• 3 months ago
Transcript
00:00:00Copyright © 2020 Mooji Media Ltd. All Rights Reserved.
00:00:02No part of this recording may be reproduced
00:00:05without Mooji Media Ltd.'s express consent.
00:00:30Satsang with Mooji
00:00:35Satsang with Mooji
00:01:00Satsang with Mooji
00:01:05Satsang with Mooji
00:01:30Satsang with Mooji
00:01:35Satsang with Mooji
00:01:40Satsang with Mooji
00:01:45Were you sleeping?
00:01:48I was taking a nap.
00:01:51Did you come a long time ago?
00:01:54No, just a moment ago.
00:01:57Did you have any problems with the entrance?
00:02:01I went to my aunt.
00:02:04I have to give her the keys when we leave.
00:02:17A good place for rehearsals, don't you think?
00:02:22A nice theatre.
00:02:26It's cold in here. We could turn on the heating.
00:02:29It's a bit warmer outside.
00:02:32It's probably going to snow.
00:02:36There's nothing to be happy about.
00:02:39But still, it's nice then.
00:02:42Snow in the city is not a source of joy.
00:02:45It's snowing everywhere.
00:02:55The door is locked.
00:02:58The door is locked.
00:03:01The door is locked.
00:03:24Did you bring the instrument?
00:03:27For the first rehearsal?
00:03:30We'll start with the lyrics.
00:03:33That would be good.
00:03:36I told you I play the cello a bit.
00:03:39But only for myself. I'm an actor, not a musician.
00:03:44I can try, but I won't promise anything.
00:03:49I won't laugh.
00:03:52The score can't be too complicated.
00:03:55I won't laugh.
00:03:58We should try.
00:04:01But if something goes wrong, I'll limit myself to the lyrics.
00:04:06It's already too much.
00:04:09OK.
00:04:11I won't laugh.
00:04:14We'll do the first reading without the instrument.
00:04:18About the costume...
00:04:22Why should we be dressed as clowns?
00:04:26I don't like clowns.
00:04:32It's a form of distancing yourself from the reserve.
00:04:41I'm interested in the clown's mask.
00:04:44But clowns don't make people laugh.
00:04:47But it's not necessary.
00:04:50Even kids like it.
00:04:53It's a performance for kids.
00:04:56It's not supposed to be funny.
00:04:59Not tragic, either.
00:05:02It's not the death of Pompey.
00:05:05It should have a light form.
00:05:08It should have humour, a finesse.
00:05:12That's right.
00:05:15It's a poetic show.
00:05:18It must have its own weight.
00:05:21One more reason not to dress up as clowns.
00:05:26It has a symbolic dimension.
00:05:29That's all.
00:05:32I'm interested in the clown's mask.
00:05:35The mask we all wear.
00:05:38Each of us, with his face,
00:05:41wears a hidden melancholy, sadness,
00:05:47a certain weight.
00:05:50It could be more modern.
00:05:53Why not?
00:05:56We should try it.
00:05:59Simpler.
00:06:02What do you mean?
00:06:05I imagined it differently.
00:06:08We're both dressed in black.
00:06:12Just like that.
00:06:16It's a bit different from my original idea.
00:06:20It should be elegant.
00:06:23What is your art?
00:06:26It's not art.
00:06:29It's a composition of poems by Verlaine, Baudelaire, Rimbaud,
00:06:33and others, interwoven with musical pieces.
00:06:37It's a precision of discipline.
00:06:42And your idea of clowns makes sense.
00:06:45I wanted to introduce pantaloons.
00:06:48To create distance.
00:06:51To show...
00:06:54I...
00:06:57Give me a chance.
00:07:00We'll see during rehearsals.
00:07:03Why not?
00:07:06I'm against it.
00:07:10Let's start reading.
00:07:17Have you seen Hernández?
00:07:20Yes, I talked to him.
00:07:23I called him.
00:07:26I called the secretary a few times.
00:07:29I hope he'll answer.
00:07:32Let's make a deal.
00:07:35I'll start rehearsals without a contract,
00:07:38so as not to waste time.
00:07:41But it can't go wrong.
00:07:44Otherwise, I won't leave the house.
00:07:47OK.
00:07:50Do you like the texts?
00:07:53No, they're fine.
00:07:56I don't always agree with the order in which you arrange them.
00:08:00But we'll see.
00:08:04When it comes to the order of the texts,
00:08:09you should make a few changes.
00:08:13For example?
