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00:01:00I don't know what you're talking about.
00:01:01I don't know what you're talking about.
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00:01:40I don't know what you're talking about.
00:01:41I don't know what you're talking about.
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00:01:47I don't know what you're talking about.
00:01:48I don't know what you're talking about.
00:01:49I don't know what you're talking about.
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00:01:51I don't know what you're talking about.
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00:01:54I don't know what you're talking about.
00:01:55I don't know what you're talking about.
00:01:56I don't know what you're talking about.
00:01:57I don't know what you're talking about.
00:01:58I don't know what you're talking about.
00:01:59I don't know what you're talking about.
00:02:00I don't know what you're talking about.
00:02:01I don't know what you're talking about.
00:02:02I don't know what you're talking about.
00:02:03I don't know what you're talking about.
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00:02:09I don't know what you're talking about.
00:02:10I don't know what you're talking about.
00:02:11I don't know what you're talking about.
00:02:12I don't know what you're talking about.
00:02:13I don't know what you're talking about.
00:02:14I don't know what you're talking about.
00:02:15I don't know what you're talking about.
00:02:16I don't know what you're talking about.
00:02:17I don't know what you're talking about.
00:02:18I don't know what you're talking about.
00:02:19I don't know what you're talking about.
00:02:20I don't know what you're talking about.
00:02:21I don't know what you're talking about.
00:02:22I don't know what you're talking about.
00:02:23I don't know what you're talking about.
00:02:24I don't know what you're talking about.
00:02:25I don't know what you're talking about.
00:02:26I don't know what you're talking about.
00:02:27I don't know what you're talking about.
00:02:28I don't know what you're talking about.
00:02:29I don't know what you're talking about.
00:02:30I don't know what you're talking about.
00:02:31I don't know what you're talking about.
00:02:57I will report to you, Asad.
00:02:59Sure, sir.
00:03:01Okay, bye.
00:03:03Bye.
00:03:17Good evening, sir.
00:03:19What is the status here?
00:03:21OT is going on, sir.
00:03:22Deep injury.
00:03:24Any family members?
00:03:26Madam's husband, director and reporter Polly.
00:03:29Okay, come with me.
00:03:31Let's go, sir.
00:03:35Mr. Sunil, ask the hospital to take immediate action.
00:03:39It's a high profile case.
00:03:41Go.
00:03:42Yes, sir.
00:03:53ACP Ranjan Sarkar.
00:03:55Hmm.
00:03:57Very sad case.
00:04:01Madam's condition is getting critical.
00:04:06Can you tell me how it happened?
00:04:10I don't know anything.
00:04:22Polly madam, right?
00:04:24Hmm.
00:04:25Can you tell me something?
00:04:27You two were close, right?
00:04:29In fact, from the day one...
00:04:34Anyway, Abir...
00:04:37On the last day of the shooting,
00:04:39he made a mistake.
00:04:42Do you know?
00:04:45I mean, please.
00:04:46No.
00:04:48Please.
00:04:52Mr. Ranjan.
00:04:57Excuse me.
00:05:08Madam...
00:05:10Mr. Ranjan.
00:05:13I know it's your job.
00:05:18Believe me.
00:05:22We don't do this in the dark.
00:05:26Okay, we...
00:05:28Me and Kanchan.
00:05:33We've known each other since the first day of college.
00:05:52Okay.
00:06:02Can I help you?
00:06:04Where can I find Mr. Niloy Banerjee?
00:06:08Niloy, what do you want?
00:06:10Hmm.
00:06:12He asked me to come.
00:06:14He's looking for a film actress.
00:06:16He's busy on the shooting floor.
00:06:19I'm Rani, AP.
00:06:20I'll take care of it.
00:06:22What did he say?
00:06:24My daughter, Nandini.
00:06:26He asked me to meet her.
00:06:29You're looking for a film actress, right?
00:06:31Yes.
00:06:32Look, madam.
00:06:34This film industry is very dense.
00:06:36It's not convenient for the people here.
00:06:39You seem to be from a good family.
00:06:41That's why I'm telling you.
00:06:43Take a look and let me know.
00:06:45Do we have to worry about you?
00:06:50Hmm.
00:06:57Hello, Raj.
00:06:59Yes, Niloy is busy.
00:07:01On the shooting floor.
00:07:03Okay, bye.
00:07:05You've come to the perfect place.
00:07:07You've finished my movie, Sidur.
00:07:11And now you're working on Thunga Phata Sidur.
00:07:13It's a super hit.
00:07:15And you've already got four scripts ready.
00:07:16Maya's Sidur, Boe's Sidur, Shruthi's Sidur and Lal Sidur's Maya's daughter.
00:07:21But the heroine is already selected for those four.
00:07:27I've come up with a new script.
00:07:30This is the first in Bangla.
00:07:32No one has ever done such a story.
00:07:34Do you understand?
00:07:36I can't start any work without selecting the heroine.
00:07:39I mean, I went to write.
00:07:41If the heroine's face gets wet in front of the eyes,
00:07:43will I write in her column?
00:07:44Of course.
00:07:51Photogenius.
00:07:54Full of Photogenius.
00:07:59I was saying,
00:08:01the movie you're going to make,
00:08:03what's the name of it?
00:08:05Alta Sidur.
00:08:07Will you have tea?
00:08:08Will you have tea?
00:08:14Seriously, terrible.
00:08:16That's why Bangla cinema is in this condition.
00:08:19You've gone to die to make that film.
00:08:22The whole industry knows how big a scapegoat you are.
00:08:26First you,
00:08:28then producer,
00:08:30then cinema.
00:08:32You've made the whole industry in this condition.
00:08:35And I'm new, how will I know?
00:08:36Besides that,
00:08:38does anyone hire a new girl?
00:08:40There's a new production going on.
00:08:42I've just joined.
00:08:44They want to work with some new faces,
00:08:46some new girls.
00:08:48It can be done there.
00:08:50And if you write a serial,
00:08:52it's smooth.
00:08:54If I work in a serial,
00:08:56will anyone hire me in the cinema?
00:08:58Why not?
00:09:00Look,
00:09:02if you do the serial, you'll learn acting.
00:09:03And people will recognize your face.
00:09:06And the whole industry will know.
00:09:08And it'll be easier to get a job.
00:09:10Right?
00:09:15Are you assuring me?
00:09:18Look, I can try for you.
00:09:21Will you try from your heart?
00:09:25I will.
00:09:33I will.
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00:14:16Makeup.
00:14:27What's wrong with you? You can't even sit with this.
00:14:42That serial will ruin your life.
00:14:46Why did you remove your make-up?
00:14:48How can I remove my make-up?
00:14:50Do I have a backup? I ran away.
00:14:53I ran away. I have to leave this place.
00:14:56I don't have time to lead these two serials.
00:14:59I don't like it.
00:15:00Listen, you don't have to pass the test.
00:15:02You do the same thing.
00:15:05Why?
00:15:06You are going.
00:15:08Take the notes carefully.
00:15:11Don't go home late at night.
00:15:16What do you get by acting in this serial?
00:15:19Name, money, fame.
00:15:23What else do people want?
00:15:26What do you want?
00:15:30I want to write well.
00:15:34Then?
00:15:38Then what?
00:15:42Then what? That's what I am asking.
00:15:45You will write, you will be famous.
00:15:48You will be famous, you will be rich.
00:15:50That's it.
00:15:51No, it's not like that.
00:15:55You mean, you will write, but you won't publish.
00:15:59You will publish, but you won't make money.
