ダイブツのイマダ！2024年8月24日 イマダイブツが却下？中古レコードで埋もれる店
ダイブツのイマダ！2024年8月24日 イマダイブツが却下？中古レコードで埋もれる店
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00I'll see you in the next video!
00:30Episode 2
00:49Good evening, everyone. This is the show that makes Toyama smile, I'm Imada of Daibutsu.
00:53Good evening!
00:55I'm Daibutsu, aiming to be a special edition for 2 hours!
00:59Yu-Yu's power is also important, right?
01:02Are you active?
01:03I'm watching Imadaibutsu.
01:05Yes, I'm spreading it.
01:06Are you spreading it? How many people do you want to spread it to?
01:08About 15 people.
01:10You did it!
01:12You did it! You did your best!
01:14Thank you, Yu-Yu!
01:16You can see it on TVer, too.
01:18Really?
01:19Yes, on Tokyo no Tomodachi, too.
01:20Thank you, Yu-Yu!
01:2215 people exceeded my expectations.
01:26So, I'd like to make my wish come true this time, too.
01:29Let's make it come true.
01:30Today, I'd like to consult with Imadaibutsu to decide whether this wish will come true or not.
01:37It's a rare pattern.
01:39I'd like to get permission.
01:41I'm a record lover who lives in Toyama Prefecture.
01:45Oh, record?
01:46Yes, I'm going to buy a used record at a local antique shop.
01:51I'd like to do something for him.
01:54I see.
01:55There are a lot of used records.
01:57Yes.
01:58You've collected a lot of records.
02:00Yes.
02:01A lot of used records have been buried.
02:03That's right.
02:04Then, let's clean up the Gunpla first.
02:08I'm full of Gunpla.
02:11But I like records.
02:14What kind of records do you have?
02:17I've never touched a record before.
02:21So, you don't know how to drop a needle, do you?
02:24A needle?
02:25A needle!
02:27That's the level.
02:29A needle?
02:30Yes.
02:31A record has a groove.
02:33You can hear the sound by dropping a needle into the groove.
02:37So, a record is a consumable.
02:39Is it like an organ?
02:40No, it's not.
02:42No, it's not.
02:44An organ has a completely different mechanism.
02:47A record has a raw sound.
02:50The sound of a needle dropping.
02:53It's a new thing for people now.
02:57A lot of people buy records.
02:59That's right.
03:00Retro is popular.
03:02I'm talking a lot.
03:04You know what I mean, right?
03:05Yes, I understand.
03:08We're here.
03:09We're at Ueda Art Enlaido in Fukumitsu District.
03:15I see.
03:17Let's go inside.
03:23There are a lot of cases with used records.
03:28Morishi Genkisai.
03:31This is a crime scene.
03:35And in the back of the shop...
03:38It's narrow in the back.
03:41This passage is quite narrow.
03:45Yes, it is.
03:47It's narrow here, too.
03:49I'm the only one here.
03:50I'm the only one here.
03:53It's hard for me.
03:55It's hard for me.
03:57It's amazing.
03:59He always walks between the walls of the cardboard boxes with records.
04:05There must be a lot of records.
04:08There are various genres of records.
04:12Mizuge Sakada.
04:14Gohichi Goro.
04:15Gohiro.
04:16Porsche.
04:17Match.
04:18I'm curious about this one.
04:19Taiyaki Oyoge.
04:20I used to ride it when I was in elementary school.
04:21Taiyaki Oyoge.
04:24I used to listen to this record when I was a kid.
04:30If you go further in, you can see records that were piled up naked.
04:37This is a record called SP version, which is older than LP.
04:47It's a record I used to listen to when I was a kid.
04:52I think it's about 1000 years old.
04:55Is it that old?
04:58The SP record is the origin of the disc-type record, which was invented in 1887.
05:05With the birth of the LP record, production ended in the first half of the 1960s.
05:35The SP record is a record that has been passed down from generation to generation.
05:54Are there any customers who buy this SP record?
05:59There are some customers who buy this record because they like it.
06:07Mr. Ueda is now 51 years old.
06:10In his youth, he was in the 80s idol boom.
06:15I used to watch it.
06:17When I was young, I liked Mazda and Seiko.
06:23I like Yakushima Railroad.
06:29This is a record I used to listen to when I was a kid.
06:44I want to listen to it on the record.
06:50It's good.
06:53I think it's a record I remember from my childhood.
