"Fantôme d'amour" est un drame italo-franco-allemand mettant en vedette Marcello Mastroianni et Romy Schneider . L'histoire est adaptée du roman éponyme de Mino Milani. Mastroianni interprète Vincenzo Iacovoni, un homme d'affaires riche et puissant qui tombe éperdument amoureux de Sandra, une jeune femme incarnée par Romy Schneider. Leur relation passionnelle est cependant contrariée par la différence d'âge et le fait que Sandra soit déjà mariée .
Accueil critique
Le film a reçu un accueil mitigé de la critique à sa sortie. Certains ont salué les performances des deux acteurs principaux, en particulier celle de Romy Schneider dans l'un de ses derniers rôles marquants avant sa mort prématurée . D'autres ont critiqué le scénario jugé trop mélodramatique et les longueurs du film, malgré la réalisation soignée de Dino Risi . "Fantôme d'amour" reste néanmoins considéré comme une œuvre notable du cinéma italien des années 80, portée par le jeu d'acteurs et l'exploration des thèmes de l'amour impossible et de l'obsession amoureuse .
Accueil critique
Le film a reçu un accueil mitigé de la critique à sa sortie. Certains ont salué les performances des deux acteurs principaux, en particulier celle de Romy Schneider dans l'un de ses derniers rôles marquants avant sa mort prématurée . D'autres ont critiqué le scénario jugé trop mélodramatique et les longueurs du film, malgré la réalisation soignée de Dino Risi . "Fantôme d'amour" reste néanmoins considéré comme une œuvre notable du cinéma italien des années 80, portée par le jeu d'acteurs et l'exploration des thèmes de l'amour impossible et de l'obsession amoureuse .
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FunTranscript
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00:04:20It was a Tuesday, a market day on the Grand Place.
00:04:24The fog had made its appearance.
00:04:26The first fog of this winter appeared.
00:04:42It's you, Nino?
00:04:43Good evening.
00:04:44What is this package?
00:04:45What did you buy?
00:04:46Mustard.
00:04:47Again, mustard.
00:04:49I think it suits you so well.
00:04:50What do you want me to do with this mustard?
00:04:52It's too sweet and at the same time, it's too strong.
00:04:54Professor Plachil said last Sunday.
00:04:56You don't know how some substances metabolize.
00:04:59Alcohol, for example, becomes fat.
00:05:01And with the disastrous way we have to feed ourselves,
00:05:03there are still people who complain
00:05:05because they have...
00:05:06I don't complain.
00:05:07...infarcts, ulcers, rheumatism.
00:05:09Come on, you have a husband in great shape.
00:05:11Young, handsome, like the sun.
00:05:13Yes, yes, you'll talk to me again later when you're here.
00:05:15Is the conference on Sunday?
00:05:17Professor Vitrotti is going to do it for us.
00:05:19Him again?
00:05:20But he hasn't spoken in two months.
00:05:23I thought less.
00:05:24And what theme will he discuss?
00:05:26I told you, the spiritual exercises of Ignatius of Loyola.
00:05:30A beautiful subject, not so bad.
00:05:32Well, for the mustard, since you're so chubby.
00:05:35But with what do you want to eat it?
00:05:37You'd need a fire pit.
00:05:39Yes, of course.
00:05:40The fire pit is like lead.
00:05:41Do you answer?
00:05:42No, no, go ahead.
00:05:43Besides, it's probably for you.
00:05:48Hello?
00:05:50Ah, good evening, Loredana.
00:05:52Yes?
00:05:54Where did you buy this fountain?
00:05:56At Medaglia, Annie.
00:05:58That may well be, it's probably for you.
00:06:00Oh no, enough.
00:06:01If it's for me, you just have to answer that I'm not here.
00:06:03Because if all the businessmen start calling me at any time of day and night...
00:06:07So you're not here for anyone?
00:06:09For no one.
00:06:10Not even for Monseigneur?
00:06:12Not even.
00:06:13Ah, well, very well.
00:06:15Hello?
00:06:17Hello?
00:06:18Mr. Nino Monti?
00:06:19Yes, I'm the one on the phone.
00:06:21I'm the lady on the bus.
00:06:23On the bus?
00:06:25Yes, remember, you were so nice to...
00:06:27I didn't have the 100 lire for my ticket, and you...
00:06:29Ah yes, I remember perfectly.
00:06:31So?
00:06:32So I was wondering how to give it back to you.
00:06:35But it's nothing, I assure you.
00:06:38Really? Nino?
00:06:40You didn't recognize me?
00:06:42Excuse me, it's just that...
00:06:44I've changed so much.
00:06:46Listen, mademoiselle, I'm Nino Monti, tax expert.
00:06:49Maybe...
00:06:50I'm Anna.
00:06:51Anna who?
00:06:53Anna Brigatti.
00:07:03I know I've changed since the time we...
00:07:07You haven't.
00:07:09I recognize you right away.
00:07:11You haven't changed at all.
00:07:14Anna...
00:07:18I was sick.
00:07:20Nino, who is it?
00:07:23I was...
00:07:24I was so happy to see you again, and I...
00:07:27Nino!
00:07:28Nino, for the 100 lire!
00:07:30But you have them.
00:07:32You'll give them to me next time.
00:07:34Don't worry about that.
00:07:35Yes, the next time we meet.
00:07:41Yes.
00:07:54Do you know who it was?
00:07:58Nothing.
00:07:59Nothing of the sort, as usual.
00:08:01I met a good woman at a furniture sale,
00:08:04so I told her to come to the office tomorrow.
00:08:06Oh, my God, all those phone calls while we're eating.
00:08:09I beg you, forget about the meals.
00:08:12With her, we can never eat in peace.
00:08:15Never.
00:08:17Oh, by the way, this morning I saw Mrs. Kozzi.
00:08:20You know, that sort of...
00:08:22Yes, it was at the meeting.
00:08:24We talked about school problems,
00:08:26and she had the nerve to tell me,
00:08:28those things, you can't understand.
00:08:30You don't have children.
00:08:31I realize that.
00:08:32Because I don't have children, I don't understand anything.
00:08:40I don't understand anything.
00:08:53I know why my friends are jealous.
00:08:55It's because I married a man younger than me.
00:08:57If Loredana wants to be president,
00:08:59well, she doesn't mind.
00:09:01And when she becomes president, she'll do whatever she wants.
00:09:03Only in the current state of affairs,
00:09:05thanks to God, it's me who decides.
00:09:07And I don't receive orders from anyone.
00:09:10What?
00:09:11Yes, Loredana is the last one to enter our circle.
00:09:14And she already claims to dictate her law to us.
00:09:18Listen, Nino, I'm falling asleep.
00:09:20I'm going to bed.
00:09:22I'm leaving everything, you know,
00:09:23because tomorrow is a good day, so she'll tidy up.
00:09:26And you, what are you going to do?
00:09:29I think I'm going to bed too.
00:09:31I'm going to my office to get a book.
00:09:37Good night.
00:09:45In my memories, Anna had always remained so beautiful.
00:09:50And thanks to the image I kept of her,
00:09:52and the hours of happiness we lived together,
00:09:55sometimes I was able to take Teresa,
00:09:57my eyes closed,
00:09:58plunged into a kind of oblivion.
00:10:01The memories of Anna excite me.
00:10:04But this beautiful image had disappeared,
00:10:07now that I had seen her so changed,
00:10:10old, sick, unrecognizable.
00:10:33Anna.
00:10:52Good morning, sir.
00:10:53Good morning, Rita. What's new?
00:10:55Mr. Fretti is waiting for you in the small office.
00:10:57There was a call from the Chamber of Commerce
00:10:58and another from the Director of Finance.
00:11:00Mr. Bianchi also called.
00:11:01I've noted everything on your agenda, sir.
00:11:02Perfect, Rita. Perfect.
00:11:05Good morning, sir.
00:11:06Good morning, Rossi.
00:11:08I don't think you're in a good mood today.
00:11:09What's wrong?
00:11:10I don't feel very well.
00:11:11Do you want a little wine, perhaps?
00:11:12No, not exactly.
00:11:13I have a cramp here, so I'll go to the doctor.
00:11:16Thank you, sir.
00:11:17There's no need.
00:11:21Mr. Fretti, I'll be with you in a moment.
00:11:23Please, take your time.
00:11:32Shh!
00:11:38Rita!
00:11:40Yes?
00:11:41What is this room?
00:11:43It's unread.
00:11:44Yes, I can see that it's unread, but who put it there?
00:11:47Maybe the housekeeper's wife.
00:11:49She must have found it on the floor and...
00:11:51Ah, yes.
00:11:53Yes, of course.
00:11:55No one came here this morning?
00:11:57No, no, no one.
00:11:58May I let Mr. Fretti in?
00:12:00Yes, let him in.
00:12:01No, no, just a moment.
00:12:02First, I'll look at my mail.
00:12:28Why are you going downstairs?
00:12:30I'll go with you, so Thérèse can get some fresh air.
00:12:37Thérèse, go downstairs right now.
00:12:38Very well.
00:12:39Have a good conference.
00:12:40And good news for Monseigneur.
00:12:41I won't miss it.
