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00:00You can't just tell me that you're sorry, but that you're not able to accept my proposal.
00:07It's just that I didn't think I'd say such a thing.
00:09No, of course, why go with subtleties? Why talk? When a suitcase and a kick say it all.
00:14I hadn't thought about subtleties, and as for the suitcase, I think you'd better look at it.
00:17Yes, and on top of that, make fun of me.
00:19Look at you well, I'm telling you.
00:31It's not mine.
00:34No, it's not yours.
00:38Does that mean you're coming with me?
00:40That's what I was going to tell you when I took out the suitcase, just before you unleashed the apocalypse.
00:45I'm sorry, I'm sorry.
00:50And after the apocalypse, do you still want to come back with me? Have you thought about it?
00:55I've thought about it a lot, at least during all these days.
00:59And I think it would be good for all of us, for me to be the first to face it.
01:03That's always good.
01:05I want to clear my image, Catalina, it's such a shame.
01:08It was a horrible campaign.
01:10No, not everything was the campaign's fault. I also made many mistakes, that can't be denied.
01:14But I also think that life is very long, and that everyone deserves a second chance.
01:18Of course.
01:21When I told you that I wanted to rebuild ours, I meant it.
01:25But I also don't want any more lies, Pelayo. Not a single one.
01:28That's how it will be, I assure you.
01:33Don't you have anything else to say?
01:36No.
01:39For the first time in my life, I don't think I have anything else to say.
01:43And is that good or bad?
01:45Yes, it's good. I guarantee it.
01:47Wow.
01:49And I'm willing to stand up for anyone who wants to hurt us.
01:52Anyone, yes. In general.
01:55No, but I don't want to name anyone.
01:57I leave it to your imagination.
01:59Yeah.
02:05Now it turns out that I'm the one who has the luggage without making it.
02:08Well, but that has an easy solution.
02:10And if you don't mind, tomorrow we'll go out to La Promesa.
02:13Whatever you want.
02:15I'm telling you this in case you want to let your father know by phone.
02:17No.
02:19I prefer to give him a surprise.
02:22I don't know. A surprise will be taken.
02:39You haven't had any problems with Mr. Curro?
02:42None.
02:44Are you sure?
02:45Sure.
02:46In fact, we've been chatting for a long time.
02:48It's his thing. He started talking and ...
02:51What was he going to do?
02:52But that's very good.
02:54That's a sign of trust.
02:56And I already told you that for a lackey,
02:58the trust of the Lord makes the difference.
03:01The more you know about his private life, the better.
03:06And why is that? I didn't understand it very well the other time.
03:09Because, Santos, there is a power below all.
03:12The power to know and be silent.
03:15The power of information.
03:18Go on.
03:20Knowing is a way of governing the world.
03:24So you listen carefully to the Lord,
03:27take good note of his confidences
03:30and become the guardian of his secrets.
03:34Because sometimes, if they come in handy,
03:36you can use it to negotiate,
03:38not just throw it away.
03:42I understand.
03:44But never the other way around.
03:49What do you mean?
03:51Well, you should try to treasure
03:53everything you can about the life of the Lord.
03:58But on the contrary,
03:59revealing yours is also possible.
04:05Because you never know if he could find you again.
04:09And you don't want to know what he told me?
04:13I wouldn't be the one asking you to betray that confidence I just told you about.
04:17Of course, it would be a contradiction.
04:20Another very different thing would be that he left you,
04:23wanting to tell me something.
04:26Well, this is going to interest him a lot.
04:29Well, tell me and we'll see.
04:32Because the little man was talking to me about Feliciano.
04:37I see.
04:38Yes, yes.
04:39Yes, and what he told me really seemed...
04:43How can I put it?
04:45Revealing.
04:47Why?
04:49Because the more he talked,
04:51the more I realized what you were doing, Mrs. Arcos.
04:55And what am I supposed to be doing, if you don't know?
04:58You are seeing in me the son you no longer have.
05:00And I didn't come here for you to take out your mother's thorns on me.
05:06I never meant to do that.
05:08No?
05:09Well, find out. I'm not Feliciano, and I don't want to be.
05:15You could never, never be the one who proposed to him.
05:21You have the same age as him.
05:23And the same desire to eat the world.
05:27I helped him in everything I could.
05:31He would have had a very bright future if life hadn't been so unfair to him.
05:39I just want to do the same with you.
05:46I agree.
05:48I don't know what's wrong with that.
05:50But if it bothers you, if you don't want me to keep doing it,
05:53you just have to tell me.
05:54And I swear that at this precise moment we stop doing it.
05:57That way we don't waste time, neither you nor I.
06:01I'm sorry, Mrs. Arcos.
06:03You're sorry?
06:04Yes.