00:16:01No.
00:16:02Then?
00:16:03No, it's not like that.
00:16:04Then what are you saying?
00:16:05And why am I talking? You were talking.
00:16:07No, I want to say that you do these meaningless serials.
00:16:10Do you like it?
00:16:12I mean, don't you get bored of the same kind of serial?
00:16:16Yes, I get bored.
00:16:18Very bored.
00:16:20You do one thing.
00:16:22You find me some meaningful work.
00:16:25Good director, good script.
00:16:27I will do that.
00:16:29Then you will see, I don't hesitate to mix colors.
00:16:31I told you.
00:16:33No, but that means you don't have a choice.
00:16:35You are taking whatever you get.
00:16:38The way people look at you, does it give you a lot of respect?
00:16:41Do you like it?
00:16:42Will you give me an autograph?
00:16:44My mother doesn't believe that Nandini studies in our college.
00:16:48I will show her this today.
00:16:51Please Nandini, one autograph.
00:17:04Will she believe in your autograph now?
00:17:06Selfie?
00:17:07Oh, thank you.
00:17:08Sure.
00:17:13Okay, thank you.
00:17:37Do you know what I want?
00:17:39I want you to write a lot of good things.
00:17:44And after that, everyone will come like this and take your autograph.
00:17:50They will take your selfie and post it.
00:17:53Everyone will say that Kanchand is the best poet of this time.
00:18:00I want this.
00:18:01I want this.
00:18:03And the day it happens, I will stop doing these meaningless serials.
00:18:12I told you.
00:18:31I told you.
00:19:01Cut it.
00:19:31Nandini.
00:19:34Nandini.
00:19:35Nandini.
00:19:37Nandini.
00:19:38Nandini.
00:19:49Call the ambulance.
00:19:57It's an attempt to murder.
00:19:59What?
00:20:02Call the ambulance.
00:20:20Rohit, I didn't do anything.
00:20:24Rohit, believe me.
00:20:26I didn't do anything.
00:20:27I didn't do anything, Rohit.
00:20:32I didn't do anything.
00:20:39Call the police.
00:20:44Excuse me.
00:20:45Yes.
00:20:46I am sorry.
00:20:47She is no more.
00:20:49Shit.
00:20:55Sonal ji.
00:20:56Come.
00:20:57Sir.
00:20:59I don't want any media.
00:21:03Okay, sir.
00:21:13Sir.
00:21:14Right, sir.
00:21:17Okay, sir.
00:21:27Okay, sir.
00:21:40Okay, sir.
00:21:43Driver.
00:21:44Get the car.
00:21:48Raju.
00:21:57In fact, all of you.
00:21:59Listen to me.
00:22:01It's a case of murder.
00:22:09Please cooperate.
00:22:16Sonal ji.
00:22:28A murder sequence was shot.
00:22:30But the actor didn't commit the murder.
00:22:32It's a very complicated case.
00:22:34It's going on in Bengal and India.
00:22:36It's possible that the actor committed the murder during the first shooting.
00:22:41But the S.A.P. of Uttarband, Ranjan Sarkar, still can't give a clear answer.
00:22:46Why this murder?
00:22:47Nandini Chatterjee's death...
00:22:52What are you thinking?
00:22:53Since when?
00:22:54Hmm?
00:22:57No, I'm thinking...
00:22:59What happened in the shooting that a boy...
00:23:02Tell me the whole story.
00:23:04A boy...
00:23:07Committed a murder like that?
00:23:09Who?
00:23:11Oh, the boy from that time?
00:23:13What's his name?
00:23:14Abir?
00:23:17Abir is an ordinary reporter.
00:23:20His parents...
00:23:23His parents' son...
00:23:25He's roaming around in Kolkata's telegrams.
00:23:31Committing a murder like that...
00:23:34What happened?
00:23:36Did you interrogate Abir?
00:23:40I will.
00:23:43What do you think?
00:23:45Why did Nandini Chatterjee...
00:23:47Commit the murder?
00:23:49Oh, dear.
00:23:50I can't do analysis like you.
00:23:53I can tell you what I see with the naked eye.
00:23:56No, don't tell me that.
00:23:59Most probably...
00:24:00The result of a previous birth.
00:24:05The result of a previous birth or this birth...
00:24:11That's the mystery, madam.
00:24:23What happened?
00:24:49What is it?
00:24:50Why are you so late?
00:24:52It's cold outside. What shall I say inside?
00:24:54Come.
00:25:05One whisky, please.
00:25:11No ice.
00:25:13I'm giving you water.
00:25:21You didn't come for this?
00:25:24No, I wasn't feeling sleepy.
00:25:28They won't give me the body today, right?
00:25:33No.
00:25:37There's a murder case, but they won't give you the body.
00:25:41Do you...
00:25:43Have anything to say?
00:25:46What's up with you?
00:25:48I'm feeling sleepy.
00:25:52Do you have anything to say?
00:25:54What do you think?
00:25:55Aabir?
00:25:56Do you remember that kid?
00:25:58Aabir?
00:26:01Kid?
00:26:03What do you mean?
00:26:04Not a kid?
00:26:05I don't understand what you're saying.
00:26:08Kanchan, are you really that stupid?
00:26:10Or is this your pretension?
00:26:22I didn't mean to be so rude.
00:26:25Sorry.
00:26:27Look, you, me, Nandini...
00:26:29We had a great time in college.
00:26:32We studied.
00:26:34We went out.
00:26:35We ate.
00:26:36We watched movies.
00:26:37What else did we do?
00:26:39I told you.
00:26:40I mean...
00:26:44You're a very simple person.
00:26:47Not like Nandini.
00:26:48There's no connection between you two.
00:26:50I told you not to take such a rash decision.
00:26:55But you're crazy in love.
00:26:57You got married.
00:27:00Neither of you were good.
00:27:03I know that.
00:27:04I know.
00:27:05But that's why...
00:27:06Aabir.
00:27:09The first day you came to my flat,
00:27:12Nandini was in my flat in the evening.
00:27:14Aabir wasn't an actor before.
00:27:17He was a photographer for our magazine.
00:27:20Nandini's die-hard fan.
00:27:23He came to my house knowing Nandini was there.
00:27:29Thanks.
00:27:45How old are you?
00:27:47You're talking as if you're here to see a magazine.
00:27:50How old are you?
00:27:51What are you doing?
00:27:54How old are you?
00:27:5624.
00:27:57And you?
00:28:04No, I mean...
00:28:05I'm sorry.
00:28:06I don't want to be rude.
00:28:08Please don't mind.
00:28:09Don't ask about girls' age.
00:28:11Are you a heroine again?
00:28:13You'll lose your job in the newspaper.
00:28:15I've just joined.
00:28:17It's a good film.
00:28:19I'm a big fan of yours.
00:28:21Actually, I've been a fan since you did the serial.
00:28:24Fan?
00:28:25Yes.
00:28:26Wow.
00:28:27You're drinking with me as a fan?
00:28:29You don't know anything.
00:28:31Oh, I'm so sorry.
00:28:33You don't know anything.
00:28:34Oh, I'm so sorry.
00:28:56You're such a sweet guy.
00:28:58You're my fan?
00:28:59Your fan?
00:29:01Abir.
00:29:02Let's have dinner.
00:29:03Yes.
00:29:04They have a shoot tomorrow.
00:29:05Yes, let's go.
00:29:08Where's the shoot tomorrow?
00:29:11Why?
00:29:12Will you come?