00:12:44The troops of the Folies-Bergère have arrived.
00:12:46Yes, I know.
00:12:47I heard.
00:12:49The good ladies of the Sacred Heart are eagerly awaiting you.
00:12:51Hurry up.
00:12:52And you, of course, you don't come to listen to Monseigneur's conference.
00:12:55But I never heard of your Saint-Ignat.
00:12:57Oh, I know.
00:12:58You prefer to go out with your friends, don't you?
00:13:00Like this Luciano, this playboy from Bazaar.
00:13:03Do you think Luciano went to the match?
00:13:05So, what are you doing?
00:13:06Are you staying at home?
00:13:07Are you going to the movies?
00:13:08No, no, I'm staying here.
00:13:09I'm going to read a little.
00:13:10Goodbye.
00:13:11Goodbye.
00:13:12A lonely man.
00:13:13Well, tell Monseigneur that his conference was exciting,
00:13:15but that I must leave before the end.
00:13:17Oh, no.
00:13:18I never eat.
00:13:19Ciao.
00:13:25Ciao.
00:13:26Ciao.
00:13:55Tu lo sai.
00:14:02Uno dei monti hipnotizzati da un silenzio che avvicinava...
00:14:12Sarei capace di...
00:14:16Come on, come on.
00:14:34I had the impression of a call.
00:14:37A timid voice, uncertain,
00:14:40who didn't really dare to be heard.
00:14:43On a rainy Sunday afternoon,
00:14:46things seemed strange, unreal,
00:14:49and I felt an anxiety rising in me,
00:14:52the desire to go back there, yes,
00:14:55to see this house again, his house,
00:14:58where I hadn't been for a long time,
00:15:01in those little streets of the old neighborhood.
00:15:04I had to go and meet this memory.
00:15:06I had to go.
00:15:09Was it complicating things to the point of pleasure?
00:15:15This neighborhood had always made me dream,
00:15:18narrow streets, deep alleys, dark alleys.
00:15:22Anna and I, we walked in these silent streets,
00:15:26with their odors of urine at the corner of the house,
00:15:29their smell of wine and cigars in front of the base ports of the taverns.
00:15:33Once, I had accompanied her to the front of her house.
00:15:36It was like challenging her mother.
00:15:39The neighbors were looking for her.
00:15:49Are you looking for someone?
00:15:52No.
00:16:06No.
00:16:18Vino.
00:16:30Vino.
00:16:36Vino.
00:16:42Vino.
00:16:43Anna.
00:16:46Vino, is that you?
00:16:50You were looking for me?
00:16:52I don't live here anymore.
00:16:54It's been a long time.
00:16:56You're soaked.
00:17:00You never let me get wet like this before, Vino.
00:17:04Excuse me.
00:17:14Did you come to let them read?
00:17:17Let them read? Are you crazy?
00:17:21Anyway, here they are. I'll give them back to you.
00:17:27But what were you doing there?
00:17:29Nothing.
00:17:31A story is settled in the neighborhood.
00:17:35And then I waited for you.
00:17:38You came for me, didn't you?
00:17:42You found the way as if you had traveled it every day since.
00:17:48It was our refuge, do you remember?
00:17:52We said to each other how beautiful it would be to have the key to the door,
00:17:56to enter the garden.
00:17:58I remember. I remember, but...
00:18:01It's been so long, and...
00:18:05So long, yes.
00:18:08Do you really believe that time exists?
00:18:11Does time exist?
00:18:15The time that makes us grow old, that consumes us.
00:18:19That time exists.
00:18:23Where in me have I not grown old, Nino?
00:18:25Yes, Nino. I'm still the one from before.
00:18:29The one from before.
00:18:32Kiss me.
00:18:38Kiss me.
00:18:43I beg you, kiss me. I beg you.
00:18:55Kiss me.
00:19:25Kiss me.
00:19:36Nino!
00:19:37Oh, Nino, here you are at last.
00:19:38What's going on?
00:19:39Come, come. Something terrible has happened.
00:19:42Tell me.
00:19:43Oh, sir, sir.
00:19:44What's going on?
00:19:45This poor story has just witnessed something.
00:19:47A crime, a crime!
00:19:49Come on, fill yourself up.
00:19:50Here, drink. Drink something and tell me all this calmly.
00:19:54Come on, drink.
00:19:55Thank you.
00:19:58Oh, it's strong.
00:20:00I was walking to one of my friends' house.
00:20:02A very, very good man.
00:20:04A lawyer, by the way.
00:20:06When I was only two or three numbers ahead of him,
00:20:08it must have happened half an hour before.
00:20:10I passed in front of one of the houses.
00:20:12I looked inside, like this, vaguely.
00:20:15And I saw her, then.
00:20:17She came towards me like a pocharde.
00:20:20She even let herself be hit against the fence.
00:20:22A sort of growling came out of her throat.
00:20:24She was, she was choked.
00:20:26Her throat was open all the way.
00:20:27Oh, what a horror!
00:20:29You saw a woman with her throat slit?
00:20:31Yes, yes, yes.
00:20:32There was blood everywhere.
00:20:33And then...
00:20:35She fell to the ground, like a mass, there, in front of me.
00:20:39But where did it happen? You didn't tell us.
00:20:42Oh, really? I didn't tell you where?
00:20:43In Via Porta, near San Colombano.
00:20:48Via Porta, in the old neighborhood?
00:20:50But yes, you know the Via Porta, don't you?
00:20:52Of course.
00:20:54Well, I think it's best if you go to the Carabinieri and tell them all about it.
00:20:58You want me to come with you, don't you?
00:21:00Come on, don't be afraid.
00:21:01Yes, thank you.
00:21:02I've already bothered you so much.
00:21:03Come on, come on, quickly.
00:21:05And my mother, what is she going to say, my mother?
00:21:07I'll call your mother.
00:21:08You, Nino, accompany him.
00:21:09Yes, come on.
00:21:10Thank you, thank you, sir.
00:21:11You are so kind, so kind.
00:21:12But no, but we don't know anything.
00:21:14I'm afraid.
00:21:15Of what?
00:21:16Of the questions they're going to ask.
00:21:18You just have to tell them what you know.
00:21:20That's all.
00:21:21Let's go.
00:21:22Excuse me.
00:21:23Come on, come on.
00:21:27Nino?
00:21:28Yes?
00:21:29Who is Anna?
00:21:31Anna.
00:21:32Look at this.
00:21:34A certain Anna B sends her best thoughts from Cortina Lampezzo.
00:21:39In 1963.
00:21:42Incredible, isn't it?
00:21:43We're right to say it's a bad job.
00:21:46Twenty years late, that's all.
00:21:48You should put that in the paper.
00:21:52You're right.
00:21:57Yes.
00:21:59And you were alone?
00:22:01When that happened, there was no one else?
00:22:03No, no, I was alone.
00:22:04But thinking about it...
00:22:05Yes, what?
00:22:07Just before, I noticed someone running out of this house.
00:22:10A man?
00:22:11I didn't see him very well.
00:22:12It was raining and I had my umbrella on.
00:22:14I don't know what I mean by open.
00:22:15A young man or a young woman, I don't know,
00:22:17with a kind of waterproof or white overcoat hanging from the ground.
00:22:27Hello, sir.
00:22:28Hello, Rita.
00:22:29I took a look at your papers.
00:22:31It seems that it was the old woman's nephew who killed him.
00:22:34Ressy called and said he'd be late.
00:22:36He's at the police station to...
00:22:37Ah, yes, yes.
00:22:39A concierge with big eyes with a razor.
00:22:49The killer struck with an unknown savagery.
00:22:52The suspicions are based on a nephew, a certain Maboubouki.
00:22:56Oh, what a day, my little Rita, what a day!
00:22:59Oh, sir, excuse me, hello.
00:23:01So, did it go well?
00:23:02The questions they asked me, indiscreet and brutal with that.
00:23:06A burst of questions without letting me breathe, I tell you.
00:23:08First, the carabiners, again, they showed themselves delicious.
00:23:10And then the police in civilian clothes.
00:23:12There was only one concierge, of Calabrian origin,
00:23:14who, despite what we think, was very, very nice.
00:23:16But the others, hateful individuals.
00:23:18You saw my picture on the front page.
00:23:20A shame, isn't it?
00:23:21I look like a 50-year-old old woman.
00:23:22I don't know...
00:23:23I think you're very good.
00:23:24Really?
00:23:25Yes, but concretely, what did they discover?
00:23:27Well, to tell the truth, they're a little confused,
00:23:29even if they suspect the nephew, who has become untraceable.
00:23:31They check different leads.
00:23:33According to the clues I gave them.
00:23:35And then, there's a little detail, very important, this one.
00:23:39Oh, yes.
00:23:40What?
00:23:41They found an eight-man umbrella.
00:23:42Yes, sir.
00:23:43In black silk, open, on the crime scene.
00:23:51It was the first of November.
00:23:53The date set for the dinner of the survivors.
00:23:56As Luciano called it, who organized these annual meetings.
00:23:59Only the four of us were left in Paris.
00:24:01Two old friends from high school.
