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Short filmTranscript
00:00I don't know what to do with myself right now, but I'm going to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best
00:30to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to
01:00do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do
01:30my best to do my best to do my best
02:00Because the mess I'm in with my mom is really heavy.
02:02You're mixing things up.
02:04And I don't understand you.
02:06You're being super loving with him and I'm actually against him.
02:10I'm not against anyone here.
02:12We're just talking to mom and grandma because it's not an easy decision to make.
02:16We have a lot to think about.
02:18But I'm the one who has to make the decision, not you.
02:21Until when are you going to decide for me?
02:31Let's turn on the alarms.
02:33Because this is just getting started.
02:35I don't want to lose my daughter.
02:37I don't want to make a mistake again.
02:39Gracia, you're doing the right thing.
02:44This is an earthquake.
02:46And it's going to have a lot of replicas.
02:49I'm sorry.
02:59Here's some tea. It's hot, be careful.
03:02I'm really sorry about what happened with Don Felipe.
03:05Yes, it was me.
03:07But I've learned to separate things.
03:09That's good. Are you calmer now?
03:11More or less.
03:13It's just that the client they took from us was really important.
03:16What are we going to do? It's going to be really complicated.
03:19Honey, I really understand you.
03:21I understand you. It's really hard for me because I'm in the middle of both families.
03:25But I talked to Don Manuel and I told him that if I did something like that again,
03:28I was going to leave and I was really going to quit.
03:30But Pablo, how are you going to quit?
03:32The Bulls are like your family.
03:34You and Felipe get along really well.
03:36You can't quit because of this.
03:38But you're also my family.
03:40And you're more important than everyone else.
03:44Yes.
03:45Well, Pucha, I wanted to apologize for getting you involved.
03:50Because I don't know, I was furious.
03:53I was super angry with Manuel.
03:56And I wouldn't have told you that.
03:59Honey, if you hadn't told me anything, I would have made the same decision.
04:03I mean, I couldn't wash my hands.
04:06Besides, I had never seen Don Manuel do something like that.
04:09I think it's obvious that he did it out of spite for everything that happened with your mom.
04:15He did it because he wanted to.
04:17Yes, but we're in the middle of both.
04:20It's hard.
04:21Well, I hope he doesn't send another number.
04:24Yes, I hope so.
04:26Hey, don't you think I want to stay here today?
04:30I mean, what I think is that you come to live with me in this house.
04:36When are you going to do that?
04:39Huh?
04:40Chuta, I don't know if I can do that.
04:42And why not?
04:44Because you still live in the bottom of the bulls.
04:48And the bulls are now the enemies of my family.
05:09Hello?
05:13Believe me, I hesitated a lot to call you, but you know I was so angry, so angry that I couldn't stand it.
05:19Thank you, you know I have nothing to talk to you about.
05:22Besides, it's super late, so...
05:24I have a lot to tell you, so you're going to have to listen to me.
05:28Look, you can tell me whatever you want, Felipe, but don't mess with my sister.
05:32Is that clear?
05:34Look, I don't know what story the miracle told you, but I haven't done anything to her.
05:38In fact, she was the one who insulted me.
05:40All I did was ask her to leave my house.
05:42Please, let's not mix things up, okay?
05:45If you have a problem with me, then solve it with me.
05:48I don't have any problem with you.
05:51What's more, I have nothing with you.
05:54Felipe, let's not be stupid, okay?
05:59I'm not being stupid.
06:01I don't have anything with you, or your sister, or your grandmother, but you don't seem to understand.
06:05I mean, your grandmother points a gun at my dad.
06:07Then the miracle appears around here, like Pedro in his house.
06:10And now you call me on the phone at this hour to recriminate me, I don't know what.
06:13I mean, in what language do we have to tell you to please leave us alone?
06:17Well, if that's what you want.
06:22Yes, that's what I want.
06:25I won't talk to you anymore.
06:27Okay, let's not talk anymore.
06:30Go sing karaoke with your daughter's dad instead.
06:33What does that have to do with anything, please?
06:37Nothing, nothing. Good night.
07:01I can't sleep.
07:04I'm completely awake.
07:07Oh, Mrs. Hilda.
07:09Don't tell me you feel sick again.
07:11Here, sit here.
07:13I can't stop thinking that you left the rifle in the scarecrow's house.
07:17Oh, but again with that cantinella, hey.
07:21But if you know that the rifle is like my right arm.
