33:12Ha, ha, ha, ha
00:33:14Ha, ha, ha
00:33:18No good?
00:33:20Napoleon, no good
00:33:22It's all right, everyone?
00:33:24There's not a thing
00:33:26Look!
00:33:28What is it now?
00:33:30You've got a packet of tea in your hand
00:33:32What's the matter with it?
00:33:34It's tea
00:33:36Of course it's tea, you silly little man
00:33:38There's no need to go scaring the wits out
00:33:40You haven't thrown a few cups and saucers at me
00:33:42No, I haven't, and you give me back my tea, see?
00:33:44Ah, Stingy
00:33:46Two weeks' coupons, dear
00:33:48Now, now, don't be mean
00:33:50After all, there's a war on, we're adapting the pool system
00:33:52Wait a minute, I'll tell you what I'll do
00:33:54You give us your tea, and I'll give you a bacon, a sugar, and a couple of cooking fats out of my ration book, eh?
00:33:56Go on
00:33:58Yes, go on
00:34:02But I don't mind you having just one teaspoonful
00:34:04Ah, Lady Nuffield
00:34:06None for each and one for the pot
00:34:08Ah, it's a shame to rob you
00:34:10Oh, I don't mind, dear
00:34:12I could do with a cup of tea myself
00:34:14I've got a tin of milk, too
00:34:16Oh, yes
00:34:18No, no, no, stop it, stop it, Polly
00:34:20You do that again, I'll have you boiled up with a few carrots
00:34:22What are we going to make the tea in?
00:34:24Well, there should be a tea urn in the refreshment room
00:34:26The girl's not as dumb as she looks, come on
00:34:28Where are you going?
00:34:30I'm going to make some tea, if you don't mind
00:34:32Well, it's all right, it's all right
00:34:34Don't worry, we can manage
00:34:36Here you are, shall we make tea in the dark
00:34:38or will you have gas?
00:34:40Gas, I think
00:34:42Certainly
00:34:44Now then, Bobham
00:34:46Lovely weather we're having for this time of the day
00:34:48What can I do for you?
00:34:50First of all, I want eight cups
00:34:52Eight cups
00:34:54Bobham did say eight cups
00:34:56Eight cups
00:34:58Yes
00:35:02Will you have them with or without?
00:35:04With or without what?
00:35:06Handles
00:35:08With, please
00:35:10I was afraid of that
00:35:12I'm afraid we're rather short of handles
00:35:14It's been too rough for the boats to go out
00:35:16However, there you are
00:35:18Four cups and four suck-ups
00:35:20Hello
00:35:22I've been looking all over the hotel for you
00:35:24What do you want?
00:35:26I've come to help you make the tea
00:35:28Well, we don't want any help
00:35:30Good, what do I do?
00:35:32You can't go out in this rain
00:35:34Of course not
00:35:36You go
00:35:38Do you mind?
00:35:40No, my other suit will be dry by the time I get back
00:35:42Big-hearted gander, that's me
00:35:44Hot water number fourteen
00:35:50Of course, if you insist I'm going
00:35:52She doesn't
00:35:54Oh, the very thing
00:35:56It's a far, far wetter thing I go through
00:36:56It's a far, far wetter thing I go through
00:37:26Here, guess what I found
00:37:28I wouldn't be surprised
00:37:30The wheel that works the bridge, you know
00:37:32The one that old man nearly died on
00:37:34Oh, can't you forget about that old man?
00:37:36All right, old man
00:37:38It's true, there is a wheel
00:37:40Yes, it's just outside there
00:37:42It's quite a gruesome thought, isn't it?
00:37:44But what must it be when the train
00:37:46Comes a-screamin' and a-tearin' through the station
00:37:48With its whiskers blowin'
00:37:50And its haunted steamer
00:37:52I said forget it
00:37:54What was I talking about?
00:37:56Here, can I help you?
00:38:00I know
00:38:02Light the blue paper and retire Amy
00:38:06Hold on, everybody, don't be alarmed
00:38:08That was the tear
00:38:10I just teared the gas on
00:38:16Ah, I'd better take that one out of the joke book
00:38:18I'm afraid my stuff's too heavy
00:38:20I'm afraid my stuff's too heavy
00:38:22I'm afraid my stuff's too high class for them
00:38:24Hello, I see you got it to light
00:38:26Yes, we know how it works and we found the cups
00:38:28And we're doing very well, thank you very much
00:38:30All right, I was only trying to be useful
00:38:32Wasn't I, Miss, uh, uh, what did you say your name was?
00:38:34The lady didn't say what her name was
00:38:36Well, I told her what my name was
00:38:38Well, that's no reason to come in here
00:38:40If it'll stop you two arguing, it's Winthrop, Jackie Winthrop
00:38:42Winthrop, oh, the same as R.G. in there
00:38:44Well, he's not your brother
00:38:46And he's not your father
00:38:48He can't be your sister even if he does play hockey for Hampshire
00:38:50Who cares, is this a cross-examination?
00:38:52Oh, I don't mind
00:38:53Well, I do, this silly little man's done nothing but force his attentions on you ever since he lost his silly hat
00:38:57Well, I can't call him this what's-her-name
00:38:59Besides, I was only trying to help
00:39:00Well, go and help the people in the other room
00:39:02Oh, I don't want to
00:39:03Oh, no
00:39:08He's your cousin
00:39:11And you're not, um
00:39:14No
00:39:15That's all I wanted to know
00:39:18I say, don't be so miserable
00:39:21Oh, come on, cheer up
00:39:22Don't do that, you're giving me the palpitations
00:39:27I say, talking about ghosts
00:39:28We're not
00:39:29But I am
00:39:31Talking about ghosts reminds me of a story about Golders Green
00:39:34Do you know Golders Green?