00:29:14Okay, you can come.
00:29:16But I have a condition.
00:29:18You have to give me the picture.
00:29:21Of course.
00:29:22I've been asking you since a long time.
00:29:26Okay, call me and come.
00:29:299830-52-1937.
00:29:41Madam.
00:29:42Abir told me that a guy has come.
00:29:43He asked if you've seen him.
00:29:45Who's Abir?
00:29:46He's from Journalist & Media.
00:29:48Do you want me to hang up?
00:29:49No, don't hang up.
00:29:51They don't trust me.
00:29:52They'll go to the market if I write something.
00:29:54This is the situation in Kolkata.
00:29:56Hang up.
00:29:57Okay, I'll hang up.
00:30:00Hi.
00:30:04Sit.
00:30:05How are you?
00:30:09I'm fine.
00:30:12You wanted to give me the picture.
00:30:14Yes.
00:30:15You forgot to give it to me.
00:30:17I didn't forget.
00:30:18That's why I brought the camera.
00:30:21Oh.
00:30:23Will you give it to me on Holi?
00:30:25Sure.
00:30:26How old are you?
00:30:29I can't give you the picture.
00:30:32That's a big deal for me.
00:30:36Why should I give it to you?
00:30:38Give it to me.
00:30:41Look at the camera.
00:30:42Yes.
00:30:43Sit here.
00:30:46Look.
00:30:50Lens stains are fine.
00:30:53I'll arrange the lighters.
00:31:00I'll arrange everything.
00:31:04Really?
00:31:05Yes.
00:31:07Polly asked if you act.
00:31:11Yes.
00:31:12I used to do theater before.
00:31:30I love you.
00:31:31I love you.
00:31:32I love you.
00:31:33I love you.
00:31:34I love you.
00:31:35I love you.
00:31:36I love you.
00:31:37I love you.
00:31:38I love you.
00:31:39I love you.
00:31:40I love you.
00:31:41I love you.
00:31:42I love you.
00:31:43I love you.
00:31:44I love you.
00:31:45I love you.
00:31:46I love you.
00:31:47I love you.
00:31:48I love you.
00:31:49I love you.
00:31:50I love you.
00:31:51I love you.
00:31:52I love you.
00:31:53I love you.
00:31:54I love you.
00:31:55I love you.
00:31:56I love you.
00:31:57I love you.
00:31:58I love you.
00:31:59I love you.
00:32:00I love you.
00:32:01I love you.
00:32:02I love you.
00:32:03I love you.
00:32:04I love you.
00:32:05I love you.
00:32:06I love you.
00:32:07I love you.
00:32:08I love you.
00:32:09I love you.
00:32:10I love you.
00:32:11I love you.
00:32:12I love you.
00:32:13I love you.
00:32:14I love you.
00:32:15I love you.
00:32:16I love you.
00:32:17I love you.
00:32:18I love you.
00:32:19I love you.
00:32:20I love you.
00:32:21I love you.
00:32:22I love you.
00:32:23I love you.
00:32:24I love you.
00:32:25I love you.
00:32:26I love you.
00:32:27I love you.
00:32:28I love you.
00:32:29I love you.
00:32:30I love you.
00:32:31I love you.
00:32:32I love you.
00:32:33I love you.
00:32:34I love you.
00:32:35I love you.
00:32:36I love you.
00:32:37I love you.
00:32:38I love you.
00:32:39I love you.
00:32:40I love you.
00:32:41I love you.
00:32:42I love you.
00:32:43I love you.
00:32:44I love you.
00:32:45I love you.
00:32:46I love you.
00:32:47I love you.
00:32:48I love you.
00:32:49I love you.
00:32:50I love you.
00:32:51I love you.
00:32:52I love you.
00:32:53I love you.
00:32:54I love you.
00:32:55I love you.
00:32:56I love you.
00:32:57I love you.
00:32:58I love you.
00:32:59I love you.
00:33:00I love you.
00:33:01I love you.
00:33:02I love you.
00:33:03I love you.
00:33:04I love you.
00:33:05I love you.
00:33:06I love you.
00:33:07I love you.
00:33:08I love you.
00:33:09I love you.
00:33:10I love you.
00:33:11I love you.
00:33:12I love you.
00:33:13I love you.
00:33:14I love you.
00:33:15I love you.
00:33:16I love you.
00:33:17I love you.
00:33:18I love you.
00:33:19I love you.
00:33:20I love you.
00:33:21I love you.
00:33:22I love you.
00:33:23I love you.
00:33:24I love you.
00:33:26Does Nandini love anyone?
00:33:29Why? Who?
00:33:38Thank you for the whisky.
00:33:42Go to sleep.
00:33:53Out. Out. Out.
00:33:54Get out of the house.
00:33:55Get out of the house.
00:33:57Nandini.
00:33:58I told you to go to Bolpur with me for work.
00:34:00I told you that there is a problem at home.
00:34:02Mom is not well.
00:34:03And you came here.
00:34:04This is your real problem.
00:34:05Palladi.
00:34:06I am sorry.
00:34:08And please don't take the work.
00:34:10I will be very upset.
00:34:12Mom is not well.
00:34:13That is not my problem.
00:34:14Okay?
00:34:15You were having a problem coming to someone else's flat and singing.
00:34:18Palladi, don't react like this.
00:34:19Please.
00:34:20Nandini.
00:34:21Why are you angry with me?
00:34:22I am not talking to you.
00:34:23What is this?
00:34:25Are you ashamed to talk to me?
00:34:27I saw you here.
00:34:29For my picture.
00:34:30So?
00:34:31So what?
00:34:32What happened?
00:34:33This is my house.
00:34:34It is my house.
00:34:35Yes, of course.
00:34:36It is your house but it is also my house.
00:34:37You are not alone.
00:34:38I have an investment here.
00:34:39Wow.
00:34:40Now you are talking about money.
00:34:41Are you ashamed?
00:34:43You have acted in some movies and some dramas.
00:34:46Yes.
00:34:47In our press, if your picture or article is not published, no one will recognize you.
00:34:52Palladi.
00:35:02You are crossing your limits.
00:35:03Then you must also know your limitations.
00:35:12Palladi, please.
00:35:21Palladi.
00:35:26Are you happy now?
00:35:28Are you happy to show your power?
00:35:30What else can you do?
00:35:31Aren't you ashamed to talk to me?
00:35:34No, I am not ashamed.
00:35:36I am not ashamed.
00:35:37What are you saying?
00:35:39I have started working with you.
00:35:41I have started working in the industry.
00:35:43You have forgotten all the shame.
00:35:46We have forgotten the shame.
00:35:47And you are doing all this with the producer.
00:35:49We have taught you all this.
00:35:51Such a bitch, Nandini.
00:35:53Such a bitch you are.
00:35:58Shekhasini.
00:36:00Hey, Taka.
00:36:01Leave my hand.
00:36:02Shekhasini.
00:36:04Have you forgotten about Oberoi's party?
00:36:06What about Mr. Ahuja?
00:36:12And what about your officer's party?
00:36:15I don't think it is over yet.
00:36:17Cheers.
00:36:19Cheers.
00:36:24I think that would be...
00:36:25Good evening, Nandini Chatterjee.
00:36:28I know that you are intelligent.
00:36:31You want to go far in life.
00:36:35Give me a suggestion.
00:36:39By the way, can we discuss the matter after the party?
00:36:50Of course.
00:36:51That would be a pleasure.
00:36:52Okay.
00:36:53Do you know me?
