Category
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Court métrageTranscription
00:00:00You
00:00:30Oh
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00:02:30Tony
00:02:40Is in your Tony Locascio
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00:10:28Passengers departing for New York flight Alitalia AT600
00:10:33are kindly requested to go to gate number 2.
00:10:48The whole operation will go smoothly.
00:10:51They are good just in time for takeoff, ma'am.
00:10:58Hello?
00:11:00Nick, would like to tell me that you've been contacted?
00:11:03No, I may not have yet.
00:11:05But I'll take your number and call you back.
00:11:09I'm afraid the professor will be furious.
00:11:14Professor, there's a gentleman on the telephone.
00:11:17He wants to talk to you.
00:11:19I'm afraid I can't.
00:11:21I'm afraid I can't.
00:11:23I'm afraid I can't.
00:11:26Professor, there's a gentleman on the telephone.
00:11:28He says his name is Niccolo Patrovica.
00:11:30You want to speak to him?
00:11:32Yes, I'll be right there.
00:11:34Hello? He says he'll be right with you, sir.
00:11:50All right?
00:11:52Everything's in order, professor.
00:11:54Good evening.
00:12:25What is it, boss? Trouble?
00:12:27I'll say. Another clanker.
00:12:30You just won't get it through your head.
00:12:36That Fabiani, the killer we nailed, has retracted his confession.
00:12:39Police obtained the signature of Fabiani by violation of his rights.
00:12:42I'm afraid I can't.
00:12:44I'm afraid I can't.
00:12:46I'm afraid I can't.
00:12:48I'm afraid I can't.
00:12:50I'm afraid I can't.
00:12:52I'm afraid I can't.
00:12:55Yeah, and in the absence of his lawyer, huh?
00:13:00I've been told.
00:13:04Told off, that is, by the deputy public prosecutor.
00:13:07I'll let you imagine, if you can, how he chewed me out.
00:13:10I can imagine.
00:13:12The same old song. Our new rules of procedure have to be respected.
00:13:15Right?
00:13:17All they got to say is, hateful police dog manhandles poor, frightened killer.
00:13:22And the hateful police dog let his teeth show on Fabiani.
00:13:25Oh, on one little finger.
00:13:27One little finger? He might as well have had his back broken.
00:13:30One twisted finger is sufficient to bury the whole signed confession of Fabiani's.
00:13:33Never mind. We're making apologies, since we owe it to him.
00:13:36Another killer loose, there's nothing to worry about.
00:13:38You can say that again. The old story of the police with their hands tied.
00:13:41Yes?
00:13:43No, not now.
00:13:45And when your hands are free, you beat them up.
00:13:48Yeah. A third degree always gets a confession.
00:13:51But I'm not using force simply to beat up suspected criminals.
00:13:55It's their own language I've been using.
00:13:57Because they can only understand this one.
00:13:59If there's one language you have to forget, it's physical coercion.
00:14:02So quit beating all these bastards.
00:14:04Otherwise, you risk a charge of criminal assault.
00:14:06Why not? A policeman today is like a prisoner.
00:14:09By the law, protects delinquents so they're free to commit crimes.
00:14:12Don't talk nonsense.
00:14:14Anyhow, I've heard enough of these complaints, if you don't mind.
00:14:17Better start using control.
00:14:20As your boss, I'm giving you an order.
00:14:23From here on in, keep your hands in your pockets.
00:14:26Come in.
00:14:41Supposed to be our man?
00:14:43I pieced it together to follow the way the bodyguards in front of Esposito's room described it.
00:14:48Hey, I'm early.
00:14:50Early?
00:14:52Did you consider this late?
00:14:54No, no more than usual.
00:15:00Linda, having guests tonight?
00:15:02No, my dear. I'm treating you to a champagne supper.
00:15:05I have a very good reason.
00:15:07A stroke of luck.
00:15:09A stroke of luck?
00:15:11Yes, a stroke of luck.
00:15:13A stroke of luck?
00:15:15Yes.
00:15:18How come?
00:15:20Today I ran into Senora Santoro.
00:15:22You know, she married that big shot who sells real estate.
00:15:25She wants me to do her a favor.
00:15:27Her villa's being remodeled, and I'll decorate it.
00:15:30And that's the reason I'm offering you Don Perignon.
00:15:33Satisfied?
00:15:35Did she fish out a checkbook and pay you a retainer?
00:15:38Well, not yet. I had to charge it tonight.
00:15:41But don't worry. Soon I'll be able to meet her.
00:15:45I'll be independent.
00:15:47I guess you'll be relieved to have me off your neck.
00:15:50That won't work anymore.
00:15:56Good luck.
00:15:58As I always say,
00:16:00the only way to get ahead is to make yourself useful.
00:16:03Right.
00:16:05Elsa?
00:16:07Elsa?
00:16:09You have a visitor.
00:16:11Who is it?
00:16:13You home?
00:16:15Don't you ever get tired of sleeping?
00:16:18God, it's hot. It's tough at work.
00:16:21Come on.
00:16:23Wake up.
00:16:25What time is it?
00:16:27Nearly two o'clock in the afternoon.
00:16:34So, Lily, I'm glad to see you.
00:16:36Ciao. How have you been?
00:16:38I guess I was a bit too much sleep.
00:16:40I could well imagine.
00:16:43I have a letter from Patricia.
00:16:45Where is she now?
00:16:47In Manila.
00:16:49She says she loves it.
00:16:51You seem tired.
00:16:53I'm bushed.
00:16:55You must have had fun in Sydney.
00:16:57Oh, it poured rain.
00:16:59We had to wait nearly an hour before we could take off.
