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U.S. drug enforcement agent Charles Sturgis pursues international narcotics smuggler Frank McNally across multiple European nations.
Starring: Victor Mature, Anita Ekberg, Trevor Howard.
Directed By: John Gilling.
#FullFreeMovies #ActionMovie #FreeYouTubeMovies
U.S. drug enforcement agent Charles Sturgis pursues international narcotics smuggler Frank McNally across multiple European nations.
Starring: Victor Mature, Anita Ekberg, Trevor Howard.
Directed By: John Gilling.
#FullFreeMovies #ActionMovie #FreeYouTubeMovies
Category
🎥
Short filmTranscript
00:00:00Thanks a lot.
00:00:30Narcotics Bureau, will you put me through to Charles Sturges, quickly please.
00:00:40He's not here.
00:00:41All right then, Murphy, somebody.
00:00:43Murphy?
00:00:44Hello, Mr. Murphy. I've been trying to locate Charles. Can you get a message to him?
00:00:49Go ahead.
00:00:50Tell him I think it's worked. The man that I'm to meet is from Philadelphia and they call him Mac.
00:00:55It's Frank McNally, I'm certain of it.
00:00:57No one's seen him.
00:00:58I know no one has seen him, but this is the man.
00:01:01How did you play it?
00:01:02I think I'm an addict and I need it.
00:01:05Now listen, he's calling here and then we're going to a club. Will you have somebody follow me?
00:01:10Sure.
00:01:11Charles, if possible.
00:01:12You all right?
00:01:13Sure, I'm all right. I'm shaking like a leaf, but it'll pass.
00:01:18Take it easy.
00:01:19Bye.
00:01:25Hi, sweetie.
00:01:27You look swell this evening.
00:01:31I should have dressed for you.
00:01:34Forgive me, honey.
00:01:54Ah!
00:02:19Find yourself a table, doll.
00:02:21Frank! Frank!
00:02:23Fade, honey, fade.
00:02:24Tell him, will you?
00:02:25The usual, Gerald.
00:02:26I can still push his stuff around for you.
00:02:28Did you hear me?
00:02:29I'm good enough for that, ain't I?
00:02:33How's it going?
00:02:35It's like clockwork. I can never understand it.
00:02:39You ought to by now.
00:02:40Maybe. I still don't get the percentage.
00:02:43Somebody wants to get real loaded, I can understand. It's normal, if you know what I mean.
00:02:47But this I don't get.
00:02:48You never figure how guys get themselves hooked like this.
00:02:51Still, what makes you happy makes me happy. It's all money.
00:02:54Gerald, I want you to do something for me.
00:02:56Get hold of Jack, give him some dough, tell him to lie low for a couple of weeks.
00:03:00Something's cooking on the other side. I want to give it my personal attention.
00:03:04I'll need to see Jack when I come back.
00:03:22What?
00:03:27Like clockwork.
00:03:28That's what I said.
00:03:29I'll see you, Gerald.
00:03:37Move along.
00:03:51Sorry about your kid sister, Charles. We just couldn't get you in time.
00:04:22Bring it up there.
00:04:24The show's over.
00:04:26Come along now, bring it up there.
00:04:28Ah!
00:04:33I don't go for tennis and shorts.
00:04:38Don't play the Wimbledon coach.
00:04:42Must say, I'm nothing at sports.
00:04:47Anyone for love?
00:04:50Yeah. Stress got you.
00:04:53I'd probably freeze.
00:04:56Fall down. Break both of my knees.
00:05:00At one sport, I'm really at ease.
00:05:05Anyone for love?
00:05:09I've never won any medals.
00:05:14For being clever or bright.
00:05:18I'm just a living, loving soul.
00:05:23Simply wants to rock and roll.
00:05:27I'm clumsy.
00:05:29Checkers and chess.
00:05:32Golfing.
00:05:34I'm really a mess.
00:05:36But don't lose my name and address.
00:05:41Anyone for love?
00:05:44I'm sorry, I'm going to dry. What about?
00:05:47For hockey, I've little concern.
00:05:52Can't skate.
00:05:54I never could learn.
00:05:57One thing, I constantly yearn.
00:06:02Anyone for love?
00:06:06Like hunting.
00:06:08I shoot the decoy.
00:06:11Yachting.
00:06:13Running to a ball.
00:06:15At one sport, I really enjoy.
00:06:20Anyone for love?
00:06:24I've never set any record.
00:06:29Games that take any strength.
00:06:33To leave the field romantically.
00:06:38To leave the field romantically.
00:06:45Picnics.
00:06:47Can't live in a camp.
00:06:51Outdoors.
00:06:53It's always so damp.
00:06:55But indoors.
00:06:57Shake hands with a child.
00:07:00Anyone for love?
00:07:07Anyone for love?
00:07:31You got it.
00:07:32We've got customers like that too.
00:07:34But they keep coming.
00:08:35No!
00:08:37No!
00:08:39No!
00:08:41Let me go!
00:08:43No!
00:08:45No!
00:08:47No!
00:08:49No!
00:08:51No!
00:08:53No!
00:08:55No!
00:08:57No!
00:08:59No!
00:09:01No!
00:09:03No!
00:09:05No!
00:09:07No!
00:09:08No!
00:09:25Oh!
00:10:03Well, where have you been?
00:10:14Crawls around with my belly in the gutter,
00:10:17looking for dope peddlers and needle pushers.
00:10:21Same filthy thing day in and day out.
00:10:26Now I get a little tired, too.
00:10:28I'd like to get a hold of a couple of million dollars
00:10:30from one of these foundations and hire a few doctors,
00:10:33find out why people keep sticking
00:10:34needles in themselves.
00:10:37I'd like to do that a lot, but I'm
00:10:38too busy here trying to find out how
00:10:40the junk gets into the country.
00:10:42I figure that's more important.
00:10:45I get discouraged, too.
00:10:47Every now and again, we get some little junkie in here
00:10:49who's so far down the line, he's making half a buck
00:10:51profit on a $20 shot.
00:10:54He doesn't even know what year it is,
00:10:56never mind who's hiring him.
00:10:58Doesn't seem to add up, does it?
00:11:00Is that all?
00:11:00No, that's not all.
00:11:03If you'd quit playing the personal crusader
00:11:06and check with the department once in a while,
00:11:08you might find out what you're accomplishing.
00:11:10Just what are we accomplishing?
00:11:12We got the little joker in here who's
00:11:14supplying your waitress friend.
00:11:16Just another slimy broken down?
00:11:19Who knows?
00:11:21Listen.
00:11:23All right.
00:11:24So your contact said his name was Cashlin.
00:11:27I didn't get his name.
00:11:30Would you recognize him?
00:11:33I guess so.
00:11:35If I saw him.
00:11:36I got news for you, Mosker.
00:11:38You're in a sim.
00:11:39Now.
00:11:44Is that the guy?
00:11:47Take him out.
00:11:53Sit down, Cashlin.
00:11:57We want to hear some more about this friend of yours.
00:11:59What's his name?
00:12:00McNally?
00:12:01I told you all about him yesterday.
00:12:05You know what morphine is and what it does to you?
00:12:08You asked me that yesterday, too.
00:12:10How do you know you can't just bring it ashore like that?
00:12:13Well, I.
00:12:14Look, guys.
00:12:16Everybody knows what morphine does to you.
00:12:20Look, guys.
00:12:22Everybody tries to pick up a little estra.
00:12:24Yesterday, you told us about a man
00:12:26you met in a bar in Bordeaux.
00:12:28I'd like to check those names again.
00:12:30What names?
00:12:31Start with the name of the man you met in the bar.
00:12:34I just happened to meet him.
00:12:35It was just a guy.
00:12:36I didn't hear his name.
00:12:37Well, suppose you tell us the names you did hear.
00:12:40Look, I don't want to get in no kind of trouble.
00:12:42Cashlin, you're in so much trouble now,
00:12:44it's going to make your ears wiggle.
00:12:46You can help yourself if you quit stalling.
00:12:47Tell us everything you know.
00:12:52I heard him talk about one guy called Sacco and Guido.
00:12:57Go on.
00:12:58Well, then it was his mat carrying.
00:13:00McNally.
00:13:00Concentrate on McNally.
00:13:02Tell us everything you know about him.
00:13:03Everything.
00:13:05Well, he was some kind of a big shot.
00:13:07Frank McNally, I think his name was then.
00:13:10But he used to change around quite a bit.
00:13:12He could be O'Connell sometimes and O'Hara.
00:13:18Interpol figures he's back in the same old racket
00:13:20under a new name.
00:13:21Yeah?
