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00:00Luz, I need to get out of here, and I need your help.
00:05Will you help me?
00:07Of course, Begoña. I'm going to help you. I'll do whatever it takes.
00:13Where are you going?
00:15I'm still thinking about going to England.
00:17I know people there who can help me from scratch.
00:19And Jesus would never find me.
00:20And if he did, it would be very difficult for him to bring me back.
00:23What's the plan?
00:25Jesus must trust me.
00:26He must think that I am still under the effects of the drug, and that I have ceased to be a danger.
00:31How will you go?
00:32I'll take a train to Lisbon, and from there I'll travel to England.
00:35This time I have everything planned, Luz. I won't let myself be carried away by my impulses.
00:38Everything will be fine.
00:41Okay.
00:42I'll help you in everything you ask.
00:45But...
00:47I don't know how.
00:48Okay.
00:49I'll help you in everything you ask.
00:52But...
00:53I think you need an ally.
00:55Someone who can help you from the inside.
01:00If you're thinking about Andrés, I can't tell him.
01:04But why? Andrés has always been willing to help you.
01:06He will do anything to get you out of this house.
01:08Luz, I can pretend in front of Jesus for a while.
01:12But do you really think Andrés could, after knowing that Jesus has poisoned me?
01:15I think it's worth trying.
01:18I can't risk it.
01:19As soon as Jesus sensed the slightest movement, everything would be lost.
01:22And my life is at stake.
01:24Andrés will understand the gravity of what you're trying to do.
01:27And he will do anything to help you.
01:29Andrés has to focus on his wife.
01:31They just lost a baby, and he needs him by his side.
01:35I can't be so selfish.
01:37Okay.
01:40Do you feel ready to start this farce?
01:44I have to be.
01:45I have no other choice.
01:48I'll do anything to help you.
01:50The most important thing right now is that no one suspects anything.
01:54Especially Julia.
01:57It makes me so sad to think about what that little girl is going to miss.
02:04Julia will come with me.
02:07What are you saying, Begoña?
02:09Did you really think I was going to leave that monster in her hands?
02:12No.
02:13No, Begoña, you have to reconsider.
02:15If you take her daughter, Jesus can report you for kidnapping.
02:18And you could go to jail.
02:20Luz, Julia is not my blood, but she is my daughter.
02:23Don't do it, please.
02:25Do you want me to save myself?
02:27Begoña, Jesus may not find you.
02:30And after a while, everything will be lost.
02:32But if you take her daughter, he won't stop beating you and punishing you.
02:39But how am I going to leave her?
02:41Luz, how would Julia feel if she woke up that morning
02:44and I had disappeared?
02:46If you really want to disappear, you have to do it alone.
02:50I don't know.
02:51I don't know, the idea of leaving without her ...
02:54It's very hard, I know.
02:56But for her to be okay, you have to be okay.
02:59And for that you have to leave as soon as possible from this house.
03:02Be safe.
03:03You'll come back for her.
03:08Maybe she's right.
03:11You should go.
03:13In case Jesus comes back before time.
03:15Take care, friend.
03:41I know it's very early and I'm sorry for coming without warning, but today ...
03:46Today is my birthday.
03:48Oh, congratulations.
03:51Come in, come in.
03:55It's true that you told me it was this week, but I didn't remember ...
03:58No, don't worry.
04:00It's been a long time.
04:02It's been a long time.
04:04It's true that you told me it was this week, but I didn't remember ...
04:05No, don't worry.
04:07It's true that you told me it was this week, but I didn't remember ...
04:09No, don't worry.
04:11Yes, you already gave me a gift.
04:13And as it was today, I bought a cake to thank you.
04:15And as it was today, I bought a cake to thank you.
04:17Wow.
04:19Well, come in, come in, please.
04:21Sit down.
04:23If you allow me the bag, we leave it here.
04:27You can sit down as if you were at home.
04:31Well, I'm sure it's delicious.
04:33Do you want some coffee?
04:35Yes.
04:45Wait, we have to do this right.
04:47I think I have the kitchen ...
04:55Look.
05:01You have to make a wish, but you don't have to say it out loud.
05:03It's your birthday.
05:05Okay.
05:13That's it.
05:15Congratulations.
05:23Is something wrong?
05:25It's his birthday.
05:27Is it a strange time for a celebration?
05:29Is it a strange time for a celebration?
05:31I'm sorry to have come so early,
05:33but I wanted to share this moment with my only friend.
05:35but I wanted to share this moment with my only friend.
05:37Come on, sit down.
05:39He brought a cake that looks delicious.
05:41No, I'm not going to finish dressing.
05:43Joaquín.