07:25But if you know that the rifle is like my right arm.
07:29Well, that's what happens to him for doing the chores.
07:32He's just going to have to use his left arm.
07:35Hey, I had an idea.
07:39Don't give me any ideas, look, I'm starting to tremble with fright, hey.
07:43You are very close to Judith, aren't you?
07:47No, I'm not close at all.
07:49I find her very cocky, I don't like her.
07:51Hey, and if this time you do like the one you like,
07:55you take her something, a cake or something, you put chamuyo.
08:01Yes, like she doesn't want the thing.
08:03Blackity, blackity, blackity, blackity.
08:05Yes.
08:06And I end up asking her for her rifle.
08:08You are very smart, hey.
08:11I'm so smart that I'm not going to go there to do you a favor, hey.
08:16It's not a favor, it's an order.
08:19Well, then I give up.
08:22All the women in this house are cut by the same scissors.
08:26Their legs tremble when they have to give the face.
08:28Mrs. Hilda, why don't you go to bed better and start counting sheep and calm down.
08:34I've had like a thousand sheep counted and lambs and lambs
08:38and how many times have I defended them with my rifle.
08:41Mrs. Hilda, listen to me.
08:43What?
08:44Listen to me.
08:45Last time, huh?
08:46But last time I help her.
08:48Already, last.
08:50I'm going tomorrow.
08:52Tomorrow I'm going to talk to her.
08:53Oh, trans.
08:55Oh, you're a good person.
09:03How will the old Hilda be without her rifle?
09:06You know I would love to have her here and see her face.
09:09No, no, no, get that rifle out, Manuel.
09:13You can't stop.
09:15And why do you want to have it here in the house?
09:18Wasn't it that you were going to turn the page or was it just a story?
09:21No, no, no, it's totally true.
09:25Paula, I'm already tired of having the bad things in life.
09:28I want to change the switch.
09:30Really, no.
09:31Don't be crying in the corridors, obsessed with Emilia.
09:34No.
09:35Another life.
09:36Look to the future.
09:38Have fun, have a good time.
09:40Well, cheers to that.
09:41Cheers.
09:42I congratulate you.
09:44Very good.
09:45And you know what?
09:47I like it.
09:48I really like the idea that you are part of this new stage.
09:57Really?
09:58Yes.
09:59I have to confess that at first I didn't like the idea of having you close.
10:03I don't know if I have.
10:06But now, right?
10:08I think I like having you close.
10:15Well, if that's the case, if you want to start a new stage,
10:20I suggest you ask Pablo to return that rifle.
10:24No, no, no.
10:25And forget about those women.
10:29I know very well what I'm going to do with that rifle.
10:39Hello?
10:40Hello.
10:41Sorry about the time, did I wake you up?
10:45No, I was just lying down.
10:48But I'm awake.
10:50Tell me.
10:51Nothing, the thing is that I was thinking, and well,
10:55you know I have to go back to Curicó the day after tomorrow.
11:00I was thinking, you know,
11:02I was thinking, you know,
11:04Well, since you know I have to go back to Curicó the day after tomorrow,
11:08I was thinking, if it's not a problem, of course,
11:12that Trini could go with me and get to know Los Mellizos.
11:17To Curicó?
11:18Yes, I think it could be important and beautiful for her to meet him.
11:24No, Nico, I mean, I don't know,
11:27I don't think we can make a decision like this at this time of night.
11:33Yes, you know what, you're right.
11:36Do you think we should talk about it tomorrow, calmly?
11:39You can come to the hostel, we can have a coffee.
11:42What do you think?
11:44Well, yes, yes, I think so.
11:47I'll be there first thing tomorrow.
11:49I'll let you know before I leave.
11:51Okay, we'll meet then.
11:53I'll be waiting.
11:55Well, see you.
11:57Hey, and sorry about the time again.
12:01Don't worry, everything's fine with that.
12:08I'm very happy with everything that's happening.
12:12With Trini.
12:15With us, too.
12:17Us?
12:19Yes, I mean, we've gotten along well,
12:23and that, of course, is important for a son, for a daughter.
12:29I know we can't get back the time we've lost,
12:32but maybe we can take advantage of the time that's coming.
12:38We'll see.
12:41Good night.
12:44Good night.
12:45See you tomorrow.
13:00I want to take advantage of the fact that almost all the people are here,
13:04and I want to share with you
13:07that starting today, I've decided to be a new man.
13:13Yes, yes, yes.