06:05Yes, I'm sorry.
06:07It's just that sometimes I have these outbursts of...
06:09Of arrogance.
06:10It's called arrogance.
06:12It's just the opposite of humility.
06:14Well, it was that.
06:15It's a shame.
06:16The thing is that I take a leash and...
06:19I end up getting in the way.
06:20Yeah.
06:21Tell me, what do we do now?
06:25I want you to keep helping me.
06:28And you tell me now?
06:31After you've trampled me like you've trampled me.
06:36I really appreciate what you've done, what you're doing for me.
06:41And I'd like you to keep doing it.
06:44But I understand that after what I've said, well...
06:46I'd rather deny it.
06:50I don't have such fine skin.
06:53And I'm willing to keep helping you.
06:57But on one condition.
07:00You tell me.
07:02Never...
07:03Never mention my son again.
07:06And much less compare yourself to him.
07:09Do you understand?
07:11Yes.
07:12Now go.
07:13Go.
07:31Who are you writing to? You never stop smiling.
07:34To your brothers.
07:36To tell them about the wedding.
07:38Well, since they already knew I was in a relationship with Ayala and they blessed me,
07:42I think I should tell them that it's official.
07:45Well, when I'm done, let me also write them some letters.
07:49I want to tell them that I miss them a lot and send them a kiss.
07:52Well, they're going to be surprised because you never write to them.
07:54But don't be mean either.
07:56You know perfectly well that I miss them.
07:58Although I don't write to them much.
08:01I also really want to see them.
08:03Let's see if they make a power and come to the wedding.
08:07They're too far away.
08:09Well, but it's also been too long since we've all been together.
08:12And time seems to go by faster and faster.
08:15When you turn a year old, much more.
08:18Although there are years that can change everything.
08:23I love seeing her so happy.
08:26The truth is that I didn't expect everyone to react so well after the wedding announcement.
08:30Almost everyone.
08:31Oh well.
08:33You mean the desperado, the captain of the MATA.
08:36Who else?
08:37Well, they don't surprise me at all.
08:39You can't expect someone who is only happy about other people's misfortunes.
08:42Well, I'm glad he took it that way.
08:44Because the only thing that man is looking for is ...
08:47Annoying.
08:48Exactly.
08:49And I'm not going to let him spoil my life.
08:51And less now.
08:53Now that it seems that everything fits and goes forward.
08:57And if, taking advantage of that joy he has now, he comes with me?
09:03Where?
09:04Where are you going to go? To that snack that the Duchess of Cerrozuelos is going to give in her palace?
09:07No, Martina.
09:08I'm not invited and it's also a snack for young people.
09:10Let's see what I paint there.
09:14But even if I don't go, I'm glad you're here.
09:18I have my doubts.
09:21My daughter, what's wrong? Please, let's not start. I beg you, please.
09:23Well, I don't understand what I paint with a group of young people from a good family who have been raised among cotton.
09:29Well, you better put it on me.
09:31Because you all have to be cut by the same pattern.
09:37Martina, what's wrong?
09:43Well, I'm afraid.
09:44Of what?
09:48That they have found out about the sanatorium and that they will ask me and I will have to give explanations.
09:54Don't worry, because you won't have to give any.
09:59It's an issue that we have dealt with with the utmost discretion and I'm sure they won't know anything.
10:05I don't know.
10:07Martina, stop thinking about it. Everything will be fine.
10:10Everything will be fine.
10:12And to make sure of that, we're going to do one thing.
10:15Have you changed your mind and are you coming with me?
10:17No.
10:18But I'm going to lend you my talisman.
10:23Grandma's earrings.
10:25Your father's mother, yes.
10:27Because with those earrings nothing can go wrong.
10:30And they will also enhance your look.
10:32Yeah, but you never wear them.
10:35For fear that something happens to them, I'm not going to wear them. They are too valuable.
10:39Martina, there's nothing more to talk about.
10:40Take those earrings and you will be the sensation.
10:42Is he doing all this just so he can have a snack?
10:45Of course.
10:46Yes.
10:59Taking advantage of the fact that he hadn't peed himself, the girl stayed there for a while.
11:04She liked to look at him.
11:09But despite how much his lover loved him,
11:13something was happening to the girl.
11:15Every time she talked about marriage, she felt like she was paralysed.
11:18And she didn't know why.
11:27I'll leave you with the morning mail.
11:29No problem.
11:36Is it possible that I read the name of the Duchess of Cerezuelos on the envelope?
11:42You are more and more gossipy every day, you know?
11:44Is it a characteristic trait of a good military man?
11:47What I was missing to hear.
11:49I'm serious.
11:51A sharp ear and the ability to ask questions are essential to the career of the souls.
11:56Please.