05:47Ah, Isabel.
05:49Congratulations.
05:59Let's do this.
06:09Ah, yes.
06:11Thank you, Teresa.
06:13You're welcome.
06:23You're welcome.
06:53I'm الم
06:55trustworthy
06:57trustworthy
06:59I'm the best
07:01I don't think she liked it very well.
07:03She doesn't look well.
07:05she doesn't look well.
07:07Don't take her seriously.
07:09I should leave.
07:11We're looking forward to a trip to Toledo.
07:13and since today is your birthday,
07:15I consider it today as well.
07:17Are you sure you haven't change your plans?
07:19I will not let you spend your birthday alone.
07:21of your birthday alone, you are very good with me, stop being silly, what do you think if we
07:27see each other at four in the canteen I have a meal with the family and I don't think I can
07:32afford it before that time? Well, I'll be there. Well, thank you.
07:51Gemma, I don't like that woman. But what's wrong with you, Joaquín? Why do you take her with you?
07:57Because she works side by side with Jesús de la Reina and I don't want to see her in our house.
08:02But what fault does she have to have a boss like that? Gemma, we have very important things
08:07at hand, really, I want her far from here. Can you relax a bit? Isabel is not interested
08:14in your business, she is interested in making a friend in La Colonia. Come on, don't be so naive,
08:20in two days she has become your friend. You know perfectly well, like me, that Jesús de la Reina
08:26manipulates the people around him to achieve his goals. And you think I'm going to
08:31reveal the details of your business to the first one who passes? Well, if you spend so much time with her,
08:36sooner or later you will end up telling her. I'm not a big mouth. Gemma, I already know that you have good
08:40intentions with that girl, but really, now is not the time to make friends. Now we have to
08:44be discreet and prudent. Okay, but I think you're wrong, really. Well, I hope you're right,
08:53but please, stop seeing her, okay?
09:06Father, Vigna has told me that she wanted to see me.
09:13Close the door. Of course.
09:16What's going on? Sit down.
09:36Father.
09:40What is the nature of your relationship with Vigna?
09:43How? I think the question is clear.
09:52You know what it is? She is a store employee. She is the daughter of Adela and Isidro.
09:57So your relationship with her is strictly professional? Of course. What is this about?
10:13What do you tell me now?
10:27Has someone hired someone to follow me? Do not divert the subject from me!
10:32Why did you do this to me? I just received them this morning anonymously. Do you have something to say?
10:40Then who would want to do this to me? Why? That's what I ask, Marta, why? Why did you do it?
10:48Why do you do this to us? Father, I have not done anything to anyone. Right now I don't even know who you are.
10:55It's me, Marta, his daughter. The same person I was before you received that letter. No, you are a liar, a liar, you are a ...
11:05You can't be serious.
11:13What have we done wrong? What have we done wrong? Neither you nor your mother have done anything wrong.
11:22And neither have I. Because this is not right. This is a disgrace, Marta.
11:30I have always trusted you. And you can keep doing it. You have betrayed me, you have betrayed my trust.
11:41I have not hurt anyone. I just love you. But shut up, shut up, don't continue because my stomach is rumbling.
11:50I can't believe my daughter is a ... Now I am the one who is going to ask you not to continue talking.
11:59I'm not going to allow you to insult me. Have you stopped to think what would happen if this came to light?
12:09Don't you think I think about it every day? Then why do you do it?
12:17Do you think I haven't tried to deny what I feel? To settle for my marriage?
12:24I have not hated myself. But none of that has helped, father. Why am I like this?
12:39I have no choice but to make some decisions.
12:47What are you going to do?
12:50For the time being, I cannot allow you to represent the family or the company in the award ceremony tomorrow.
12:58I don't give credit. That award ceremony is in recognition of everyone's work and that implies me too.
13:07You can't stop me from picking it up just because ...
13:10Because it's a shame for the family. Of course I can.
13:16I didn't think your prejudices could dominate the situation.
13:23It's not about prejudices, it's about principles.
13:28I also thought that your principles were to defend the family. But I see that your retrograde ideas are above me.
13:36I don't allow you to talk to me like that.
13:38Well, right now I can't talk to you any other way.
13:40This conversation is over. That's all. Now, go.
13:46Father. Father, look at me.
14:06Come in.
14:08Good morning, Luz.
14:10Andrés. What brings you here?
14:14Sorry to bother you, but I need to talk to someone.
14:18Diego hasn't even come down to breakfast this morning.
14:21I can't stand seeing her like this. She's more and more absent every day. Shattering little by little.
14:28Do you really think she could have inherited her mother's illness?
