Sister of Mine (Demonios tus ojos) | 2017
A stylish Spanish drama brimming with sibling incest and camcorder voyeurism. Director Pedro Aguilera’s lush and steamy film is a fascinating balance of styles. Oliver (Julio Perillan) returns to Spain after coming across online porn footage of his beautiful half-sister Aurora
Transcript
00:00:00You
00:00:30You
00:01:00You
00:01:30You
00:02:00I
00:02:06Thought we missed the train to get some sleep at least
00:02:14And you fucked up
00:02:17Oh, absolutely not Phil. You are fucked up. No, I'm not fucked up though.
00:02:26Michael
00:02:28Michael asked me if he could ask you some questions
00:02:31It's on the train, too
00:02:33I know you don't wanna. Oh, yeah, come on. I know you don't wanna, but the publicity
00:02:38Can't you just take the questions for me?
00:02:40I can't do that. You know the answers.
00:02:42You know the answers, Phil.
00:02:44I just want you to know that.
00:02:47Yeah, thanks Oliver
00:03:14I
00:03:33Sense that your film is inspired by some kind of childhood experience
00:03:41My childhood?
00:03:45No, no, actually I had a quite a normal childhood. Normal in Spain? I mean, I don't really believe that.
00:03:51No, actually I grew up right outside of Washington, D.C.
00:03:56Suburbia. Yeah, and we moved to Spain when I was about 12 years old.
00:04:00Could you explain this sense of search in your film?
00:04:04Sure.
00:04:06My main character, when he loses his innocence
00:04:11He discovers that what used to be easy is now quite complex
00:04:17More difficult than he would like it to be
00:04:20And he goes on a journey to try to regain his innocence, which is impossible, of course
00:04:26Hi
00:04:28I was looking for you
00:04:30Oh, hi Karen
00:04:32Hi
00:04:36Have a seat if you want
00:04:38I'm just having an interview
00:04:41Should I go on?
00:04:44Have a seat
00:04:46Yeah, sure
00:04:48So, Oliver
00:04:50What your character finds is frightening, horrible
00:04:57How can you hope your character to regain a sense of innocence after that?
00:05:04Well, that's the whole point of the film is that you can't
00:05:08So, once fear creeps into our lives and we start to harbor greed or jealousy, angst
00:05:17These things all make it impossible to...
00:05:21You okay there?
00:05:23Yeah, sorry
00:05:25Hi, my name is Karen
00:05:27Michael
00:05:28Nice to meet you, Michael
00:05:30And where will this come out?
00:05:32Sweetie, why don't you go back to the seat?
00:05:36We're going to be there in like an hour
00:05:38Why don't you sleep this off for a little bit, okay?
00:05:40You're an asshole, you know?
00:05:43Okay
00:05:44Thank you for that
00:05:45Yeah, I'm leaving
00:05:47But first, give me the bottles
00:05:50What bottles?
00:05:52The bottles
00:05:53You grabbed them from the minibar
00:05:55Oh, I don't have the bottles
00:05:58What do you mean you don't have the bottles?
00:06:01What do you mean you don't have them?
00:06:07I can't believe you, you threw them away?
00:06:09No, I threw them away, I don't know where they are, okay?
00:06:11Just go sleep this off, please
00:06:14Shit
00:06:20Well, one angry lady
00:06:23Is that the girlfriend?
00:06:30Do you want to go back to the interview?
00:06:32Could we, please?
00:06:34We were talking about innocence
00:06:38Oliver, do you remember when you lost yours?
00:06:45That's a good question
00:06:46Thank you
00:06:48I don't think it's a specific moment in our lives, do you?
00:06:52No
00:06:54It's something that happens over a period of time
00:06:56It's something more abstract
00:07:00Well, there is an image that does come to mind
00:07:05Do you want to hear it?
