• 4 months ago
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Transcript
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00:06:10♪
00:06:14♪ Need pleasures and palaces
00:06:25♪ Though we may roam
00:06:32♪ Be it ever so humble
00:06:41♪ There's no place like home
00:06:50♪ A charm from the skies
00:06:58♪ Seems to hallow us there
00:07:08♪ Which seek to the world
00:07:16♪ Is merriment with elsewhere
00:07:27♪ Home, home
00:07:36♪ Sweet, sweet home
00:07:44♪ There's no place like home
00:07:55♪ There's no place like home
00:08:05♪ There's no place like home
00:08:15What's all this?
00:08:29Look up here.
00:08:35What's the matter with you?
00:08:36Nothing.
00:08:37It's just that everybody's going home, and...
00:08:38And?
00:08:39I don't know.
00:08:41And I'm leaving mine.
00:08:42I thought so.
00:08:43Crying your eyes out
00:08:44just because you don't have
00:08:45a home of your own to go to,
00:08:46or a mother and father to tell you
00:08:47how pity and clever you are.
00:08:48Oh, poor little thing.
00:08:49You've just got a voice
00:08:50that comes to one in a million,
00:08:51straight from God to you.
00:08:52I'm sorry.
00:08:53I'm sorry.
00:08:54I'm sorry.
00:08:55I'm sorry.
00:08:56I'm sorry.
00:08:57I'm sorry.
00:08:58I'm sorry.
00:08:59I'm sorry.
00:09:00I'm sorry.
00:09:01I'm sorry.
00:09:02I'm sorry.
00:09:03I'm sorry.
00:09:04I'm sorry.
00:09:05I'm sorry.
00:09:06I'm sorry.
00:09:07I'm sorry.
00:09:08I'm sorry.
00:09:09Now, to you alone.
00:09:12You sit there feeling sorry for yourself.
00:09:14Yes, you are.
00:09:15Sorry for yourself!
00:09:17If I were that kind of girl,
00:09:18do you know what I'd do?
00:09:19I'd stick my tongue out at myself,
00:09:20right there.
00:09:21Bam.
00:09:30All right.
00:09:31Get away.
00:09:32Get away.
00:09:33that's all there is.
00:09:34Oh, you've been so wonderful to me,
00:09:35Miss Wiggins.
00:09:37Now, you...
00:09:38Well, you go on up there to New York and make those people love you as much as we do.
00:09:45And then, maybe, someday you'll meet a prince.
00:09:48And you'll live happily ever after.
00:09:52Those fairy stories haven't come true for over a hundred years, Miss Wickham.
00:09:57Fiddlesticks.
00:09:59You just have to dust them off, streamline them a bit.
00:10:03They'd still be fairy stories, wouldn't they?
00:10:05That's all life is. A fairy story.
00:10:08The trouble with you young people is you don't believe in anything.
00:10:11You're afraid. Afraid of hope. Afraid of happiness.
00:10:15What's New York? It's just another town.
00:10:17It's no bigger than you are.
00:10:18Go there and laugh in it, love in it, live in it. Make it yours.
00:10:33Hold it, Miss Wickham.
00:10:34Hold it, Miss Wickham.
00:10:39No, boy!
00:10:40Hold it, Miss Wickham.
00:10:43No, boy! Come on!
00:10:46Hold it, Miss Wickham.
00:10:50Hold it, Miss Wickham.
00:10:54Isn't that wonderful? Right in the middle of the air.
00:10:57What's wonderful about it?
00:10:59It's like you were a bird.
00:11:00It's terrible. Throw that white bathing suit out. It looks like a flower sack.
00:11:03Yes, Miss.
00:11:04Get my comb.
00:11:05Yes, Miss.
00:11:06Send that editor a telegram telling him he's a darling for putting me on the cover.
00:11:08May I fix that spangle now, Miss Barbara?
00:11:10You should have done it before I put the dress on.
00:11:11But it wasn't loose then.
00:11:12Well, hurry up.
00:11:13Comb these curls out.
00:11:14Yes, Miss Barbara.
00:11:15I'll leave.
00:11:16It's finished. It's all finished. Just one more.
00:11:18Can you hold just a little still, please?
00:11:20Give me that comb. You can pull on it. It won't come off.
00:11:23I didn't want to hurt you, Miss Barbara.
00:11:25Get my perfume, the Clair de Lune Bleu.
00:11:27Yes, Miss.
00:11:28Is Mother ready?
00:11:29Yes, I got her done an hour ago.
00:11:30What's she wearing?
00:11:31A new one from Hendricks.
00:11:32What does it look like?
00:11:33You don't have to worry, Miss.
00:11:34It's nothing like yours.
00:11:35Which one did you say, Miss Barbara?
00:11:37Clair de Lune Bleu.
00:11:38Yes, Clair de Lune Bleu.
00:11:39Bleu.
00:11:40Bleu.
00:11:41Bleu.
00:11:42Bleu.
00:11:43That isn't right, but you're getting warm.
00:11:44Oh, thank you, Miss.
00:11:45Here's your coat, Miss Barbara.
00:11:46All right, bring it along.
00:11:47Which flowers would you like, Miss Barbara?
00:11:49I don't care, any of them.
00:11:50I think these would look very nice on you.
00:11:52They're terrible.
00:11:53Give me the gardenias.
00:11:54Yes, Miss Barbara.
00:11:55Call me at noon tomorrow.
00:11:56Be sure that I get up.
00:11:57Yes, Miss Barbara.
00:11:58And you call that Swedish girl.
00:11:59Foot massage in the morning.
00:12:00You shouldn't dance so much, Miss Barbara.
00:12:02If Mr. Warrington calls, tell him to call back.
00:12:04If Mr. Patton calls, tell him I have smallpox.
00:12:06Yes, Miss.
00:12:07A headache for Mr. Patton.
00:12:09Where's my bag?
00:12:10Oh, I forgot it.
00:12:11Well, get it.
00:12:14Mother, I'm ready.
00:12:16Where's Mother, Walter?
00:12:17Are you ready?
00:12:18All but one cuff link.
00:12:20Mother, please.
00:12:21Oh, my darling child.
00:12:24You look so sweet.
00:12:27And that color's so good for you, too.
00:12:29Oh, maybe you're good for the cold.
00:12:30You know, I always say the woman makes the clothes.
00:12:32Mother, let's get started.
00:12:34Even Walter's ready.
00:12:35All ready and raring to go.
00:12:37But we can't go for quite a while yet.
00:12:39Oh, good.
00:12:40What's the matter now?
00:12:41Well, George and Terry aren't back with your cousin Constance yet.
00:12:43And they have the car.
00:12:44Well, let's take one of the other cars.
00:12:45Which one, my dear?
00:12:46The sedan is waiting for your father at his office.
00:12:48My little town car is in the garage having an oil treatment
00:12:50or whatever you call those things.
00:12:52And the big town car we can't use because the second chauffeur's off today.
00:12:54You know, the one who was born in February.
00:12:56What's his name?
00:12:57Nick for Nicholas.
00:12:58That's it.
00:12:59This is terrible.
00:13:00I can't be more than an hour and a half late for Wilma's party.
00:13:02She's one of my personal friends.
00:13:04Why did that child have to graduate today?
00:13:06Oh, but graduations are important.
00:13:08Well, what's much more important to me is that Wilma will think
00:13:10I'm deliberately sabotaging her party.
00:13:12Oh, well, if that's the case, perhaps we'd better take a taxi.
00:13:15That's idiotic.
00:13:16No one can get comfortable in a taxi.
00:13:18If you'd learned to drive, we wouldn't have to ride in them.
00:13:20Driving is work.
00:13:22Not as much work as walking, perhaps, but still work.
00:13:25Walter, you came that close to making an epigram.
00:13:28You know...
00:13:29Here they are, Miss Barbara.
00:13:31This one matches everything.
00:13:32Doesn't match anything.
00:13:33Throw it out.
00:13:34Now, run outside and see if you can find a taxi.
00:13:36Yes, ma'am.
00:13:37And you whistle, Agnes.
00:13:38You mean like this?
00:13:41Don't ever do that, Agnes.
00:13:43Well, I'm sorry.
00:13:44Will you please get that cab?
00:13:45Yes, ma'am.
00:13:46Get my coat, please.
00:13:47In the future, I hope someone will have enough sense
00:13:49to keep at least one chauffeur around here.
00:13:51Ditto.
00:13:52Now, now, it's all Mother's fault, I know.
00:13:54But really, here they are.
00:13:57Hello.
00:13:58Where have you been?
00:13:59I'm sorry we're so late, Miss Barbara.
00:14:01We had a flat tire, ma'am.
00:14:02A flat tire on an $8,000 automobile?
00:14:04Impossible.
00:14:05We almost had to take a taxi.
00:14:07I'm very sorry, Mr. Bolton.
00:14:09You tell me all about that flat tire in the morning, Terry.
00:14:11Yes, ma'am, but I thought I...
00:14:12When you're going touring again,
00:14:13be sure there's somebody here to drive for us.
00:14:14Yes, ma'am.
00:14:15Oh, Mrs. Clinton, your flowers.
00:14:17What's the matter with my...
00:14:20Connie!
00:14:22Hello.
00:14:23Oh, my baby, I'm so glad to see you.
00:14:27Barbara, you haven't said a word to Connie.
00:14:30Hello, Connie.
00:14:31So happy you managed to get here.
00:14:32Walter, what have you to say to your cousin?
00:14:35Hi.
00:14:36Hello.
00:14:37We have to run.
00:14:38Some friends are waiting.
00:14:39We don't want to be late,
00:14:40but I'll toss your horoscope the first thing in the morning.
00:14:42Do you still sing?
00:14:43Yes, I do.
00:14:44Oh, I don't know why.
00:14:45And George, the minute Mr. Clinton comes in,
00:14:47be sure and tell him...
00:14:48Barbara, by the time we get there,
00:14:49there won't be a photographer left.
00:14:51Goodbye, Connie.
00:14:52Goodbye, goodbye, goodbye, goodbye, goodbye.
00:14:58I'll show you to your room, miss.
00:15:02Please come this way.
00:15:08What time do you think Uncle Jim will be home?
00:15:10You mean Mr. Clinton, miss?
00:15:11Yes.
00:15:12The Goings and Cummings of this family are none of my affair.
00:15:15But I might say, if they're out, Mr. Clinton usually is here.
00:15:18If they're here, Mr. Clinton usually is out.
00:15:22This way, miss.
00:15:30Here's your room, miss.
00:15:42Shall I put the window down, miss?
00:15:45I said, shall I put the window down?
00:15:47No, thank you.
00:15:48It's all right.
00:15:49May I help you unpack, miss?
00:15:50I think I can do it myself.
00:15:52Will there be anything else?
00:15:53Nothing.
00:15:54Very well, miss.
00:15:55There'll be a light supper served in the dining room
00:15:57just as soon as you are ready for it, miss.
00:15:59No, thank you.
00:16:00But surely you'll want something.
00:16:02I don't feel like eating.
00:16:04Very well, miss.
00:16:20I don't feel like eating.
