Fugitivas - Capitulo 41
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00:00I'm not going to let you have your way.
00:03Surrender!
00:04Hands up!
00:07Listen to me.
00:09You're with me.
00:11We're getting out of this.
00:14Surrender!
00:16I don't want to surrender.
00:19Please.
00:23Surrender!
00:24Get out now!
00:26We've got you surrounded.
00:27Don't make this any worse.
00:32We have to go in.
00:44They're coming!
00:51What's going on?
00:53Freeze! Don't move!
00:56Stop him.
01:00Walk to the balcony.
01:02Put your hands up.
01:04Calm down!
01:06Why are you here?
01:10I'm a good person. I didn't do anything.
01:12Shut up!
01:12What's going on?
01:14Alert the cabin.
01:16Monilla.
01:17Come in.
01:22They have to be here.
01:25Let's go.
01:47Nothing.
01:48We didn't find anything.
01:50Any trace of them?
01:51None.
01:54Check the perimeter of the cabin.
01:56Let's go.
02:01Can you explain what the hell you're doing here?
02:04Why are you checking my house?
02:06Don't play dumb.
02:07You know who we're looking for.
02:09I have no idea.
02:10Especially not what's going on.
02:11We're looking for Lorena Martinez.
02:12She's a fugitive.
02:14I don't know that woman.
02:15I've never heard that name.
02:18Why are you looking for her here?
02:20Because we're sure her lawyer, Alejandro Castillo,
02:23brought her here to hide her.
02:26My nephew?
02:27That's right.
02:28Alejandro brought her here yesterday.
02:31She was here for a few days, but she came alone.
02:34Stop lying!
02:35Where is she?
02:37We have proof that they left the city together.
02:39If she left with someone,
02:40how can I know?
02:43She came here alone.
02:46I'm going to tell you everything once and for all.
02:50I want you to tell me the truth.
02:52If you want to waste your time, go ahead.
02:54I have nothing to hide.
02:58Are you aware that a few months ago
03:00there was an escape from the women's prison
03:02in Mexico City?
03:03Yes, something I heard on the news.
03:06One of the fugitives is Lorena Martinez.
03:10Her nephew is her defense lawyer.
03:13They insist that Lorena is innocent.
03:18Nicolas, what happened?
03:20How's the operation going?
03:22Do you have Martinez and Castillo?
03:24We got to the cabin where we thought they were hiding,
03:27but we couldn't find them.
03:29We think...
03:30Hello?
03:32Nicolas, are you there?
03:33The signal is bad, but we're about to catch them.
03:36I'm sure we'll be back with Martinez and Castillo.
03:44What's wrong, Yulisa? My coffee, please!
03:46Yes, sorry, sir.
03:50I'm going to buy a few things.
03:54Where are the grocery bags?
03:56In the warehouse. I'll go with you.
04:09So?
04:11Don't you have anything to say to me?
04:15Oh, that smile!
04:18Tell me.
04:19How was dinner with the commander?
04:22Very good.
04:23We had a great dinner.
04:25I'm glad.
04:26But don't tell me there wasn't anything else.
04:28Amelie, tell me.
04:31We had a nice chat.
04:33He told me about his life, about his childhood,
04:36about how he decided to become a cop,
04:40and in the end...
04:42And in the end what?
04:46No.
04:47They kissed?
04:49And? What happened?
04:51I feel ridiculous that I'm so excited.
04:54It's because she's in love.
04:56If not, he would've done the same thing.
04:58What I don't know is what's next.
05:02What does it mean that we kissed?
05:04I was out of circulation for so long
05:06that I don't know how things work now.
05:10Are we already together?
05:11Yes, and if they kissed, it's for a reason.
05:14Besides, he already told you his intentions.
05:17How do you feel?
05:19What can I say?
05:20I'm in the clouds.
05:21Patricio is a gentleman.
05:24I'm so happy to see you so happy and in love.
05:28If there's someone who deserves to be happy, it's you.
05:31I never imagined this would happen to me.
05:34I had forgotten about love,
05:36but now that I have it, I'm grateful.
05:40Of course.
05:41For love to come to us is a blessing.
05:44Who would've thought that after what happened to her husband,
05:47a man like the Commander would come to her?
05:53Charo!
05:54Coming!
05:55I'm coming, sir.
06:10I just heard Arturo Marquez talk to a man from the police
06:13who said he's about to catch Lorena and Alejandro.
06:15You know where they are.
06:23You don't understand, do you?
06:26What did I tell you?
06:27I'm sorry, ma'am.
06:28I just sent a message. I didn't talk to anyone.
06:31I don't care if it's a call or a message.
06:34I told you you're not allowed to use your phone
06:37while you're working.
06:39If I see you using it again,
06:41I'm going to take it off your face.
06:43Do you understand?
06:44Yes, ma'am.
06:47Wash and store everything you use for breakfast.
07:02Hey!
07:04Hey!