00:13:22What do you got?
00:13:23Radio from Interpol London to Narcotics Bureau New York.
00:13:26Information received that McNally's partner, Jabo Sacco,
00:13:28living here under false papers.
00:13:30Do you require any action from us?
00:13:32Tell him to sit on him.
00:13:33Keep him on ice.
00:13:36Murphy, I've told you a dozen times that Sacco's in Europe.
00:13:40And wherever he is, McNally can't be far away.
00:13:43Now, let's stop kidding each other.
00:13:45Now, think about it.
00:13:46That's all you do is think about it.
00:13:47Will you stop trying to fight a one-man war?
00:13:50I'll let you know.
00:13:55What's eating you?
00:13:58He wants to bring in McNally.
00:14:00Well, why not?
00:14:03Now, this is a bit before your time.
00:14:06Sturgis' sister used to work for us.
00:14:09McNally murdered her.
00:14:14Before that, I figured Sturgis was the best man we ever had.
00:14:20He still is.
00:14:23This is to Interpol Paris.
00:14:26Notify London, interested Sacco.
00:14:30Hold immediate action pending arrest.
00:14:34London, interested Sacco.
00:14:37Hold immediate action pending arrival tomorrow.
00:14:41Our representative, Charles Sturgis.
00:15:04Charles Sturgis.
00:15:06Charles Sturgis.
00:15:07Charles Sturgis.
00:15:08Charles Sturgis.
00:15:09Charles Sturgis.
00:15:10Charles Sturgis.
00:15:11Charles Sturgis.
00:15:12Charles Sturgis.
00:15:13Charles Sturgis.
00:15:14Charles Sturgis.
00:15:15Charles Sturgis.
00:15:16Charles Sturgis.
00:15:17Charles Sturgis.
00:15:18Charles Sturgis.
00:15:19Charles Sturgis.
00:15:20Charles Sturgis.
00:15:21Charles Sturgis.
00:15:22Charles Sturgis.
00:15:23Charles Sturgis.
00:15:24Charles Sturgis.
00:15:25Charles Sturgis.
00:15:26Charles Sturgis.
00:15:27Charles Sturgis.
00:15:28Charles Sturgis.
00:15:29Charles Sturgis.
00:15:30Charles Sturgis.
00:15:31Charles Sturgis.
00:15:32Charles Sturgis.
00:15:33Charles Sturgis.
00:15:34Charles Sturgis.
00:15:35Charles Sturgis.
00:15:36Charles Sturgis.
00:15:37Charles Sturgis.
00:15:38Charles Sturgis.
00:15:39Charles Sturgis.
00:15:40Charles Sturgis.
00:15:41Charles Sturgis.
00:15:42Charles Sturgis.
00:15:43Charles Sturgis.
00:15:44Charles Sturgis.
00:15:45Charles Sturgis.
00:15:46Charles Sturgis.
00:15:47Charles Sturgis.
00:15:48Charles Sturgis.
00:15:49Charles Sturgis.
00:15:50Charles Sturgis.
00:15:51Charles Sturgis.
00:15:52Charles Sturgis.
00:15:53Charles Sturgis.
00:15:54Charles Sturgis.
00:15:55Charles Sturgis.
00:15:56Charles Sturgis.
00:15:57Charles Sturgis.
00:15:58Charles Sturgis.
00:15:59Charles Sturgis.
00:16:01Interpol's making the world smaller every day now for the international criminal.
00:16:06By turning up a file, Interpol can tell you if a crook smokes Turkish cigarettes, twitches
00:16:11his nose when talking, or hates spaghetti.
00:16:14What does Sarko hate?
00:16:15Right.
00:16:16It was here in the Mediterranean that this particular group caused the most trouble.
00:16:20Tangier, Marseilles, Naples.
00:16:22Cigarettes on the whole, you understand.
00:16:24Got quite nasty in the end.
00:16:26Quite a surprising number of the chaps turned up dead or disappeared.
00:16:30Most of the survivors, we feel, are doing morphine and heroin and that sort of stuff now.
00:16:35That was McNally's old line.
00:16:37All we have on McNally is a sort of composite mental picture.
00:16:40No one's ever seen him.
00:16:41No photographs.
00:16:43He works behind other people.
00:16:45We have heard it said that he's insane.
00:16:46The only way we can find him is through one of his lurid friends.
00:16:50About the Sarko.
00:16:51Oh, Sarko.
00:16:52He's had a go at a bit of everything, including white slavery.
00:16:56But he's been quite discreet lately.
00:16:59He's changed everything about himself.
00:17:01His methods, his habits, his name, even his face.
00:17:05Taken himself apart, you might say.
00:17:08But we've put him back together again, like Humpty Dumpty,
00:17:11with the aid of three or four other countries.
00:17:14He's in for a big surprise.
00:17:16Take a look at the ugly brute.
00:17:18You'll find him changed, of course.
00:17:20Largely for the worse.
00:17:22Anyway, we're paying him a visit later on today.
00:17:29OK.
00:17:40Uh, uh.
00:17:43Uh.
00:17:46Uh.
00:17:47Uh, uh.
00:17:50Uh.
00:17:52Uh.
00:17:59Go inside...you needn't wait.
00:18:21Shut your mouth!
00:18:49How long have you been working for us?
00:18:55How long have you been working for the company?
00:18:58I didn't hear what you said.
00:19:00I'm in a hurry.
00:19:01If everything is all right, may I have the case back?
00:19:04Why are you so nervous?
00:19:07Stay around a while.
00:19:08You know something?
00:19:09You're very beautiful.
00:19:10I'm sorry, I didn't mean to hurt you, I'm sorry, I didn't mean to hurt you, I'm sorry,
00:19:37I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't
00:20:05mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean
00:20:31to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to
00:20:59hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you,
00:21:29I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't
00:21:56mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to
00:22:25hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn't mean to hurt you, I didn
00:22:55Things are moving rather fast for me just now.
00:22:57I'm going to need you.
00:22:58Find somebody else.
00:22:59And you're going to need me, Gina.
00:23:02Just leave me alone.
00:23:03Alone?
00:23:05Have you any idea what would happen to you if I left you alone?
00:23:09Don't you know what happens to girls who shoot people?
00:23:12The law's very strict about this sort of thing, you know.
00:23:14It says you can't go around shooting people, no matter how unpleasant you find their advances.
00:23:20Awfully silly, isn't it?
00:23:22But they are.
00:23:23But when you have good friends to take care of things...
00:23:26Yes, now.
00:23:27I have to go presently.
00:23:29I have to see some people later on tonight.
00:23:31I'm going to Rome in the morning.
00:23:33I want you to go to Lisbon.
00:23:35Your tickets are in here.
00:23:36This is where I want you to go in Lisbon.
00:23:38There's something I want you to pick up there for me and bring it over to me in Rome.
00:23:41What is it?
00:23:42Just something I want you to pick up, darling.
00:23:45Will you meet me?
00:23:47It's all taken care of.
00:23:50Now, now, now, don't worry about what's happened today.
00:23:54Unless you decide not to do as I tell you, then you can start worrying.
00:23:58You see, doll, we both need each other.
00:24:04Here's a little present for you.
00:24:07Hmm?
00:24:10Hmm.
00:24:11I may borrow it back later, but just now it's yours.
00:24:15You just want me to get it through customs.
00:24:16Oh, Gina, now, don't be so cruel.
00:24:21Say your mum gave it to you.
00:24:22Don't forget to smile at the boys.
00:24:24Frank.
00:24:25Yeah?
00:24:26Sometimes I think you are a little mad.
00:24:30Well, I got a certificate a long time ago to say I was sane.
00:24:34I'll bet you haven't got one.
00:24:37Well, it's coming through now, sir.
00:24:40It's faster than I imagined.
00:24:42We're in luck, aren't we?
00:24:44Have verified fingerprints, code number 845, as Gina Broger,
00:24:50holding Greek passport number 8241,
00:24:53issued Athens, 10th of April, 1950.
00:24:56No known criminal record, but friendly
00:24:58with McNally and Salko.
00:25:00Whereabouts at present unknown.
00:25:03Hmm, pretty good.
00:25:04Gillings, get up.
00:25:06What are the chances of finding her?
00:25:08Pretty good.
00:25:09Take this down, eh?
00:25:10Yes, sir.
00:25:13To Interpol, Paris.
00:25:16Excellence, and thanks very much.
00:25:19Will you please circularize all bureaus
00:25:23and alert all immigration authorities?
00:25:26I'm sorry.
00:25:27I'm sorry.
00:25:28I'm sorry.