00:36:54Sure.
00:36:55When, where, when will we meet?
00:37:14I fell in love while shooting the movie.
00:37:17That's a good story.
00:37:21But did the love last without a job?
00:37:23The day after that, I called Nandini Madam with the resignation letter.
00:37:27Why?
00:37:28Because I didn't have any other option.
00:37:30I needed a job.
00:37:33So, Nandini Madam...
00:37:35gave you a job?
00:37:39That's why she was angry with you.
00:37:42I didn't kill her. Believe me.
00:37:44It's a matter of proof.
00:37:47You were an actor. You had a knife.
00:37:49Nandini Madam stabbed you with it.
00:37:52Am I right?
00:37:53Yes, but who gave me a real knife?
00:37:55There are so many shootings in the world.
00:37:56Have you ever heard of a real knife in a murder sequence?
00:37:58There is a dummy knife with a spring.
00:38:00You can't kill an arsonist with that.
00:38:02And it's a long story to kill a human.
00:38:03Then who gave you a real knife?
00:38:05I don't know who did it.
00:38:06I had a dummy knife. I'm telling you again and again.
00:38:11Okay. Tell me what you know.
00:38:14What did you do after you lost your job?
00:38:16I mean, what does an actor do?
00:38:18Then I called Nandini many times.
00:38:21She didn't pick up my call.
00:38:23Som invited me to a party one day.
00:38:26That's where I met Samar for the first time.
00:38:36Hello!
00:38:37How are you?
00:38:38I'm fine. How are you?
00:38:40I'm fine.
00:38:41Then?
00:38:42Now you won't give me a chance.
00:38:44I'll give you a chance.
00:38:45Are you sure?
00:38:46Yes, I'm sure.
00:38:49I just came back from the shooting.
00:38:51Listen, I'm leaving right now.
00:38:53You know me very well.
00:38:55Don't forget. I'll call you.
00:38:57Okay.
00:38:58Will you remember me?
00:38:59Of course.
00:39:00Hey, bye.
00:39:01Bye.
00:39:02I'm leaving.
00:39:05Did you see?
00:39:06Yes, I saw.
00:39:07Did you see how he hit her on the face?
00:39:09Yes.
00:39:10He's here now.
00:39:11He's been here since evening.
00:39:12He'll be here as long as the party is going on.
00:39:14He's an industry expert.
00:39:16What?
00:39:17You said you'll introduce me to Samar.
00:39:19Yes, I will.
00:39:21Let's go.
00:39:22Okay, let's go.
00:39:26Just a second. I'll be right back.
00:39:28Okay, bye.
00:39:33Hey, Nandini.
00:39:34Hey.
00:39:35What's up?
00:39:36When did you come?
00:39:38Just now.
00:39:39What's up?
00:39:40What's up with you?
00:39:41Say it again.
00:39:42Samar.
00:39:44Hey.
00:39:45Yes?
00:39:46Samar.
00:39:47Did you bring the dress?
00:39:48No, I'm busy.
00:39:49Oh, you're busy again.
00:39:51Okay, let me introduce you, Nandini.
00:39:53This is Samar.
00:39:54He's my AD.
00:39:56There's another guy with the dress.
00:39:57He'll introduce you to him.
00:39:58He can't come today.
00:39:59He's my friend, Abhi.
00:40:00Hello, sir.
00:40:01Hello.
00:40:02He's a great actor.
00:40:03He's an actor too.
00:40:05Did you tell him?
00:40:06He's a great actor.
00:40:07He's a hero.
00:40:08He's a hero.
00:40:09Great.
00:40:10Do you know him?
00:40:11Do you know Nandini?
00:40:12Yes.
00:40:14I think I know him.
00:40:15But I've never seen him before.
00:40:17I don't remember him.
00:40:18No, no.
00:40:19I've never seen him before.
00:40:20I don't remember.
00:40:22I don't know him.
00:40:23Oh.
00:40:24Nice to meet you.
00:40:25Okay.
00:40:26Samar.
00:40:27I'm leaving.
00:40:28You're leaving already?
00:40:29Yes.
00:40:30I'll talk to you later.
00:40:31Okay, but don't be late this time.
00:40:33Okay?
00:40:34Don't worry.
00:40:36Bye.
00:40:37Bye.
00:40:39Bye, sir.
00:40:40Okay.
00:40:41I was saying,
00:40:42should I call Bhusan?
00:40:43Yes.
00:40:45I didn't get a single chance.
00:40:49I'll make sure he dies.
00:40:51One more.
00:40:52Why was he after the shooting date?
00:40:54I don't know exactly.
00:40:55But mainly actors' date issues.
00:40:57I also heard that Rohit Dhana or Nandini were doing the job,
00:41:00so he backed out.
00:41:01Then why did he agree again?
00:41:03Why?
00:41:04If he backed out and agreed again,
00:41:05Samar will be able to say everything.
00:41:06If he tells a lie,
00:41:07you'll go to jail even more, Abir.
00:41:09I'm telling the truth, sir.
00:41:10Nandini didn't get along well with Rohit Dhana.
00:41:12Just ask around.
00:41:14Her husband Kanchan,
00:41:15he didn't get along with him either.
00:41:36I'm sorry.
00:42:07Cut it.
00:42:08Was it good?
00:42:11Abir, nice shot.
00:42:13Nandini,
00:42:14it's almost done.
00:42:15There are a few more shots left.
00:42:17Then I guess you'll be done.
00:42:19Okay?
00:42:20Hurry up.
00:42:21Take your time.
00:42:22Nandini,
00:42:23this is the climax.
00:42:24It'll take some time.
00:42:26Yes, it's 8 o'clock now.
00:42:27I can give you half an hour.
00:42:28Maximum.
00:42:29Nandini,
00:42:30it's 8 o'clock now.
00:42:31I can give you half an hour.
00:42:32Maximum.
00:42:33Nandini,
00:42:34it's 8 o'clock now.
00:42:35I can give you half an hour.
00:42:36Maximum.
00:42:37Nandini,
00:42:38I told you earlier
00:42:40that this is the climax.
00:42:41You'll have to be patient.
00:42:42Because I can't work fast like you.
00:42:45You'll have to give me some time.
00:42:47Then shoot another day, Samar.
00:42:48That's not possible.
00:42:49How will I do it?
00:42:50We're shooting in this mountain.
00:42:51It's so cold.
00:42:52And then
00:42:53you've become an action master.
00:42:54And then the whole thing
00:42:56is impossible to recreate, right?
00:42:58You'll have to be a little patient, Nandini.
00:43:01This is the problem, you know.
00:43:03You think you're so intellectual.
00:43:07Why?
00:43:08You're making a movie worth five bucks.
00:43:10You won't go to Cannes,
00:43:11you won't get an Oscar.
00:43:12What's the big deal?
00:43:14Get yourself ready
00:43:15and come to the shoot.
00:43:16Nandini,
00:43:17if you hadn't been the heroine of my set
00:43:20and if you hadn't stopped me from finishing my movie,
00:43:22I would've thrown you out of the floor right now.
00:43:25And not only that,
00:43:26I would've printed it on the press deck
00:43:28what you've done to the whole schedule.
00:43:31Rubbish.
00:43:33Rubbish.
00:43:38I would've printed it on the big screen.
00:43:45You don't want to talk, do you?
00:43:48If you want to talk, say something.
00:43:53Samur,
00:43:55this is your second movie.
00:43:58Not mine.
00:44:00So if you flop the movie,
00:44:02have you thought about what will happen next?