00:07:07Yeah, go on
00:07:10I was about 14 or 15
00:07:12And I was living with my dad and his wife in Spain at the time
00:07:16We lived in this house with a garden
00:07:18And I remember I was out on my balcony one night
00:07:21And I was just sitting there staring at the moon
00:07:24It was a gorgeous summer night
00:07:26And I heard this splash
00:07:28And it was this dog that my dad had just bought for my baby sister
00:07:32It was a puppy, it was about four or five days old
00:07:35And it somehow already managed to get out of the house
00:07:38Get over to the pool and kind of fall in
00:07:40And I remember being mesmerized by the instinct of survival of this little guy
00:07:45And he was paddling as hard as he could to keep his head above water
00:07:48Anyway, I went down to fish him out of the water
00:07:51And when I got there, he had managed to swim all the way to the center of the pool
00:07:55And he was there thrashing about and crying
00:07:58The last desperate attempt is to hell hide
00:08:01And then he stopped moving
00:08:03And I remember this shocked me
00:08:05Because I was sure that he would survive
00:08:08That his instinct would keep him alive until I got there
00:08:11But instinct isn't enough
00:08:14He made the wrong choice and he drowned
00:08:17And this shocked me
00:08:20He drowned or you let him drown?
00:08:27No, he drowned
00:08:50He drowned
00:09:02My sister always drowns
00:09:20Help!
00:09:50Help!
00:10:50Help!
00:11:20Aurora!
00:11:44Aurora!
00:11:45Aurora!
00:11:49What's up? Don't you recognize me?
00:11:52Oliver
00:11:54You don't like surprises, do you?
00:11:56Yes, but I don't know, as you said, maybe...
00:11:58Well, I'm already here, come on
00:12:03And you look great, don't you?
00:12:05Do you like it?
00:12:06Yes
00:12:07Are you going to introduce yourself?
00:12:08Yes, Natalia, this is my brother, Oliver
00:12:11And Oliver, this is Nati, my friend
00:12:13Nice to meet you
00:12:14Likewise
00:12:15At last
00:12:17Well, I have to go
00:12:19But we'll talk later
00:12:20Bye, and take care of the dress
00:12:23When did you get here?
00:12:25A couple of days ago
00:12:28So you haven't been home yet
00:12:30No, I was at a friend's
00:12:33Why don't you stay with us?
00:12:37No, thanks, I'd rather not
00:12:39Well, how are things around here?
00:12:41She's very pretty
00:12:43I hardly recognize you
00:12:46Look, this is my car
00:12:47And the beetle?
00:12:49I sold it
00:12:50I must have looked too young
00:12:53You look very young, sister
00:12:55Come on, drive, I'm tired
00:12:59You'll have to guide me
00:13:13Why did you come?
00:13:15To see some friends
00:13:17And to see you
00:13:19Is it that strange?
00:13:21But why did it take you so long to come?
00:13:25I've been busy, Lola
00:13:27I don't know, when I went to see you in Los Angeles, we had a good time
00:13:31It's like if I'm not the one who moves, we'll never see each other
00:13:35You're right
00:13:37I don't know
00:13:39You're right
00:13:41I had a bad time in Los Angeles
00:13:43It wouldn't have been fun to see each other
00:13:46Now that I'm here, I don't want to argue with you
00:14:10I think everything's still the same
00:14:12I think mom's not here
00:14:14Well...
00:14:18Are you leaving already?
00:14:19You just got here
00:14:21Stay a while
00:14:22I thought Julia would be here, I have dinner, I'm late
00:14:24I can't
00:14:25Then come and eat one day
00:14:27Okay, whenever you want, we'll talk, okay?
00:14:29Come, keep the car keys
00:14:31I was going to rent one, don't worry
00:14:33No, stay, really
00:14:34No, no
00:14:35Keep them, Oliver
00:14:37I'll take mom's car
00:14:39Really?
00:14:40Yes
00:14:41Okay, thanks
00:14:45I wanted to see you
00:14:48And I wanted to see you
00:15:07I love you
00:15:37I love you
00:16:07I love you
00:16:37I love you
00:16:58How's your studies going?
00:17:00Good
00:17:01There's a life in Colombia I'm interested in
00:17:03But I have to pass the exam first to be able to leave
00:17:06Where is it?