00:25:29I'm sorry.
00:25:30I'm sorry.
00:25:31I'm sorry.
00:25:32I'm sorry.
00:25:33I'm sorry.
00:25:34I'm sorry.
00:25:35I'm sorry.
00:25:36I'm sorry.
00:25:37I'm sorry.
00:25:38I'm sorry.
00:25:39I'm sorry.
00:25:40I'm sorry.
00:25:41I'm sorry.
00:25:42I'm sorry.
00:25:43I'm sorry.
00:25:44I'm sorry.
00:25:45I'm sorry.
00:25:46I'm sorry.
00:25:47I'm sorry.
00:25:48I'm sorry.
00:25:49I'm sorry.
00:25:50I'm sorry.
00:25:51I'm sorry.
00:25:52I'm sorry.
00:25:53I'm sorry.
00:25:54I'm sorry.
00:25:56How much Portuguese money have you in the box?
00:26:085,000 scudas?
00:26:09How much Portuguese money do you have, senorita?
00:26:107,000 scudas.
00:26:13Right.
00:26:15Excuse me just a moment, please, senorita.
00:26:24Extraordinary these money out of countries, don't you think, Watt?
00:26:27Ha, ha, ha.
00:26:30I don't suppose you've ever been in Bolivia?
00:26:33I'll give you a tip.
00:26:35Never arrive in Bolivia on a Saturday, Sunday or Tuesday.
00:26:39Sorry to keep you waiting, senorita.
00:26:42Thank you.
00:26:49Interpol Lisbon to Interpol London.
00:26:52Gina Broja arrived this morning.
00:26:55Registered Hotel Grande Nationale Estoril.
00:26:59Do you want surveillance?
00:27:03Yes, I think we do, don't we?
00:27:05Reply yes.
00:27:06How long will it take me to get down there?
00:27:08You're quite sure that that's the thing to do?
00:27:10Quite sure.
00:27:12Ask Paris to tell Lisbon that Charles Sturges is arriving.
00:27:22♪
00:27:51♪
00:28:09Wait here, please.
00:28:18Madame?
00:28:19I'm looking for a valise or case of some sort.
00:28:22For letters or jewellery?
00:28:24Your work was recommended by Mr. Salvano of Paris.
00:28:28He thought you might have something suitable.
00:28:30I believe I have just what you want.
00:28:39Entirely handmade, finest leather.
00:28:42Thank you, madame.
00:28:49♪
00:28:54Thank you, senorita.
00:28:55To the airport, please.
00:28:56♪
00:29:18I will make, please, a personal call to Rome.
00:29:21The name is Guido Martinelli.
00:29:25Rome 498629.
00:29:30I think I know who it is.
00:29:32All right.
00:29:34♪
00:29:45The American.
00:29:47Probably the one we were told about.
00:29:49He's been following the girl.
00:29:51All right.
00:29:52Keep a lookout.
00:29:54If he shows up here, I'll look after him.
00:29:59Or you can.
00:30:01♪
00:30:11A sword.
00:30:13All right, ciao.
00:30:15Hi, Barris.
00:30:17What did you say?
00:30:18Is this time our little cargo?
00:30:20I didn't say.
00:30:21Heroin or morphine?
00:30:22Any difference to you?
00:30:24I understand heroin is bringing better prices in the States.
00:30:28That's why it's heroin.
00:30:30You've been studying the fluctuating market, haven't you, Barris?
00:30:33How are you getting it into Athens?
00:30:35Who'd expect Lebanese opium,
00:30:37processed in Naples,
00:30:39to go to New York by way of Athens?
00:30:41Brilliant, don't you think?
00:30:43When do you sail?
00:30:44Anytime from the 10th on.
00:30:46I do not control the loading, you know.
00:30:49How much is there this time?
00:30:56Well, I must know.
00:30:58To judge the space.
00:31:00To make the best arrangements.
00:31:02About 70 kilos.
00:31:0470 kilos?
00:31:06I haven't planned on so much.
00:31:08Do you realize this is worth $3 million?
00:31:11You have been studying the market, haven't you, Barris?
00:31:14I, too, understand you have made some very good buys in Tangier,
00:31:18in industrial diamonds.
00:31:20It should easily cover your expenses.
00:31:22I see no reason why I shouldn't have a fair profit, too.
00:31:25No, no, no.
00:31:26Under these circumstances,
00:31:28I cannot offer you my facilities for less than $50,000,
00:31:33or the equivalent.
00:31:34No?
00:31:35Perhaps you would like to find someone else?
00:31:37We're not going to quarrel, Barris.
00:31:39There's not time.
00:31:41Sweet kids these, aren't they?
00:31:43They bring out the family man in me.
00:31:45We will not quarrel.
00:31:46No, we will not quarrel.
00:31:48But I'd like to give you a little warning.
00:31:50Don't try to blackmail me again, or we might.
00:31:54See you around.
00:32:06Fasten your seat belts, please.
00:32:11Will you put your cigarette out, please?
00:32:13Sorry.
00:32:35How do you do?
00:32:57Greetings, Your Excellency.
00:32:59How do you do?
00:33:00Let's have a smile.
00:33:01Italy announces the departure of flight number 11 for Naples.
00:33:06Italy announces the departure of flight number 11 for Naples.
00:33:32Hello, Mr. Foster.
00:33:44You remember me?
00:33:45Go away.
00:33:47I mistake you.
00:33:48I thought you were a friend of mine, you know?
00:33:51I apologize.
00:33:53Varoli, Captain Varoli.
00:33:55I was asked to meet you.
00:34:13Signore?
00:34:14No, thank you.
00:34:26The little case, please.
00:34:42Thank you.
00:34:53Telephone, Miss Roger.
00:34:57Telephone, Miss Roger.
00:34:59Thank you, Signore.
00:35:25Here it is.
00:35:28I think there was much more of that scrimmage on the field when I met the eye.
00:35:31Perhaps so.
00:35:35Another plane.
00:35:36Could you find out where it's going?
00:35:38Of course.
00:35:44Connect me with the airport, please.
00:35:45I wish to speak with Signore Borghese.
00:35:50Borghese, control.
00:35:52This is Captain Varoli.
00:35:53Which local plane left one hour ago?
00:35:55Yes, Captain.
00:35:57That will be number 11 to Napoli.
00:35:59Arriving there at 1832.
00:36:01Si.
00:36:03Any minute now.
00:36:27There's a lot of stuff this time.
00:36:29You could retire on that.
00:36:30I intend to.
00:36:31You retire on this.
00:36:32How much?
00:36:33$5,000.
00:36:34Could you make it $5,500?
00:36:35No, I couldn't.
00:36:36I took a big risk this time.
00:36:37That's your problem.
00:36:38Give me the keys.
00:36:39I'm in a hurry.
00:36:40Work with you make me bore all my life.
00:36:42Life's pretty short, amigo.
00:37:22Here we go.
00:37:43Usual arrangements, Guido?
00:37:47Right, sir.
00:37:48I'm going back to Rome.
00:37:49I want you to follow me.
00:37:50Never mind, that's not your business. I'll look after the guy.
00:37:52All right, get to work.
00:38:20I'll take care of it.
00:38:21I'll take care of it.
00:38:22I'll take care of it.
00:38:23I'll take care of it.
00:38:24I'll take care of it.
00:38:25I'll take care of it.
00:38:26I'll take care of it.
00:38:27I'll take care of it.
00:38:28I'll take care of it.
00:38:29I'll take care of it.
00:38:30I'll take care of it.
00:38:31I'll take care of it.
00:38:32I'll take care of it.
00:38:33I'll take care of it.
00:38:34I'll take care of it.
00:38:35I'll take care of it.
00:38:36I'll take care of it.
00:38:37I'll take care of it.
00:38:38I'll take care of it.
00:38:39I'll take care of it.
00:38:40I'll take care of it.
00:38:41I'll take care of it.
00:38:42I'll take care of it.
00:38:43I'll take care of it.
00:38:45I'll take care of it.
00:38:46I'll take care of it.
00:38:47I'll take care of it.
00:38:48I'll take care of it.
00:38:49I'll take care of it.
00:38:50I'll take care of it.
00:38:51I'll take care of it.
00:38:52I'll take care of it.
00:38:53I'll take care of it.
00:38:54I'll take care of it.
00:38:55I'll take care of it.
00:38:56I'll take care of it.
00:38:57I'll take care of it.
00:38:58I'll take care of it.
00:38:59I'll take care of it.
00:39:00I'll take care of it.
00:39:01I'll take care of it.
00:39:02I'll take care of it.
00:39:03I'll take care of it.