00:44:04And if I don't die,
00:44:06Samur,
00:44:07my work, my name,
00:44:08everything will be gone.
00:44:09Nothing will go or come.
00:44:12So think before you say anything next time.
00:44:16I'll be waiting in the tent.
00:44:18See me when your shot is ready.
00:44:20And remember,
00:44:21half an hour.
00:44:23Hmm?
00:44:24Huh?
00:44:37Huh?
00:44:47Hey, production.
00:44:48Get me a coffee.
00:44:49Hey, I won't shoot.
00:44:51How long will it take?
00:44:54It's plastic rupture job.
00:44:55How long will it take?
00:45:05Look, Polly,
00:45:07Nandini had a relationship with Abir.
00:45:11I mean,
00:45:12Pushan,
00:45:13Som,
00:45:14they told me.
00:45:16But that was a long time ago.
00:45:18I mean,
00:45:19if I had known about it earlier,
00:45:21I would've been so vindictive.
00:45:23Then I...
00:45:26Now,
00:45:28I'm blaming myself, you know?
00:45:31I mean,
00:45:32I just feel that
00:45:33when Rohit told me
00:45:35that he wouldn't do this project
00:45:37if Nandini was there,
00:45:40if I had stopped him then,
00:45:42at least Nandini's life would've been saved, right?
00:45:45Tea.
00:45:46How did it get stuck?
00:45:48Tea.
00:45:53How was Nandini's relationship with you?
00:45:56What do you mean?
00:45:59I mean,
00:46:00you know that Nandini
00:46:01is none other than Smitha Patel and Deepika Parukan.
00:46:04And,
00:46:05her...
00:46:06her hit movies are not for her.
00:46:10One day,
00:46:11she wasn't interested in serious films.
00:46:14But,
00:46:15fame,
00:46:16glamour,
00:46:18these were
00:46:19her interest points.
00:46:21So, you casted her.
00:46:25Why?
00:46:26Look,
00:46:27Nandini had
00:46:28only one glamour, right?
00:46:30Hmm.
00:46:31That's what all heroines have.
00:46:35She had a commercial value too.
00:46:38And,
00:46:39it's also true that
00:46:40she had a producer.
00:46:41That's it.
00:46:42She said she had a producer.
00:46:44That is not the only reason.
00:46:46There was another reason, tell me.
00:46:49What?
00:46:50Rohit?
00:47:49Did you find anything?
00:47:58You?
00:47:59Don't worry, I'm not investigating.
00:48:06But, you are not supposed to be here.
00:48:08Hmm.
00:48:09That's right.
00:48:10I'm a thief and you are a police officer.
00:48:13I'm in captivity.
00:48:15I was getting irritated.
00:48:18So,
00:48:19so,
00:48:20I had to come to the murder spot.
00:48:22Oh, that's right.
00:48:23The detective said,
00:48:25if he's a killer,
00:48:26he must visit again.
00:48:29That's what you wanted to say, right?
00:48:32What do you call this?
00:48:34Oversmartness.
00:48:37It's good to be in front of the camera, but
00:48:40not in reality.
00:48:43Anyway,
00:48:44I can take you to the hotel.
00:48:46In fact, I
00:48:48will go to your hotel.
00:48:50You are also a smart non-entertainer.
00:48:56If you don't mind,
00:48:58can I say something?
00:49:00Of course.
00:49:03I was looking for a
00:49:04wine shop.
00:49:06I want to
00:49:07buy some wine.
00:49:11On the way back to the hotel,
00:49:13can we have some vodka?
00:49:16On duty, Mr. Singh.
00:49:18Some other day.
00:49:19Okay.
00:49:20I'm in a bit of a hurry today.
00:49:24That detective,
00:49:25what's his name?
00:49:27Samar.
00:49:28Right, Samar.
00:49:29Your school friend?
00:49:32Senior in college.
00:49:34But like a friend.
00:49:36He was a good friend.
00:49:39He was?
00:49:41He had a mental breakdown yesterday.
00:49:43He'll be fine after that.
00:49:44Can I know why?
00:49:45Can I?
00:49:48You are handling Nandini's murder case, right?
00:49:53You can't tell me if you don't want to.
00:50:00I'm a bit OCD.
00:50:02Sorry.
00:50:13Get in.
00:50:16Let's go.
00:50:23Your first film flopped.
00:50:27If this film flopped,
00:50:28your career would be over.
00:50:30Look, every director wants
00:50:31his films to be seen by people,
00:50:33filled with audience.
00:50:35That's why you want to fill the hall
00:50:37with Nandini and Rohit's shoes?
00:50:39Where's the inconvenience?
00:50:40If that's the case,
00:50:41where's the inconvenience?
00:50:44Look, Nandini and Rohit's shoes
00:50:46gave three hits at a time.
00:50:49Then they didn't make a film.
00:50:51They didn't.
00:50:52But they wanted to show their shoes
00:50:54to the audience.
00:50:57So if I use it as an introduction,
00:50:59use that chemistry,
00:51:01what's the problem?
00:51:03You know, Rohit and Nandini
00:51:05don't get along very well.
00:51:07Look, Nandini and Rohit
00:51:10had a relationship.
00:51:12I don't know what it was before.
00:51:14That's it.
00:51:15I don't know anything more than that.
00:51:17That's not true.
00:51:20I don't know anything more than that, Polly.
00:51:23And...
00:51:24And what's the use of saying it now?
00:51:26Nandini...
00:51:27Polly.
00:51:28What is it?
00:51:32What's this?
00:51:34What's this?
00:51:36I found it in Nandini's bag.
00:51:39Look...
00:51:40I think we should go to the police right now.
00:51:43Then the case can be solved.
00:51:45What proof do you need?
00:51:47No, I mean, it's a looting.
00:51:49Yes, Samar.
00:51:50Let's go to the police.
00:51:52We'll hand it over to the police.
00:51:54Let's go, please.
00:51:55Please, Polly, let's go.
00:51:56It's no use.
00:51:57Let's go.
00:52:28Let's go.
00:52:30Let's go.
00:52:32Kanchan, listen to me.
00:52:40I'm sure you don't drink coffee.
00:52:42Would you like some vodka?
00:52:44No, thanks.
00:52:45No...
00:52:46Basically, they'll interrogate you there.
00:52:49If you stay there...
00:52:51You can understand.
00:52:54Janki, please manage.
00:52:57I'll go to my room.
00:53:04Kanchan, coffee?
00:53:07No, I'm not feeling well.
00:53:09You guys eat.
00:53:10You guys talk.
00:53:11I'll go to my room.
00:53:14You guys talk.
00:53:15I'll come.
00:53:16Polly madam.
00:53:17Please sit down.
00:53:18I need to talk to you.
00:53:20I need to be alone with you.
00:53:24I need to see everyone.
00:53:27You have a day off, right?
00:53:32Please sit.
00:53:57Don't be afraid.
00:53:58Don't be afraid.
00:54:00I won't kill you.
00:54:05How was Nandini's relationship with Rohit?
00:54:08You can ask us.
00:54:10You can directly ask her.
00:54:12No, I can do that.
00:54:14But I'm asking you guys.
00:54:16Because I want to know...
00:54:18How was their relationship with you guys?
00:54:21I'll tell you about their relationship.
00:54:24I'll tell you about their relationship.
00:54:26Professional.
00:54:27Okay.
00:54:29What about you guys?
00:54:32Professional.
00:54:33Friendly.
00:54:34Loving.