00:17:08In Colombia
00:17:10But what part of Colombia?
00:17:11In Medellín
00:17:14That's good, Aurora
00:17:16The truth is I want to travel
00:17:18You can start already
00:17:20Carlos is helping me, he also wants to go there
00:17:22Carlos, your boyfriend?
00:17:25Yes, but I don't like that word
00:17:30And how's it going with your new boyfriend?
00:17:32Very well, we get along well
00:17:35How long have you been together?
00:17:39Eight months
00:17:41Eight months?
00:17:42Really?
00:17:45What's up with that guy you used to date?
00:17:48Abel?
00:17:49Abel, yes
00:17:51Very intense
00:17:52Intense?
00:17:54You know how musicians are
00:17:58But Carlos is the opposite
00:18:00Aurora!
00:18:01I'm coming!
00:18:04Ok
00:18:08Are you going to leave me like this?
00:18:10No, don't worry, I'll be back
00:18:33Thank you
00:18:56It's delicious, Julia
00:18:58I'm lucky to have Margarita, she helps me
00:19:03Thank you
00:19:09Are you going to stay long?
00:19:11I don't know, a season
00:19:16A season is something indefinite
00:19:18A week, two weeks
00:19:21I don't know
00:19:23A season is a broader and ambiguous concept
00:19:26Ambiguous, yes, I believe that
00:19:33Are you preparing another movie?
00:19:36No, nothing like that
00:19:40I came to see some friends
00:19:42I wanted to see my sister
00:19:50The other day I saw a pirated copy of your movie
00:19:53Really?
00:19:54Yes, but I couldn't see it, it was defective
00:19:57How's Karen?
00:19:59Karen?
00:20:00Yes, Karen, isn't she your girlfriend?
00:20:03Aurora told me that
00:20:06Yes, because she hasn't come
00:20:09I want to meet her
00:20:13She had a lot of work, she couldn't come
00:20:16Wine?
00:20:17Yes
00:20:31I'll be there soon
00:20:54I don't know why she needed to get rid of your car
00:20:56She could've rented one
00:20:57You're not going to get tired of bringing up the subject, are you?
00:21:00You're always so selfish.
00:21:02Well, next time take the bus, okay?
00:21:04It's not that, honey.
00:21:06You know I don't mind coming to pick you up.
00:21:10But your brother has a lot of face.
00:21:12He appears and disappears from your life like a ghost.
00:21:16Are you going to see him again?
00:21:18Of course. That's why I came.
00:21:20You won't see his hair until he leaves.
00:21:22He's like that.
00:21:24He appears, smiles, but he does his thing.
00:21:26The first thing he said was that he was coming to see his friends.
00:21:28And then to us.
00:21:30Well, to you.
00:21:32I don't think he'll think of me.
00:21:34I don't know.
00:21:36Aurora, please. I know him very well.
00:21:40Look, I'm always independent.
00:21:42And maybe that's what you don't like about him.
00:21:44You like control.
00:21:46I like well-done things and not excesses of confidence.
00:21:48That's why he's not at home.
00:21:50I told him to come and he didn't want to.
00:21:52Do you know where he stays?
00:21:54He lives in an apartment.
00:21:56Do you know him?
00:21:58No.
00:22:00But he looks like Dad.
00:22:02He has friends everywhere.
00:22:24Hi.
00:22:26Hi.
00:22:28I have a package for Aurora.
00:22:30Perfect.
00:22:38Thank you very much.
00:22:40Goodbye.
00:22:44Aurora!
00:22:46A package for you!
00:22:54Thank you.
00:23:24Thank you.
00:23:54Thank you.
00:24:24Thank you.
00:24:54Thank you.
00:25:24Thank you.
00:25:54Thank you.
00:26:24Thank you.
00:26:54Thank you.
00:27:24Thank you.
00:27:26Thank you.
00:27:28Thank you.
00:27:30Thank you.
00:27:32Thank you.
00:27:34Thank you.
00:27:36Thank you.
00:27:38Thank you.
00:27:40Thank you.
00:27:42Thank you.