00:16:21I don't feel like eating.
00:16:22I don't feel like eating.
00:16:23I don't feel like eating.
00:16:24I don't feel like eating.
00:16:25I don't feel like eating.
00:16:26I don't feel like eating.
00:16:27I don't feel like eating.
00:16:28I don't feel like eating.
00:16:29I don't feel like eating.
00:16:30I don't feel like eating.
00:16:31I don't feel like eating.
00:16:32I don't feel like eating.
00:16:33I don't feel like eating.
00:16:34I don't feel like eating.
00:16:35I don't feel like eating.
00:16:36I don't feel like eating.
00:16:37I don't feel like eating.
00:16:38I don't feel like eating.
00:16:39I don't feel like eating.
00:16:40I don't feel like eating.
00:16:41I don't feel like eating.
00:16:42I don't feel like eating.
00:16:43I don't feel like eating.
00:16:44I don't feel like eating.
00:16:58Pardon me, miss.
00:17:00Supper already?
00:17:01You certainly do things quickly around here, don't you?
00:17:04I thought you said dont.
00:17:05Well I'll be down as soon as I'm changed.
00:17:07Certainly.
00:17:08And don't make that supper too light.
00:17:09I'm famished.
00:17:11Some more chicken, miss?
00:17:12I couldn't really.
00:17:13Very good, miss.
00:17:15There is another little piece of white meat.
00:17:18Yes, there is another little piece of white meat, miss.
00:17:20I know what you're thinking.
00:17:22I hope not, miss.
00:17:23You're wondering if I always change my mind.
00:17:24I'll get your hot chocolate, miss.
00:17:26I don't want any, thank you.
00:17:28Will that be all, then, miss?
00:17:29Mm-hmm.
00:17:30Very good, miss.
00:17:34Do you think if one makes up one's mind about doing something,
00:17:36that that really helps one to do it?
00:17:38Indubitably, miss.
00:17:39Well, here's what I mean.
00:17:40I made up my mind that I like this house,
00:17:42and I like everybody in it.
00:17:43And everybody in it's going to like me.
00:17:44Very cheerful thought, miss.
00:17:45They didn't have to have me come here to live with them
00:17:47if they didn't want me to, did they?
00:17:48No, miss, they did not.
00:17:50My Uncle Jim asked me to come here.
00:17:51So Mrs. Clinton told me, miss.
00:17:53Say, don't you ever smile.
00:17:54I'm sorry, miss, but if I may say so,
00:17:56gay butlers are a trifle rare.
00:18:00Do you like singing?
00:18:03Yes, I do, miss.
00:18:04And no, I don't, if you know what I mean.
00:18:06I'm sorry.
00:18:07Either you do or you don't.
00:18:09Well, it's this way, miss.
00:18:10Some people consider, boop, boop, diddum, daddum,
00:18:13waddum, choo, an inspiring cantata.
00:18:16My preference is for something above that, miss.
00:18:18Oh.
00:18:20I'm sorry, miss.
00:18:22I'm sorry, too.
00:18:25Da, da, da, da, da, da, da, da, da, da, da, da, da, da, da,
00:18:30de amor, es que tiene triste queja,
00:18:35de amor, que suena en mi corazón,
00:18:40diviéndome así con su dulce canción.
00:18:49Amapola, linésima amapola,
00:18:56serás siempre mia, amapola sola.
00:19:03Yo te quiero, amada linda mía,
00:19:08igual te amo la flor, la luz del día.
00:19:14Amapola, linésima amapola,
00:19:20no seas tan ingrata como yo.
00:19:27Amapola, amapola,
00:19:37como puedes olvidarte de mi amor.
00:19:44Amapola, linésima amapola,
00:19:50serás siempre mia, amapola sola.
00:19:55Yo te quiero, amada linda mía,
00:20:00igual te amo la flor, la luz del día.
00:20:05Amapola, linésima amapola,
00:20:10no seas tan ingrata como yo.
00:20:17Amapola, amapola,
00:20:26como puedes olvidarte de mi amor.
00:20:41You're Connie, huh?
00:20:45Yes, Uncle Jim, I...
00:20:47Well, what seems to be the trouble?
00:20:49Well, it's my fault.
00:20:50I'm very sorry, sir, but...
00:20:51I thought everybody was out.
00:20:52They are, Elton.
00:20:53They are?
00:20:54Yes, sir.
00:20:55Good.
00:20:56See that there's no more noise until they get in then.
00:20:59Very well, sir.
00:21:06Uncle Jim?
00:21:09Uncle Jim?
00:21:11I...
00:21:14I just wanted to thank you for everything.
00:21:17No thanks necessary.
00:21:19You've done so much for me and...
00:21:21Oh, I signed a few checks.
00:21:22I do that all the time.
00:21:23My sister's child, we always take care of our own.
00:21:26I like to do it.
00:21:27And I like being here too, Uncle Jim.
00:21:29You like being here?
00:21:30Uh-huh.
00:21:31You met your cousins?
00:21:32Yes.
00:21:33You met your Aunt Grace?
00:21:35Yes.
00:21:36And you like being here?
00:21:37Oh, yes.
00:21:39It's a nice feeling.
00:21:42Nice feeling.
00:21:51Is there anything you want before you go to bed, child?
00:21:54We've got a big watermelon in the icebox.
00:21:57No, thank you.
00:21:58Don't start taking them too seriously, miss.
00:22:01You'll get used to them.
00:22:02Sure.
00:22:03We did.
00:22:06Good night.
00:22:07Good night, miss.
00:22:08And pleasant dreams.
00:22:19Good afternoon, Miss Barbara.
00:22:21I've been waiting for you to wake up.
00:22:23Your pictures are in all the morning papers.
00:22:26What time is it?
00:22:28It's a little after two.
00:22:29Which kind?
00:22:31I brought orange juice, tomato juice,
00:22:33grapefruit and grapes.
00:22:34Sauerkraut.
00:22:35Oh, I never seem to be able to guess.
00:22:37I might have known you'd be in the mood for sauerkraut today.
00:22:40When Mr. Drake called, I told him.
00:22:43Who called?
00:22:44Mr. Drake.
00:22:45He called twice.
00:22:46Why didn't you wake me up?
00:22:47Well, I tried to both times.
00:22:49You did not.
00:22:50Oh, yes, I did.
00:22:51The pillow the first time, and then you threw
00:22:53the alarm clock the second time.
00:22:55Where'd he call from?
00:22:56Right here.
00:22:57Just got back in town.
00:22:58What'd he say?
00:22:59He just said he was going over to the club
00:23:01and wanted you to go riding with he and Miss Flory
00:23:03and Miss Van Everett and a lot of people,
00:23:04and they were leaving at 2.30 sharp.
00:23:06Never be able to get there by 2.30.
00:23:08Couldn't you telephone him and ask him to wait?
00:23:10And make him think I'm running after him?
00:23:12I'd run after him.
00:23:13The papers say he's the catch of the season.
00:23:15If I could only stop him from leaving till I get there.
00:23:17I have an idea how to stop him, Miss Barber.
00:23:19You'd call me when he phoned.
00:23:20You wouldn't need any of your ideas.
00:23:22But it's a good idea, Miss Barber.
00:23:23Really, it is.
00:23:24I'm sure it is.
00:23:25I could hurry out to the club, see Mr. Drake, and think.
00:23:27That would stop him.
00:23:28Have this shined.
00:23:29Or I could throw myself under his horse's hoof.
00:23:31It wouldn't hurt me.
00:23:32I wouldn't mind doing it for you because I...
00:23:34Get that cousin of mine.
00:23:35Yes, Miss.
00:23:36She isn't here by the time I count ten, you're fired.
00:23:38Yes, Miss.
00:23:43Miss Connie.
00:23:44What is it?
00:23:45Miss Barber wants you this minute.
00:23:46Please hurry.
00:23:47Yes, all right, Agnes.
00:23:49Miss Connie will be right in.
00:23:50Oh, I am?
00:23:51Oh, you are.
00:23:53Never mind.
00:23:54Agnes?
00:24:01Yes, Barbera?
00:24:02I want you to do something for me.
00:24:03Some friends of mine are going riding at the country club in a half hour,
00:24:05and I want you to delay their start till I get there.
00:24:07Understand?
00:24:08You mean stop them?
00:24:09Yes, at least stop Ted Drake.
00:24:10But I don't even know him.
00:24:11Well, you know what he looks like.
00:24:13No?
00:24:14Only the most notable young man in New York.
00:24:15You must have seen his picture.
00:24:16I don't think so.
00:24:18Well, you'll find one in that drawer.
00:24:20Which one?
00:24:21The top drawer.
00:24:23In the dresser?
00:24:24Yes, in the dresser.
00:24:25Just open it.
00:24:26You'll find it.
00:24:28I don't see any picture here.
00:24:30Oh, you don't see any picture.
00:24:31I told you it was there.
00:24:32Why don't you look for it?
00:24:34What do you think this is?
00:24:35Oh, Agnes.
00:24:36Then please hurry.
00:24:38What'll I say to him?
00:24:39I don't care what you say, as long as you keep him there.
00:24:42And be sure he doesn't know I sent you.
00:24:45I don't think I can do it, Barbera.
00:24:47All right, don't then.
00:24:49Oh, I mean...
00:24:50After all this family's done for you,
00:24:51every time we ask you to do something for us, you refuse.
00:24:55Well, I'll do it then, but...
00:24:57I don't know what to do.
00:24:58Fade and make him revive you.
00:24:59Fall in front of him.
00:25:00Steal his horse.
00:25:01I don't care what you do,
00:25:02as long as he's there when I get there.
00:25:03And hurry!
00:25:09Off a little stroll, Miss Connick?
00:25:10Oh, yes.
00:25:11I mean, no.
00:25:12Oh, I'll need the car.
00:25:13One and a half.
00:25:14I left it in there.
00:25:15I'll get the car, Miss Connick.
00:25:16Thank you, will you?
00:25:17I'm in an awful hurry.
00:25:18Why?
00:25:19I have to stop Ted Drake's horse
00:25:20and address him, but he'll be on it.
00:25:22You know what I mean.
00:25:23Oh, perfectly.
00:25:24Well, I have to run now.
00:25:25Goodbye.
00:25:26Connie, give me a cigarette, please.
00:25:28Yes, a cigarette.
00:25:30When were you born, Connie?
00:25:31December the 4th.
00:25:32Sagittarius.
00:25:34Oh, how interesting.
00:25:35What time of day?
00:25:36Oh, I don't remember.
00:25:38I'm going to do your horoscope for you,
00:25:39so hurry back and I'll tell you all about yourself.
00:25:42Yes, Aunt Grace.
00:25:48You'd better wait here.
00:25:49I'll get the car.
00:25:50I'll keep the motor running in case
00:25:51we have to make a quick getaway.
00:25:52Thank you, Terry.
00:25:53I'm awfully nervous.
00:25:54Don't worry.
00:25:55Mr. Drake, are the horses ready, Dan?
00:25:57Yes, sir.
00:25:58All 13 of them.
00:25:5913's bad luck.