14:31It would make sense. But I know it's not what you want.
14:34No, no. It kills me to think that it's not. It will be the same as always.
14:38Let's see. Begoña's illness doesn't have to evolve in the same way as her mother's.
14:44She could suffer from these episodes from time to time and then recover. Mental illnesses are a mystery.
14:50Yeah, and how can I help?
14:53I'm afraid the only thing that can help Begoña now is rest and affection.
14:59But I can't keep my arms crossed while I watch her detachment, Luz.
15:02Begoña needs peace of mind.
15:05That's why everyone around her needs to stay calm.
15:09Trust me. Keep it up.
15:11Luz, it's complicated. Maria, my wife, is starting to notice that I'm too affected.
15:16I can't stand her speaking ill of her. We have to do something.
15:20Like what?
15:22I don't know. Maybe I should see a specialized doctor. I'm going to look for someone.
15:26No, Andrés. No.
15:27But why not? I want you to hire a doctor for her, not Jesus.
15:31He's the reason for all her problems, Luz.
15:33Let's not confuse things. Begoña's diagnosis has nothing to do with your sister.
15:38I remember what he did to her.
15:39There's no need. I have him with me every day.
15:43Are you so sure? I'd be more at ease if Begoña were far from Jesus.
15:49Begoña could lose her mind even more if we put her in the hands of a stranger.
15:52Yes, but she would be in the hands of a professional.
15:54A professional who would give her a very strong medication and who would also constantly test her.
16:01I don't know.
16:02Well, I do. Begoña needs family stimuli.
16:06A world she knows that makes her feel anchored to reality.
16:09Maybe you're right, Luz. I'm sorry, but I feel so powerless.
16:15Begoña is better, calmer. Let's trust that she'll be stable in the next few days.
16:20It's not good to make desperate decisions, okay?
16:23Yes, okay.
16:27Good morning.
16:29Good morning.
16:31I was leaving.
16:34Goodbye, Andrés.
16:35Goodbye.
16:43Is something wrong?
16:44No, why?
16:45I don't know. I thought I was interrupting something important.
16:49Andrés has come for some aspirins and we've finished talking about Begoña's condition.
16:55Is there any news?
16:57I'm afraid not.
17:01Carmen, good morning.
17:03Good morning.
17:04I wanted to tell you something.
17:06Tell me, I'm late for work.
17:08Everything you were telling Gaspar yesterday, you were telling me, right?
17:12You're so smart.
17:14So you think I don't deserve a second chance?
17:17Look, Tassio.
17:19You showed me that you could change.
17:21And you became the best life partner.
17:25But in a short time, you've come back to play.
17:27Who told me you wouldn't do it again?
17:29So you think the goat will throw you into the woods, right?
17:31That I'm the usual Tassio, shameless, you can't trust me?
17:35I give in to the evidence.
17:39Carmen.
17:40Carmen, there has to be something I can do to make you trust me again.
17:44Well, if there is, of course.
17:46I can't think of anything.
17:49In this life, we've come to suffer, Tassio.
17:52We've come to suffer.
17:54We've come to suffer.
17:55In this life, we've come to suffer, Tassio.
17:59And with you, it's going to be one after the other.
18:02Well, I've received the message, I won't bother you anymore.
18:08Carmen.
18:13I'm very worried, Gaspar.
18:18About Begoña again, I have everything under control, don't worry.
18:21The more you tell me not to worry, the more afraid I am of something happening.
18:24Nothing's going to happen to her, believe me.
18:26The effects she has from the medicine are completely irreversible, I already told you.
18:30That's not the only thing that worries me.
18:33It's that...
18:35She, or someone else, may discover that you're drugging her.
18:40Do I have to remind you of her attempt to escape with Julia?
18:43Or when she reported you to the Civil Guard?
18:46No one will discover anything, I'll take care of that.
18:48I'll take care of it.
18:52Weren't we supposed to meet here at 10? Where is my brother?
18:57Speaking of the King of Rome, the Aragon is coming.
18:59I don't like you talking like that, Andrés.
19:01Father, don't worry.
19:03It's not worth trying to make this rooster come to his senses.
19:06Look, Andrés, on top of that, you're late.
19:10Let's have the party in peace.
19:12First of all, I'd like to thank you for coming back from the factory.
19:15If I brought you here, it's because I have something important to tell you.
19:19What happened? Is it something serious?
19:21There's just been a change of plans.
19:24Marta has given up on representing her family at the awards ceremony of the circle of businessmen.
19:30And what are you going to do about it?
19:33One moment.
19:34Aren't you going to ask her what she owes that sudden resignation?
19:38Of course I'm going to do it.
