Pepper poses as a movie star to investigate the slaying of an adult film actress. Season 3 Episode 21.
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#crime #cops #undercover #drama #tv #classics #tvshow #policewoman
Related Keywords:
70s show
classic television
crime drama
crime thriller
Police woman cast
Police Woman job
Police woman movie
Police woman season 1
Police woman season 2
Police woman drawing
What happened to the cast of Police Woman
Police Woman perfume
criminal conspiracy
female detective
female protagonist
homicide case
murder mystery
mystery thriller
police drama
police investigation
tv series
undercover cop
undercover operation
vintage tv
angie dickinson movies and tv shows
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TVTranscript
00:00And cut.
00:01So I suppose my sister Dolores is in jail again, huh?
00:04She's been found dead.
00:05It's a strange place to meet.
00:07I figure this way you can't be worried, Sergeant Anderson.
00:10If I could get a part, they'd probably put me in the van
00:13like they did the other girls.
00:14You could wire me, follow the van.
00:16But what if something goes haywire
00:17and suddenly you have to perform?
00:19Forget it here.
00:20Hi, Manny.
00:21Let me take your coat.
00:22Oh, thank you.
00:23Wow.
00:24What's this picture about?
00:25Roman orgy.
00:26See?
00:27♪
00:57♪
01:27♪
01:57♪
02:09Countess.
02:11Bettina!
02:12Thank God!
02:16Be patient, Countess.
02:17Another minute and you'll be freed.
02:21That's enough.
02:23Bettina, go.
02:36Ah!
02:37And cut.
02:39Manny, how was it?
02:40Well, I'll tell you how it was.
02:44Beautiful.
02:46We are gonna print that.
02:47That was gorgeous.
02:49Gorgeous.
02:50Are you going right into the next shot?
02:52Two, three minutes.
02:53Stay close.
02:54I'll be back.
02:56Wilkes, you want to reload?
02:59It's gonna be a long take.
03:01You better play it safe.
03:03Okay.
03:04That makes sense.
03:05Thank you very much.
03:08Okay.
03:09You are looking real good, Dolores.
03:12Real good.
03:13These ropes are pretty tight, Manny.
03:15Realism.
03:16Relax, babe.
03:17Couple more shots, we're all finished.
03:21Now, you, uh...
03:24You know what I want now, huh?
03:26I think so.
03:27All right.
03:28You're gonna open real tight on that gorgeous face.
03:33Now we pan over to Bragan.
03:35He is gonna fake hitting you.
03:37That's when you scream!
03:39You sure he's gonna fake it?
03:41Hey.
03:42I mean it, Manny.
03:43He's a freak.
03:44He really is.
03:45He gets his kicks out of hurting people.
03:47She's right.
03:48You remember what happened.
03:49You know the last time.
03:51He won't even come close.
03:53I guarantee it.
03:54You know the boss wouldn't stand for anything like that.
03:57Hmm?
03:59Okay.
04:01Huh?
04:03Okay, Bragan, you ready?
04:05I'm ready.
04:06Marsha, you ready?
04:07Yes, I am.
04:08Wilkes?
04:09All set.
04:11Is this a team?
04:13Ooh.
04:19Okay.
04:20Sound.
04:21Camera.
04:23And action.
04:25Aah!
04:28Aah!
04:31Ooh, pull him back.
04:33Over there.
04:34You know what?
04:35Hmm?
04:36You set a horse pretty good.
04:38Oh, come on.
04:39No, I wouldn't exactly hire you for a cattle drive, but...
04:42You couldn't afford it.
04:44There's not enough money.
04:45You wanna race?
04:46Race?
04:47Yeah.
04:48Not on your life.
04:49What about on your horse?
04:51No way.
04:52No racing.
04:53Come on.
04:54At the end of the road, there's a yellow gate.
04:56Tell you what.
04:57You beat me there, and I'll buy you lunch.
04:59Not for dinners for a month at the Queen's Arms would I race.
05:02Come on, Pepper.
05:03You can do anything.
05:04Let's go.
05:05Be all.
05:06Let's go.
05:07Hey, hey.
05:08Let's go.
05:09Come on.
05:20Let's go.
05:28Oh, you rat.
05:31Oh.
05:32See, I told you you could do it.
05:34Next Sunday, we go bowling.
05:36You mean I finally found something I can do better than you?
05:38I don't know.
05:39Easy.
05:40Easy.
05:41Whoa.
05:42Easy, easy, easy, easy.
05:43I wonder what's spooky.
05:44I think it's that smell.
05:45What is that?
05:47Easy, boy.
05:48Easy.
05:51You see anything?
05:53What is it?
05:55The autopsy report said that she was probably killed,
05:57thrown into the bushes ten days, two weeks ago.
06:00The doc can't narrow it down any more than that.
06:02What about cause of death?
06:03Is it likely cause of death because of the beating she took?
06:05Possibly.
06:06More likely from the skull fracture.
06:08That's not mine.
06:09Give it to McKnight.
06:10Any sexual molestation?
