AStudio
AStudio
  • 2 months ago
Transcript
00:00:00Energy, energy, tension.
00:00:03Right like this.
00:00:04There has to be, there has to be.
00:00:06Oh.
00:00:07Let's put your arms together.
00:00:09The other way around.
00:00:10Yeah.
00:00:11Tuck your butts.
00:00:13Yeah.
00:00:15Good.
00:00:17Precise.
00:00:19Levels.
00:00:21Yeah.
00:00:23Beautiful.
00:00:25Teamwork.
00:00:26Teamwork, guys.
00:00:28There.
00:00:29Precise.
00:00:31Good.
00:00:32Focus.
00:00:34Trina, stop smiling.
00:00:37Better, Trina.
00:00:39Just focus.
00:00:42Guys, be serious.
00:00:44Back.
00:00:46That's good.
00:00:47Be aware of each other.
00:00:50That's a challenge for you.
00:00:53You have to.
00:00:54It's like you don't have inhibitions.
00:00:56Boys, don't be shy.
00:00:58Kiss each other if you want.
00:01:02Oh, girls.
00:01:03That's it.
00:01:04Girls, you have to push the straight guys.
00:01:06Go.
00:01:07Girl to girl.
00:01:09Go.
00:01:10Yeah.
00:01:11Groove.
00:01:26Good.
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00:03:11The design of the play is a fusion of the past and present, just like emotions, passion,
00:03:15which blends and combines, intones and transcends time.
00:03:20Moreover, the play is a combination of experimental and chamber melodrama.
00:03:28Sexiest, erotic, controversial. We'll talk about it.
00:03:36Of course, Kathy.
00:03:38Oh, Bentley.
00:03:42You know, I haven't watched a play where sex is the topic for a long time.
00:03:48And the characters are sexual, material is frank, but done in a very, very artistic way.
00:03:59Well, with a premiadong director like you, we can never go wrong.
00:04:04Ang El Querido will be a pag-uusapan tayo.
00:04:10The play is about the exploration of a lonely wife's sexual urges,
00:04:20torrid affair between her lover and her husband.
00:04:26Sa panahon ng gera, ang setting ng play natin,
00:04:30pero naniniwala ako na ang libog at pagnanasa are transcendent.
00:04:39Hahaha.
00:04:43Diba? That's true.
00:04:50But seriously now,
00:04:53nga darlings,
00:04:55James and Drew,
00:04:59Trina,
00:05:01Omar, thank you ha.
00:05:03Trina, Omar, thank you, ha.
00:05:08And Laura, this play be a success because of all of you.
00:05:15Yes.
00:05:16Right?
00:05:17Yes.
00:05:18Yes.
00:05:19Yes.
00:05:20Yes.
00:05:21Yes.
00:05:22Yes.
00:05:23Yes.
00:05:24Yes.
00:05:25Yes.
00:05:26Yes.
00:05:27Yes.
00:05:28Yes.
00:05:29Yes.
00:05:30Yes.
00:05:31Yes.
00:05:32It's a pleasure to play your best friend and goons.
00:05:37Direk, I will take this role as a challenge.
00:05:41Good.
00:05:42You're welcome here with us.
00:05:45It's also okay for me, Direk… it's done for all of you.
00:05:49I will go to mentioned, Direk.
00:05:52We will sit here in goons.
00:05:56Should be.
00:06:00Laura?
00:06:01It's my first time leading a play, so I'm under a lot of pressure.
00:06:07Come on, Laura. We've already talked about that.
00:06:11Take care of yourself, Direk.
00:06:13And rest assured, we like you.
00:06:16Your acting, you're very talented.
00:06:18And your attitude and your looks, perfect. Right, Direk?
00:06:24Bueno. Let's take it a step at a time, shall we?
00:06:28Yes! Let's go for it!
00:06:33Your first scene was beautiful. Your mind worked.
00:06:36Right? It was so tight.
00:06:39Very tight.
00:06:41So, what's your plan for the next scene?
00:06:44Are we on the same page?
00:06:46Yes, Direk.
00:06:47Okay, let's do the confrontation.
00:06:49The battle of the testosterone?
00:06:50Yes!
00:06:51Oh, yes.
00:06:52So, Direk.
00:06:53Oh, it has to be firm.
00:06:54Yes, yes, Direk.
00:06:55Their…
00:06:56Yes, sir.
00:06:57Okay, Direk. Okay, guys, guys. Double time, double time.
00:07:00Let's set up the study room area.
00:07:02Study table, chair. Okay?
00:07:05Drew!
00:07:06Drew!
00:07:08Hey!
00:07:09Drew!
00:07:11It's your turn. We'll take your scene.
00:07:13Confrontation between you and Don Tomasino.
00:07:16Okay?
00:07:18Sir Omar!
00:07:21Sir Omar, it's your turn.
00:07:22Where's his shirt?
00:07:24Here it is.
00:07:25Direk!
00:07:26Direk!
00:07:27Sir!
00:07:28Excuse me, Direk.
00:07:29Direk!
00:07:30Sir!
00:07:31Tukod!
00:07:32Props!
00:07:33Please!
00:07:34Double time!
00:07:35Direk!
00:07:36It should be there.
00:07:37It's always there.
00:07:38You should be ready.
00:07:39Direk, where's his edges?
00:07:40Stage left.
00:07:41Oh, yeah.
00:07:42Okay.
00:07:43From left, go in.
00:07:44You saw it.
00:07:45Coffee?
00:07:46From stage left.
00:07:47Thank you.
00:07:48And then, Gloria.
00:07:50Then, you look at him.
00:07:52Then, deliver your first line.
00:07:53After the first line,
00:07:55cross here.
00:07:56Down.
00:07:57Downstage center.
00:07:58And then, there.
00:07:59There.
00:08:00Direk!
00:08:01Direk!
00:08:02Sir Omar!
00:08:03It should be legal.
00:08:04Stand there.
00:08:05Okay.
00:08:06You want to do this now, Direk?
00:08:07Of course!
00:08:08Come on, let's do it.
00:08:09Okay, girls.
00:08:10Stand by.
00:08:11Ready?
00:08:12Is your lens already used?
00:08:16Lights!
00:08:17A little, but
00:08:19sometimes, I still forget.
00:08:21Because it's too long.
00:08:23You can do it.
00:08:38Do I look different?
00:08:43Hey.
00:08:44Huh?
00:08:47Nothing.
00:08:48Nothing.
00:08:51I can't believe that you're my partner.
00:08:55To be honest,
00:08:57I've been watching you since I was young.
00:09:00You're too young.
00:09:02It's like we're the same age.
00:09:08Okay.
00:09:19Good morning, sir.
00:09:24Go.
00:09:26Good morning.
00:09:36Good morning, ma'am.
00:09:38I'm sorry if I didn't notice you.
00:09:42Good morning, Pablo.
00:09:45Can I...
00:09:46What is it, Laura?
00:09:47You're walking like you're floating.
00:09:49Where are you?
00:09:50Are you at the beach?
00:09:51I'm sorry, Dad.
00:09:52Why are you acting like that?
00:09:53What is it?
00:09:54I'm sorry.
00:09:55Good morning, sir.
00:09:56Laura.
00:09:58Laura.
00:10:02What is it?
00:10:04Just relax.
00:10:06Don't panic.
00:10:07Yes, Direk.
00:10:09Again!
00:10:10Actors!
00:10:12Thank you.
00:10:13Let's do it again.
00:10:14Let's finish the scene.
00:10:15Go to position, please.
00:10:17Go back.
00:10:18Double time.
00:10:19Double time.
00:10:25Sorry, Direk.
00:10:26Ready.
00:10:27Actors, ready.
00:10:28Sorry.
00:10:33Pablo.
00:10:36If I had agreed with Dad earlier,
00:10:39we wouldn't have had this possibility.
00:10:46Okay.
00:10:50Laura.
00:10:52Laura.
00:10:53Mom.
00:10:54Son.
00:10:57Here's your T.F.
00:11:00Dr. Hilaria gave it to you.
00:11:01It's for the skin care
00:11:03that you did at TBC.
00:11:09Oh.
00:11:10I already took the 15K.
00:11:12That's for your brother
00:11:14and for our expenses here at home.
00:11:18By the way,
00:11:19did Marilu call you?
00:11:21Not yet, Mom.
00:11:23Oh, dear.
00:11:24I heard from Niel that they're going to shoot.
00:11:28Follow up, dear.
00:11:30I heard that the budget there is big.
00:11:33It's a big project,
00:11:34so it's a good opportunity for you.
00:11:38Okay, Mom.
00:11:39I'll call you later.
00:11:40Okay.
00:11:41Go to your room first.
00:11:51Or the possibility that
00:11:56I'm throwing away my youth
00:12:02in exchange for...
00:12:06That's right.
00:12:07Wait a minute.
00:12:08Altitude.
00:12:09That's it.
00:12:10You got it.
00:12:11You can do it.
00:12:12Is that right?
00:12:13Oh, dear.
00:12:14It's already one page.
00:12:16I don't want to.
00:12:17It's just 90 pages.
00:12:32Your house is nice, right?
00:12:35Yes.
00:12:36How long have you been living here?
00:12:38Almost 70 years.
00:12:42This is the house of our great-grandmother.
00:12:45Wow.
00:12:50Do you still have beer?
00:12:52Do you want me to get you some?
00:12:53No, it's okay.
00:12:54It's already 99 pages.
00:12:57Yes.
00:12:59It's okay.
00:13:00Did you have a hard time?
00:13:02No.
00:13:03It's okay.
00:13:04Did you have a hard time?
00:13:08Don Antonio.
00:13:10We need to leave.
00:13:11Wait a minute.
00:13:13We have a scene here.
00:13:15Huh?
00:13:16Didn't you tell me to...
00:13:17Don't teach me what I'm doing.
00:13:19From the top.
00:13:21Actors, position.
00:13:23We're in the same spot.
00:13:25Ready?
00:13:26From the top.
00:13:27And...
00:13:28I'll send you to the grave every day.
00:13:30I'll send you to the grave every day.
00:13:32Not even half a day will you have a messenger.
00:13:36You'll use my number one horse.
00:13:44Don Antonio.