06:58I remember my youth.
07:01You have a good face.
07:03Is this the main shop?
07:07That's what it used to be.
07:09That's what it used to be.
07:11Is it a second-hand record now?
07:13It's getting better.
07:15It's getting better.
07:22It's supposed to be a shop that deals with various antiques such as statues, baked goods, and prints.
07:30Why are there so many second-hand records?
07:35I don't hate records.
07:38If I go to an antique market like this, I always get a record.
07:43It's cheap.
07:45I think it started with such a waste.
07:49I think there are more than 10,000 records.
07:52I think there are more than 10,000 records.
07:54I'm sure there are more than 10,000 records.
07:56It's not just a waste that the number of records is increasing.
07:59There's a reason for that.
08:02People who have a record at home often say,
08:05If you go there, you can buy it anywhere.
08:07If you bring it to my house, you can buy it.
08:11There are also people who say, Please dispose of it.
08:14That's why the number of records is increasing.
08:19I like the jacket.
08:21Mr. Tetsuya Tani is cool.
08:25The moment when you discover treasures from the mountains of second-hand records is the best part.
08:35Is it a one-of-a-kind item in the sea?
08:37Yes, I found it.
08:39What is this?
08:40This is a gift for you today.
08:41It's beautiful.
08:49The treasured record he found is actually purchased by checking the tone.
08:54Sometimes it opens like this.
08:58I think this is good.
09:03In response to the expectations of second-hand record lovers,
09:07We've increased the number of records.
09:09But the space in the store is already at its limit.
09:13Mr. Nakayama, who lives in Nanto City,
09:16Mr. Nakayama is also worried about the current situation.
09:21I think there are a lot of people who like records.
09:24I think we should promote this store more.
09:31Mr. Tetsuya Tani, what do you think about promoting the store?
09:36Well, it's okay to promote it.
09:39But if it's overflowing with people,
09:41I don't think people will be able to see it.
09:45That's right.
09:47There are some people who want to look for it quietly.
09:53The store is in trouble.
09:56The number of cardboard boxes in the narrow passage continues to increase.
10:01What does Mr. Ueda, the owner, think about it?
10:04Oh, there's a lot of it.
10:07Actually, it's best to divide it up and leave only two.
10:11I don't want to go that far.
10:16Time and space are limited.
10:18It's a line I've heard somewhere.
10:20The situation in which Ueda Art is placed is truly unexpected.
10:24Mr. Ueda's decision is approaching.
10:29Well, I'd like to make it a little bigger someday.
10:34It's a bad situation, so I can't help but think about it.
10:39I'd like to think about it so that everyone will be happy.
10:45What will Mr. Imadaibutsu do about the antique shop that has been buried in the used record?
10:52Oh, this is a big deal.
10:56Hey, it's not a plastic model.
10:59Mr. Ueda is changing cardboard boxes at this antique market.
11:03I bought it without knowing what was inside.
11:05You don't know the owner, do you?
11:07That's right.
11:08That's not good.
11:09First of all, you need to sort out what you don't know.
11:12It's thinner and smaller than a plastic model, so there may be more.
11:18No, it's really 10,000 copies.
11:21Anyway, I haven't divided the genre and the age, so I'd like you to divide the genre first.
11:26What do you do with this wish?
11:28Well, it's a rejection.
11:30Is it a rejection?
11:31I can't get it at home.
11:34I'm most grateful that the number of customers who want to go looking for this program is increasing at an all-time pace.
11:43Mr. Ueda himself will do something about this program.
11:47Let's make it so that at least I can be a member of the board.
11:51This is no longer the time to build a second Gunpla mansion.
11:57Then, let's cover it just once to see how it goes.
12:02I'd like to see what kind of payment you're making.
12:06Payment method.
12:07I think you can give this to the East Minister.
12:12Here's another announcement for Mr. Iwata.
12:14What is it?
12:15BBT is celebrating its 55th anniversary this year.
12:18We want you to smile more and more.
12:21Of course.
12:22We will hold a fireworks festival in September this year.
12:26I like fireworks festivals.
12:28The largest in the prefecture.
12:30I want to go there.
12:33In addition, this year's fireworks festival is a little different.
12:37It is a firework festival that combines the largest fireworks festival in the prefecture with music.
12:42It's called Toyama Music Fireworks Festival.
12:45Preparations are in full swing.