00:54:36Interesting.
00:54:38How was Nandini's relationship with Rohit?
00:54:43When and how did it break?
00:54:47Are you writing a script for a new serial?
00:54:49Are you writing a script for a new serial?
00:54:51Because these questions have nothing to do with this case.
00:54:55Right?
00:54:58Your first question was no.
00:55:01And the second one was...
00:55:03I feel like I'm being very intellectual.
00:55:05But if you have to say everything in a broken way...
00:55:08and if you have to relate it to something...
00:55:10you have to say it.
00:55:11Instead of being a journalist...
00:55:13you should practice writing a serial.
00:55:15You have to say a word five times.
00:55:17That was many years ago.
00:55:19Five years ago is a lot.
00:55:22Yes, but why did it break?
00:55:25When a person falls in love...
00:55:28and sometimes it breaks...
00:55:30there's no point in looking at it from the outside.
00:55:34Right.
00:55:36But Sonu...
00:55:38In your film...
00:55:39Rohit said no at first and then said yes.
00:55:44Why? Can you tell me?
00:55:46Nandini was the reason for him to say yes.
00:55:49Nandini was the reason for him to say yes.
00:55:51What do you think?
00:55:53Now you want to solve this case together.
00:55:57But you won't be able to do it.
00:55:59There's no power here.
00:56:01Whatever the situation is...
00:56:03close the case.
00:56:05We'll get some freedom.
00:56:08I have something to say to you.
00:56:12Do you also suspect me of Nandini's murder?
00:56:19I don't know who I'll kill and who I won't.
00:56:27Isn't it better to leave that matter to the police?
00:56:32I don't know.
00:56:33Isn't it better to leave that matter to the police?
00:56:45Nandini is not at fault now.
00:56:49But this death...
00:56:52Nandini doesn't deserve this death.
00:57:00Can I ask you something?
00:57:04If you don't mind.
00:57:07Sure.
00:57:16Why did you decide to come for the shoot?
00:57:19As far as I know...
00:57:21you never interfered in Nandini's professional life.
00:57:26I don't know.
00:57:29You said we'd meet for the last time.
00:57:33You said we'd meet for the last time.
00:57:38Hello?
00:57:39Why didn't you pick up the phone?
00:57:42I was writing.
00:57:44Tell me what happened.
00:57:47Are you going to Lolegaon?
00:57:48Lolegaon?
00:57:49Right now?
00:57:50For Nandini's shoot.
00:57:51Are you kidding me?
00:57:53I have to hand in three papers to your office next week.
00:57:57I'm not interested in Nandini's case.
00:57:59I never went to her office before.
00:58:01Why would I go now?
00:58:04Why are you still with her?
00:58:06You don't trust anyone.
00:58:08Leave her alone.
00:58:09I left Nandini a long time ago.
00:58:12Nandini left me.
00:58:16That means you won't go, right?
00:58:20Yes, I can go.
00:58:23But why would I go?
00:58:24You don't want to go, but I want to go.
00:58:31Why?
00:58:32We were friends in college.
00:58:35We used to hook up.
00:58:38We used to have fun together.
00:58:40I wanted to give Nandini a surprise.
00:58:43The three of us together.
00:58:45I wanted to have fun like before.
00:58:47Nandini wasn't a heroine then.
00:58:50Kanchan wasn't a writer.
00:58:54And I was that Udon Chundi.
00:58:57That's why I planned it.
00:59:01Did you tell Nandini that you were coming here?
00:59:23You said you were scared.
00:59:25But look at us.
00:59:27Hang up the phone.
00:59:32Hang up the phone.
00:59:38Why were you so scared?
00:59:41There was no point in being scared.
00:59:43I had to run away from Kolkata.
00:59:50Do you still think that I sent the text message?
01:00:02What's the point if I don't think about it?
01:00:07If I didn't go to Bombay, my life would be over.
01:00:17I was blacklisted from all the production houses in Kolkata.
01:00:22I was blacklisted.
01:00:25The directors, co-actors, my friends, my family...
01:00:33They all blacklisted me.
01:00:42I had four projects.
01:00:45None of them listened to me.
01:00:49I called you again and again.
01:00:52But you didn't pick up.
01:00:54I messaged you. I texted you.
01:00:57But you didn't reply.
01:01:01From social media to newspapers, news channels...
01:01:06There was no media to talk about me.
01:01:13My parents and my family...
01:01:16...were humiliated in the shops.
01:01:19They used to talk about me.
01:01:21You ended my entire career in a day.
01:01:28Does my story really matter?
01:01:37Just one more day.
01:01:41Then you'll forget me.
01:01:51You'll forget me.
01:02:01There was a time...
01:02:04...when I tried to tell you every day.
01:02:11But I couldn't.
01:02:14And now...
01:02:16Even when I'm in front of you...
01:02:19...I can't remember you.
01:02:24Don't be afraid.
01:02:27Don't be afraid.
01:02:29I won't kill you.
01:02:32I'm telling the truth.
01:02:35I won't be able to fight with you.
01:02:46Let's go.
01:02:56What are you doing here?
01:02:59I was out for a cigarette.
01:03:02Cigarette?
01:03:15CIGARETTE
01:03:34Are you angry with me?
01:03:36No.
01:03:37Why would I be angry?
01:03:39You want to kill me.
01:03:41You're scaring me.
01:03:42You're writing a threat note in my house.
01:03:45You think I won't understand?
01:03:47What are you saying?
01:03:49Threat note?
01:03:50I...
01:03:51Listen.
01:03:53Don't lie to me.
01:03:56Don't lie to me.
01:03:58You know me very well.
01:04:03I know everything.
01:04:05I know everything.
01:04:06I know everything.
01:04:08I know everything.
01:04:12I know everything.
01:04:13I know everything.
01:04:14I know everything.
01:04:15I know everything.
01:04:16I know everything.
01:04:17I know everything.
01:04:32Hello.
01:04:33Madam.
01:04:34Why are you making so many faces?
01:04:37Who's this?
01:04:38What will you do in Namjain? I heard about the work.
01:04:41What work?
01:04:42Madam, there are many meanings of work.
01:04:45C.O.M.E. work, C.O.M.E. work.
01:04:49And in Bengali, Kayakar Ma Kaam.
01:04:52Which means the last in English.
01:04:55What nonsense is this?
01:04:57What do you want?
01:04:59Do you know who you are calling?
01:05:01I can put you in jail right now.
01:05:04Or you can put yourself in jail.
01:05:06What do you think?
01:05:07Meaning?
01:05:08I don't know the meaning. I will call you another day.
01:05:11You will not call me here for another day.
01:05:14My husband is an ACP.
01:05:16I am telling you this so that you don't have to call me.
01:05:19Don't make a big deal out of this case.
01:05:21Tell them to close the case as soon as possible.
01:05:24Okay?
01:05:25Are you threatening me?
01:05:27About Nandini murder case?
01:05:30Hello?
01:05:32Hello, who is this?
01:05:33Hello?
01:05:34Hello?
01:05:37Who is that?
01:05:38Hello?
01:06:02Vegetables? Food?
01:06:04Keep it there.
01:06:06I bought Maggi. You can eat it if you want.
01:06:12Sir.
01:06:14Sign.
01:06:16Don't you want an autograph?
01:06:17Padma sir.
01:06:25Thank you, sir.
01:06:27Can you write in Bengali?
01:06:30Why can't a Bengali write in Bengali?
01:06:33No, many Bengalis can't. It's your diary.