07:05I just heard Arturo Marquez talk to a man from the police
07:08who said he's about to catch Lorena and Alejandro.
07:10You know where they are.
07:13It can't be.
07:14How could they have found them?
07:17So he's with Alejandro.
07:19I didn't know, but it looks like he is.
07:23Good thing he's not alone.
07:26It's the same case.
07:28Lorena is going to go back to jail.
07:30They're probably going to retaliate against Alejandro.
07:33Oh, my God. I'm so worried.
07:36Please call the higher-ups to find out what's going on.
07:39No, how could you? What am I going to tell them?
07:42I don't know. Call them with any excuse.
07:44One of those excuses will give you some information.
07:46Yes, please. Call the higher-ups.
07:49It's about Lorena.
07:50Oh, God.
07:52Okay.
07:54Let's see.
08:03No, well...
08:04If they're on a mission, they're obviously not going to answer.
08:09Whatever you're going to do, do it.
08:12I have things to do.
08:13Hey, no one leaves until the perimeter is combed.
08:18Well, you're going to be gone for a while.
08:21We found Castillo's motorcycle
08:23in the barn of a cabin nearby.
08:25It looks like it's gone.
08:28Come with us.
08:31Let's go.
08:39If your nephew left, what was your motorcycle doing
08:43in that barn?
08:44That barn is mine and so is the cabin.
08:48I told you, Alejandro left it there last night
08:51so he wouldn't stay at Interperie.
08:53Stop looking at us like that.
08:54What's wrong, young man? I'm incapable.
08:57You're going to believe me.
08:58We have footage of Alejandro and Lorena Martinez
09:00on that motorcycle, crossing several booths.
09:03Look, girl, you may have that footage,
09:06but I told you, he came here alone.
09:08How many times do I have to tell you?
09:11Soto.
09:12Sir.
09:17Take him inside and don't say goodbye to him.
09:21I won't.
09:22Enough.
09:28I'm sure you heard the sirens
09:30and didn't have time to go get the motorcycle
09:32to escape on it.
09:35You have to be close by.
09:37Talk to Lombardi and have him close the perimeter.
09:40Yes, sir.
09:48We have to close the perimeter.
10:08I'm very anxious. I don't want to be here.
10:11I'm going to the construction company.
10:12The job will help me.
10:24It would be worth negotiating with them
10:26to see if they can take him down.
10:30Nicolás.
10:31I'm in Formante.
10:33What happened? How's everything?
10:35How's everything?
10:36Martínez and Castillo aren't at the cabin,
10:39but we found Castillo's motorcycle.
10:40They're running away.
10:42We don't think they're going to die.
10:44How is that possible?
10:46They're very smart, especially Castillo.
10:48I hope they find them as soon as possible.
10:51Do it. Let them escape.
10:54Nicolás.
10:55Nicolás.
10:58The call got cut off.
11:00The signal is very bad.
11:01From what I understand, they didn't catch them.
11:03No.
11:04It's a shame we found out about all this
11:07thanks to Nicolás and not your husband.
11:10You know Ismael is very meticulous with his work
11:13and he never tells me anything.
11:14That's precisely the problem.
11:16Ismael is a threat to the family.
11:18Enough.
11:19Don't take it out on Ismael.
11:21We want them to catch these two and put them in jail.
11:26At this point, they should have Lorena on a patrol car.
11:29Please, Monse, stop saying those things.
11:32We don't want to hear your pessimism.
11:34What do you want me to think?
11:35There's no way she'll get away with this.
11:37Trust her. She knows how to take care of herself.
11:40Besides, she's with Alejandro.
11:41Poor Alejandro.
11:43He'll go to jail for good people.
11:44Stop it. You're making me nervous.
11:46I'm being realistic.
11:48With those thoughts, all you're doing
11:50is getting on our nerves and getting us on our nerves too.
11:53What's wrong with you? We're not like you.
11:54You're always smiling and...
11:56Stop it.
11:59I can't believe that right now,
12:00We need to be more united than ever.
12:02Don't start arguing.
12:05Please, God, please, don't find them.
12:10We haven't cleaned the oasis yet.
12:12Let's go and distract ourselves a bit.
12:14Let's go.
12:31Protect her, my God.
12:33Protect her.
12:38The liquid for the floors is finished.
12:41I'm going to the warehouse for more.
12:43Yes.
12:45Hello, this is Angelina. Leave a message.
12:53Hello.
12:54Hello.
12:55What's wrong?
12:56Nothing.
12:57Why?
12:58I'm sorry, I'm sorry.
12:59I'm sorry.
13:00What is it?
13:01You're not going to tell me.
13:03I'll tell you everything.
13:04I'm sorry.
13:05I'm sorry.
13:06What?
13:07I can't believe it.
13:08I was going to tell you everything,
13:10and you didn't even listen.
13:12What's wrong with you?
13:14Nothing.
13:16What do you mean nothing? You're crying.
13:18Is it because of my dad? Did he find out?
13:20No. No.
