B@ttl3 0f Wr!ters EP4 Eng Sub

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Fun
Transcript
00:00I'm just here to say goodbye.
00:02I'm sorry.
00:04I'm sorry.
00:06I'm sorry.
00:08I'm sorry.
00:16You!
00:18When they were first here,
00:20I never thought they would come back here.
00:22I thought this forest was strange and haunted.
00:26We should have been lost in the sacred land of legends.
00:28How did you know?
00:34Don't you want to get out of here?
00:40In this forest,
00:42there's only you and me.
00:46My grandma has to get out of here too.
00:52But if you really want to get out of here,
00:54what are you going to do?
01:24Directed by Tichakorn Phukhaotong
01:54Directed by Tichakorn Phukhaotong
02:24Directed by Tichakorn Phukhaotong
02:38Hey, you.
02:42Come here.
02:46Your shirt will get wet.
02:50Do you know you have to wash the dishes
02:52after you get out of here?
02:54If you don't,
02:56your shirt will get wet.
03:12I'm okay now.
03:16Why are you touching my hair?
03:22Why are you touching my hair?
03:42Why are you touching my hair?
03:52Why are you touching my hair?
03:54When I do this,
03:56can you imagine
03:58how I'm going to write a novel?
04:04I see.
04:06You're trying your best.
04:08You don't even know how to teach me how to write a novel.
04:16I'll continue to wash the dishes.
04:22I'll continue to wash the dishes.
04:34I'm going to swim.
04:52I'm going to swim.
04:58Why are you cleaning now?
05:04Huh? Did I bother you?
05:06No.
05:16I said no.
05:18Why are you cleaning now?
05:20Why are you cleaning now?
05:22Oh.
05:24I'm cleaning the food that you're full of.
05:28Can I do it too?
05:34The ritual is over.
05:38Oh.
05:40Let's do something else.
05:42Okay.
05:44Let's go.
05:46Let's go.
05:50Let's go.
06:20Huh?
06:50Huh?
07:16Do you like to exercise?
07:18No.
07:20I can't write.
07:22So I have to find something to do.
07:24I want to relax a bit.
07:30Is it about a villain?
07:34Yes.
07:38Actually, this story was written for you to write comfortably.
07:42You want to express yourself too much.
07:48Yes.
07:58Let me help you.
08:04Yes.
08:18Yes.
08:32Master Sing,
08:34Do you know how to do this?
08:36Will you please stop complaining?
08:38When you said that,
08:40I was so worried.
08:42I almost had a heart attack.
08:44So, why do you have to use the lotus leaf?
08:55Master Sun, I am a man who is not from a rich family.
09:04Have you ever heard of the lotus leaf wrapping?
09:08It must be wrapped in layers.
09:10Then it will be baked in the oven.
09:14This way, it will smell good and be crispy on the outside and soft on the inside.
09:20Of course, I know about the lotus leaf.
09:23But first of all, you didn't bring out the chicken inside.
09:27Secondly, this is a mountain of corpses.
09:31All the animals here are poisoned from the corpses.
09:34By doing this, do you want to poison me?
09:38Master, if I want to kill you, why do I have to grill the chicken for you to eat?
09:55I can think of something.
09:58I think your sword is good enough.
10:01Let's cut the chicken into pieces so it can be cooked faster.
10:04Master Sun, you are still young.
10:08That's why you want me to use my sword to kill the chicken.
10:13Why don't you use your city's sword?
10:20So, are you going to cut it or not?
10:23If you don't cut it, no one will be able to eat the food.
10:29Wait, what about the chicken?
10:32Chicken?
10:45It's because of you.
10:47How are you now? The chicken is flying and the egg is broken.
10:50There's nothing left.
10:52What's wrong with you?
10:54It's like dust is getting into my eyes.
10:56Don't scratch your eyes.
10:57Ouch, it hurts.
11:02Don't move.
11:16I'll blow it out for you.
11:27I'll blow it out for you.
11:44Is this better?
11:49It's good.
11:50It's good.
11:55If the dust gets into your eyes, you will be in pain like this.
11:58What else can you hope for?
12:00Master.
12:12Are you angry?
12:15Sun.