11:57Hey, more than one battle has been won before getting rid of it.
12:02Thanks to an idyllic mail.
12:04But let's see, can you tell Santo that you are disdaining the noble art of espionage?
12:08What you say, Lorenzo.
12:12Are you going to tell me why you wrote to the Duchess?
12:15No.
12:17Don't tell me you accepted that invitation for that beneficial juvenile snack.
12:22Don't take it the wrong way, you're very young, but maybe not as much as the occasion requires.
12:27Don't be ridiculous.
12:28I sent that note to justify Catalina's absence.
12:31Ah, she's not going?
12:33Very funny, no.
12:34Ah, she's not going?
12:36Very funny, no. She's not going.
12:40The good thing is that she's not in the palace.
12:42That's it.
12:43That way she won't go.
12:45She won't say anything inconvenient and she won't put us all in evidence again.
12:51You know Cruz, your thing with your stepdaughter is starting to be a fixation.
12:56I'm hoping that since she's so independent, she'll really become independent once and for all.
13:01Let's see if she marries and leaves me alone.
13:04Hoping she doesn't.
13:08Although, of course, I don't know who she's going to marry.
13:10You see, that's a good question.
13:14A good question without a good answer.
13:17Well, she's gone to see Count de Añil.
13:21If she's gone to see him without a carabiner or another company, and she has a minimum of decency,
13:26the least she can do is get married again.
13:29That's what he wants, of course.
13:31Well, Pelayo has already declared himself once, and in public.
13:36And he came out on top, and in public.
13:39So he'll be resentful.
13:41But in the end it looked like they were going to get married.
13:44But they canceled the wedding.
13:46It's a complex issue, yes.
13:49But something tells me that it won't take long to find out how it's resolved.
13:53I don't care what Catalina does.
13:55All I want is for her to get out of my sight.
13:58You see what things, huh?
14:00Some so reluctant to get married and others wanting it.
14:06Those.
14:07Yes, those.
14:10Have you seen how Ayala and Margarita have announced their commitment to Bombo and Platillo?
14:14I would have liked not to see it.
14:16Didn't you like the congratulations and congratulations?
14:19With their bread they eat them.
14:22With their bread they eat them?
14:24That said, yes.
14:26Sister-in-law.
14:29You have no idea what you're getting yourself into, do you?
14:32What do you mean?
14:33That when that wedding is celebrated,
14:3625% of the promise that belongs to Margarita will go to your dear friend Ayala.
14:41I know.
14:42Yes.
14:43And you don't see any danger in all that.
14:47It is a consequence of the wedding that I will take care of when the time comes.
14:51I'm going to ask you another way.
14:53Have you ever believed that sudden love from Ayala to Margarita?
14:58Because I don't.
14:59Neither do I.
15:00I know Ignacio well.
15:02So you know the player and you know ...
15:05We know the move.
15:09But what is the game?
15:13Well, I don't know.
15:14But if you are insinuating that Ignacio is moving to an economic interest,
15:18you are completely wrong.
15:20And why is that?
15:21Because he doesn't need us.
15:23What sense would it make?
15:24Does he have a fortune, a palace of his own?
15:26He doesn't need us or Margarita to live well.
15:30Okay.
15:31But you just said that you don't believe that Ayala loves Margarita.
15:35I just don't believe it.
15:37Then there's a cat locked up and Ayala has a plan.
15:42It seems so.
15:44But neither you nor I still know what it is about.
15:51No.
16:01Interesting.
16:14Maria.
16:16Leave this.
16:18I have to tell you something that will seem more interesting to you.
16:22Do you know that Manuel has told me that Mr. Baeza knows about us?
16:27About us?
16:29Maria, about Manuel and me.
16:31Oh.
16:33Well, it's not that serious, is it?
16:34Maria, for God's sake!
16:35I say it because in the end he's going to marry you.
16:37Sooner or later, everyone will find out.
16:42What's wrong?
16:43Nothing's wrong with me. It's the same thing he said.
16:46Of course, the people of Alcúrnia are both short with the same boss.
16:49And the same sailor.
16:50Of course it will be that.
16:53Well, the fact is that Manuel has taken a career and now he has thought that it is better to tell his whole family and everyone else.
16:59And what do you think?
17:00Well, what am I going to think, Maria? That ... that no.
17:03That it is better to get married and then let them know.
17:05Very well said. And ... and has he settled?
17:08Yes, he has settled.
17:10Anyway, we are lucky that Manuel thinks that Mr. Baeza is not going to tell the Marquis anything.
17:15Because he expects him to do it first.
17:18Well.
17:23Are you okay, Maria?
17:26I am.
17:30Well, no.
17:33I know I'm more excited about your wedding than mine.
17:36What?
17:40What am I saying?