06:11Negative.
06:13You want to see the x-rays?
06:15I think I'll pass.
06:17Gentlemen.
06:18Hello, Peter.
06:19Well, she's not Jane Doe anymore.
06:21They make her own prints?
06:22Yeah, I just talked to Pepper.
06:24Her name is Dolores Rogel, or Rogel, R-O-G-E-L-L.
06:27Rogel.
06:28Yeah.
06:29Does it mean anything to you?
06:30No.
06:31Well, she was busted twice.
06:32Once in San Francisco about a year ago for hooking,
06:35and about three months ago here for narcotics.
06:38She must have a local address.
06:40837 South Avery.
06:42Well, let's get moving.
06:43I'll get a search warrant.
06:46Yeah.
06:47It was in the paper this morning.
06:50Terrible thing, terrible.
06:53But I figure since it happened,
06:54we might as well take advantage of it, right?
06:56I mean, we could triple the grosses inside of a week.
07:00That's right, sir.
07:01So I've been on long distance all morning,
07:03called all the theaters where the picture's playing.
07:05There's going to be a big new advertising campaign.
07:10Why don't you let me surprise you, Mr. Dayton?
07:16Trust me, huh?
07:19I appreciate that.
07:21Oh, and give my best regards to everybody, will you?
07:24Lisa must be a big girl by now.
07:27Really?
07:29The Dean's List?
07:31Hey, that's terrific.
07:35Well, thank you, sir.
07:37Right.
07:38Bye-bye.
07:44Dayton's granddaughter made the Dean's List.
07:46First year in college.
07:48That kid's really going to be something.
07:50This Aurelia doesn't look too good.
07:52A little pruning, liquid fertilizer will help it.
07:57Poor Dolores.
08:00Could have made a lot of profitable pictures together.
08:05Well, I guess it's time to find a replacement.
08:07Go tell Manny, huh?
08:09What about that other girl?
08:10Marcia, that her name?
08:12No, no, she's not right.
08:13Wait a minute.
08:15You better find her, too.
08:18She's a friend of Dolores's.
08:19Find her fast.
08:20Will do.
08:21She probably read the papers, got all shook up.
08:24Get all shook up, you got to talk to somebody about it, right?
08:27Yes, sir.
08:28I understand just what you mean.
08:49No question at all, she skipped.
08:51A lot of people skip around here.
08:53It's not like it used to be.
08:55You know, her rent came due three days ago.
08:57I've been ringing her doorbell ever since.
09:03You see?
09:05Open it.
09:06Could I see that search warrant again?
09:09I don't blame him.
09:12But you can trust me, it's good.
09:14Okay.
09:18Thank you, we'll lock up.
09:20You better.
09:21People would steal everything out of here.
09:23I know the type.
09:28Let's take the kitchen.
09:42Look at this.
09:44Uppers, downers, you name it.
09:58Got regular little warehouse here, Pete.
10:01A little syringe, a little needle.
10:03Here's a spoon.
10:14Hey, what the hell do you think you're doing?
10:19Oh!
10:21Oh!
10:23Oh!
10:26Oh!
10:28Oh!
10:30Police!
10:32I'm sorry.
10:34I didn't know. I'm sorry.
10:36Who'd you think we were?
10:38The guys have been hanging around with my sister.
10:40The guys have got her into that movie.
10:44Delores Rogel's brother?
10:46That's right, Matt.
10:48Show me.
10:55Matt Rogel.
10:57So I suppose my sister Delores is in jail again, huh?
11:04I'm afraid not.
11:06She's been found dead.
11:10We found her body yesterday.
11:12We think she was murdered.
11:17You gonna be all right?
11:19Yeah, yeah, I'll be all right.
11:22About that movie.
11:24What?
11:26You mentioned something about a movie.
11:28Oh, yeah.
11:30Hardcore stuff, you know.
11:32Sadomasochistic film.
11:34It's been shown all around town.
11:37Tonight, Josephine.
11:39Weird movie, huh?
11:41Killing her just to make a movie.
11:43Hey, it's just a shock.
11:45They couldn't say it if it wasn't true.
11:47I mean, they got lost.
11:49Maybe.
11:51That one looks like he enjoyed it.
11:53Mm-hmm.
11:56That's right.
11:58Police today identified as Delores Rogel, 24,
12:01the woman whose flogged body was found yesterday.
12:03She's really something, isn't she?
12:05Oh, gorgeous.
12:07All right, you ready?
12:09Yeah, let's go.
12:11Five bucks, you get your student ID card?
12:13Pay the lady.
12:15Two adults, please.
12:20I don't know what this means.
12:22You have to buy your own dinner.
12:24How's the picture?
12:26All things considered...
12:35Cease fire.
12:37She wasn't quite gone with the wind.
12:39So she wasn't killed as part of the movie, then?
12:42Not a chance.
12:44They accomplished all that with makeup, special effects,
12:47whatever it is they use.
12:49Now, it had to have happened after the movie was finished.
12:52I figure there's two possibilities.