00:26:00Oh, but we're not superstitious, are we?
00:26:01Oh, let's wait for Barbara.
00:26:02Sure.
00:26:03It's all a little after 2.30.
00:26:04Let's go.
00:26:05Barbara's a dear, but if we wait for her,
00:26:06we'll have to make this a moonlight ride.
00:26:07She'll probably just arrive by the time we get back.
00:26:09All right.
00:26:10Let's go.
00:26:11Oh, I think if we go off without her, it'll be good for us.
00:26:13Giddy, giddy, giddy.
00:26:14I still think we should wait for Bobby.
00:26:20Hey!
00:26:25Barbara know about this trip you're taking?
00:26:27I didn't even tell the family about it till this morning.
00:26:29When do you leave?
00:26:30About a month.
00:26:31We don't start up the Amazon in late September.
00:26:32The Amazon's a river, isn't it?
00:26:33Named after a certain tribe of women.
00:26:35Women?
00:26:36So that's what's behind this expedition.
00:26:37Barbara will be thrilled when she hears about this.
00:26:39Are you with us?
00:26:40No, I'm not with anybody.
00:26:41I'm alone.
00:26:42How cozy.
00:26:44Mr. Carpenter!
00:26:47Mr. Kirkpatrick!
00:26:49Want it on the telephone!
00:26:54All right, Willie.
00:26:55I'll take it.
00:26:56Yes, sir.
00:26:57Won't be a minute.
00:27:06Mr. Drake!
00:27:07Want it on the telephone!
00:27:11That must be Barbara.
00:27:12Maybe it's Dad.
00:27:13You go on along.
00:27:14Oh, we'll wait.
00:27:15No, no.
00:27:16Go ahead.
00:27:17I'll meet you at the Willows.
00:27:18Don't be long.
00:27:19I won't.
00:27:20Mary Jane, love you, too.
00:27:41Don't be afraid.
00:27:42I'm not going to hurt you.
00:27:43I just want to undo this.
00:27:45No, I'm not going to hurt you.
00:27:46See?
00:27:47Sugar.
00:27:48Sugar.
00:27:49See?
00:27:50I just want to undo this.
00:27:51See?
00:27:52That's it.
00:27:53Come on.
00:27:54Get the sugar now.
00:27:55Come on.
00:27:56Got some more in here.
00:27:57You can have that when you get to the barn.
00:27:58Here.
00:27:59See the sugar?
00:28:00Come on.
00:28:01Come on.
00:28:02Get the sugar.
00:28:03See, I have a whole lot of it here.
00:28:04And you can have it all if you just come to the barn.
00:28:05Come on.
00:28:08Come on.
00:28:09Come on.
00:28:10I got some more for you.
00:28:11You like sugar, don't you?
00:28:12So do I.
00:28:13Come on.
00:28:14Come on.
00:28:15Get the sugar.
00:28:16It's a good horsey.
00:28:17Come on.
00:28:18Come on.
00:28:19Say, did you call me to the phone?
00:28:20No, Mr. Drake.
00:28:21Well, there's nobody on it.
00:28:22And somebody called.
00:28:23I'm sorry, sir.
00:28:24What's going on with that horse?
00:28:27Come on.
00:28:28Come on.
00:28:29I got some more for you.
00:28:30Come on.
00:28:31There's lots more where this came from.
00:28:32Come on.
00:28:33Come on.
00:28:34That's it.
00:28:35I don't like my horse to have sugar.
00:28:36Oh, well, he likes it.
00:28:37Here.
00:28:38Hey, Sherlock.
00:28:39Come here, boy.
00:28:40Hey.
00:28:42Hey, Sherlock.
00:28:43Come here.
00:28:44Hey.
00:28:45Hey, Sherlock.
00:28:46Here.
00:28:47Come back here.
00:28:48Here's another thing.
00:28:53Hey.
00:29:00Come on.
00:29:01The horses have enough trouble with this jump
00:29:02without looking out for you.
00:29:03Oh, Chasenly.
00:29:04Listen, Chasen.
00:29:05You are chasing a horse.
00:29:06Not that way.
00:29:07Look out.
00:29:09Let's get out of here before another horse
00:29:11comes after you.
00:29:12What are you trying to do?
00:29:13Kill yourself?
00:29:15Between stuffing my horse with sugar
00:29:16and making yourself a steeplechase hat,
00:29:18you'd have had a pretty busy day, hadn't you?
00:29:19If one of those jumpers had been short out there,
00:29:21you'd really have something to worry about.
00:29:23Now run along and try and keep out of mischief.
00:29:25There's a saucer or something running around the porch.
00:29:27It's one of those edges getting in the way.
00:29:34Oh.
00:29:35Come on.
00:29:36You're all right now.
00:29:37Is there a handkerchief in there?
00:29:39Let me get it for you.
00:29:40It's nothing.
00:29:41It's just the natural reactant.
00:29:46This white horse is an awful lot.
00:29:48No, I don't.
00:29:49I just...
00:29:50You carry a lot of sugar around for them, then.
00:29:52Oh, that...
00:29:53Could you show me the way out of here, please?
00:29:55You can get out the same way you got in.
00:29:56I'm sorry.
00:29:57I got some friends waiting.
00:29:58But it'd only take a few minutes.
00:29:59I'm a little dizzy.
00:30:00Well, that young lady is a masterpiece of understatement.
00:30:04You're the dizz...
00:30:10Now I wonder what's happened to her.
00:30:12That's fine.
00:30:16Ted!
00:30:20What are you doing?
00:30:21Kid's fainted.
00:30:22She had a bad scare.
00:30:23You get some water.
00:30:24I'll take care of it.
00:30:25Who is she?
00:30:26I don't know.
00:30:27You better run down to the barn and get some water.
00:30:28All right.
00:30:29I'll be right back.
00:30:33All right.
00:30:34Thanks.
00:30:35You won.
00:30:36You didn't have to kill yourself.
00:30:38But you told me to keep him here, Barbara.
00:30:40I didn't tell you to hang on his neck.
00:30:41Oh, but I didn't.
00:30:42He just held me up.
00:30:43All right.
00:30:44Now go on home and don't let anybody see you.
00:30:45Well, I just wanted to thank him.
00:30:47He was awfully nice.
00:30:48Do you want to spoil everything now?
00:30:50Oh, no.
00:30:51No, but I...
00:30:52Then get out of here before he gets back and hurry up.
00:30:53But, Barbara, if you'd only just let me see him.
00:30:55Will you do what you're told for a change?
00:30:59But I only want to thank him, Barbara.
00:31:00I'll help you.
00:31:01Now go on home before he sees you again.
00:31:02But...
00:31:08Can you get my horse out, Frankie?
00:31:09Yes, Miss Clifton.
00:31:10Right away.
00:31:11What's happened to our patient?
00:31:12Oh, that little brat.
00:31:13The minute you left, she ran off like a rabbit.
00:31:15She's a funny kid.
00:31:16Who do you think she is?
00:31:17You mean to say you don't know?
00:31:18Now, wait a minute.
00:31:19The first time I ever saw her in my life
00:31:20was when I caught her feeding sugar to my horse.
00:31:22I like your story.
00:31:23Your trouble is girls just will chase you around.
00:31:25Hello, Wilma.
00:31:26Barbara, I'm so glad you finally got here.
00:31:28The gang went on, Ted.
00:31:29I'll get my horse and be right back.
00:31:31You look lovely, Barb.
00:31:32If I slept this late, I'd be a sight.
00:31:34You're priceless, Wilma.
00:31:35You always look the same no matter what you do.
00:31:38My mother always says that whenever she gives me a facial.
00:31:40You ought to try her for that frown.
00:31:41She's marvelous taking bad lines out.
00:31:43She must be miraculous.
00:31:44She is.
00:31:45You'd be surprised what she can do for your nerves.
00:31:47That's where you plump people are lucky.
00:31:48You have no nerves.
00:31:49Here you are, Miss Clifton.
00:31:51Be careful, dear.
00:31:52That hat might make him a little skittish.
00:31:54Oh, don't worry about the general.
00:31:55He has better taste than most people.
00:31:57They say horses always know more than their riders.
00:31:59Which path will we take, girls?
00:32:00The upper one is shorter, but I'm afraid
00:32:02there are too many jumps for Barbara.
00:32:03Oh, don't worry about me.
00:32:04The upper road is at least 10 minutes faster.
00:32:06Ted and I'll accept that challenge.
00:32:07We'll take the lower one and race you there.
00:32:08Come on, Ted.
00:32:09All right, let's go.
00:32:10Careful of those jumps, dear.
00:32:23Barbara!
00:32:24How nice of you to hurry home for tea.
00:32:26Tea?
00:32:27Who wants tea?
00:32:28My dear pet, what happened to you?
00:32:30Wilma Van Everett.
00:32:31Well, what did little Wilma do?
00:32:33Little Wilma?
00:32:34I'd like to kill little Wilma.
00:32:35Well, what did she do to you, dear?
00:32:36Something horrible, I trust.
00:32:37She just succeeded in making herself utterly ridiculous
00:32:40in front of everybody at the club this afternoon.
00:32:42Acting like such a fool over Ted Drake,
00:32:44it almost made me ill.
00:32:45That's terrible.
00:32:46Put them there, Connie, please.
00:32:47All right.
00:32:48You certainly covered yourself with joy today.
00:32:50Well, I only tried to be...
00:32:51You tried brilliantly.
00:32:52Never mind, never mind.
00:32:53I'll tell you a story, Barbara.
00:32:54You wouldn't believe it unless you were there.
00:32:56I would.
00:32:57She only advertised to everybody present
00:32:58that she was head over heels in love with Ted Drake.
00:33:00That's silly.
00:33:01It was revolting.
00:33:02Why?
00:33:03Girls do fall in love with Ted all the time.
00:33:05You don't know what you're talking about.
00:33:06She only just met him.
00:33:07Love at first sight.
00:33:08I've read about it.
00:33:09It's very rare.
00:33:10A Leo and Sagittarius might do it
00:33:12if Saturn were in accord.
00:33:13Let this be her birthday on December the 4th.
00:33:16How do you know?
00:33:17I certainly shouldn't.
00:33:19Oh, you know her, do you?
00:33:21Everybody knows Wilma Van Everett.
00:33:23She gets twice as much publicity as you do.
00:33:25She does not.
00:33:26Does.
00:33:27Doesn't.
00:33:28Does.
00:33:29Mother.
00:33:30Walled up.
00:33:31Isn't that strange?
00:33:32That's the same birthday as you have, isn't it, Connie?
00:33:35Yes.
00:33:36Yes, that's right.
00:33:37December the 4th.
00:33:38I'm going to fix Miss Van Everett, all right.
00:33:40I'll see her at the Drake's party.
00:33:42Oh, the Drake's going to have a party?
00:33:43On the 29th.
00:33:44And by that time, I'll have something
00:33:45very choice figured out.
00:33:46Everybody in town will know about it
00:33:47because everybody's going to be there.
00:33:49Everybody?
00:33:50Connie, what are you going to wear?
00:33:53I...
00:33:54To the party you mean?