13:22I already told you that you don't need to tell him anything.
13:25I don't care if he doesn't know the truth.
13:27As long as they stay.
13:29Someday you'll tell him.
13:30Thank you, Mati, but I don't cry because of that.
13:33Then why?
13:34I'm very worried about Angelina.
13:36What's wrong with her?
13:37I'm afraid they'll catch her.
13:39Don't think like that. Maybe she's safe.
13:41I know you have to have faith, but I confess that sometimes I can't take it anymore.
13:45I don't like seeing you like this.
13:47You're always so happy.
13:50You're right. It'll pass.
13:52I know what you need.
13:54A hug, like the ones you give me when I feel bad.
14:05Come in.
14:07Hi.
14:09Hi.
14:11What happened?
14:12What are you doing here so early?
14:14It's not Friday.
14:15I didn't go to school because I'm very anxious.
14:18And I got worse alone at home, so I came to work.
14:21What are you worried about?
14:23Lorena.
14:25Ismael told Vicente that they were going to do an operation to capture her.
14:29Did you know?
14:33I don't want anything to happen to her. I'm afraid someone will mistreat her.
14:37Can you call Ismael to check on her?
14:39I never bother Ismael with his work.
14:42Please do it.
14:44I need to know what's going on with my sister or I'm going to die of nervousness.
14:47Please.
14:48Okay, okay.
15:01I'm sorry.
15:03I don't want you to hurt her. I don't want anything to happen to her.
15:05I don't want anything to happen to her.
15:06Come here.
15:08Calm down.
15:14For you to understand your situation.
15:16The DA himself is in the operation.
15:21And although you insist that you don't know anything,
15:26there is something that makes me doubt.
15:30And your lack of cooperation will compromise it.
15:35You don't have to pay for your nephew's crimes.
15:40Don't you realize that you're using him?
15:45At some point we're going to find you.
15:48And you're going to pay the consequences for covering up a murderer.
15:53Is that what you want?
15:57No, of course not.
15:59Look, if what you're trying to do is for me to contradict myself,
16:04I'm not going to work on it.
16:06I already said what I had to say.
16:08To end it soon.
16:10I had no idea that my nephew was defending that girl.
16:14It's been a long time since I've heard from him.
16:16He disappeared here until yesterday.
16:19Believe me, I'm a good person.
16:21I don't like to get into trouble, Commander.
16:29You know what?
16:32I don't believe you.
16:36If you want to avoid problems,
16:40talk to the truth.
17:02What can I do for you to believe me, Commander?
17:05I've never lied to you.
17:07Alejandro arrived alone.
17:10What did he do? Who was he with before he arrived? I have no idea.
17:14Okay.
17:16Okay.
17:19If he arrived alone and left his motorcycle, where could he have gone?
17:24Maybe he went to the river.
17:26When he came to visit us, he liked to go there.
17:29He disappeared all day.
17:32I don't know if his people get there because we have to cross a canyon.
17:36Where is the river?
17:38Look, I'll take you.
17:39Because we have to take the road to Piedra Blanca.
17:44Communicate with Amanda,
17:46who is heading to the river on the way to Piedra Blanca.
17:50Let's go.
17:51Let's go.
17:57Amanda, this is Soto. Over.
18:05They're gone.
18:06I'm going out.
18:08I have to take advantage of the fact that my uncle took him to the river.
18:10He did it to give us time.
18:12No, don't do it. It could be dangerous.
18:14I know what I'm doing.
18:16You stay here.
18:17They can find you.
18:18I'm the one who doesn't owe anything.
18:20Don't be afraid.
18:21Trust me.
18:24Go.
18:25Don't worry.
18:30Everything will be fine.
18:35Don't worry.
18:51Be careful.
19:14Nothing?
19:16Nothing.
19:20What do you want?
19:21To buy time?
19:22Not at all.
19:24I just told you that Wally had come here,
19:27but I never assured you.
19:28Right?
19:29If I find out you're lying,
19:31you're going to have a hard time.
19:32Look, you don't have to threaten me.
19:34I'm not doing anything wrong.
19:36Let's see, tell me what?
19:37Amanda here, Bonilla. Over.
19:39What happened, Bonilla? Did you find him? Over.
19:41Negative. We covered a good stretch of the river and nothing.
19:50Okay, guys, class is over.
19:52Please give me your drawings.
19:54Hey, we're not done yet.
19:56Don't worry.
19:57Don't worry.
19:58Those who haven't finished,
19:59you can continue tomorrow.
20:00Okay?
20:01Okay.
20:03Run, please.
20:08Thank you, guys.
20:13Very good.
20:29Is that me?
20:34And this is you?
20:37I had never seen such a beautiful drawing.
20:40Can I take it home?
20:51Dario.
20:54What are you doing here?
20:56At least say hello to me, right?
20:58Hi, how are you?
20:59Bad.
21:00That's why I came to talk to you.
21:01And what do I have to do with you being bad?