19:39What can I do? You don't give me time.
19:41And has Marta given you any explanation about it?
19:44She doesn't want to neglect her work in the store.
19:46And she prefers someone else to pick them up.
19:49Father, that doesn't make any sense.
19:51Where is she? And why didn't she come to this meeting?
19:53I've already told you she's very busy.
19:55And so are we.
19:56Andrés, we know you were very excited about Marta, but she'll have her reasons, right?
20:00We have to respect that.
20:03Sit down, Andrés. The decision has been made.
20:06But...
20:08Marta won't go to the awards ceremony.
20:12She'll have her reasons.
20:13Well, whatever it is, Marta won't go to pick up that award, but someone will have to go, right?
20:18Yes, someone will have to go.
20:22And it will be me.
20:24What?
20:28Well, if there's nothing else to do, I have to go to the factory.
20:30Yes, go, go.
20:37What?
20:42Well, what I heard.
20:43Sonsol came to the store to get my information about Gaspar.
20:47Of course, I didn't say anything.
20:49Sonsol wanted to know if Gaspar was single because he wanted to make a connection.
20:53I'm telling you.
20:54And we both know how it would end.
20:56With Gaspar humiliated.
20:57Yes.
20:59Look, we have to do something, Carmen.
21:01What do you mean? You and me?
21:03Well...
21:05I mean...
21:06Punctually.
21:07I mean, we get together to help a good friend, nothing more.
21:11You're messing with me.
21:12No, no, Carmen.
21:13Let's see, all I want is to prevent a good friend like Gaspar from making the same mistake as you.
21:19To go back to someone who knows he's going to hurt you.
21:22I don't know, what do you think?
21:24Do you want to help me?
21:27Well.
21:28But let him know that I'm still thinking about every word I've said.
21:32I've already forgotten.
21:35Besides, now we have a good mission ahead.
21:38I'm going to show you that we're still a good team.
21:41Mahoum, I'm regretting it.
21:55I'm the head of the family.
21:56And it's logical that I'm the one who goes to the party and picks up the prize.
22:02And so it should have been from the beginning.
22:05But I thought you weren't enthusiastic about these things.
22:08And I'm still not enthusiastic, Jesus.
22:10Very well.
22:17From now on, I will always be the last option.
22:20I say it because I know what to do.
22:22Look, son.
22:24Going to pick up a prize like that
22:27is somehow a recognition within the family and the company.
22:32Wow.
22:33And I don't deserve that recognition.
22:35You don't deserve to be given any prize.
22:38I think I made it quite clear to you yesterday.
22:43Father, I had him for many things, but not for a sadist.
22:46Do you dare to call me a sadist?
22:48Am I sadistic?
22:49I'm working more than anyone else.
22:50I give my skin for this company.
22:53We're not going to give any prize to bad arts.
22:56It would create a bad precedent.
22:59What do you mean?
23:01Are you going to tell me that you have nothing to do
23:04with the photographs that have come to me anonymously this morning?
23:08What photographs?
23:10Don't fool me, Jesus.
23:12I know what you're capable of to achieve your goals.
23:14This decision is completely...
23:15I'm sorry, son.
23:17But I'm also very afraid.
23:20You've tried to end your wife's life.
23:23Now you're trying it with your sister.
23:26What's your limit?
23:33Get out, come on.
23:44Get out.
24:12Are you leaving?
24:15Listen to me, Mateo.
24:18I want you to know
24:19that I've never judged you for feeling what you feel.
24:22When someone has been gossiping about it, I've kept quiet.
24:26I know, Gaspar.
24:27In affections, passions are human,
24:29no matter how manly you are.
24:31And I know that your feelings have always been sincere,
24:34that you have always acted from the heart.
24:37What's more, I'm going to tell you something else.
24:39I think the priests should go down to earth from time to time,
24:41fall in love,
24:42put a face in the air.
24:44Because only from experience
24:45can you give good advice to the filigrees.
24:47Gaspar, please.
24:51I'm hurting you, aren't I?
24:53Well, yes.
24:54Let's pretend I didn't say what I said.
24:56Come on, let's do it like this.
24:57Yes, better.
25:06A wine around here.
25:08Better a coffee.
25:09No, Father.
25:11Since when does the waiter judge?
25:13Gaspar is right.
25:15Wait, wait, wait.
25:17Has the good priest come to tell me how I have to behave?
25:19Of course.
25:21Father Mateo is an example to follow.
25:23Even Don Damián says so.
25:26Any last advice before you go?
25:28Come on, I'm listening to you.
25:30In fact, everyone should do it.
25:33Silence, everyone.