17:41What am I saying?
17:45Because it's not normal.
17:46Well, no, no, no, it's not normal.
17:50And I swear, Hanna, that I love Salvador more than my life.
17:53Yes, I know, Maria. But then what's going on?
17:55What am I saying?
17:57What's wrong with me, Hanna?
17:59Well, I don't know.
18:02Well, I'm envious.
18:05Let's see, honestly, I knew something was going on between Salvador and you.
18:09Something strange, I mean.
18:11I think I've been denying reality for a long time.
18:16And when I wrote it in a story, I saw it clearly.
18:21And I think it's not just my thing, Hanna, it's also Salvador's.
18:27The only thing I can think of, Maria, is that you talk to him.
18:31That you try to clear things up.
18:35Yes.
18:37Come here.
18:39Come here.
19:00One moment.
19:10I'm coming.
19:20So that's what it was.
19:22What?
19:24Is that why it took you so long to open the door?
19:27What are you talking about?
19:29That odor. It smells like stagnant water.
19:34Besides, you won't be able to fix it, it's irreparable.
19:37In fact, since you've been here, you've been losing your hair.
19:40Your eyesight.
19:41Petra, it's too late. What do you want at this hour?
19:43No, nothing really.
19:45You don't want anything, but you show up here.
19:47Well, I just wanted to see you.
19:50Very well. Well, you've seen me. Good night.
19:54What are you doing?
19:56You really didn't even ask me why I wanted to see you?
20:00I guess because I'm annoying.
20:03You're wrong.
20:04Although, well, no.
20:07Or yes.
20:09Petra.
20:11Actually, I wanted to see you to make sure you don't forget.
20:15I'm starting to get old, but fortunately my memory is intact.
20:19I'm glad.
20:21I'm very glad, because that way you'll always have everything I know about you.
20:26Everything I can talk about you.
20:28And how I can ruin your life whenever I want, Ignacio.
20:33Let's go.
20:45Don't get confused with me.
20:47No, don't get confused with me, Ignacio.
20:51I've already dynamited the plan you had to get rid of Martina.
20:54And I assure you that's the least I can do.
20:57Are you that angry?
20:58Do you really think I've changed my mind about you?
21:01It reassures me to know that you've at least been able to recover from the fright to the point that now you dare to deny the obvious.
21:09The obvious is that you haven't been part of my life for a long time.
21:12And that you don't influence my decisions, dear.
21:15Yes, that may be.
21:18But we both know that when I want, I can regain that influence.
21:23And make you lose everything, Ignacio.
21:26Your arrogance has no limits.
21:29No.
21:31What has no limits is the resentment I feel for you.
21:35The resentment and the anger when you see how you make fun of everyone.
21:39Because you don't care about the slightest thing.
21:42You only care about the other half of what I can give you.
21:45Or what I can take from you.
21:49Well, you can't give me or take anything from me.
21:52I mean, imagine the influence you have in my life, dear.
21:55I can take everything from you.
21:56You know it.
21:58You know it very well.
22:00You can threaten me with anything you want.
22:03But I only told you to bark.
22:05Don't you dare bite.
22:07Because I prefer to see how you sink little by little.
22:11And smell the fear you feel every time you see me.
22:14And the nightmares you have.
22:17Thinking about the moment when I have to speak.
22:20And reveal to the world the kind of rotten person you are.
22:23Aren't you talking about yourself?
22:26Because that information you have about me
22:29can turn against you if I decide to speak and say what I know.
22:34No, Ignacio, no.
22:36I have not faked my own poisoning.
22:40Nor have I accused the daughter of my future wife of wanting to kill me, Ignacio.
22:46You are so blind.
22:48That resentment and that anger you have against me
22:50doesn't let you see that I am the only one who is trying to do something
22:54to avenge the death of our son.
23:01You are a shameless man.
23:03Shameless or not,
23:05I am the only one who can make Cruz pay for what he did.
23:08No, you never intended to take revenge on the Marquis.
23:11It would make sense because you are both of the same kind.
23:15No, Feliciano, you don't care.
23:18You never cared.
23:21So don't use his memory to try to justify yourself.
23:25You have done everything for yourself.
23:28You have risked your own life.
23:30You have tried to ruin the life of an innocent girl
23:34who was only trying to save her mother from a scoundrel like you.
23:37And all for what?
23:39To get your purposes?
23:41Very well, Ignacio, you already have it.
23:45Take advantage of it.
23:47Enjoy it while you can.
23:50Or rather,
23:52as long as I want.
24:15Alonso,
24:16your husband had an affair with Maria Antonia, he kissed her.
24:20That's why he wants to kick her out.
24:32What do you think, ma'am?
24:34No, this man is too cheap.
24:37After all, it's a conference, not a free cocktail.