00:13:46We need to leave.
00:13:51Director.
00:13:52Shouldn't my wife and I have a moment before I leave?
00:13:56Well, Andrew, you're very correct.
00:14:00Thank you, director.
00:14:01Again, please.
00:14:03Top.
00:14:04Same position.
00:14:05Same spot.
00:14:06Return to your position.
00:14:09Ready?
00:14:10Thank you.
00:14:12Ready?
00:14:15You're live.
00:14:16I'll send you to the grave every day.
00:14:19Not even half a day will you have a messenger.
00:14:24You'll use my number one horse.
00:14:30Return to your position.
00:14:46Don Antonio.
00:14:48We need to leave.
00:15:01Ah!
00:15:03Take five!
00:15:05James, come here.
00:15:08Let's talk.
00:15:13Okay, actors.
00:15:14Take five.
00:15:22James.
00:15:24I know you.
00:15:26I know the old James.
00:15:28But I don't want to see him.
00:15:31I don't want to see the James who's gossiping.
00:15:37Drunk.
00:15:39Asshole.
00:15:41You're good.
00:15:44That's why I'm good, director.
00:15:48You know I owe you a lot, right?
00:15:51You're the only one who trusts me.
00:15:54I've believed in you ever since.
00:15:57Alright?
00:15:58I've believed in your talent.
00:16:00And besides,
00:16:03Andrew is my co-producer's nephew.
00:16:06So, take care of him.
00:16:10Alright, from the top.
00:16:12Okay, actors.
00:16:13Position.
00:16:16You know the feeling that
00:16:18there's something inside you
00:16:20that you want to let out.
00:16:22And you can only do it
00:16:24without any judgment.
00:16:27That's a good answer.
00:16:29What's the second of all?
00:16:33But you're brave.
00:16:35It's your first play.
00:16:36You'll get it right away.
00:16:40I'm used to my modeling gigs before.
00:16:43In the backstage, it's all about me.
00:16:46So, you're a model?
00:16:47Yes.
00:16:49Sometimes, I'm a ramp model,
00:16:51a promodizer,
00:16:52brand ambassador.
00:16:54Before,
00:16:56I wore a condom for my last commercial.
00:16:59Are you serious?
00:17:00Yes.
00:17:01What brand is the condom?
00:17:04It's a Japanese brand.
00:17:06Do you have an example?
00:17:11Do you want it?
00:17:13What's that? Are you going to measure it?
00:17:14That's not what freebies are,
00:17:16when you're endorsing a product.
00:17:25It's a good thing we didn't join
00:17:27Andrew and Trina.
00:17:30I really don't want Andrew to join them.
00:17:36So, you're also stupid?
00:17:39Why? Isn't it true?
00:17:42Do you know?
00:17:43I watched a movie of yours,
00:17:45with Paul.
00:17:46There's a scene where he's laughing.
00:17:48I laughed.
00:17:49You were running on the beach,
00:17:51and suddenly,
00:17:52your face turned red,
00:17:54because you tripped.
00:17:57It's true.
00:17:59Actually,
00:18:00I was trying to make fun of our producer.
00:18:02But,
00:18:03they were right.
00:18:04It's beautiful.
00:18:05It's true.
00:18:06It's beautiful.
00:18:07Now, we remember,
00:18:08we're going to barcading.
00:18:12Do you still see Paul?
00:18:14Or do you still talk to him?
00:18:16One day,
00:18:17I saw his post,
00:18:18in America.
00:18:20Then,
00:18:21it looks like he's going to make a movie in Japan.
00:18:24I hope so.
00:18:26So, you're his follower?
00:18:29Of course.
00:18:31It's a load screen.
00:18:34Okay.
00:18:35Let's say, I'm Paul.
00:18:37What would you say to me?
00:18:41Can I have a picture?
00:18:44So, you won't do that to me first.
00:18:48Then...
00:18:49Is your color still the same?
00:18:51Yes.
00:18:52Perfect.
00:18:54All right, actors.
00:18:55Come on.
00:18:56On stage, please.
00:18:58Costume parade.
00:19:00So, you need to be more fashionable.
00:19:03Especially,
00:19:04in the scene.
00:19:05Please.
00:19:07We're running out of time.
00:19:10Well,
00:19:12we have, are you sure?
00:19:14Okay.
00:19:23Trina,
00:19:24how does your costume fit?
00:19:26Can you move?
00:19:29It's a bit tight on my arm, Director.
00:19:32Alice, please.
00:19:33I'll adjust it, Trina.
00:19:35Don't worry.
00:19:36Thank you, Director.
00:19:37Okay.
00:19:38Yes.
00:19:42Drew,
00:19:43how is it?
00:19:45Is it okay?
00:19:46Is the fit okay?
00:19:48Director,
00:19:49I really need to go to the gym.
00:19:51I was only size 30 before.
00:19:54Well, add more gym.
00:19:57We're running out of budget, right, Kathy?
00:19:59Okay, change it.
00:20:00Alice, please.
00:20:01Make the necessary adjustments, okay?
00:20:04Yes.
00:20:05Laura,
00:20:06how is it?
00:20:07Can you move in your costume?
00:20:09Director, the skirt is too long.
00:20:11I can carry it.
00:20:12Perfect.
00:20:13But make sure
00:20:15that even if your costume is okay,
00:20:17you'll be able to remove it quickly
00:20:19when you take it off, okay?
00:20:21The skirt needs to have easy access.
00:20:24No, no, no, no.
00:20:25I think we have a budget for this, Kathy.
00:20:26I want the magnets.
00:20:27You know the mag-
00:20:29the magnetic pins?
00:20:30I don't know what you call it.
00:20:31It just needs to be like what they do on Broadway.
00:20:34If you remove it like that,
00:20:35no one will hear you.
00:20:36Yes, yes.
00:20:37Yes.
00:20:38If you take it off, no one will hear you.
00:20:39I just want no one to hear you.
00:20:41All right?
00:20:42Are you crazy?
00:20:44Costume scene, please,
00:20:46for the costume change.
00:20:47Come on.
00:20:52Oh, Bentley!
00:20:53You're still there.
00:20:54Bentley is so cute.
00:20:56I've been looking for you.
00:20:59Aw, so cute.
00:21:01Curtain.
00:21:11Okay.
00:21:30Laura, slower.
00:21:31Slower.
00:21:34There.
00:21:35Just slower.
00:21:36Good.
00:21:42Mind your-
00:21:43Mind your space.
00:21:49Laura, you have to mind your space, please.
00:21:52Mind your space.
00:21:53Continue.
00:22:02Oh, the ascending.
00:22:03Ascending.
00:22:05There.
00:22:06There.
00:22:07Good.
00:22:08Yes.
00:22:09All right.
00:22:12Laura,
00:22:15I need a voice.
00:22:17I need sound.
00:22:19I need to hear you moan.
00:22:21Come on.
00:22:22Do it.
00:22:24Aha.
00:22:25There you go.
00:22:27All right.
00:22:29Louder and louder.
00:22:32The intensity should increase.
00:22:35The intensity should increase.
00:22:39Yes, you have to feel it.
00:22:40Feel it.
00:22:41Feel it.
00:22:42Feel.
00:22:43Feel it.
00:22:45Feel it enter.
00:22:47Feel it break.
00:22:49You're high, man.
00:22:50Come on.
00:22:54Breathe.
00:22:55Breathe.
00:22:59There.
00:23:05Laura, project your voice.
00:23:10There has to be sound.
00:23:12This is theater.
00:23:14I need to hear it.
00:23:16Project.
00:23:17Project your voice.
00:23:18Come on, Laura.
00:23:19Ah.
00:23:21Ah.
00:23:23Ah.
00:23:24Some more.
00:23:25Ah.
00:23:30Come on, you feel it.
00:23:31You feel it.
00:23:33Yes, louder.
00:23:35Louder.
00:23:36And then more passionate.
00:23:38And passionate.
00:23:39And more.
00:23:41Fuck.
00:23:44Marlon, help me.
00:23:56Laura.
00:24:00You got to feel it.
00:24:02All right?
00:24:03You got to feel it in here and down there.
00:24:08You get me?
00:24:10Yes, sir.
00:24:11And look here.
00:24:12When you are moaning,
00:24:14you have to project.
00:24:16Look.
00:24:17Ah.
00:24:18Come on.
00:24:19Ah.
00:24:20See?
00:24:21It's coming back.
00:24:23The theater is so big.
00:24:24I can't hear you.
00:24:26I can't feel you.
00:24:28Project your voice.
00:24:30Come on.
00:24:31Project your voice.
00:24:32Come on.
00:24:33Let me show you.
00:24:34Lie down.
00:24:35Lie down.
00:24:36Lie down.
00:24:37Like this.
00:24:38You don't need to.
00:24:39Stretch.
00:24:40And stretch.
00:24:43There.
00:24:44Stretch.
00:24:45Stretch.
00:24:47Stretch.
00:24:48Stretch.
00:24:49So that her titi will be strong.
00:24:51And there.
00:24:54Stretch.
00:24:56Ah.
00:24:58Ah.
00:24:59Ah.
00:25:00Ah.
00:25:01Ah.
00:25:03Ah.
00:25:04Ah.
00:25:06Ah.
00:25:08Ah.
00:25:09Ah.
00:25:12Ah.
00:25:13Oh my God.
00:25:14Oh my God.
00:25:15Support me.
00:25:16Lean there.
00:25:17Ah.
00:25:18Ah.
00:25:19Ah.
00:25:20Ah.
00:25:21You are a helicopter.
00:25:22Helicopter.
00:25:23Helicopter.
00:25:24Helicopter.
00:25:25Ah.
00:25:26Ah.
00:25:27Ah.
00:25:28Ah.
00:25:29Fuck!
00:25:37Fuck!
00:25:39Fuck!
00:25:41Fuck!
00:25:46Fuck!
00:25:59I'm going to sleep.
00:26:01Thank you.
00:26:05That's it!
00:26:12From the top!
00:26:15Director.
00:26:17Director.
00:26:18Yes?
00:26:19Laura is here.
00:26:21Okay.
00:26:22I'll be right there.
00:26:24Director.
00:26:26Director.
00:26:28Okay.
00:26:29Leave us.