00:27:44Thank you.
00:27:46Thank you.
00:27:48Thank you.
00:27:50Thank you.
00:27:52Thank you.
00:27:54Thank you.
00:27:58Thank you.
00:28:00Thank you.
00:28:02Thank you.
00:28:04Thank you.
00:28:10Thank you.
00:28:12Thank you.
00:28:16He's just a little boy...
00:28:18...why do you like him?
00:28:20Have you come to study, Carlos?
00:28:23Yes.
00:28:24Well, study.
00:28:30Pass me the red light.
00:28:50No, no, no, no.
00:28:59No, no, no.
00:29:05Do you have your thong?
00:29:07What's wrong?
00:29:08Do you want me to help you with your thong?
00:29:11Well, maybe I'll give you a thong.
00:29:14I've never seen you with a thong.
00:29:17But it suits you very well.
00:29:23Okay, stop it.
00:29:24Why?
00:29:25What's wrong?
00:29:27What's the problem?
00:29:30I don't know. If I tell you I don't feel like it, it's because I don't feel like it.
00:29:33Yeah, but it's been two weeks and you don't feel like it.
00:29:38Have you ever stopped to think about me?
00:29:40Yes, I do think about you.
00:29:42But it's not that.
00:29:44Then what is it?
00:29:46It's just that we've only been together for a few months and that doesn't work anymore.
00:29:51Of course it does.
00:29:56I can't go on with this nonsense.
00:29:58I'm tired of doing my homework.
00:30:01Be honest with me.
00:30:04I don't know, Carlos. You're like a robot. You always do the same thing.
00:30:07You get in, you get out, you get in, you get out.
00:30:09Maybe you could be more imaginative or something.
00:30:13Fuck off.
00:30:15One of these days I'm going out with my friends.
00:30:19You're an asshole. I'm sure you've done it before.
00:30:39Hey, how's your brother?
00:30:42I wrote to him, but he hasn't answered for a while.
00:30:44It's been a while since you last saw each other, right?
00:30:46Yes, quite a while.
00:30:47Can I help you?
00:30:48Yes, please.
00:30:50It doesn't look anything like the pictures you showed me.
00:30:53They're old pictures.
00:30:54Much more handsome in person.
00:30:56Martina looks great in that suit, right?
00:31:01Yeah, it suits her.
00:31:03Cristian looks good too.
00:31:05Don't talk to me about Cristian.
00:31:07I'm sick of him.
00:31:09He's a bit of a pervert.
00:31:11But he's your friend, Nati.
00:31:13So what? I'd rather he stayed at home.
00:31:15He's obsessed with her. She's a whore.
00:31:18His father is a very important guy.
00:31:20So what?
00:31:21She's boring or not.
00:31:23Look at him.
00:31:25He's so handsome.
00:31:27Well, he's not that handsome, but...
00:31:40Hi.
00:31:43Hi, Oliver.
00:31:44How are you?
00:31:47I'm here at the club party.
00:31:49Where are you?
00:31:59I have no idea.
00:32:05I'd like to, but I can't leave you like this.
00:32:10I can't, Oliver.
00:32:17If I manage to escape, I'll let you know.
00:32:21If I manage to escape, I'll let you know.
00:32:24No, no, no.
00:32:26But I can't talk right now.
00:32:28I'll call you later.
00:32:31Okay.
00:32:39Natalia.
00:32:42Natalia.
00:32:46She's not changing.
00:32:49I thought so.
00:32:51If you want, we can go.
00:32:59No.
00:33:00Everyone is in their own way.
00:33:02Not here.
00:33:04Not here?
00:33:05You're tired of that dress.
00:33:07Hold on.
00:33:14What are you doing?
00:33:15Are you leaving?
00:33:16Yes.
00:33:17I don't feel well now.
00:33:19You said...
00:33:20I don't know.
00:33:21Do you want to wait?
00:33:23I'll take you.
00:33:24No, I'll take a taxi.
00:33:25Why a taxi?
00:33:26I said I could...
00:33:27No, but I'll take a taxi.