00:39:35The underground?
00:39:36No, the crematorium
00:39:38Oh?
00:39:40One day, as they were pushing the bodies in
00:39:43Shut up
00:39:44Wait a minute
00:39:45As they were pushing the bodies in
00:39:47Will you shut up?
00:39:48Don't you see you're frightening the ladies?
00:39:50Don't be silly, you're enjoying it, aren't you?
00:39:52No, I'm not
00:39:53Oh
00:39:54Perhaps you'd rather I told you the story about the man who had his tongue torn out
00:39:59No, I wouldn't
00:40:01Oh, aren't you a difficult lot?
00:40:04Tea for eight, coming up
00:40:08Eight cups of tea, what about Ted? Doesn't he get one?
00:40:10Ted? Who's Ted?
00:40:11Ted Old
00:40:13I bet he's a bit thirsty by now
00:40:14After all, he's been lying here these past 43 years
00:40:17That's not funny
00:40:18I know it's not funny
00:40:19How would you like to be lying there with a lamp still burning in your hand?
00:40:22Will you?
00:40:23Oh, come and help me lay the table
00:40:25Yes, all right
00:40:26Excuse me
00:40:28Thank you
00:40:29Can we have this?
00:40:30Tar, give it to back afterwards, now don't fuss
00:40:32There you are, move these
00:40:33There you go, that's splendid
00:40:36There we are
00:40:37First service now ready
00:40:38Take your seats for the first service
00:40:44Charlie, hot coffee and buttered rolls twice
00:40:47Oh, and a semolina for the spook
00:40:50Won't be long now, sir
00:40:54Oh, I shouldn't put him here
00:40:56Why?
00:40:57He's too near Ted's lamp
00:40:58He'll singe his parson's nose
00:41:00Wait a minute
00:41:07You're asking for a judgment, young man
00:41:09Joking like that about them that's gone
00:41:11Oh, old Ted wouldn't mind
00:41:13If he was alive now, he'd die laughing
00:41:15Wouldn't you, Ted?
00:41:16Good old Ted
00:41:20Herbert, ask them if they'd like one of our sandwiches
00:41:23No
00:41:24Why not?
00:41:25We want them
00:41:28Would you like one of our sandwiches?
00:41:30We might as well share what we've got
00:41:32Oh, it's awfully sweet of you
00:41:33That's all right, we've got plenty, haven't we, Herbert?
00:41:36That's right
00:41:37I've got two hard-boiled eggs
00:41:39Two hard-boiled eggs?
00:41:41They don't agree with me
00:41:43Oh, quite a party
00:41:44Tea, eggs, sandwiches
00:41:45Yeah, isn't this fun?
00:41:46Let's see what else we can collect
00:41:47Oh, I've got the salt
00:41:49Two pieces of sugar
00:41:50Oh, tar
00:41:51Oh, no, they're for polish
00:41:52He always has Maharashi
00:41:56I always give mine to Ted
00:41:58All right, so, what about a slice of lemon for half-time?
00:42:01Now, I warn you, Gander
00:42:03Hang up
00:42:05I have a little brandy here I always carry with me
00:42:07For medicinal purposes, of course
00:42:09Oh, yes, I can see the cough
00:42:11Cold, yes
00:42:12If anyone else would like a sip with their tea, yes?
00:42:14Brandy and tea?
00:42:15Disgusting
00:42:16I don't know how a doctor can bring himself to mention it
00:42:20I must say, I'm not surprised, coming from him
00:42:23Do you mean to say you've never tasted brandy in your tea?
00:42:25I've never tasted alcohol in my life
00:42:27Then you shouldn't knock it back so quickly
00:42:29You should chew it a bit
00:42:30Thank you, doctor
00:42:31Here's my contribution
00:42:32Two sausage rolls, very rare specimen
00:42:35Who's the wreath from?
00:42:36Put it down, don't touch the exhibits
00:42:38Here, go and force your rhubarb
00:42:40Would you like a glass of brown?
00:42:42Will you have one?
00:42:43Oh, thanks
00:42:44Sausage roll, I don't recommend them
00:42:47Oh, he stuck his foot out that time
00:42:49Oh, come and sit down
00:42:51Richard, some tea?
00:42:53No, thanks
00:42:54Sausage roll, doctor
00:42:55No, thanks
00:42:57What, no cake?
00:42:58We had a bit of cake, but we ate it at Plymouth, didn't we, Herbert?
00:43:01That's right
00:43:02That's not right, how can you have your cake and eat it at Plymouth?
00:43:06Well, I haven't provided anything yet
00:43:08Now, let me see
00:43:09Oh, there's a chocolate machine outside
00:43:10Give me your pennies and I'll provide the sweet
00:43:12That's the first sensible thing you've said
00:43:14Come on, let's have your lovely pennies
00:43:16Ta, my benefit next Tuesday
00:43:18There we are
00:43:19What about you, auntie?
00:43:20Two Hatenies
00:43:21Two Hatenies
00:43:22Oh, well, here you are, give me those
00:43:23I'll give you a penny
00:43:24That's right, isn't it?
00:43:26Here
00:43:37Here
00:43:43There you are, Ted
00:43:44Now he's in nobody's way
00:43:49That was the other foot
00:43:51Hey, close the door
00:43:52Hey, close the door
00:43:57Close the door, please
00:44:03I don't think I feel much like eating
00:44:05Well, you ought to try, Miss Ocking
00:44:07Miss Edna Ocking
00:44:08But it'll be Edna Perkins tomorrow, won't it, Herbert?