00:24:03And the rendezvous, as usual, was at the Vieux Moulin.
00:24:07Ah, good evening, sir.
00:24:08Good evening, Marion.
00:24:09My friends have arrived.
00:24:10Mr. Luciano is already here.
00:24:12He told me that two of your colleagues will come.
00:24:14Ah, Luciano, hi.
00:24:15Dear friend, I greet you too.
00:24:17How is Mrs. President?
00:24:18Fine, fine.
00:24:19The wives are always fine.
00:24:20It's the husbands who suffer.
00:24:21I know something about it, the celibate.
00:24:23How many times have you made me cry lately?
00:24:25Now, it's me who's crying.
00:24:28Ah!
00:24:30What's good, Mr. Poisoner?
00:24:31Two-stroke matelot.
00:24:32Does it suit you?
00:24:33A bit of vase or a bit of oil?
00:24:34They are from the region, sir.
00:24:36Yes, like our prefect who comes from Sicily.
00:24:38Anyway, what are you giving us as an entrance?
00:24:40Frog in risotto.
00:24:41Well, for the risotto.
00:24:45Ah, here is our rural, our laborer brother.
00:24:47Hello, Nino.
00:24:48So, what's wrong with the peasants in this sad time?
00:24:50Is it raining a little too much or not enough?
00:24:52It's the apples that are raining.
00:24:53Are we waiting for Professor Arnaldi or not?
00:24:55Well, we're going to wait a little bit by nibbling on the apples.
00:24:58Well, I don't care.
00:24:59By the way, Nino.
00:25:00My agents told me about your recent presence in a bus.
00:25:03In a bus?
00:25:04Yes, in a bus.
00:25:05You can look at me with your big eyes.
00:25:06They saw you in a bus.
00:25:07It's true or false?
00:25:09Shit!
00:25:10And what did they say?
00:25:11That I was saving gas?
00:25:12Ah!
00:25:13Answer of the tac-o-tac.
00:25:14But I support that a man like you,
00:25:15tax advisor 13 in Renan-Herry,
00:25:17makes fun of his gas bill as if it were a 100 lire coin.
00:25:20Ham, salami and sausage.
00:25:21Do you know where I went yesterday?
00:25:23To the dumping.
00:25:24What is a box?
00:25:25Yes, very different from those of our time.
00:25:28Do you remember the golden door?
00:25:31It's there every night.
00:25:32Well, my children,
00:25:33I beg you to believe that there is no lack of beautiful girls.
00:25:36Speaking of the good old days,
00:25:38you know who I saw,
00:25:39but then,
00:25:40we would have said a mummy.
00:25:41Anna Brigatti.
00:25:42Do you remember?
00:25:44What Anna Brigatti?
00:25:45Not this beautiful girl with blue eyes?
00:25:47A blonde?
00:25:48Yes, the one you had flirted with,
00:25:50who sent you to Petra.
00:25:51She didn't live in Porta?
00:25:52Exactly.
00:25:53But how dare you talk about mummy?
00:25:55Wasn't it this sensational girl?
00:25:57Yes, with a pair of nipples and a sublime ass?
00:26:00Yes.
00:26:01But if you saw what she had become,
00:26:03I didn't even recognize her.
00:26:04It was very embarrassing.
00:26:06Really, a little old woman,
00:26:07all wrinkled, yellowish,
00:26:08with a thin hair,
00:26:09fringed like an ace of spades.
00:26:11Why?
00:26:12What happened to her?
00:26:14That.
00:26:15It seems that she had a bad illness.
00:26:17Excuse me, but...
00:26:18Ah, Mr. Carnegier.
00:26:19You can't leave.
00:26:20Hi.
00:26:21Hi.
00:26:23Here too we are talking about a serious case,
00:26:25my dear Maurice.
00:26:26A poor woman,
00:26:27ex-little darling of our Nino.
00:26:28How did you describe Anna Brigatti to us?
00:26:31Well, as I told you,
00:26:32the poor woman is a real disaster.
00:26:34Unrecognizable.
00:26:36When I thought she was such a beautiful girl.
00:26:38Anna Brigatti?
00:26:40We lived together,
00:26:41don't you remember?
00:26:42A girl with blue eyes,
00:26:43a beautiful blonde.
00:26:44Yes, but when did you see her?
00:26:45I mean, how many years ago?
00:26:46What? How many years?
00:26:47I met her the other day,
00:26:48in the bus.
00:26:49Anna Brigatti?
00:26:50Yes.
00:26:51Anna Brigatti is dead.
00:26:53Dead.
00:26:54It's normal that she looked like a mummy.
00:26:56She was dead.
00:27:01But...
00:27:02But Maurice, it's true.
00:27:03Are you sure of what you're saying?
00:27:05I think so,
00:27:06since I was the one who took care of her.
00:27:08Her husband is Count Ziggy,
00:27:09from Sondrio,
00:27:10one of my friends.
00:27:11He asked me to receive his wife because...
00:27:13But...
00:27:14Are we talking about the same Anna?
00:27:16Brigatti?
00:27:17Of course.
00:27:18The one to whom you were engaged,
00:27:19the one who lived in La Via Porta.
00:27:21You always went to the river.
00:27:22Of course I remember.
00:27:23After her marriage,
00:27:24she came to Sondrio.
00:27:25Tell me, Nino.
00:27:27Was it her or a woman who looked like Anna?
00:27:33I don't know.
00:27:35Maybe it was a woman who looked like Anna.
00:27:38It's better if you remember her as she was.
00:27:40Before, I mean.
00:27:42Yes, you're right.
00:27:44Don't think about it.
00:27:45Eat and drink.
00:27:47Come on,
00:27:48we're here to have fun.
00:27:50That's true.
00:27:51So, Mario,
00:27:52are those frogs coming?
00:28:10Nino.
00:28:12Nino.
00:28:14Yes?
00:28:16Why don't you tell me everything?
00:28:19Tell you what?
00:28:20I don't know.
00:28:21What's wrong with you?
00:28:23You know very well
00:28:24that you're worried about something.
00:28:26Work problems?
00:28:28No, no.
00:28:29Everything is fine.
00:28:31Don't worry.
00:28:32I have to go.
00:28:43Did you see, sir?
00:28:44A letter from the presumed murderer.
00:28:46What murderer?
00:28:47Mario Lucchi, the nephew of the concierge,
00:28:49the one who was wanted by the police.
00:28:51Listen,
00:28:52do you really have nothing better to do
00:28:54than think about this murderer?
00:28:55You're right.
00:28:56Excuse me, sir.
00:28:58Very well.
00:28:59Read this to me.
00:29:00The presumed monster of Via Porta
00:29:02written in our newspaper.
00:29:03That's the title.
00:29:04And here's the letter.
00:29:05I'll skip a few sentences.
00:29:06So...
00:29:08In your newspaper,
00:29:09you wrote a lot of things about me
00:29:10that don't correspond to the truth.
00:29:12Because the truth is different.
00:29:13And I know it well.
00:29:15My aunt was a tough woman,
00:29:16but she didn't deserve to die like that.
00:29:18I didn't turn myself in to the police
00:29:20because we know when we go into a police station,
00:29:22but we never know when we get out.
00:29:23This one's a little swollen.
00:29:24But he's right.
00:29:26When I'm decided,
00:29:27I'll come and explain everything.
00:29:28I'll give my version,
00:29:29which is the truth.
00:29:30Terrifying and incredible.
00:29:32But I already know
00:29:33that no one has understood the truth
00:29:34and that it may help me, etc. etc.
00:29:37So, what do you think?
00:29:39What do you want me to say?
00:29:40It doesn't concern me.
00:29:59So, Mr. Judge,
00:30:00a new one on the crime?
00:30:02What crime?
00:30:03Oh, sorry. You smoke?
00:30:04No, thank you.
00:30:06And this woman who was swallowed by Porta?
00:30:09Oh yes, we're still looking for the nephew
00:30:10because despite the letter
00:30:12where he tries to apologize,
00:30:14it's probably him, the murderer.
00:30:16But what could be his mobile phone?
00:30:19You should know,
00:30:20there can be so many mobile phones.
00:30:22It's certain that the crime was
00:30:24atrocious.
00:30:25This blind rage, this hatred,
00:30:26this horrible cruelty.
00:30:28And are there other suspects?
00:30:30No, not for the moment.
00:30:32There's this umbrella
00:30:33that could have been a clue.
00:30:35An umbrella?
00:30:37In black silk, yes.
00:30:39Open very precisely
00:30:40where the murder took place.
00:30:42But this track leads nowhere.
00:30:44All we've learned is that
00:30:46three or four years ago
00:30:47he had been bought in Milan.
00:30:48It's nothing.
00:30:50Anyway, this woman
00:30:51was of a morality more than suspect.
00:30:53At one time,
00:30:54she was practicing clandestine abortions.
00:30:56Well, that's not the problem.
00:31:05Excuse me.
00:31:07Your singer was excellent.
00:31:09However, we shouldn't
00:31:10underestimate poetry.
00:31:12Absolutely.
00:31:13I'm organizing a recital
00:31:14of Claudel's poems.
00:31:16A great playwright
00:31:17and also a great Christian.