00:33:29Aurora, no one understands you.
00:33:32Look, we'll talk tomorrow, okay?
00:33:37Okay.
00:34:08I'm sorry.
00:34:10I'm sorry.
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00:38:04Oliver?
00:38:06Did something happen?
00:38:09No, I'm sorry. Were you asleep?
00:38:12No.
00:38:15I just wanted to talk to you.
00:38:20Are you upset?
00:38:22No. Why do you ask?
00:38:25I don't know.
00:38:27You seem serious.
00:38:32What are you doing?
00:38:36Look, I wanted to apologize for last night.
00:38:40Don't worry.
00:38:41I was drunk and I shouldn't have...
00:38:43No, really. It's ok.
00:38:46Are you ok?
00:38:49I've been nervous lately because of the exam.
00:38:53The exam...
00:38:56How are you?
00:38:58I'm getting too distracted. I won't do well.
00:39:01Of course you'll do well.
00:39:02You know the subject and you still have time, right?
00:39:07Yeah, but sometimes I get bored.
00:39:11I don't know. It's the routine.
00:39:13From home to university, from university to home.
00:39:17You can end up laughing.
00:39:20I also hate the routine.
00:39:23We all hate it.
00:39:24The worst thing is when you get used to it.
00:39:27I don't think your routine is that bad either, right?
00:39:32You study what you want, you do sports, you have a handsome boyfriend.
00:39:36It's a pretty entertaining routine.
00:39:38How do you know that Carlos is handsome?
00:39:41I don't know.
00:39:43You're pretty.
00:39:44Well, you're very pretty.
00:39:47I thought he would be too. Isn't that right?
00:39:51I don't look at my looks.
00:39:53I don't care about those things.
00:39:59But yes, he's handsome.
00:40:03I got it right.
00:40:04Yes, you got it right.
00:40:11You know, lately everything has been going wrong for me.
00:40:18I feel clumsy.
00:40:20But you're lucky, Oliver.
00:40:23You're free.
00:40:24You have everything.
00:40:25Nobody has everything, Aurora.
00:40:28What about you?
00:40:30Aren't you free?
00:40:32No.
00:40:35I don't like freedom.
00:40:36I don't know what to do with it.
00:40:38I like to belong to someone or something.
00:40:42I don't understand you.
00:40:45Before I would have liked to call you.
00:40:48To tell me about your life.
00:40:50But I never did.
00:40:52Why not?
00:40:53I'm your brother.
00:40:54You can call me whenever you want.
00:40:56Although I'm a little lost or very busy.
00:40:58Yeah, but I don't know, I didn't want to bother you either.
00:41:01I'm sure if I called you you would think I'm boring or bitter.
00:41:05No.
00:41:07I would never think that.
00:41:09I would listen to you.
00:41:19It's late, Oliver.
00:41:20I'm tired.
00:41:23Yes, it's late.
00:41:24It's late.
00:41:29One day we could stay alone and have a drink or go for a walk.
00:41:37I think it's a very good idea.
00:41:40Okay, I'm going to bed.
00:41:45Good night.
00:41:46Good night.
00:41:50A kiss.
00:41:52A kiss.
00:41:54A kiss.
00:41:56A kiss.
00:41:58A kiss.
00:42:24A kiss.
00:42:54A kiss.
00:43:03Hi.
00:43:04Hi.
00:43:05What are you doing here?
00:43:08I was looking for you.
00:43:09Yes, come in.
00:43:10Am I bothering you?
00:43:11No, no, come in.
00:43:12Come in, come in.
00:43:16How are you?
00:43:17Very well.
00:43:18Very well.
00:43:22So this is your shelter.
00:43:24Yes.
00:43:25How did you know the address?
00:43:26You told me at lunch.
00:43:27Do you remember?
00:43:28Ah, I see.
00:43:30Do you want something to drink?
00:43:31No, thank you.
00:43:33I'll go get something.
00:43:34I'm going to get everything.
00:43:35Okay.
00:43:38Do you work here?
00:43:40Well...
00:43:42Why did you come?