00:33:55Oh, I haven't been.
00:33:56I'm not going.
00:33:58Am I?
00:33:59Of course you are.
00:34:00Sister just said everybody's going.
00:34:02I haven't any...
00:34:03I don't have to wear...
00:34:04It's formal, isn't it?
00:34:06Barbara's probably got something upstairs
00:34:07in the dress department that'd suit you perfect.
00:34:09How about it, sister?
00:34:10And have people say she's wearing my cast off.
00:34:12We wouldn't want that, would we?
00:34:14No.
00:34:15No, of course not.
00:34:16But I could wear my...
00:34:17Wait a minute, you're interrupting.
00:34:18Yes, Connie, you could what?
00:34:20Well, I was just going to mention
00:34:21that I could wear my graduation dress.
00:34:23It's very pretty and it's long and white.
00:34:25All white.
00:34:26White's a pretty color.
00:34:27This isn't a garden party.
00:34:29Well, I...
00:34:30I could make it into an evening dress.
00:34:31I just have to fix the sleeves...
00:34:32See how simple it is?
00:34:33Well, I'll go up now and start figuring out
00:34:35just what to do with it.
00:34:36And thank you.
00:34:37Thank you very much.
00:34:38I took sewing in school, you know.
00:34:40I'll have to fix the skirt a little bit
00:34:42and maybe I can fix the neck.
00:34:44Mother, we're not going to drag her to the ball.
00:34:46If she fixes her dress and it looks all right,
00:34:48I'm afraid we'll have to take her now.
00:34:50You can't get out of it.
00:34:51You're very smart, but don't think
00:34:52I'm going to be bothered with her once she gets there.
00:34:54You must be nice to her at the ball, sister.
00:34:56Or people will have an excuse to say
00:34:57some of the things they've been thinking about you for years.
00:35:03I'm going to the Drake's ball.
00:35:05What are you going to do?
00:35:06I'm going to the Drake's ball.
00:35:07No fooling.
00:35:08Absolutely.
00:35:09See, I have to cut the sleeves out of this maybe.
00:35:11I have to make this into an evening dress.
00:35:13Does the Duchess know you're going?
00:35:15By breath, certainly.
00:35:16Do you think a tight, loose sash
00:35:17should add enough color to that?
00:35:18They only just told me about it, you know.
00:35:19I didn't dream I was going.
00:35:20Oh, that's wonderful, Miss Connie.
00:35:22I'm so happy for you.
00:35:23Thank you, Agnes.
00:35:24I do want to look pretty when he sees me this time.
00:35:26I mean, when people see me this time.
00:35:28Well, I mean, you know.
00:35:29When who sees you this time?
00:35:31Everybody.
00:35:32Everybody in New York's going to be here.
00:35:34Let me see.
00:35:35What slipper should I wear?
00:35:36But who's the he you were just talking about?
00:35:38I didn't mean any particular person.
00:35:39I didn't even mean...
00:35:40Do you think these slippers will be all right?
00:35:41They won't show much with this skirt being long.
00:35:43Do you think...
00:35:44Well, maybe if I cut the neckline lower
00:35:45and sort of flare out the skirt.
00:35:46Miss Ollie could tell you she makes all her own clothes.
00:35:49Do you think she'd mind?
00:35:50Oh, no, Miss Connie.
00:35:51Ollie loves it.
00:35:52I didn't know you knew any he in New York.
00:35:54I didn't know any he.
00:35:56I mean, anybody.
00:35:57Just because you see a person
00:35:58doesn't mean you know a person, does it?
00:36:00Don't it?
00:36:01Certainly not.
00:36:02Let's go ask Ollie about the dress.
00:36:03She's in the kitchen.
00:36:05You know what, Miss Connie, George...
00:36:07Yes, George told us.
00:36:08Oh, they tell you about it?
00:36:09I couldn't help overhearing, Miss,
00:36:10and I must say I'm almost as happy
00:36:11as if I were going myself.
00:36:13Yes, I've never been to a really big party like this before.
00:36:15It'll be a great night for you.
00:36:16Yes, it certainly will.
00:36:17Is that the dress you want to make over?
00:36:19Yes, it is, Ollie.
00:36:20Agnes said you might help me with it.
00:36:21May I put it down here?
00:36:22Yes, put it anywhere, Miss.
00:36:24You see, it still has sleeves in it.
00:36:25I thought maybe if we'd only use the skirt up to here
00:36:27and then make a bodice
00:36:28and then sort of flirt this gown.
00:36:30Don't mind me.
00:36:31I only eat here.
00:36:33That's my brother, Mike.
00:36:35This is Miss Connie, you know.
00:36:36I told you about her singing.
00:36:38How do you do?
00:36:39Go ahead.
00:36:40Don't let me stop the operation.
00:36:42I'm used to blood.
00:36:43Have you any more of this material?
00:36:44No, but I have a yard of silver lace upstairs.
00:36:46Maybe you can use that.
00:36:47Only a yard?
00:36:48Yes, but it's very pretty.
00:36:49I'll run up and get it.
00:36:50It's a yard long and a yard wide,
00:36:51and the design's lovely.
00:36:52You'll see what I mean.
00:36:53It's a good thing it wasn't one of the others
00:36:55that found you here.
00:36:56They would have called the police.
00:36:57Fine crack.
00:36:58Think you can fix it up all right?
00:37:00Well, I can try.
00:37:01I wish the waist was higher.
00:37:02Here, hold this.
00:37:03Gotta look beautiful at that ball
00:37:04for a very special reason.
00:37:06What's his name?
00:37:07What do you think I am, a tattletale?
00:37:09How about hoops?
00:37:10Never mind the hoops.
00:37:11You better watch that roaster.
00:37:12We'll have a terrible dinner.
00:37:13Oh, my gracious.
00:37:14Well done might be all right for the family,
00:37:15but I like my beef rare.
00:37:17Well, what can I do?
00:37:19Why don't you put some feathers on?
00:37:20How about those things on the shoulders
00:37:21like football players wear?
00:37:23I just don't know what to do.
00:37:25I can tell you.
00:37:26This ought to be good.
00:37:28You take this dress, and first you hide it away.
00:37:32And then you go out, and you buy her a whole new outfit.
00:37:35With what?
00:37:36With money.
00:37:37Whose money?
00:37:38My money, and your money.
00:37:39And mine too.
00:37:40Count me in.
00:37:41And me?
00:37:42Which only goes to show you don't get
00:37:43nothing for nothing in this world,
00:37:44not even from your own sister.
00:37:46How much?
00:37:57Why, it wasn't hard to do at all, Miss.
00:37:59I just want another yard or two of that lace
00:38:01and change the skirt here and there.
00:38:03Every bit of it seems different.
00:38:05Well, when I remodel a dress, Miss Connie,
00:38:07I really remodel it.
00:38:08The slippers just arrived, and I had to bring them up
00:38:10and see how she looked.
00:38:11Well, it's a perfect fit.
00:38:12It's really magnificent.
00:38:13I still can't believe it's the same dress.
00:38:15Wally did a lot of work on it.
00:38:17May I put these on, please?
00:38:19These aren't my slippers.
00:38:21Well, you see, we took them out to a man
00:38:23to have some fun.
00:38:24You see, we took them out to a man
00:38:25to have some silver put on.
00:38:27You know, like this.
00:38:28Like dyeing.
00:38:29Yes.
00:38:30And while he was doing it, he spilled it all inside,
00:38:32and you couldn't have worn them anyway.
00:38:34So he only did what was right.
00:38:36He got you a new pair.
00:38:37Oh, he shouldn't have done that.
00:38:38He's insured.
00:38:39Do they feel all right?
00:38:41Yes.
00:38:42Well, they're just a little bit new,
00:38:44but they fit perfectly.
00:38:46Come in.
00:38:47I just wanted to see how you looked, Miss.
00:38:49You couldn't even tell it was the same dress.
00:38:51You really look like a picture.
00:38:52I don't see how.
00:38:53Oh, Ollie must have worked day and night.
00:38:55Oh, turn around a minute.
00:38:56How does the skirt hang?
00:38:57Perfect.
00:38:58Why don't you go in Miss Barber's room?
00:38:59You can see how you really look.
00:39:01Oh, that's a good idea.
00:39:02I'll be back in a minute.
00:39:03Oh, just a second, Miss.
00:39:04Just a second.
00:39:07Oh, thank you.
00:39:08These just can't wear, Miss.
00:39:10Oh, a corsage.
00:39:11How lovely.
00:39:12Who sent it?
00:39:13There wasn't any card in it.
00:39:14Probably some admirer who knew you were going to the ball.
00:39:16Oh, you mean...
00:39:17No.
00:39:18How could he?
00:39:19Oh, I don't think so.
00:39:21But they just match your dress.
00:39:22Now, isn't that nice?
00:39:23Ollie!
00:39:24Oh, I've been expecting that.
00:39:25Ollie, where have you been?
00:39:26Well, I just...
00:39:27I want a large chiffon handkerchief.
00:39:28Black.
00:39:29I'll get back the bracelet.
00:39:30Yes, ma'am.
00:39:33Pardon me a minute, Barbara.
00:39:34Excuse me.
00:39:35I just want to see how the skirt hangs in the back.
00:39:37I think it's all right, don't you?
00:39:39What school did you graduate from in that dress?
00:39:41We fixed it all up.
00:39:42You like it?
00:39:43I think the skirt hangs perfect.
00:39:44Oh, I forgot my lock.
00:39:45I better go get it.
00:39:46You look very nice too, Barbara.
00:39:48Thanks.
00:39:49Ollie, I don't think I'd look so good in black.
00:39:52Oh, you'd better hurry, Barbara.
00:39:54We don't want to be too late.
00:39:57Did you see that?
00:39:58Yes, miss.
00:39:59I think she looks very nice.
00:40:00What's the matter with her?
00:40:01Has she gone crazy, storming in here patronizing me?
00:40:03Oh, no, Miss Barbara.
00:40:04She's just so thrilled about going to the Drake's and all.
00:40:06She's taking an awful lot for granted.
00:40:08She isn't there yet.
00:40:09Bring my rag.
00:40:10Yes, miss.
00:40:13Did you hear that?
00:40:14Yes.
00:40:15What'd she say?
00:40:16Mother, are you ready?
00:40:17Yes, dear.
00:40:18I was looking up the stars for tonight,
00:40:19and we're going to have a really marvelous evening.
00:40:21I doubt that.
00:40:22Oh, you mustn't doubt the stars, dear.
00:40:23They control your destiny, whether you like it or not.
00:40:25Well, are we ready?
00:40:26That's a very smart gown you have on, actually.
00:40:28Oh, thank you.
00:40:29Have you seen my new vest?
00:40:30No.
00:40:31But Connie, it's amazing.
00:40:32My rag, please.
00:40:33Mother, shall we go?
00:40:34Certainly.
00:40:35George, is the car waiting?
00:40:36Yes, Miss Connie.
00:40:37Your cigarette case, ma'am.
00:40:38Where did you find that car?
00:40:39I borrowed it just to click the study.
00:40:40Oh, dear.