12:17Hey, why are you so close to me?
12:24I want to see if your eyes are better.
12:28It's good. You don't have to look.
12:36What are you smiling at?
12:40I'm smiling at your red ears.
12:46Sun.
12:51Sun.
13:04Has anyone ever told you
13:13that your eyes
13:17are as happy as the stars?
13:28Now,
13:30it's time for you to suspect everything around you.
13:34Be careful to protect the injured
13:38and pay special attention to Tuan and Sing.
13:41Both of them are in a relationship.
13:44Huh?
13:47I want Sun and Tuan to break up.
13:51But I don't know what to do.
13:54It's just that they risk danger together in a short time.
13:58But one role is not enough.
14:00If you want a long-term perfect role in a short time,
14:04it will be difficult.
14:07You don't have to listen to me.
14:10You want them to risk danger together, right?
14:12You want them to risk danger together, right?
14:16Yes.
14:32Judging from the script,
14:35there must be a climax now.
14:39You want them to risk danger together
14:42and overcome obstacles
14:44to get some truth.
14:47And take this opportunity to stimulate their feelings.
14:54I can only think of something.
14:57But I'm still a little confused.
15:01You can try to write it down
15:03and then make it perfect again.
15:05But if I do that,
15:08I'm afraid I won't be able to do it well.
15:11No.
15:13The young man I know
15:15is the best storyteller in the world.
15:23The core of the scene
15:25is not yet perfect enough.
15:28I don't think I can write just one line.
15:31I still think I can't write it.
15:34Then you write what you want to write.
15:37After that, it's my job.
15:41Can I?
15:43Trust me.
15:52Then I'll give you an idea.
15:55You can write a novel for free.
15:58Stand up.
16:01Stand up.
16:06You want me to ask you what you're doing.
16:12What am I doing?
16:24I found you.
16:31I found you.
16:42I found you.
17:01I found you.
17:23Oon, you've changed.
17:26What?
17:27Your new novel
17:29makes me feel like I've been slapped.
17:34You're always exaggerating.
17:36I'm not exaggerating.
17:37Don't talk about Charn.
17:39You're better at writing than Sin.
17:41What?
17:43You don't have to talk about this comment.
17:45There are more comments every day.
17:47During this time,
17:48I and Pitch Yaosamut are having a hard time.
17:51You may have seen it.
17:53Don't lie.
17:54Don't take me with you.
17:57Oon, don't.
18:16I found you.
18:27I miss Charn.
18:29Then I'll give you an idea.
18:32You can write a novel for free.
18:34What am I doing?
18:43I found you.
18:46I found you.
19:01I found you.
19:06I found you, you maniac.
19:09Charn is so annoying.
19:15Oh
19:45My
20:15Wow
20:45Oh
21:15Oh
21:35Wow
21:37Foreign
22:02Foreign
22:07Foreign
22:25Foreign
22:37Foreign
22:51Foreign
23:07I don't know if you've ever read my novels.
23:15I've never read your novels.
23:32Actually, I lied.
23:38I've read your novels.
23:41I really like your writing.
23:59My legs hurt.
24:03Well, I don't have any talent in writing novels.
24:07I just really like it.
24:09Compared to Ozone, Sin, Jao Samut, or you,
24:16I can't compete with you.
24:19What I'm good at is storytelling.
24:22No matter how hard it is,
24:24I try to make it fun.
24:29I'm so lucky to have met you.
24:38But if I do what I like,
24:41I might become a blessed person.
24:56Why are you staring at me like that?
24:59Because you're handsome.
25:03You're cute too.
25:28Why are we looking at each other like this?
25:37I'd like to ask you a question that might be hard for you to answer.
25:46Am I cuter or is Lin Song-Yue cuter?
25:51Both are cute.
25:53Why do you suddenly ask about Lin Song-Yue?
25:56Do you like her?
25:58I have to ask you this.
26:00Do you like her?
26:02She's an angel.
26:04She doesn't exist in this world.
26:07There must be a role model, right?
26:26Well…
26:30What are you sniffing at?
26:33The food must be ready.
26:34If you're done, let's eat and talk.
26:43Hurry up.