12:55Either she was killed by an outsider,
12:58somebody in her personal life, a stranger or whatever.
13:01Or just somebody who saw the movie.
13:03Well, that could be.
13:05Picture had been out a little more than a month.
13:07Somebody could have seen it early on and gotten inspired.
13:10In this case, life imitating art.
13:14Weasel them off, Billy.
13:38The other possibility,
13:40somebody connected with the movie killer.
13:42I hope so.
13:44Why is that?
13:45If somebody connected with the movie killer,
13:47at least we got a list of names to work with.
13:49If it was an outsider, we got nothing at all to go on.
13:52Ready on the firing line.
13:57Oh, Pepper, I thought this was gonna be a lunch date.
14:01It is. Oh, no coffee for me, thank you.
14:04You're serious?
14:06You want me to file a petition
14:08and go in front of a judge?
14:10That's what deputy city attorneys are for.
14:12No, that's not what we're for, Pepper.
14:14Not if we want to keep our jobs.
14:16Not if we don't want to get laughed out of court.
14:18Ben, come on.
14:20All right, you'll be the city attorney.
14:22Go ahead, make your case.
14:24Tell the court why you think this picture should be banned.
14:30This picture, it's an instruction manual in sadism.
14:34Any number of people could look at it.
14:36They might get ideas.
14:38Right. Granted.
14:40Your Honor, if we follow that line of reasoning,
14:43we would have to ban Hamlet,
14:45because some lunatic might try to feed poison to his mother.
14:49Ben, tonight, Josephine is not Hamlet.
14:52Your Honor, I submit that this film,
14:55it might be shoddy, sadistic, degrading.
15:00It might be all of these things, and worse.
15:03But it can be likened to Hamlet in one very vital respect.
15:09Legally.
15:11On the basis of higher court decisions.
15:14It is protected by the First Amendment
15:17of the Constitution of the United States of America
15:20under the right of free speech.
15:26And the defense rests.
15:28That's how it'd be, huh?
15:30You knew that all along, Pepper.
15:33Damn.
15:35Was this still taken during production?
15:38Yes, yes, it was.
15:40Where did you shoot the film, Mr. Ziegler?
15:43Uh, in the studio, mostly,
15:46except for the exteriors.
15:48That's the outside stuff.
15:50Mm-hmm. I know.
15:52Tell me about the cast.
15:54Well, there's mainly three parts.
15:56There was Dolores, Miss Rogel,
15:59Bregan, and Marsha Kilmore.
16:04Who was in the crew besides the sound man?
16:07Wilkes.
16:09Yeah.
16:10You got it.
16:12That's all?
16:13Yeah.
16:14Bregan used to help out sometimes.
16:16Everybody did a little bit of everything.
16:18Not exactly a Sam Goldwyn, you know what I mean?
16:21You could have fooled me, Mr. Ziegler.
16:24Do you ever see the people you work with on a personal basis?
16:28I didn't mix with any of them.
16:30None of them, Mr. Wilkes?
16:32Filth. They were all filth.
16:34Including Miss Rogel.
16:36I would be surprised if she were the worst of them all.
16:40I understand she was a prostitute.
16:43Wow.
16:49Man, that's really heavy. I know what you mean.
16:52So she got what she deserved, right?
16:54Look, Mr. Royster,
16:56I just stayed away from her.
16:58The only time I ever saw her was on set.
17:00Who financed this picture?
17:02I did.
17:04You put up all the money?
17:07I don't mean any offense, Mr. Ziegler,
17:10but we checked up on you, and you're not all that loaded.
17:13Oh, well, I borrowed some from some friends.
17:15Oh, you borrowed?
17:16Now, hold on, Sergeant.
17:18My client came to this place willingly,
17:20but that doesn't mean that he...
17:22What about Mr. Earlier? Now, he comes pretty high.
17:24Did you borrow enough to pay him, too?
17:26There's no law against a man having a prominent attorney.
17:29And that being the case, it's no concern of yours
17:32how he acquired counsel, Sergeant.
17:34Well, my client will tell you everything he knows about Miss Rogel,
17:38but he won't answer questions about anything else.
17:40Is that clear?
17:42Uh-huh. Still doesn't answer the question I ask you.
17:45Did you and Dolores Rogel go together?
17:48No.
17:50And I'm sure the others will confirm that.
17:52Like they say, Miss Rogel wasn't quite to my taste.
17:56People have been known to kill people
17:59who weren't quite to their tastes.
18:01Yeah?
18:03Just an observation, Mr. Brigan.
18:07Officer Stiles, isn't it?
18:09Investigator Stiles.
18:11Whatever. Stiles.
18:13I'm a sadist on camera.
18:15Off camera, I'm not.
18:18If you think you can prove otherwise,
18:21you just go ahead and try.
18:23Did you have a personal relationship with Miss Rogel?
18:30Are you kidding?
18:32That bimbo? She slept with half the guys in town.
18:35I wouldn't touch her.
18:39Well, I gotta tell you, Mr. Ziegler,
18:41that's not the story that we got.