00:39:04I'll take care of it.
00:39:05I'll take care of it.
00:39:06I'll take care of it.
00:39:07I'll take care of it.
00:39:08I'll take care of it.
00:39:10How did you get in here?
00:39:11You shouldn't leave your key in the door.
00:39:14Anyone might walk in.
00:39:16A crook or anyone.
00:39:19Thanks for the case.
00:39:22Any trouble with customs?
00:39:24Customs?
00:39:26No.
00:39:28How's my wandering girl?
00:39:32I suppose you came for those.
00:39:34Oh, I'm sorry.
00:39:37I suppose you came for those.
00:39:39Oh, dear.
00:39:41They look much prettier on you than they do on me.
00:39:44Anyway, they're no problem.
00:39:47I'm more concerned at the moment with a certain gentleman
00:39:50who appears to be interested in you.
00:39:53It may have something to do with Salka, of course.
00:39:55On the other hand, it may have something to do with me.
00:39:57Anyway, he's following you.
00:40:01Frank, I can't get on with it any longer.
00:40:03No nonsense, dear.
00:40:04Now look, it's 10 o'clock.
00:40:05I want you dressed and out of here in half an hour.
00:40:08Just take a walk, anywhere.
00:40:10Do you know the catacombs?
00:40:12My dear, you haven't been to Rome and not seen the catacombs.
00:40:15That's where you should finish your walk.
00:40:18Be there at 12.
00:40:21Your key, honey.
00:40:25Ciao.
00:40:35Ciao.
00:40:36Ciao.
00:41:06I'm sorry.
00:41:07I'm sorry.
00:41:08I'm sorry.
00:41:09I'm sorry.
00:41:10I'm sorry.
00:41:11I'm sorry.
00:41:12I'm sorry.
00:41:13I'm sorry.
00:41:14I'm sorry.
00:41:15I'm sorry.
00:41:16I'm sorry.
00:41:17I'm sorry.
00:41:18I'm sorry.
00:41:19I'm sorry.
00:41:20I'm sorry.
00:41:21I'm sorry.
00:41:22I'm sorry.
00:41:23I'm sorry.
00:41:24I'm sorry.
00:41:25I'm sorry.
00:41:26I'm sorry.
00:41:27I'm sorry.
00:41:28I'm sorry.
00:41:29I'm sorry.
00:41:30I'm sorry.
00:41:31I'm sorry.
00:41:32I'm sorry.
00:41:33I'm sorry.
00:41:34I'm sorry.
00:41:35I'm sorry.
00:41:36I'm sorry.
00:41:37I'm sorry.
00:41:38I'm sorry.
00:41:39I'm sorry.
00:41:40I'm sorry.
00:41:41I'm sorry.
00:41:42I'm sorry.
00:41:43I'm sorry.
00:41:44I'm sorry.
00:41:45I'm sorry.
00:41:46I'm sorry.
00:41:47I'm sorry.
00:41:48I'm sorry.
00:41:49I'm sorry.
00:41:50I'm sorry.
00:41:51I'm sorry.
00:41:52I'm sorry.
00:41:53I'm sorry.
00:41:54I'm sorry.
00:41:55I'm sorry.
00:41:56I'm sorry.
00:41:57I'm sorry.
00:41:58I'm sorry.
00:41:59I'm sorry.
00:42:00I'm sorry.
00:42:01I'm sorry.
00:42:02I'm sorry.
00:42:03I'm sorry.
00:42:04I'm sorry.
00:42:05I'm sorry.
00:42:06I'm sorry.
00:42:07I'm sorry.
00:42:08I'm sorry.
00:42:09I'm sorry.
00:42:10I'm sorry.
00:42:11I'm sorry.
00:42:12I'm sorry.
00:42:13I'm sorry.
00:42:14I'm sorry.
00:42:15I'm sorry.
00:42:16I'm sorry.
00:42:17I'm sorry.
00:42:18I'm sorry.
00:42:19I'm sorry.
00:42:20I'm sorry.
00:42:21I'm sorry.
00:42:22I'm sorry.
00:42:23I'm sorry.
00:42:24I'm sorry.
00:42:25I'm sorry.
00:42:26I'm sorry.
00:42:27I'm sorry.
00:42:28I'm sorry.
00:42:29I'm sorry.
00:42:30I'm sorry.
00:42:31I'm sorry.
00:42:32I'm sorry.
00:42:33I'm sorry.
00:42:34I'm sorry.
00:42:35I'm sorry.
00:42:36I'm sorry.
00:42:37I'm sorry.
00:42:38I'm sorry.
00:42:39I'm sorry.
00:42:40I'm sorry.
00:42:41I'm sorry.
00:42:42I'm sorry.
00:42:43I'm sorry.
00:42:44I'm sorry.
00:42:45I'm sorry.
00:42:46I'm sorry.
00:42:47I'm sorry.
00:42:48I'm sorry.
00:42:49I'm sorry.
00:42:50I'm sorry.
00:42:51I'm sorry.
00:42:52I'm sorry.
00:42:53I'm sorry.
00:42:54I'm sorry.
00:42:55I'm sorry.
00:42:56I'm sorry.
00:42:57I'm sorry.
00:42:58I'm sorry.
00:42:59I'm sorry.
00:43:00I'm sorry.
00:43:01You'll bet she'll embarrass you.
00:43:02File of Christian bones from the pagan bones?
00:43:04Huh?
00:43:05Complete historical information.
00:43:06All about mother...
00:43:07How about a flashlight?
00:43:08Very dark in the catacombs.
00:43:10Spooky, spooky.
00:43:11Makes sure you don't fall over.
00:43:12Get a run in your stocking.
00:43:14Doesn't anybody want to buy a flashlight?
00:43:19Use any Razor blades today, Max?
00:43:21All types, kinds genuine American Razor Blades.
00:43:24Best deal you can buy.
00:43:26Well, how about a flashlight for the catacombs.
00:43:27See a way in the dark.
00:43:30Genuine American silk ties.
00:43:32You really ought to have some of these blades, Max, they're the most.
00:43:35This is the best steel you can buy.
00:43:36No? Well, how about some nice pictures of pretty girls, huh?
00:43:40I got a better idea. How about some sunglasses for the catacombs?
00:43:43Sunglasses for the catacombs. Joke.
00:43:44Look, Max, if you had some sunglasses, I'd buy them from you.
00:43:53You look like a man who writes home. How about a pen?
00:44:30Why, do we come now to what might, with historical justification,
00:44:34be termed the original catacombs of Rome,
00:44:37since the ancient topographical name of this ground was Ad Catacumbus,
00:44:42from which the modern word catacombs is derived,
00:44:45and which was later extended to mean any subterranean burial ground.
00:44:50Throughout the 4th century, interments here were customary,
00:44:54but they became rarer towards the end of that century
00:44:57and were entirely discontinued in the 5th.
00:45:00I would like everyone to keep together,
00:45:02as the arrangement of the catacombs is extremely complicated.
00:45:06Narrow passages, two and a half feet wide, or so,
00:45:09were excavated and furnished with loculi,
00:45:13or recesses in the walls, exactly the length of the body to be interred.
00:45:17During the frequent devastations undergone by the city,
00:45:21the catacombs were also pillaged and injured,
00:45:24the first time on the occasion of the siege by the Goths in 537.
00:45:30Now, okay, I'm going to keep you on the move.
00:45:35But why all this?
00:45:36I don't have to tell you why.
00:45:38In a few days, you're going to Athens.
00:45:40Right now, get back to your hotel.
00:45:42Not that way.
00:45:44There's an exit over there. Make it fast.
00:45:46...friendly of Mr. Churchill,
00:45:48he caused 28 wagonloads of the bones of the saints
00:45:52to be deposited beneath the altar.
00:45:55The catacombs, however, still enjoy the veneration of pilgrims
00:45:58and the devout.
00:46:00Now, Pope Genesis I caused numerous restorations to be made,
00:46:04and staircases were constructed to facilitate the access of visitors.
00:46:10During the 3rd century, the persecuted Christians
00:46:13frequently sought sanctuary in the catacombs.
00:46:16Now, many of these unfortunates, as perhaps you know,
00:46:19suffered martyrdom here, in their very place of refuge.
00:46:24Now, we come to the tombs of four bishops,
00:46:27murdered in this very spot.
00:46:33Oh, I'm sorry. I shouldn't have warned you.
00:46:35The mask was cast after death.
00:46:58Miss?
00:47:02Miss?
00:47:03Can I help you, senor?
00:47:05For a moment, I thought you could.
00:47:11Hey, you sure you don't want any razorblades today, Max?