00:31:19But there's an opus
00:31:20on the poet Claudel
00:31:22that I'd like you to read, Teresa.
00:31:24I'd love to.
00:31:25Who's the author?
00:31:28Oh, I didn't know.
00:31:30Of course I didn't know.
00:31:31Risotto!
00:31:33Finally, risotto!
00:31:35Did you greet my lord?
00:31:37Yes, yes, yes.
00:31:38The concert pleased everyone.
00:31:40I only heard compliments.
00:31:42Won't you get me
00:31:43a bowl of risotto?
00:31:45Nino, I told you
00:31:46the risotto was served.
00:31:48Will you get me a plate
00:31:49before everything disappears?
00:31:51Of course.
00:31:52Frankly, Nino,
00:31:53you've been very distracted
00:31:54and tense for some time.
00:31:56What's the matter with you?
00:31:57Nothing, absolutely nothing.
00:31:59Here you go, Teresa.
00:32:01And you, Nino?
00:32:02A little risotto, my lord.
00:32:13Nino, is that you?
00:32:15Nino Mantini.
00:32:16Good evening, my father.
00:32:18It's been a long time.
00:32:19What have you become?
00:32:21As usual,
00:32:22always at work.
00:32:23Good evening.
00:32:24And you, Gaspar,
00:32:25still reading your books?
00:32:27More and more.
00:32:29I'm finishing
00:32:30a biography of Nicolas Flamel,
00:32:33the great alchemist.
00:32:35I also translate
00:32:36Coleridge.
00:32:38Do you know
00:32:39the Ballade of the Old Sailor?
00:32:41No.
00:32:43His lips were red,
00:32:45his gaze bold,
00:32:47and his eyes
00:32:48blond as gold.
00:32:50His skin was white,
00:32:52as that of a leper.
00:32:55It was the nightmare
00:32:57called Life in Death
00:32:59that made the blood of man
00:33:00freeze.
00:33:03I saw her.
00:33:06Who?
00:33:08That white lady
00:33:09that Coleridge speaks of.
00:33:12Small,
00:33:13naive,
00:33:14her skin red,
00:33:17a living dead.
00:33:19Nino Manti,
00:33:20come see me
00:33:21when you return.
00:33:22When I return?
00:33:23But I'm not going anywhere.
00:33:25A little risotto,
00:33:26Mr. Gaspar.
00:33:27Thank you.
00:33:30Nino.
00:33:32Yes?
00:33:37I wanted to tell you
00:33:38about that poor Loredana.
00:33:44But why?
00:33:45She's afraid of being sick.
00:33:46A serious illness,
00:33:47do you understand?
00:33:48In addition,
00:33:49she trusts her old doctor
00:33:50and she asked me
00:33:51to accompany her
00:33:52because her doctor
00:33:53is not here in Pavia.
00:33:55And where is he?
00:33:56In Sandrio.
00:33:58In Sandrio?
00:33:59Yes, I know.
00:34:00It's quite far
00:34:01and it's not very convenient
00:34:02to go there.
00:34:03Nino,
00:34:04don't you want
00:34:05to take us there?
00:34:07Excuse me,
00:34:08but why don't you
00:34:09take a taxi?
00:34:10Are you kidding?
00:34:11A taxi?
00:34:12From here to Sandrio?
00:34:14Very well.
00:34:15Very well,
00:34:16I'll take you there.
00:34:17Thank you.
00:34:35How are you, Loredana?
00:34:38Fine, thank you.
00:34:40I'll call him
00:34:41as soon as we get to Sandrio.
00:34:43Please excuse me,
00:34:44I don't have the pleasure
00:34:45to meet you.
00:34:46You are Mr. Zeghi,
00:34:47the husband of...
00:34:48I am a friend
00:34:49of Professor Arnaldi.
00:34:50If I could meet you,
00:34:52you are the husband
00:34:54of...
00:34:55or the widow of...
00:34:57Yes, I need to talk to you
00:34:58to clarify
00:34:59some facts
00:35:00that remain mysterious to me.
00:35:01No,
00:35:02you don't know me.
00:35:04I know your wife,
00:35:05Anna.
00:35:06She never told you
00:35:07about me.
00:35:08Yes,
00:35:09we loved each other
00:35:10for a while.
00:35:11Yes, a lot.
00:35:13And I confess
00:35:14that I still love her.
00:35:16Anna is alive.
00:35:17Where is she?
00:35:19She is very sick,
00:35:20isn't she?
00:35:21Tell me the truth.
00:35:22Is she dead?
00:35:37What kind of car is that?
00:35:38It's going to take a while.
00:35:40I'm going for a ride in the meantime.
00:35:41Yes, okay,
00:35:42but don't come back too late.
00:35:43No, in an hour.
00:35:44See you later.
00:35:58A coffee, please.
00:35:59Right away.
00:36:01Can I make a phone call?
00:36:02Yes, behind you.
00:36:06Thank you.
00:36:27Hello?
00:36:28Hello,
00:36:29is this Mr. Lecompte?
00:36:30Yes,
00:36:31who are you calling?
00:36:32Can I speak to Mr. Lecompte?
00:36:33He's not here.
00:36:34Who are you calling?
00:36:35He doesn't know me.
00:36:36It was for...
00:36:38It doesn't matter.
00:36:39Thank you.
00:36:40I just came from Paris and...
00:36:42I'm Mr. Monti,
00:36:43Giovanni Monti.
00:36:44Nino!
00:36:45Oh, it's you!
00:36:46It's me, Anna.
00:36:50Anna,
00:36:51but then...
00:36:52Oh, Nino,
00:36:53that's a surprise.
00:36:54But what are you doing in Sondre?
00:36:56We have to see each other right away.
00:36:58Of course, I'd love to.
00:36:59Of course,
00:37:00but where do we see each other?
00:37:01Don't tell me you're here
00:37:02for business.
00:37:03No, not at all.
00:37:05Yes.
00:37:06Okay.
00:37:07Yes, yes.
00:37:11Yes.
00:37:12I'm...
00:37:13I'm in a sea.
00:37:15But...
00:37:17But, excuse me,
00:37:18you don't have...
00:37:20Yes,
00:37:21I have what I need.
00:37:22I'm listening.
00:37:34Okay.
00:37:35Okay.
00:38:02Super, Andre?
00:38:05Super.
00:38:35Nino!
00:38:46Nino!
00:38:47Nino!
00:39:17Nino!
00:39:18Nino!
00:39:19Nino!
00:39:20Nino!
00:39:21Nino!
00:39:22Nino!
00:39:23Nino!
00:39:24Nino!
00:39:25Nino!
00:39:26Nino!
00:39:27Nino!
00:39:28Nino!
00:39:29Nino!
00:39:30Nino!
00:39:31Nino!
00:39:32Nino!
00:39:33Nino!
00:39:34Nino!
00:39:35Nino!
00:39:36Nino!
00:39:37Nino!
00:39:38Nino!
00:39:39Nino!
00:39:40Nino!
00:39:41Nino!
00:39:42Nino!
00:39:43Nino!
00:39:44Nino!
00:39:45Nino!
00:39:47Anna,
00:39:48I don't know why, but for a few days,
00:39:51your memory has been haunting me.
00:39:55The memory of our great love?
00:39:57Don't make fun of me.
00:39:59Nino, Nino,
00:40:00I'm a married woman now.
00:40:02You must behave yourself.
00:40:04Yes.
00:40:06Are you married too?
00:40:08Yes, I'm married.
00:40:10Do I know her?
00:40:11No, I don't think so.
00:40:13She came to Paris when you had just left.
00:40:20It felt good to meet her at that moment.
00:40:24She was nice.
00:40:27I told myself I was going to change my life,
00:40:32and I needed to forget you.
00:40:35You married her because of me?
00:40:37Well, thanks to me, if you prefer.
00:40:40We thought we could build something strong,
00:40:43a family, children.
00:40:46But we didn't have enough children.
00:40:50Years have passed,
00:40:51and now we live like old friends.
00:40:54Oh, my God!
00:40:56We're falling into the pathetic.
00:40:59You're right.
00:41:01Speaking of you,
00:41:04are you happy with your husband?
00:41:06He loves me.
00:41:07He's a very serious man.
00:41:09Tender too.
00:41:11He gives me everything I want.
00:41:13A quiet life,
00:41:16protected.
00:41:18Your house is beautiful,
00:41:20imposing.
00:41:23Come, I'll show you around.
00:41:28This is the dining room.
00:41:30But we hardly ever go there.
00:41:32My husband always has lunch in town,
00:41:34and we go out in the evening.
00:41:37Come.
00:41:42This is my husband's room.
00:41:46We share a room, as you can see.
00:41:49After years of living together,
00:41:51we need a little freedom.
00:41:56This was my room.
00:41:58It was?
00:41:59It's...
00:42:01I said it was my room.
00:42:03The bathroom, the children's room.
00:42:06He never had children.
00:42:07Neither did I.
00:42:09Would you like something to drink?
00:42:11Yes, thank you.
00:42:12There's still some liquor left.
00:42:16Would you like some?
00:42:17Yes, with pleasure.