21:03Everything.
21:04Because you left me on the street.
21:06One thing is that we are done,
21:07and another is that I have lost my job.
21:09Specifically, what do you mean?
21:11To continue being part of the Oasis.
21:17Come in, let's talk.
21:18Come in, let's talk.
21:19We don't have to be on the street.
21:25I heard you, Lombardi.
21:26We are in contact.
21:27Over and out.
21:32You guys go ahead.
21:38The agents we have in town
21:39are checking all the cars that leave.
21:42So far,
21:43there are no signs of Castillo or Lorena.
21:45They must be hiding somewhere.
21:48He couldn't have swallowed them to the ground.
21:50Amanda is right.
21:51They must be hiding in the forest.
21:53Talk to Lombardi.
21:54Tell all the agents to go to the cabin.
21:56We have to comb the entire forest.
21:58And that Uncle Castillo accompanies them.
22:00That guy is looking at us in the face.
22:02We should apply a harder technique
22:03to question him.
22:04What do you mean?
22:05Well, we have to make him talk
22:06as best we can.
22:07How can you think of it?
22:09The only thing left to say
22:10is that we torture them.
22:12Why not?
22:13Did the faculty do it at night or what?
22:15Don't you know there's a law
22:16against torture in interrogations?
22:19I've stopped watching movies.
22:22Lombardi, do you read me? Over.
22:25Affirmative, Commander. Over.
22:29Change of plans.
22:30All agents go to the cabin.
22:33Over.
22:35Copy that.
22:36We're on our way.
22:46What does that mean,
22:47that you want to be part of the OASIS again?
22:49That I want to work here again.
22:51No, no, no, no.
22:52It's not healthy for either of us.
22:54Look, I'm not asking for us to go back.
22:57All I want is for you not to take me out
22:59of the business we started together, Dario.
23:01I want you to recognize me as a co-owner.
23:04What are you talking about?
23:05How could you?
23:06I have the right,
23:07for all the time I've spent helping you
23:08start the bar.
23:10That doesn't count, does it?
23:12Matias.
23:13Matias.
23:15Oh, Mati.
23:17My child.
23:19You can't imagine how much I miss you.
23:21I miss you so much, my love.
23:25I'm sorry.
23:26You're squeezing me.
23:27Can you let me go, please?
23:28Oh, yes.
23:29Sorry, sorry.
23:30I got too excited.
23:31My love, how have you been?
23:33Good.
23:35And have you missed me?
23:37Even a little bit?
23:39It's just that I can hardly live without you.
23:44Well, yes, of course.
23:48I knew it.
23:49Not in vain I was like a mother to you, right?
23:52You're very handsome.
24:03It still smells like Lore's perfume.
24:06Have they already caught her?
24:07Don't start being crazy again.
24:09We'll have news.
24:11You're right.
24:12When they catch her,
24:13it'll be on all social media and the news.
24:16Also, Lisette can find out about it
24:18through Marquez himself
24:19and he'll let us know right away.
24:21While that doesn't happen,
24:22let's think positively.
24:25I'm going to the market
24:26to buy chilies
24:27to make stuffed chilies.
24:29Oh, I'll go with you.
24:31I can't stand this confinement anymore.
24:32Let's go.
24:33No, no, no, Monce.
24:34No.
24:35Hang in there.
24:36The market is a public place.
24:37Anyone can find you.
24:39Go down to the bar
24:40and start doing things
24:41that you don't always do
24:42so you can relax.
24:43Nothing better than working
24:44so you don't have to worry so much.
24:46Okay?
24:47Okay.
24:48What do we have left?
24:49Let's go, Frida.
24:50Let's go.
24:52Let's go.
24:58I brought you a gift.
25:03Are you eating well?
25:05You look thinner.
25:07How can I be thinner
25:08if you just left three days ago?
25:10I know, honey,
25:11but it's been a century for me.
25:12I feel...
25:13I feel the time is long
25:14and empty without you guys.
25:17Dad, I'm going to the park
25:18to meet Sebastian.
25:19Yes, son, go.
25:20Leave your backpack in your room.
25:22Bye, Carmen.
25:24Bye, honey.
25:26Hey, you have to do something
25:27with Matías, okay?
25:28He looks really down.
25:30He's better than ever.
25:31What are you saying?
25:32And he eats like a pig.
25:34And now why are you so worried
25:35about Matías
25:36if he's never worried about you?
25:38I've always wanted to see that kid
25:39as if he were my own son.
25:41If you didn't realize it,
25:42it's because you're insensitive.
25:43Enough!
25:44This conversation
25:45won't get us anywhere.
25:46And just to be clear,
25:48you have no right to do this.
25:50I know there's nothing in writing,
25:52but morally there is.
25:54And I don't think you're so shameless
25:55not to recognize it.
25:57I recognize your effort
25:58and all the work you did
25:59to help me start the business.
26:01And that's why I'm going to give you
26:02a lot of money
26:03to help you
26:04while you find a job,
26:05but not here.