00:44:11I hope so
00:44:14What the...
00:44:30There you are
00:44:32Chocolate
00:44:35Chocolates, you silly little man, these are matches
00:44:38But I...
00:44:41Matches
00:44:43That's right
00:44:44Oh, never mind, we'll do without
00:44:46Oh, we just have to smoke lots of cigarettes and use them up
00:44:48Cigarette, doctor
00:44:49Oh, cigarettes
00:44:51Talking of cigarettes reminds me of something that once happened to me
00:44:55Do you know, I was sitting in a railway carriage
00:44:57Opposite a man with a bowler hat
00:44:59And he was smoking a cigarette
00:45:01Well, the cigarette got shorter and shorter
00:45:05And suddenly, I realized it was burning right through his lip
00:45:10Sizzle
00:45:11Sizzle
00:45:13Sizzle
00:45:16I found out afterwards he'd been dead since Clapham Junction
00:45:19Now look here, just because some fool of a station master tells a story that...
00:45:22Listen
00:45:32There's someone coming down the platform
00:45:40Wait
00:45:43Ravenna
00:46:02Sizzle
00:46:03Sizzle
00:46:09Scream
00:46:13It's the station master
00:46:23He looks serious
00:46:24I'll take him into the other room and I'll get some water
00:46:27I'll go, I know what it is
00:46:31Take it, officer
00:46:43Better get him on the table here
00:47:02Sizzle
00:47:15Oh, dear
00:47:16Oh, dear
00:47:17I think I'm going off too
00:47:20I'm just as frightened as you are, but we must try and pull ourselves together
00:47:25Sizzle
00:47:30It says
00:47:32I run all the way
00:47:33I'm afraid you're too late, poor fellow
00:47:38We'll have to phone the police
00:47:39I'll do that
00:47:42Well, we'd better get back to the ladies
00:47:49How is he?
00:47:51He's... he's dead
00:47:52Dead?
00:47:53I fear so
00:47:54As far as I can tell, he died of shock
00:47:56I say, you don't think there is anything in that stall, do you?
00:47:58No, we don't
00:47:59Well, if you don't, I do
00:48:01Herbert, you've got to take me out of here
00:48:03You can't go in this weather
00:48:04I'm not stopping here with no corpses
00:48:06Yes, but where are we going to?
00:48:08I don't know
00:48:09Back to mother somehow
00:48:11I think I'd rather stay here with the deceased
00:48:14I'm not stopping here with no corpses, not for nobody
00:48:17Come on, Herbert
00:48:24Richard, you're not going to let them go like that
00:48:26If they want to go, it's their funeral
00:48:28Who said funerals?
00:48:30Now, don't you worry, everything's going to be all right
00:48:32Oh, dear
00:48:34To think that such a thing should happen to me
00:48:37But nothing has happened to you
00:48:39Yet
00:48:40Try this
00:48:46Oh, dear, I shall never be the same woman again
00:48:49I can't get through to the police, the line must be down
00:48:52Oh, dear
00:48:53Police?
00:48:54What do they want the police for?
00:48:56Oh, only to see if they can get us a car
00:48:58Where's the happy couple?
00:48:59They've gone
00:49:00Gone where to?
00:49:01They've gone to break the news to mother
00:49:04I want to go too
00:49:05I don't like it here
00:49:07I want to go home
00:49:08Doctor, isn't there anything we can do for her?
00:49:10Well, I...
00:49:11Ah, here we are, Dr. Hennessy's blood mixture
00:49:14Now, this will put you on your feet
00:49:16Or knock you off them
00:49:17Cheerio
00:49:18Now
00:49:21Do you feel better now?
00:49:22You certainly look better
00:49:24Here
00:49:25Try a drop more
00:49:31It smells like Christmas pudding
00:49:35Oh, I believe it's brandy
00:49:37No
00:49:38Is it really?
00:49:39Let me see
00:49:43Do you know I believe you're right?
00:49:45This is just what you want
00:49:46Not likely
00:49:47I was born and raised strict temperance
00:49:50And so I mean to stay
00:49:52But this is medicine
00:49:54Well, if you're sure
00:49:56But only a tiny drop now
00:49:58Just to ease the palpitation
00:50:00Yes
00:50:06Cough it up
00:50:08Oh, now I've broken the pledge
00:50:13It's warming me all the way down
00:50:15Yes
00:50:16You wait till it gets to the junction
00:50:19It's not really nasty, is it?
00:50:21No
00:50:22I mean, as medicines go
00:50:24That seems to be going pretty well
00:50:26I think I'd better take that
00:50:29Just a minute
00:50:33There you go
00:50:34She's got about the same as you had
00:50:37Now sip that slowly and you'll be as right as rain
00:50:40That's right
00:50:41It's got a funny taste, doesn't it?
00:50:46Listen, I've just thought of something funny
00:50:48Well, that's a change
00:50:49You remember when he fell through the door?
00:50:51Yeah
00:50:52It was just eleven o'clock
00:50:53What about it?
00:50:54Don't you remember?
00:50:55The station master said that that was the time that
00:50:57Shhh!
00:50:59Will you shut up about all that?
00:51:01I was only trying
00:51:02Hey!
00:51:03Here, here, here, here!
00:51:06Look!
00:51:07All gone
00:51:09Now what have you been a doing of?
00:51:12Do you know, in spite of all these terrible happenings
00:51:17I'm beginning to feel quite happy
00:51:21You naughty girl
00:51:23You're tight and you like it
00:51:25Oh dear, what can the matter be?
00:51:30Oh dear, what can the matter be?