18:46You did have a personal relationship with her, didn't you?
18:52Can you imagine that?
18:54That was a tramp there, you know?
18:56That was a bum.
18:58I didn't care. I wanted to marry her.
19:01She turned me down cold.
19:04That upset you a lot?
19:06Yeah.
19:11Imagine a good-looking chick like this
19:14hops into bed with every guy in town,
19:16yet when it comes to you, she turns you down.
19:22Did it make you angry, Mr. Ziegler?
19:25If you're asking me,
19:27did it make me angry enough to want to kill her?
19:30No.
19:35Look, Sergeant, you can make a couple of bucks
19:38making porno movies for the freaks.
19:40If somebody's gonna get the money, I might as well get it.
19:43That don't mean I'm a freak.
19:46Miss Gilmour, it's a strange place to meet.
19:49I figure this way you can't be wired, Sergeant Anderson.
19:52Oh. Well, I'm going to have to get back to my work.
19:56I can't stay here.
19:58I've got a lot of work to do.
20:00I've got a lot of work to do.
20:02And you're gonna have to let me know first.
20:05Well, I'll let you know, Miss Gilmour.
20:07I'm sorry, I'm sorry.
20:09I'm sorry.
20:11I'm sorry.
20:13Oh, well, I have to be honest with you.
20:16Whatever I learned today goes on my reports.
20:18You want to know what I knew about Dolores?
20:21Yes.
20:22She was my best friend.
20:25As soon as the picture was over, we were going to quit,
20:28leave town and start all over again someplace else.
20:32And after we finished shooting, I kept trying to reach her.
20:36I didn't think she'd leave without me.
20:39And then I read about it in the papers.
20:43Washer, do you know who killed her?
20:46Chuck Brayden.
20:48You know the co-star. I'm almost positive.
20:51He threatened her a couple of times.
20:53He threatened me, too.
20:55I mean, he was a real sickie.
21:01Um...
21:04How many pictures did you make with Brayden?
21:07Tonight, Josephine was the third.
21:09How come you and Dolores kept on working with him?
21:12I guess in this business, you can't be too choosy.
21:15I mean, it was Brayden. It had to be.
21:17It wasn't anybody else.
21:19Believe me, I've thought about it.
21:21Manny and Wilkes.
21:24Tony.
21:25Tony? Now, who's Tony?
21:28I don't know.
21:30He's the backer.
21:32I don't know his last name. He runs the whole show.
21:35He was there when you made the pictures?
21:37Most of it was shot in his house.
21:40Well, where's that?
21:42I don't know. Out in the country someplace.
21:45Everybody was taken out and back by Tony's gopher
21:48in a big red van with no windows in the front and the back,
21:51so we didn't know where we were.
21:54The more I think about it, the more I'm sure.
21:56Brayden is the one.
21:58That's the way I see it.
22:01It couldn't have been anybody else.
22:08You're the one who wasted the girl, right?
22:11Tony, it's not true.
22:13The police, they had me on the grow for what?
22:16More than an hour.
22:18Did you tell them that?
22:20They made me a cop for every second.
22:22For two weeks.
22:24Listen to me.
22:27Listen to me!
22:29I was out of town for ten days.
22:31I can prove it.
22:33The rest of the time, if you want.
22:36I can give you the places I went, the people I was with.
22:40I don't think I was alone for ten minutes.
22:43Tony, he might be telling the truth.
22:47You really believe that?
22:49It could be.
22:51Maybe we ought to give him the benefit of the doubt.
22:57Okay.
22:59I'll give you the benefit of the doubt for now.
23:03Take him back.
23:05Let's go.
23:10Are you, uh...
23:12Are you still going to use me?
23:15In the next picture?
23:17Sure.
23:19That's business.
23:27Hey, Bill.
23:29It's cold out here.
23:31Yeah.
23:32Who found the body?
23:34These kids hiking found the body.
23:36They notified the sheriff's office right after we sent out our APB.
23:39You sure it's him?
23:41Take a look.
23:43That's him.
23:45When they found the body, he had a gun in his hand,
23:48and this was in his pocket.
23:50What's this?
23:52He had a gun in his hand, and this was in his pocket.
23:56I've lived with her for a long time, and I can't go on anymore.
24:00May God have mercy on my soul.
24:02I killed Dolores Sorgell.
24:04I was with her, was drunk, went crazy, and then she was dead.
24:08Signed, Charles Bragan.
24:11I don't think Bragan killed himself or the girl.
24:14Then you're saying?
24:16What I'm saying is, his alibis check out, we know that,
24:19that letter doesn't sound anything like the Bragan Marcia told me about.
24:22Joe, you questioned him.
24:23Yeah, but I don't think he'd have felt guilty if he OD'd his own mother.
24:26There's no car in the vicinity.
24:27Pete, how do you think the guy got out there?
24:29Maybe he bummed a ride.
24:30Yeah, but why bother?
24:31If a guy's gonna shoot himself, why didn't he just do it in his own apartment?