26:07Didn't you hear what I want?
26:08I want to be a co-owner.
26:11Properties belong to the owners.
26:14And in this case,
26:15I'm the only owner of the oasis.
26:18Well, if you don't accept,
26:19you're going to force me to resort to the law.
26:21I have the right to half
26:22of everything you have
26:24for living in concubinage with you.
26:27So if you don't want to go to trial,
26:28you already know.
26:30I think you should accept.
26:38THE ACERO DYNASTY
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31:44This is an advance of what we will have today in the news from Chicago.
31:48The ambassador of the United States in Mexico warns of risks for democracy and fear with the judicial reform.
31:54The unresolved in Chalco is intensified to 21 days in Traguas Negras.
31:58And Democrats acclaim Kamala Harris. Details at 10.30.
32:04Enjoy your summer mornings with the stars.
32:06At 9, advice, exercise, games, music and a lot of fun, only today.
32:12It's Andy Nevada's birthday.
32:14At 12, interviews, recipes, guest notes and everything about the famous on Cuéntamelo Ya.
32:20Salma Hayek burned the social networks.
32:22From Monday to Friday with the stars.
32:25This Saturday, Gastara will take us to see a crepe de nogada to eat.
32:30We will make a trip through 1972 to remember what we lived, heard and saw 52 years ago.
32:38Without forgetting the most fun of the house of the famous Mexicans.
32:41Saturday, 10.30, by the stars.
32:44On Saturdays, we also have bugs.
32:47This grandmother has every member of the bug in her family.
32:50Which bug?
32:51Of musician, poet and crazy, we all have a little.
32:54We are who we are on the way.
32:56And here we are like a family.
32:59That's what Mr. Tomas told me.
33:00As the bug says in depth.
33:02This Saturday, 7 at night.
33:04Laboratorio Supersecreto de Comedia.
33:14La risa es una ciencia exacta.
33:16Fortunadamente, aunque nuestros científicos no son los más exactos, si son los más divertidos.
33:21Televisa, sabemos hacerte reír.
33:24Las primeras horas del día también traen las primeras historias que hay que conocer.
33:27Ágil, precisa y puntual.
33:29Así conocerás toda la información en las noticias.
33:32Porque lo que pasa en México y el mundo está aquí.
33:34Soy Carlos Furtado y te espero en las noticias.
33:37Un noticiero de NEMAS.
33:38Vienes a viernes 5.50 de la mañana.
33:40Con las estrellas.
34:03A la fortuna de encontrar el amor más puro.
34:06Así vamos a estar juntos por siempre.
34:08Le siguió la desgracia de la traición.
34:10Ahora, al buscar la verdad.
34:12Voy a volver a la fortuna.
34:14Yo sé que Dios está vivo.
34:15La vida nos volverá a unir.
34:18El precio de amarte.
34:20Inicia el lunes 2 de septiembre, 9.30 de la noche por las estrellas.
34:24Lo que sucedió y no viste.
34:26¿O quieres volver a ver de los deportes?
34:28Arrancan las vigas en el fútbol de Europa.
34:31En el programa que han disfrutado todas las familias durante años.
34:35Gol, error y figura.
34:37Prepárate para entrar en acción.
34:40Este domingo, 2 de la tarde, con las estrellas.
34:50Hola, Carmen.
34:51¿Cómo has estado?
34:52Mal. ¿Cómo voy a estar?
34:54Desde que llegaron estas...
34:56mujeres, Darío está hecho un idiota.
34:59Especialmente esta, que lo tiene atarantado.
35:01¿No te da vergüenza?
35:03No tengo de qué avergonzarte.
35:04Y tampoco entiendo por qué lo dices.
35:06Ay, no te hagas que la virgen te habla.
35:08Carmen, por favor, cálmate.
35:10¿Cómo me voy a calmar?
35:12Si estas mujeres destruyeron la vida que teníamos Darío y yo.
35:14¡Ya basta!
35:15No tienes por qué meter a nadie en nuestros problemas.
35:18Es mejor que te vayas.
35:19Nadie tiene que estar aguantando tus escándalos.
35:21Sí, sí, sí, ya me voy.
35:22Pero voy a conversar con un abogado, ¿eh?
35:24A ver si así entiendes lo que te estoy pidiendo.
35:28Y mucho cuidado con esta, porque parece buena gente.
35:31Pero es una doble cara.
35:49Les ofrezco una disculpa.
35:50No tienen por qué estar aguantando los desplantes de Carmen.
35:53No, no tienes por qué disculparte.
35:54En todo caso, quien se tiene que disculpar es ella.
35:57Está despechada, hijo.
35:59Habla con Carmen para que puedan terminar bien su relación.
36:02O Carmen se puede volver tu peor enemiga.
36:07Voy al mercado para traer las cosas para hacer la comida.
36:12Te ayudamos a llevar las cosas.
36:14Gracias.
36:22Romero.