25:34Father Mateo is going to speak.
25:36Go ahead, Father.
25:40I'd better go.
25:41I'm going to spend time at the station.
25:42Really?
25:43Are you going to leave all these poor people
25:45with a man as machiavellian as me?
25:48Father, go home too.
25:50What are you telling me, Mateo?
25:52Are you sure you want to leave here?
25:54Because apparently there are people who think
25:57I'm not up to the job.
25:59Father, don't go on.
26:03I'm the one who should go.
26:04Let's see, be honest with me.
26:06Would anyone miss me?
26:09There are many happy people who would miss you, yes.
26:12Do you want to leave your good intentions at once?
26:15Don't you get tired?
26:18Where is the wine?
26:20I'm not going to put the wine, Father.
26:21And tomorrow he will thank me.
26:23Well, there you stay.
26:25Go on, don't go to Toledo.
26:27And I'm sure the waiters
26:29won't sermonize me like a priest.
26:32Let me go.
26:33Man, you can't go like this, Mr. Agustín.
26:36Look at me.
26:38See how I can?
26:43Caspar, can you take care of my suitcase for a moment?
26:45What are you going to do?
26:46What am I going to do?
26:47Go get him, help him.
26:48Who knows?
26:59Can you come here for a moment?
27:00Yes, of course.
27:08What's wrong with you?
27:12I'm stuck in the never-ending story.
27:15I argued with Andrés again.
27:17And you don't need to be pitonite to know the reason.
27:20You already know what Begoña's situation is.
27:22And that lately the coexistence is becoming unbearable.
27:25And I don't just know it, but I've suffered it more than anyone else.
27:28The real medal is the worst thing I've had to live in this house.
27:31So you're going to understand my situation.
27:34Jesús became a beast when I suggested that he be admitted to a clinic.
27:39You told him that?
27:40What? He would be safe.
27:42And attended by professionals. Do you think he's that crazy?
27:45But how dare you give him the opinion about something so delicate?
27:48It's Jesús.
27:49It seems you didn't know him.
27:51Of course, I have sinned naively.
27:54And in the afternoon I did it again because I told Andrés.
27:57My God.
27:59And he thought you did it to keep him away from Begoña.
28:02Is that so?
28:04I can't stand being the bad one in the movie.
28:06And what did your husband tell you?
28:09I don't want to hear about getting Begoña out of the house.
28:12And I don't know if he's saying it for her or for him.
28:16I think, María, that you don't know how to see the advantages of this situation.
28:21At this moment what you have to do is reinforce your role in this family.
28:25How?
28:27If now everyone sees me as a jealous woman.
28:29Well, do the opposite.
28:31Get the best out of you.
28:32Show your compassion for Begoña, your concern for her.
28:36Become the opposite of what Andrés is thinking of you right now.
28:41Do you think so?
28:43Become his shadow, take care of her.
28:45Make everyone see that you are capable of sacrificing yourself for her.
28:49You'll see.
28:50That's the only way you're going to win this game.
28:59Come in.
29:02Ah!
29:04What happened?
29:06He fell in the courtyard.
29:07I tried to help him, but he fell on his arm.
29:09It's your fault, it's your fault, it's your big fault.
29:12But if he had gone on his knees, it would have been worse.
29:14It hurts a lot.
29:16Father, I need to explore the arm and I'm going to need you to remove the sotana, if you don't mind.
29:20I can do it here.
29:21You're in charge.
29:22Can I?
29:23Ah!
29:25Ay, ay, ay.
29:27Ah!
29:30Forget about the promotion.
29:31At least this year.
29:32The cards are speaking very clearly.
29:37And the tip?
29:46Look at her.
29:47Me here, breaking my back from sun to sun, behind the bar.
29:50When I could be perfectly earning my living here, sitting down and drinking coffee.
29:55No, I've made a mistake in my profession, of course.
29:58Pito Nisa is born, not made.
30:00Or is born, or is not born, Gaspar.
30:02Whatever you say, Pepa.
30:05You think I'm a charlatan, don't you?
30:08Well, I can show you that you're wrong, sit down.
30:11I accept the challenge.
30:14The fate of every man is written on the lines of his hand.
30:18Oh yeah?
30:19Well, the most you're going to read is the cut I made when I was throwing the trash.
30:24Come on, what does my future look like?
30:26This is not going to happen.
30:27You have to ask me a specific question.
30:30Well, I don't know.
30:36I understand.
30:38Love.
30:39Let's see, I haven't said anything.
30:40Do you forget that I'm a Pito Nisa?
30:42Well, that's easy, man.
30:43Everyone is interested in love.
30:45Love.
30:51I see.