24:41Well, I think he's perfect.
24:43And on top of that, you hurt me?
24:45Is it true that in this holy house there can't be a maid with a little delicacy?
24:49I beg your pardon, ma'am.
24:51Leave.
24:56Your mission is to find me a personal maid
24:59and you are not fulfilling it, Petra.
25:01I'm really sorry for the difficulties, ma'am.
25:04The truth is that I would have missed Pia d'Orre.
25:07May she rest in peace.
25:09Of course.
25:11You leave too.
25:13Tell my son that it's time to leave.
25:15If he doesn't want us to be late for the conference.
25:17But Mr. Manuel is not in the promise, ma'am.
25:21It can't be.
25:23We agreed that we would go together.
25:25I don't know the reasons,
25:28but I assure you that Mr. Manuel is not in the palace.
25:31I saw him leave a few minutes ago.
25:35It's me.
25:37Maybe Mr. Marqués can accompany you to that conference.
25:41Take it off me.
25:43Yes, ma'am.
25:54And my wife?
25:56Mrs. Marqués is upset, sir.
25:59She doesn't want to see anyone right now.
26:02No one?
26:04Yes, sir.
26:13Let's go.
26:28I should have taught you how to make buñuelos before you left.
26:32The kid was going to go crazy.
26:35You'll make them.
26:37Grandma's buñuelos.
26:40When?
26:42Before you know it.
26:47I went to talk to your in-laws, convinced it was for the best.
26:51And now I think I'm keeping you away from me again.
26:55What you've done is right, mother.
26:58Yes, I know, daughter, I know.
27:01But is that town so far away?
27:05So far, so far, it's not.
27:08We'll only be able to see each other from Pascua to Ramos.
27:11And how exaggerated it must be.
27:14You must have had a heart attack.
27:17I won't see my grandson grow up.
27:20Just as I didn't see my children grow up.
27:29You'll always carry us in your heart.
27:33Come on, there's no room in there.
27:36And us to you, mother.
27:39This is the least bad thing.
27:41You're right.
27:43And we're not going to let the distance be with us.
27:47Of course not.
27:49The distance that matters is not that one,
27:55but this one.
27:59And it's very small, mother.
28:03And it will never be so big again.
28:08Never, daughter, never again.
28:11And we'll write to each other little by little.
28:15And we'll see each other at least twice a year.
28:19At least.
28:25Daughter, you can't imagine how proud I am of you.
28:31You've had a very hard life, full of misery and tragedy.
28:37But you've gotten over all that.
28:40And now you're a strong, happy woman
28:44with a smile on your face that illuminates everyone else.
28:50I need you to assure me that this will continue to be so.
28:55For your son, for me, and for you.
28:59Especially for you, daughter.
29:03I assure you, mother.
29:04I assure you, mother.
29:09I will never fall into darkness again.
29:13Nor will I take the shortcut of despair.
29:19You...
29:21You have taught me what the path is.
29:25The path is to be a good mother.
29:28And every time I doubt how to continue or what step to take,
29:34I'll think about what you would do and I will.
29:39That won't guarantee that you won't fail.
29:43Surely not.
29:47But I will fail with love.
29:49And that's not failing, but living.
29:58I love you very much, father.
30:03And I love you, my life.
30:04I love you.
30:24I know it's a bit dirty, I'm sorry, but it's been a while since I saw anyone here.
30:29Well, can you believe that I see Maria's hand in how all this is organized?
30:35Well, since she had no other occupation when she was fired from La Promesa for the watch theft,
30:40she started cleaning and organizing.
30:42And cleaning doesn't last, but the order ...
30:44Well, I win.
30:46Now I have to do a deep cleaning.
30:53The turns of life.
30:58Mrs. Pia, we have left you water and food for a week.
31:05Don't make that face, it won't be just a week.
31:08Maria and I will come as soon as we can and we will also see that everything is fine.
31:13And I know it's not the same, but if any of them couldn't come, I would.
31:18Thank you very much, sir.
31:21You know where the firewood is and as you can see, it's full.
31:24Yes, the fireplace is also clean so you can use it whenever you want.
31:28There are some candles in the drawer in case you need them.
31:33And there's nothing else left, right?
31:36Well, the most important thing is left.
31:41Mrs. Darre, it is of vital importance that no one sees it.
31:47That is essential.
31:49Actually, we believe that if it is not strictly necessary, it should stay in here.
31:55You can't get out of here, Mrs. Darre.
31:58Be careful.
32:00Anyway, behind the house there is a garden that is well covered with bushes.
32:05And there is a half-dry bush that has a hole.
32:09You can get out of there in case of emergency.
32:12What do you mean in case of emergency?
32:14In case of emergency.