00:17:01Any news from the paper today?
00:17:03All I glanced at was the obituaries,
00:17:05hoping to find the immortal.
00:17:07After all, the jerk hasn't telephoned, has he?
00:17:09No.
00:17:12And I thought he was serious.
00:17:14Did this man kill Frank Esposito?
00:17:16Italo-American Joe Gambino.
00:17:18It's Italian police description.
00:17:20Lily!
00:17:22What?
00:17:24I'm sure I saw this fellow in the paper.
00:17:26He was at the airport.
00:17:28What's the story?
00:17:30Well, the police think he murdered that gangster in the clinic.
00:17:32But somebody kills one of those crooks
00:17:34at every morning headline.
00:17:36No, seriously. I noticed this character.
00:17:38He had sex appeal. I mean, loaded.
00:17:41There was another man with him.
00:17:43Maybe I should tell the police.
00:17:45After a murder like this,
00:17:47at least it's another angle to work on.
00:17:49Elsa, but honestly, use your common sense.
00:17:51What if those people find out you reported them?
00:17:53It could be dangerous.
00:17:55Yeah, that's it.
00:17:57That chick who gives out information at the airport.
00:17:59She could have noticed us.
00:18:01We missed Bob.
00:18:03What do you mean, could have?
00:18:05Did she see your yes or no?
00:18:07Yeah. She couldn't have missed.
00:18:10She sees the police records, yeah.
00:18:12Never mind.
00:19:39♪
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00:20:09Relieve my feminine curiosity.
00:20:11Yes, my dame.
00:20:13We can't expect to know each other's personal traits after three days,
00:20:15but explain one habit, then.
00:20:17What's there to explain?
00:20:19You're so odd.
00:20:21Sometimes the way you behave doesn't make sense.
00:20:23Yeah?
00:20:25This morning you begged me for a date, and now we're here.
00:20:27I think you've glanced at your watch
00:20:29as though you want to run every 20 seconds.
00:20:31Why?
00:20:33But I didn't expect you'd notice it.
00:20:35I was too attuned. I was stupid.
00:20:37Why, no.
00:20:39No, I don't realize what I'm doing.
00:20:41It's a reflex action of mine.
00:20:43Whenever you're expecting another girl.
00:20:45No.
00:20:47I forgive you this once.
00:20:49Let's go to the table now.
00:20:51I'm absolutely exhausted, and I'd like a drink.
00:20:53All right.
00:20:55We'll drink later, huh?
00:20:57Come on.
00:20:59Come on.
00:21:09Yes, just a moment, please.
00:21:21Signorina Antonelli, you wanted on the telephone.
00:21:25Well, who can that be?
00:21:27Signorina.
00:21:29Of course, the telephone.
00:21:31I told her we'd meet here.
00:21:33Excuse me a moment.
00:21:35Okay.
00:21:57But who is it?
00:21:59I'm listening.
00:22:01Hello?
00:22:03What's this joke?
00:22:05Who's calling?
00:22:07Hello? Hello?
00:22:27Hello?
00:22:35I know I'm not liberated.
00:22:37That's not that rare.
00:22:39Come on.
00:22:41Then I'll go like this.
00:22:43Tomorrow, I have to be up at 7.
00:22:45So I'll say goodnight here.
00:22:47Is Lily home?
00:22:49Oh, I forgot. She's at some discotheque.
00:22:51No kidding.
00:22:53Yeah, she was in a restaurant all Saturday.
00:22:55That reflects your opinion of me, your roommate, that girl.
00:22:59I didn't mean to say that because you wouldn't have it.
00:23:01Yes, you.
00:23:03Can you believe me?
00:23:09You know me.
00:23:11It's a shame to say.
00:23:13May I?
00:23:17To show my regard, young lady,
00:23:19permit me to offer you this rose.
00:23:21Oh, thank you kindly.
00:23:25Thank you.
00:23:43Would you like to go to bed?
00:23:45Yes.
00:23:47Giddy.
00:23:49I was supposed to.
00:23:55How about it?
00:23:57All right.
00:23:59With you.
00:24:25Good night.
00:24:27Good night.
00:24:57Giddy.
00:25:05Giddy.
00:25:07Giddy.
00:25:09Giddy.
00:25:11Giddy.
00:25:13Giddy.
00:25:15Giddy.
00:25:17Giddy.
00:25:19Giddy.
00:25:21Giddy.
00:25:23Giddy.
00:25:25Giddy.
00:25:27Giddy.
00:25:29Giddy.
00:25:31Giddy.
00:25:33Giddy.
00:25:35Giddy.
00:25:37Giddy.
00:25:39Giddy.
00:25:41Giddy.
00:25:43Giddy.
00:25:45Giddy.
00:25:47Giddy.
00:25:49Giddy.
00:25:51Giddy.
00:25:53Giddy.
00:25:55Giddy.
00:25:57Giddy.
00:25:59Giddy.
00:26:01Giddy.
00:26:03Giddy.
00:26:05Giddy.
00:26:07Giddy.
00:26:09Giddy.
00:26:11Giddy.
00:26:13Giddy.
00:26:15Giddy.
00:26:17Giddy.
00:26:19Giddy.
00:26:21Giddy.
00:26:23Giddy.
00:26:25Giddy.
00:26:27Giddy.
00:26:29Giddy.
00:26:31Giddy.
00:26:33Giddy.
00:26:35Giddy.
00:26:37Giddy.
00:26:39Giddy.
00:26:41Giddy.
00:26:43Giddy.
00:26:45Giddy.
00:26:47Giddy.