00:51:34Oh, I think you'd better go and lie down
00:51:37Go and lie down yourself
00:51:39Go and lie down yourself
00:51:41I mean, you'd be much more comfortable
00:51:43I'm lovely and comfortable, thank you
00:51:45Whoa!
00:51:46Whoa!
00:51:47Whoopsie daisy
00:51:48Whoops, a bloomin' buttercup
00:51:50The buffet
00:51:51Little Miss Muffet, off to the buffet
00:51:54You know, everything's going well
00:51:57I feel just as I did when I came up the big wheel platform
00:52:01Oh, not surprised
00:52:03Oh dear, what can the...
00:52:05Here, here, here, don't you?
00:52:06Now, now, now, we're going to put you to bed
00:52:09Young man, I think you forget yourself
00:52:13Young woman, I think you flatter yourself
00:52:16Oh, here we go
00:52:19Oh, I don't want to go in here
00:52:21Yeah, go on, in you go
00:52:22I don't want to go in here
00:52:23Let's go in
00:52:25Come on
00:52:27Here we are
00:52:28This will make a lovely bed
00:52:30Come on
00:52:31Thank you
00:52:32But I've got a beautiful bed of my own
00:52:34No
00:52:35Oh, yes I have
00:52:37I've got brass bedsteads in every room
00:52:40What do you think of that, teach?
00:52:42You hear that? Brass bedsteads
00:52:44Brass bedsteads
00:52:46With knobs on
00:52:48Knobs
00:52:55Whoa, take it easy, missus
00:52:57Missus?
00:52:58Miss?
00:52:59Miss Bourne
00:53:01I'm spinstress
00:53:03Spinstress?
00:53:04With knobs on
00:53:06I'm maiden lady
00:53:08Here we are
00:53:09You'll be nice and comfortable
00:53:13And let me tell you, my bonny blue-eyed boy
00:53:17I was not neglected in my youth
00:53:22Well, why don't you go and get her rug
00:53:24I'll get it, I'll go
00:53:25I'll get it, I'll go
00:53:26Come on now
00:53:27It's no use
00:53:28It's no use
00:53:29It's no knobs
00:53:31No, never mind
00:53:32Come on
00:53:33No knobs
00:53:34Wait a minute
00:53:35Have you seen this?
00:53:36What?
00:53:37They all stay on
00:53:43Well, when the chap did it at the hippodrome, they all stayed on
00:53:46Ah, good
00:53:47There you are
00:53:48Now you'll be as snug as a rug in a bunk
00:53:53Look
00:53:55Knobs
00:53:58Knobs
00:53:59Lovely knobs
00:54:00There you are
00:54:01Now go to sleep
00:54:02Go to Bobo
00:54:03Knobs
00:54:05This place is getting more like a madhouse every minute
00:54:09Richard
00:54:10What?
00:54:11I thought I heard a scream
00:54:15You're imagining things
00:54:20What's the matter?
00:54:27That's all right, there's nothing to worry about
00:54:29You're quite safe
00:54:30But he's coming this way
00:54:36Let me in, let me in
00:54:45You must help me
00:54:46Please help me
00:54:48Hide me from him
00:54:49Hide you?
00:54:50What do you mean?
00:54:52He's coming
00:54:53He'll want to take me back
00:54:54But I'm not going, I'm not
00:54:56I've got to see it tonight
00:54:58I know it'll come
00:55:00I always know
00:55:01I'm afraid I don't follow you
00:55:03But you know you must know
00:55:08There's a car coming down the road
00:55:10It's him
00:55:12Don't let him find me
00:55:17You can't go in there
00:55:18Then where can I go?
00:55:19We'll look after you, won't we?
00:55:21But he's coming, I tell you
00:55:23Listen
00:55:25Richard!
00:55:31He's crashed
00:55:32I'll go out there
00:55:34You better stay here, Winthrop
00:55:35I'm coming
00:55:36Better come too, doctor
00:55:37Here, that's my coat
00:55:38Oh, you look after the shop
00:55:45Are you hurt?
00:55:46No, I don't think so
00:55:49You've given me a car and a bit of a headache
00:55:51Oh, look here
00:55:53I've heard of it raining cats and poodles
00:55:55But never stockings and things like that
00:55:59Some damn fool left his luggage in the middle of the road
00:56:02It must be Edmund and Herbert
00:56:03We can't hang about with this
00:56:05Better come with us, there's a fire in the wick, you know
00:56:07Bring the fender with you
00:56:09Oh, he won't half laugh when he sees this
00:56:14Now stay in there
00:56:15And keep quiet
00:56:24Oh, Herbert
00:56:26Look at our fender
00:56:28And my trousseau
00:56:35Well, who the devil are you people?
00:56:37Well, who the devil are you?
00:56:39Yes, my name's Price
00:56:41Oh, I'm Tommy Gander
00:56:42He's a scream
00:56:43Comedian and entertainer
00:56:45So far you've been neither
00:56:47Neither
00:56:48Neither, we've been through all that
00:56:50Oh, Herbert
00:56:51My new nightie
00:56:53I shan't have anything to wear tomorrow night
00:56:56That's right
00:56:58What are you all doing here at this time of night?
00:57:00We might ask you the same question
00:57:02I came out to look for my sister
00:57:04Your sister?
00:57:05Yes, I had certain reasons for believing that she'd come to this place
00:57:08Oh, and why do you think she'd come here?
00:57:10I can't be expected to go into that with strangers
00:57:13In that case, I'm afraid we can't help you
00:57:14I see, then I'm afraid I shall look for myself
00:57:22So she is in there
00:57:26Before we get belligerent, don't you think some explanation would help?