24:34Anybody could have typed the letter and forged a signature.
24:36Well, we got two people dead.
24:38What now, my love?
24:39Hunting down the man behind the scenes.
24:42Yep, Tony, whatever his name is.
24:44I want you guys to look at something.
24:46This is where we found Bragan.
24:48This is where we found Dolores Rogal.
24:50That's pretty close.
24:52That's a remote area.
24:53There may be 200 houses scattered over 15 square miles.
24:57One of those houses could be where they shot that movie,
25:00where this Tony lives.
25:02So what do you want us to do, Bill, check every house?
25:04Well, we could start with a utility check, take it street by street.
25:07That'd take about a week.
25:09Well, we gotta start somewhere.
25:11Uh, what about the ad, Bill?
25:13Forget it.
25:15What ad?
25:16We've already been through that.
25:18Actresses wanted for provocative films contact Manny Ziegler Productions.
25:23I always wanted to be a star.
25:25Believe me, kid, this ain't the way you do it.
25:27I hear they don't use many close-ups.
25:29I said forget it.
25:30Oh, come on, Bill, give the kid a break.
25:32I always wanted to know a celebrity.
25:34Besides, we do have to get a line on this guy Tony.
25:37Don't you people understand the word no?
25:39No.
25:40Now, Pete's right.
25:41Now, listen, if I could get a part,
25:43they'd probably put me in the van like they did the other girls.
25:46You could wire me, follow the van, and we'd get a fix on Tony.
25:49Pepper, that sounds terrific.
25:51But what if something goes haywire and suddenly you have to perform?
25:57I'd, uh, I'd think of something.
25:59No, don't worry, you just keep your fingers crossed.
26:03Okay.
26:04But you better cross more than your fingers.
26:14I wonder how long these interviews are supposed to last.
26:16Who knows?
26:17I don't know much of this stuff.
26:21Oh, yeah.
26:22Yeah.
26:24Well, how do I, uh, I mean, how do I rate, uh, compared to her?
26:28I'd call it straight A.
26:30Oh, you're kidding.
26:31Would you mind reading those two lines at the top?
26:34You're Diana.
26:36Oh.
26:37Well, I'm Diana.
26:39Those two lines at the top, you're Diana.
26:42Oh.
26:44What's my, uh, I don't remember what you call it.
26:46Motivation.
26:47What's my motivation?
26:48Well, this guy is advancing on you, you see.
26:51He's got this thing for your body.
26:53Go with it.
26:56Don't touch me.
26:57Please, please, get back.
26:59Oh, is that nice?
27:00Is that nice?
27:02That's my only line.
27:03Well, you see, if you get the part in the picture, any part at all,
27:07you will not be speaking that much.
27:09Oh.
27:10Now, tell me, uh, uh...
27:12Ginger.
27:13Ginger, of course.
27:14Uh, what was your last job?
27:17You know Johnny K's downtown?
27:20The topless joint.
27:21Well, I danced a little.
27:24What time was it when she landed?
27:26Four o'clock.
27:27It was ten to five.
27:29Yeah, the longer she stays in there,
27:31the better chance you'll have of making a connection.
27:33That's beautiful.
27:34Okay, now tilt up that luscious chin.
27:36Oh!
27:38Oh, good.
27:40Oh, oh, yes.
27:42You know, of course, if you get the part in the picture,
27:46you won't have to wear all of that cumbersome clothing.
27:49Yeah, I know.
27:51I saw the ad.
27:52Yeah.
27:53I wonder what would happen if I untied those bows.
27:56I'd turn into a butterfly.
27:59That I would like to see.
28:02Cost you $100 when I take off my clothes.
28:06Mm-hmm.
28:07Sure.
28:08Yeah.
28:10Mm-hmm.
28:12Yeah, yeah.
28:14Why be so glum?
28:15Give me a little smile there.
28:17Yeah.
28:19I don't understand you taking all these pictures.
28:22You're looking right at me.
28:24Yeah, well, see, I...
28:26I got an associate.
28:27He's got casting approval.
28:29Oh.
28:30What's his name?
28:31What's his name?
28:32What's his name?
28:34Throw back those shoulders for Daddy.
28:36Ah!
28:37Ha, ha, ha, ha, ha, ha, ha.
28:42I'm gonna give her five more minutes.
28:44Then I'm gonna find some reason to go in there.
28:47So, uh, this is...
28:49This is where we'll do some of the interiors.
28:51Not all of them, huh?
28:52Mostly somewhere else.
28:54Excuse me.
28:55Mm-hmm.
28:56Well, I'd say you got about a 90% chance.
28:59Oh.
29:00Maybe, maybe better.
29:01Oh.
29:02Maybe better.
29:03Good.
29:04I'll call you, huh, Ginger?
29:05Thank you, Mr. Ziegler.
29:06Thank you very much.
29:08Manny.
29:09Manny.
29:12That... That door won't take you on.
29:15I'll cross my fingers.
29:22It's after 5. Go home.
29:30Here she comes.