13:15Look, I'm deeply grateful for life,
13:18for my family, for my son, for my grandson, who's on his way,
13:22for my friends, for Juancho, who's getting married,
13:25for my grandson, who's on his way,
13:27for my friends, for Juancho, who sings a little less,
13:31but he's a great friend,
13:33and for Francisco, we've had great differences in life,
13:37but now we've found each other again.
13:41And for Paula, who, after so many years,
13:45has come back and is sharing with us,
13:48as she's always done.
13:51Thank you, Paula.
13:53We're taking pictures of our grandson.
13:55Well, that's it.
13:57I wanted to tell you that I want to take advantage of a lost time,
14:02which was a lot.
14:04So, starting today,
14:06I'm going to live every day, every hour, every second,
14:10as if I were the last one to live.
14:23I love you.
14:53I love you.
15:08Are you laughing?
15:12Mr... Mr... Mr... Mr. Manuel?
15:15You know, I doubt I'm sleeping, but...
15:18Stop, stop, stop.
15:20Yes, yes, go, go, go, honey.
15:23Don't worry.
15:24I'll make you breakfast.
15:26Don't worry, really.
15:28There's no rush, don't worry.
15:30If you want, I can help you.
15:31No, no, don't worry.
15:32We're not going to fail at work because of my problems.
15:36Problems? Why? Did something happen?
15:39No, no, no, nothing.
15:41You know, I feel like my throat is clogged,
15:43and I'm going to catch a cold.
15:45Then maybe it would be better if I took care of you, really.
15:48It doesn't matter.
15:49I didn't pay attention because of the time,
15:51I wasn't at the table, that's why I was asking.
15:54But no problem, if you want...
15:56If you want, I won't even have breakfast.
15:58No, no, no, don't worry.
15:59You sit here, and I'll be right back.
16:01You sit.
16:02Really?
16:03Yes, I'll be right back.
16:05Hey, hey, what's up?
16:07Hey!
16:08I can't believe I didn't fall for you.
16:12A one-off, right?
16:13Yes.
16:15Hey, it was so nice to spend the night with you.
16:17Oh, yes, me too.
16:19I loved it.
16:21Really?
16:22Yes.
16:24I love you.
16:25I love you.
16:26I love you.
16:27I love you.
16:28I love you.
16:29I love you.
16:30I love you.
16:31I love you.
16:32I love you.
16:34No, no, no.
16:35Don't worry.
16:36Enough, enough, enough.
16:37Hey.
16:38Huh?
16:39I love you.
16:40I love you.
16:44Me too.
16:53Wow, what a delicious breakfast!
16:56Good morning, my love.
16:57Good morning.
16:58Hey, should I cook for you sometime?
17:01No, my love.
17:02I have to do my homework.
17:03Please.
17:05In fact, I should be working by now,
17:06but I preferred to stay a little longer with you.
17:08Oh, how nice.
17:09Tea.
17:10Tea.
17:11Coffee.
17:13Hey, I have a question.
17:14Huh?
17:15I'm so down.
17:16Yesterday, after I told you I didn't want to live with you.
17:18No, my love.
17:19These are things that happen.
17:20Besides, if we continue with this wonderful routine
17:22of you coming to sleep here every now and then,
17:24it's enough for me.
17:26That's good.
17:27Yes.
17:28Hey, my love.
17:29I was thinking.
17:30Maybe it would be good for you to accompany me to church.
17:33I have a lot of things to thank you for.
17:36Like my life...
17:37I don't know, like...
17:38But Pablo, what a hungry outlook!
17:40Why hungry?
17:41Because I'm hungry!
17:43I mean, when you go to mass, it's like going to...
17:46What?
17:47To stand or sit?
17:48To stand or sit?
17:49Yeah.
17:50And people repeat prayers from memory.
17:51Yeah, my love.
17:52But I don't know.
17:53Now you're going to accompany me,
17:54and I like to go with you anyway,
17:56because I like to be seen
17:58as the prettiest woman in Octavio,
18:00the smartest woman, the coolest.
18:03So I can show off.
18:05No, look, look.
18:06Let's do something.
18:07What?
18:08I'll go with you, and I'll wait for you at the door.
18:10Ah.
18:11Do you agree?
18:12And when we get married,
18:14are you going to wait for me at the door too?
18:21Are you really saying that?
18:23Yes.
18:24Really.
18:25You're not in a hurry?
18:26No.
18:28Why in a hurry?