00:47:13I use an electric razor.
00:47:15You look like a man with a problem. Take care of that, will you?
00:47:17I know. Who hasn't?
00:47:18I'm a man with a problem.
00:47:19I'm a man with a problem.
00:47:20I'm a man with a problem.
00:47:21I'm a man with a problem.
00:47:22I'm a man with a problem.
00:47:23I'm a man with a problem.
00:47:24I'm a man with a problem.
00:47:25I'm a man with a problem.
00:47:26I'm a man with a problem.
00:47:27I'm from New York myself.
00:47:29121st Amsterdam Avenue.
00:47:32I got a bad break. You know how it is.
00:47:33They get one person mixed up with another person who
00:47:36maybe was possibly mixed up in some kind of racket.
00:47:39Before you know where you are,
00:47:40they hand you your exhibition papers.
00:47:43I got no complaints.
00:47:45Some of the boys hold complaints.
00:47:46My name?
00:47:47Amalio.
00:47:48I do all right.
00:47:49You know how it is.
00:47:50Buck here, buck there.
00:47:51Six years now.
00:47:53For me, it's not too bad.
00:47:54Yeah, so happens I'm familiar with the language.
00:47:57I like spaghetti all right.
00:47:58I keep in touch.
00:47:59So I sometimes find myself in a position to be of help.
00:48:04Like now.
00:48:06As a friendly type offer, just let me say this.
00:48:10She ain't coming out, Max.
00:48:13Not today.
00:48:16You're watching a dry hole.
00:48:18Her and her friends left.
00:48:20They ain't going to show.
00:48:25What friends?
00:48:26Introduction type offer's over now, Max.
00:48:29From here on in, strictly business.
00:48:32You wouldn't be interested in money, would you?
00:48:35I tell you what I'm going to do with you.
00:48:37I'm going to make you a real reasonable type offer.
00:48:39I think I get the picture here in a general way.
00:48:42You a cop or something like that?
00:48:46I see what you mean.
00:48:47Anyway, first thing I got to do is
00:48:49ask a few questions around, find out
00:48:51what the word is on this individual
00:48:53she meets down there, who, uh, I think I recognize.
00:48:58Interested?
00:48:59It all depends who the individual is.
00:49:02I'll make a few phone calls, arrangements like that.
00:49:05For which, I get a keeper, huh?
00:49:08Say, 50?
00:49:10Make it 25.
00:49:14I'm going to write you down a place we meet later on tonight.
00:49:17If I come up with anything you want,
00:49:19you pay me, say, $2.50.
00:49:25It all depends what it is.
00:49:28Well, while you're making up your mind, Max, uh, be my guest,
00:49:33huh?
00:49:33Yeah.
00:49:34Hey, just a few of us.
00:49:48Ha, ha, ha.
00:49:50All right.
00:49:51All right.
00:49:52All right.
00:49:52All right.
00:49:53Oh, no.
00:50:23Ha, ha, ha, ha, you crazy.
00:50:29Come on down.
00:50:30I'll see you later.
00:50:33It went wrong.
00:50:34A woman screamed.
00:50:35Well?
00:50:36Afterwards, he talked to the yank, the one
00:50:38that touts outside the catacombs.
00:50:39He sells news to the police.
00:50:41Does he now?
00:50:43Let's see if we can cook up something for him.
00:50:46Something very special for Mr. Sturgis.
00:50:48He's still tailing the girl.
00:50:50Get her on the phone.
00:50:51But if we bring her on the phone, I want to talk to her.
00:50:54All right.
00:51:22Hold it, Max.
00:51:23I got something for you.
00:51:28Don't feel right in here tonight, if you know what I mean.
00:51:32One or two individual persons I don't recognize.
00:51:36We can have our little talk while we promenade along.
00:51:40$200, OK?
00:51:41Depends on what you've got.
00:51:43This individual that interests you,
00:51:46what did you say you thought his name was?
00:51:47Mack something or other?
00:51:48His name could be McNally.
00:51:51What do you think it is?
00:51:52I don't have that information yet,
00:51:54but I get the idea he had to go dark a couple of years ago.
00:51:56Something in Tangier.
00:51:58Dark?
00:51:59What do you mean?
00:52:00Dark, incognito, skippity hop.
00:52:02Bought himself a handful of all kinds of passports,
00:52:04got himself fixed up with a little plastic surgery.
00:52:07The name he uses depends on what day of the week it is.
00:52:09The only reason I was able to get this
00:52:11is this is no popularity boy in some quarters I know.
00:52:15Competitive business, you understand.
00:52:17What business?
00:52:19Happy stuff.
00:52:21Amalio, I think I should tell you.
00:52:23If anyone does anything twisty with me, I get mad.
00:52:28Max, we was talking about $200.
00:52:33The first installment.
00:52:36I'll take you to a place.
00:52:51There's a hotel up that alley on your right.
00:52:54First floor, room seven.
00:52:55Walk right in.
00:52:56You're expected.
00:53:10Hello, baby.
00:53:11Got a light?
00:53:51No.
00:54:06Your friend told me you wanted to see me.
00:54:08Here I am.
00:54:10I'll make it fast.
00:54:11Sit down.
00:54:21The minute I'm tired of chasing you or anything happens to me,
00:54:26they'll pick you up faster than a $20 gold piece.
00:54:29I sound fascinating.
00:54:31I stopped being fascinated by dope
00:54:33predators a long time ago.
00:54:35You can go on acting like you're brave if you want to,
00:54:38but you're in trouble.
00:54:40Serious trouble.
00:54:42What I want from you is Frank McNally.
00:54:44You help me find him, and I'll do everything
00:54:48in my power to help you.
00:54:51Come on.
00:54:52Let's go.
00:55:22Ah!
00:55:26Ah!
00:55:51Oh!
00:56:08Hey, guys.
00:56:09Egghead!
00:56:12For the 10th time, someone has made a mistake.
00:56:16Now, would you call Captain Feroli,
00:56:18tell him that Sturgis is here.
00:56:20Having to send someone down to get me out of this dump.
00:56:23Signore, you are here on Captain Baroli's orders.
00:56:26That's impossible.
00:56:28It is for your own safety, Signore.
00:56:29I'll worry about my safety.
00:56:31Just go call Baroli.
00:56:33I think this will not be necessary, Signore.
00:56:35What do you mean it won't be necessary?
00:56:50Be seated, Mr. Sturgis.
00:57:02What's the idea of holding me in jail?
00:57:04I think my men have already explained that to you.
00:57:06Please, sit down.
00:57:11It may interest you to know that at this moment,
00:57:14you are the target of every thug in Rome who carries a gun.
00:57:18There's only one thug I care about.
00:57:20I understand that.
00:57:21But there appear to be some things
00:57:23that you do not understand.
00:57:25Mr. Sturgis, I work not only for, but with, Interpol.
00:57:29Interpol is an organization that
00:57:31depends more on cooperation than on the kind
00:57:34of rash, individual action that you have just displayed.
00:57:38Commissioner Brechner in London, Commissioner Roquet in Paris.
00:57:41They are not only my associates, but also
00:57:43my very close friends.
00:57:45When they ask me to do something, I do it.
00:57:48In this case, I have tried to work with you, to protect you.
00:57:50I have done my best.
00:57:52My men have done their best.
00:57:54In fact, it is quite possible one of them
00:57:55saved your life last night.
00:57:58If you want our cooperation in the future,
00:58:00then you must give us yours.
00:58:02We must work together, not at cross purposes.
00:58:06All right, I'm wrong.
00:58:11Where's the girl?
00:58:12She left Rome for Athens this morning,
00:58:15but the Greek police have just arrested
00:58:18someone who may interest you even more than Miss Proger.
00:58:21A man, if you can call him that, by the name of Etienne Faiala.
00:58:26How does he fit in?
00:58:27London informed me that he worked for Salko
00:58:30and also probably for McNally.
00:58:34Ah, Interpol Athens to Interpol Rome.
00:58:38Etienne Faiala has confessed he worked for Salko
00:58:42and McNally.
00:58:43Stop.
00:58:45He brought Salko to Athens and believes he is still
00:58:49alive and hiding here.
00:58:51Stop.
00:58:52We'll hold action pending arrival.
00:58:54Interested parties?
00:58:56Very interested.
00:58:58If you go now to Ciampino Airport,
00:58:59you can make connection with the London Athens plane.
00:59:02This will get you on board the plane.
00:59:05On it, you will meet Mr. Curtis from London.
00:59:07He is going to Athens to identify Faiala
00:59:09and, uh, and also to take care of you.