00:42:24Thank you.
00:42:26And you don't drink?
00:42:27No.
00:42:30To you.
00:42:31Thank you.
00:42:33You know, several times I wanted to call you,
00:42:36and sometimes I almost did.
00:42:39But you didn't.
00:42:40Why?
00:42:42Afraid of your little wife?
00:42:43Oh, no.
00:42:44Or of falling in love with my husband?
00:42:45Oh, no, what are you talking about?
00:42:48And you?
00:42:49You never came back to Paris.
00:42:52To do what?
00:42:54I had no parents, no friends.
00:42:56What could I have done?
00:42:58See you, for example.
00:43:00See you?
00:43:01Yes.
00:43:02Why not?
00:43:03Oh, Anna, it's so good to be here.
00:43:06It's so good.
00:43:08I don't know why, you know.
00:43:10These last few days, I've had nightmares.
00:43:13I shouldn't even tell you.
00:43:14I'm ashamed, but...
00:43:15Really, I've had horrible moments because of you.
00:43:19Because of me?
00:43:20Yes.
00:43:21I've been told awful things about you.
00:43:23That...
00:43:26But in short,
00:43:28that you were dead.
00:43:29Just that?
00:43:30Yes.
00:43:31And who told you this good news?
00:43:33Well, a friend of mine.
00:43:34A surgeon who examined you a long time ago.
00:43:37But he must have taken you for someone else.
00:43:39In any case, thank God, now it's over.
00:43:41You're here.
00:43:42The nightmare is over.
00:43:43You're still the same.
00:43:44You're still Anna, darling.
00:43:46Dead.
00:43:47Do you see that?
00:43:49Ah, now I understand why on the phone earlier you wanted to talk to my husband.
00:43:53You wanted to give him your condolences, perhaps?
00:43:57People say anything.
00:43:58Yes.
00:44:00Yes, they say anything.
00:44:01They talk, they talk, they don't know anything.
00:44:04What did he die of, please?
00:44:06He's sick.
00:44:08Yes.
00:44:09It's crazy, it's funny.
00:44:10It's a...
00:44:11It's a laugh to death.
00:44:12Yes.
00:44:14And how did you react when they told you that?
00:44:16You don't guess?
00:44:19Well, you said,
00:44:20Oh, that poor old Anna Brigatti.
00:44:24Well.
00:44:26But yes.
00:44:28After all,
00:44:29it's not wrong.
00:44:30I'm dead.
00:44:32I have a big house.
00:44:33I'm the countess of Iggy.
00:44:35My husband's friends are courting me.
00:44:38Some young people invite me to take a bath in the middle of the night.
00:44:42Trucks whistle in the street.
00:44:45In the end, it's true.
00:44:46It's quite true.
00:44:48But what is true?
00:44:50That marriage is a grave.
00:44:53I'm dead.
00:44:55Anna.
00:44:57Anna.
00:45:00No, no, no, no.
00:45:02Don't think that of me.
00:45:03I'm not the unsatisfied wife
00:45:05who takes advantage of her husband's absence
00:45:07to make fun of him.
00:45:09I never did that.
00:45:10Never.
00:45:13Ah, those wonderful days we spent together.
00:45:17Do you remember?
00:45:18A long time ago.
00:45:20I think about it often.
00:45:21I still think about it.
00:45:23Our first meeting
00:45:24in this old gangette of Borgobasso.
00:45:27Do you remember?
00:45:28Yes.
00:45:29We went to the river by boat.
00:45:32We were going to make love.
00:45:33We hid in the...
00:45:35in the woods.
00:45:37Anna.
00:45:38You were my only love.
00:45:40Really.
00:45:41I love you.
00:45:42I didn't know I loved you so much.
00:45:43But now I know.
00:45:45I...
00:45:46I desire you.
00:45:48No, Nino.
00:45:50No, no.
00:45:51No.
00:45:52No, no.
00:45:53Why not?
00:45:54No, not like that.
00:45:55Not here.
00:45:57Why did I take you, my love?
00:46:15It's strange, isn't it?
00:46:16To meet again after twenty years.
00:46:18But why did such a great love end like this?
00:46:20For no reason.
00:46:21End?
00:46:23Not for me?
00:46:24The love I have for you isn't...
00:46:26isn't dead.
00:46:29I am a woman, Nino.
00:46:31And women don't destroy anything.
00:46:32They cultivate, they keep everything.
00:46:36I haven't forgotten anything of what I've lived.
00:46:38I have all my memories,
00:46:39especially those that concern you.
00:46:42I keep everything.
00:46:45You know, I even kept all your letters.
00:46:50In the past, we wrote to each other.
00:46:52Today, a phone call and it's over.
00:46:56Your letters are beautiful.
00:46:58Full of love and promises.
00:47:01I read them from time to time.
00:47:04And mine?
00:47:05Do you still read them?
00:47:06Yes, yes, I read them.
00:47:07I may have less order than you, but I read them.
00:47:09And I have photos, too.
00:47:14But...
00:47:16Tell me, Nino,
00:47:17after so many years,
00:47:19what made you come back to Sondrio?
00:47:22Did you want to see me again?
00:47:23You know what I'm telling you?
00:47:24It's a series of strange circumstances.
00:47:27I met a strange woman,
00:47:29with a sick look on her face,
00:47:31and who claimed that she was you.
00:47:35Can you describe her to me better?
00:47:37Yes.
00:47:39She was smaller than you,
00:47:41all wrinkled, with crazy eyes,
00:47:44and a permeable, dirty white man.
00:47:48Ah, I think I remember.
00:47:50A friend of mine,
00:47:51an old friend of mine,
00:47:52who looked a bit like me,
00:47:53who was jealous of me.
00:47:54She was ugly,
00:47:55and I was beautiful.
00:47:57I lost sight of her.
00:47:58She had quite serious nervous disorders, I think.
00:48:02Well, sooner or later,
00:48:03you'll all come to see me.
00:48:04That's Professor Franchinetti's opinion,
00:48:06the psychiatrist.
00:48:08Poor girl.
00:48:09How did you meet her?
00:48:11The first time,
00:48:12it was in a bus.
00:48:13I gave her money
00:48:14to buy her ticket.
00:48:16Without reading it?
00:48:17Yes.
00:48:19Exactly.
00:48:20And then, the second time,
00:48:21it was in front of your house,
00:48:22the night of the crime.
00:48:24The old concierge,
00:48:25Gégorgé?
00:48:27Yes.
00:48:28Ah, and did you know,
00:48:29in the latest news,
00:48:30it seems that it was his nephew
00:48:31who killed her.
00:48:32A certain Mario...
00:48:34Mario...
00:48:35Mario Lucchi?
00:48:36Yes.
00:48:37I knew them both well.
00:48:39Not very nice.
00:48:42Do you know that this Mario Lucchi
00:48:43was one of my henchmen?
00:48:45Ah, yes.
00:48:47I have the impression
00:48:48that we'll never find him again.
00:48:53Well, what matters
00:48:54is that you're here now.
00:48:56That you and I
00:48:57are reunited.
00:48:59Yes.
00:49:00Yes, my love.
00:49:01But now,
00:49:02you must go.
00:49:04We'll see each other again.
00:49:06Do you know where I'd like
00:49:07to meet you?
00:49:08On the river,
00:49:09like before.
00:49:10Yes, yes,
00:49:11as soon as possible.
00:49:12I'll call you.
00:49:13No, no, no,
00:49:14it's better if I call you.
00:49:15As soon as possible.
00:49:18What a rage!
00:49:20A little more patience.
00:49:22You know, Anna,
00:49:23one day,
00:49:24you can't remember,
00:49:25but before we left,
00:49:27you offered me your lips
00:49:28for one last kiss,
00:49:29but I wasn't convinced.
00:49:31I understood it later,
00:49:33but you were already gone.
00:49:35It wasn't very serious.
00:49:36Oh, no,
00:49:37but that kiss
00:49:38that you wanted
00:49:39and that I...
00:49:41I didn't give you,
00:49:42it's like a debt to you.
00:49:45All the kisses
00:49:46that I could give you
00:49:47won't replace
00:49:48the kiss
00:49:49that you asked me for
00:49:51and that you didn't get.
00:49:54And of course,
00:49:55it makes you laugh,
00:49:57you think I'm crazy.
00:49:59I'm not laughing, Nino,
00:50:01even if it's true
00:50:02that you're a little crazy.
00:50:04You're telling me
00:50:05something so nice.
00:50:08The kiss you owe me,
00:50:09you'll give it to me
00:50:10on the river.
00:50:16I love you.
00:50:34I tried to keep control
00:50:35of my legs
00:50:36that wanted to run.
00:50:38Maybe she's looking at me,
00:50:39what do I do?
00:50:40I turn around,
00:50:41I feel light,
00:50:43a little dizzy,
00:50:44this heat,
00:50:45this perfume of a woman.
00:50:47Is it possible
00:50:48to find her here
00:50:49after so many years?
00:50:50These kisses,
00:50:51these caresses,
00:50:52these strange...
00:50:53It's almost like love,
00:50:55but it won't be long
00:50:56to wait.
00:50:58A week,
00:50:59even less, maybe.