32:17Well, in case you feel in danger.
32:21Hanna, be clear, please.
32:24In case Gregorio comes for me, it's not that.
32:28Look.
32:33I can assure you that this house is very far from the roads and that this doesn't go anywhere.
32:41But the English have a saying.
32:44You have to wait for the best, but prepare for the worst.
32:49Better prevent than cure, as we say.
32:52Well, thank you both very much. I'll be fine.
32:57After so long in that cave, I think this is going to look like, I don't know, a palace.
33:04Well, you'll see how soon you can have your normal life again.
33:09And you can live without hiding.
33:11I'll be able to see my son again.
33:14That will be the first thing.
33:41Mom!
33:42My love!
33:47I've missed you so much, my love.
33:51I've missed you so much.
33:59But it's delicious!
34:01Well, Maria, I don't do it well, I don't do it well.
34:07Look, Adolfito, let me introduce you to my colleagues.
34:10Hello!
34:13To my family.
34:15Look, Adolfito, I've prepared this especially for you.
34:19What do you say, Adolfito?
34:25My God, how did he eat it all at once?
34:28The other day he ate a stewed quince alone, with its garnish and half a gauze of candied fruit.
34:34And you, ma'am, how will you prepare the quince?
34:36It's not the time, Lopez.
34:37Why?
34:39Look, Adolfito.
34:46You won't get away without me eating you.
34:49Candela, you're scaring her.
34:51You're so funny.
35:01It's a gratification from Mrs. Maria Antonia for the service.
35:04Father, my beautiful love, but this is a lot of money.
35:07All your colleagues have wanted this to be integral to your son and to you.
35:15Wow, colleagues.
35:17Yes.
35:19I don't know what to say.
35:21You don't have to say anything.
35:23It's a good amount of money for you to start again.
35:28No, I deserve it.
35:30But that's why I'm more grateful.
35:38Thank you all.
35:40From the bottom of my heart.
35:42You don't deserve it, but your mother imposes a lot of respect and people get scared.
35:49You're a clown.
35:51And that money?
35:56It's a gratification from Mrs. Maria Antonia for the service.
35:59And we've decided to give it to Virtudes to help her start a new life.
36:10May you be very lucky.
36:13And may your son Adolfito and you be blessed by our Lord.
36:21Thank you, Mr. Arcos.
36:30Well, we're leaving now.
36:38Okay, daughter.
36:44Be very careful on the way.
37:30Thank you all.
37:35I came to this palace sad, sunk and hopeless.
37:44But I leave here with a heart full of love and joy.
38:00Let's go, Adolfito.
38:09Can you see why you don't stop looking at me?
38:12Because I don't see you crying and knowing you, I miss you.
38:16And you don't see me and you won't see me.
38:18I don't want my grandson to see me sad.
38:21A grandson weighs more than a thousand sorrows.
38:23I don't want my grandson to see me sad.
38:25A grandson weighs more than a thousand sorrows.
38:27Adolfito.
38:58Let's go there.
39:00The one who doesn't have fun will be a fool.
39:27Adolfito.
39:52So you're back.
39:53And you don't even go to see your mother to, I don't know, give her an explanation or at least an apology.
40:00An apology?
40:02Mother, why would you have to apologize to her?
40:07The conference.
40:11I'm sorry, mother. I went too far.
40:13I hope you have a good reason, at least.
40:15That you have some setback that justifies the unjustifiable.
40:19It's not the case.
40:21I can only blame my bad head.
40:23Forgive me.
40:25Forgive you?
40:26Forgive you that you have forgotten about me?
40:28Why? Because I'm not important enough for you, right?
40:32Look Manuel, I've never asked you for anything.
40:34Never.
40:35For once I ask you for something, a minimal thing, you'll tell me.
40:39That you accompany me so that everyone sees me with my son.
40:42And you forget about me.
40:44Mother, I've already apologized to her.
40:46What does she want me to do?
40:48How was the conference? Was it good?
40:50I didn't go to the conference.
40:52Manuel, I'm your mother.
40:55I brought you into the world with pain.
40:57I have taken care of you all these years.
40:59Taking care of you.
41:00Living off you so that you were well.
41:02And you, do you correspond to me like that?
41:04For the love of God, mother, don't exaggerate.
41:06Don't exaggerate?
41:07I just hope that when you have children, if you get to have them, they pay you with the same currency.
41:14Okay, I just wanted to say ...
41:15Less flowers after death, Manuel.
41:17And more attentions in life.
41:19That later you will miss me when I am gone.
41:23And then you will regret your ungratefulness.
41:27And I will tell you more.
41:28Ah, there is more?
41:29Yes, there is more.
41:30There is always more.
41:32But hey, don't worry, you don't need to listen to me.