00:57:30All right
00:57:32You must know
00:57:34My sister's, well, not quite normal
00:57:37She suffers from delusions
00:57:40Normally, she's kept under observation
00:57:43But tonight she got away
00:57:47It's a lie
00:57:49Don't listen to him
00:57:51He's trying to take me back
00:57:53So there you are, Julia
00:57:56It's no good
00:57:58I can't come back, you know I can't
00:58:00Now be sensible, Julia
00:58:01Oh, what's the good of talking?
00:58:05I must stay here
00:58:08I can't help myself
00:58:11Julia
00:58:12Don't touch me, go away
00:58:14Just a minute
00:58:15How do we know that you're telling the truth?
00:58:17Here, here, that shall be good enough to mind your own business
00:58:19It is my business if you insist on taking her away against her will
00:58:22I associate myself with that unanimously
00:58:24Now look here, Mr...
00:58:25McIntosh
00:58:26What's it got to do with you?
00:58:28That's right, what's it got to do with me?
00:58:30Here
00:58:31Sorry
00:58:32Don't let him take me back, please
00:58:34Why can't she stay here?
00:58:36At least until she's feeling better
00:58:38Now listen to me, please
00:58:39You people have heard the story of this place, I suppose
00:58:41About the train that starts screaming around Ted Holmes Land
00:58:46Right
00:58:47He means the ghost train
00:58:48So called
00:58:50Well, that infernal nonsense is responsible for my sister's mental condition
00:58:54She was near this station one night several years ago
00:58:56She thought she saw the train
00:58:58But I did see it
00:58:59You know I saw it, I did see it
00:59:01Yes, yes
00:59:02It was a great shock to her
00:59:04So great a shock that it, well, affected her permanently
00:59:08Some night she gets the idea that the ghost train will run
00:59:12It has a morbid fascination for her
00:59:14She feels she mustn't see it again
00:59:16Tonight is one of those occasions
00:59:19Now I hope you understand
00:59:21But it will come tonight
00:59:24I know it will
00:59:26Yes, yes
00:59:28By the way, who told you this story?
00:59:30The stationmaster
00:59:31With all the trimmings
00:59:32Mind you, he wound us twelve, no pretty story
00:59:34What, old Saul Hodgkin, where is he?
00:59:36He's in the ticket office
00:59:38He's dead
00:59:39That's right
00:59:40Saul Hodgkin dead?
00:59:42Good heavens
00:59:43His troubles are over
00:59:46I've locked the door
00:59:56Is this a joke?
00:59:57Because if so, it doesn't amuse me
01:00:00Of course not, we put him on there ourselves
01:00:02Well, where is he now?
01:00:03I don't know, we were all in the other room
01:00:04So he can't have got out
01:00:05Apart from being dead
01:00:08He's gone
01:00:09He can't have
01:00:11When's all this supposed to have happened?
01:00:13Well, it happened, all right
01:00:14We all saw it
01:00:16That's right
01:00:17Yes, you ask this gentleman, he's a doctor
01:00:18He should know a dead body when he sees one
01:00:21Yes, I rather think I should
01:00:24The man was certainly dead
01:00:26A heart failure
01:00:27In my opinion, the result of a shock
01:00:29What happened exactly?
01:00:30Well, he left here to go home
01:00:32About twenty minutes later, we heard footsteps
01:00:34When I opened the door, he fell forward into the room
01:00:37Which door?
01:00:39That one
01:00:42I knew it
01:00:44Don't you see?
01:00:45It wasn't Saul Hodgkin at all
01:00:47It was Ted Holmes
01:00:49Coming back from the dead
01:00:51What did he look like?
01:00:53You mean his face?
01:00:54Yes, yes
01:00:55Well, have you ever seen a bad nut?
01:00:57Good afternoon
01:00:58He was a tall, gaunt sort of fellow
01:01:00Are you sure of that?
01:01:02Of course
01:01:03It wasn't the station master
01:01:05It was Ted Holmes
01:01:08Come now, Julia, you're upsetting everybody
01:01:10Ted Hodgkin
01:01:11Then where is he?
01:01:12A man couldn't vanish into thin air
01:01:15And the time when all this happened
01:01:17It was eleven o'clock, wasn't it?
01:01:19Wasn't it?
01:01:20A shock
01:01:22That proves it
01:01:24We've got to get her away from here
01:01:26No, I'm staying
01:01:28I'm staying here till it comes
01:01:30You know it will come
01:01:32You say I imagine it, but you only want to put me away like you did before
01:01:36No, I'm not leaving
01:01:37I'm going to see it, I must see it
01:01:39Even if it kills me
01:01:40That's enough, Julia
01:01:41Don't touch me
01:01:42Julia
01:01:43If you don't mind
01:01:44If she were a patient of mine, I'd let her stay, you know
01:01:47You don't understand
01:01:48Quite likely
01:01:49They do say I'm old-fashioned
01:01:51But if she stays and the train doesn't come
01:01:54And it won't
01:01:55She will realize then that it is only a delusion
01:01:57Surely that's only common sense, eh?
01:02:00All right
01:02:01But don't think I'm going to be any party to this tomfoolery
01:02:04As soon as I can find another car, you're coming back with me
01:02:07Mr. McIntosh, if we shouldn't be here when you get back
01:02:10Will you see the paper spell my name right?
01:02:12G-A-N-D
01:02:18He's gone
01:02:19Yes
01:02:20You'll be all right now, eh?
01:02:22As soon as the rain stops, we can all go
01:02:23No, I'm staying here
01:02:26Of course
01:02:27Just as you like
01:02:29Like?