29:45That's it.
29:47Looks like peppers and shove-dits.
29:50Hold it.
29:53Who was that?
29:54Mr. Lorsville-Galesby.
29:56Who was that?
29:57Mr. Lorsville-Galesby.
29:59You're kidding. What's he doing here?
30:01Looks like he's playing detective.
30:03He was pretty hot about his sister the other night.
30:05Didn't you tell him to lay off?
30:06We did.
30:07Guess it didn't register.
30:12Maybe we can make it register.
30:27Uh-oh, he's on to us.
30:29Let's pull him out.
30:31Hold it, Bill.
30:32I'm gonna make a right on him.
30:57I'll take him from the left.
30:59Grab him close to my side, Bill.
31:13Right there, man.
31:15Come on, get him.
31:17Hold it, man.
31:18What are you guys doing?
31:19What are you chasing me for?
31:20What are you running for?
31:21I don't know who you are.
31:22What are you doing coming out of the Ziegler's?
31:24I got myself a job.
31:25Doing what?
31:26Construction.
31:27Why the devil are you working for Ziegler?
31:29To get some information about what happened.
31:31Look, I think I got a pretty good motive, wouldn't you say?
31:33So do we. We get paid for it.
31:35Yeah, except that you're not making
31:36an awful lot of progress, are you?
31:38What would you do if you got the information?
31:40Play the avenging angel?
31:41Now, wait a minute.
31:42Let me tell you something, Mr. Rogel.
31:43We're doing everything that we can.
31:45Now, I sympathize with your motives.
31:46We got the same goals.
31:47Only we got a little more experience than you got,
31:49and we don't want you getting in our way.
31:51You understand that?
31:52Are you getting my message?
31:53Yeah, I'll think about it.
31:55Now, is it okay if I go?
31:57Yeah, you can go now.
32:00You pull another trick like that, either.
32:03Oh, yes, this is Ginger Holloway.
32:05Any messages?
32:07Oh, thank you.
32:09Ginger, how about dropping this off at the Knight's office?
32:12Answering service again?
32:14Yeah, Ziegler should have phoned by now.
32:16Well, don't sweat it.
32:18He will.
32:19Oh, it makes no difference.
32:20Sure, Pete, you want some coffee?
32:21No cream.
32:22Because you're so sexy and beautiful,
32:24and besides, I checked out your references.
32:26Oh, you didn't tell me that.
32:28What, that you're sexy and beautiful?
32:30Did I ever tell you?
32:31Once.
32:32Did I ever tell you?
32:33Once.
33:02Miss Gilmore, you told me to watch out for strangers.
33:22Well, a man came in and he's been hanging around upstairs.
33:25Is that for me?
33:55No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
34:25Please carry them back to the M literary schnell.
34:43An artist sketch and comprehending info points at probably Anthony Leneve formerly associated
34:48with Zach Dayton, a printmaker who identifies him as a insurgent from New York.
34:52Remember, not seen here last four months,
34:54rumored to be on the coast.
34:55Involved in Pono film operation.
34:58Photos and other data to come.
35:01Well, I guess we know who Tony is.
35:03And we know that the syndicate is behind him.
35:06Considering the size of the ticket,
35:07I've been surprised that they weren't.
35:09I'm going to go by the apartment,
35:10check the mailbox for any messages.
35:12How is the place?
35:14It's got mice.
35:17I'll tell Parks.
35:18Maybe we'll get a break on the rent.
35:23Sergeant Anderson.
35:25This is Marsha Gilmore.
35:27They found out where I'm staying.
35:29Who did?
35:30Lynch.
35:31He works for Tony.
35:32He chased me.
35:34I've got to see you.
35:35I have no money.
35:36There's no one else I can trust.
35:39Where are you now, Marsha?
35:40A gas station on the corner of 4th and Palm.
35:43All right.
35:44There's a restaurant on Palm, just about a block south
35:48of there, the Blue Moon.
35:50You wait for me.
35:51I have one stop to make, but I'll be there in about,
35:53about 30 minutes.
35:54So you wait.
35:55Oh.
35:56Oh.
36:06Hello, Mrs. Roderick.
36:08How are you?
36:09I'm just fine.
36:10How are you?
36:11Any phone messages for me?
36:13No, there weren't.
36:14All right. Thank you very much.
36:15Miss Holloway.
36:16Good afternoon.
36:17I recognize you from your pictures.
36:20Oh, you're from, uh?
36:21Ziegler Productions.
36:22And congratulations, you've just about got a job.
36:25Just about?
36:26All you need is a screen test.
36:29A screen test?
36:30Well, we don't normally give them,
36:32but we're talking about the female lead.
36:35Oh, I see.
36:36And the budget's going to be very high for this type of film.
36:39So the, uh, the backer, he doesn't
36:41want to take any chances.
36:42You can appreciate that.
36:43Oh, sure.
36:45Well, when do they want to test me?
36:47Tonight.
36:48As a matter of fact, right away.
36:50Now?
36:51They're waiting for us.