41:34You can dedicate yourself to doing that, which for you is much more important.
41:37Like sleeping or looking out the window.
41:42Mother, no ...
41:45No.
41:55Thank you, Bautista.
41:56You can go get the car.
42:12Are you okay?
42:14Yes, yes.
42:16I'm nervous.
42:19About us?
42:21Yes.
42:23Yeah, I feel the same way.
42:26Hey, what if we forget about the surprises and you call to say that you are back and that you are not going alone?
42:30No, not even thinking about it.
42:31Why?
42:32Because that would make our situation worse.
42:35I know my dear stepmother well.
42:38The less reaction time we give her, the better for us.
42:41But what about your father?
42:43I have a lot of respect for him.
42:45And I don't want him to take my return as an affront.
42:49I'm not going to lie to you.
42:51My father is not going to take any of this well.
42:56Especially when he knows that I have come without his consent and without a carabiner.
42:59Well, you make it worse for me.
43:00But don't worry.
43:02People understand each other.
43:04And my father is a comprehensive person.
43:08I know that this step is neither comfortable nor simple.
43:12We have to be fully convinced that it is worth trying.
43:19And you are convinced?
43:21Yes.
43:24Convinced and willing.
43:27To do everything possible and see where this takes us.
43:32And you?
43:33Do you think that if we give ourselves a chance it will work?
43:38Because if it is not so ...
43:41The best thing is that right now we say goodbye forever.
43:54Come in.
43:57Mr. Bézar?
43:59Have you already spoken to your mother?
44:01She was very restless looking for you all over the palace.
44:03Yes, Mr. Bézar, don't worry.
44:07Everything is clear.
44:09No, that's the impression I had.
44:11And I don't think you either.
44:14Mr. Bézar, at this point, what am I going to tell my mother not to know?
44:23Can I ask you another question?
44:26Of course.
44:28How has the transfer of Mrs. Darre gone?
44:30I have crossed paths with Miss Expósito, but I have not found the time to talk to her alone.
44:34Good.
44:36I think it's good, no one has seen us.
44:38And Mrs. Pia is already in the cabin.
44:41Good news.
44:42Of course.
44:43It is not an idyllic place to get angry, but it is much better than the previous one, thank God.
44:47Of course. If the thing is as you say, I'm sure it will improve there.
44:51I'm sure of it.
44:53I have to thank her for everything she has done for her, sir.
44:58You don't have to thank her.
45:00It is the least human question.
45:04But I'm worried about her.
45:06Why?
45:09Because Pia may be better off in that cabin, but she is still at the mercy of that bastard.
45:12I understand.
45:15Look, Mr. Bézar.
45:17I think what is now imposed is to locate and neutralize that man.
45:20And something tells me that you know where he may be.
45:23Don't forget that, sir. That man is very dangerous.
45:26You don't have to take his threats lightly.
45:28I know.
45:30And the first time Hanna proposed this to me, my first reaction was to put her aside.
45:34But ...
45:36After seeing Mrs. Darre ...
45:39That woman will never be safe.
45:41As long as that man continues to pose a threat to her.
45:44And how do you intend to do that?
45:46I'm going to talk to him.
45:48I think I can convince him to leave and leave Pia alone once and for all.
45:52I'm afraid you're very naive, sir. That won't scare him.
45:55I know that miserable man was arrogant and dominant with the people of the service.
46:00But that's because he considered himself superior to them.
46:03Gregorio is intelligent.
46:05And he must assume the power that I may have.
46:07It is not the same to face your colleagues in the service as the future Marquis of Lucan.
46:10No, no. Don't get upset, sir. But I don't think that will matter to you too much.
46:14I think that if someone can convince him to leave, it's me.
46:16It is possible, perhaps. But what is at stake? You, on the other hand.
46:19I cannot allow you to risk your life.
46:26I don't know. It's a strange thing.
46:28Something sad, but happy. I don't know how to explain it.
46:32Very beautiful and very exciting, too.
46:35True.
46:36But when I saw Maria Mandrajo appear, I thought I was going to send you to the corner.
46:41Although there, Mr. Pellicer was, come on, to take you by the shoulder.
46:44Well, and because Mrs. Petra didn't want to bleed either.
46:47If not ...
46:49The important thing is that we were able to leave.
46:51The important thing is that we were able to leave the virtue and his child.
46:53The important thing is that we were able to leave the virtue and his child.
46:55The important thing is that we were able to leave the virtue and his child.
46:57How nice, right?
46:59Yes, I found it very tender.
47:01I saw you.
47:03I couldn't take my eyes off you when you were playing with him and you were doing this and that.
47:11I'm not going to tell you what I was thinking, because you'll figure it out.
47:15Well, the shame is that Simona had to separate herself from her daughter and her grandson.
