Category
🐳
AnimalsTranscript
00:00Laura, I need you to open your eyes, quickly.
00:05Calm down, calm down.
00:18Mom?
00:23What's up, Laurita?
00:25I was scared and I wanted to sleep with my mom, but she won't open.
00:29How can she not open?
00:30Let's see.
00:41Well, look, let's go to your room and I'm going to tell you a story and your fear will go away.
00:48Because in Tata's house there is no fear.
00:59TATA'S HOUSE
01:05Here is the freshly toasted bread.
01:09Good morning to the most beautiful women in the house.
01:13And Tata Latina, she also lives in this house.
01:18I'm not going to have breakfast, I'm going to pick up Miguel.
01:21Claudita, can you do me a favor?
01:24I left my glasses in my bedroom.
01:28I'm going.
01:30Well, I'm going.
01:33What happened last night, Paula?
01:35At the table?
01:37Nothing, I felt sorry and I went to bed.
01:41The girl went to see you at your room and you didn't open the door.
01:46How strange, I didn't hear her.
01:51Paula, in this house there is no locked door.
01:57Agree?
02:01Yes.
02:04Excuse me.
02:15TATA'S HOUSE
02:34What did you want to talk about?
02:36The leaves of the bars were burned.
02:39How many times did I tell you to put that sulfate, asshole?
02:42I did.
02:43Are you insinuating something?
02:45I'm not insinuating anything, I'm telling you face.
02:47You did it on purpose.
02:49Who is threatening me?
02:51I'm not going to give you another chance, is that clear?
02:53And with what character?
02:55With what character?
02:57You try, you try to live with a Roy Staggler.
02:59And it looks more like a pick-up of a Fernando.
03:06Tata, wait.
03:08Did you understand me?
03:10Out.
03:13TATA'S HOUSE
03:21According to Trascendio, Miguel Roy Staggler would have been fired a short while ago.
03:25Let's remember that the businessman was the victim of an alleged attempted homicide
03:28in the winery of the same vineyard where he works as an executive director.
03:32There he comes, let's see what he can tell us.
03:36Miguel, please, with all due respect, we are not going to make declarations.
03:39Please, Miguel.
03:40We are not going to make declarations.
03:42We are not going to make declarations.
03:44You are going to continue working as an executive director.
03:46Please, Miguel.
03:47With all due respect, I'm telling you.
03:49We are not going to make declarations.
03:51We are not going to make declarations.
03:53We are not going to make declarations.
03:56Calm down.
04:10TATA'S HOUSE
04:16Are you okay?
04:19Yes.
04:21Where are we going?
04:23To your father's house.
04:34Is this my father's house?
04:36Yes.
04:38I'm hungry.
04:40Let's go.
04:44Who lives here?
04:46Your father, your brother Pedro, the employees.
04:48Now he wanted us to come.
04:50It was a little better.
04:52But if you want, we can go back home.
04:58Son.
05:00Welcome.
05:02We were waiting for you.
05:06How do you feel?
05:08Good.
05:10Good.
05:12Is your house beautiful?
05:14Yes.
05:16It's also yours, Miguel.
05:19Hello, Miguel.
05:21Hello.
05:23You are...
05:25Monica, the lawyer of the house.
05:27Yes, the lawyer of the vineyard and in our right hand.
05:29Oh, sorry.
05:31I don't remember.
05:33Don't worry.
05:34Very good, Fernando.
05:36You don't need me for anything else.
05:38No, no, no.
05:40Thank you, Monica.
05:42Miguel, I am very happy that you are back.
05:46Excuse me.
05:49Well, tonight everyone comes to eat to celebrate.
05:56My love, look who's here.
05:59Hello.
06:01Hello.
06:02My love, look who's here.
06:05Hello.
06:07Aren't you going to give your dad a kiss?
06:11Come.
06:15You are much more beautiful than in the photo.
06:21Why did you kick him out?
06:23Because he asked for it.