30:52I hear.
30:54I see.
30:56But I see a woman.
30:58Yes, yes, look.
31:01It is very clear that a woman is going to enter your life, Gaspar.
31:06Look, here.
31:07And when is that going to be, more or less?
31:09Well, very soon, very soon.
31:13When?
31:14Well, this and this have not been for so long, father.
31:16This, when I was on the boat, I did it one day and another too.
31:18Well, I would say it hurts.
31:21But if the doctor has been very fast, I'm sure it hurts less.
31:23You will say it.
31:25I'm going to send you some analgesics for the pain.
31:27Well, go giving me one.
31:30Father, one important thing about the treatment.
31:32You should not mix alcohol with the pills.
31:34It would be very strong for the liver.
31:36Of course, because it takes me.
31:38And I need you to be with the headband on for a few days.
31:41So that it is at rest during recovery.
31:43It is necessary.
31:44I have to give mass, visit the sick.
31:46I am a busy man.
31:48I can not consecrate the hosts or give communion with one arm.
31:53I'm afraid you're going to need help to do all that.
31:55Help from whom?
31:57I don't know, you don't have a family member who can come and lend a hand.
32:00I have no one.
32:02How am I going to dress or prepare the food?
32:05Look, I'm sure there will be a lot of people in town who are delighted to help you.
32:08Well, if he doesn't mind, I can help him.
32:11You don't help yourself?
32:12Well, I can delay the trip.
32:14No way.
32:16As you wish.
32:17It's just that now I feel bad because it was just when I was going to grab it.
32:22Let's see, here it is.
32:25This pain kills me.
32:36Remember that we have to go two to one, okay?
32:39And don't show up, okay?
32:40Even if he doesn't look at us like a lamb.
32:42I already told you that the Sonsoles is a friend.
32:44Now that she is single, it is convenient for her.
32:45As soon as she finds another, you'll see.
32:48The Sonsoles.
32:50How are you?
32:51Well, I came to talk to Gaspar.
32:52Oh no, it was a very bad day today.
32:55Why?
32:58Well, you can see it yourself.
33:02Who is that woman?
33:05Pepa.
33:07His girlfriend.
33:09What do you mean his girlfriend?
33:11Oh, you didn't know, maybe.
33:13You know perfectly well that I didn't know.
33:15Are you laughing at me?
33:16No, no, no, no.
33:17Not at all, Sonsoles.
33:18But Gaspar is our friend and we have to tell you.
33:21He has fallen in love with another.
33:23We'll see about that.
33:24No, no, no.
33:25How are you going to bother him?
33:26For a while they have the poor.
33:27Look, they are in love.
33:29A lot.
33:30It's better to leave things as they are, huh?
33:31A temporary retirement is the most elegant.
33:34But I thought Gaspar was still interested in coming back to me.
33:37Well, no.
33:38No, no, no, no.
33:39He has misinterpreted the signals.
33:42Well, he's crazy about Pepa.
33:44Everyone knows it, imagine.
33:54Clarissa.
33:56It's Clarissa.
33:57How are you?
33:58Guys, Pepa just read my hands.
34:01And you know what?
34:02What?
34:03That the woman of my life is about to enter through that door.
34:05Oh.
34:06Come on, don't tell me.
34:07Just.
34:08Yes.
34:09And when?
34:10Right now?
34:11Soon, soon, soon.
34:12Soon, soon.
34:13Well, we'll have to be attentive.
34:14Yes, yes, yes, yes.
34:25Come in.
34:28Do you need something?
34:29I have prepared a consommé that will suit you wonderfully.
34:32I'm going to tell Teresa to bring you a cup.
34:35Your hands are cold.
34:37Bring it.
34:40How good you are always with me.
34:42You know you're good.
34:43And not just with me.
34:46With everyone.
34:47That's why I'm so sorry to see you like this.
34:49Without your natural joy as always.
34:53You don't know what you're getting into.
34:57You don't know what you miss in the house.
35:00Especially Julia, who walks around all day.
35:03From one side to the other, asking for attention and affection.
35:07Forgive me.
35:09I don't want to burden you with more weight than you already carry.
35:13No, Julia.
35:15She's a wonderful girl, isn't she?
35:17And she adores you.
35:19She's impatient for you to get well.
35:23I miss hearing her laugh so much.
35:27She doesn't laugh much these days.
35:29She's very worried about you.
35:31But she's a very cheerful girl, like you.
35:34And since you're going to get well soon,
35:36the girl will smile again.
35:38And you too.
35:39You'll see.
35:43If you don't need anything else, I'm going to finish my homework.
35:47Dina, wait.