00:40:41Well, I'll leave it next.
00:40:42I'll follow you along.
00:40:43Have you seen the newspaper?
00:40:44The society page is full of details about the ball.
00:40:46Really?
00:40:47It mentioned the names of all the famous people
00:40:48who are going to be there, and lots of them.
00:40:50It's sure to be a brilliant affair.
00:40:52Oh, yes.
00:40:53I hope they don't just play rumbus.
00:40:54You'd prefer a waltz.
00:40:55I like waltzes.
00:40:56I do, too.
00:40:57So do I.
00:40:58Dreamy ones.
00:40:59My wrap.
00:41:00This one, Miss Barbara?
00:41:01No, the other one.
00:41:02Mother, I think I'll wear your pearl bracelet.
00:41:04It goes better with your black dress.
00:41:06Certainly, dear.
00:41:07This isn't mine.
00:41:08It is tonight, Miss.
00:41:09Tomorrow, it goes back in Cousin Egbert's show window.
00:41:11Oh, but really, I...
00:41:12Miss, shh.
00:41:13If Mr. Clinton comes, tell him we'll be late.
00:41:15Yes, ma'am.
00:41:16Mother, suppose Uncle Jason comes in from Washington tonight,
00:41:18and we're all out.
00:41:19Well, what makes you think he's coming tonight?
00:41:21Oh, nothing, except Aunt Louise said yesterday that he might.
00:41:23She did?
00:41:24Yes, I forgot to tell you about it when she called.
00:41:26Oh, let's all hope he doesn't arrive until tomorrow.
00:41:28But if he does come,
00:41:29and there isn't even one member of the family at home,
00:41:31we'll never hear the end of it.
00:41:32I'll be glad to stay and welcome him, sister.
00:41:34He hates the sight of you.
00:41:35Can't say that I blame him.
00:41:36How about Father?
00:41:37Well, your father won't be home until all hours.
00:41:39Well, it's no great problem.
00:41:40Connie can stay and sing to him or something.
00:41:42You don't mind, do you, Connie?
00:41:44Tonight? Now?
00:41:45Your debts do it, Connie.
00:41:48You mean I'm to wait here?
00:41:50Just make our excuses.
00:41:51And fuss over him when he arrives.
00:41:53No, I...
00:41:55No.
00:41:56No, you're not really going to make me miss the party.
00:41:59You can't. That isn't fair.
00:42:01You could have told me sooner so I wouldn't plan and...
00:42:05and wait and...
00:42:06You're going to argue about everything we ask you to do, Connie.
00:42:09I'll stay myself.
00:42:10Well, no, you can't do that.
00:42:11The Drakes would be offended.
00:42:12We'll make it up to you, Connie.
00:42:15Barbara, you're only...
00:42:16I sure think you'd be happy to do something for us once in a while.
00:42:19I could have told you a week ago this would happen.
00:42:21Just wanted to see if I guessed right.
00:42:23I did.
00:42:25Night.
00:42:30Harry!
00:42:31Sorry, madam.
00:42:42Harry!
00:43:12Harry!
00:43:42All right.
00:43:45I'll stay home.
00:43:47I'll say you will.
00:43:51Going to the ball wasn't my idea in the first place.
00:43:53You were pretty anxious.
00:43:55I like to dance.
00:43:56Is there anything wrong with that?
00:43:58Who would you dance with?
00:43:59Ted Drake?
00:44:00Oh, that's silly.
00:44:01Of course it's silly.
00:44:03If that's who you mean.
00:44:04And it's twice as silly to be getting any foolish ideas about him.
00:44:08I'm not getting any foolish ideas.
00:44:10Oh, no?
00:44:11What about that picture you cut out of the newspaper?
00:44:13Who was that?
00:44:14Ted Drake, that's who.
00:44:16Well, I just cut it out.
00:44:18There wasn't any reason for cutting it out.
00:44:20I suppose there isn't any reason for keeping it hidden in that book, either.
00:44:24In what book?
00:44:25In what book?
00:44:26In that book.
00:44:28That?
00:44:29Now, stop being a silly girl.
00:44:31Get that picture and tear it up and throw it away this very minute.
00:44:34That's just exactly what I'm going to do.
00:44:36I'll throw it away.
00:44:37Here, see?
00:44:39I'm tearing it up.
00:44:40I don't want to hear any more about him or think any more about him
00:44:42or have any more silly ideas about myself or anybody.
00:44:48Georgia, I didn't know you.
00:44:50I knocked twice, miss, and when I heard you talking to someone,
00:44:53I thought I'd better step in.
00:44:55Well, there's no one in here talking.
00:44:58Oh, I must have been talking to myself.
00:45:01I'm sorry to interrupt, miss, but everything's been arranged
00:45:04and you're going to the ball after all.
00:45:06I am?
00:45:07Indeed you are, miss.
00:45:08Uncle Jason's still in Washington.
00:45:09Oh, but Aunt Grace said, well, they'll be there.
00:45:11They won't arrive until midnight, miss.
00:45:13Midnight?
00:45:14Oh, they'll be there long before that.
00:45:15They've been gone for...
00:45:16Oh, no, they won't, miss.
00:45:17Everything's been changed about.
00:45:18You'll be there and back before they even arrive.
00:45:20How will I go, miss?
00:45:21In your car, and it's a Fitman.
00:45:23Well, who'll take me?
00:45:24You'll have an escort of six white bikes.
00:45:25Six white what?
00:45:26Bikes, miss, the motor police.
00:45:30And there they are, miss.
00:45:35You mean I'm to go with them?
00:45:36They'll get you there before you can see Jack Robinson.
00:45:38Mike told me you were in a hurry.
00:45:39Mike?
00:45:40My brother, miss.
00:45:41These lads worked with him.
00:45:42They even borrowed the commissioner's car.
00:45:44Now, remember, miss,
00:45:45you're not to stay a minute later than 12 o'clock.
00:45:47I won't.
00:45:48And the boys will be waiting for you to bring you back.
00:45:52I...
00:45:53I just want to tell you all how much I appreciate all of you.
00:45:56I'll never forget you.
00:46:01I'll never forget you, guys.
00:46:02I'll never forget you.
00:46:03I'll never forget you.
00:46:04I'll never forget you.
00:46:05I'll never forget you.
00:46:06That's all right.
00:46:07Have the time of your life.
00:46:08I'll never forget you.
00:46:09Have the time of your life.
00:46:10Remember 12 o'clock.
00:46:11I'll never forget you.
00:46:12I'll never forget you.
00:46:13I'll never forget you.
00:46:32Everybody gone?
00:46:33Everybody, sir.
00:46:34That's good.
00:46:35What time will they be back?
00:46:36Eight, I'm quite sure, sir.
00:46:37That's good, too.
00:46:39Motorcycle.
00:46:42What'll that family think of next?
00:46:43I really don't know, sir.
00:46:45See that there's no noise around here until they get back.
00:46:47Very well, sir.
00:46:48Will that be all, sir?
00:46:49That'll be all.
00:46:51Police.
00:46:53Passports.
00:46:55Service.
00:46:56No one.
00:47:07Well, have you got it or ain't you got it?
00:47:09I know I had it yesterday.
00:47:10I usually keep it in the pocket in the store.
00:47:12I don't want to know anything about your personal habits,
00:47:14fella.
00:47:15All I want is to see the owner's license.
00:47:17Terry, tell the young man we have to go now.
00:47:19Yes, ma'am.
00:47:20Just as soon as...
00:47:21I think the whole thing is ridiculous.
00:47:22Maybe it is and maybe it ain't, sister.
00:47:24But I gotta stop all cars of this make and model
00:47:26and see the owner's license or else take him in.
00:47:28This is my father's car.
00:47:29Maybe.
00:47:30Come on.
00:47:31Come on, buddy.
00:47:32You're making a big mistake, officer.
00:47:33This is Mr. Clinton's car.
00:47:34This is Mr. Clinton's family.
00:47:35That ain't my mistake, bud.
00:47:36That's Mr. Clinton's.
00:47:37Now, officer, we can't stay here all night.
00:47:39People are waiting for us and we're all going to a party.
00:47:41Ah, none of that.
00:47:42I gotta work till 2.30.
00:47:44You're being very insolent.
00:47:45I don't think you realize who we are.
00:47:47Oh, yes, I do.
00:47:48Just three people all dressed up riding around in a car
00:47:50you ain't even got an owner's license for.
00:47:52Do we look like the kind of people
00:47:53who would steal an automobile?
00:47:55Why should I answer that and make you sore?
00:47:57You'll pay for this.
00:47:58We know our rights.
00:47:59And when I tell my father what you've done to us...
00:48:01All I know is, lady, that I gotta do what I gotta do
00:48:03and I'm doing it.
00:48:05How do I know that ain't a dead body?
00:48:08Why, that's Walter.
00:48:10Say something to the officer, Walter.
00:48:12Hello.
00:48:14See?
00:48:15He's all right.
00:48:16Could be ventriloquism.
00:48:18Make a move.
00:48:20You think I'm a dummy?
00:48:22I'll pass that question, too, brother.
00:48:23You're being deliberately difficult.
00:48:24You're humiliating us and keeping us here
00:48:26without any cause at all.
00:48:27I wouldn't do that for the world, lady.
00:48:29If you don't want to stay here, we'll go someplace else.
00:48:31Why don't you cut out doing that St. Vitus dance
00:48:33and admit you ain't got it?
00:48:34I guess I left it when I changed uniforms,
00:48:36or I lost it today.
00:48:37I've heard that a million times.
00:48:39May we go now?
00:48:40Right this minute, lady.
00:48:41And just because you've been so nice,
00:48:42I'm going to have the judge check your case
00:48:44before anybody else, right at 12 o'clock.
00:48:4612 o'clock?
00:48:47We won't go.
00:48:48We'll settle it right here.
00:48:49You're going, sister.
00:48:50Do you want to go in the car,
00:48:52or do you want to go on the bike?
00:48:55Follow me.
00:48:56I could have told you this would happen.
00:48:57I saw it in the stars.
00:48:58You and your stars.
00:48:59You told me this was going to be a perfect evening.
00:49:01I know, and it would have been, except for Venus.
00:49:03You see, my dear, when Venus...
00:49:04Tell her to the judge, mother.
00:49:30May I check your wrap, miss?
00:49:32Oh, yes, please do.
00:49:38Your check, miss.
00:49:40Where are you going to put this?
00:49:41In the checkroom just over there.
00:49:43It'll be all right there, won't it?
00:49:45Indeed it will, miss.
00:50:20Hello there.
00:50:21Wonderful party, isn't it?
00:50:22Hello.
00:50:23Glad to be here.
00:50:26Excuse me.
00:50:28Jolly little group here this evening, isn't it?
00:50:30Yes.
00:50:31I'm trying to think where we met before.
00:50:33Of course, I know you perfectly well,
00:50:34but I can't seem to remember your name.
00:50:36Not Fisher, not Fowler.
00:50:37Foster!
00:50:38Wrong.
00:50:39Follansby, I know.
00:50:40You're Caroline Follansby's daughter.