36:23Dígame, comandante.
36:25Lleva al señor a la fiscalía de la Ciudad de México
36:29y que nos espere ahí hasta que regresemos.
36:31Sí, comandante.
36:33Vamos.
36:34Qué necedad.
36:35Que no me pueden detener si yo no hice nada.
36:37Ya les dije todo lo que sé, caramba.
36:39Cállese y obedezca.
36:40Vámonos.
36:44Tenemos que encontrarlos antes de que caiga la noche.
36:48En cuanto lleguen los demás agentes,
36:50vamos a comenzar la búsqueda.
36:52Hay que recorrer cada centímetro del bosque.
36:57¡Ahí está Castillo!
36:58¡Deténgalo!
37:01¡Diato, no te muevas!
37:02Tranquilos. Tranquilos.
37:05¿Qué está pasando?
37:07¡No me toques!
37:10¿Dónde está Lorena?
37:12No tengo idea.
37:13¿Dónde estabas?
37:15Fui a caminar al bosque.
37:17¿De qué se trata todo esto?
37:19Tenemos pruebas de que saliste de la ciudad
37:21con Lorena Martínez en tu moto.
37:25Se deben estar confundiendo.
37:27No era ella.
37:28Era una amiga que fui a dejar a Tlaxcala.
37:30Las cámaras los captaron cuando cruzaron
37:32la caseta de la autopista de Puebla.
37:34Les aconsejo que revisen de nuevo esas imágenes.
37:38La mujer que venía conmigo no era Lorena.
37:40Además, dudo mucho que puedan identificar
37:42a alguien con un casco puesto, ¿no?
37:45Solo son suposiciones suyas.
37:47¿Es cierto lo que dice? ¿Qué hace aquí?
37:49Después de que catearon mi casa,
37:52vine aquí a descansar unos días.
37:54No le veo nada de raro.
37:56No me vengas con eso.
37:57Estás ayudando a una prófuga a esconderse.
37:59Deja de mentir y díganos dónde está.
38:03Yo me encargo.
38:08Hablamos adentro.
38:10Sí, adelante.
38:12Sirve que me tomo algo,
38:14porque la caminata me dejó agotado.
38:16¿Vamos?
38:19Permiso.
38:23Espéreme aquí.
38:28Revisen la zona por donde apareció Castillo.
38:38¿Le ofrezco agua?
38:40No, gracias.
38:42Hablemos de frente.
38:44¿Dónde está Lorena Martínez?
38:47Me sorprende que hayas armado todo este operativo
38:50pensando que estaba conmigo.
38:52Te he dicho varias veces que no tengo la más remota idea
38:54de dónde puede estar.
38:55Ay, por favor.
38:56Has estado todo este tiempo en contacto con ella,
38:58y ahora la estás escondiendo.
39:00¿Ah, sí?
39:02Compruébanmelo.
39:03No juegues conmigo, Castillo.
39:05No pienso irme de aquí hasta que me digas dónde está.
39:08Pues como gustes.
39:09Solo vas a perder tu tiempo porque no tengo esa respuesta.
39:12Tu único trabajo es buscarla,
39:13y por lo que veo no lo estás haciendo nada.
39:16Nada bien.
39:24Mi amor, ¿qué haces aquí?
39:25Leí tu mensaje y me quedé muy preocupado.
39:27Preferí venir para ver cómo estás.
39:29Gracias.
39:30Sigo igual con el alma en un hilo.
39:33No dejo de pensar lo que le pudo haber pasado a mi hermana.
39:36Hola, Vicente.
39:38Hola.
39:39Te pido de favor que no vengas a distraer a Gabriel.
39:42Apenas da una y con distracción es peor.
39:44¿Qué te pasa? Eres una bruja.
39:46¿Cómo te atreves a hablarme así?
39:48Estoy harta de tus desprecios.
39:50No te voy a aguantar ni uno más.
39:51¿Qué te hace imaginar?
39:53¿Crees que somos iguales?
39:54Si lo mande Dios, parecerme a ti sería un castigo.
39:56Cállate, igualada.
39:58Y agradezca que estás aquí por Vicente
39:59porque no eres más que un inútil.
40:01Inútil tú,
40:02que lo único que sabes hacer es andar como perro faldeado
40:04atrás de Florencia.
40:05Ya, ya, ya, chicas.
40:06Tú no te metas.
40:07No puede ser que andes con la hermana de una asesina.
40:10Mi hermana no es ninguna asesina.
40:12¿Quién quita la que mató a Juan Pablo?
40:13Fuiste tú.
40:14¿Qué?
40:15Juan Pablo era mi novio.
40:16¿Estás loca?
40:17¡Por eso mismo!
40:18¡Infeliz!
40:20Ya, ya, ya, párele, por favor, chicas.
40:22¡Déjame!
40:23¿Qué está pasando aquí?
40:25¡Cállese!
40:26¿Qué está pasando aquí?
40:28Esta infeliz está insinuando que yo maté a Juan Pablo.