00:59:13You'd better keep my cell, Dustin.
00:59:14I might be back.
00:59:19Hey, Max, how'd it shape up?
00:59:20Did you meet the girl all right?
00:59:21Yeah.
00:59:22But you forgot to tell me that she had six boyfriends.
00:59:25Oh, now, hold it, Max.
00:59:26Don't get the wrong impression.
00:59:27Would I be here right now if I was going to cross you, huh?
00:59:30Just don't.
00:59:32Do you know where she is now?
00:59:33Athens.
00:59:34Athens?
00:59:35What would she be doing goofing off
00:59:36to a crazy place like Athens?
00:59:38Because she's a goof.
00:59:40Oh, Amalio, if you ever need any extra change,
00:59:43I'll see you there.
00:59:44You know me, Max.
00:59:45I hate money.
00:59:53Lovely old city, Athens.
00:59:55Always wanted to get a look at it.
00:59:57Let me see that picture of Faiala again.
01:00:08I tried.
01:00:09I tried to do as you say, but.
01:00:11Faiala, we are getting very tired of following you around.
01:00:15You helped bring Sato from London.
01:00:16So you should know where he is.
01:00:19He's never in one place more than one or two days.
01:00:21He's always moving.
01:00:25I've got another idea.
01:00:27I've got a friend.
01:00:28Maybe he can help.
01:00:29You're going now, huh?
01:00:31Let's go.
01:00:39Watch the street.
01:00:42Come on.
01:00:45Come on.
01:00:56Where is this?
01:00:58Why am I coming here?
01:01:00I'm very tired.
01:01:01I'm not so strong to travel.
01:01:04You're coming here because this is where I want you.
01:01:07Don't worry now.
01:01:08I'm going to take care of you.
01:01:29You've got everything you need here.
01:01:30So it's a pretty good deal.
01:01:33I would like to see a girl again.
01:01:35Well, let me see her again.
01:01:37I have something to say to her.
01:01:42I'm very hot.
01:01:44I have a bad pain.
01:01:45I think I'm going to die.
01:01:48Oh, Doctor.
01:01:49At least you got a shot.
01:01:50I need something now.
01:01:51Yes, yes.
01:01:52Come on, now.
01:01:53I need some ready cash to operate with.
01:01:55It's in the interest of our partnership.
01:01:57Oh, do you say?
01:01:59It's in the interest of our partnership.
01:02:01Oh, do you say?
01:02:03Oh, do you say?
01:02:04It's in the interest of our partnership.
01:02:06Oh, do you say?
01:02:07It's in the interest of our partnership.
01:02:08Oh, do you say?
01:02:09It's in the interest of our partnership.
01:02:10Oh, do you say?
01:02:11It's in the interest of our partnership.
01:02:12Oh, do you say?
01:02:13It's in the interest of our partnership.
01:02:14Oh, do you say?
01:02:15It's in the interest of our partnership.
01:02:16Oh, do you say?
01:02:17It's in the interest of our partnership.
01:02:18Oh, do you say?
01:02:19It's in the interest of our partnership.
01:02:20Oh, do you say?
01:02:21It's in the interest of our partnership.
01:02:22Oh, do you say?
01:02:23It's in the interest of our partnership.
01:02:24Oh, do you say?
01:02:25It's in the interest of our partnership.
01:02:26Oh, do you say?
01:02:27It's in the interest of our partnership.
01:02:28Oh, do you say?
01:02:29It's in the interest of our partnership.
01:02:30Oh, do you say?
01:02:31It's in the interest of our partnership.
01:02:32Oh, do you say?
01:02:33It's in the interest of our partnership.
01:02:34Oh, do you say?
01:02:35It's in the interest of our partnership.
01:02:36Oh, do you say?
01:02:37It's in the interest of our partnership.
01:02:38Oh, do you say?
01:02:39It's in the interest of our partnership.
01:02:40Oh, do you say?
01:02:41It's in the interest of our partnership.
01:02:42Oh, do you say?
01:02:43It's in the interest of our partnership.
01:02:44Oh, do you say?
01:02:45It's in the interest of our partnership.
01:02:46Oh, do you say?
01:02:47It's in the interest of our partnership.
01:02:48Oh, do you say?
01:02:49It's in the interest of our partnership.
01:02:50Oh, do you say?
01:02:51It's in the interest of our partnership.
01:02:52Oh, do you say?
01:02:53It's in the interest of our partnership.
01:02:54Oh, do you say?
01:02:55It's in the interest of our partnership.
01:02:56Oh, do you say?
01:02:57It's in the interest of our partnership.
01:02:58Oh, do you say?
01:02:59It's in the interest of our partnership.
01:03:00Oh, do you say?
01:03:01It's in the interest of our partnership.
01:03:02Oh, do you say?
01:03:03It's in the interest of our partnership.
01:03:04Oh, do you say?
01:03:05It's in the interest of our partnership.
01:03:06Oh, do you say?
01:03:07It's in the interest of our partnership.
01:03:08Oh, do you say?
01:03:09It's in the interest of our partnership.
01:03:10Oh, do you say?
01:03:11It's in the interest of our partnership.
01:03:12Oh, do you say?
01:03:13It's in the interest of our partnership.
01:03:14Oh, do you say?
01:03:15It's in the interest of our partnership.
01:03:16Oh, do you say?
01:03:17It's in the interest of our partnership.
01:03:18Oh, do you say?
01:03:19It's in the interest of our partnership.
01:03:20Oh, do you say?
01:03:21It's in the interest of our partnership.
01:03:22Oh, do you say?
01:03:23It's in the interest of our partnership.
01:03:24Oh, do you say?
01:03:25It's in the interest of our partnership.
01:03:26Oh, do you say?
01:03:27It's in the interest of our partnership.
01:03:28Oh, do you say?
01:03:29It's in the interest of our partnership.
01:03:30Oh, do you say?
01:03:31It's in the interest of our partnership.
01:03:32Oh, do you say?
01:03:33It's in the interest of our partnership.
01:03:34Oh, do you say?
01:03:35It's in the interest of our partnership.
01:03:36Oh, do you say?
01:03:37It's in the interest of our partnership.
01:03:38Oh, do you say?
01:03:39It's in the interest of our partnership.
01:03:40Oh, do you say?
01:03:41It's in the interest of our partnership.
01:03:42Oh, do you say?
01:03:43It's in the interest of our partnership.
01:03:44Oh, do you say?
01:03:45It's in the interest of our partnership.
01:03:46Oh, do you say?
01:03:47It's in the interest of our partnership.
01:03:48Oh, do you say?
01:03:49It's in the interest of our partnership.
01:03:50Oh, do you say?
01:03:51It's in the interest of our partnership.
01:03:52Oh, do you say?
01:03:53It's in the interest of our partnership.
01:03:54Oh, do you say?
01:03:55It's in the interest of our partnership.
01:03:56Oh, do you say?
01:03:57It's in the interest of our partnership.
01:03:58Oh, do you say?
01:03:59Oh, do you say?
01:04:00It's in the interest of our partnership.
01:04:01Oh, do you say?
01:04:02It's in the interest of our partnership.
01:04:03Oh, do you say?
01:04:04It's in the interest of our partnership.
01:04:05Oh, do you say?
01:04:06It's in the interest of our partnership.
01:04:07Oh, do you say?
01:04:08It's in the interest of our partnership.
01:04:09Oh, do you say?
01:04:10It's in the interest of our partnership.
01:04:11Oh, do you say?
01:04:12It's in the interest of our partnership.
01:04:13Oh, do you say?
01:04:14It's in the interest of our partnership.
01:04:15Oh, do you say?
01:04:16It's in the interest of our partnership.
01:04:17Oh, do you say?
01:04:18It's in the interest of our partnership.
01:04:19Oh, do you say?
01:04:20It's in the interest of our partnership.
01:04:21Oh, do you say?
01:04:22It's in the interest of our partnership.
01:04:23Oh, do you say?
01:04:24It's in the interest of our partnership.
01:04:25Oh, do you say?
01:04:26It's in the interest of our partnership.
01:04:27Oh, do you say?
01:04:28It's in the interest of our partnership.
01:04:29Oh, do you say?
01:04:30It's in the interest of our partnership.
01:04:31Oh, do you say?
01:04:32It's in the interest of our partnership.
01:04:33Oh, do you say?
01:04:34It's in the interest of our partnership.
01:04:35Oh, do you say?
01:04:36It's in the interest of our partnership.
01:04:37Oh, do you say?
01:04:38It's in the interest of our partnership.
01:04:39Oh, do you say?