00:43:44I don't know, to say hello and to see where you lived.
00:43:49Well, I'll get dressed and we'll go out to eat, okay?
00:43:52Okay.
00:43:53Come on, make yourself comfortable.
00:44:18Okay.
00:44:48Okay.
00:45:19Ah!
00:45:24Ah!
00:45:26Ah!
00:45:29Ah!
00:45:31Ah!
00:45:40Ah!
00:45:48Ah!
00:45:51I'm here!
00:45:56Shall we go?
00:45:57Yes.
00:45:58Come on.
00:45:59I argued with Carlos.
00:46:00He's an idiot.
00:46:02What happened?
00:46:03Well, he won't stop telling me what I have and what I don't have to do.
00:46:06And it's overwhelming.
00:46:07I need space.
00:46:10And I'm realizing that ours doesn't work and I don't know how to tell him.
00:46:14You always prefer to be honest, don't you?
00:46:17Yeah, but that's what I think.
00:46:19But I don't know, it's hard to tell the truth to someone you don't appreciate.
00:46:23And it should be easier, right?
00:46:25It's just that some truths scare you or hurt you.
00:46:30It must be.
00:46:33Hey, don't get sad, okay?
00:46:39Do you want some, Carlos?
00:46:43I don't know.
00:46:44I mean, he's a very good person, but...
00:46:48I don't want to hurt him.
00:46:51Why would you hurt him?
00:47:00I miss talking to someone who understands me.
00:47:02Do you have someone who understands you?
00:47:07Do you have someone special?
00:47:09Yes, someone.
00:47:12Well, I don't have anyone.
00:47:14You don't?
00:47:36Who's the girl in the video?
00:47:37What video?
00:47:40The girl in the mud, the video of...
00:47:45Did she tickle you?
00:47:48Yes, but...
00:47:50I couldn't help it, I was there.
00:47:54It's Karen.
00:47:56Karen?
00:47:59I'm sorry, I really shouldn't have...
00:48:01It's okay, it's okay.
00:48:05What do you think of what you saw?
00:48:10It's strong.
00:48:11But why did you do it? Is it for a movie?
00:48:15Karen likes to do that kind of thing.
00:48:18We do it for pleasure.
00:48:25It's your perversion.
00:48:29What's perverse to you?
00:48:32Well...
00:48:34Something...
00:48:36strange and forbidden.
00:48:40Abel also used to tickle me.
00:48:44Wow.
00:48:46You also have your perversions, then.
00:48:50Well, the truth is that I liked him recording me.
00:48:57I'd like to see those videos.
00:49:02Well, I don't have them. He kept them.
00:49:15There's something I want to show you.
00:49:20What is it?
00:49:26Is that a thong?
00:49:28What's wrong?
00:49:29Since when do you wear a thong?
00:49:32Well, I often wear a thong.
00:49:35I've never seen you wear it.
00:49:39But it looks good on you.
00:49:45Okay, that's enough.
00:49:47Why?
00:49:49What's wrong?
00:49:51What's the problem?
00:50:01What's this?
00:50:05Don't you see?
00:50:09Are you recording me now?
00:50:11I'm always recording you, Aurora.
00:50:16What right do you have to spy on me like this?
00:50:18I'm your sister!
00:50:20You're my sister.
00:50:22Yes, my half-sister, actually.
00:50:25That's disgusting.
00:50:29Let's see, Aurora.
00:50:30You've also stolen my things a while ago.
00:50:32That's also my privacy.
00:50:33No, it's not the same.
00:50:34I haven't put a camera in your room.
00:50:36You've gone too far.
00:50:37It's not that bad.
00:50:38You've gone too far.
00:50:39It's not that bad.
00:50:42Wait, where are you going?
00:50:43This isn't right.
00:51:05Is something wrong?
00:51:06You look a bit scattered.
00:51:08No, I'm fine.
00:51:15What if we go out to the city one day?
00:51:19Away from your beloved shops?
00:51:22Do you remember I told you I was taking Martina Cornishop the other day?
00:51:28Well, I'm taking her.