00:26:30Yes.
00:26:35Sit beside me, Laura.
00:26:41I have high expectations for you.
00:26:46A lot of people are hoping
00:26:49that this play
00:26:51will be good
00:26:54because I directed it.
00:26:57This play is dedicated
00:27:00to you.
00:27:05Where's the energy?
00:27:09Where's the stage presence?
00:27:15You're the lead I chose
00:27:19because I believe in your talent.
00:27:22But where is it?
00:27:24What happened?
00:27:28Director,
00:27:30I am doing my best.
00:27:34That's your best?
00:27:36Really?
00:27:38That's it?
00:27:40I'm doing everything you want me to do.
00:27:43Whatever you say,
00:27:44I'm doing it.
00:27:45I really don't know
00:27:46what you want me to do.
00:27:51I want to be the lead.
00:27:53Director, no.
00:27:54No.
00:27:56I'm doing everything.
00:28:00That's the problem.
00:28:03You're doing everything.
00:28:05You're just following orders.
00:28:08But you're not doing it right.
00:28:21Fix it.
00:28:25Fix it.
00:28:29Stop crying!
00:28:34No one is paying attention
00:28:36to our invitation to the Critics' Night.
00:28:38Either they're ignoring us
00:28:40or they're busy.
00:28:41What do you mean busy?
00:28:42They don't have a job to review.
00:28:44They're critics.
00:28:46Maybe, Renee,
00:28:47your team isn't doing their job.
00:28:49No, Director.
00:28:50I've already brought them
00:28:51the press kit
00:28:52and their envelope.
00:28:56Well, double the effort.
00:28:57Triple it even.
00:28:59This play needs to succeed.
00:29:01Our investments are wasted
00:29:02if this doesn't happen, right?
00:29:04It will.
00:29:05It will succeed.
00:29:06We'll get our investment back.
00:29:09Sheesh.
00:29:13Let's just call my favorite mentor.
00:29:17Who?
00:29:18Director Franny.
00:29:21Have they arrived?
00:29:23Not yet.
00:29:25Okay.
00:29:37Ladies and gentlemen,
00:29:40Mr. Antonio
00:29:42and Mr. Amparo Montero.
00:29:50Thank you.
00:30:21Viva a los recién casados!
00:30:24Viva!
00:30:26Pagpupugay
00:30:28para sa pagisam dibdib
00:30:31ng akina
00:30:33unico hijo
00:30:35Antonio Montero
00:30:37at si Amparo
00:30:39na ngayoy
00:30:41Senora Amparo
00:30:43Escolión Montero
00:30:45y de la Vega.
00:30:46Aasa kami
00:30:48na magbunga nawa kayo
00:30:51los antes posible
00:30:54ng maraming anak
00:30:56al menos cinco
00:30:59Amparo
00:31:01lalaki
00:31:03lalaki agad
00:31:04ang unakong apo
00:31:06Salud!
00:31:07Salud!
00:31:11Salud!
00:31:13Salud!
00:31:14Salud!
00:31:23Amparo
00:31:25hindi pa nagsisiping piyadong
00:31:26nangangatal ka na sa takot, ano?
00:31:29Pero
00:31:30no tengas muedo.
00:31:31Sa unang anak lang daw mahirap.
00:31:34Don Antonio
00:31:35ipagpoamanin ninyo
00:31:36ang aking pamubulahaw.
00:31:38Apurahan hong ipinaabot ito sa inyo.
00:31:40Kaya premio, Pablo.
00:31:42Correo
00:31:43sa Gobernador Silvio
00:31:44na Cavite El Viejo.
00:31:46Kay General Myong?
00:32:01Ano ang sinasabi sa sulat, Antonio?
00:32:08Nagahandaan na malawakang pagsalakay
00:32:10ang fuerza ng Katipunan
00:32:11sa Maynila at Cavite.
00:32:14Inaanyayahan ako ni General Myong
00:32:16sa isang lihim na pagtitipun.
00:32:19Marapat lamang.
00:32:21Sa pagkakaalam ko'y
00:32:23ikaw lang ang nakapagtapos
00:32:24sa Akademya Militar de Toledo
00:32:26sa España.
00:32:29Mahinahin niyang general
00:32:31kung itataas ang iyong ranggo.
00:32:33Pero, Antonio hijo,
00:32:36huwag na huwag ipagpapaliban
00:32:37ang pulut kata.
00:32:39Bago ang digmaan,
00:32:41ipangako mong
00:32:44ang unang puto
00:32:46ay sa El Otero,
00:32:48hindi sa Kapitolyo.
00:33:13Hmm?
00:33:18Ah!
00:33:21Sandali, sandali, Mayumur.
00:33:23Ay, hayaan mo munang
00:33:24ako makapaghugas.
00:33:26Siglit lamang.
00:33:28Ano bang hugas-hugas?
00:33:29Basta!
00:33:32Ilang araw mula ngayon
00:33:33ipapatawad na ako ni General Myong
00:33:34para pangunahin ang fuerza ng Katipunan.
00:33:37Ngayon pa ba ako magsasayang na oras?
00:33:40Bakit nakakalimutan mo?
00:33:41Kung para-akurada
00:33:42humiling na ako sa akin sa baba,
00:33:45mabutisin kita sa lalong madaling panahon.
00:33:57Sandali!
00:33:59Kung sataba ka sa gera,
00:34:01siguraduhin mo nga hindi ako mabubyuda
00:34:04ato magiging anak natin
00:34:05na mauling ila sa ama.
00:34:08Isang tenye-tenye general
00:34:09ng iyong esposo, Mahin ko.
00:34:12Tenyente,
00:34:13General Antonio Montero.
00:34:16Wala akong gagawin doon
00:34:17kung hindi magmando at magplano.
00:34:20Aboy,
00:34:21hindi ako netapos ng siyensa militar
00:34:23para magpapalas ka d'yon.
00:34:31Basta awoy ka ng buo,
00:34:33makisig at nasawastong katinuan.
00:34:42Kung gayon,
00:34:43papasukin mo ng aking kakisigan,
00:34:47ibuka mo ng bahagyan
00:34:50at nang makapasok
00:34:52ang aking kawan.
00:35:04Anong ginagawa mo?
00:35:07Miss Pusa,
00:35:08pero hindi ako.
00:35:09Miss Pusa,
00:35:10pero hindi.
00:35:12Sisenta
00:35:13y nueve.
00:35:15Natutunan ko ito sa Barcelona.
00:35:17Esto es bueno.
00:35:20Muy buena!
00:35:22Ang ibig mong sabihin,
00:35:23ginawa mo na ito?
00:35:24Kanina!
00:35:26Nabasa ko lamang ito sa isang libro.
00:35:28Dapat na uwian kita
00:35:30ng mga prohibidong libro
00:35:32ni Marquis de Sade.
00:35:33Miss Puso,
00:35:35pwede bang sakana yang sisenta?
00:35:38Y nueve.
00:35:41Gustab yun,
00:35:42kung ikaw ay hindi pahanda,
00:35:45pweden muna natin gawin
00:35:46ng Las Viejas costumbres.
00:35:50Pero,
00:35:51ipangako mo,
00:35:53pagbibigyan mo ako
00:35:54bukas na bukas.
00:35:56Entiendes?
00:35:57Si, si, mi.
00:35:59Si, si, mi.
00:36:00Si, si, mi.
00:36:01Si, si, mi.
00:36:02Si, si, mi amor.
00:36:03Lo prometo.
00:36:10Bueno.
00:36:12Ipongan mo
00:36:14ng todo, todo.
00:36:18Y papasok na
00:36:20ang el valiente soldado.
00:36:23Señora Amparo Montero.
00:36:32Mi amor.
00:37:00Mi amor.
00:37:01Mi amor.
00:37:26Mi amor.
00:37:27Mi esposa.
00:37:29Tumutugon lamang ako
00:37:30sa katungkulan ko
00:37:31ng ating inang bayan.
00:37:37Noong una,
00:37:38hindi ko inakala
00:37:39na ganito kabigat sa damdamin.
00:37:42Ngayong aalis ka na,
00:37:44hindi lamang lungkot,
00:37:45kundi matinding pag-aalala
00:37:47ni iwan mo sa akin.
00:37:50No te preocupes, Amparo.
00:37:53Alam ni Antonio
00:37:54ang kanyang ginagawa.
00:37:56Isa pa kay mga trabahadore
00:37:57sa asyendang.
00:37:59Mayor yan ang kanyang piloton.
00:38:00Hindi nila ipapahama
00:38:01kang kanilang senyor.
00:38:04Kung meron ka man dapat ikatakot,
00:38:06ay mga kababaiyan sa kabite.
00:38:09Papa?
00:38:10Tignan mo ng tindingin, Antonio.
00:38:13Tu esposo es elegante.
00:38:22Araw-araw kita papadala ng liham.
00:38:24Niwala pang kalahating araw
00:38:26ay mayaabot na sayong mensahero.
00:38:29Ipapagamit ko sa kanya
00:38:31ang numero uno kong kabayo.
00:38:35Don Antonio,
00:38:38paumanhin,
00:38:39ngunit kailangan na nating umalis.
00:38:55Ikaw nang bahala dito, Papa.
00:38:57Huwag mo kaming alalahanin iyo.
00:39:00Ikaw ang kaing ingat.
00:39:02Si, Papa.
00:39:04Pangako,
00:39:05iuwi ko ang espada ng Teniente Español.
00:39:09Maging ang kanilang eskudo
00:39:11ng Tignan.
00:39:13Si, Papa.
00:39:14Si, Papa.
00:39:15Si, Papa.
00:39:16Si, Papa.
00:39:17Si, Papa.
00:39:18Si, Papa.
00:39:19Si, Papa.
00:39:20Si, Papa.
00:39:21Si, Papa.
00:39:22Si, Papa.
00:39:23Maging ang kanilang eskudo de armas.
00:39:26Que Dios te garde, mio iyo.
00:39:32Antonio.
00:39:35Mahal ko.
00:39:39Ano ba naman
00:39:40kung magpahatid ka
00:39:42kahit dalawa o tatlong salita.
00:39:46Malaman ko laman na nasa mabuti kang lagay.