18:29I feel like it's okay.
18:31I don't think I have to wait any longer.
18:34Besides, I don't know.
18:35If I'm going to be with you,
18:37I have to change my life,
18:39change my job.
18:41I'm going to do it.
18:42I want to be with you, my love.
18:50Good morning.
18:51Good morning, Miss Valentina.
18:52Good morning.
18:53How are you?
18:54Oh, thank you.
18:55Good morning.
18:56Good morning.
18:57Are you going to need anything else?
18:58No, thank you.
18:59Oh, don't you feel like there's a nice smell?
19:01It's like, like sweet, like scented.
19:06How?
19:07No.
19:08What?
19:09What?
19:10What's wrong with you, Judy?
19:12Why?
19:13Why?
19:15You're, you're with your face.
19:17You're like with that smile.
19:18What?
19:19What smile?
19:20Oh, Judy, please.
19:21But blow me this eye.
19:22What's wrong with you?
19:23Tell me.
19:24Tell me.
19:25Your face, your smile.
19:26I'm going to tell you.
19:27I'm going to tell you.
19:28I'm going to tell you because I'm so happy.
19:31I want to scream it like at 400,
19:33but you have to promise me that you're going to be quiet.
19:36Because in this town they are very naughty
19:38and I don't want to talk to anyone.
19:40Tell me, tell me.
19:42What happens is that last night,
19:45with Rodri.
19:51You two.
19:52Yes, yes, yes.
19:57And it was so cute.
19:59So cute, but so cute.
20:01That I never imagined that I would feel something like that.
20:04I had my little things here and there,
20:06but this has no comparison.
20:09Another level.
20:11Oh, what a passion, Judy.
20:13I congratulate you.
20:14It's so nice when you find someone special.
20:17Yes, the only thing that gives me now
20:19is that since it's all over,
20:21maybe he can get bored and be a student
20:23and try to change.
20:25Oh, Judy, don't get involved.
20:27Besides, who knows, maybe you got bored before.
20:30Yes, well, it can also be.
20:32Yes, not only women have the right to have a good time,
20:36to get bored, right?
20:37Tell us to change.
20:38Look, the important thing is that we are happy.
20:41Nothing else.
20:42Hey, I love to hear it like that.
20:43How so, so empowered.
20:45So, so solved.
20:46So modern, hey.
20:4721st century, Judy.
20:49It's been a long time since men did and did not do with us.
20:54Hey, I guess they took care of themselves.
20:58Hey.
20:59What?
21:00What a shame.
21:02But yes, of course we take care of ourselves.
21:05That's good.
21:06Hey, anything, whatever you need,
21:09you can count on me.
21:11I will never forget that, well,
21:13although my thing with Felipe didn't work,
21:16you helped me and you were there for me.
21:20Thank you, Valentina.
21:21And you have to eat now because that baby is growing
21:25and needs energy.
21:27I'm so happy for you.
21:31How fun.
21:32It was.
21:37I've been looking for glue and it's very difficult.
21:40It's complicated, yes.
21:41And what kind of glue?
21:43What am I looking for?
21:44Around here and there,
21:45as well as high variability of things,
21:47everything is there as it is.
21:48And glue of what?
21:49Well, look, you know, like a baker.
21:53Oh, you know how to make bread?
21:55No, no, but you can learn.
21:57Oh, yes.
21:58Of course.
21:59Hey, tell Rodri to go down to have breakfast.
22:02Aunt.
22:03What?
22:04Rodri is not here.
22:05What do you mean he's not here?
22:06Oh, but maybe he went out in the morning,
22:08he walked early.
22:09No, no, because he's in bed, he didn't get to sleep.
22:12If he didn't get to sleep, it's because something happened to him.
22:14Oh, what's going to happen to him?
22:16If that bastard doesn't kill a fly.
22:18Yes, maybe one of my brothers found him
22:19and he's half dead, lying around.
22:21No, don't say that, don't say that.
22:23No, but don't worry so much.
22:25Oh, of course I worry, I love him.
22:27Oh, but so much.
22:29No, no, maybe it's the bear that doesn't look good on you.
22:32But how, but if you are over-worrying
22:34and the guy is not your ex.
22:35Shut up, shut up.
22:40Good morning, family.
22:42Good morning.
22:44Here comes the very pearl.
22:46Can I know where you were?
22:48You had your soul in a thread, Rodrigo.
22:51Yes, but not me.