00:26:49She was right. She wanted first to come to the police and tell what she's seen.
00:26:53But I convinced her it was too dangerous.
00:26:55A risk like that just wasn't worth taking.
00:26:58And now I...
00:27:05Now, Mrs. Antonelli, don't get upset.
00:27:08Is there...
00:27:10... somebody she may have told you can think of?
00:27:12No Inspector, unless at the airport.
00:27:15Question every one she knew there tomorrow morning.
00:27:17I'll see to that.
00:27:18Is there anybody you told about it?
00:27:21No, there isn't. I never felt that I should.
00:27:24Not even the man you're engaged to?
00:27:26I'm engaged to?
00:27:28Yes, to this...
00:27:31Gigi Scott Soli, the one who took you home last night.
00:27:34We met each other only three days ago.
00:27:43Only three days, you say?
00:27:45That's right.
00:27:47Are you sure that this character is named Gigi Scott Soli?
00:27:50Well, as far as I know, I didn't ask to see any documents.
00:27:54But wait just a minute.
00:27:56I felt he was a funny person, a strange way he acted.
00:27:59He kept peeking at his watch and pretending he wasn't looking at it when I noticed.
00:28:03Perhaps you could tell us how to reach him.
00:28:05I don't know.
00:28:07I only gave him my pillow sometimes.
00:28:09I haven't been to his apartment.
00:28:11Miss Antonelli, recall the number of Scott Soli's license plate?
00:28:15No, you see, I've never noticed licenses.
00:28:18But I noticed another thing.
00:28:20I remember he found a traffic ticket on his windshield.
00:28:23A traffic ticket?
00:28:24Yes, he got it because he double parked his car and left it locked.
00:28:27Are you quite sure?
00:28:29Do you recall where he parked the car and when?
00:28:31Yes, and he had taken his son to the lottery.
00:28:33When? At the discotheque?
00:28:34Exactly.
00:28:35Start tracing whoever wrote that traffic ticket.
00:28:42It doesn't count.
00:28:43How can I tell you it was good? It was a fair goal.
00:28:45Don't be a fat head. The half was over.
00:28:47Everyone could see that.
00:28:50All right.
00:28:51Let's see those videotapes from the airport now.
00:28:54It was lucky for us they weren't erased.
00:28:56We called for him just in time to see them.
00:28:58Sit down, Inspector.
00:28:59No, thanks.
00:29:00Ready for screening on the third circuit.
00:29:13There's the guy whose dad Frank is supposed to know.
00:29:15He's the bigger man.
00:29:17The other one must be his contact.
00:29:19Let's hope we get a better look at him.
00:29:26Here we go.
00:29:28Stop the reel.
00:29:29Go back a little and repeat it.
00:29:33Stop the reel.
00:29:34Go back a little and repeat it.
00:29:38Stop the reel.
00:29:39Go back a little and repeat it.
00:29:44If I'm not mistaken, I've seen him somewhere before.
00:29:48You've seen him, Sergeant?
00:29:49Really?
00:29:50And frequently, I'd say.
00:29:52You've got better eyes. Recognize him?
00:29:54Yes, I'm pretty sure I do, Sergeant.
00:29:57Have the data computerized and checked with the master file.
00:30:00Right away, sir.
00:30:08Hello?
00:30:09Hello?
00:30:10Call the phone.
00:30:11Is Lieutenant DeCarmo there?
00:30:13One moment, please.
00:30:19Sorry, he doesn't answer. He must have left his office.
00:30:22Never mind. Thanks.
00:30:23Can I take a message?
00:30:24No, it's not important.
00:30:25Very well.
00:30:28May I?
00:30:29Oh, I'm sorry, sir.
00:30:30Quite all right. Here.
00:30:31He's the one.
00:30:37Good work.
00:30:39Salvatore Peroni.
00:30:40Born in Palermo. Date of birth, 26 October, 1930.
00:30:47Arrested in 1950 for robbery. Sentenced to four years.
00:30:50Escaped jailer Luchardoni.
00:30:51Was returned after two months at large and was sentenced to another two years.
00:30:54Arrested in 1958 for attempted homicide and was sentenced to eight years and six months.
00:30:58Two years on probation. Status, vagabond.
00:31:02I have to send her the bulletin of wanted persons and see what our informers have on them.
00:31:10Now, come on.
00:31:11You don't know Salvatore Peroni, you say?
00:31:13But, Inspector, you've asked me that at least a hundred times.
00:31:15Don't be a smart-ass. You'll pay for it, punk.
00:31:17What can I do if I don't know him?
00:31:18But Gigi Scottoli, you know who he is.
00:31:20Look, Inspector, I move around. I meet a lot of people.
00:31:22I can't remember all the names.
00:31:23Who put you on to Lily Antonelli?
00:31:25Her. I met her in a bar by chance.
00:31:28How come the killer got in a house with Elsa Russo?
00:31:30By chance?
00:31:31By chance, his key fit at the front door. Is that how?
00:31:34I don't know. I don't know.
00:31:36By chance, his key fit at the front door. Is that how?
00:31:38I don't know. I had nothing to do with it.
00:31:40Or, by chance, he had the key you stole that really fit.
00:31:42You mean I opened the bag? I never had enough time.
00:31:44To rifle a handbag and get a key out of it, of course you did.
00:31:46I don't get filched from persons, and what's more, I demand a lawyer.
00:31:49Don't raise your voice like that.
00:31:51Yeah, sure, you got your right to ask things.
00:31:53Go right ahead.
00:31:54Only you'll ruin your voice if you ask a hundred times for a lawyer.
00:31:57Get the sneer off your face right now.