00:51:31She gave me some silver earrings.
00:51:33Silver earrings?
00:51:34They're ridiculous.
00:51:35Come on, they're not even silver.
00:51:36And on top of that, they give me allergies.
00:51:37I look like a fool.
00:51:38Well, you didn't have to empty the shop for yourself.
00:51:40I don't know.
00:51:41I was expecting something else.
00:51:42It's not that gallant.
00:51:46The worst part wasn't that.
00:51:47Let's see.
00:51:49It gave her the feeling that she was a girl who was too materialistic.
00:51:53Well, you and I know you are.
00:51:55Well, you and I?
00:51:57But he doesn't know me that well.
00:51:59Besides, I'm not just materialistic.
00:52:01I like other things.
00:52:02I don't know, the beach, the countryside, nature.
00:52:06Okay.
00:52:07So that's why you want to go out.
00:52:09So he can see you're an adventurer and a nature lover.
00:52:12No.
00:52:13I want to do something different.
00:52:17Okay?
00:52:19What if I organize the plan myself?
00:52:21I think of a fun walk, I prepare the picnic and we tell Carlos and Martín.
00:52:26I don't know if that's a good idea.
00:52:27Why?
00:52:28Because Carlos and I are not well now.
00:52:30Precisely because of that.
00:52:32Because taking the air is going to make you feel good.
00:52:34And you're bringing your brother too.
00:52:36To go for a walk.
00:52:37Martín knows a lot of movies, I'm sure he won't mind.
00:52:41Hey.
00:52:42Yes?
00:52:43Yes, I'm thinking about it.
00:52:44What do you mean you're thinking about it?
00:52:46Yes.
00:52:47Okay.
00:52:50Hey, is your brother your boyfriend?
00:52:54Yes.
00:52:55Why?
00:52:57Do you like him?
00:52:58Well...
00:53:00He looks like a bastard.
00:53:01And yes, I like him.
00:53:03You know he's my type.
00:53:05Well, he used to be yours too.
00:53:07Are you saying that because of Abel?
00:53:08Of course.
00:53:10It's true that Abel was a dog.
00:53:13But he's funnier than Carlos.
00:53:15Well, he was an idiot.
00:53:18And how was he in bed?
00:53:21Who?
00:53:23Your brother.
00:53:25Girl, he's my brother.
00:53:26Come on, I don't know.
00:53:27He looks like he knows how to put it together.
00:53:30He doesn't look like a...
00:53:31Can you stop it?
00:53:37I'm sorry.
00:53:56I'm sorry.
00:54:26I'm sorry.
00:54:57I'm sorry.
00:54:58I'm sorry.
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01:00:55I'm sorry.
01:01:08They didn't believe they could talk to you.
01:01:12What are you doing?
01:01:39What are you doing?
01:01:40Oliver, stop!
01:01:47Oliver!
01:01:48Oliver, let me go!
01:01:53Why have you left the camera then?
01:01:55Do you like to be seen?
01:03:06Whoa, whoa, whoa, whoa, whoa.
01:03:28Boys, if you want$ he's come on §
01:03:30like me
01:03:32§
01:04:04♪
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01:05:09¿Me dejas en casa?
01:05:11♪
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01:18:51I don't know anything about him.
01:18:58How are you feeling today?
01:19:01Fine.
01:19:21♪
01:19:26♪
01:19:31♪
01:19:36♪
01:19:41Seriously, it's a waste to have it on all the time.
01:19:44God.
01:19:46♪
01:19:51Give it to me.
01:19:52Stop.
01:19:53Give it to me!
01:19:55Okay.
01:20:05Aurora, what are you doing?
01:20:06Aurora, what are you doing?
01:20:07Ah!
01:20:08Ah!
01:20:09Ah!
01:20:16Ah!
01:20:17Ah!
01:20:18Ah!
01:20:19Ah!
01:20:20Ah!
01:20:21Ah!
01:20:22Ah!
01:20:23Ah!
01:20:24Ah!
01:20:25Ah!
01:20:26Ah!