00:39:53It's not like this, every second I'm in a state of anxiety.
00:40:00Do you know that I'm just choosing to sleep,
00:40:06when you suddenly appear in my mind?
00:40:13But, even in my dreams,
00:40:18I'm hoping that you'll give me peace.
00:40:24There's something that's bothering you.
00:40:29Don Antonio, let us help you.
00:40:32No, I can do this.
00:40:35I'll pull myself out of the trench,
00:40:39and then I'll pull out the cannonball.
00:40:43I'll be able to move on my own,
00:40:46in my own shadow.
00:40:48Don't worry, Antonio.
00:40:51You'll get your strength back, little by little.
00:40:58My love!
00:41:00Sir, we'll go ahead.
00:41:03We'll go ahead.
00:41:08Pablo.
00:41:20Pablo.
00:41:51Pablo.
00:41:53Pablo.
00:42:21Pablo.
00:42:23Pablo.
00:42:25Pablo.
00:42:27Pablo.
00:42:29Pablo.
00:42:31Pablo.
00:42:33Pablo.
00:42:35Pablo.
00:42:37Pablo.
00:42:39Pablo.
00:42:41Pablo.
00:42:43Pablo.
00:42:45Pablo.
00:42:47Pablo.
00:42:48Pablo.
00:42:50Pablo.
00:42:52Pablo.
00:42:54Pablo.
00:42:56Pablo.
00:42:58Pablo.
00:43:00Pablo.
00:43:02Pablo.
00:43:04Pablo.
00:43:06Pablo.
00:43:08Pablo.
00:43:10Pablo.
00:43:12Pablo.
00:43:14Pablo.
00:43:16Pablo.
00:43:19Pablo.
00:43:44Dad.
00:43:46My dear wife.
00:43:48I've been sleeping for a while now.
00:43:50Why?
00:43:55How are you?
00:43:58I'm better than I expected.
00:44:01It's slow, but I can feel my heart beating again.
00:44:06What about your gun?
00:44:09I hid it.
00:44:10I just finished cleaning it using kerosene.
00:44:13Tonto! What I mean is, you're not ready!
00:44:22Papa!
00:44:26I'm just asking.
00:44:28Dang it!
00:44:29You're already married.
00:44:34How's the war in bed?
00:44:36Papa.
00:44:41Everything's fine.
00:44:43Are you sure?
00:44:46Yes, Papa.
00:44:50Well.
00:44:53I just want to remind you
00:44:55that the funeral is just around the corner
00:44:58for the descendant of the Montero family.
00:45:04Now that the war is over,
00:45:06you have no reason to fight us.
00:45:10Do you understand?
00:45:13Of course, Papa.
00:45:16I've already thought of the name for the first son.
00:45:20Clodwaldo.
00:45:23We'll follow your ancestor from Catalan.
00:45:27Clodwaldo, Zorilla, Montero, and Despagar.
00:45:39Good, son.
00:45:57Let's go.
00:46:19Where are you going?
00:46:22I'm going to my husband's.
00:46:24I wanted to take a walk.
00:46:27I don't want to be alone.
00:46:28Ever since we got married,
00:46:30I haven't been able to get around the whole issue.
00:46:33It's not safe for a woman like you
00:46:36to walk alone in the street.
00:46:39My love, don't worry.
00:46:42I won't go far.
00:46:44I wanted to visit the coffee plantation.
00:46:47Before it gets dark and the sun rises,
00:46:49I'm already home.
00:46:57Let's go.
00:47:18How's my friend doing?
00:47:23Can't you see?
00:47:24It's just a few steps away from being a useless person.
00:47:30As far as I know,
00:47:32a useless person can't even walk.
00:47:37Oh, Minerva.
00:47:39If I ever got married,
00:47:41I would've been like this.
00:47:55Ah, ma'am.
00:47:57I'm sorry if I didn't notice you.
00:48:00Pablo, don't worry about me.
00:48:04Can I stay here for a while to get some fresh air?
00:48:09Yes.
00:48:11Don't worry.
00:48:12I won't make too much noise.
00:48:14You'll be fine.
00:48:16Thank you.
00:48:18You're welcome.
00:48:19Yes.
00:48:21Don't worry.
00:48:22I won't make too much noise.
00:48:24I won't disturb your reading.
00:48:28You don't have to.
00:48:30I'm a primitiva.
00:48:32Do what you have to do.
00:48:35Ma'am.
00:48:49Yes.
00:49:06Can you accompany me if it's not a big deal?
00:49:12Yes.
00:49:14I want to see the whole coffee plantation.
00:49:19No problem.
00:49:21But if it's possible,
00:49:22I'll finish my work first.
00:49:26I'm taking care of the crops
00:49:28of the pigs you sold last night.
00:49:31Yes, of course.
00:49:36I'll wait.
00:49:38Thank you, ma'am.
00:49:49Thank you.
00:50:20Your wife is always leaving.
00:50:24I heard that she often goes to the cafeteria
00:50:29with Pablo.
00:50:31Maybe she just wants to be alone.
00:50:34To walk around.
00:50:36That's one of the reasons why she left.
00:50:40I don't know.
00:50:42I don't know.
00:50:44I don't know.
00:50:46I don't know.
00:50:47It's something I can't do.
00:51:17I don't know.
00:51:47I don't know.
00:52:17I don't know.
00:52:47I don't know.
00:53:18I don't know.
00:53:19I don't know.
00:53:20I don't know.
00:53:21I don't know.
00:53:22I don't know.
00:53:23I don't know.
00:53:24I don't know.
00:53:25I don't know.
00:53:26I don't know.
00:53:27I don't know.
00:53:28I don't know.
00:53:29I don't know.
00:53:30I don't know.
00:53:31I don't know.
00:53:32I don't know.
00:53:33I don't know.
00:53:34I don't know.
00:53:35I don't know.
00:53:36I don't know.
00:53:37I don't know.
00:53:38I don't know.
00:53:39I don't know.
00:53:40I don't know.
00:53:41I don't know.
00:53:42I don't know.
00:53:43I don't know.
00:53:44I don't know.
00:53:45I don't know.
00:53:46I don't know.
00:53:47I don't know.
00:53:48I don't know.
00:53:49I don't know.
00:53:50I don't know.
00:53:51I don't know.
00:53:52I don't know.
00:53:53I don't know.
00:53:54I don't know.
00:53:55I don't know.
00:53:56I don't know.
00:53:57I don't know.
00:53:58I don't know.
00:53:59I don't know.
00:54:00I don't know.
00:54:01I don't know.
00:54:02I don't know.
00:54:03I don't know.
00:54:04I don't know.
00:54:05I don't know.
00:54:06I don't know.
00:54:07I don't know.
00:54:08I don't know.
00:54:09I don't know.
00:54:10I don't know.
00:54:11I don't know.
00:54:12I don't know.
00:54:13I don't know.
00:54:14I don't know.
00:54:15I don't know.
00:54:16I don't know.
00:54:17I don't know.
00:54:18I don't know.
00:54:19I don't know.
00:54:20I don't know.
00:54:21I don't know.
00:54:22I don't know.
00:54:23I don't know.
00:54:24I don't know.
00:54:25I don't know.
00:54:26I don't know.
00:54:27I don't know.
00:54:28I don't know.
00:54:29I don't know.
00:54:30I don't know.
00:54:31I don't know.
00:54:32I don't know.
00:54:33I don't know.
00:54:34I don't know.
00:54:35I don't know.
00:54:36I don't know.
00:54:37I don't know.
00:54:38I don't know.
00:54:39I don't know.
00:54:40I don't know.
00:54:41I don't know.
00:54:42I don't know.
00:54:43I don't know.
00:54:44I don't know.
00:54:45I don't know.
00:54:46I don't know.
00:54:47I don't know.
00:54:48I don't know.
00:54:49I don't know.
00:54:50I don't know.
00:54:51I don't know.
00:54:52I don't know.
00:54:53I don't know.
00:54:54I don't know.
00:54:55I don't know.
00:54:56I don't know.
00:54:57I don't know.
00:54:58I don't know.
00:54:59I don't know.
00:55:00I don't know.
00:55:01I don't know.
00:55:02I don't know.
00:55:03I don't know.
00:55:04I don't know.
00:55:05I don't know.
00:55:06I don't know.
00:55:07I don't know.
00:55:08I don't know.
00:55:09I don't know.
00:55:10I don't know.
00:55:11I don't know.
00:55:12I don't know.
00:55:13I don't know.
00:55:14I don't know.
00:55:15I don't know.
00:55:16I don't know.
00:55:17I don't know.
00:55:18I don't know.
00:55:19I don't know.
00:55:20I don't know.
00:55:21I don't know.
00:55:22I don't know.
00:55:23I don't know.
00:55:24I don't know.
00:55:25I don't know.
00:55:26I don't know.
00:55:27I don't know.
00:55:28I don't know.
00:55:29I don't know.
00:55:30I don't know.
00:55:31I don't know.
00:55:32I don't know.
00:55:33I don't know.
00:55:34I don't know.
00:55:35I don't know.
00:55:36I don't know.
00:55:37I don't know.
00:55:38I don't know.
00:55:39I don't know.
00:55:40I don't know.
00:55:41I don't know.
00:55:42I don't know.
00:55:43I don't know.
00:55:44I don't know.
00:55:45I don't know.
00:55:46I don't know.
00:55:47I don't know.
00:55:48I don't know.
00:55:49I don't know.
00:55:50I don't know.
00:55:51I don't know.
00:55:52I don't know.
00:55:53I don't know.
00:55:54I don't know.
00:55:55I don't know.
00:55:56I don't know.
00:55:57I don't know.
00:55:58I don't know.
00:55:59I don't know.
00:56:00I don't know.
00:56:01I don't know.
00:56:02I don't know.
00:56:03I don't know.
00:56:04I don't know.
00:56:05I don't know.
00:56:06I don't know.
00:56:07I don't know.
00:56:08I don't know.
00:56:09I don't know.
00:56:10I don't know.
00:56:11I don't know.
00:56:12I don't know.
00:56:13I don't know.
00:56:14I don't know.
00:56:15I don't know.
00:56:16I don't know.
00:56:17I don't know.
00:56:18I don't know.