00:50:41Wrong again.
00:50:42I'm sorry.
00:50:43I have a remarkable memory for names.
00:50:44I'll get yours in a minute.
00:50:45Oh, I don't think you will.
00:50:46Oh, yes, I will, and when I do,
00:50:47I'm going to make you pay a forfeit.
00:50:48All right, but I don't think you'll find out.
00:50:50I have to go and look for somebody.
00:50:51Goodbye.
00:50:52Goodbye.
00:50:54Hello, Beverly.
00:50:55Signorina Caroline.
00:50:56Oh, Mr. Bevins, you are sweet.
00:50:58And you're going to sing for us tonight.
00:51:00Oh, I can't.
00:51:01I'm in such poor voice.
00:51:02My tour was so, so trying.
00:51:04I said to Doug, I will go, but I will not sing.
00:51:07Oh, you must sing, I insist.
00:51:09But I can't possibly, and I have no music with me,
00:51:11except, Doug, you have it.
00:51:13It's just a straw small.
00:51:15A straw small?
00:51:16And tell the orchestra that I did mark
00:51:17a change in tone in the first eight bars,
00:51:19in case they do have to play it, you know.
00:51:22Oh, I'm sorry.
00:51:24Mr. Drake.
00:51:25I should have watched where I was going.
00:51:26Oh, no.
00:51:27It's all my fault.
00:51:28Having a good time?
00:51:29Oh, yes.
00:51:30Yes, I am.
00:51:31Fine.
00:51:32I'm glad you came.
00:51:33Oh, are you?
00:51:34Oh, I didn't think I was going to get here at all.
00:51:36That would have been terrible.
00:51:38How's the rest of your, how's everybody?
00:51:40Oh, I don't know.
00:51:41I haven't seen them since.
00:51:42Well, they're all right, I guess.
00:51:45How are you?
00:51:46You, uh, still there?
00:51:47I'm fine.
00:51:48How are you?
00:51:49I'm fine.
00:51:50You, uh, still live at the same place on, uh...
00:51:52Oh, yes.
00:51:53Yes, so do we.
00:51:55Ted, we're dancing this one.
00:51:56Uh, you're going to be around?
00:51:57Oh, I'll be around somewhere here.
00:51:59Excuse me, I'll see you later.
00:52:02Who's that pretty little girl?
00:52:03I don't know.
00:52:04Her face is familiar.
00:52:05I can't figure out where I met her.
00:52:15Oh, good evening.
00:52:16How do you do?
00:52:17Good evening.
00:52:22Ladies and gentlemen, we are most fortunate
00:52:25in having with us tonight a singer
00:52:27whose greatness is exceeded only by her loveliness.
00:52:31She truly has the gift of song,
00:52:33a golden voice, an inspired talent,
00:52:36and a charming personality.
00:52:38Now, she's a very shy young lady,
00:52:40but I'm sure she'll make a wonderful singer.
00:52:43I'm sure she will.
00:52:44I'm sure she will.
00:52:45I'm sure she will.
00:52:46I'm sure she will.
00:52:47I'm sure she will.
00:52:48I'm sure she will.
00:52:49She's a very shy young lady,
00:52:50and though I know I should not impose upon her
00:52:53by making this request,
00:52:54I do so in the name of Mr. Drake, our host,
00:52:56and because it happens, quite by chance,
00:52:59that the orchestra has here a Strauss-Waltz,
00:53:02which I think we may persuade her to sing for us.
00:53:05Shall we ask her?
00:53:19Ladies and gentlemen, it is now my great privilege to introduce to you Signorina Margherita Cotellini.
00:53:28Wrong again.
00:53:31I'm afraid someone's made a frightful mistake.
00:53:34Oh no, no, whoever told you I could sing was right, but my name is not that Signorina whatever you say.
00:53:40Life is sweet and gay, all the world's at play.
00:53:46There are blossoms of sunbeams that glorify the day.
00:53:50And the gentle breeze, wafting through the trees, serenades me with music of tender melodies.
00:54:06Life is sweet to me, so sweet and heavenly.
00:54:09Today I'm falling in love with life.
00:54:15This is Maytime, flowers in bloom varnish the gloom.
00:54:24This is playtime, joy fills the air in the Maytime.
00:54:46And my heart is so light and gay.
00:54:54Spring in my heart is forever and ever to be.
00:55:01And I'll sing to the birds as they sing to me.
00:55:10And I'll sing to the birds as they sing to me.
00:55:20And I'll sing to the birds as they sing to me.
00:55:31Spring!
00:55:41Spring in my heart is forever and ever to be.
00:55:48And I'll sing to the birds as they sing to me.
00:55:56And I'll sing to the birds as they sing to me.
00:56:05Springtime and I will never part.
00:56:10Spring is in my heart.
00:56:17Every day I feel spring in my heart.
00:56:26In my heart.
00:56:34Bravo, Marina! Bravo!
00:56:38Bravo, Marina! Bravo!
00:56:46My dear young lady, that was a real treat. I want to thank you for it.
00:56:49Oh, you're welcome. I like your singing.
00:56:50Gerald! Gerald! This young girl has a great voice.
00:56:53I thought you'd like her, Mr. Drake. You were splendid.
00:56:55Oh, are you...
00:56:56Yes, I'm Ted's father.
00:56:57Just between us, I'm going to tell a young man something.
00:56:59We're not bringing you around sooner.
00:57:01Where is that boy?
00:57:02Right over there.
00:57:03Ted.
00:57:04Wasn't that great?
00:57:05I'm glad you liked it.
00:57:06I was just telling this young lady I was a little disappointed in you and keeping her hidden this long.
00:57:10Well, this long while, I didn't even know that...
00:57:12No, no, no, son. I know I'm old, but there's nothing wrong with my eyes.
00:57:16I can tell just by looking at you two that you're real old friends.
00:57:19Mr. Drake, would you like to dance?
00:57:21Do you hear that, Bevins? Would she like to...
00:57:22What's the matter with you young fellows nowadays?
00:57:24She'd love to dance.
00:57:25Yes, I would.
00:57:38Lovely young lady, Gerald.
00:57:39Yes, indeed she is, Mr. Drake.
00:57:40I wish that boy of mine would get really interested in a girl like that
00:57:43and stay home instead of hopping off on that South American thing.
00:57:46Oh, maybe he will.
00:57:47Yes, maybe.
00:57:48What did you say her name was?
00:57:50Now, don't start that. I don't know.
00:57:55Oh, I'm sorry.
00:57:56It's my fault.
00:57:57I'm used to leading.
00:57:58You know, at school, when just three girls dance, one led...
00:58:01And the other followed.
00:58:02That's right.
00:58:03How's your horse?
00:58:04Shamrock?
00:58:05Yes.
00:58:06I hope the sugar didn't make him sick.
00:58:11What's the matter?
00:58:12I'm sorry.
00:58:13I was just thinking how different you look.
00:58:15Oh, I'm glad of that.
00:58:17I didn't see my face until I saw you.
00:58:19I'm sorry.
00:58:20I'm sorry.
00:58:21I'm sorry.
00:58:22I'm sorry.
00:58:23I didn't see my face until I got in the car.
00:58:25You were in a pretty bad way there for a few minutes.
00:58:27I didn't thank you for being so nice about everything.
00:58:30I could tell you I was all right.
00:58:31I figured you were all right when I heard that you'd run away.
00:58:34I couldn't help that.
00:58:35Don't.
00:58:36Don't ever run away again, will you?
00:58:38Without saying goodbye.
00:58:39I mean it.
00:58:53Goodbye.
00:58:54Goodbye.
00:58:55Goodbye.
00:58:56Goodbye.
00:58:57Goodbye.
00:58:58Goodbye.
00:58:59Goodbye.
00:59:00Goodbye.
00:59:01Goodbye.
00:59:02Goodbye.
00:59:03Goodbye.
00:59:04Goodbye.
00:59:05Goodbye.
00:59:06Goodbye.
00:59:07Goodbye.
00:59:08Goodbye.
00:59:09Goodbye.
00:59:10Goodbye.
00:59:11Goodbye.
00:59:12Goodbye.
00:59:13Goodbye.
00:59:14Goodbye.
00:59:15Goodbye.
00:59:16Goodbye.
00:59:17Goodbye.
00:59:18Goodbye.
00:59:19Goodbye.
00:59:20Goodbye.
00:59:21Goodbye.
00:59:22Goodbye.
00:59:23Goodbye.
00:59:24Goodbye.
00:59:25Goodbye.
00:59:26Goodbye.
00:59:27Goodbye.
00:59:28Goodbye.
00:59:29Goodbye.
00:59:30Goodbye.
00:59:31Goodbye.
00:59:32Goodbye.
00:59:33Goodbye.
00:59:34Goodbye.
00:59:35Goodbye.
00:59:36Goodbye.
00:59:37Goodbye.
00:59:38Goodbye.
00:59:39Goodbye.
00:59:40Goodbye.
00:59:41Goodbye.
00:59:42Goodbye.
00:59:43Goodbye.
00:59:44Goodbye.
00:59:45Goodbye.
00:59:46Goodbye.
00:59:47Goodbye.
00:59:48Goodbye.
00:59:49Goodbye.
00:59:50Goodbye.
00:59:51Goodbye.
00:59:52Goodbye.
00:59:53Goodbye.
00:59:54Goodbye.
00:59:55Goodbye.
00:59:56Goodbye.
00:59:57Goodbye.
00:59:58Goodbye.
00:59:59Goodbye.
01:00:00Goodbye.
01:00:01I love you.
01:00:02Goodbye.
01:00:03Goodbye.
01:00:04Goodbye.
01:00:05Goodbye.
01:00:06Goodbye.
01:00:07Goodbye.
01:00:08Goodbye.
01:00:09Goodbye.
01:00:10Goodbye.
01:00:11Goodbye.
01:00:12Goodbye.
01:00:13Goodbye.
01:00:14Goodbye.
01:00:15Goodbye.
01:00:16Sometimes you have to get it right.
01:00:19And a kiss could end it all by any widest the moon Cambria once left.
01:00:23We will, one day.
01:00:25with Dr. McKenzie.
01:00:27You've heard of him, haven't you?
01:00:28McKenzie? I think I have.
01:00:30He's the world's greatest authority on rubber trees.
01:00:33He's been to the Amazon 30 times.
01:00:35He always says, I'm very, very fond of the Wee River.
01:00:37He talks like that and calls me Lottie.
01:00:39Ha ha ha! Lottie?
01:00:41♪
01:00:44Do you have to go?
01:00:46I want to.
01:00:47It's sort of a declaration of independence to Dad.
01:00:49He's got a lot of ideas about handing me
01:00:51a ready-made future.
01:00:53Oh, I see.
01:00:56Look at that traffic, and it's after 12 o'clock.
01:00:59Yes, it certainly is.
01:01:01Will you be away long?
01:01:03Six months.
01:01:05Where will you stay?
01:01:06On our boat.
01:01:07It's a big sailboat with an auxiliary diesel engine.
01:01:12Sailboats are beautiful.
01:01:14Yes, they are beautiful.