01:04:40It's in the interest of our partnership.
01:04:41Oh, do you say?
01:04:42It's in the interest of our partnership.
01:04:43Oh, do you say?
01:04:44It's in the interest of our partnership.
01:04:46You've got to move fast.
01:04:48Your plane goes at 5.
01:04:49You've got to move fast.
01:04:50Your plane goes at 5.
01:04:51I'm not coming with you, Philip.
01:04:52You've got to move fast.
01:04:53Your plane goes at 5.
01:04:54I'm not coming with you, Philip.
01:04:59No, we're going separately.
01:05:00We'll meet in New York.
01:05:01Go straight to the Bellevue on Lexington.
01:05:03By the way, I'll need those bracelets.
01:05:05I'm running a bit short.
01:05:06But, two weeks from now, honey, don't worry.
01:05:09I'll have all the money a man can give a woman.
01:05:13Yes, and here are your tickets.
01:05:18Frank, I meant I'm not coming with you.
01:05:23You are not going to tell me what to do anymore.
01:05:33You stupid girl.
01:05:35Here are your tickets.
01:05:37Do you realize I could have had any doll doing errands for me?
01:05:42But I've never wanted any doll.
01:05:46We'll meet on the other side.
01:05:49If we don't, well, just think of Salco.
01:06:12See that she catches that plane.
01:06:15I'm going to be busy for a few hours, so don't look for me unless it's very urgent.
01:06:26Nothing here.
01:06:27Okay, special information.
01:06:28Stay in here a minute, Max.
01:06:29What did you find out?
01:06:31I get around, Max. It's my business.
01:06:33My business is your business.
01:06:35Don't bother with no introductions.
01:06:37I got big news for you.
01:06:39Very interesting.
01:06:40Well, I figured you'd betray my traveling expenses, printing costs.
01:06:44You understand.
01:06:45Got me a beautiful passport.
01:06:46Cost me a hundred bucks.
01:06:47All right.
01:06:50Well, that could be the cranberry bush.
01:06:51This is a major type operation.
01:06:53Merchandise headed for the States worth maybe five million.
01:06:57Gina Broja has been located in Athens.
01:06:59Yeah, also I found out why your girl won't talk.
01:07:02She is very hot from both sides.
01:07:04She put holes through an individual's head in London.
01:07:07And the individual's name was Silky, Salky, Sucker.
01:07:12Some kind of maybe name like that.
01:07:13You heard about it.
01:07:14You have her covered?
01:07:15Yes.
01:07:17Let's go.
01:07:18Car.
01:07:38Sonola, please.
01:07:39No.
01:07:40No.
01:08:01Got a light, Max?
01:08:05Uh, got a light, Max?
01:08:25I think I'll stick around a while as a character. I'd say I want to keep my eye out.
01:08:28Play your cards right, you'll get a bonus.
01:08:34I'll be right back.
01:09:04I'm trying to find McNally. It's urgent.
01:09:32The dockyard? Already? All right, all right.
01:09:42Dockyard? I've got to get through to the Rio Allegro.
01:09:47But this is very important.
01:09:49But this is very important.
01:10:02Excuse me, please.
01:10:19I'm sorry, but you know who this is.
01:10:29No, it can't be. It can't be. It's not true. It's dead. It's dead. I know it's dead.
01:10:54You shot him all right, but you didn't kill him.
01:10:58Someone else had that pleasure. Someone you know very well.
01:11:28Captain, what's all this about a refrigerator coming aboard for you?
01:11:37To keep my beer cold. I'm paying for it myself.
01:11:41You held up sailing three quarters of an hour because of that?
01:11:43It must be here at any moment. I shall sail the minute it is on board.
01:11:46The company makes the schedules, Captain. You'll follow them.
01:11:48You'll sail as soon as I get ashore, whether your own personal comforts are aboard or not.
01:11:58Thank you.
01:12:59You can gain nothing by remaining silent.
01:13:01For the last time, what can you tell us of the man you know as Frank McNally?
01:13:06This airway ticket to New York, did McNally give it to you? Did he?
01:13:13He would kill me.
01:13:15Did McNally give you the airway ticket?
01:13:17Yes, yes.
01:13:20And you were to meet him in New York?
01:13:22Answer the question. Were you or were you not of any interest?
01:13:25If you don't try to help us...
01:13:26I'm trying to help you. I am.
01:13:28If you really want to help us, tell me everything you know about McNally.
01:13:32How does he look now?
01:13:34Anything and everything that you could possibly think of, regardless how important you think it is.
01:13:39He's a man about 40.
01:13:43Average height and build.
01:13:46Eyes blue, very penetrating.
01:13:49Does he have any special manners?
01:13:51Eyes blue, very penetrating.
01:13:54Does he have any special mannerisms of any kind?
01:13:56Telephone for Mr. Sturgis. It is urgent.
01:14:06Hello?
01:14:07Hello, Max. I've been calling all over for you.
01:14:10Get your hat and coat on. Information grade A type coming up.
01:14:14That individual I follow, seems like he's trying to get a message through to McNally.
01:14:18Just now he was on to the dockyard asking for some ship, uh...
01:14:22Ria... Leg... Some caca may be named like that.
01:14:26Yeah, yeah.
01:14:27Anyway, just a minute ago he went out of here and he stole a Fiat van.
01:14:30Did you get the number?
01:14:31Natch, I got the number. A-1-5-9-5.
01:14:34Oh, and Max, I think this information's worth...
01:14:37See you later.
01:14:46Glass of water.
01:15:03Hey!
01:15:08Max!
01:15:25Get that cop out of the road!
01:15:27Hurry, hurry!
01:15:28All right, all right!
01:15:31I'm doing my best, I'm doing my best!
01:15:33Faster, faster!
01:15:37There he is.
01:16:07Get out of the way!
01:16:37Get out of the way!
01:17:07Get out of the way!
01:17:37Captain Barris.
01:17:408-2-4-1, held by police.
01:17:42I think that's Gina Bruber's passport number.
01:17:45Let's check.
01:17:47Do you have a Captain Barris working for this company?
01:17:49Yes, sir, he is the head of this department.
01:17:51Is he here?
01:17:56He's got a band-aid and a mask.
01:17:58He's been here since a week ago.
01:18:00I don't want to forget anything.
01:18:02It's the only thing that matters to him.
01:18:04Besides, he's dead.
01:18:05You've got to protect him.
01:18:07Pick up your gun, Mr. Holmes.
01:18:09When I tell you, you better take it.
01:18:11When I tell you, you better take it.
01:18:13The kid's a rock maker.
01:18:14Who's got the kid?
01:18:15Yes, sir.
01:18:16He is the skipper of the Rio Alego.
01:18:18Where is she now?
01:18:19She left port 10 minutes ago, sir.
01:18:21New York?
01:18:22Yes, sir, direct.
01:18:24How long has this captain been working for you?
01:18:25Not long, sir.
01:18:26He is one of our relief personnel.
01:18:27Thanks.
01:18:45PAN AMERICAN AIRWAYS ANNOUNCING DEPARTURE OF FLIGHT 155 TO NEW YORK.
01:19:06WILL ALL PASSENGERS PREPARE TO EMBARK IMMEDIATELY?
01:19:10PAN AMERICAN AIRWAYS ANNOUNCING DEPARTURE OF FLIGHT 155 TO NEW YORK.
01:19:15WILL ALL PASSENGERS PREPARE TO EMBARK IMMEDIATELY?
01:19:45PAN AMERICAN AIRWAYS ANNOUNCING DEPARTURE OF FLIGHT 155 TO NEW YORK.
01:19:58Hi.
01:19:59Hi.
01:20:01Girl get here.
01:20:02Yeah, we got her under arrest.
01:20:03Did you bring her statement?
01:20:04Yeah.
01:20:15I'll see you in a minute.
01:20:36Successful trip?
01:20:37Yeah.
01:20:38Any problems, Joe?
01:20:39I ain't got a lot of supplies.
01:20:41That's the main problem.
01:20:42I know what I asked you to do for me.
01:20:44Jack?
01:20:45Sure, he's all right.
01:20:46I'll see him right away.
01:20:48I'm waiting for a boat to come in.
01:20:50When it arrives, we're ready, Tony.
01:20:52Hey, Joe.
01:20:53Like clockwork.
01:21:15Any luck?
01:21:32After four days in the guts of that thing,
01:21:33there just isn't anything there.
01:21:35We did everything but take up the plates.
01:21:37Come on, boys, let's go.
01:21:40Now that's that.
01:21:41Come on, Charles, I'll buy you a drink.
01:21:44You go on back, I'll see you later.