01:02:31It isn't as I like
01:02:33It's because I can't help myself
01:02:36This place terrifies me
01:02:39But it fascinates me, too
01:02:42It's full of eyes
01:02:44They stare
01:02:46And stare
01:02:49Don't look at me like that
01:02:51You think I'm mad, but I'm not mad
01:02:53Oh, no, I... I...
01:02:55I... I don't know
01:02:58You see
01:03:00I know what's going to happen
01:03:02And it's going to happen soon
01:03:04The screamer breaks
01:03:05The shriek of the whistle
01:03:07Louder, louder
01:03:10Why don't you all go now and leave me before it's too late?
01:03:14When the train comes
01:03:15The train won't come
01:03:16It came that night
01:03:17I saw it thundering down the valley, on and on, into the river
01:03:21Then I saw Ben Isaacs, the driver
01:03:24Coming back out of the tunnel
01:03:26But weren't they all killed?
01:03:28All except Ben Isaacs
01:03:29He was thrown clear
01:03:31He came back to the station singing
01:03:33Singing rock of ages
01:03:36His mind gone
01:03:40They say
01:03:42That before the ghost train runs
01:03:45You hear the bell ringing
01:03:47Dismally
01:03:49It'll be here soon
01:03:51I know it
01:03:52Look!
01:03:54Don't you see?
01:03:56There!
01:03:57What?
01:03:58Look!
01:03:59It's Ted Holmes again
01:04:00It's Ted Holmes again
01:04:02Coming out of the office
01:04:06Don't you see?
01:04:10Yes, yes, of course
01:04:12But don't you think it would be better if we all...
01:04:21He's crossing towards the door
01:04:26Look!
01:04:28He's opening the door
01:04:31Look!
01:04:40It's all right, it's only the wind
01:04:43I've got an aunt who suffers with that
01:04:45Her doors are always blowing open
01:04:48My auntie Florey
01:04:49I think this room's worrying you
01:04:50Let's go into the refreshment room and...
01:04:52If you open the door now
01:04:54You'll find he's still there
01:04:57We'll soon see
01:04:59No, wait!
01:05:01Now listen to me, my dear
01:05:03There's nothing to worry about
01:05:05Come over by the fire
01:05:07Come along
01:05:17Now listen
01:05:18I've got a nasty feeling we haven't got over the worst of this yet
01:05:20I want you to promise that if anything unpleasant happens
01:05:22You'll be guided by me
01:05:24All right
01:05:26Look!
01:05:28The light's going out
01:05:36Why don't you go?
01:05:37There's still time
01:05:38We can't go
01:05:39Then stop your ears
01:05:41For God's sake, don't look
01:05:43Remember what happened to me
01:05:45You must be warned, you must
01:05:50Listen
01:05:52The signal bell
01:05:54Now will you believe me?
01:05:56Nonsense, that doesn't prove anything
01:05:57But the bell
01:05:58It always rings
01:05:59Now look here, this is absurd
01:06:05What was that?
01:06:06What?
01:06:08I thought I heard a train whistle
01:06:10It's coming
01:06:13It's coming
01:06:15She's right
01:06:16It is a train
01:06:17Thundering down the valley
01:06:19It's coming
01:06:21It's coming
01:06:23On, on
01:06:26I'm going to look
01:06:27No
01:06:31You got that?
01:06:39We're shut in
01:06:41Listen
01:06:43Listen to it
01:06:45I've got to see it
01:06:47I must see it
01:06:48It must stop
01:06:49It must stop
01:06:55It must stop
01:07:12Is she...
01:07:13Is she dead?
01:07:15No, no
01:07:16Her pulse is weak
01:07:17But steady enough
01:07:18Would you get me some water, please?
01:07:20Yes, of course
01:07:21Wait a minute
01:07:22There's no more water in there
01:07:23I'll get some from outside
01:07:24There it is
01:07:26Oh, I've just remembered
01:07:27The ghost train had all its lights on
01:07:28Well, what about it?
01:07:29Well, they'll get pinched
01:07:30It's after blackout time
01:07:31Don't be silly
01:07:32All that was 43 years ago
01:07:33There was no war on then
01:07:35Yes, there was
01:07:36There was the Boer War
01:07:38I can't stand any more of this
01:07:41I've come to the end of it, Ted
01:07:43Where's the other stocking?
01:07:45Now I want you to go right back in there
01:07:47And whatever happens
01:07:48Don't let anyone leave
01:07:50Where are you going?
01:07:51To get some water
01:07:52We don't need any water
01:07:53We don't need any fade-away
01:07:54Yes, the doctor said
01:07:55Please, there's no time to explain that now
01:07:56You said you'd trust me
01:07:58Yes, I do
01:07:59But where will you be?
01:08:00We're going outside to do a bit of snooping
01:08:03Snooping?
01:08:04That's an idea
01:08:05You be Charlie Chan
01:08:06I be Honourable Son
01:08:08What if they ask me where you are?
01:08:09Tell them unwary servants
01:08:11Take despicable glass
01:08:12To get unspeakable water
01:08:14Go on, go back inside there
01:08:15There's a good girl
01:08:16Hello, hello, hello
01:08:19She's gone
01:08:20Now, where's this bridge wheel?
01:08:21What bridge wheel?
01:08:22Oh, I don't know whether I'd bother about that
01:08:23Remember what happened to Edward?
01:08:24Edward?
01:08:25Edward, oh
01:08:26Oh, go on, show me where it is
01:08:28This way
01:08:31That's it over there
01:08:32It looks like a washing-up machine
01:08:34Ah, so this is the historic stock
01:08:38I say, doesn't ghost smoke smell funny?
01:08:40I bet you can't say that quickly
01:08:42Doesn't ghost smoke smell...