26:51I see you've been trying to get this from Yu for a long time.
26:54It's said to help nourish the blood and strengthen the body.
26:58It's suitable for someone who works day and night like me.
27:04Okay.
27:35Are you okay?
27:41When you talked about staying up late,
27:44I thought that being a writer is a unique job.
27:52Writing a work for one compliment in exchange for staying up late
27:58is a very unique job.
28:01Do you know?
28:03That day I said that the young man I knew
28:06was the best storyteller in the world.
28:09I didn't mean it.
28:12I really felt that way.
28:19Okay. I believe you.
28:24I'm going to bed.
28:26Good night.
28:31But do you feel that it's strange?
28:35What's strange?
28:36When you talked about Lin Song-Yue,
28:39I remembered that when we used the same idea,
28:45the strange thing was that Jingjoknoi in your work told the story to Mennoi.
28:51And mine is that Mennoi told the story to Jingjoknoi.
28:56What a coincidence.
28:57Why?
29:00Because of that?
29:03Once upon a time,
29:07there was a boy named Mennoi in the forest.
29:15He had a close friend named Kaloknoi.
29:20One day,
29:22Kaloknoi moved out.
29:27Mennoi was sad.
29:30So he wrote a letter to Kaloknoi.
29:34Mennoi wrote a letter to Kaloknoi.
29:37Ta-da!
29:39He wrote the wrong address.
29:41The letter was sent to the wrong place.
29:44So it was sent to Jingjoknoi's house.
29:57Mennoi,
30:00don't you feel that there's something strange?
30:03What did you call me just now?
30:09Hey!
30:15Be careful!
30:16There's a human in front of you.
30:18It's dangerous.
30:20Be careful!
30:21No, no.
30:22They're not humans.
30:23They're Mennoi and Jingjoknoi, aren't they?
30:27Do you think it's dangerous?
30:31Don't you feel cold?
30:37Hey, look over there.
30:39It's snowing.
30:41It's snowing.
30:42Have you ever seen snow?
30:47Where are you going?
30:48I'm going to find Kaloknoi.
30:50It's snowing.
30:51It's winter now.
30:53I have to tell Kaloknoi
30:54to move to Jamsin.
30:58Let's go.
31:00Let's go.
31:01It's so slippery.
31:07Did you find him?
31:08No.
31:17Go over there.
31:19Okay.
31:28Boss,
31:30Kaloknoi is outside.
31:31We have to find him.
31:33Otherwise, we'll be cold to death.
31:36Madam.
31:37Boss, come here.
31:40Hurry up.
31:42Madam, my son.
31:44Hold on tight.
31:45Madam is fast and strong.
31:47Let's go, Madam.
31:48Oh.
31:50Oh.
31:54Oh.
31:55Madam.
31:56Why are you so stubborn?
31:57Madam.
31:58Madam.
32:01Boss,
32:02will we be in trouble?
32:03Oh.
32:06We have to find him.
32:08Come here.
32:09Madam.
32:10Follow me.
32:12Boss,
32:13if we get on this train,
32:15we'll get to Kaloknoi's house
32:16a little faster.
32:18No.
32:19No, no, no.
32:21Kaloknoi's house is too far.
32:23If we get on the train,
32:25we can't get there.
32:27So,
32:28what should we do?
32:30Tell me
32:31what we should do.
32:35We have to
32:36swim.
32:38Swim?
32:41Wait for me.
32:43Follow me.
32:46I'll go with you.
32:48Let's go.
32:54What?
32:58Over there.
32:59Let's go.
33:00You go first.
33:02Go.
33:06Let's go.
33:13What's wrong?
33:14What's wrong?
33:15Nothing.
33:18Come here.
33:20I'll help you.
33:28Come here, young master.
33:34Are you
33:36really going in?
33:38You told me
33:39to let you go.
33:41Why are you waiting for him?
33:43After that,
33:44Kaloknoi will come back to me.
33:49But
33:50now
33:52it's cold.
33:56Trust me.
33:58Follow me.
33:59Come here.
34:00Okay.
34:13Kaloknoi will come back to me.
34:27I have two of them
34:29Kaloknoi will come back to me.
34:37I'll get them back for you.