01:01:17♪
01:01:26What's a diesel engine?
01:01:29Well, it's on the same principle
01:01:31as a regular gasoline engine,
01:01:32only instead of using crude oil, I mean, instead of...
01:01:36Did you say it was 12 o'clock before?
01:01:38It's after 12. See the clock down there?
01:01:40Oh, uh, well, goodbye.
01:01:42♪
01:01:52♪
01:02:02♪
01:02:10You're not going to run away now, are you?
01:02:12♪
01:02:18No matter what you have to do to make a difference.
01:02:20Oh, hello, Mrs. Whetton.
01:02:21Walter.
01:02:22Oh, we've had an appalling experience.
01:02:24We're jailbirds.
01:02:25What are you doing with that slipper?
01:02:26Oh, looking for its owner.
01:02:27I'll be right back.
01:02:28Who'd he say he was looking for?
01:02:29I don't know.
01:02:30Oh, he's probably playing some game.
01:02:32He certainly seemed delighted we were here.
01:02:33Hello, Griggs.
01:02:34Oh, we thought you'd never get here.
01:02:35Well, we were delayed.
01:02:36On the law.
01:02:37It wasn't simply horrible, dear.
01:02:38It wasn't much fun.
01:02:40No, I rather enjoyed it.
01:02:41Well, what happened?
01:02:42Well, you see, just as we were...
01:02:43Oh, Ted.
01:02:44Your father knows the mayor, doesn't he?
01:02:45Yes, he does.
01:02:46Mother wants to reform the whole city government.
01:02:47Good.
01:02:48Oh, excuse me a minute.
01:02:49Say, you didn't see a girl go anyplace around here
01:02:50without a slipper, did you?
01:02:51No, Mr. Drake, I didn't.
01:02:52Well, we'll be back in a minute.
01:02:53I never heard of such inefficiency.
01:02:54Does anybody know who Ted's looking for?
01:02:55Probably the girl who was singing.
01:02:56He's certainly in a dither about her.
01:02:57Well, let's all go up and help him find her.
01:02:58Did you see that girl with the white wrap?
01:03:27Just like Connie.
01:03:28Well, it can't be Connie.
01:03:29Connie isn't here.
01:03:30Did that wrap she was wearing have a hood on it?
01:03:31I don't think so.
01:03:32Have you seen Ted running around
01:03:33with that slipper in his hand?
01:03:34I thought it was yours
01:03:35till I saw how small it was.
01:03:36It belonged to some new girl
01:03:37somebody no one ever saw before,
01:03:38and she just ran away with the party.
01:03:39Nobody's even seen Ted since she sang.
01:03:40And when she danced,
01:03:41she just closed her eyes
01:03:42and lost herself in a dream.
01:03:43Did that girl wear a silver lace dress?
01:03:44Mm-hmm.
01:03:45Very sweet.
01:03:46Not severe like your black.
01:03:47Just girlish.
01:03:48Do you know her?
01:03:49I'll tell you later.
01:03:50Get my wrap, please.
01:03:51Yes, miss.
01:03:53We've been waiting for you, miss.
01:03:54Oh, Ted.
01:03:55Bob, I don't know where to begin.
01:03:56Did you have any trouble getting in?
01:03:57Oh, no.
01:03:58You didn't run into Mrs. Clinton
01:03:59and the Brats, did you?
01:04:00Oh, no.
01:04:01No, but I saw them.
01:04:02You did?
01:04:03Yes.
01:04:04Did they see you?
01:04:05No, I hid behind a post.
01:04:06They got in about midnight.
01:04:07How did you know?
01:04:08Oh, a little bird told us.
01:04:09A little bird named Mike.
01:04:10Did you dance?
01:04:11Yes, and I sang.
01:04:12Good for you.
01:04:13I'll bet they cheered.
01:04:14Oh, and Mr. Drake.
01:04:15Oh, so that's the he.
01:04:18Agnes, it was fun.
01:04:19Well, I wouldn't have given to see you.
01:04:20He was so nice, Agnes.
01:04:21Oh, don't ask me.
01:04:22Why don't you sing?
01:04:23The Strauss Waltz.
01:04:24You know.
01:04:25Da, da, da, da, da, da, da.
01:04:27We'd best go in the kitchen, miss.
01:04:28Don't you think?
01:04:29I've got some hot chocolate
01:04:30and a nice piece of cake for you.
01:04:31And you can start at the very beginning.
01:04:32You're lame.
01:04:33Oh, I've just lost my slipper.
01:04:34Well, how'd you do that?
01:04:35Oh, it was awful.
01:04:36I had to start running.
01:04:37No more here.
01:04:38The old man's working in his study,
01:04:39and we'll get in a few minutes.
01:04:44I'm sorry, Miss.
01:04:45Oh, it's all right.
01:04:47I'm working.
01:04:48You're making noise.
01:04:49So we'll have to stop the work or stop the noise.
01:04:52Nobody saw it.
01:04:54It's my fault, Uncle Jim.
01:04:56Maybe theirs.
01:04:57We won't have any more of it.
01:05:06Uncle Jim.
01:05:07George told me to be quiet or go to another room
01:05:09so I wouldn't disturb you.
01:05:10Have a nice time at the party.
01:05:12What?
01:05:13Oh, yes.
01:05:14Wonderful.
01:05:15You danced, huh?
01:05:16Uh-huh.
01:05:17Met some nice people?
01:05:18Oh, yes, Uncle Jim.
01:05:19Very nice.
01:05:20What did your cousin say to you when she saw you?
01:05:23Well, I didn't speak to Barbara or Aunt Grace or Walter,
01:05:26either.
01:05:27Smart girl.
01:05:28Run up to bed now.
01:05:30Good night.
01:05:31Good night.
01:05:32The family must have stopped someplace on their way.
01:05:35Yeah, stopped in jail.
01:05:37Kept them there till midnight.
01:05:38Should have kept them there longer.
01:05:40Jail?
01:05:42What happened?
01:05:43Don't know.
01:05:44Uncle Jim called me to get my lawyer.
01:05:46Couldn't get him.
01:05:47Couldn't remember his telephone number.
01:05:50Couldn't even remember his name.
01:05:52Couldn't remember anything.
01:05:56I don't understand.
01:05:58Had a good time, you said.
01:06:00You knew about Uncle Jason?
01:06:05I know a lot of things.
01:06:07I know Evercloud has a silver lining.
01:06:09They went to jail.
01:06:10You went to the ball.
01:06:12Uncle Jim, you...
01:06:14Car coming up the driveway.
01:06:16This is all a secret.
01:06:18Oh, never tell a soul.
01:06:19Make my life miserable if you do.
01:06:21Yours too.
01:06:22It's Barbara.
01:06:23You better scat.
01:06:24Good night.
01:06:31Hurry up. Hurry up.
01:06:33The Duchess is coming in.
01:06:44Are you asleep?
01:06:46Uh-huh.
01:06:47That light hurts my eyes.
01:06:50Just wanted to see that you were in.
01:06:52I'm in tonight.
01:06:54Have you been in all night?
01:06:56What time is it?
01:06:57You were home all night.
01:06:59Uncle Jason didn't arrive.
01:07:01Sorry if I interrupted your beauty.
01:07:03I'm sorry.
01:07:04I'm sorry.
01:07:05I'm sorry.
01:07:06I'm sorry.
01:07:07I'm sorry.
01:07:08I'm sorry.
01:07:09I'm sorry.
01:07:10I'm sorry.
01:07:11I'm sorry.
01:07:12I'm sorry if I interrupted your beauty sleep.
01:07:14Oh, that's all right.
01:07:35So you were at the party, hmm?
01:07:37Yes.
01:07:38And you sang.
01:07:39Uh-huh.
01:07:40I sang.
01:07:41Did I tell you to stay here?
01:07:42I didn't want to.
01:07:44Oh, you didn't want to.
01:07:46Nope.
01:07:47I knew Uncle Jason wasn't coming, and I had a chance to go, so I went.
01:07:50You mean so you sneaked in.
01:07:51There's nothing you can do or say that could spoil this night for me.
01:07:54Would it spoil things if I asked how you turned your graduation dress into a Paris creation?
01:07:58Ollie made it over out of some silver lace I had.
01:08:01Not that it's any of your business.
01:08:03And that wrap, I suppose she made that out of a pair of pet ermine she's been keeping all these years.
01:08:07A friend of mine said I could, uh...
01:08:09I'm not going to quarrel with you, Barbara.
01:08:10I'm so sorry I wasn't there.
01:08:11You must have been wonderful.
01:08:13Now, if you're through being sarcastic...
01:08:15Even Ted said he never had so much fun in his life.
01:08:17He thought you were a nightclub singer pretending to be somebody important, so he decided to play up to it.
01:08:22It's so funny, Ted.
01:08:23And his imitation of you dancing with your eyes shut is wonderful.
01:08:26People just roll on the floor when he does it.
01:08:28He does it over and over again.
01:08:30And leaving your slipper, that was so touching.
01:08:32Ted's going to use it to try and find you again.
01:08:34He wants to hire you to play the same joke on a friend of his in Boston.
01:08:37Now, you get out of here.
01:08:38This is my room.
01:08:39Oh, you want to be alone.
01:08:40You have so much to think about and so much to dream over.
01:08:43Get out!
01:08:44All right.
01:08:45I'll go down in the kitchen and tell your chums what a success you were.
01:08:58Good morning, sir.
01:08:59Morning.
01:09:01Your orange juice, sir?
01:09:02Mm-hmm.
01:09:03Your coffee, black as usual?
01:09:04Mm-hmm.
01:09:05Anything else, sir?
01:09:06Not a thing.
01:09:08Not a thing.
01:09:13Then this is goodbye, sir.
01:09:16Going someplace?
01:09:18I'm leaving, sir.
01:09:20Miss Barbara sacked the whole staff last night
01:09:22when she found out we'd helped Miss Connie get to the party, sir.
01:09:24What?
01:09:25Oh, that's all right, sir.
01:09:26Not one of us would have stayed after Miss Connie left.
01:09:32Connie left?
01:09:35Bag and baggage, sir.
01:09:36We wanted her to stay and have a talk with you, sir,
01:09:38but she said she had made enough trouble.
01:09:40And didn't leave a note?
01:09:42She said she'd write you, sir,
01:09:43when she was settled and making her own way.
01:09:46I do think she was trying to make it easier for us all.
01:09:52Well, I'd like to talk to the other servants, George.
01:09:54They've been gone hours, sir.
01:09:56Jimmy!
01:09:58Oh, Jimmy, you may have to drive me to town.
01:10:00We have no chauffeur, you know.
01:10:02Did you know that Connie had left?
01:10:03Yes, so has everyone else.
01:10:04No cook, no butler, no mason.
01:10:06Then you're not with us anymore, are you, George?
01:10:08No, madam, I'm not.
01:10:09Such a pity.
01:10:10You're such a good butler, too.
01:10:11It was nothing personal, you know, George.
01:10:13Just a bad constellation for everybody.
01:10:15It won't happen again.
01:10:17Connie's a very young girl.
01:10:18We'll be out on our own.