00:56:19I don't know.
00:56:20I don't know.
00:56:21I don't know.
00:56:22I don't know.
00:56:23I don't know.
00:56:24I don't know.
00:56:25I don't know.
00:56:26I don't know.
00:56:27I don't know.
00:56:28I don't know.
00:56:29I don't know.
00:56:30I don't know.
00:56:31I don't know.
00:56:32I don't know.
00:56:33I don't know.
00:56:34I don't know.
00:56:35I don't know.
00:56:36I don't know.
00:56:37I don't know.
00:56:38I don't know.
00:56:39I don't know.
00:56:40I don't know.
00:56:41I don't know.
00:56:42I don't know.
00:56:43I don't know.
00:56:44I don't know.
00:56:45I don't know.
00:56:46I don't know.
00:56:47I don't know.
00:56:48I don't know.
00:56:49I don't know.
00:56:50I don't know.
00:56:51I don't know.
00:56:52I don't know.
00:56:53I don't know.
00:56:54I don't know.
00:56:55I don't know.
00:56:56I don't know.
00:56:57I don't know.
00:56:58I don't know.
00:56:59I don't know.
00:57:00I don't know.
00:57:01I don't know.
00:57:02I don't know.
00:57:03I don't know.
00:57:04I don't know.
00:57:05I don't know.
00:57:06I don't know.
00:57:07I don't know.
00:57:08I don't know.
00:57:09I don't know.
00:57:10I don't know.
00:57:11I don't know.
00:57:12I don't know.
00:57:13I don't know.
00:57:14I don't know.
00:57:15I don't know.
00:57:16I don't know.
00:57:17I don't know.
00:57:18I don't know.
00:57:19I don't know.
00:57:20I don't know.
00:57:21I don't know.
00:57:22I don't know.
00:57:23I don't know.
00:57:24I don't know.
00:57:25I don't know.
00:57:26I don't know.
00:57:27I don't know.
00:57:28I don't know.
00:57:29I don't know.
00:57:30I don't know.
00:57:31I don't know.
00:57:32I don't know.
00:57:33I don't know.
00:57:34I don't know.
00:57:35I don't know.
00:57:36I don't know.
00:57:37I don't know.
00:57:38I don't know.
00:57:39I don't know.
00:57:40I don't know.
00:57:41I don't know.
00:57:42I don't know.
00:57:43I don't know.
00:57:44I don't know.
00:57:45I don't know.
00:57:46I don't know.
00:57:47I don't know.
00:57:48I don't know.
00:57:49I don't know.
00:57:50I don't know.
00:57:51I don't know.
00:57:52I don't know.
00:57:53I don't know.
00:57:54I don't know.
00:57:55I don't know.
00:57:56I don't know.
00:57:57I don't know.
00:57:58I don't know.
00:57:59I don't know.
00:58:00I don't know.
00:58:01I don't know.
00:58:02I don't know.
00:58:03I don't know.
00:58:04I don't know.
00:58:05I don't know.
00:58:06I don't know.
00:58:07I don't know.
00:58:08I don't know.
00:58:09I don't know.
00:58:10I don't know.
00:58:11I don't know.
00:58:12I don't know.
00:58:13I don't know.
00:58:14I don't know.
00:58:15I don't know.
00:58:16I don't know.
00:58:17I don't know.
00:58:18I don't know.
00:58:19I don't know.
00:58:20I don't know.
00:58:21I don't know.
00:58:22I don't know.
00:58:23I don't know.
00:58:24I don't know.
00:58:25I don't know.
00:58:26I don't know.
00:58:27I don't know.
00:58:28I don't know.
00:58:29I don't know.
00:58:30I don't know.
00:58:31I don't know.
00:58:32I don't know.
00:58:33I don't know.
00:58:34I don't know.
00:58:35I don't know.
00:58:36I don't know.
00:58:37I don't know.
00:58:38I don't know.
00:58:39I don't know.
00:58:40I don't know.
00:58:41I don't know.
00:58:42I don't know.
00:58:43I don't know.
00:58:44I don't know.
00:58:45I don't know.
00:58:46I don't know.
00:58:47I don't know.
00:58:48I don't know.
00:58:49I don't know.
00:58:50I don't know.
00:58:51I don't know.
00:58:52I don't know.
00:58:53I don't know.
00:58:54I don't know.
00:58:55I don't know.
00:58:56I don't know.
00:58:57I don't know.
00:58:58I don't know.
00:58:59I don't know.
00:59:00I don't know.
00:59:01I don't know.
00:59:02I don't know.
00:59:03I don't know.
00:59:04I don't know.
00:59:05I don't know.
00:59:06I don't know.
00:59:07I don't know.
00:59:08I don't know.
00:59:09I don't know.
00:59:10I don't know.
00:59:11I don't know.
00:59:12I don't know.
00:59:13I don't know.
00:59:14I don't know.
00:59:15I don't know.
00:59:16I don't know.
00:59:17I don't know.
00:59:18I don't know.
00:59:19I don't know.
00:59:20I don't know.
00:59:21I don't know.
00:59:22I don't know.
00:59:23I don't know.
00:59:24I don't know.
00:59:25I don't know.
00:59:26I don't know.
00:59:27I don't know.
00:59:28I don't know.
00:59:29I don't know.
00:59:30I don't know.
00:59:31I don't know.
00:59:32I don't know.
00:59:33I don't know.
00:59:34I don't know.
00:59:35I don't know.
00:59:36How can they still live inæ•´ ans, because of continuity?
00:59:37Yes.
00:59:38How did we even continue to live
00:59:41with just constant ebb and flow?
00:59:43Correct.
00:59:44Right?
00:59:45Good point.
00:59:46Good point.
00:59:47Oh my God.
00:59:48Harry, please.
00:59:49That was a basic question,
00:59:56you're so weird.
01:00:00My mentor hates me.
01:00:02fulfillment.
01:00:03Direk Franny, always giving me a hard time.
01:00:10They say our play is like a cup of coffee.
01:00:15This is just a critics' night, Direk.
01:00:19That's right. We should be grabbing attention right away.
01:00:24How can I
01:00:26bank on word of mouth if the critics
01:00:29are going to write a review of this play?
01:00:33Oh my gosh, what will happen to our opening night?
01:00:37My investments are down the drain.
01:00:40My career will be ruined.
01:00:44Laura,
01:00:46you know what Direk Franny told me?
01:00:50She's not going to drown in you.
01:00:55That's right. Why would she drown?
01:00:59You're dirty.
01:01:01You're so mean.
01:01:05Direk, we can still make this better.
01:01:08Just chill, Direk. We can still do this.
01:01:11Direk, we still have hours before opening night.
01:01:16Fine.
01:01:18No rehearsals tomorrow.
01:01:21Uvi?
01:01:22Yes, Direk?
01:01:24We need to do another workshop.
01:01:26Okay, Direk.
01:01:27What are we going to do?
01:01:28Maybe let's work on the trust exercises
01:01:32and attention exercises.
01:01:34And maybe more on sensuality exercises, Direk.
01:01:37That's good.
01:01:38We'll talk about that later.
01:01:40I'll do my homework, yes.
01:01:42Let's all go home and rest, alright?
01:01:44Even though I have a bad feeling about you guys.
01:01:47You're so annoying.
01:01:48Uvi, let's finish this workshop.
01:01:51I can't hear you, Direk.
01:01:53This is the trust workshop.
01:01:54Trust workshop.
01:01:57Uvi.
01:02:01Uvi.
01:02:03Aren't you going home yet?
01:02:06Is it true what Direk said?
01:02:09That I can't swim?
01:02:12That I'm the problem in the play?
01:02:15Don't understand that.
01:02:17You're just nervous.
01:02:19We still have a lot of rehearsals.
01:02:20You can still correct that.
01:02:22Don't think too much about it.
01:02:24Okay.
01:02:26Smell.
01:02:27Go ahead.
01:02:28Hold her hair.
01:02:29Yeah.
01:02:30Hold her hair.
01:02:32Slowly.
01:02:33Slowly.
01:02:34What is she shampooing?
01:02:35Does she take a bath every day?
01:02:37Okay.
01:02:38Explore.
01:02:39Hold her.
01:02:40Her face.
01:02:41What kind of person is she?
01:02:42What is her favorite?
01:02:43When is her birthday?
01:02:46Now, let's start.
01:02:47Let's try to smell.
01:02:48What is that?
01:02:49Floral scent?
01:02:51Citrus?
01:02:52Oops.
01:02:53Concentrate.
01:02:54Concentrate.
01:02:56Concentrate.
01:03:03Okay.
01:03:08Concentrate.
01:03:11And now, I want you to be challenged by a bigger girl.
01:03:15And now, I want you to be challenged by a bigger group.
01:03:19Four of you, slowly.
01:03:20Go inside the circle.
01:03:21Let's go back.
01:03:24Now.
01:03:26Hold her hand.
01:03:30Okay.
01:03:31Smell it.
01:03:32Smell it.
01:03:33Does it smell?
01:03:34Her hand.
01:03:36What kind of smell is that?
01:03:37Good.
01:03:38Be aware of each other.
01:03:41Support.
01:03:42Concentrate.
01:03:43It's good.
01:03:44Go ahead.
01:03:45Go ahead.
01:03:47Yes, it's good.
01:03:48Smell it.
01:03:50Why?
01:03:51It's necessary to get rid of inhibitions.
01:03:55And now,
01:03:56I want you to taste it.
01:03:58What does it taste like?
01:04:00Okay, know each other by taste.
01:04:02Yes.
01:04:04Go ahead.
01:04:05Go ahead.
01:04:06And.
01:04:14Yeah.
01:04:15Smell it.
01:04:16Is that right?
01:04:21Okay.
01:04:23Go here.
01:04:24Bee, come here.
01:04:26Go to the chair.
01:04:27Go.
01:04:28Okay.
01:04:30Work with the chair.
01:04:32Okay.
01:04:33Go ahead.
01:04:34Go ahead.
01:04:35Okay.
01:04:36Help her.
01:04:38Go.
01:04:39Go to the chair.
01:04:40Help her.
01:04:41Go to the chair.
01:04:42Help her.
01:04:43Trust.
01:04:44Be careful.