34:39I'm so sorry.
34:41I'm so sorry.
34:43I'm so sorry.
34:45You guys are so...
34:47I'm so sorry.
34:49I'm so sorry.
35:09I'm so sorry.
35:11I'm so sorry.
35:13I'm so sorry.
35:15I'm so sorry.
35:17I'm so sorry.
35:19I'm so sorry.
35:21I'm so sorry.
35:23I'm so sorry.
35:25I'm so sorry.
35:27I'm so sorry.
35:29I'm so sorry.
35:31I'm so sorry.
35:33I'm so sorry.
35:35I'm so sorry.
35:37I'm so sorry.
35:39I'm so sorry.
35:41I'm so sorry.
35:43I'm so sorry.
35:45I'm so sorry.
35:47I'm so sorry.
35:49I'm so sorry.
35:51I'm so sorry.
35:53I'm so sorry.
35:55I'm so sorry.
35:57I'm so sorry.
35:59I'm so sorry.
36:01I'm so sorry.
36:03I'm so sorry.
36:05I'm so sorry.
36:07I'm so sorry.
36:09I'm so sorry.
36:11I'm so sorry.
36:15Why can't I swear to you?
36:21Why are you doing something stupid like this in front of me?
36:23Then let me do this back to you one last time.
36:25I'm done.
36:27Let me do this back to you one last time.
36:29I'm done.
36:31I'm done.
36:33I'm in Korea now, but I see a face.
36:37Huh?
36:40Are you really going to eat Chinese food?
36:43Do you want me to hit you?
36:44Yes.
36:46Yes.
37:03I'm going to work.
37:28I went out to work for a while.
37:30I saw you sleeping and didn't want to bother you.
37:32We had a lot of fun talking yesterday.
37:34So I have a gift for you.
37:36I want to give it to the youngest man who is the best storyteller in the world.
37:41Gift?
37:46Huh? 5,137 notifications?
37:52Did I get scammed again?
37:56What kind of message did the media send?
37:58I canceled my work and dream.
38:00Huh?
38:01Comment 1, AC.
38:07I have to hurry up and tell the youngest man to move to Jamsil.
38:10Did you find it?
38:12The youngest man is outside.
38:13We have to hurry up and find the youngest man.
38:14Otherwise, it will be cold to death.
38:16Hold tight.
38:23Like this.
38:28Like this.
38:47After reading the story of Aporn,
38:49I learned about the intention of the writer.
38:52Because it's not easy to arrange the characters in a variety of ways.
38:56The characters are set with intention.
38:58There is also a smooth background of the characters in the novel.
39:03The language used in the story is a bit of a joke, but it's not difficult to read.
39:08The words used are well thought out.
39:12And I always make excuses for the readers.
39:14Comment 2, Aporn.
39:21Father, mother, brothers.
39:22Did I read it wrong?
39:23The father who wrote my story
39:25suddenly commented on Aporn's work.
39:28It's a long story.
39:31It's probably not the work that the editor ordered, right?
39:33Maybe I ate my grandmother's snack.
39:35If I remember correctly, Aporn's work was the work that had a problem at that time.
39:40I read it.
39:41I've seen it.
39:42The editor read it in detail.
39:44The fan club of a young man like me can't compare.
39:49Why is it so detailed?
39:51The editor analyzed it in detail.
39:54From the words, sentences, writing style,
39:57timing, especially the characters and the story.
40:01Everything I can see, I see it all.
40:03But it's still on the basis of reality.
40:05I see it in the most respectable way.
40:10For Aporn,
40:11it's a work that the netizens claim to be a copycat from Suer Yeh.
40:15But now,
40:16Suer Yeh has written a comment on this story for 10,000 words.
40:23What is this?
40:25I read Suer Yeh's comment and I feel embarrassed.
40:29Thank you very much, Suer Yeh.
40:37Actually, I wrote it a long time ago.
40:39I just had a chance to post it.
40:45Suer Yeh complimented me like this.
40:47Am I blushing?
40:49I just want to compliment you in front of everyone.
40:52Suer Yeh complimented me like this.
40:53Am I blushing?
40:55I just want to compliment you in front of everyone.
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