00:31:59Or your lawyer will find you with your teeth slapped out.
00:32:03The Antonelli girl was called to the phone while she was with you.
00:32:06I said that, but that's no crime.
00:32:08She went to the phone, and there was nobody on the line.
00:32:11And the roommate was the only one who knew where she was going.
00:32:14So what?
00:32:15You had to call fake to get rid of her for a minute.
00:32:17Are you kidding?
00:32:18That's when you rifled her bag.
00:32:20With witnesses present?
00:32:21Can you explain to me exactly what made you constantly keep checking on the time?
00:32:24It's just a habit. I always do it.
00:32:26Then why didn't you want your girlfriend to find out?
00:32:28That's not true.
00:32:29That's what she said.
00:32:30My word is just as much weight.
00:32:31Your word is about as much weight as a wet fart.
00:32:33Listen, my record's clean as a whistle.
00:32:34It was clean, smartass.
00:32:36A fine example of the new generation of crooks.
00:32:39They used to be made, now they're born to it.
00:32:41I tell you, with punks like him, there's only one way.
00:32:43So why don't we try it?
00:32:44You lay a finger on me, it'll be your ass.
00:32:48It'll be my ass?
00:32:49You son of a bitch, if I planted these in your face, you wouldn't have one anymore, de Leo.
00:32:53I'll clobber you.
00:32:54Don't get so mad. Calm down.
00:32:55Ah, don't worry.
00:32:56I got my hands tied.
00:32:58So you deny knowing Salvatore Peroni.
00:33:00I sure do.
00:33:01You're a liar!
00:33:02Ah, you're much too small a fish to pay on.
00:33:04To keep him here for questioning, we'll have to call him a lawyer.
00:33:06But what have we got on him?
00:33:07I know he's lying.
00:33:09You latched on to Lily Antonelli to do a specific job.
00:33:12No.
00:33:13Maybe you're right, but...
00:33:14Yeah, he's tired, poor fellow. It's time he went to bed.
00:33:18And I'm tired, too.
00:33:23All right, see if he gets home, will you?
00:33:25But don't you run away.
00:33:28Make him sign a statement.
00:33:30You're kind of pleased with yourself, aren't you?
00:33:32Yeah.
00:33:33We're going to be seeing a lot of you.
00:33:37Name, surname, and address.
00:33:39Giuseppe de Leo, Via 20, September 21.
00:33:42You got it?
00:33:43Salvatore has the dog.
00:33:45He's been released, and he's about to leave.
00:34:02The signals say the pigeon has just been released.
00:34:05It's a good sign.
00:34:07I'm sure he'll be back soon.
00:34:09I'm sure he will.
00:34:11The pigeon has just been released.
00:34:41The pigeon has just been released.
00:35:12Oh, no!
00:35:17Grand Scotch Whiskey.
00:35:19It's the Scotch you offer only your most intimate friends.
00:35:23Where guests are at ease.
00:35:25Where they can't be served just anything,
00:35:27you will always find good energy.
00:35:29Digest it, miss.
00:35:31Cadnet Branca.
00:35:32Add it to your coffee, and digest it intimately.
00:35:39Ciao.
00:35:40Ciao, Johnny.
00:35:42No, the drawing's not finished.
00:35:46Just all evening? Or very late again?
00:35:49It looks as though it's going to be late.
00:35:51Something happened, as usual.
00:35:53Never mind.
00:35:54I'm sorry. I'm mad.
00:35:56No, no, Johnny. It's all right.
00:35:58So put out the light and go to bed.
00:36:00Ciao.
00:36:10We're up against a criminal organization.
00:36:13There's no doubt of it now.
00:36:15The motive in every case is perfectly obvious.
00:36:18It's elementary.
00:36:19Anyone who has seen or knows anything that he might reveal
00:36:23has to be eliminated at once.
00:36:25It's a situation, gentlemen, that we must meet
00:36:28with greater firmness than we're showing.
00:36:30I don't say this to criticize your operation.
00:36:32That would be uncalled for in a time of crisis like this.
00:36:36What I am saying is that
00:36:38what we have done to date
00:36:40is simply not enough.
00:36:42Definitely, I agree with you, sir.
00:36:44In fact, I know it's not enough to have taken disciplinary action
00:36:47against the agent held accountable for the death of DiLeo.
00:36:50I know.
00:36:51Ah, yes.
00:36:52Inspector DeCarmini, were you about to say something?
00:36:56I wasn't about to say a thing, sir.
00:36:59I'm sure there's not much I can add to what Mazzotti said.
00:37:02Go ahead. Speak your mind.
00:37:05Sir, it's just that I find it very hard
00:37:07to reconcile certain ideas.
00:37:09But because of that, I can't help thinking that DiLeo
00:37:12had he been jailed, sir.
00:37:15Time would have told us what he knew to be the facts,
00:37:18and he'd be alive, sir.
00:37:20Now that we've got some new regulations,
00:37:23no one will ever know what he might have said.
00:37:26They murdered him.
00:37:28They murdered him.
00:37:33Inspector DeCarmini,
00:37:36it's not for us to discuss the laws,
00:37:38but it's important for us to respect them.
00:37:40I hope the ban on our hands
00:37:42will permit the cops in Washington to accommodate.
00:37:45You said to speak out.
00:37:47Yes, yes, of course.
00:37:49Don't be intimidated.
00:37:50Say what you please, DeCarmini.
00:37:52If the laws don't give full freedom of action to the police,
00:37:55it doesn't mean the police are forbidden
00:37:57to speak their minds to you.
00:37:59So if you have anything else to say,
00:38:01say it.