01:20:27Ah!
01:20:28Ah!
01:20:29Ah!
01:20:30Ah!
01:20:31Ah!
01:20:32Ah!
01:20:33Ah!
01:20:34Ah!
01:20:35Ah!
01:20:36Ah!
01:20:37Ah!
01:20:38Ah!
01:20:39Ah!
01:20:40Ah!
01:20:41Ah!
01:20:42Ah!
01:20:43Ah!
01:20:45Ah!
01:20:46Ah!
01:20:47Ah!
01:20:48Ah!
01:20:49Ah!
01:20:56Oliver!
01:20:58Oliver!
01:21:01Aurora,
01:21:03I called you a while ago.
01:21:08Where have you been?
01:21:10Listen I couldn't get close to you.
01:21:11Yes you tried.
01:21:12What is that marathon?
01:21:14Nothing, I fell on the street.
01:21:15I'm really sorry for what you had to go through because of me, but I...
01:21:18I couldn't do anything.
01:21:20Well, I've had a bad time.
01:21:31Natalia.
01:21:33You're a whore, you son of a bitch.
01:21:35A whore, me?
01:21:36Why?
01:21:37Because I'm not a whore!
01:21:39Are you crazy or what's wrong with you, girl?
01:21:41Hey, hey, hey.
01:21:42I'm not the one who fucks his brother.
01:21:44I'm going to kill you, whore!
01:21:46Get out, get out.
01:21:48Are you crazy?
01:21:50Get out, get out, bitch.
01:21:52You're a whore.
01:21:55You're going to be a whore.
01:21:57A whore, a whore.
01:21:59You disgust me, you disgust me.
01:22:01Shut up, bitch, or I'll kill you.
01:22:12I can't believe it.
01:22:17I'm sorry, it shouldn't have happened.
01:22:19What shouldn't have happened?
01:22:24What shouldn't have happened?
01:22:26This is our thing.
01:22:27What shouldn't have happened?
01:22:28I think that's enough.
01:22:29You shouldn't have come.
01:22:31Since when do you take me for a fool?
01:22:33I never take you for a fool, Aurora.
01:22:35No?
01:22:36And you're here.
01:22:38I never take you for a fool, Aurora.
01:22:40No?
01:22:41What does all this shit mean?
01:22:42This shit shouldn't have happened.
01:22:43You repeat yourself a lot, Oliver, but all this has happened.
01:22:46It was a mistake.
01:22:47I can explain it to you, okay?
01:22:48What are you going to explain to me?
01:22:49That you've been flirting with my best friend while I was locked up and fucked up.
01:22:54No.
01:23:07You don't respect anything.
01:23:11You don't respect anything!
01:23:14How can I change my name?
01:23:16You always have something smart to say, but not now.
01:23:20You're a bastard and a piece of shit.
01:23:43It's a shame, Oliver.
01:23:46You've lost the only thing of value in your life.
01:23:52And that's a perversion.
01:23:57You're used to belittling people.
01:24:00And your life is so dark and empty.
01:24:07Get out of my life.
01:24:15Get out.
01:24:45Get out.
01:25:15Get out.
01:25:45Get out.
01:26:15Get out.
01:26:45Get out.
01:27:15Get out.
01:27:16Get out.
01:27:17Get out.
01:27:18Get out.
01:27:19Get out.
01:27:20Get out.
01:27:21Get out.
01:27:22Get out.
01:27:23Get out.
01:27:24Get out.
01:27:25Get out.
01:27:26Get out.
01:27:27Get out.
01:27:28Get out.
01:27:29Get out.
01:27:30Get out.
01:27:31Get out.
01:27:32Get out.
01:27:33Get out.
01:27:34Get out.
01:27:35Get out.
01:27:36Get out.
01:27:37Get out.
01:27:38Get out.
01:27:39Get out.
01:27:40Get out.
01:27:41Get out.
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01:27:50Get out.
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01:27:52Get out.
01:27:53Get out.
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01:27:55Get out.
01:27:56Get out.
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01:28:00Get out.
01:28:01Get out.
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