00:51:05Ah, here he is.
00:51:09How did it go?
00:51:10Wonderfully well,
00:51:11I have nothing,
00:51:12I'm in great shape.
00:51:13I'm glad.
00:51:14If you come again,
00:51:15bring it to me for nothing.
00:51:16Thank you.
00:51:17Sit down, ladies.
00:51:20I knew there was
00:51:21nothing serious.
00:51:23Ah, what a good day.
00:51:35Hospital?
00:51:36Send me Professor Arnaldi,
00:51:37I believe you.
00:51:38Nina Monti, thank you.
00:51:44Yes, hello, Nino.
00:51:46I'm calling to...
00:51:47Listen, Maurice,
00:51:48I had to talk to you.
00:51:49Guess who I met
00:51:50at his place two days ago?
00:51:51Who?
00:51:52Anna,
00:51:53Anna Brigatti,
00:51:54Count Ziggy's wife,
00:51:55the one you said
00:51:56was dead.
00:51:57She's alive,
00:51:58she's even more beautiful
00:51:59than ever.
00:52:00Hello, did you hear?
00:52:01Yes, yes, of course I heard,
00:52:02but are you sure?
00:52:03Where did you see her?
00:52:04Listen, listen,
00:52:05let's get down to business.
00:52:06I saw her,
00:52:07that's all.
00:52:08So?
00:52:09You're not saying anything?
00:52:10Admit you were
00:52:11wrong about her.
00:52:12Listen, Nino,
00:52:13it's better to talk about her alive.
00:52:15What are you going to talk about?
00:52:17I don't know what else to say.
00:52:19I need to consult
00:52:20her medical record.
00:52:21Can you come and see me
00:52:22around 5 o'clock?
00:52:23Is that OK with you?
00:52:24With pleasure.
00:52:25Hospitals are such
00:52:26boring places.
00:52:27I'm going, see you later.
00:52:35There's always that fire
00:52:36that's been bothering me
00:52:37since I saw Anna again.
00:52:38She promised to call me,
00:52:39but when?
00:52:41So I decided to call her,
00:52:42myself.
00:52:47Hello?
00:52:48Hello?
00:53:11What happened?
00:53:12Professor Arnaud
00:53:13has a heart attack.
00:53:14Is he dead?
00:53:15Yes.
00:53:36How did it happen?
00:53:37I was outside,
00:53:39and I heard a strange scream,
00:53:40as if someone
00:53:41was suffocating.
00:53:43And a scream of fear, too.
00:53:44Fear?
00:53:45What do you mean?
00:53:46Ah, my dear Mr. Monti,
00:53:47when the time is right,
00:53:48no one escapes
00:53:49neither anxiety
00:53:50nor terror.
00:54:09The door is locked.
00:54:34Hello, Mr. Spad.
00:54:35Hello, my son.
00:54:36I was waiting for you.
00:54:37I am the only man in the world to have deciphered the Centuries of Nostradamus.
00:54:41Nostradamus? The Sorcerer?
00:54:43Yes, the Sorcerer. For whom? For the ignorant, for the Church.
00:54:47Not for an initiate.
00:54:49You are right, Don Gaspar. I am ignorant of these things,
00:54:51but I could have come back the other night when you told me that I was going to leave.
00:54:55Ah, that is why our Nino came here.
00:54:59You want to know, to inquire. You are afraid.
00:55:03Afraid? No, I am not afraid, Don Gaspar.
00:55:05Afraid? Afraid? The sceptics are afraid and ignorant.
00:55:11Ignorance leads to scepticism, and naivety too, that is for sure.
00:55:17The naive are wary. The clever, on the other hand, they believe.
00:55:24I did not come to question images, Don Gaspar. I came here to visit a friend.
00:55:28A friend? You are here because of the death of Dr. Arnaldi.
00:55:34A strange death, eh? You are worried, afraid.
00:55:40No, I am sorry, that is true, but I am not afraid.
00:55:44I would only like to understand why...
00:55:47It is true, indeed, I have traveled, let's say, in the past.
00:55:51And when you told me the other night, I did not know.
00:55:55There are more things on earth and in heaven, Horatio,
00:56:01than you can imagine in your philosophy.
00:56:11But these mysteries, these popular legends,
00:56:14it is strange that you are so interested in them.
00:56:17You are a priest, and you should have an idea of the afterlife,
00:56:20how to say, higher.
00:56:22First of all, I am a defrocked priest.
00:56:25And then, you see, the afterlife is not something distant or indescribable.
00:56:32It is here, among us, my dear Nino.
00:56:36Death is another form of life.
00:56:40One day, we too will live it, or maybe we have already lived it.
00:56:46Look, look at this.
00:56:49It is not mine.
00:56:51It was lent to me by a lady who does curious experiments.
00:56:56She records the voices of the dead.
00:57:00What?
00:57:02But yes, it is an old process.
00:57:05In 1961, a man who had left his tape recorder on in the garden
00:57:10to record the cries of the night birds,
00:57:13noticed the next morning that he had recorded the voice of his dead mother.
00:57:21But how is it possible?
00:57:23From that moment on, this system spread.
00:57:28Do you want to listen?
00:57:32Do you know where I am and where I am speaking to you from?
00:57:44Hello? Hello?
00:57:49But... But who are you?
00:57:52But...
00:57:53We hear...
00:58:05Don't answer!
00:58:06But why?
00:58:07It could be for me. I said I was here.
00:58:13Don't answer!
00:58:17Hello?
00:58:18Hello?
00:58:19Mino?
00:58:20Anne! My love, I have waited so long for your call.
00:58:24As you can see, I am calling you. We should meet, right?
00:58:27Yes, when do you want?
00:58:28Tomorrow?
00:58:29Tomorrow, yes.
00:58:30Who are you talking to?
00:58:33Where?
00:58:34On the river.
00:58:35Yes.
00:58:36Yes, on the river. I am waiting for you at 10 o'clock.
00:58:39At 10 o'clock.
00:58:40But who are you talking to?
00:58:41At 10 o'clock, okay.
00:58:42Anne, if you knew how much...
00:58:45Hello?
00:58:47Hello?
00:59:01Don't go, Mino.
00:59:12Hello.
00:59:23Hello.
00:59:24Hello.
00:59:28Big guy.
00:59:30Don't you recognize me?
00:59:32Ah, Mr. Nino. How are you?
00:59:34Good, good. It's been a long time, hasn't it?
00:59:37Yes, we are getting old.
00:59:38Do you have a boat? I want to go for a walk.
00:59:40I have three.
00:59:44Which one do I take?
00:59:45That one.
01:00:10Hey, do you want to go to the other side of the river?
01:00:40Nino!
01:00:42Nino!
01:01:10Nino!
01:01:26Where are you taking me?
01:01:27Mevis, the last paradise.
01:01:29Do you remember?
01:01:30We called it like that.
01:01:32Yes.
01:01:33The white sand, the wood that smells, the wild grass.
01:01:37That's where we made love.
01:01:42The two of us in this park.
01:01:44It's like in an old romantic movie.
01:01:47Like a picture that's faded over time.
01:01:49The picture of two old lovers separated by life.
01:01:53But still united, still faithful.
01:01:56Faithful?
01:01:57Yes.
01:01:58There is a faithfulness that lasts over time.
01:02:02Deep, spiritual.
01:02:05Yes, that's true.
01:02:07But I wasn't talking about that.
01:02:09I was thinking about us in the past.
01:02:11And about that Mario Lucchi.
01:02:14Mario Lucchi?
01:02:16Yes.
01:02:17You told me that you knew him.
01:02:20He was courting me, yes.
01:02:21But I told you.
01:02:23And then?
01:02:24And then what?
01:02:26It's time to talk about it, don't you think?
01:02:29Yes, you're right.
01:02:30Let's not talk about it.
01:02:31Let's not talk about it.
01:02:34Yes, let's talk about it.
01:02:36He was madly in love with me.
01:02:38And very jealous of you, that's it.
01:02:40And what happened between you two?
01:02:43Oh, Nino, it's so long ago.
01:02:47It's true.
01:02:48And it doesn't matter.
01:02:51No, no.
01:02:52It's better to say it all.
01:02:54Once and for all.
01:02:56Who knows?
01:02:57Maybe we'll never see each other again.
01:02:59It depends on you.
01:03:07But look at this courier.
01:03:09Everything changed in an instant.
01:03:11You became hard, distant.
01:03:14You have to know, Nino.
01:03:17It's because of him, because of that Mario Lucchi, that I left you.
01:03:21But how?
01:03:22Your mother went to live in Novara.
01:03:24And you disappeared overnight.
01:03:27It wasn't a move.
01:03:29It was a runaway, by the way.
01:03:31I told you you were running away.
01:03:34It's true, it was a runaway.
01:03:36But it was him I was running away from, not you.
01:03:40So that day when you were crying, it was because of him?
01:03:43I thought...
01:03:48Mario Lucchi and his aunt.
01:03:50They ruined my life.
01:03:53Explain yourself.
01:03:54Explain yourself better.
01:03:57He had to be punished.
01:03:59Both of them deserved it.