00:38:02Thank you, sir. That's encouraging.
00:38:04But really, as far as the DiLeo case is concerned,
00:38:07I don't have anything else to add.
00:38:11Well, our program now is to intensify the search
00:38:14for Salvatore Peroni.
00:38:16Yes, Salvatore Peroni is the key man to find.
00:38:20Would you succeed
00:38:22in learning any more about DiLeo?
00:38:25No.
00:38:26No, sir. DiLeo had no record.
00:38:28None of our sources could clue us in.
00:38:30I tried to speak to his parents.
00:38:32The only one living is his father in Catanzaro,
00:38:34but he's in a veterans' hospital.
00:38:36His senile and dying of arteriosclerosis couldn't be questioned.
00:38:39And now we're trying to establish who DiLeo's friends were.
00:38:42And the Antonelli woman.
00:38:44Did you get any more out of her?
00:38:46No, sir, we didn't.
00:38:48Well, have you anything else to discuss?
00:38:52No, nothing, sir.
00:38:54Very well, then. Let's get back to work.
00:38:56Keep me up to date.
00:38:58Good morning, sir.
00:38:59Good morning. Oh, Inspector DiCarmine.
00:39:03When there's a new law, there are ways to interpret it.
00:39:10Just a moment.
00:39:11I suggest another interrogation of the Antonelli woman.
00:39:14Uh, I'm sure you'll find some clues she forgot.
00:39:18Even though she only knew DiLeo for three days.
00:39:20All right?
00:39:21Very well, sir. I'll do as wanted.
00:39:39You might call a miracle, but it doesn't seem possible.
00:39:41The blade went deep, but fortunately without damaging any vital organs.
00:39:44He'll be all right now.
00:39:47Shara, you rest.
00:39:49Thanks.
00:39:50I'll attend after tomorrow.
00:39:51All right, Shara.
00:39:53Goodbye, Doctor.
00:39:54Always glad to see you.
00:39:57Shara.
00:40:17Are you busy?
00:40:18No.
00:40:19Just a minute.
00:40:46Shara.
00:41:17I couldn't be your friend.
00:41:20I couldn't let you out before you come back.
00:41:25You stopped nothing, and that's no lie.
00:41:27You're bad, but I want to help you, see?
00:41:30I'll be your friend.
00:41:32Come on.
00:41:33Don't cry and struggle, will you?
00:41:36I won't hurt you, don't worry.
00:41:38I just want to make love.
00:41:40Please be good.
00:41:41I can save you if you want me to.
00:41:43But nobody does something for nothing.
00:41:46No.
00:41:47No.
00:41:48No.
00:41:49No.
00:41:50No.
00:41:51No.
00:41:52No.
00:41:53Don't touch me.
00:41:55Don't cry.
00:41:57Don't get hurt.
00:41:59I ain't gonna do you no harm.
00:42:01Don't you...
00:42:10Leave me.
00:42:11Leave me.
00:42:16Beautiful.
00:42:17Beautiful.
00:42:18Beautiful.
00:42:19Beautiful.
00:42:31Stop!
00:42:34I'll kill you!
00:42:36Shut up, you whore!
00:42:37Shut up!
00:42:38Shut up!
00:42:39Shut up!
00:42:40Shut up!
00:42:41Shut up!
00:42:46Oh!
00:43:00Twice now.
00:43:01You took advantage of one of the witnesses.
00:43:03You shouldn't have done that.
00:43:15No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:43:45No
00:44:00No
00:44:05No, no
00:44:15Oh
00:44:45The
00:44:51Patrol car five calling headquarters. We have picked up Salvatore Perone wanted for the murder of Elsa root, sir
00:45:15I
00:45:45Don't know
00:45:50Yes, that's correct just a minute I'll put him on professor at the branch in Rome
00:45:57Yes
00:46:00It was all computer plan
00:46:15I
00:46:45I
00:47:15I
00:47:45I
00:48:15I
00:48:31Well, I know one thing
00:48:33This latest event has created an atmosphere of sheer terror and public opinion, but sir public opinion terrorized
00:48:39There's not a single person who isn't asking himself
00:48:43What the hell are the police doing police are doing when frankly in this instance, I find the question more than justified
00:48:49For the second time a suspect is killed in our custody
00:48:53How could someone have been waiting so precisely for Perone and Ileo
00:48:59Gentlemen
00:49:01This line of questioning necessarily leads me to conclusions. I hesitate even to admit we have to admit them all the same, sir
00:49:09According to the evidence found in the reconstructing de Leo's death
00:49:12Certain occurrences called for an explanation on the part of police detective Venturi and did anyone question him? Yes, sir. I questioned
00:49:21He excused his stubborn silence saying he was offended
00:49:26A thin-skinned suspect
00:49:29You don't think his refusal to talk is due to injured feelings
00:49:33Usually sir, the ones with nothing to hide bring up even more than their ass
00:49:37I disagree supposing Venturi managed to warn those outside when they could get delay
00:49:43Then whoever signaled the transfer of Perone, of course is somebody else. We would have to admit the police the nation's capital
00:49:49Are a nest of informers in that case. I
00:49:53Would like to have your point of view the car me
00:49:56Better we convince the reluctant Venturi. His only chance is to open up. Yes, of course
00:50:02But I was referring to the situation in general Oh sir, as you know already my idea of duty doesn't allow for any compromise
00:50:12Get the point
00:50:14All right, sir
00:50:16The way it looks we're out of our minds. I have to call this a military operation. Why we have an open war
00:50:22Now all we need to decide is whether we need aggression with aggression or surrender
00:50:27Inspector the common areas fun of dramatizing from the habit
00:50:31But for once I find I must agree unconditionally. The situation is getting out of control sir, and how do you propose to do it specter?