01:10:19It's not right.
01:10:21I'm going to look up a horoscope
01:10:22and find out what evil influences brought all this about.
01:10:24And I'm also going to see if it's a good time to employ new people.
01:10:27You know, we have to wait until the stars are all right.
01:10:29I'm hungry.
01:10:30The cook has left, Mr. Walter.
01:10:32Say, Father, can you make coffee?
01:10:38Do you know that your cousin has left this house?
01:10:41I only know I'm hungry.
01:10:52Don't you think we'd better do something practical about Connie?
01:10:55I'm doing the most practical thing in the world,
01:10:57checking her complementary influence against Jupiter's emphasis.
01:11:00And there's a trend of depression.
01:11:20Jim, what are you doing?
01:11:24Jim, it's taken me years to work that all out.
01:11:30I never liked this thing either.
01:11:35Jim, stop it. You're losing your mind.
01:11:38Now, you listen to me, gracious youth.
01:11:40I've had all the twaddle I'm going to have about the Eastern Ninth House
01:11:43and the influence of this and that
01:11:44and Leo being in the library that I'm going to have.
01:11:47I only make eat these things.
01:11:49But if I ever hear another peep out of you
01:11:51about the sun, the moon, or the stars,
01:11:53I promise you by the big and little dipper
01:11:55that you'll only be talking about stars.
01:11:57You'll be seeing them.
01:11:59Now, you let the heavens take care of themselves.
01:12:01And you, get out on Earth.
01:12:04Right?
01:12:06You brute!
01:12:07Don't flatter me!
01:12:08I've only just begun!
01:12:10Father, have you gone crazy?
01:12:12Oh, you're up. That's fine.
01:12:14I was hoping I wouldn't have to go upstairs and pull you out of bed.
01:12:17Never mind your mother.
01:12:18Why did you make Connie leave this house?
01:12:19No, Father.
01:12:20Don't father me. I know what you did.
01:12:21And for once in your life, you're going to pay the consequence.
01:12:23You selfish little dressed-up infant.
01:12:25I won't be talked to like that.
01:12:26Yes, we'll stop you.
01:12:28Father!
01:12:29You're just a child, and I'm going to treat you like a child.
01:12:31What are you doing?
01:12:32I'm going to...
01:12:33What are you doing?
01:12:34What are you doing?
01:12:35What are you doing?
01:12:36What are you...
01:12:40Father, help me!
01:12:42Get off me!
01:12:44Shut up!
01:12:46Get out!
01:12:50I'll pay you for this.
01:12:51Oh, no, sir. This one's on me.
01:12:52There's one more thing I wanted you to...
01:12:58What?
01:13:17Don't you ever do anything but sit sprawled out on that chair?
01:13:20But, Father, I have a theory, you know.
01:13:22Really?
01:13:23A theory of relaxation.
01:13:24I worked it all out myself.
01:13:26In that chair?
01:13:27Mm-hmm.
01:13:28It's taken years.
01:13:29I believe that one, through relaxation,
01:13:31prolonged and constant,
01:13:33can store up sufficient energy
01:13:34to surmount any emergency that arises,
01:13:37where vitality is called for and force is needed.
01:13:40Simple, isn't it?
01:13:41Almost too simple.
01:13:42You see, Father, I don't spend energy.
01:13:44I hoard it.
01:13:45Sort of sit on it.
01:13:47Exactly.
01:13:48I've already proved that all forms of exercise are wrong.
01:13:51Say a man gets up in the morning and does his daily dozen.
01:13:54The first time he stretches, bends over, touches the floor,
01:13:58he's spent 14 pounds of energy.
01:14:01Now, to get back to his normal position,
01:14:03how much do you think he spends?
01:14:05Uh, from the, uh, position that you were in just now?
01:14:09Mm-hmm, identical with it.
01:14:10Mm-hmm.
01:14:11Just about...
01:14:12Well, practically none,
01:14:13because I'd help him like...
01:14:19Very well bowled, sir.
01:14:22Now, there's only one more thing we gotta do here,
01:14:24and that's to find Connie and bring her back in.
01:14:27Does everybody understand that?
01:14:38This is your station, miss.
01:14:53Oh, Miss Wiggins.
01:14:55Did you get my telegram?
01:14:57No.
01:14:58I meet all the trades.
01:14:59That's all I have to do.
01:15:00Did I get your telegram?
01:15:01Get those bags over here.
01:15:07It's so quiet and restful here.
01:15:09It's going through that stage, eh?
01:15:11Cities are such noisy places.
01:15:13They're not dull and full of squealing girls.
01:15:16Are you surprised that I'm back?
01:15:18No.
01:15:19Oh, you must be.
01:15:20All right, then I will be.
01:15:21I'm surprised.
01:15:22Feel better?
01:15:25I want to teach music.
01:15:26Most of them want to be missionaries.
01:15:29Who?
01:15:30Never mind.
01:15:31Go on.
01:15:32You want to teach.
01:15:33Yes, but I'll have to have more training.
01:15:35I hope so.
01:15:36I'd like to get a scholarship
01:15:38at the Teachers' Conservatory of Music.
01:15:40Mm-hmm.
01:15:41I suppose it's only fair that I tell you
01:15:44why I've made this decision, Miss Wiggins.
01:15:46Practice that little speech on the way up?
01:15:49Well...
01:15:50I guess I did.
01:15:52What's that?
01:15:53I guess I did.
01:15:54Never mind the rest.
01:15:55I know the important part.
01:15:57Your heart's broken.
01:15:58Your faith's gone.
01:15:59You want to be independent.
01:16:00Who told you?
01:16:01About 40 old maids I know.
01:16:02It happened to them, too.
01:16:04Make it 41.
01:16:05I've forgotten myself.
01:16:08Well, this is so...
01:16:10Well, you don't want to hear about it.
01:16:12Oh, go on.
01:16:13Get it off your chest.
01:16:14Might make you feel better
01:16:15and won't make me feel any worse.
01:16:19First, you'll be a junior instructor.
01:16:21You'll get paid for that
01:16:22about half as much as you need to live on.
01:16:24You call it living.
01:16:25You'll wear last year's hats
01:16:27and two-year-old dresses
01:16:28and patched-up shoes.
01:16:29But it won't make much difference how you look
01:16:31because there won't be anybody looking at you
01:16:33except a lot of so-called students.
01:16:35I'll have my work.
01:16:36You'll have that.
01:16:38Later on, by scrimping,
01:16:39you'll have enough money to travel on.
01:16:41Third class and alone.
01:16:42Or with another teacher.
01:16:44I like to be alone.
01:16:45You don't even know what the word means, child.
01:16:48My pupils will love me.
01:16:50I hope as much as they love you.
01:16:52I'm a character.
01:16:53A crotchety, lovable old character.
01:16:55I hate being a character.
01:16:58Do you like cats?
01:17:00No, not much.
01:17:01You'll get to love them.
01:17:03They've got sense.
01:17:04They're like men.
01:17:06Feed them and pet them
01:17:07and admire them and they'll purr.
01:17:09Every woman wants to make somebody purr.
01:17:12You want to lock yourself up in a world of women.
01:17:14A little world, a sheltered world.
01:17:16A useless, polite, frightened world.
01:17:18Miss Wiggins, I'm not a child.
01:17:20I know what I want to do.
01:17:21Work and support myself
01:17:23and not depend on other people
01:17:24for happiness or anything else.
01:17:29All right.
01:17:31Where's your diploma?
01:17:33I'll have to send it along
01:17:35with the application for the scholarship.
01:17:38It's right here.
01:17:42There's a teacher's powwow here on the 6th.
01:17:46They'll be here from all over the state.
01:17:48They'll have to line up some votes for you
01:17:50while they're on the ground.
01:17:52Here's a list of credits.
01:17:54Pretty separate.
01:17:56The other one, I suppose, is the one Mr. Blake had.
01:17:58Mr. Drake.
01:18:00What you keeping it for?
01:18:01Just having to pack it.
01:18:03Something to cry into 20 years from now?
01:18:06Better get rid of it.
01:18:11Now you will sing at that meeting.
01:18:13Show them a sample of what you know about music.
01:18:16Have them make up their minds right away.
01:18:18Oh, thank you. That'll be marvelous.
01:18:20It'll be terrible, but I'll do it.
01:18:22You'll get a new dress for it.
01:18:24I'll have all the girls go to the auditorium
01:18:26so you'll have an audience.
01:18:28And you'll sing something that'll be effective.
01:18:30The spring song.
01:18:31No, not the spring song.
01:18:32One Fine Day, Butterfly, by Puccini.
01:18:35Know it?
01:18:37Yes.
01:18:38We have to work on it.
01:18:40That'll make them all cry.
01:18:42All the old maids will sniffle.
01:18:44You know, one fine day he'll come back to me.
01:18:48I'd rather...
01:18:50Rather what?
01:18:52Couldn't I sing something else?
01:18:54Why?
01:18:55I don't think it's a good idea to make them sad.
01:18:58Make you sad to sing it?
01:19:00No, not me.
01:19:02You just said it'd make them cry.
01:19:04Old maids are only happy when they cry.
01:19:06You'll find that out.
01:19:09Miss Wiggins, we just heard that Connie...
01:19:11Oh, hello, Connie.
01:19:15Go along, all of you, and stop that chattering.
01:19:26Why didn't you go with Connie?
01:19:28Oh, I don't know her.
01:19:29I just came in to see if you'd mark the cuts
01:19:31in this orchestration for me.
01:19:33Irene told me to...
01:19:34I'll fix it.
01:19:35You will? Oh, thanks a lot, Miss Wiggins.
01:19:37Goodbye.
01:19:42I said I'll fix it, didn't I?
01:19:48Weeping and why and why
01:19:55At his face you are laughing
01:20:02Hear me
01:20:08One fine day we'll notice
01:20:15A thread of smoke arising
01:20:22On the sea
01:20:25In the far horizon
01:20:30And then the ship appearing
01:20:38Then the trim white vessel
01:20:44Glides into the harbor
01:20:53Then the squawker followed
01:20:59See you
01:21:03Now he is coming
01:21:09I do not go to meet him
01:21:15Not I
01:21:18I stay upon the brow of the hillock
01:21:24And wait there
01:21:27And wait for a long time
01:21:32But never weary
01:21:37Of the long waiting
01:21:43From out the crowded city there he's coming
01:21:50And then a little speck in the distance
01:21:58Climbing the hillock
01:22:06Can you guess who it is?
01:22:10And when he's reached the summit
01:22:13Can you guess what he'll say?
01:22:17He will call
01:22:20But I'll fly from the distance
01:22:25I without answering
01:22:28Hold myself quietly concealed
01:22:31A bit to tease him
01:22:34And a bit
01:22:37So as not to die
01:22:42I'll never see him
01:22:46And then a little troubled he will call
01:22:51He will call
01:22:55Dear baby wife of mine
01:22:59Dear little orange blossom
01:23:04The names he used to call me when he came here
01:23:12This will all come to pass as I tell you
01:23:18Then he shall know nothing
01:23:23But he shall return
01:23:28Return
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