01:08:43Try that with me other teeth in
01:08:46Hello, it isn't there
01:08:47What isn't?
01:08:48The old man's lamp
01:08:49I put it there when I came to get the water
01:08:51I say, didn't old Saul Hodgkin say this bridge was always open?
01:08:54It ain't been closed these 43 years, it ain't
01:08:56It ain't, eh? Well, look at that
01:08:58Closed
01:08:59That's funny, it was open just now
01:09:19Ben Isaacs
01:09:22He's coming back
01:09:27Oh, I warned you, I warned you
01:09:45They were shots
01:09:47Got him
01:09:48Tell him to get away
01:09:51Come on
01:10:15I can't see any ghost
01:10:17I suppose I haven't run through it
01:10:22Eddie
01:10:24Eddie
01:10:26Eddie
01:10:27Eddie, where are you?
01:10:28Eddie
01:10:31John
01:10:33Take me away from here
01:10:34I'll come with you now
01:10:35It's alright Julia
01:10:36I've managed to get a bus, it's outside
01:10:38Oh, well played sir
01:10:39That's right
01:10:40Come on, Edna
01:10:41If you're ready, I suggest we don't waste any time
01:10:43We've been here too long as it is
01:10:45Yes, but some idiot's been fooling around with a gun outside
01:10:48What?
01:10:49Didn't you hear?
01:10:50Yes, just now
01:10:51But you can't leave here until...
01:10:53Until the police arrive
01:10:56So you're the idiot with the gun
01:10:58I might have known it
01:11:01What the blazes have you been shooting at?
01:11:04A ghost
01:11:05And no ordinary ghost either
01:11:07This one had a signature tune
01:11:09Oh, I'm sick of all this nonsense
01:11:11Come on, let's go
01:11:12Wait a minute
01:11:14I'm afraid nobody goes
01:11:16Excuse me
01:11:20Now look here
01:11:21Get back
01:11:23Go on
01:11:25Sit down
01:11:28Have you gone mad?
01:11:29On the contrary
01:11:32I suppose everyone knows what this is
01:11:38Believe it or not, the blood of Ben Isaacs
01:11:40I've winged a ghost
01:11:42Oh, rot
01:11:43If you don't open these doors...
01:11:45Mr. Winthrop
01:11:46There wouldn't be any reason why you'd want us all away from here, would there?
01:11:49And what the devil do you mean by that?
01:11:52Yes, I'd like to know that too
01:11:54Perhaps I should explain that the person responsible for the ghost train
01:11:57Is with us in this room now
01:12:02The ghost train?
01:12:04Yes, only it isn't a ghost train
01:12:06This one happens to be as real as the Plymouth Express
01:12:12But there was an accident, you know
01:12:15Perfectly true
01:12:16There was a strong local superstition about the ghost train
01:12:20That's what gave somebody in this room the idea
01:12:24Made their job easier because for years people have stuck their heads under the bedclothes
01:12:27If they heard a train in the night
01:12:29But when we turned up, we made it rather awkward for them
01:12:32So when the station master couldn't get rid of us
01:12:34They set to work scaring us out
01:12:37But they didn't, did they?
01:12:39No
01:12:41Bless my soul
01:12:44Don't look at me like that
01:12:45I don't know anything about it
01:12:47I assure you I'm going to Red Roof as Dr. Harrabee's local
01:12:52Just a moment
01:12:54I don't pretend to understand all this
01:12:56But you and your silly little friend have been behaving rather queerly yourselves
01:13:00Exactly what game are you playing here?
01:13:02Richard, I've just remembered
01:13:04If it hadn't been for Mr. Gander
01:13:06You wouldn't be here at all
01:13:08Jackie
01:13:11Richard, did you have to do that?
01:13:13Of course, the man's a lunatic
01:13:14Might have shot somebody at any moment
01:13:16Oh, here's the key
01:13:18Now we can get out of here
01:13:19But you can't leave him here like this
01:13:21Don't worry, we're going to take him with us
01:13:22Yes, a little fresh air will soon bring him round
01:13:24Will you two bring him to the bus?
01:13:26Yes, certainly
01:13:27Right
01:13:28Come on, Harrabee, you help
01:13:30Pardon me
01:13:35Your bags, Doctor
01:13:36Yes, I'll come back for them
01:13:37Be careful
01:13:39Steady
01:13:45Oh, thank heaven to get out of here
01:13:47I'm sick of this hole
01:13:48Yeah, I don't want to complain
01:13:50But I do hope this will be all for tonight
01:13:57You'll be all right in here
01:14:09All right, driver
01:14:10Hey, hey
01:14:11Hey, wait a minute
01:14:13Wait a minute
01:14:18I nearly missed the bus
01:14:19That's right
01:14:20Where the blazes have you been?
01:14:21Trying to get out the tunnel
01:14:22I couldn't find the hole
01:14:23All right now, sir
01:14:24Yes, but step on it, will you?
01:14:26Wait a minute
01:14:27My basket's still in the station
01:14:28We'll attend to that in the morning
01:14:30Yes, but say it disappears
01:14:31I won't be able to open on Monday
01:14:32That will be a break for new kids
01:14:35Well, we're off
01:14:36Yes
01:14:37What a bit of luck finding a bus, eh?
01:14:41Look at Teddy
01:14:43He's gone to sleep
01:14:44Yes, I put him to sleep
01:14:46Yes
01:14:47Eh?
01:14:48You mean you were on the floor?
01:14:51Yes
01:14:52And if we have any trouble from you
01:14:53You're just as likely to join him
01:14:55Don't let's have any more unpleasantness
01:14:57No
01:15:03Anybody got any smelling salts?