36:53I see.
36:54Well, if you don't mind, it'll only take a minute
36:56to go upstairs and freshen up.
36:59I'm sorry.
37:00We don't have a minute.
37:01We're late as it is, and it's a pretty long drive.
37:03Oh, well, I, uh, had a date.
37:05I'll just call and get it.
37:06No phone calls till after the test.
37:08We better get started.
37:09All right.
37:37Sergeant Crowley.
37:39This is Marcia Gilmore, Sergeant Anderson's friend.
37:43Yes, Miss Gilmore.
37:44I'm really getting worried.
37:45She was supposed to meet me here, and she hasn't shown.
37:49Where are you now?
37:50At the Blue Moon Restaurant on the corner of Palm and 4th.
37:55What time is she supposed to meet you?
37:56At 4 o'clock.
37:58And it's already after 7.
38:01Uh, OK.
38:01Thanks very much.
38:02We'll check it out.
38:04Hey, good, Joe.
38:05We're moving.
38:12Hey, Ginger.
38:14We thought you'd never get here.
38:15Hi, Manny.
38:16Let me take your coat.
38:17Oh, thank you.
38:19I, uh, hope you didn't mind having to ride
38:22in the back of the van that way.
38:23Oh, not at all.
38:24I, I understand those things.
38:26Come here.
38:29Tony, may I present Miss Ginger Holloway,
38:33this time in the flesh.
38:38Very, very nice flesh indeed, Miss Holloway.
38:40You may call me Ginger.
38:42Ginger.
38:44I look forward to a long and very profitable relationship.
38:47I expect you to make it very big.
38:49Well, I, uh, I only hope, uh.
38:52You hope what?
38:54I only hope I'm a real man.
38:57I only hope I'm around longer than your last actress.
39:02Oh.
39:03You read about Dolores?
39:05Yes.
39:07She is going around with a very sick man, Ginger.
39:10Very sick.
39:12He killed her and then killed himself.
39:14I'm sure you read about that too.
39:15Mm-hmm.
39:17So all you have to do is stay away from sick people.
39:22Something about a screen test.
39:25Uh, does that make any sense to you?
39:27That she went with him?
39:28Not right away.
39:29She said she wanted to make a phone call,
39:30but he said she couldn't, that they were late already.
39:33Listen, I don't eavesdrop on my tenants, you know.
39:35I just happen to be standing right there.
39:37He did very well.
39:39Listen, uh, did you get his descriptions again?
39:41Well, he was, um, very tall.
39:44Uh, about six feet tall.
39:45Yeah, Northwest Division, please.
39:46How much did he weigh?
39:48Oh.
39:49Yeah, this is Sergeant Crowley.
39:50Who's the watch commander?
39:52Put him on.
39:53It's urgent.
39:55Short hair, yeah.
39:57Come on, come on.
39:58Fred, this is Bill Crowley.
40:00Listen, I'm at a chance to clear this,
40:01but I want you to do something for me.
40:04I want you to spring every black and white you can spare.
40:07A house-to-house search.
40:09Now, see, if, uh, if this works out,
40:11it'll be more than just a test.
40:12It'll wind up in a picture.
40:13Oh, what's this picture about?
40:15Roman orgies.
40:16Over here, see, they're celebrating the Feast of Venus
40:19here in, uh, Forum.
40:21Oh.
40:22Uh, they got this Vestal Virgin.
40:24And they're sacrificing her at the altar.
40:26I'm the Vestal Virgin.
40:27The head Vestal Virgin, right.
40:28Now, uh, don't worry about the lines.
40:30There's only one of them.
40:31I'll tell you when to say it.
40:32Main thing is to keep your eyes on me.
40:34I'm going to be giving you directions
40:36and, uh, look sexy at all times.
40:39Which should be pretty easy for you.
40:41All right, come on.
40:43Down the hall here, at the end, you'll find a door.
40:47Go in there.
40:48On the bed is your costume.
40:49You wear clothes, first part of the scene.
40:51Oh, uh, I wouldn't need my makeup.
40:53No, no, no, I like you just the way you are.
40:54Go.
40:56OK, girls, any minute now.
40:57Hang loose.
41:23Hey, Ginger, where are you?
41:24What's holding you up?
41:25Uh, oh, nothing, Manny.
41:28I'm, uh, I'm doing the best I can.
41:32I'll hurry.
41:5417-856, 12-150, we've covered the area
41:56west of Canyon Road.
41:57I'm locked.
42:01Roger, 56.
42:03Uh, check south of Pass Road.
42:05We'll take Highway 17 to the end of Canyon Road.
42:08Roger.
42:10Look, we got nothing to worry about.
42:12For sure.
42:12I've got Clay cool.
42:14The question is, are the others are going to play it?
42:16Ginger, what's keeping you?
42:19I, uh, I have to, uh, comb my hair.
42:22It got all messed up putting on the costume.
42:24OK, snap it up, sweetheart.
42:26What do you see?
42:29I see the whole thing.
42:30I see the whole thing.