01:04:45Go to the chair.
01:04:46Okay.
01:04:48Boys, don't be shy.
01:04:49Just continue.
01:04:50You can kiss each other if you want.
01:04:52And the two of you.
01:04:54Make love with the chair.
01:04:56Make love with the chair.
01:05:01And join them.
01:05:02Join them.
01:05:03Make love with the chair.
01:05:04Come on.
01:05:06You make love with the chair.
01:05:07Make sure that the chair
01:05:09is very satisfied.
01:05:12Yeah.
01:05:13Make love with the chair.
01:05:15Go.
01:05:17More.
01:05:19More.
01:05:21More.
01:05:23Go with the levels.
01:05:24Don't forget.
01:05:25The levels.
01:05:26The variations.
01:05:28Make love with the chair.
01:05:30Okay.
01:05:33And interact with each other.
01:05:34The four of you.
01:05:35Interact with each other.
01:05:36Interact.
01:05:37Interact.
01:05:38Interact.
01:05:39A, B, C, D.
01:05:40Interact.
01:05:41Interact.
01:05:42Oh, don't forget.
01:05:43The four of you.
01:05:44Go, go, go, go, go, go.
01:05:45Don't be distracted.
01:05:46That's good.
01:05:47That's good.
01:05:48More.
01:05:49Come on.
01:05:50Okay.
01:05:52Go with it.
01:05:53Go with it.
01:05:54Okay.
01:05:59I like this.
01:06:00Okay.
01:06:01I like her.
01:06:02I like this.
01:06:03Okay.
01:06:05I need to express.
01:06:06I need to express this.
01:06:07I like this.
01:06:09I like her.
01:06:10I like her.
01:06:12Yes.
01:06:15Okay, okay, okay, okay, okay.
01:06:16Move, move, move, move.
01:06:18Explore.
01:06:19Explore the space.
01:06:20If you want to move, go ahead.
01:06:23Okay.
01:06:24You can move.
01:06:31Maintain eye contact.
01:06:32Eye contact.
01:06:33Eye contact.
01:06:37Okay.
01:06:38Good.
01:06:39Okay.
01:06:41Okay.
01:06:43Okay.
01:06:49Okay.
01:06:51Go with the levels.
01:06:52Go with the intense.
01:06:53Intense.
01:06:54Say one more instance.
01:06:55Okay.
01:06:57Come on.
01:07:06Okay.
01:07:36Okay.
01:08:07Excuse me.
01:08:08Yes, ma'am.
01:08:09Is Laura here?
01:08:11Who is she?
01:08:13I'm her mother.
01:08:15Oh, mommy.
01:08:17Hello.
01:08:19Bambol.
01:08:20Yes, ma'am.
01:08:21Sir Carla.
01:08:22Please accompany her.
01:08:23Okay.
01:08:24Okay.
01:08:25Okay.
01:08:26Okay.
01:08:27Okay.
01:08:28Okay.
01:08:29Okay.
01:08:30Okay.
01:08:31Okay.
01:08:32Okay.
01:08:33Okay.
01:08:34Okay.
01:08:35Sir Carla.
01:08:36Please accompany mommy to the dressing room.
01:08:37Okay?
01:08:38Okay.
01:08:39Okay.
01:08:40Thank you.
01:08:41Ma'am, this is Laura.
01:08:42Okay.
01:08:43Okay.
01:08:44Okay, ma'am.
01:08:45This way.
01:08:46Thank you.
01:09:05Thank you.
01:09:31Ms. Laura, you have a visitor.
01:09:36Thank you.
01:09:37Thank you.
01:09:38Okay.
01:09:41Oh, Laura.
01:09:43Mom, if I don't tell your friend that you're doing a stage play,
01:09:48I won't know.
01:09:50What kind of drama is this?
01:09:52Mom, I like what I'm doing.
01:09:56Jesus.
01:09:58You're just wasting your time here.
01:10:03How's the pay?
01:10:08Is it big?
01:10:13Did you get paid?
01:10:15Mom, not yet.
01:10:17The fee is per performance here.
01:10:21You're so annoying, Laura.
01:10:23You're so annoying.
01:10:24You're so annoying.
01:10:25You're so stupid, Laura.
01:10:27You're so stupid.
01:10:29You're just wasting your time here.
01:10:35You still have a chance to leave.
01:10:38I talked to the movie producer.
01:10:42They're shooting a movie.
01:10:44We can go back to your role.
01:10:47Mom, you know what?
01:10:49I don't want to be in a movie anymore.
01:10:52I'm just an extra there.
01:10:53Stop this nonsense.
01:10:56You're going to lose a lot of projects.
01:11:01My projects?
01:11:03Your projects?
01:11:05You're so stupid, Laura.
01:11:07I'm just your daughter.
01:11:09So don't talk to me like that.
01:11:12You know what?
01:11:14You're the only one who accepts my requests.
01:11:19Mom, I'm so tired.
01:11:21I'm so tired.
01:11:23I'm not a robot.
01:11:25I'm not a factory.
01:11:28That's why dad left us because of you.
01:11:35You're so annoying.
01:11:39But you're stupid, Laura.
01:11:42You're pretty, but you're stupid.
01:11:44Stupid.
01:11:47Can I know your background in acting?
01:11:49Especially if you have a background in theater.
01:11:52Actually, this is my first time leading a play.
01:11:55When I was in college, I joined the theater.
01:11:58Oh, nice.
01:12:00So what are your roles in your school-based plays?
01:12:03They're just minor roles.
01:12:07People from the city, or sometimes trees.
01:12:13Thank you.
01:12:15James, why did you decide to play?
01:12:17From a teen star to a young actor.
01:12:20And now, a theater actor.
01:12:22Actually, I started in theater when I was young.
01:12:27I was 9 years old when I got my first lead role.
01:12:31I feel like I'm going back to my first love.
01:12:35Nice.
01:12:37So what was the title of your first play?
01:12:39And what was your role in it?
01:12:41It was Rizal.
01:12:43I was the chef there.
01:12:44I was the chef there.
01:12:46Oh, wow.
01:12:48Didn't your name also feature in your TV role, River Burks?
01:12:53Yes.
01:12:55That's great.
01:12:57I feel like I'm getting older.
01:12:59It's not for us anymore.
01:13:01And speaking of Paul Solis,
01:13:03he's a strong blockbuster.
01:13:05And he has a lot of endorsements.
01:13:07It looks like you're going to leave him.
01:13:09What can you say about that?
01:13:11Uh...
01:13:14It's okay.
01:13:16So, you're saying that you're not jealous of each other
01:13:20even though Paul has already reached millions?
01:13:28Wait a minute.
01:13:30James, I have a question.
01:13:32James?
01:13:34Nothing has changed.
01:13:36He still has his attitude.
01:13:37Anyway, I think you might want to invite some viewers or...
01:13:41I think I'm getting old.
01:13:43Sorry.
01:13:44Sorry, what was that?
01:13:47Are you okay?
01:13:50I'm okay.
01:13:53Are you sure?
01:14:00Do you want to talk about something?
01:14:04Nothing. I'm okay.
01:14:08Okay.
01:14:10Get some rest.
01:14:12Good night.
01:14:38Come on.
01:14:52Thank you.
01:15:07Thank you.
01:15:37Thank you.
01:16:07Fuck.
01:16:37Fuck.
01:17:03Bravo!
01:17:04Bravo, you two!
01:17:07You got it!
01:17:11You finally got it, Laura.
01:17:14I really never doubted you, right?
01:17:17Yes, direct. Yes, direct.
01:17:19Finally!
01:17:21You nailed her.
01:17:25Meg, Alice, please.
01:17:27Please wrap these up.
01:17:29Oh, my goodness.
01:17:31What an orgasmic scene.
01:17:32Thank you.
01:17:34Let's do the next scene, okay?
01:17:36Carlo, the confrontation.
01:17:40Thank you.
01:17:42Thank you.
01:17:44Oh, my gosh.
01:17:46Good thing they got it.
01:17:48Thanks to you.
01:17:50Thank you.
01:17:51Thank you.
01:18:03Thank you.
01:18:13Welcome.
01:18:15Enjoy the show.
01:18:17Don't forget, we have playbills out there if you haven't bought any.
01:18:23Good evening.
01:18:25What flavor is this?
01:18:27What did you basically get?
01:18:29Mozzarella.
01:18:30Here you go.
01:18:32All right, we're ready.
01:18:34Ready?
01:18:36All right, let's go.
01:18:43Okay.
01:18:45Ten minutes.
01:19:00Ten minutes.
01:19:30Ten minutes.
01:19:46Is it really that miserable
01:19:49to be the wife of an arrogant and arrogant person?
01:20:01Antonio's vagina is bulging.
01:20:09When I proposed to him as a father,
01:20:12I didn't think about the consequences of our age.
01:20:16Or the possibility that I'm throwing away my youth
01:20:20in exchange for my height and stature.
01:20:23When you propose to him as a father,
01:20:26you don't think about the consequences.
01:20:28You don't think about your height and stature.
01:20:30When you propose to him as a father,
01:20:33you don't think about the consequences of your youth
01:20:35in exchange for your height and stature.
01:20:41There are free people,
01:20:43but they are trapped in the prison of slavery.
01:20:50Let me accompany you just like you accompanied me.
01:20:55I can't admit that
01:20:58I understand the heart of a poor person.
01:21:06It's not the poverty that's bothering me.
01:21:11Until now,
01:21:13I'm still haunted by the memories
01:21:16of those who were with me in the jungle.
01:21:21And understanding
01:21:24that I'm the only one left alive.
01:21:45Papa was talking to me earlier.
01:21:51About what?
01:21:55About his dream.
01:21:59He doesn't know my illness.
01:22:03He's still asking me when he'll have a grandchild.
01:22:10Of course, it's not your fault.
01:22:13But for the love of God,
01:22:16will you forgive me if I don't tell him
01:22:21that I'm the one who's different?
01:22:25What did you tell him?
01:22:30I told him that you won't be coming this month.
01:22:33Antonio!
01:22:35Your brother might be the reason
01:22:37why Montero's blood continues
01:22:41to be the next patriarch.