01:04:01I don't understand you.
01:04:03Punished for what?
01:04:05That Mario was...
01:04:07a guy.
01:04:09Violent, vulgar.
01:04:12He took me by force.
01:04:14He used everything he touched, including me.
01:04:16He wanted to enjoy me to the end.
01:04:18He got me pregnant.
01:04:20No, Nino, you couldn't have known.
01:04:22How could you?
01:04:23And she, the old woman, when she found out, she dragged me into her bed.
01:04:27She yelled at me that I could always...
01:04:29always run after Mario.
01:04:31Never, never will he marry a...
01:04:34a whore like me.
01:04:35And that bitch, she planned it all.
01:04:37She was an abortionist, you know. She forced me to abort.
01:04:40But how did she force you? You had to agree.
01:04:44Oh, Nino, there are people who have a power.
01:04:47A sinister power.
01:04:49To which we...
01:04:52we can't resist.
01:04:54It's like me.
01:04:57I give in to them.
01:04:59I've always given in to them.
01:05:02Not from the bottom of my heart, but...
01:05:05there's nothing to do.
01:05:09My rage stays inside.
01:05:13It grows.
01:05:14It covers its revenge.
01:05:16You know, there are things...
01:05:18there are things that you don't forget.
01:05:20That you don't forgive.
01:05:22They paid well.
01:05:25She's dead. And him?
01:05:27And him?
01:05:30Him, he's gone.
01:05:32But they say he killed her.
01:05:34That he's the murderer.
01:05:36Yes, that's what they say.
01:05:42Enough. Let's not talk about that.
01:05:49Enough, but...
01:05:51I didn't think you were capable...
01:05:53of so much resentment,
01:05:55of so much hatred.
01:05:57I can hate when I can love.
01:05:59Without limits.
01:06:04If we talk about love...
01:06:05Now?
01:06:06Nino, stop here, please.
01:06:08All right.
01:06:09I want to make love.
01:06:14Nino.
01:06:16Yes?
01:06:17Look at me.
01:06:19Look into my eyes.
01:06:22Do you desire me?
01:06:24Yes.
01:06:25Oh, yes, I desire you.
01:06:28Do you desire me as much as I desire you?
01:06:31Yes.
01:06:40Anna!
01:06:42Anna!
01:06:51Anna!
01:07:15Would you like a coffee?
01:07:17Yes, thank you.
01:07:18Hello, Brigadier.
01:07:19Nothing, no?
01:07:20Nothing.
01:07:21And you?
01:07:25Would you like some?
01:07:26Thank you.
01:07:29Mr. Montille, did the lady live in Paris?
01:07:32No, in Sondrio.
01:07:33Did she live on foot in Paris?
01:07:35No, no, she came directly from Sondrio.
01:07:37She had parked her car at Isola Tower, it seems.
01:07:40We just passed by, but apparently there was no car.
01:07:45Did you see a car parked in front of Isola Tower?
01:07:47No, Brigadier.
01:07:49I can give you a call, please.
01:08:01Hello?
01:08:02Teresa, hello, it's me.
01:08:03Nino?
01:08:04Where are you? I can't hear you. You seem to be far away.
01:08:07I'm not in town.
01:08:08I have to go to the police station.
01:08:10To the police station? Why?
01:08:11I'll explain. He's arrived.
01:08:13I'll tell you later.
01:08:15What's going on?
01:08:16Listen, do me a favor. Call Luciano right away.
01:08:19Make sure he finds me at the police station.
01:08:21It's urgent. Do you understand?
01:08:23Oh my God, what happened to you?
01:08:25I can't explain it to you now.
01:08:27Find Luciano, hurry up.
01:08:28Goodbye.
01:08:42I'm sorry if I bothered you, but I really didn't know how...
01:08:45And the car stayed on the bank of the river.
01:08:47It's nothing, it's nothing.
01:08:48If you don't help each other...
01:08:52And Teresa? What did she say?
01:08:54A good man told her.
01:08:55In a small town, the news, you know, it goes fast.
01:08:58The bad news, especially.
01:09:03Who was it?
01:09:06It's a detail.
01:09:08Married?
01:09:10Yes.
01:09:11Well, things happen.
01:09:13Married women, you see, I run away from them like the plague.
01:09:15Precisely so as not to have this kind of problem.
01:09:44Yes, anyway.
01:09:46Tomorrow you absolutely have to come for lunch at my place.
01:09:48Yes, I thank you, I'll see how I feel.
01:09:50Good evening, my dear, and try to sleep anyway.
01:10:04Take off your boots, you're going to dirty the carpet.
01:10:07Complain, if you knew the horns that Francesco makes me wear.
01:10:11Why don't you do as much?
01:10:12No.
01:10:13Well, I'm counting on you tomorrow.
01:10:14Yes, yes, I thank you.
01:10:16Bye-bye.
01:10:17Goodbye, my dear.
01:10:18Yes, goodbye.
01:10:33I guess you're going to take a shower and then I'll make you some broth, if you want.
01:10:37I'm not hungry, thank you.
01:10:39I made your bed in your office.
01:10:43Hello.
01:10:44Yes, my dear, thank you, I know.
01:10:46You're nice.
01:10:47Goodbye.
01:11:13Can I at least know who it was?
01:11:16Do you really care?
01:11:18Oh, no.
01:11:19If I don't know who it was, I know what it was.
01:11:23What's the point of talking about it then?
01:11:25Yes, you're right.
01:11:26Besides, nothing happened.
01:11:29Why are we talking about it?
01:11:31I don't know.
01:11:33I don't know.
01:11:35I don't know.
01:11:37I don't know.
01:11:39I don't know.
01:11:40Why are we talking about it?
01:12:10I don't know.
01:12:40I don't know.
01:12:50Is anyone there?
01:13:03What do you want?
01:13:05The Kanzuki.
01:13:07Give it to me.
01:13:08I'm innocent.
01:13:10Please excuse this intrusion.
01:13:11I found the door open and...
01:13:15Come in, please.
01:13:19I came on purpose from Paris.
01:13:21Thank you for speaking to me.
01:13:23I wanted to call you, but I felt obliged to come here
01:13:27to explain myself.
01:13:30It was a kind of fatality.
01:13:31A set of unfortunate circumstances.
01:13:33I'm overwhelmed.
01:13:35But I want to dispel all misunderstandings by insisting on a point.
01:13:38Anna and I were just old friends.
01:13:40We only took an innocent walk.
01:13:44I...
01:13:45I must admit that at one time I loved Anna a lot.
01:13:48A lot.
01:13:49We wanted to relive the landscapes of our youth.
01:13:52You would think that even that is critical.
01:13:54And you're right.
01:13:56That's why I came to apologize to you.
01:13:58But I also did everything that...
01:14:01Everything happened, everything happened so fast that...
01:14:04Suddenly, she fell without me being able to...
01:14:07I don't understand.
01:14:10What don't you understand?
01:14:14What are you talking about?
01:14:17But then...
01:14:19You may not be aware of what...
01:14:21You don't know that your wife Anna is...
01:14:23Yes.
01:14:25But she drowned yesterday!
01:14:27Yesterday she died!
01:14:30Mr. Monty...
01:14:32What do you want from me?
01:14:34What are you telling me?
01:14:36But I...
01:14:37I thought it was my duty to come and explain to you that...
01:14:40My wife Anna died three years ago.
01:14:44Mr. Lecomte...
01:14:46Yesterday I was on a boat with Anna.
01:14:48And there's no need to hide it any longer.
01:14:50I saw her at your place here a week ago.
01:14:54Go away.
01:14:57I'm talking to her.
01:14:58There, there.
01:14:59It's your turn.
01:15:00Go away!
01:15:06Go away!
01:15:36I'm sorry, I thought you...
01:15:39You live here?
01:15:40Yes, I'm Lecomte Ziggy's maid.
01:15:43I was just talking to Lecomte Ziggy.
01:15:45Because I wanted to...
01:15:46What did you want from him?
01:15:48You've been working for him for a long time.
01:15:50Twelve years ago.
01:15:52In that case, you've met Mrs. Anna.
01:15:55Poor Countess.
01:15:56Of course I've known her for a long time.
01:15:58Besides, I lived there with her.
01:16:00And the Countess?
01:16:02Is she dead?
01:16:03Of course.
01:16:04Three years ago.
01:16:06Me too, I knew her well.
01:16:08I hope you'll have the kindness
01:16:10to do me a little favor.
01:16:12It won't be long.
01:16:14I'd love to.
01:16:24Here she is.
01:16:25See, it's her.
01:16:28Poor thing.
01:16:30I come to visit her every week.
01:16:32I bring her flowers.
01:16:34I maintain the flame.
01:16:46Look.
01:16:47This is what she had become, the poor thing.
01:16:50This is her last photo, just before her death.
01:17:05The world was falling apart.
01:17:07The air, the earth, everyone on their side.
01:17:09I felt broken, yes.
01:17:12I was alone on the river.
01:17:14I was alone.
01:17:16I ended up in a striped pyjama,
01:17:18eating dried tangerines and cakes in a corner of the courtyard.
01:17:21But no, no, no.
01:17:22The reason is the strongest.