40:30¡Córrela!
40:31¡Basta ya!
40:32¿Dónde diablos creen que están, eh?
40:34Llévate a Verónica.
40:35Y ustedes dos al oficina.
40:42Tengo a cada uno de mis agentes buscándola.
40:44En cualquier momento la van a encontrar.
40:46Así que lo mejor es que se entregue.
40:48Eso no va a suceder porque no está aquí.
40:50Y aunque estuviera, ¿por qué iba a entregarse?
40:52¿Para que la encierres el resto de su vida en ese penal?
40:55Eso es lo que quisiera tu suegro.
40:57¿No?
40:58Porque teme que se descubra la verdad.
41:00Él es quien está detrás de la muerte de Juan Pablo.
41:02No tienes pruebas de eso.
41:04Son puras especulaciones tuyas.
41:06La estás encubriendo.
41:07Y lo único que logras con eso es ponerle en peligro.
41:08¿Eso es lo que pretendes?
41:10¿Y tú qué pretendes?
41:12¿Atraparla para volverla a ver?
41:14¿Eso es lo que quieres?
41:15¡Te equivocas!
41:16Lorena Martínez es una asesina.
41:18Mató a mi mejor amigo.
41:19Mandó a golpear a un hombre.
41:20Tiene que pagar por sus delitos.
41:22Tú crees que la estás ayudando,
41:24pero lo único que estás logrando
41:25es hundirla cada vez más y más.
41:27Ya escuché suficiente.
41:29Si lo que quieres es seguirla buscando,
41:31adelante.
41:32Pero a mí déjeme en paz.
41:34¡No te creo nada!
41:35¡Ese es su problema!
41:36¡No es mío!
41:38Fiscal Domínguez.
41:43Llegaron todos los elementos.
41:45Vamos a iniciar la búsqueda.
42:01¿Me pueden explicar qué fue lo que pasó?
42:03Discúlpeme, señor.
42:04Me alteré demasiado.
42:05No me puedo aguantar.
42:07Estoy cansada de los malos tratos de Verónica.
42:09Siempre he tratado de no entrar en su juego,
42:11pero hoy no es mi día.
42:13No debí reaccionar así.
42:15Discúlpeme, por favor.
42:17¿Y por qué hoy no es tu día?
42:19¿Eh?
42:20¿Qué pasa?
42:22Nos enteramos de que iba a haber un operativo
42:23para capturar a Lorena.
42:25No me digas.
42:27Estoy muy preocupada de lo que le pueda pasar.
42:29Bueno, sí.
42:31Es como un principio cuando se trata de tu hermana.
42:33Lo mejor es que te vayas a tu casa
42:35y trates de estar tranquila.
42:37Es una lástima que tengas que estar pasando por estas cosas.
42:40Mira, váyase a su casa.
42:42Distráigase con cualquier cosa.
42:44Gracias.
42:46Gracias por su apoyo, señor.
42:48No, que agradeces.
42:50Solo es cosa de comprender tu situación.
42:52Bueno, y por favor, disculpa a Verónica.
42:54Ella es muy...
42:56Es una loca histérica.
42:58Eso es lo que es.
43:03Tranquila.
43:05Todo va a salir bien.
43:33Te quiero contar a qué vino Carmen.
43:35No te preocupes.
43:37No hace falta.
43:39No, para mí es importante.
43:41Dino porque ella insiste en que es tan doña del oasis como yo.
43:43¿Y tienes algún contrato que diga eso?
43:45No, por supuesto que no.
43:47Pero como me ayudó a levantar el negocio,
43:49se siente con derechos.
43:51¿Y qué vas a hacer?
43:53Me propuse darle algo de dinero
43:55para que se ayude mientras encuentra algo de trabajo.
43:57Qué buena persona eres.
43:59Aunque yo no estoy segura de que ella se lo merezca.
44:00Creo que es lo justo.
44:02Porque efectivamente el proyecto del oasis lo hicimos juntos.
44:04Entre los dos levantamos el bar.
44:06¿Y es solo por eso o hay algo más?
44:08Finalmente ustedes pasaron mucho tiempo juntos.
44:11¿Qué me quieres decir?
44:13Pues no sé.
44:15Pienso que algo de cariño debe seguir sintiendo por ella.
44:17Escúchame bien lo que te voy a decir.
44:19La única persona a la que yo quiero con todo mi corazón eres tú.
44:24Y si te da tranquilidad saberlo por Carmen,
44:26yo ya no siento nada.
44:27No quisiera volver a verla nunca más.
44:29Gracias.
44:31Necesitaba oírtelo decir.
44:34Te quiero como nunca he querido a nadie en mi vida.
44:38Y yo a ti.
44:57Ay, doñita.
44:59Si no se le ofrece nada más, ya me voy.
45:01Vete.
45:02Ándale, vete.
45:04Oiga, ¿y no supo nada de don Arturo?
45:06¿A qué te refieres?