22:53Where did you spend the night, Rodrigo Arancide?
22:56Let's see.
22:59Or rather, who did you spend the night with?
23:09The party was so much fun.
23:12Your dad, for a change, sent himself a speech
23:15for the bronze.
23:17Really nice, about how important it is
23:21to live in the present,
23:23to take advantage of the moment and happiness.
23:26Something like that, right?
23:28Yes, for the future.
23:29Can I see it live?
23:30Oh, inspired.
23:31Oh, they must be live.
23:32Look, they even recorded it.
23:34All recorded with the phone.
23:35Well, then I'm going to try to get one of those videos
23:38so you can see it.
23:39And you too.
23:40And so we can upload it out there.
23:41We have to upload it.
23:42Look, it's not a bad idea.
23:44I would have stayed until the end
23:46if it hadn't been for that crazy old man
23:48who came to kick us out.
23:50I would have stayed until the end
23:51and I would have sung a song, I don't know,
23:53of... I don't know, of...
23:55Hey, what old man?
23:57Ah, the uncle of Rita.
23:59Oh, the guy, he came, he broke up with her
24:01and made her lose.
24:02Well, he and Emilia, who also had their triumphal entrance.
24:06That mania she has of always being the center of the table.
24:10No, no, no, well...
24:11I'm here for an order, so you're going to receive it, yes or no?
24:14Yes.
24:16Good morning.
24:18Hey, don't you get tired?
24:19Next time you're going to kick the cows out of here.
24:22But it's the boss' fault.
24:24I told him he couldn't come in like that.
24:25It's okay, Judy.
24:27Don Manuel, I'm here to get my boss' rifle.
24:31Yes, well, it's true, I have it.
24:33Yeah, well, are you going to give it back to me or not?
24:36No.
24:37Come on, dad.
24:38No, no, no, no, come on.
24:39Tell your boss that if she wants her rifle back,
24:43Emilia has to come and get it personally.
24:46I'm going to give it to her, no one else.
25:00Well, I'm convincing Meche to bring another piano over here, okay?
25:05To do the karaoke thing.
25:06But why? I think it's a good idea, but she's not convinced.
25:09It's not feasible, we don't have a place to put the piano.
25:11But how can we not?
25:12Look, this table.
25:13Hello, my love.
25:14Good morning.
25:15How are you?
25:16Fine, you?
25:17Very well, a coffee?
25:18Yes, loaded, Meche, please.
25:19Okay.
25:20Hello.
25:21Hello.
25:22Hello.
25:23Sit down.
25:24How are you?
25:25Fine, you?
25:26Sit down, sit down.
25:27Well, then, look, this table.
25:28Negro.
25:29What?
25:30Wait, I'm explaining.
25:31Come with me.
25:32So you convince me about the piano, come on.
25:33I'm going to convince her, I'm going to convince her.
25:37How are you?
25:38Fine, and you?
25:39Fine.
25:41Could you think about what I told you?
25:45Yes.
25:46Already?
25:48I just need you to understand that we can't make this decision on our own.
25:54The two of us.
25:56Because we're not Latrine's parents.
25:58Yes, but Latrine was raised by my mother, my grandmother,
26:02all of them in my house, and I can't leave them out of this.
26:05Well, I'm going to have to convince all of them, then.
26:08Do you think you're going to be able to do that?
26:11Obviously.
26:12Look, it's very important for me that Latrine meets her other family,
26:16and for that I have to lobby with all the bravas.
26:19Well, I'm going to have to do it, right?
26:21Wow, your determination is surprising.
26:25Thank you, I'm not playing with this.
26:28For me it's very important.
26:30You're going to have to talk to them, then, and convince them.
26:34But I can't assure you anything, Nico.
26:37Look, believe me, I know what I'm going to do.
26:40But even if it's hard for me, I know I'm going to make it.
26:46Okay.
26:47And I'd also like to...
26:53Careful, it's hot.
26:55Enjoy.
26:56You don't need to.
26:57And I'd also like to tell you something else.
27:04I'm going to be very direct.
27:08But since we met again, I...
27:12I've been thinking about a lot of things.
27:16I don't understand you.
27:18I mean that...
27:21I've been thinking about a lot of things.
27:24I mean that...
27:28I felt what I felt when I was a kid again.
27:33No, Nico, no.
27:36Don't confuse things.
27:37That's a story from the past.
27:39It could be an old story.
27:41Sometimes you say that old stories are the best, right?