12:48It's clear what kind of fireworks festival it will be.
12:53And that world-class designer will be in charge of the fireworks show.
13:03Japan's pride in traditional art, fireworks.
13:08A new form of entertainment where music merges.
13:14With the latest technology, music and fireworks are in sync.
13:18It's a precise and dynamic production.
13:22Wow. It's beautiful.
13:27Everyone looking up at the night sky smiles.
13:30It's an event full of happiness.
13:32It's great.
13:34Now, it's time for these three.
13:39First of all, at the Sumidagawa Fireworks Festival,
13:42we will launch 10,000 fireworks out of 20,000.
13:45This is a shop that has been in business for 160 years.
13:48It is the Marutamaya Ogatsu Fireworks Shop in Fuchu City, Tokyo,
13:51which conveys the tradition of Edo to the present.
13:56Every year, we participate in about 100 firework events around the country.
14:00With innovative production, we have always led Japanese firework culture.
14:07Before the event in September,
14:11Mr. Hiroyuki Takeyama from Marutamaya Ogatsu Fireworks Shop in Toyama City.
14:17Wow, look at the number of cylinders.
14:21We display two types of fireworks in the countryside.
14:25We display two types of fireworks at the end.
14:29I would like to show you the technical aspects and the types of fireworks
14:34that we didn't have in Toyama.
14:38Koshu City, Yamanashi Prefecture.
14:42Here is the factory of Marutamaya Ogatsu Fireworks Shop,
14:45a firework company that Mr. Takeyama works for.
14:53The work continues to make fireworks silently for the first half of the year
14:57from a bright stage.
15:07Wow, it's amazing. It's handmade.
15:10Everything is handmade.
15:13What took time to prepare disappears in an instant.
15:17But the memory is eternally engraved.
15:21It is a science inherited by the firework makers here.
15:28It's a work of art.
15:33It's here.
15:38It's from here.
15:41It's been here for a long time.
15:43It's amazing.
15:46What kind of fireworks will be displayed according to the music?
15:49This is the starting point of the show.
15:52I see.
15:54I see.
15:58This is a famous festival in Toyama.
16:02The wind is really good.
16:06Then, without making any strange noises,
16:09I'll keep making two types of fireworks,
16:12and at the end, I'll make a loud noise.
16:15That's the image I have.
16:18I'll do my best.
16:20It's a country where Mr. Takeyama was born.
16:23It's a country where I was born.
16:25It's a country.
16:32Sometimes it's loud.
16:34Sometimes it's quiet.
16:37The timing of the fireworks matches perfectly with the music.
16:41That's the charm of music fireworks.
16:47The accuracy of programming the timing of the fireworks to a dedicated computer is 1 in 30 seconds.
16:56As for the fireworks,
16:58they open up at the top,
17:00so the timing of the fireworks matches with the music.
17:03If they open up at the top, the cooking time will be delayed.
17:06So I think about that when I look at the program.
17:12The firework launch is a one-shot game that can't be rehearsed.
17:16He believes in success and continues to work hard.
17:20It's a great one-shot game.
17:27On this day, Mr. Takeyama came back to Toyama to check the fireworks.
17:33First, he went to his parents' house where his mother, Kazuko, lives.
17:39I'm sorry.
17:41It's okay.
17:43I'm his mother.
17:49His father is Takai, 21 years old, when Mr. Takeyama went to Tokyo University.
17:56After that, Mr. Takeyama worked part-time at a marutama shop to pay for his tuition.
18:02Thanks to the fireworks, I was able to graduate from school.
18:06I'm just grateful.
18:09I tried my best to advertise it.
18:12Oh, you did?
18:14Yes, I did.
18:16I looked at his face and said,
18:18Don't worry. It's February 15th.
18:20It's New Year's Day.
18:22So you're looking forward to it.
18:25I'm looking forward to it.
18:29I can't go to Tokyo to see it.
18:32I'd like to see what he does.
18:36I'll do my best.
18:44And the star of Toyama Music Fireworks Festival is...
18:49That world-class designer, Junko Koshino, produces design fireworks.
18:57I thought I'd draw a picture in the black sky.
19:01There's no such big campus.
19:04So I imagined it and drew a picture on black paper.
19:09This is an example of Junko Koshino's design fireworks.
19:18Junko Koshino's design fireworks
19:25Junko Koshino, designer, designer
19:35October 2019 In the middle of ornaments
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