00:50:40How would you begin this operation?
00:50:44With no limitation on personal methods of procedure, sir
00:50:52I'll grant it for the time being
00:51:01Leave me alone, but look inspector. I said to leave me alone. Wait, I'll be taken by this character. He's tough. Don't worry
00:51:08There's no race now. Go on
00:51:17Now we can proceed okay all along let's see you start talking
00:51:25You leave the station house with the layout the murder cars part half a block away on our side of the street wait
00:51:31You explain to me how the layout fell and slid to the middle of the street where it was flattened by that car. Well
00:51:42So you won't open your trap
00:51:48See Venturi I'll make you open it tricky cops
00:51:54Who was it that told those killers you were on your way out with delay, huh? What do you want some more? I
00:52:00Want every one of your criminal contacts they involved you with Frank is supposed to do some earner didn't they?
00:52:06Salvatore
00:52:09How is he fingered another Rosa who killed her who killed her she couldn't tell what she do, huh?
00:52:16I'm warning you if you don't spill it unless you confess the truth, you're not getting out of this jail
00:52:21I'll fracture your skull understand
00:52:23That's hero was driving the car to flannel a hole. I never saw the driver
00:52:26I know you never saw who it was if he was back at the headlights
00:52:29You still knew the driver who was one of your contacts, but I don't know anything
00:52:36It's bastards like you who make everyone say the police and criminals are exactly alike
00:52:54That was just an introduction
00:52:56I
00:53:02Yeah, have a smoke and we'll start again now listen I
00:53:11Was only
00:53:13One of the little wheels in the organization who were the big wheels I
00:53:17Don't know
00:53:19Venturi if you tell me what you don't know, I'll bring you but I swear I don't inspector
00:53:24I swear I can only tell you what I know and I only knew one guy
00:53:32What's wrong ah the first admission you're showing the proper spirit at last what's his first name
00:53:40It was he who paid you for knocking delay one of the murder car
00:53:43No, no, she lay up
00:53:45The layo tried to run away. That's how he wound up under the car. That's the baby
00:53:51Who is this deal? What's wrong?
00:53:54Patroni's the one that
00:53:58The one that ought to know who the real wheels are doing real good and he was the one in driving a car ran over delay
00:54:05Who's there?
00:54:07All right
00:54:08Now what?
00:54:12Billy Anthony's miss the last she was seen before disappearing, but at the Salvatore Mundi hospital when she visited Elsa Rouser's boyfriend
00:54:20You being part of the organization should know who arranged this what that's right
00:54:25It seems that our pal Venturi on another payroll get me
00:54:29Get me someone to write up his statement
00:54:34Now that that's hurry
00:54:38What are you thinking
00:54:40Well, why don't he get this don't become it's quite true
00:54:45But there are moments when you consider it. Although you try to act like you're a misunderstood loner and
00:54:52These moments to me are you?
00:54:55You wonder why I tell you that
00:54:59Now and then you appear to forget
00:55:03I
00:55:06Now and then you appear to forget
00:55:10There's so much I'd like to do only
00:55:13Work leaves me no free time for the things that are more important. Are you including me?
00:55:24I'll buy that
00:55:36I
00:55:38Sort of work doesn't make me a better man in any sense
00:55:42No, I suppose now, but don't let it worry you Jack. I don't want you better than this
00:55:49Think what if I'm worse than you believe it's impossible
00:55:59Impossible is it
00:56:02When you think that I who hated violence and intolerance
00:56:06Every day, I'm growing more violent and more intolerant violent you
00:56:11How can I explain Linda?
00:56:14Face it
00:56:15All anyone reads in the news today sex robberies atrocities retired nauseated fed up with it
00:56:22We'd like to strike back at the criminals, but we only see their photos with headlines. I
00:56:27Know violence at work. I meet it face to face
00:56:31And when I do
00:56:33My despising is the same as the total
00:56:36all decent people's rage
00:56:38The best way the only way to beat violence
00:56:44Smash it Linda beat it beat it beat it like a savage
00:56:51Excuse me
00:56:53You
00:56:59You have exceptional
00:57:01You were able to repress the rage. I can't know you have to judge
00:57:07Otherwise, you're no better than a criminal. Hope that's obvious
00:57:10But where's all this going to lead you?
00:57:13like any criminal
00:57:14jail
00:57:24I'm still a lot of choice drop all this and make a new life with you
00:57:35However, you want to think I'll always be here
00:57:40Don't bomb it really gets me in a fury. Why should you be tied to me?