01:15:05You haven't got a drop of the...
01:15:07No, no
01:15:09Come on, come to Daddy
01:15:10Hi, Daddy
01:15:11Oh, I wish I'd paid attention at the first aid class
01:15:14Don't worry, he'll be all right
01:15:16Just a moment, I want to ask you a question
01:15:18Where exactly did you go when you left the waiting room?
01:15:20Oh, me?
01:15:21Outside
01:15:22Don't you remember when the spook special came along?
01:15:24Yes, I remember perfectly
01:15:25But it's very curious
01:15:26That when you and your friend went out
01:15:27Things began to happen
01:15:29Oh, you mean old Rock of Ages
01:15:31It was Ben Isaacs
01:15:32He was coming back
01:15:34I knew he would
01:15:35Now, Julia
01:15:37Something macro won't hit me
01:15:39I'm afraid I did
01:15:40I'm very sorry
01:15:41But it was entirely necessary
01:15:42But...
01:15:43Where are we?
01:15:45Why, you...
01:15:46Now, now, now, now, now
01:15:47Now, count up to ten
01:15:48One, two, three
01:15:49You blithering idiot
01:15:50Where did you get to?
01:15:51Oh, I walked into the tunnel wall
01:15:53I blacked myself out in the knockout
01:15:55I mean, I knocked myself out in the blackout
01:15:58Well, I think we can say
01:15:59We successfully stopped your little game
01:16:00Whatever it was
01:16:01You've successfully mucked up the whole show
01:16:03Now there's no one to get that train
01:16:04When it comes back
01:16:05Comes back?
01:16:07The ghost train never comes back
01:16:10This one's more obliging
01:16:11It makes the return journey
01:16:14But if the train does come back
01:16:15It'll have to cross the bridge, won't it?
01:16:17Of course
01:16:18But if it's a ghost train
01:16:19It wouldn't matter whether the bridge was opened or closed, would it?
01:16:21No, but...
01:16:22Oh, well, that's all right then
01:16:23What are you babbling about?
01:16:25Well, we'll soon see
01:16:26I opened the bridge
01:16:28You've done what?
01:16:30Well, somebody had closed it
01:16:31So I opened it
01:16:32Otherwise the story wouldn't be right
01:16:34You meddling fool
01:16:37Nichol, stop!
01:16:41I say, what is this?
01:16:42Sit down
01:16:43I'll do nothing of the sort
01:16:44I rather think you will
01:16:45Oh, what are you doing?
01:16:47You can't keep still
01:16:48Unless you're looking for trouble
01:16:50He's opened the bridge
01:16:51Back to the station, flat out
01:16:52It's too late, sir
01:16:53We've passed Borger's Crossroads on my back
01:16:55If we get across the footbridge
01:16:56We can stop them on the other side
01:16:58Yes, cut down the lane as fast as you can
01:17:00What?
01:17:04Cut down the lane
01:17:35That's the lot
01:17:38We're not late, are we?
01:17:40The coast train's never late
01:18:05Can't you go any faster?
01:18:07If it goes any faster, we'll take off
01:18:09I hope you're enjoying all this
01:18:11If you hadn't been so anxious to show off your right hook
01:18:13We wouldn't be in this mess
01:18:14But what's happening? I don't understand
01:18:16Have you ever heard of the fifth column?
01:18:18What?
01:18:19The gent at the gun is a Nazi sympathiser
01:18:21The more they pay him, the more he sympathises
01:18:23Cut that out
01:18:24But smuggling arms is a dangerous game in wartime
01:18:26So they invented the ghost train
01:18:28The train
01:18:29I can see it
01:18:31It's on the last kerb before the bridge
01:18:33We'll never stop it
01:18:34We've got to stop it
01:18:36Tell it to pull up here, I'm cutting down the hill
01:18:38Stop
01:18:42Watch them
01:18:46Come on, make off
01:19:01Oh, by the way, you two go down from him
01:19:03Hand it over
01:19:04Come on
01:19:11Come on
01:19:15Come on
01:19:31The bridge
01:19:32It's open
01:19:48And, of course, after Julia had fainted
01:19:50I knew that Stirling was no more the doctor than I was
01:19:52I saw him taking a pulse with his thumb
01:19:54You did
01:19:55You didn't know anything about it till I told you
01:19:57Well, after all, I did open the bridge while you were lying there
01:19:59Like a British heavyweight
01:20:01Oh, there you are, sir
01:20:02I think we can get you at this address for the inquest
01:20:05Correct, Commissar
01:20:06Thank you, sir
01:20:07Thank you, sir
01:20:08Thank you, sir
01:20:09That'll be your special, sir
01:20:10It's due any minute
01:20:11Thank you very much
01:20:15Do you know, I've an idea you're by no means what you make out to be
01:20:18Confidentially, I'm not
01:20:20You must be relieved
01:20:21Ah, there you are
01:20:23I'm afraid, old boy, I've been a bit of a...
01:20:26A bit of a? I think you've been a lot of a
01:20:28Well, anyway, if you'll accept my apologies
01:20:30Of course
01:20:31And you, Gander
01:20:33And you, Winthrop
01:20:38Nobs
01:20:39We've forgotten about the old bird with her old bird
01:20:50Feel better?
01:20:51I've got a terrible headache
01:20:53Don't tell me
01:20:54You've got a piece of flannel where your tongue should be
01:20:56How did you know?
01:20:57Never mind, the train's in now
01:20:59You'll soon be safe in Truro
01:21:00Good
01:21:01I'm so glad nothing exciting has happened
01:21:06Nothing exciting
01:21:09Are they all?