01:06:35Let me see.
01:06:42Can you write in Bengali?
01:06:45What kind of a person is he?
01:06:47The food is getting cold.
01:06:48You will understand if you don't write.
01:06:50You are responsible for Nandini's death.
01:06:56What will you understand if I write?
01:06:58No.
01:07:00Bullshit.
01:07:02Arjun is a troublemaker.
01:07:05He never gives peace to anyone.
01:07:16What will you write?
01:07:18Write whatever you want.
01:07:19Okay, write...
01:07:21I am sorry for your mistake.
01:07:32I am sorry for your mistake.
01:07:50The number is missing.
01:07:55Where did you get this from?
01:07:58Murder is only killing in the...
01:08:01...wrong place.
01:08:03From Nandini's bag.
01:08:05Do you have anything else to say?
01:08:08Mr. Rohit.
01:08:15Since the beginning of the shoot...
01:08:19...Nandini has been scared.
01:08:22Why?
01:08:25I can't say the exact reason.
01:08:28I think she was doing an insecurity job.
01:08:32I mean...
01:08:34She used to say whatever made her happy.
01:08:38She used to get angry if there was any delay.
01:08:42Actually...
01:08:44...I thought...
01:08:46...she could understand that her career was coming to an end...
01:08:48...but somehow she couldn't accept it.
01:08:52Did Nandini...
01:08:54...drink a lot?
01:08:57She was depressed.
01:08:59I mean...
01:09:01I don't know if she smoked or drank...
01:09:03...but I don't know if she did anything else.
01:09:08Do you know, madam?
01:09:14Sometimes...
01:09:16...she smoked hash or weed.
01:09:22I called her many times before coming here.
01:09:25But she didn't pick up.
01:09:27She called me at midnight around 12.30.
01:09:31She was scared of herself.
01:09:34I know everything.
01:09:36I know everything.
01:09:57I know everything.
01:10:22What's wrong?
01:10:23I've been calling you so many times.
01:10:24When will you come?
01:10:27When will you come?
01:10:28What's wrong with you?
01:10:30Nothing.
01:10:31Why are you asking me when I'll come?
01:10:33I'm scared.
01:10:35Nandini, what happened?
01:10:37I'm scared of Rohit, Polly.
01:10:42Come quickly.
01:10:44Come here with Kanchan.
01:10:46I'm scared, Polly.
01:10:47Don't worry.
01:10:49I'll come later.
01:10:50Don't worry.
01:10:55I mean...
01:10:57Nandini was scared for some reason.
01:11:04Or someone was scaring her.
01:11:11By the way, where did Kanchan go?
01:11:16You know what?
01:11:17The more you try to prove something...
01:11:22...the more you'll forget it.
01:11:27Come on.
01:11:37Take it.
01:11:38Start.
01:11:40Kanchan, there's no poison in it.
01:11:46I'll give you an advice.
01:11:50Don't make it complicated.
01:11:53Ranjan will be surprised.
01:11:58I'll try to make Ranjan surprised.
01:12:01Are you here?
01:12:03Come.
01:12:04Sit.
01:12:05Please.
01:12:06No, not today.
01:12:07Kanchan, I need to talk to you.
01:12:09What's the matter?
01:12:11I'll make a wedding dress.
01:12:13You're a strange man.
01:12:15Your wife was murdered.
01:12:17Why should I be angry with you?
01:12:20You must be thinking that this is a sad matter.
01:12:24Don't be sad.
01:12:26Don't be sad.
01:12:27If you're sad, only Ranjan will understand.
01:12:30No, I don't understand.
01:12:31No, Ranjan.
01:12:33There are many ways to be sad.
01:12:35But you don't understand that.
01:12:38Do one thing.
01:12:39Go to the police station.
01:12:40Our production manager will take Kanchan there.
01:12:42And yes, we're drunk.
01:12:44So, there won't be any problem in your interrogation.
01:12:47You can come.
01:12:51Yes, hello.
01:12:52Yes, hello.
01:12:54Send me the report.
01:12:56Right.
01:12:57Okay.
01:12:59You know.
01:13:01You can tell me about the handwriting.
01:13:05But I want to say that the handwriting is not mine.
01:13:10My handwriting is fake.
01:13:13The rest is Tik-Tik's.
01:13:23Your handwriting is good.
01:13:26It wasn't good when you were in college.
01:13:30I changed my handwriting for the film, you know.
01:13:35I had to write the script.
01:13:38It's not a film.
01:13:40I think the script is not up to par.
01:13:43It's okay now.
01:13:44If you cut it, it will fail commercially again.
01:13:47No, it's not up to par.
01:13:49I'm just changing some dialogues.
01:13:51I'm just changing some dialogues.
01:13:53One more thing needs to be changed.
01:13:56What?
01:13:57Casting.
01:14:00If you say one more word, I'll kill you.
01:14:04I told you, I'm giving Nandini a break.
01:14:06And I've already talked to Semonthi.
01:14:09She's having a problem with her date.
01:14:11I'm figuring it out.
01:14:13Let's see what happens.
01:14:15It's difficult to work without Nandini.
01:14:17That's what I've been telling you all these days.
01:14:19You didn't listen to me.
01:14:22F**k.
01:14:27This is not a coincidence.
01:14:29I'm talking to her right now.
01:14:31How would I know why she's calling?
01:14:33It's a sheer coincidence.
01:14:35It can't be a coincidence.
01:14:37Why are you so hyper?
01:14:39Let me talk.
01:14:40She knows I'm in Kolkata.
01:14:41How would she know?
01:14:42She knows I'm in your house.
01:14:44I didn't say anything.
01:14:45You did.
01:14:46No.
01:14:47Why are you denying it?
01:14:48Let me talk.
01:14:51Give me the loudspeaker.
01:14:54Are you busy?
01:14:58Yes, tell me.
01:14:59Samar, I heard Rohit has backed out of your picture.
01:15:05I don't know anything like that.
01:15:07Why? Did he talk to you?
01:15:11He told me directly.
01:15:16What did he say?
01:15:17He said you won't be able to forgive me for what I did to him.
01:15:21So, there's no point in taking the picture.
01:15:24You said...
01:15:25Look, Samar, I had a relationship with Rohit.
01:15:27But it was ruined many years ago.
01:15:30I mean, we destroyed it.
01:15:32So, I don't think it makes any sense to talk about it now.
01:15:36It's a professional world.
01:15:38And I'm not responsible for what happened to Rohit.
01:15:42Right?
01:15:43It never was.
01:15:44And if you're talking about the MMS, I was involved in it.
01:15:48As a girl, I'm the most respected one.
01:15:51I'm not saying anything.
01:15:54After so many days, all this talk...
01:15:57I must say, this is very unprofessional.
01:16:00I... I...
01:16:01Nandini, I'm talking to him.
01:16:03Let me talk to him and then...
01:16:05Hmm.
01:16:06Talk to him.
01:16:08But...
01:16:09I want to tell you something.
01:16:11Look, Samar.
01:16:12Rohit may or may not take your picture.
01:16:16If I back out of this picture,
01:16:18then your producer will also back out.
01:16:23Then, will it be your picture or...
01:16:26I don't know.
01:16:29Who knows?
01:16:30Think about it and make a decision.
01:16:33Okay?
01:16:35Good night.
01:16:36Come on.
01:16:38Good night.
01:16:41F**k!
01:16:45Bitch!
01:16:46F**k!
01:17:00What?
01:17:01What are you looking at?
01:17:03Am I right?