00:08:16In the script, you say,
00:08:19death of the century.
00:08:22But it's one of the most difficult poems.
00:08:26I often say it on recitals,
00:08:29on the radio, CD.
00:08:32I can't say it, but...
00:08:35I understand.
00:08:38You can change it with this text.
00:08:41It's not a problem.
00:08:44I must admit,
00:08:47it would be...
00:08:50It can be done.
00:08:57Did you talk to Hernández about my pay?
00:09:01If I pay you 3 euros,
00:09:04there's money everywhere.
00:09:07Please, listen.
00:09:10I'll say it again.
00:09:13I remind you that Hernández hasn't said it yet.
00:09:17He's not sure he'll produce the play.
00:09:20I reported to you.
00:09:23It seemed to me that with this material,
00:09:26we can create a unique tandem.
00:09:30This play is very important to me.
00:09:33I've been thinking about it for a long time.
00:09:36But I can't promise you anything.
00:09:39I believe in this project.
00:09:42I think it can create something very interesting.
00:09:45But I don't have the means to produce it myself.
00:09:48I offered you a joint attempt.
00:09:51If it works,
00:09:54we'll show it to Hernández,
00:09:57or maybe some other producer.
00:10:00Why not?
00:10:03But I can't promise you anything.
00:10:08Now, if these conditions,
00:10:11or rather their absence,
00:10:14don't answer you,
00:10:17which I can understand,
00:10:20let's finish the matter
00:10:23as friends.
00:10:28We can try it.
00:10:31After all, it's not bound to anything.
00:10:34Exactly.
00:10:37We have to listen to each other,
00:10:40see if our voices match.
00:10:43Why did you think of me?
00:10:46For many reasons.
00:10:50Besides, your ability to play the violin...
00:10:53It's not about that.
00:10:56I know, but if you work on it,
00:10:59it can be really beautiful.
00:11:02But there can't be too many pieces.
00:11:05You could take some of my pieces.
00:11:08You play the violin.
00:11:11You have a musical education, right?
00:11:14I wanted to become a violinist,
00:11:17otherwise I'm an actor.
00:11:20I play at home for pleasure.
00:11:23But you play.
00:11:26You've never played the violin on stage?
00:11:29No. This will be my debut.
00:11:32I've been thinking about this show for a long time,
00:11:35but somehow it didn't work out.
00:11:38You know, lack of time.
00:11:41You played Shakespeare, right?
00:11:44I remember. You were very good.
00:11:47A long time ago.
00:11:50And after that, what did you play?
00:11:56A lot of different things,
00:11:59but nothing special.
00:12:02You know how it is.
00:12:05Once on a cart, once under a cart.
00:12:08Maybe we could say our names.
00:12:12It would be easier.
00:12:15Sooner or later, it would come to that.
00:12:20Shall we start?
00:12:23I'll play the overture first.
00:12:26It will create the right atmosphere.
00:12:29And then you start with the first text.
00:12:32I'm following you.
00:12:35Yes, with your first text.
00:12:38Your violin is beautiful.
00:12:41It's old.
00:12:44It's a beautiful instrument.
00:12:47My father's violin.
00:12:50It's beautiful.
00:13:08violin plays softly
00:13:38Have you been waiting long?
00:13:41No, everything's fine.
00:13:44Corks, snow everywhere,
00:13:47a nightmare of Brea.
00:13:50And those crowds running for food and gifts.
00:13:53I hate this time before Christmas.
00:13:56Do you like Christmas?
00:13:59It depends.
00:14:02And all those people who feel obliged to celebrate
00:14:05I celebrate when I feel like it,
00:14:08not on a specific day.
00:14:11You like it?
00:14:14No, Christmas is for children.
00:14:17What is Christmas?
00:14:20Jesus' birthday?
00:14:23Not at all.
00:14:26It's a pagan holiday.
00:14:29People don't know that.
00:14:32December 24th is the day
00:14:35when the Romans celebrate their greatest deity,
00:14:38Deus Sol Invictus,
00:14:41the unbeaten sun god.
00:14:44God of the sun.
00:14:47On Christmas we celebrate the sun.
00:14:50And us?
00:14:53In the snow and on our knees in Brea.
00:14:56The Christians decided
00:14:59that Jesus' birthday will be on the same day
00:15:02as the sun festival.
00:15:05They didn't want to mix things up.
00:15:08They wanted to please everyone
00:15:11and the whole nation could celebrate on the same day.
00:15:14I didn't know that.