47:21You'll never know when.
47:24Well, she thinks that what the mother and daughter have won, no one is going to take it away from her.
47:31And how is that, that she doesn't understand it?
47:33Yes, woman, because they have had many problems, but they have also been able to solve them.
47:38It's not like before, like when Mrs. Simona read those made-up letters.
47:43Now they will be written for real and they will be seen and they will stay as long as they can.
47:47Which is something else.
47:49I see.
47:55And our Salvador is also something else?
48:00Don't be silly.
48:03You know that you and I have to talk, right?
48:07I think it would be very good for us to be honest with each other.
48:12Put all the cards on the table.
48:17Okay.
48:19Okay.
48:22That means you agree with me.
48:24Good.
48:27Go ahead, you start.
48:34Hey, I have a very important question.
48:39Do you still love me?
48:43Maria, I love you more than my life.
48:47Do you love me?
48:49I can't love you anymore.
48:52As usual at the beginning.
48:55So what's wrong with us?
48:58What do you mean?
49:01Because I don't know if it was the wedding plans, but they surprised me.
49:08In the back.
49:10And why?
49:13Why?
49:15Because I feel that I'm not as excited as I should be.
49:19And I also feel that exactly the same thing happens to you.
49:23And I think we're taking steps because we have to, and not because it's what we want.
49:29Do you understand?
49:30Yes.
49:31Yes, it's true that I do that.
49:35So why do we keep going, Salvador?
49:38Maria, I have something to tell you.
49:42Something I haven't had the courage to tell you until now.
49:46Well, tell me.
49:55Don't you realize that the plants have stopped growing and the leaves are turning yellow?
50:00Don't you see that this is not a good sign?
50:02It's true that they are a bit yellowish, but it's just that it's been very hot lately, Mrs. Arcos.
50:07Maybe it's just that, and they will rot again when the weather gets warmer.
50:10Yeah, and what do we do?
50:12Do we change the soil? Do we leave them until they die?
50:15I wouldn't know how to tell you for sure, but I would wait for the summer to pass and change the soil in the fall.
50:21Don't you see how the plants are?
50:23Well, the only thing we can do at the moment is water them more often and throw them away.
50:28Let's see if they last.
50:30That's all there is to it.
50:47You are so beautiful.
50:49My little girl.
50:51Teresa, what a joy to see you.
50:53Thank you very much.
50:55I'm also very happy to be here.
50:57We were just talking about not receiving any letters from you, and look where you are.
51:02Look at her.
51:04Look at her, she's so pretty.
51:06What are you doing back here? Are you going to work here again?
51:15Hello, good afternoon.
51:17Who are you?
51:19And what are you doing here?
51:20Who are you?
51:22And what are you doing here?
51:27Come with me, Mrs. Arcos.
51:31This is Marcelo, my husband.
51:51Who is it?
52:05Are you feeling better?
52:07No.
52:11Wow.
52:13I came with the idea of accompanying you to dinner.
52:16And I also thought we could spend the night together.
52:20I don't think it's a good idea to sleep alone tonight.
52:23Oh, no?
52:26And why is that?
52:28I imagine you're sad about your friend's death.
52:32I wouldn't be surprised if it were the cause of your indisposition.
52:37Do you think we should spend the night here?
52:40No.
52:41Neither tonight nor any other.
52:45It's over, Alonso.
52:47What are you saying?
52:50I want our marriage to end.
53:01Please, dear.
53:03You look beautiful.
53:05Yes.
53:09Thank you, Alonso.
53:11Yes.
53:12The truth is that you have left me speechless.
53:14I subscribe to all comments.
53:16You are breathtaking.
53:20The truth is that you have earned it.
53:22Playing to be a very loving father.
53:25I suppose that now Marimba András is not going to be pleased
53:29that Teresa has barely saved his mourning.
53:32You'll see when he finds out.
53:33Barder Troya.
53:34Mrs. Arcos has already found out.
53:36And?
53:37That woman swore eternal love to my son.
53:40And he loved her madly.
53:42How could he marry another like that?
53:44In such a short time.
53:45As if nothing had happened.
53:47Tomorrow at 1 o'clock you will go to the cabin.
53:50Make sure no one follows you.
53:52Absolutely no one.
53:54All precautions are few.
53:56We know how that man mocked the security
53:58and entered Octavillas in the palace
53:59and even took Mrs. Adarre herself.
54:01Be careful.
54:03Do you want me to ask Hanna if she knows of any miraculous remedy
54:05for her son?
54:06No, no, no.
54:07Hide that she is looking at my mother
54:09but something horrible has happened.
54:11I'll tell you now.
54:12Miss González.
54:14Come, please.
54:24You can attend to the Duchess of Carril.