01:17:24We must reason.
01:17:25Find the solution to this absurdity.
01:17:29There is a dark point, if I may say so,
01:17:31concerning the victim of the accident.
01:17:34This woman who was drowning and whose body...
01:17:36Has not been found, yes.
01:17:38That's right.
01:17:39You knew her, didn't you?
01:17:41And you told the Carabiniers that her name was...
01:17:43Anna Brigatti Ziggy.
01:17:46We...
01:17:47We met about twenty years ago.
01:17:50And...
01:17:51And we ran into each other, by chance, every week.
01:17:54All right.
01:17:55But you see, the police in Sondrio
01:17:57informed us that there must have been a mistake.
01:18:00Here it is.
01:18:01Brigatti Anna, etc.
01:18:03Wife Ziggy, etc.
01:18:06Died...
01:18:07Three years ago.
01:18:08Of cancer.
01:18:09I know.
01:18:11Do you remember that?
01:18:12Mr. Judge, you must say that I...
01:18:15That this poor Monty is crazy, because...
01:18:17A guy who walks around with the dead,
01:18:19obviously, is someone who has a house at least.
01:18:22You must not believe in ghosts,
01:18:24if, like me, you have received a secular education.
01:18:27And so...
01:18:29I must tell you the truth.
01:18:31All the truth...
01:18:33Nothing...
01:18:35Nothing but the truth.
01:18:36You see, Mr. Judge, the reality is quite different.
01:18:39I tell you this as a judge, but also as a friend.
01:18:43You are my friend, aren't you? Answer me.
01:18:45But of course.
01:18:47So...
01:18:49Between men...
01:18:50Between friends, that is, you can understand me.
01:18:53I... I lied, above all.
01:18:55I made it all up.
01:18:57This woman, this poor dead woman...
01:18:59I had just met her on the highway.
01:19:03You know, where you see some creatures.
01:19:06I got her in my car.
01:19:08She was quite elegant.
01:19:09She didn't look like a prostitute.
01:19:11And...
01:19:13She told me her name was Anna.
01:19:16So...
01:19:17When this tragedy happened,
01:19:19that is, the accident, as you call it, the accident,
01:19:22I, in order not to sound like a fucking amateur,
01:19:25I said her name was Anna Brigatti.
01:19:29You understand me, don't you?
01:19:32Do you think I'll have trouble with the court?
01:19:34Well, you...
01:19:35You can boast of having made a scene
01:19:37and of wasting our precious time.
01:19:40We are only men.
01:19:42And sinners, too.
01:19:43We'll try to fix this whole thing.
01:19:46But we'll have to question the ladies who operate in the sector
01:19:48to see if they have...
01:19:49Yes.
01:19:52It's me, yes.
01:19:54Quoi?
01:19:56Ah bon, très bien.
01:19:58Où ça?
01:20:00Le corps a été retrouvé.
01:20:01Quoi?
01:20:02Le cadavre dans le feu.
01:20:03Ils sont en train de le repêcher.
01:20:05Vous venez?
01:20:06Bien sûr.
01:20:09Je vous précède.
01:20:19Oh, rien.
01:20:20Rien, je suis un peu nerveux, peut-être.
01:20:22Ils ont retrouvé le cadavre.
01:20:24Je suis bien coupable.
01:20:32Bonjour, monsieur le procureur.
01:20:37Où l'a-t-on trouvé?
01:20:38C'est moi qui l'ai vu. Il était coincé sous les branches, là.
01:20:44Découvrez.
01:20:46Alberti.
01:20:53Mais c'est un homme.
01:20:54Oui, monsieur, c'est Mario Lucchi.
01:20:56Ses papiers sont encore déchiffrables.
01:20:58Il était dans l'eau depuis au moins une semaine.
01:21:01Une semaine? Mais c'est pas possible.
01:21:03Il y a peine deux jours que...
01:21:05Quoi?
01:21:07Rien.
01:21:09Je disais...
01:21:10Rien.
01:21:14C'était normal, non?
01:21:15Que pouvait-il y avoir d'aussi extraordinaire?
01:21:18Lui, il était mort, et moi, je l'ai vu.
01:21:20Normal.
01:21:23Il aussi, elle était morte, et moi, je l'ai embrassé.
01:21:26Les fantômes existent, mesdames et messieurs.
01:21:28Les morts reviennent, ils tuent même, parce qu'ils sont vindicatifs, les morts.
01:21:33Mais il faut leur pardonner.
01:21:35Pitié pour eux, pitié pour nous.
01:21:38Pitié pour celui qui aime.
01:21:46Je me demande ce qui a dû se passer dans cette tête malade.
01:21:49C'est un peu dégorgé, ça.
01:21:51Sa pauvre tante était prêt à aller se jeter dans le fleuve.
01:21:54Écoutez...
01:21:55Vous êtes certainement d'une paranoïa dépressive.
01:21:57Arrêtez-moi, je vais descendre.
01:21:59Je vous ramène chez vous.
01:22:00Non, non, je vais rentrer à pied.
01:22:01Qu'est-ce que vous faites? Attendez au moins que je m'arrête, quoi.
01:22:04Vous êtes très bouleversé.
01:22:05Merci, monsieur le juge. À bientôt.
01:22:49Au revoir.
01:23:14Pardon.
01:23:20Anna!
01:23:23Anna!
01:23:39Anna!
01:23:49Anna!
01:24:03Tu m'as encore suivi, Nino.
01:24:05Tu as besoin de me revoir.
01:24:07Parce que tu m'aimes toujours, je le sais.
01:24:10Oui, c'est vrai.
01:24:12Je t'ai toujours aimé, je t'aime encore.
01:24:15Mais maintenant, tu n'es plus là.
01:24:17Tu n'es plus Anna.
01:24:19Tu es une pauvre créature pleine de ressentiments...
01:24:21qui est revenue seulement pour se vanger.
01:24:25C'est toi qui m'as appelée.
01:24:27C'est ton amour qui m'a réveillée.
01:24:30Oui, je suis perdue.
01:24:32J'avance dans l'obscurité comme un bateau sans gouvernail.
01:24:37Et toi, tu es la lumière qui m'attire, qui m'appelle...
01:24:40qui me fait accomplir même ce que je ne voudrais pas.
01:24:44Non.
01:24:45Non, chez moi, il y a seulement de l'amour, Anna.
01:24:48Aucune haine.
01:24:49Mais comment ?
01:24:50Tu n'as pas encore appris à pardonner là où tu es.
01:24:55Pour le moment, je suis ici.
01:24:58Je n'arrive pas à me détacher de toi, je n'arrive pas à te quitter.
01:25:02Je voudrais, je voudrais me détacher de toi pour toujours.
01:25:05Je voudrais que tu me dises adieu, Anna.
01:25:07Je t'oublierai, disparaît.
01:25:11Tu as raison.
01:25:13Je te dis adieu, tu vas disparaître, mais moi...
01:25:16je ne t'oublierai jamais.
01:25:18Je ne t'oublierai jamais, Anna.
01:25:21On se quitte pour toujours ?
01:25:26Tu ne veux pas me donner un dernier baiser ?
01:25:45Anna.
01:25:51Anna.
01:26:15Anna.
01:26:45Anna.
01:27:15Anna.
01:27:41Nino, je pars quelques jours chez ma soeur.
01:27:43Ça vaut mieux pour nous deux, Teresa.
01:28:14Anna.
01:28:16Anna.
01:28:21Anna.
01:28:26Anna.
01:28:31Anna.
01:28:36Anna.
01:28:40Anna.
01:28:43Anna.
01:29:13Anna.
01:29:18Anna.
01:29:43Elle est aimée à la folie.
01:29:46J'éprouvais de l'horreur et de la passion.
01:29:49Et puis elle m'a échappé.
01:29:52Elle a disparu dans le fleuve définitivement.
01:29:55Et oui.
01:29:57Mais est-ce que ça s'est bien passé comme ça ? Non.
01:30:00Non, écoutez, entre nous, je veux vous confier en secret.
01:30:03Elle, elle n'a pas du tout disparu.
01:30:07Elle est toujours là, autour de moi.
01:30:09Parce que c'est elle qui me l'a dit.
01:30:11Elle a besoin de moi pour vivre comme...
01:30:14Comme un papillon de nuit est attiré par la lumière.
01:30:18Et tant que je serai vivant, elle aussi, elle vivra.
01:30:21Vous comprenez ?
01:30:22Parce que l'amour, c'est la vie éternelle.
01:30:26C'est la vie dans la mort.
01:30:29Oui.
01:30:31Seulement,
01:30:33personne ne veut me croire quand moi je dis ces vérités toutes simples.
01:30:39D'ailleurs, toutes ces personnes bien intentionnées qui sont autour de nous,
01:30:42ce professeur, il...
01:30:45Il m'écoute, oui.
01:30:46Il note ce que je leur dis, mais...
01:30:49Mais...
01:30:50Je vois très bien qu'il ne me croit pas.
01:30:54Non, non.
01:30:59Excusez-moi, je vous laisse. On m'appelle.
01:31:09Sous-titres réalisés para la communauté d'Amara.org
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