35:49Wait, I do need something else.
35:51Tell me.
35:53I need you to promise me that you'll always take care of Julia.
35:56Of course.
35:57I'll always take care of her. I adore that girl.
35:59No, Dina.
36:00If one day I'm not here,
36:02promise me that you won't let go of her hand when she's afraid.
36:05And that you'll sleep with her if she feels lonely, please.
36:07Begoña, you're not going anywhere. This is your house.
36:09I need you to promise me.
36:11Of course.
36:13Of course I promise you.
36:15I'll take care of her as if she were my granddaughter.
36:18I'll take care of her and you.
36:21And now,
36:23I'll let you rest.
36:51I love you.
36:58This is a disgrace, Marta.
37:04I've always trusted you.
37:06And you can keep doing it.
37:09You've betrayed me.
37:10You've betrayed my trust.
37:13I haven't hurt anyone.
37:16I'm just in love.
37:18Shut up! Shut up!
37:19Shut up or I'll have a heart attack.
37:23I can't believe my daughter is...
37:25Now I'm the one who's going to ask you to stop talking.
37:31I won't let you insult me.
37:34Have you stopped to think
37:37what would happen if this came to light?
37:44Marta.
37:46Andrés.
37:48Have you told your father that you've given up on the prize?
37:51Did he say that?
37:52Yes.
37:53And it's not true.
37:55So what? The point is that I'm not going to take it.
37:59And that's it?
38:00There's no further explanation?
38:03No, I've given up and that's it.
38:07And why?
38:09Because now I have other priorities.
38:12Andrés, don't give him any more trouble.
38:14Come on, Marta.
38:15I'm your favorite brother.
38:17Do you remember?
38:19Believe me, right now I remember more than ever.
38:24The stew was delicious.
38:26Wait, I'll help you pick it up.
38:27Hey, don't move.
38:28You're our guest.
38:30You've helped me, Gema.
38:31I couldn't have done it alone with the mess in the house.
38:33It's a shame you didn't come to join us.
38:36Don't worry.
38:37The food was great.
38:39I'm very grateful, really.
38:41I'm not anymore.
38:42I was wondering why my son was so determined to live a lonely life.
38:47Could it be because he hasn't found the right person yet?
38:49Think about it.
38:50That's what we think.
38:51How is fate, right?
38:53When you least expect it,
38:54the person who will change your life forever appears.
38:58But you have to take care of love.
39:00Things don't stay the same.
39:01Not so much.
39:03Although I believe, Luis,
39:06that with a woman like her,
39:07you're going to have it very easy.
39:09In addition to being beautiful,
39:10understanding,
39:11she's very intelligent.
39:12Dignam, please stop.
39:13She's going to give me something.
39:14You have a lot of sense of humor.
39:16Well, mother, leave something for me, right?
39:17She's giving it all to her.
39:19Do you want coffee?
39:20Yes.
39:21I'd better get a little rest before going back to work.
39:23I'll bring it right now.
39:27Does it have to do with Jesus?
39:28Did he ask you directly?
39:29Jesus will do a great job collecting that award.
39:32It will be Father who collects it and not him.
39:34Really?
39:35Marta, what's going on?
39:37I need a convincing explanation this time.
39:39The usual thing is happening.
39:40You can't breathe in this house, Andrés.
39:42What does that mean?
39:43That we live in a golden cage
39:44and that's supposed to mean we don't lack anything.
39:46Because we have service,
39:48a driver,
39:49a lot of cars,
39:50an incredible house with a beautiful garden.
39:53But none of this is free.
39:54Marta, you're scaring me.
39:57In exchange for a life full of luxury,
39:58we have to realize,
40:00hide what we feel,
40:02put on a good face,
40:04give up our freedoms,
40:05make decisions,
40:06be who we could actually be.
40:09You know?
40:11If I could,
40:12I would leave this place forever.
40:14I would break everything
40:15and start from scratch somewhere else.
40:19I would go far away from this damn place
40:20and this strange character
40:21that I have become
40:23to survive among those of the Queen.
40:26Marta, can you trust me
40:27and tell me what's all this about, please?
40:29This family is a big farce.
40:30I don't know who is who anymore.
40:33And I can't take it anymore.
40:34I can't take it anymore.
40:42What a beautiful couple.
40:44My three children were already there.
40:46Do you like hydrangeas?
40:48It's my favorite flower.
40:50My husband used to give me a bouquet
40:52on every special occasion.
40:56And this is Luis?
40:58Yes.
40:59He was already wearing your bouquet when he was little.
41:01He was always picking flowers.
41:02Look how fat he is.
41:03Okay, enough.