00:15:17In two weeks it will be over.
00:15:23Do you have children?
00:15:26Some of them are grown-ups.
00:15:29They have their own children.
00:15:32We spend Christmas with our children.
00:15:35We've done a lot of hard work.
00:15:38I know.
00:15:41What do you think?
00:15:44Very good.
00:15:47I'm not talking about the lyrics,
00:15:50but you play the cello very well.
00:15:53I'm not afraid.
00:15:56I'd like to believe you.
00:15:59You can trust me.
00:16:02The pantomime scenes don't leave me alone.
00:16:05It's my fault.
00:16:08We're in a deadlock.
00:16:11I have to find a solution.
00:16:18The pantomime...
00:16:22The pantomime...
00:16:25I think it's an idiotic idea.
00:16:28You're wrong.
00:16:31A drunk ship with a pantomime...
00:16:34I'm sorry, but...
00:16:37On the contrary, it can be very interesting.
00:16:40And I'm talking as if I had a cataract.
00:16:43I'm sorry, but...
00:16:46No, it's an idiotic idea.
00:16:52You have to practice a little.
00:16:55Interesting.
00:16:58Shall we try?
00:17:01Yes, of course.
00:17:15Where do we start?
00:17:18The part where the cello enters.
00:17:24All right.
00:17:27I'll tell you something.
00:17:30The red nohal pisses me off.
00:17:33I can't do it.
00:17:36You can do it.
00:17:39If you really want us to be naked,
00:17:42I'll be the director.
00:17:45I'll be the white clown.
00:17:48It's more elegant.
00:17:51And you'll be the little rice.
00:17:54That's a pity.
00:17:57One clown is enough.
00:18:00It's a tradition.
00:18:03You're great as a rice.
00:18:06You're perfect for it.
00:18:09And you can say the lines with the red nohal.
00:18:13It's not funny at all.
00:18:16But if you really want it,
00:18:19I'll be the conferencier,
00:18:22or the white clown, or nobody.
00:18:25I won't wear a grotesque costume,
00:18:28or a wig with water.
00:18:31I won't make a fool of myself.
00:18:34I think the idea with the clowns is stupid.
00:18:43Let's start the rehearsal.
00:18:46What?
00:18:49Couldn't we warm up a bit?
00:18:52It's all a mess.
00:18:55Don't worry.
00:18:58They're giving us this room.
00:19:01It's a lot anyway.
00:19:04It won't bother you
00:19:07that I'll put on warm gloves
00:19:11Besides, it's too dark here.
00:19:14I can't see where I put my fingers.
00:19:17Besides, the rehearsals are too short.
00:19:20And it's one big mess.
00:19:28You'll be very good.
00:19:31You'll be very good.
00:19:34You'll be very good.
00:19:40How are your talks with Hernandez?
00:19:43They're going well.
00:19:46He's very interested.
00:19:49In what? He hasn't seen anything yet.
00:19:52I talked to him.
00:19:55I'd like to talk to him too.
00:19:58I'd like to meet him.
00:20:01Is it reasonable
00:20:04to be here for hours
00:20:07and do nothing?
00:20:10Don't I have to be into this?
00:20:13We'll show him once we're ready.
00:20:16Don't I have to be into this?
00:20:19Don't I have to be into this?
00:20:22Don't I have to be into this?
00:20:25I'll put my boots on.
00:20:28I'd better try them on.
00:20:30I have to get used to it.
00:20:32It's funny that in these shoes the rhythm is completely different.
00:20:36They have such long noses.
00:20:40I have to get used to it.
00:20:42Let's try to fully express the thought.
00:20:46Fully convey the idea.
00:20:48If something goes wrong,
00:20:50we'll think about what to do with it later.
00:20:54These socks have holes.
00:21:00Nobody can see it.
00:21:02It's not elegant.
00:21:04But you can't see it.
00:21:06Let's start again.
00:21:08Let's start with Green Aguiloncelli,
00:21:10so you can warm up a little.
00:21:12Although I'm really worried about the overture.
00:21:16The first poem, the first impression.
00:21:19This performance gains credibility
00:21:22in the first minutes.
00:21:24You have to work on the beginning.
00:21:26I never have a pair of socks with holes.
00:21:29You're lucky.
00:21:31If a sock gets dirty,
00:21:34I throw it away right away.
00:21:36What's there to be lucky about?
00:21:38I also throw away the other one
00:21:40so that an orphan doesn't spend money on a drawer.