01:17:06You don't listen to me, do you?
01:17:15You're still very sensitive about Rohit.
01:17:23My wife is sharing a bed with someone else.
01:17:26The whole city is talking about it.
01:17:28People are criticizing you.
01:17:30I was so happy for them.
01:17:33You took Rohit's side that day as well.
01:17:36Yes, because what you did was to save your career.
01:17:39You used your relationship as a burden.
01:17:41And you still do.
01:17:42My relationship with Rohit is professional.
01:17:45Then how can it be so unprofessional?
01:17:48If you don't have the love-making footage with Rohit,
01:17:51or if your relationship is fake like a movie,
01:17:54then you should have at least a little sympathy for Rohit.
01:17:57Or for me.
01:17:58Do you know what your problem is?
01:18:00You don't care about anyone but yourself.
01:18:03You only care about yourself.
01:18:05And...
01:18:25Actually, I've thought about it many times.
01:18:28Nandini loves me.
01:18:31But...
01:18:33I've given up on her every time.
01:18:36She doesn't love me.
01:18:39She loves someone else.
01:18:58I used to waste time
01:19:04I used to write our time together
01:19:12Our memories break apart
01:19:19I learn to dance when I have to stay away
01:19:26I get lost in the ocean of love
01:19:35I get lost in the ocean of love
01:19:49Mr. Kanchan
01:19:50Hmm
01:19:54Why did you come here for the shoot?
01:19:58Did Nandini request you again and again?
01:20:02Or did Ms. Polly ask you to come here?
01:20:07Polly asked me to come here.
01:20:10I don't talk to Nandini out of necessity.
01:20:16I don't even call her.
01:20:19Hardly.
01:20:22We stopped talking for about a year.
01:20:28You'll ask me why I was still with Nandini.
01:20:35Because I didn't have a choice.
01:20:38My father died at a very young age.
01:20:41I had a roof over my head.
01:20:44I lived with my mother.
01:20:46But I didn't have money.
01:20:49Nandini was doing a serial.
01:20:53We passed the college and got married.
01:20:58Listen.
01:21:00Don't make a scene today.
01:21:03Why?
01:21:05Mom, I'm leaving.
01:21:07Listen.
01:21:09Don't be late.
01:21:10Do you know where you're going?
01:21:12No, I don't.
01:21:14I'm going to Polly's house.
01:21:16Why are you lying?
01:21:18Tell her I'm going to a film premiere.
01:21:21She'll go even if you don't.
01:21:23What's going on?
01:21:25I've told you many times.
01:21:28Stop acting.
01:21:30But you didn't.
01:21:32Yes, but you didn't tell me why.
01:21:35Why?
01:21:37What's wrong with me taking acting as my career?
01:21:41I don't have to tell you why.
01:21:43Then I don't have to listen to your excuses.
01:21:46Mom, I'm leaving.
01:21:48You can go.
01:21:49You're not coming back.
01:21:51What are you saying?
01:22:08What?
01:22:10When did you come back?
01:22:13Why are you sitting like a zombie?
01:22:17I'll get you some coffee.
01:22:19Did something happen at home?
01:22:21Or did a producer ask you to compromise again?
01:22:26It's all in your head.
01:22:28What am I telling you?
01:22:29It's all in your head.
01:22:31Here, have some coffee.
01:22:34Why won't you do it?
01:22:36Girls have taken acting as their career.
01:22:38What else can you do?
01:22:45Don't touch me again.
01:22:49If you come near a boy...
01:22:52I'll tell you directly.
01:22:54I don't like men.
01:22:56Did something happen with Kanchan?
01:23:04What happened? Tell me.
01:23:07I don't like men.
01:23:11One after the other, a girl leaves her job.
01:23:14No one sends her to the cinema.
01:23:16Is there no other option other than compromising?
01:23:19It's not like that.
01:23:21You have to compromise.
01:23:23It's not like that.
01:23:25At the beginning of your career...
01:23:28Negotiations...
01:23:30Adjustments...
01:23:33And if you have someone you know...
01:23:35It's a lot...
01:23:36Enough.
01:23:37I've heard everything.
01:23:38I have contacts.
01:23:39I've seen everything.
01:23:40I don't know anything.
01:23:44Will you have breakfast?
01:23:47What did you say at home?
01:23:49Where will you have lunch?
01:23:52At home...
01:23:55I left home.
01:24:03What?
01:24:09What are you saying?
01:24:14If I stayed in that house, I wouldn't have suffered, Polly.
01:24:18Dad doesn't want to accept Kanchan.
01:24:20He won't let me do anything.
01:24:23Mom is trying to understand.
01:24:25But dad doesn't listen to me at all.
01:24:27Okay.
01:24:28He has thrown me out of the house.
01:24:30It's okay.
01:24:33Do you know Kanchan?
01:24:39Will you let me stay?
01:24:49Why are you so upset?
01:24:51A lot of parents don't like this kind of cinema.
01:24:54And when you get established, you'll see that it's all mental.
01:24:57What are you saying?
01:25:00What is this?
01:25:01What is this?
01:25:02What is this?
01:25:03When parents have thrown their daughter out of the house,
01:25:06what guarantee do you have that Kanchan will marry me?
01:25:09Take it.
01:25:10Sidhu...
01:25:11What are you saying?
01:25:13Please, Nandini.
01:25:14This is too much.
01:25:16I knew it.
01:25:17What?
01:25:18I knew that you'll forget the real thing with your intellectualism.
01:25:22What is the real thing?
01:25:23Commitment.
01:25:24Commitment.
01:25:25Your commitment to me.
01:25:26I can see that.
01:25:27You can't commit to Sidhu's studies.
01:25:29Okay.
01:25:30Okay.
01:25:31You can't.
01:25:32Why are you talking about Sidhu?
01:25:34You've become a serial master after studying the serial.
01:25:37That's good.
01:25:38But can you study Sidhu?
01:25:39I'm studying, Dhananaya.
01:25:40Are you serious?
01:25:41Keep Sidhu's picture.
01:25:42If I disapprove of it, you'll be thrown out of the house.
01:25:47Here, I opened it.
01:25:48You don't have to print it for him.
01:25:50I'll do it.
01:25:51Give me the headband.
01:25:52The name of the serial is...
01:25:54Sidhu's Divi.
01:25:57Do you like it?
01:25:59What? Are you mad?
01:26:01You guys didn't have any legal marriage, right?
01:26:06Yes, we did.
01:26:10We did, but we considered that day as our wedding day.
01:26:14She got married and didn't leave me.
01:26:20Did you force yourself to leave Nandini madam because she didn't leave you?
01:26:25Do you have any doubt?
01:26:37This is the page from Nandini's bag.
01:26:46And this is a sample from Rohit's hand.
01:26:55You are a handwriting expert.
01:27:25Nandini
01:27:26Nandini
01:27:27Nandini
01:27:28Nandini
01:27:29Nandini
01:27:30Nandini
01:27:31Nandini
01:27:32Nandini
01:27:33Nandini
01:27:34Nandini
01:27:35Nandini
01:27:36Nandini
01:27:37Nandini
01:27:38Nandini
01:27:39Nandini
01:27:40Nandini
01:27:41Nandini
01:27:42Nandini
01:27:43Nandini
01:27:44Nandini
01:27:45Nandini
01:27:46Nandini
01:27:47Nandini
01:27:48Nandini
01:27:49Nandini
01:27:50Nandini
01:27:51Nandini
01:27:52Nandini
01:27:53Nandini