01:21:50Well, I don't know what you're going to accomplish.
01:21:53Have it your own way.
01:22:44How long now?
01:23:02About five minutes.
01:23:14How many trips will you have to make?
01:23:15Three, I guess.
01:23:16I'll be back the same time tomorrow.
01:23:21Where are you going to get your stuff through?
01:23:22Don't worry.
01:23:23That's taken care of.
01:23:26Right.
01:23:32Watch your step.
01:23:33I'll be back.
01:23:34I'll be back.
01:23:35I'll be back.
01:23:36I'll be back.
01:23:37I'll be back.
01:23:38I'll be back.
01:23:39I'll be back.
01:23:40I'll be back.
01:23:41I'll be back.
01:23:42I'll be back.
01:23:43Watch your step.
01:23:44I'll do that.
01:24:13I'll be back.
01:24:14I'll be back.
01:24:15I'll be back.
01:24:16I'll be back.
01:24:17I'll be back.
01:24:18I'll be back.
01:24:19I'll be back.
01:24:20I'll be back.
01:24:21I'll be back.
01:24:22I'll be back.
01:24:23I'll be back.
01:24:24I'll be back.
01:24:25I'll be back.
01:24:26I'll be back.
01:24:27I'll be back.
01:24:28I'll be back.
01:24:29I'll be back.
01:24:30I'll be back.
01:24:31I'll be back.
01:24:32I'll be back.
01:24:33I'll be back.
01:24:34I'll be back.
01:24:35I'll be back.
01:24:36I'll be back.
01:24:37I'll be back.
01:24:38I'll be back.
01:24:39I'll be back.
01:24:40I'll be back.
01:24:41I'll be back.
01:24:42I'll be back.
01:24:43I'll be back.
01:24:44I'll be back.
01:24:45I'll be back.
01:24:46I'll be back.
01:24:47I'll be back.
01:24:48I'll be back.
01:24:49I'll be back.
01:24:50I'll be back.
01:24:51I'll be back.
01:24:52I'll be back.
01:24:53I'll be back.
01:24:54I'll be back.
01:24:55I'll be back.
01:24:56I'll be back.
01:24:57I'll be back.
01:24:58I'll be back.
01:24:59I'll be back.
01:25:00I'll be back.
01:25:01I'll be back.
01:25:02I'll be back.
01:25:03I'll be back.
01:25:04I'll be back.
01:25:05I'll be back.
01:25:06I'll be back.
01:25:07I'll be back.
01:25:08I'll be back.
01:25:09I'll be back.
01:25:10I'll be back.
01:25:11I'll be back.
01:25:12I'll be back.
01:25:13I'll be back.
01:25:14I'll be back.
01:25:15I'll be back.
01:25:16I'll be back.
01:25:17I'll be back.
01:25:18I'll be back.
01:25:19I'll be back.
01:25:20I'll be back.
01:25:21I'll be back.
01:25:22I'll be back.
01:25:23I'll be back.
01:25:24I'll be back.
01:25:25I'll be back.
01:25:26I'll be back.
01:25:27I'll be back.
01:25:28I'll be back.
01:25:29I'll be back.
01:25:30I'll be back.
01:25:31I'll be back.
01:25:32I'll be back.
01:25:33I'll be back.
01:25:34I'll be back.
01:25:35I'll be back.
01:25:36I'll be back.
01:25:37I'll be back.
01:25:38I'll be back.
01:25:39I'll be back.
01:25:40I'll be back.
01:25:41I'll be back.
01:25:42I'll be back.
01:25:43I'll be back.
01:25:44I'll be back.
01:25:45I'll be back.
01:25:46I'll be back.
01:25:47I'll be back.
01:25:48I'll be back.
01:25:49I'll be back.
01:25:50I'll be back.
01:25:51I'll be back.
01:25:52I'll be back.
01:25:53I'll be back.
01:25:54I'll be back.
01:25:55I'll be back.
01:25:56I'll be back.
01:25:57I'll be back.
01:25:58I'll be back.
01:25:59I'll be back.
01:26:00I'll be back.
01:26:01I'll be back.
01:26:02I'll be back.
01:26:03I'll be back.
01:26:04I'll be back.
01:26:05I'll be back.
01:26:06I'll be back.
01:26:07I'll be back.
01:26:08I'll be back.
01:26:09I'll be back.
01:26:10I'll be back.
01:26:11I'll be back.
01:26:12I'll be back.
01:26:13I'll be back.
01:26:14I'll be back.
01:26:15I'll be back.
01:26:16I'll be back.
01:26:17I'll be back.
01:26:18I'll be back.
01:26:19I'll be back.
01:26:20I'll be back.
01:26:21I'll be back.
01:26:22I'll be back.
01:26:23I'll be back.
01:26:24I'll be back.
01:26:25I'll be back.
01:26:26I'll be back.
01:26:27I'll be back.
01:26:28I'll be back.
01:26:29I'll be back.
01:26:30I'll be back.
01:26:31I'll be back.
01:26:32I'll be back.
01:26:33I'll be back.
01:26:34I'll be back.
01:26:35I'll be back.
01:26:36I'll be back.
01:26:37I'll be back.
01:26:38I'll be back.
01:26:39I'll be back.
01:26:40I'll be back.
01:26:41I'll be back.
01:26:42I'll be back.
01:26:43I'll be back.
01:26:44I'll be back.
01:26:45I'll be back.
01:26:46I'll be back.
01:26:47I'll be back.
01:26:48I'll be back.
01:26:49I'll be back.
01:26:50I'll be back.
01:26:51I'll be back.
01:26:52I'll be back.
01:26:53I'll be back.
01:26:54I'll be back.
01:26:55I'll be back.
01:26:56I'll be back.
01:26:57I'll be back.
01:26:58I'll be back.
01:26:59I'll be back.
01:27:00I'll be back.
01:27:01I'll be back.
01:27:02I'll be back.
01:27:03I'll be back.
01:27:04I'll be back.
01:27:05I'll be back.
01:27:06I'll be back.
01:27:07I'll be back.
01:27:08I'll be back.
01:27:09I'll be back.
01:27:10I'll be back.
01:27:11I'll be back.
01:27:12I'll be back.
01:27:13I'll be back.
01:27:14I'll be back.
01:27:15I'll be back.
01:27:16I'll be back.
01:27:17I'll be back.
01:27:18I'll be back.
01:27:19I'll be back.
01:27:20I'll be back.
01:27:21I'll be back.
01:27:22I'll be back.
01:27:23I'll be back.
01:27:24I'll be back.
01:27:25I'll be back.
01:27:26I'll be back.
01:27:27I'll be back.
01:27:28I'll be back.
01:27:29I'll be back.
01:27:30I'll be back.
01:27:31I'll be back.
01:27:32I'll be back.
01:27:33I'll be back.
01:27:34I'll be back.
01:27:35I'll be back.
01:27:36Well, there's only one person can identify him.
01:27:38Still here, sis, for you to bring her down.
01:27:39OK.
01:27:42Have Gina Broger ready to travel in five minutes.
01:27:45Let's go.
01:28:03Hope this will be the last body you'll ever have to identify.
01:28:07Well, that's it.
01:28:09Bring it up there.
01:28:10Come along now.
01:28:11Bring it up there.
01:28:12OK, let's go.
01:28:13Move along.
01:28:18Hey, Max.
01:28:19Max.
01:28:20My brother gives me the word to look you up.
01:28:22My brother Amalio, that is.
01:28:23He couldn't get here personal on account of he's
01:28:25tied up in Italy right now.
01:28:26Uh, just for a little while, if you know what I mean.
01:28:28OK.
01:28:29I'll be back.
01:28:30I'll be back.
01:28:31I'll be back.
01:28:32I'll be back.
01:28:33I'll be back.
01:28:34I'll be back.
01:28:35Just for a little while, if you know what I mean.
01:28:36A couple of years.
01:28:37Uh, the way I get it, there are little monies
01:28:39due on, uh, completion of the job.
01:28:41He says for you to pay me.
01:28:43Tell Amalio when he gets out, there's a little bonus for him.
01:28:46Much obliged, Max.
01:28:48Hey, if you ever want a receipt, I'll mail it to you.
01:28:50Ha, ha, ha.
01:28:51See you.
01:28:52Don't take any wooden nickels.
01:28:53I'll see you around.
01:28:54I'll send a little boy for you.
01:28:57Ha, ha, ha.
01:29:05I'll send a little boy for you.
01:29:06Ha, ha, ha.
01:29:07I'll send a little boy for you.
01:29:08Ha, ha, ha.
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