00:57:43I turned violent, but I haven't lost touch with reality when it comes to the result of violence. You're
00:57:49Suffering on account of my cruelty
00:57:51Lint forgive Oh
00:57:59Colette's here to bring the president of Ontario to my office. Yes
00:58:21Inspector it's better to Kermody the churchman boys. No
00:58:37Who brought that coffee to this man
00:58:41How do you manage to get coffee in solitary I took it there inspector who said to give coffee to the prisoner
00:58:46It wasn't me, sir. No, I authorized
00:58:49Since Venturi was close to a nervous breakdown and so it looked to everybody I told the police sergeant to phone out for coffee
00:58:56I'm your authority. Well
00:58:59He might have told us all about Vito Cotroni
00:59:08In the police file
00:59:09There's no trace of the name of Vito Cotroni except that a passport was issued in that name before
00:59:14No criminal record exists copy must have been filed when they issued the passport
00:59:19There's honey check up right away
00:59:22Look over this statement
00:59:32It's been Tory was close to a nervous breakdown so it was told the police sergeant to phone up for coffee
00:59:44Lily Antonelli's vessel last year was seen before it disappeared at the Salvatore Mundi hospital. She visited Elsa Ruza's boy
00:59:56Who told you Lily Antonelli was at the hospital you said so
01:00:04Why yes, I forget who I don't recall now anybody particular but must have been one of our own men assigned to Santinelli
01:00:11But wait a moment, why do you ask oh no reason I'm only asking it's not important
01:00:41I
01:01:11Know
01:01:41I
01:02:11I
01:02:21Stop the car. You must have lost your mind follow my orders
01:02:41I
01:03:11I
01:03:41I
01:04:11I
01:04:41Oh
01:05:11Oh
01:05:41Go on call him call him
01:05:46Hey Dionysi, yeah, that's inspector D'Amico calling me. I'll find out what he wants. Make it quick
01:05:57What's up get in I want to talk to you go on go on
01:06:11All right
01:06:13You know where we're headed
01:06:43Oh
01:06:51Yeah, I want to see police sergeant for time come on
01:06:56Oh
01:07:10What am I separate cells unicodon
01:07:26You
01:07:39Take this her bunny. I want copies dispatched to highway patrols or police stations and squad car right away
01:07:48We have tough duty air-conditioning
01:07:53Condition
01:07:56I
01:07:59You had to work this hard bitch bitch
01:08:07You don't appreciate me inspector, I love you that's nice
01:08:16Be careful, he is armed and desperate you follow the particulars on this individual. Yes
01:08:20Attention for all squad cars for all squad cars the rest on site beetle quattro knee
01:08:50Oh
01:08:52Oh
01:09:20Yes
01:09:22They're out to arrest you disappear
01:09:52There's a call
01:10:01Hello
01:10:05Okay get lost
01:10:11Let's send a car money
01:10:13What's coming to it? No, no, not yet
01:10:16You better send just a total deposit on what to do and send it to him right now
01:10:23What
01:10:29Protected hustlers earning lots of money. I said allows the example and honor 20 years
01:10:38Was it time
01:10:40Policemen were different children like them who accounted a cop or a robber those days are gone forever
01:10:46goodies baddies
01:10:48What the hell
01:10:50Just go to make of another victim of the system in the way it confuses their minds
01:10:55You're not forgetting what's right
01:10:59Sometimes I'm confused too
01:11:04But you love me don't you you're not confused on that if there's one thing I do know how much I love you
01:11:19I
01:11:23Dropped in to pass the time of day sit down put your hands on the table
01:11:32Sit down
01:11:37Lisa you only fix that car
01:11:40Well, I say you're a stool pigeon
01:11:43No, I know stool pigeon, that's where I don't know nothing I say, you know plenty plenty
01:11:49What's the home telephone number of inspector the car minute? I?
01:11:54Know I don't have nothing to do with the police nothing
01:11:58No, you got the wrong guy. Are you kidding? Yeah that number. I'll tear your ear off
01:12:12I
01:12:28You're gonna call him say you've got to give him a tip about a certain Vito Cuatro
01:12:36Come on what was that number six?
01:12:42Three eight
01:12:46Two one eight
01:13:03Yes
01:13:07What
01:13:10He's asleep
01:13:15Just
01:13:32Who is it you know a generation
01:13:37What is it
01:13:45Oh, let's hear it
01:13:55Where
01:14:06You
01:14:37You
01:15:00Over there
01:15:06Oh
01:15:36It's
01:16:06Oh
01:16:36Oh
01:16:38Oh
01:16:40Oh
01:17:03Who you said yeah right away. Hey, you've been in an accident. Did you want to stop at a first aid station?
01:17:10Quick
01:17:25Inspector the car money. You just had a radio call Vito Quattro
01:17:29And he was seen about a half an hour ago at a suburban roadhouse. It's called on baby
01:17:32I
01:17:39Bring me my car two minutes. Yes, sir
01:17:47Go on
01:17:49Look it's back to you in pretty bad condition first. You better be treated. No me a gun
01:17:56But listen inspector
01:18:03Oh
01:18:15Enough
01:18:18Open up police
01:18:21What do you want there's no one here we're closed
01:18:25What are you looking for anyway
01:18:27I
01:18:35Don't know this man you want even I Anna
01:18:57That's our man
01:19:27I
01:19:54Said step on it
01:19:57I
01:20:27I
01:20:57Don't be a hero quattro ni come out with your hands up
01:21:05Oh
01:21:26One moving you're gonna be dead and me you've got
01:21:29Now
01:21:34Climb out of there. I have a better progress report than the usual one, sir. We've captured Vito quattro ni
01:21:42The policeman who arrested him was de Carmen a oh
01:21:45That's excellent. Give him my congratulations. Will you when I meet him? I will
01:21:51But now we've got Vito quattro ni on the questioning. Oh
01:21:54Well, tell the car money
01:21:56He's not to go too far
01:22:00Mm-hmm. We're gonna see just how much you can resist
01:22:06Wake up
01:22:08What's the matter you're deaf and dumb, huh?
01:22:12I'll beat your ugly mug to a pulp if you don't talk if I have to I'll cripple you until you start to talk
01:22:17Do you hear back to the car? Huh? The superintendent wants me
01:22:20This is the common a what is it? I
01:22:23Got the message. I
01:22:25Said I got the message
01:22:30The boss just said he won't let me lay my hands on a rotten little bastard like you
01:22:35He says unless I interrogate you in front of a lawyer. It won't count
01:22:39He says later you retract it
01:22:43You can retract the confession but not a name
01:22:46So cough up some names or I'll tell you apart. You understand. I'll tell you pop
01:22:51You don't think I can do it, huh?