45:08Es que esta mañana lo escuché preocupado por algo de la policía.
45:10Algo de que iban a atrapar a una muchacha.
45:12Primera y última vez
45:14que me comentas algo que escuchaste en esta casa.
45:16Desde el primer día te lo dije.
45:18Discreción.
45:20¿Entendido?
45:22Sí, doñita, discúlpeme.
45:24Como vi al señor un poco nervioso, pues quise saber.
45:25¡Discreción!
45:27Lo que sea que haya sido no es asunto tuyo.
45:29No, pues no, claro que no.
45:31No quise ser indiscreta.
45:33Si se entera Florencia que te gusta oír conversaciones ajenas,
45:35ella misma te pone de batitas en la calle.
45:37Eso sí que no le gusta nada.
45:39No fue mi intención, se lo juro.
45:41No le voy a decir nada, por favor.
45:43Ya basta y vete a tu casa, ándale.
45:45Está bien, doñita.
45:47Hasta mañana.
45:56¿Hay alguien ahí?
45:58Voy a ver.
46:06¿Quién anda ahí?
46:15¿Quién era?
46:17No hay nadie.
46:19¿Qué te preocupa?
46:22Pues que alguien nos ocurrió.
46:23Pues que alguien nos sorprenda.
46:25No me gustaría ni que Matías ni que tu mamá se enteraran
46:27de esta manera que estamos juntos.
46:29No sería la mejor forma, pero si sucede,
46:31les decimos la verdad y ya se acabó el problema.
46:36Quisiera gritar a los cuatro vientos
46:38que estoy enamorado de ti.
46:40¿Qué cosas dices?
46:42¿Te imaginas que Carmen se entere?
46:44No, bueno, ahí sí, no te la quitabas encima, pero nunca.
46:46Espero que acepte mi propuesta
46:48y ya no tenga que volver a hablar con ella.
46:49Lo único que quiero es ser feliz contigo.
46:55Chávez, te quedas vigilando a Castillo.
46:59Los demás vamos a peinar todo el bosque.
47:02Muévanse.
47:07¿Qué pasó con Castillo?
47:09Nada.
47:11Sigue diciendo que no tiene idea dónde está Lorena.
47:13Encuéntrela.
47:15Estoy seguro de que la encontrará.
47:17Vamos por un helado.
47:19¿Se te antoja?
47:21No, gracias.
47:23¿Y por un cappuccino con caramelo?
47:25Gracias, pero tengo un nudo en el estómago.
47:27No me entra nada.
47:29¿Qué puedo hacer para que te sientas mejor?
47:32Lo único que me haría sentir bien
47:34es saber que no han atrapado a mi mamá.
47:36No, no, no, no.
47:38No, no, no, no, no.
47:40No, no, no, no, no.
47:42No, no, no, no, no.
47:44No, no, no, no, no.
47:46Ya te quimo a mi hermana.
47:51¿Alguna vez te has preguntado si tu hermana realmente es inocente?
47:54¿Cómo se te ocurre decir eso?
47:56Por ninguna circunstancias voy a pensar
47:58que Lorena es culpable,
48:00ella no mató a nadie.
48:02A alguien le inculpó y lo hizo muy bien,
48:04por eso todo el mundo dice que ella es la asesina de Juan Pablo.
48:07No te lo tomes a mal,
48:09si lo decía es porque si resulta que no,
48:11no sea tan duro para tí.
48:12I understand, but it's best if you don't tell me that.
48:15It doesn't give me any peace of mind.
48:17I also understand that I can't force you
48:19to believe in my sister's innocence,
48:20but I'm absolutely sure
48:22that she didn't kill Juan Pablo Correa.
48:25I'm sorry.
48:26If I dared to tell you,
48:27it's because I don't want you to suffer any more.
48:32Do you really think she's guilty?
48:36It's not what I think.
48:38It's what the judge decides.
48:40Let's go home. I don't want to talk to you.
48:43I'm fed up with not knowing what's going on with my sister.
48:58This is going to take a while.
49:00I guess I can go to town for something to eat.
49:02You suppose wrong. You can't leave.
49:05Excuse me?
49:06What did you hear?
49:07You're staying here until the operation is over.
49:10If that's what you want, let's hope so.
49:14That's not all.
49:15Since you refused to cooperate,
49:17you're coming with us to the DA's office.
49:27I won't give you any more information.
49:28Don't insist.
49:30I leaked your information about Vilchis and there were problems.
49:33Don't call me again.
49:35I saw you kissing Dario.
49:37I know, I know.
49:39I wish I hadn't fallen in love with his son,
49:41but I couldn't help it.
49:43You're a fugitive and Dario doesn't know.
49:46So far, things have gone well for you,
49:48but sooner or later, you're going to fall.
49:51You remember me.
49:54What if we go back and look for another way?
49:56No, no, no.
49:57They saw us.
49:58If I turn around, they won't suspect anything.
50:00They'll chase us.