00:21:43I never have a pair of socks with holes.
00:21:45Don't you make a dust cloth out of them?
00:21:48Don't you use old socks for dusting?
00:21:51Old socks are old socks.
00:21:53I don't see a reason to use them for dusting.
00:21:57That's why there are special brushes.
00:22:03Are you done with the poster?
00:22:05Yes, as we agreed.
00:22:07My first, your second.
00:22:10You're the director anyway.
00:22:14It's not even a real director's job.
00:22:17It's a place design.
00:22:20We agree on the title.
00:22:24You can do whatever you want.
00:22:26But my name should be above the title.
00:22:30As it was decided.
00:22:35I can't see any holes.
00:22:37Do you see any holes?
00:22:40Let's start.
00:22:42Page...
00:22:4417.
00:22:50I have a different number.
00:22:53It's impossible.
00:22:56How come?
00:22:58It's the third part.
00:23:01It's the third part.
00:23:03It's the third part.
00:23:05It's the third part.
00:23:07It's the third part.
00:23:10The fact that there are no holes doesn't mean that there are no holes.
00:23:15Maybe we should take care of something else.
00:23:19It's not elegant.
00:23:21Are you married?
00:23:23Do you have a girlfriend?
00:23:25Does it matter?
00:23:27She could be your target.
00:23:29Maybe someone else does it.
00:23:31On a special mushroom.
00:23:33A big, rough target.
00:23:35Maybe someone else does it.
00:23:37You start gently.
00:23:39Very gently.
00:23:41So that it's not clear when the cello comes in.
00:23:44At some point, you realize it's there.
00:23:47But you didn't notice when it started playing.
00:23:50Its presence is obvious.
00:23:52But the listener isn't aware of it.
00:23:55Do you have anyone?
00:23:58Not at the moment.
00:24:00Do you have children?
00:24:03I spend Christmas with them.
00:24:05How old are they?
00:24:07They're not kids anymore.
00:24:09They're like mine.
00:24:11What are you talking about?
00:24:13We're old mushrooms.
00:24:15Maybe we should work a little.
00:24:18I thought about your socks again.
00:24:21You thought about my socks again.
00:24:24You think about my socks all the time.
00:24:27You haven't stopped for an hour.
00:24:29You don't think about anything else.
00:24:31It bothers me.
00:24:33It bothers me.
00:24:35It's me who has fingers in the holes, not you.
00:24:38These are my fingers.
00:24:40My fingers go through the holes in my socks.
00:24:43If it bothers someone, it's me.
00:24:45I tell you it doesn't bother me.
00:24:47It bothers me that your shoes hide some holes.
00:24:52I don't like people who hide something.
00:24:55What else are you hiding?
00:24:57You never hide anything.
00:24:59You never hide anything.
00:25:10It's a difficult beginning.
00:25:13Because you play too forcefully.
00:25:15Do you think so?
00:25:16Yes, I think so.
00:25:18I'll show you. Listen.
00:25:30Yes, you're right.
00:25:32It's all through the nail.
00:25:34If the nail of a big finger is too long,
00:25:36it makes a hole in the sock.
00:25:38You should remember to cut the nail.
00:25:41What if the hole is made sideways?
00:25:43What if the nail of a big finger makes a hole in it?
00:25:46I'm not talking about such a hole.
00:25:48Calm down.
00:25:49You're talking without knowing what you're talking about.
00:25:52You're talking to talk.
00:25:54You're judging.
00:25:55You're making a sentence without knowing anything.
00:25:58We don't know each other well.
00:26:00Exactly. We don't know each other well.
00:26:03You see only one aspect.
00:26:05And that's enough for you.
00:26:07We don't know each other well.
00:26:09You don't know me.
00:26:10And you judge me.
00:26:12You don't know anything about me.
00:26:13You're talking all the time.
00:26:15We don't know each other.
00:26:16And you're making a sentence.
00:26:17What should I say?
00:26:18Some nonsense.
00:26:19Just sentences.
00:26:21You're impressed.
00:26:23It's probably true.
00:26:26One more sentence.
00:26:29You don't know me.
00:26:33Wait until you know me.
00:26:35You're talking without knowing anything about me.
00:26:44Please, from the beginning.
00:26:51You first.
00:26:55You're pissing me off with these socks.
00:26:59You're pissing me off.
00:27:02It would be good if we stopped calling each other perty.
00:27:07There's no reason for us to be perty.
00:27:10We didn't graze pigs together.
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