01:22:54It's banned if violence is banned your buddies must have worked themselves over
01:23:00Okay, punk have it your way even if it cost me my career I swear if you don't spit out some names
01:23:05I'm gonna destroy you
01:23:10Go on outside. I don't want anyone here. Go on welcome to the chair
01:23:17Hear the statements later
01:23:20Hear the statements later, come on get out get out
01:23:27I'll take it
01:23:40Now my hands aren't tied they're free to kill you yes
01:23:50Then he talked
01:23:53He admitted
01:23:55entire responsibility in the killing of the layo and else arouser and
01:23:59The attempted murder of houses boyfriend Frank Esposito, sir
01:24:04He only said they got exposed to before he could spill the beans. It would damage the interests those beyond suspicion who run the organization
01:24:14He divulged who they were
01:24:17Not yet
01:24:20And he will
01:24:25Give the vote in front of his lawyer
01:24:40You wait here
01:24:50What are you selling police one minute what I asked out of my way
01:25:06Hey, how did you get in I was asked you to wait in there I'm from the police you two
01:25:14Who are you a police inspector of the economy
01:25:24What is it you want I want information
01:25:31I
01:25:33Want information
01:25:35I
01:25:37Want information
01:25:39I
01:25:41I
01:25:43Fear they misled you. What could I give out information on?
01:25:49Niccolo Patovich
01:25:52Myself, huh?
01:25:56Did you bring a warrant partly then get out of my house
01:26:04Stay away from that lady. Don't try any tricks get out of here
01:26:08You're
01:26:11Proud of using a system that's goddamn unorthodox an occasion. We use any system with a murderer
01:26:17Yeah, and if you're mistaken, I hate making mistakes, but just to be sure I'm not pulling any punches
01:26:22What chance are we got against policemen that don't care how they operate don't consider me one of the police
01:26:32Now get out I
01:26:35Said get out go on
01:26:38Go on
01:26:40Hey
01:26:56Even if I wasn't a cop
01:26:58Oh
01:27:07Tell me who was scared of Frank Esposito
01:27:15Peter Patroni's betrayed you amigo de uneasy and your pal don't you're all in jail
01:27:23Who's behind it who are the bosses of this dirty racket Oh
01:27:29International star brokers Oh
01:27:35Racket fair and proper
01:27:37One in control of it in Rome with that crook I nabbed this morning
01:27:41But the real boss is in the United States. I don't know his name. He's a slick operator on Wall Street involving millions
01:27:48traffic stocks and bonds
01:27:51Contacts and all the markets
01:27:53make currencies fall
01:27:55Which large corporations is the brink of financial ruin they buy shares in a minimal cost and miraculously there's a sudden spurt
01:28:05Yeah, the price of the shares rises like a balloon on the market and when it peaks they've already unloaded the racket. I
01:28:14Found out the Italian boss is a certain professor Pamieri of Milan
01:28:18He spent many years in the state at one time was a partner of Frank Esposito
01:28:23Then they became rivals and enemies
01:28:25That explains the murder of Esposito. That's right
01:28:29They hadn't struck when they did who knows what he might have said to the magistrate
01:28:34They have to apprehend this from here
01:28:38I would like
01:28:41Interrogated myself I would suggest this point
01:28:48Such the enemy ranks are considerably thinned out the state of war as you called it should be lifted
01:28:55I authorize you to arrest Pamieri, but he must be kept with my complete disposal
01:29:00Sir, I'm convinced. There's some other persons at work behind this financial racket. I
01:29:06Feel sure that I can make him tell us who I've no doubt only it's not necessary
01:29:12But you did a brilliant job to Carmine. I can't let you risk your neck unduly
01:29:17But I don't mind it's my neck. It's not that the company
01:29:21He's only
01:29:23worried about your position
01:29:26Since you're not defending it yourself
01:29:29nothing
01:29:33In spades
01:29:37Doesn't matter anyway, I decided when this case is closed. I'm gonna retire
01:29:55You
01:30:25You
01:30:35Yeah, oh, yeah, can we go now all right now they're putting through a transatlantic calls in New York
01:30:41Will you be long? I should be connected right away a question a minute
01:30:45Yeah
01:30:47Have enough
01:30:49And now wait for me outside
01:30:56You
01:31:08Yes, all right
01:31:12Open through
01:31:20Better wake him then. He's not getting fired. I wouldn't call and that's urgent must talk to him now
01:31:30Hello, yes
01:31:32The economy is on his way to Milan. We'll have to help
01:31:36What about calling his block?
01:31:42We'd have them all on a ticket
01:32:13Oh
01:32:26Yes, you're absolutely right
01:32:29Right the economy was right all along
01:32:32No room for doubt facts are ample proof. Yes these killings
01:32:37if they continue
01:32:39Prove that there is really some other power behind all this financial speculation.
01:32:46I hope Decarmine won't leave the police.
01:32:48No, sir. I already talked to him. He's staying.
01:32:52However, we must organize everything to perfection.
01:32:56Because it is absolutely necessary to put an end to this chain of crimes.
01:33:05And we can't ask Decarmine...
01:33:06I know, sir, but if we've reached the level of the big shot, we owe it to him entirely.
01:33:10And now he wants to act alone.
01:33:18As soon as he arrives, I would like to know he got to Milan.
01:33:21Understand?
01:33:22Of course, sir.
01:33:23Then let's pray for him.
01:33:24Express for Florence and Milan leaving on track number eight.
01:35:36THE END