42:31I see the whole thing.
42:32Uh, do you have any idea where the others are going?
42:34I don't know.
42:35I haven't seen them.
42:37I haven't seen them.
42:38I haven't seen them.
42:39I haven't seen them anywhere.
42:40I don't know where they are.
42:41I haven't seen them.
42:42I don't know where they are.
42:44What do you see?
42:46Oh, that's no good.
42:48What are you looking at, son?
43:02What the hell is keeping her?
43:04Fixing her hair. You know these dames.
43:14I don't know.
43:32Wench.
43:38Maybe she's a snitch.
43:40Or maybe she's a cop.
43:43Okay, everybody. That's it. No tests tonight.
43:46Hey, what do you mean?
43:48Thanks anyway, girls.
43:49Hey, Tony.
43:50Maybe tomorrow. I'll let you know.
43:51Just because she's a little slow, I could talk to her.
43:53Man, I want to take everybody back in the van.
43:55Now.
43:56Here's the keys.
43:57I don't know how to get back. I don't know where we are.
43:59Out to the highway, hook a left, you'll make it.
44:01Oh, anything you say. I'll get Ginger.
44:03Don't worry about Ginger. I'll drive her home myself.
44:08Everything west of Liberty Road is clear.
44:10There's a colony near the lake.
44:11We're going to check that out now.
44:14Roger.
44:33Explain everything. Now get going.
44:36I don't know exactly what's going to happen,
44:38but all we need now is a bunch of witnesses.
44:40So maybe nothing out of that.
44:42How's that?
44:43So maybe she's a cop.
44:45So maybe they know where you are.
44:46Tony, the police can't do a thing. You know that.
44:49I'm not worried about the police.
44:51Dayton's not supposed to be in a part of the business.
44:53He was warned about that.
44:54Word gets out he's trying to cut himself,
44:55and there's going to be a war, a hell of a war.
44:57And guess who's going to be the first victim.
45:06There she is.
45:09Move.
45:16How far is it to 17th?
45:18It should be about any minute now.
45:22I think I'll turn around.
45:23That's it. That's the van, the red van.
45:38Let's go.
46:08Move out. Move out. Move out.
46:11Move out. Move out. Move out.
46:14Move out. Move out. Move out.
46:17Move out. Move out. Move out.
46:20Move out. Move out. Move out.
46:23Move out. Move out. Move out.
46:39So he told me to get in the van and go.
46:41Where is she? Tell me.
46:42Two miles down the road. First house on the left-hand side.
46:44Look, I didn't do nothing.
46:47Sergeant Crowley, please.
46:49He's not here.
46:50I'm sure he'll be in the van.
46:51Well, give me a minute.
46:52You should probably just grab him.
46:54I don't know how you do that.
46:56No, it's okay.
46:57Come here, join me.
46:59Come on.
47:00Get in.
47:01Get in.
47:02Get in!
47:03Get in!
47:04Get in.
47:05Get in.
47:06Get in.
47:07Get in.
47:08Get in!
47:09Come on.
47:10Come on.
47:11Come on.
47:12Get in.
47:13Get in.
47:14Get in.
47:15He's not here.
47:16All right, this is Sergeant Pepper Anderson.
47:18I need help.
47:19I don't know where I am, but the number is hot.
47:21Put it down.
47:26Put it down.
47:30Now what happens?
47:32The same thing that happened to the others?
47:34I never wanted to kill anybody.
47:36Can you believe that?
47:37Dolores wanted to quit.
47:40I wouldn't let her.
47:40She was too bad.
47:43She threatened to blow the whistle.
47:46I hit her.
47:46She fell.
47:48It was an accident.
47:50I made it look like it wasn't.
47:52So you know why we had to kill Braygan.
47:56And now you.
47:59I'm sorry.
48:14Police!
48:15Hold it!
48:15Don't shoot, Bill.
48:16Put the gun down.
48:17Now.
48:18We're not finished with this scum yet.
48:20Just finish.
48:21Put it down.
48:22Give it to me.
48:23Give her the gun.
48:24Give it to her.
48:27OK, get down on your feet.
48:29Put your hands up.
48:29Get your hands on top of your head.
48:31You'll be OK.
48:32We'll get an ambulance.
48:33Come on over here with me.
48:35What's going to happen to him?
48:36This guy?
48:37We'll turn it over to DS.
48:39Bill, he saved my life.
48:41That kind of answers your question, doesn't it?
48:49What do you want to eat?
48:50I was thinking of the blue moon.
48:53How would anybody think of the blue moon?
48:56You and I cook better than that.
48:57The food's lousy.
48:58Yeah, but there's someone there I want to see.
49:00Marsha Gilmore.
49:01She's the new hostess.
49:02You're kidding, huh?
49:04Oh, I see.
49:06You set that up, huh?
49:07Well, I've been eating there so long,
49:08I figure they owe me something.
49:10You think she'll hang in there?
49:11Or you think she'll end up back out on the streets?
49:13Oh, my bet is she'll make it.