01:22:48Can you promise
01:22:50that you'll be a good father
01:22:52so that I can be the shield
01:22:55of the entire Villa de Lipa?
01:22:58Antonio Montero.
01:23:03The invalid
01:23:06from the bottom to the top.
01:23:11He has an arsenal,
01:23:13but he can't fire his own gun.
01:23:16He's being followed,
01:23:19but he can't stand up.
01:23:22What do you want me to do?
01:23:27I want you to become a priest
01:23:32because I owe you.
01:23:38I'm not the father.
01:23:53Kathy,
01:23:55I am so half-hearted in marketing.
01:23:59Why is that, Director?
01:24:01Hello.
01:24:03Coco didn't come earlier.
01:24:06I know, I know. I noticed.
01:24:08But don't worry.
01:24:10Because Rene is doing his job.
01:24:12Are you sure?
01:24:14Yes, I talked to him.
01:24:16If you want, I can talk to him again.
01:24:18And the team.
01:24:19I'll remind them that
01:24:21they should do a better job with marketing.
01:24:24Please.
01:24:25Is that okay with you?
01:24:27We really need someone here.
01:24:29Greg, someone's here for you.
01:24:32Hurry up.
01:24:34Oh, shit.
01:24:36Fuck.
01:24:38Harry, read that.
01:24:46Dear
01:24:48El Querido,
01:24:50the most awaited erotic event of the year seems otherwise.
01:24:56The leading lady is a limb.
01:24:59Let it go.
01:25:01Let it go?
01:25:03I told you from day one.
01:25:05We're already problematic.
01:25:07We took a risk to get new ones because you wanted it.
01:25:12And look at us now.
01:25:14I want it, but you agreed, right?
01:25:17How can we not agree?
01:25:19You always tantrum when we don't agree.
01:25:22You always want to be the next one.
01:25:24You think you're God's gift to theater.
01:25:26Well, I'm sorry.
01:25:28I love you, Harry.
01:25:30But my God, shit.
01:25:32I'm tired of following your tricks.
01:25:34Who's the director?
01:25:36Shit.
01:25:39You think you're a producer
01:25:41because you married a rich man?
01:25:43Are you high now?
01:25:44You're wearing nice clothes,
01:25:46but it's not effective.
01:25:48You seem to forget
01:25:50that if it wasn't for me,
01:25:52if it wasn't for my husband,
01:25:54you wouldn't have a project
01:25:56because you're old.
01:25:58You seem to forget
01:26:00that if it wasn't for me,
01:26:02you wouldn't be in this industry.
01:26:04No, I have a lot of acquaintances.
01:26:06Of course, you're one of them.
01:26:08Fix your backstage if it's messy.
01:26:10Don't follow me,
01:26:12you'll get jeepney.
01:26:14What's this?
01:26:16Read this.
01:26:18Read it.
01:26:23Oh, my God.
01:26:25Oh, my God.
01:26:28Madam, wait.
01:26:34That's it?
01:26:36That's what you're proud of?
01:26:42I watched your drama.
01:26:45And I saw everything you did.
01:26:51You're just a prostitute.
01:26:55I wish you were a rich man.
01:27:00Mom, you don't understand.
01:27:03What do I need to understand?
01:27:05I saw everything you did.
01:27:10After I studied you,
01:27:11you're just a prostitute.
01:27:15I wish you were in a movie.
01:27:20You'll be famous.
01:27:35Hello?
01:27:37Renee!
01:27:39Why are you here?
01:27:41Why didn't you tell me?
01:27:43You backed out at the last minute.
01:27:44Renee!
01:27:46It's a waste of time to talk to you.
01:27:48Direct.
01:27:49Renee,
01:27:51how are you?
01:27:52We have a situation.
01:27:55Situation?
01:27:57We don't have an audience later.
01:28:01Why?
01:28:03The philosophy class of St. Vincent's School backed out.
01:28:10Why?
01:28:13They said your play is a slander.
01:28:16Slander?
01:28:18This is hypocritical.
01:28:20Don't they have culture?
01:28:23Don't they see beauty and aesthetics?
01:28:26This play is about the exploitation of foreigners in our country.
01:28:32What are they teaching in their philosophy class?
01:28:36Harry, calm down.
01:28:38Oh my God, Kathy.
01:28:40We don't have an audience now.
01:28:44Their school?
01:28:45What school is that?
01:28:46St. Vincent's, Direct.
01:28:47They backed out.
01:28:48What should we do?
01:28:49Don't worry.
01:28:50We still have an audience tonight.
01:28:52It's not just the school that will watch tonight, okay?
01:28:55Make sure of that, Renee.
01:28:57Yes, Direct.
01:28:58I'm counting on you.
01:28:59I'll find a way, Direct.
01:29:00It's a waste of our investment.
01:29:03Find a way, Renee.
01:29:04Yes, Ma'am.
01:29:05Hello?
01:29:06Huh?
01:29:08Again?
01:29:09You can't even talk.
01:29:11Carlo!
01:29:12Carlo, where are you?
01:29:15Where are you, Direct?
01:29:16They said we should fix this scene.
01:29:18It's too slanderous.
01:29:19Well, I don't care.
01:29:21This is my play.
01:29:22My art.
01:29:23My legacy.
01:29:34James?
01:29:35Direct.
01:29:39What?
01:29:40How was it?
01:29:41It was okay.
01:29:42This is just the last line.
01:29:43I really can't memorize this word.
01:29:45But...
01:29:46I can do this, Direct.
01:29:47I'm good at this character.
01:29:50Good.
01:29:52I know you can do it.
01:29:54I know you're dependable.
01:29:57Wow, I remember our past productions.
01:30:00You were so young.
01:30:01You were still a virgin.
01:30:03That's why, Direct.
01:30:04But I can't forget our first play together.
01:30:07Wow.
01:30:09I learned a lot from you, Direct.
01:30:10Yes.
01:30:11And until now,
01:30:12I still remember that.
01:30:13You're welcome.
01:30:18Actually, James.
01:30:19I have a problem.
01:30:21Is it about me?
01:30:22No, no, no.
01:30:23It's not about you.
01:30:24It's...
01:30:26I'm not the play.
01:30:28We've been running for two days
01:30:30and until now,
01:30:31there's still no buzz.
01:30:34There's something missing.
01:30:38I envision this play
01:30:40that it will help everyone.
01:30:42That everyone will benefit.
01:30:45Especially you.
01:30:49Well, anyway.
01:30:51Break a leg.
01:30:52Fix it, okay?
01:30:53Yes, Direct.
01:30:54Where's Andrew?
01:30:55I think he's here at the dressing room.
01:30:57Alright.
01:31:03Andrew?
01:31:12It seems like
01:31:13you're going home late at night.
01:31:16What are you up to outside?
01:31:27Comparo, sit here.
01:31:33Okay.
01:31:41I'm just going to stand here.
01:31:43I don't want to talk about this for a long time.
01:31:45Well,
01:31:47stop asking Pablo for help.
01:31:53You should be ashamed
01:31:55of your status as a Montero.
01:31:59Isn't this what your father wanted?
01:32:01For me to give you a child?
01:32:03For you to be allowed to continue
01:32:05the name Montero and its glory?
01:32:08You forced me to do something
01:32:10that you can't do.
01:32:12That's not what a woman,
01:32:13a worker,
01:32:15that's not what we're talking about.
01:32:21I want to think about it.
01:32:26Tomorrow, Papa will follow me.
01:32:29I'm going home to Nueva Ecija.
01:32:31Well,
01:32:32listen to what your father has to say.
01:32:34You're not going to stop me?
01:32:36Why?
01:32:37Are you going to stop me?
01:32:38If he's going to betray Pablo.
01:32:41What do you think of me?
01:32:43I'm a liar.
01:32:44But, Amparo,
01:32:45don't think that he'll stay in my power
01:32:48despite his betrayal.
01:32:55When you allowed me to have children
01:32:57with whoever I wanted
01:32:59for the sake of his greed,
01:33:01you lost your privilege
01:33:03as a victim of betrayal.
01:33:06You accepted me
01:33:07as a good and honest wife.
01:33:11Amparo!
01:33:15Don't touch her!
01:33:16Let's go.
01:33:24Don Antonio,
01:33:28Pablo,
01:33:32do you remember
01:33:36when you dragged me to the trenches
01:33:41after I was shot by a cannonball?
01:33:45Yes, sir.
01:33:47As far as I know,
01:33:49we're blood brothers.
01:33:53Where did you get the strength
01:33:56to save someone like me,
01:33:59a commander
01:34:02who knows
01:34:04what he's doing on the battlefield?
01:34:08It's my duty as a soldier
01:34:10and your follower
01:34:12to save you from death.
01:34:20Have you ever thought
01:34:23that because of me,
01:34:26you were shot by a cannonball?
01:34:30Sometimes,
01:34:31it doesn't cross my mind.
01:34:34If that's the case,
01:34:35what the hell happened to you
01:34:38and what did you do
01:34:39to your lieutenant General?
01:34:41It's true.
01:34:44I was the one who was raped.
01:34:47I'm the one who talked.
01:34:50Son of a bitch!
01:34:56I'm not a bad person, Pablo.
01:35:00I know how to look inside.
01:35:05If it wasn't for you,
01:35:08I might have been buried
01:35:09in the ground with my men.
01:35:19Because of that,
01:35:20I'll give you half a day
01:35:22to cover up
01:35:23and stay away
01:35:25from my wife.
01:35:29You're crazy!
01:35:31That's it?
01:35:34You're ready to throw him
01:35:37into the river
01:35:38and eat him alive?
01:35:40This is your decision, Papa!
01:35:49Pablo,
01:35:51consider this
01:35:53as me asking you
01:35:54for my debt of gratitude.
01:35:58But remember,
01:36:01I will never see
01:36:02your face again
01:36:05in my hacienda!
01:36:09Do you understand?
01:36:21Where will you stay?
01:36:24I'll probably stay
01:36:25with my relatives in Morong.
01:36:28Where in Morong?
01:36:33You'll know.
01:36:37Not because I'll look for you,
01:36:39but because
01:36:40I'll look for you.
01:36:42I'll look for you
01:36:43because I love you.
01:36:45I'll look for you
01:36:47because I love you.