41:04Mother, please.
41:05How are you?
41:06He was great.
41:08Next day,
41:09will you bring your album?
41:13Well, I...
41:15That's going to be a little difficult, Digna.
41:17Why?
41:19My parents died in an accident
41:21and I grew up in an orphanage
41:22until my family aborted me.
41:24I'm very sorry, daughter.
41:25Don't worry.
41:27I hardly keep photos of my childhood.
41:30My adoptive family also died a long time ago.
41:33Wow.
41:35And why were you interested in medicine?
41:37My adoptive father was a doctor
41:39and I became interested in the profession little by little.
41:42I deeply admire women who go to university.
41:45I would have liked it, but...
41:47Where did you study your degree?
41:49In Barcelona?
41:50Yes.
41:51Yes, in Barcelona, of course.
41:53And how many women knew about your promotion?
41:55Few, right?
41:56Well, that's enough.
41:57I mean, with the interrogation.
41:59We're already there.
42:01No, no, no.
42:02No interrogation, for God's sake.
42:03No, I'm sorry.
42:04There's no need.
42:05I should go back to the pantry.
42:06Already?
42:07Yes.
42:08The food was great.
42:10I'll go with you.
42:11No, there's no need.
42:13Here's your house.
42:15And good afternoon.
42:23Well...
42:26What happened here?
42:29Nothing, mother.
42:30What's going to happen?
42:31Are you sure?
42:32Yes, mother, please.
42:33What's going to happen?
42:35I have to go to work.
42:36I'm going up to my room to get some documents and I'm leaving.
42:44Don Agustín?
42:47Don Agustín?
42:50Wait.
42:51Don't shout.
42:52Lower your voice.
42:53What do you want?
42:54Are you going to be my fucking fly or what?
42:56No, I'm not your fucking fly.
42:58I just came to see how you are.
42:59Well, you see me.
43:00Discharged and with a hangover.
43:01But with the remains to fulfill my obligations.
43:04And now it's time to give five mass.
43:06Your suitcase.
43:07Aren't you going to leave at once?
43:09Well, no.
43:11Let's see, Don Agustín.
43:12I come in peace.
43:15What are you looking for?
43:16I don't trust you.
43:17That you have more problems than a roller coaster.
43:20Have you already regretted your idea of leaving?
43:23Well, no.
43:24But I can't leave him like that.
43:26Like what?
43:27Well, he's not in a condition to give mass.
43:30Besides, I don't know if he's going to be able to move.
43:32Again with those?
43:33I don't need your help.
43:35You did a lot taking me to the dispensary.
43:37So you have already fulfilled your work of charity today.
43:39Go in peace.
43:41Why don't you listen to the doctor?
43:42And take a few days off.
43:45What do you want?
43:47Give mass you.
43:48Well, only if you think it's good.
43:51I see you pretty bad.
43:52I'm in an AI, but I can stand it.
43:54Physical pain is not the important thing.
43:57And the sense of sacrifice is our obligation.
44:01I could replace him until he recovers.
44:03But let's see, Mateo.
44:05Are you good or stupid directly?
44:08I just want to help.
44:10The good or stupid thing, that's what you're saying.
44:13Maybe not stupid.
44:14I see you coming more at ease.
44:16You have hidden intentions.
44:19Look, that's enough.
44:20I'm not going to continue to indulge in impertinences.
44:22With God.
44:27Ah!
44:31Ah!
44:32They catch me walking.
44:36Wait.
44:48Only today.
44:51Come on.
44:57Come on.
45:08Come in.
45:15Hi, Begoña.
45:17Hi, honey.
45:20What are you doing?
45:24I was looking at my jewels.
45:27They are very beautiful.
45:30Didn't your mother wear that medal?
45:35Yes.
45:41Now it's too big for you, but one day it will be perfect.
45:45But it's yours, Begoña.
45:47But one day it will be yours.
45:49No, I don't want it.
45:52You give me this so that when you are not, I have a memory of you, right?
45:56Julia, I will always be with you.
45:58Begoña, tell me the truth.
46:02Why do you ask me that?
46:04Why did you ask Dina to take care of me when you are not?
46:08You can't go, you hear me?
46:10I'm not going to let them take you to a hospital like your mother.
46:13I'm going to take care of you.
46:14I'll do whatever it takes.
46:16Julia, my love.
46:19I'm not going to any hospital.
46:20So where are you going?
46:23You can't go, you can't leave me here alone.
46:26I would die without you, I would die.
46:28Come here, come here, come here.
46:34Julia.
46:39I'm not going to leave you.
46:42Swear it to me.
46:44I swear it.
46:52I swear it.