01:36:48But because
01:36:49I'll look for you.
01:36:52I promise.
01:37:09I promise
01:37:12I'll look for you.
01:37:19I promise
01:37:21I'll look for you.
01:37:48I'll look for you.
01:38:18I'll look for you.
01:38:49James, what's that?
01:38:57Wait, wait.
01:38:58Why are you looking at your prosthetics?
01:39:00James, what's that?
01:39:01What are you doing?
01:39:05I don't know.
01:39:06I don't know.
01:39:07James, what's that?
01:39:10I don't know.
01:39:11I don't know.
01:39:12I don't know.
01:39:13I don't know.
01:39:15I don't know.
01:39:16James!
01:39:18I don't know.
01:39:23James.
01:39:24I don't know.
01:39:26I don't know.
01:39:28I don't know.
01:39:31James.
01:39:32I don't know.
01:39:33Shh.
01:39:35I don't know.
01:39:41You're a gypsy.
01:39:42I need to use the bathroom.
01:40:12Let's go.
01:40:24Here's your next costume.
01:40:42Hurry up, hurry up, hurry up.
01:40:50Double time, double time.
01:40:53Yes, director?
01:40:55Yes.
01:40:56Hold on.
01:40:57It's in the right place.
01:40:58Finally, I got what I wanted.
01:41:01Of course, you're the one who helped me.
01:41:06Congratulations.
01:41:09Laura?
01:41:11Meg, Meg!
01:41:13Yes, Mr. Carlo?
01:41:15I've been waiting for you to help me.
01:41:18I'll be late.
01:41:20I'll be late.
01:41:21You're crazy.
01:41:22This will be quick.
01:41:23Ms. Agis, Balbon.
01:41:25Laura, please.
01:41:28Yes, director?
01:41:29Yes.
01:41:42So beautiful.
01:41:47So beautiful.
01:41:52Wow.
01:41:55Laura.
01:41:57Oh my gosh.
01:42:00What a performance.
01:42:06Laura.
01:42:08James.
01:42:10Oh my gosh.
01:42:12I enjoyed each movement that you made.
01:42:17The lines were so perfect.
01:42:21The passion and excitement that we didn't have before is there.
01:42:26Oh my gosh, I got it too.
01:42:30Bravo, bravo, bravo, bravo.
01:42:41You're so good.
01:42:43Congratulations.
01:42:46Thank you.
01:42:48Director is happy.
01:42:49Director is so happy.
01:42:51Hey, Laura.
01:42:52Congratulations.
01:42:53You were so good earlier.
01:42:55Wow, I'm impressed with Laura.
01:42:58She's such a natural actress.
01:43:00Yes.
01:43:01She's so good, James.
01:43:04Laura, do you want me to help you?
01:43:07I have a date later.
01:43:09Guess who it is.
01:43:10Who?
01:43:15It's Anton.
01:43:16How did you know?
01:43:18It's obvious that it's you two.
01:43:21Really?
01:43:22Yes.
01:43:23You moved, you looked at each other.
01:43:26What? Me?
01:43:28Are you okay, Laura?
01:43:32Laura, do you want to eat with us?
01:43:35Later?
01:43:36No, it's okay.
01:43:39Wait for me.
01:43:44Are you going home?
01:43:46What happened?
01:43:47I don't know.
01:43:48I don't know where I am.
01:44:10Thank you so much for watching.
01:44:11Yes.
01:44:12We really appreciate it.
01:44:13And thank you so much for the good review.
01:44:15About the 10 tickets, we'll take care of it.
01:44:18Any, any.
01:44:19Okay, thank you, thank you.
01:44:20Laura?
01:44:22Yes, sir?
01:44:23Congratulations, Iha.
01:44:24You know what?
01:44:25You're so good.
01:44:26Compared to when I watched you on Critics' Night,
01:44:29you're so good.
01:44:30You're so good.
01:44:31You're so good.
01:44:32You're so good.
01:44:33You're so good.
01:44:34You're so good.
01:44:35You're so good.
01:44:36You're so good.
01:44:37You're so good.
01:44:38You're so good.
01:44:39Compared to when I watched you on Critics' Night,
01:44:41you're so good.
01:44:44Thank you.
01:44:45Ah, one more thing.
01:44:46Before we work together,
01:44:48you already know that I have many projects in the workforce.
01:44:53This is my calling card,
01:44:54just give me a call.
01:44:56Congratulations.
01:44:58Thank you, sir.
01:44:59And break a leg.
01:45:02Keep up the good work.
01:45:04Thank you, sir.
01:45:05Yes, sir.
01:45:06I'm going to tell my son.
01:45:10I'm going to file a complaint.
01:45:12I'm going straight to the agent.
01:45:21Laura.
01:45:23Welcome.
01:45:29What happened to you?
01:45:33We're okay, right?
01:45:36I'm sorry.
01:45:40I'm sorry.
01:45:50A lot of people texted me.
01:45:53They said your performance was good.
01:45:57Direk also talked to me earlier.
01:46:00He was happy with the feedback.
01:46:07That's what you want, right?
01:46:28Laura.
01:46:29Hurry up before you put on makeup.
01:46:36I'm sorry.
01:47:06Hurry up.
01:47:31Good news for everyone.
01:47:33for your such an answer, Gabby.
01:47:36But wait, there's more.
01:47:39Here's more good news.
01:47:43We are officially booked for a regional tour.
01:47:48Thank you.
01:47:49See?
01:47:51Thanks to our main man in marketing, Rene.
01:47:56Thank you, Director.
01:47:57I told you, I'll find a way.
01:47:59You surprised me.
01:48:02Of course, you surprised me, Director.
01:48:04Thank you, Rene.
01:48:05You're welcome.
01:48:07Exciting, right?
01:48:09Here it is.
01:48:10This is where we're going.
01:48:12First, we're going to fly to the Visayas
01:48:15and we are going to go to Sileman and Dumaguete.
01:48:20Oh, I see.
01:48:21We're in trouble.
01:48:24We're going to do bachoy and inasal everyday.
01:48:27Oh, my gosh.
01:48:28We're going to do a lot of things.
01:48:30We're going to invest a lot, Kathy.
01:48:33A lot.
01:48:34A lot.
01:48:35A lot.
01:48:36A lot.
01:48:37A lot.
01:48:38A lot.
01:48:39A lot.
01:48:40A lot.
01:48:41A lot.
01:48:42A lot.
01:48:43A lot.
01:48:44A lot.
01:48:45A lot.
01:48:46A lot.
01:48:47A lot.
01:48:48A lot.
01:48:52Recollect, everyone!
01:48:54Recollect, give it your all!
01:48:57Thank you, Director.
01:48:58Thank you, Director.
01:49:00I love you, Director.
01:49:05Actors!
01:49:06Actors, let's go to our places.
01:49:19Lara,
01:49:22talk to me.
01:49:25You can't be like that.
01:49:28We're professionals here.
01:49:34Professionals?
01:49:39Okay, fine.
01:49:41Do your job,
01:49:44and I'll do mine.
01:49:58Laura!
01:49:59Laura!
01:50:00What is it?
01:50:01You're almost there.
01:50:03You're already in the standby area.
01:50:13Okay.
01:50:15Let's go.
01:50:17Okay.
01:50:28Towards the military.
01:50:32Okay.
01:50:34Where are we going?
01:50:35Where will we go?
01:50:39Hi, Authority.
01:50:41Action.
01:50:53Look at what you've done.
01:50:55Ah!
01:50:59Ah!
01:51:02Ah!
01:51:19Alice. Alice. Alice, double time.
01:51:25Alice.
01:51:32Laura.
01:51:34Laura, wake up.
01:51:44Now, signal energy. Energy. Okay?
01:51:50Yeah. Ready.
01:51:52And after school.
01:51:55Okay.
01:52:08James, standby.
01:52:12Ready.
01:52:18Go.
01:52:25Go.
01:52:56Where will you stay?
01:53:02Maybe I'll stay with my family in Morong.
01:53:08Where in Morong?
01:53:11You'll find out.
01:53:14Where?
01:53:17I don't know.
01:53:20Where in Morong?
01:53:23You'll find out.
01:53:27Not because I'll look for you,
01:53:30but because I will look for you.
01:53:33I promise.
01:53:49To us.
01:53:51To us, I promise.
01:54:05Promise us that we'll see you again.
01:54:08Awake and in perfect health.
01:54:19Okay.
01:54:49Okay.
01:55:19Okay.
01:55:36What's happening?
01:55:41Carlo.
01:55:42Carlo.
01:55:43Huh?
01:55:44What is he doing? Why?
01:55:45Drake, I blacked him out.
01:55:47We didn't practice this.
01:55:49Don't move. Don't move.
01:55:51We're in the same place.
01:55:54Laura is directly improvising.
01:55:57Can someone please tell me what's happening?
01:56:01Carlo.
01:56:03What am I going to do?
01:56:05Carlo, what is he doing?
01:56:10Why is he doing a hand job?
01:56:12Why is he rehearsing?
01:56:17I don't know.
01:56:37What is he doing?
01:56:39Drake, what is he doing?
01:56:41Oh my God.
01:56:42Drake is in the toilet.
01:56:44I know.
01:56:45What?
01:56:46Oh my God.
01:56:50Wait, wait, wait.
01:56:52Hold it.
01:56:53No, no.
01:56:54Hold it.
01:56:55Smoke.
01:56:56Smoke.
01:56:57Okay.
01:56:58Go smoke.
01:56:59Go.
01:57:00I see.
01:57:01Go smoke.
01:57:02Okay.
01:57:03Smoke.
01:57:04Smoke.
01:57:05I don't know.
01:57:07I don't know.
01:57:09I don't know.
01:57:16I call music.
01:57:17Music.
01:57:18Go.
01:57:19Go music.
01:57:20Music.
01:57:21Go up music.
01:57:22Go music.
01:57:23Music.
01:57:24Go, go, go.
01:57:25Go down.
01:57:40That's brilliant.
01:57:44Oh my God.
01:57:59Bravo.
01:58:10I'm mad.
01:58:13I'm mad.
01:58:43I'm mad.
01:58:44I'm mad.
01:59:13I'm mad.
01:59:14I'm mad.