Shock (Schock) | Full Movie | Mario Bava, Lamberto Bava | Daria Nicolodi, John Steiner, David Colin Jr., Ivan Rassimov

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SHOCK
| Supernatural Horror, Horror | Year |

Original title: Schock

Plot:
A couple is terrorized in their new house haunted by the vengeful ghost of the woman's former husband, who possesses their young son.

Crew:

• Directed by: Mario Bava, Lamberto Bava
• Written by: Hillary Waugh
• Starring: Daria Nicolodi, John Steiner, David Colin Jr., Ivan Rassimov
• Produced by: Ugo Valenti, Turi Vasile
• Music by: I Libra
• Cinematography: lberto Spagnoli, Mario Bava
• Edited by: Roberto Sterbini

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Transcript
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00:12:36
00:12:41Mama!
00:12:43What's the matter, dear? Are you tired? Hungry?
00:12:48Let's go home now.
00:12:49No, it's not that.
00:12:51What is it then?
00:12:52Why doesn't my real daddy ever come back to see me?
00:12:58Look, Marco, you're old enough now to understand, I think.
00:13:02You know your father was a man who liked to travel a great deal.
00:13:05He loved airplanes, ships, sailboats.
00:13:08And he loved to visit faraway places.
00:13:13Well, one day he went on one of his voyages and never came back.
00:13:21Your daddy is dead, Marco.
00:13:23What is death, Mama?
00:13:25Death is like going on a trip, darling. Only one doesn't come back.
00:13:29One goes away forever.
00:13:31But we'll keep daddy alive within us.
00:13:35But why did he die, Mama?
00:13:38Why?
00:13:39Oh, baby, it's hard to explain.
00:13:41Death is part of life and we must learn to accept it.
00:13:44You'll understand some day.
00:13:56Oh!
00:14:01Uh-uh.
00:14:02What's the party for?
00:14:03It's not a party. Not in the sense you mean.
00:14:05Some friends are coming to visit.
00:14:07How come?
00:14:08Um, just to get together again.
00:14:10We haven't seen each other for a long time.
00:14:13I don't like them.
00:14:14You don't like them, Marco.
00:14:16How can you say that if you don't even know them?
00:14:22What about Bruno? When is he coming back?
00:14:24Today.
00:14:25I hope it'll be a nice surprise for him.
00:14:30The motors are off.
00:14:31Bruno!
00:14:36Hi, Marco.
00:14:39Bruno! Bruno!
00:14:41Well, big boy, how are you?
00:14:43I'm fine.
00:14:44You been having fun while I was away?
00:14:46Been taking care of your mother for me?
00:14:49Yeah, so now that you're here, you've got to stay with me and play with me more often.
00:14:54Here. This is for you.
00:14:56Oh, no, that's not it.
00:14:58You can't fool me.
00:15:00Oh, all right, then. If that's not your present, what is it?
00:15:03I know. I know what it is.
00:15:05Hi, darling. I missed you.
00:15:07Hi, darling. I missed you.
00:15:08Where is it, Bruno? Where is it?
00:15:10Where's what?
00:15:11The dog!
00:15:12Would you believe that?
00:15:13Well, you're going to have to wait for it.
00:15:14They're sending it to you from New York.
00:15:18Oh, boy! I'm getting a dog! I'm getting a dog!
00:15:23There you are, Eva.
00:15:24Thanks.
00:15:28You all right?
00:15:29Yes, dear.
00:15:31Oh, if you want some others, I have lots of them.
00:15:33There they are, over there.
00:15:34Right.
00:15:35Oh, and Elisa.
00:15:36Oh, Dora, darling.
00:15:37Will you have a drink?
00:15:38Thanks.
00:15:39You're looking just wonderful, isn't she, Paolo?
00:15:40Sure is.
00:15:41Thanks.
00:15:42I was telling Paolo I knew that sooner or later you'd be coming back to us.
00:15:44We all missed you, Dora.
00:15:51Oh, girl.
00:15:52Want a drink?
00:15:53Thanks.
00:15:54You're always the same.
00:15:55Lovely.
00:15:56Thanks.
00:15:57You haven't changed, have you?
00:16:04Tell me, doctor.
00:16:05Yeah?
00:16:08What did you prescribe for Dora this time?
00:16:11What are you getting at?
00:16:12You know very well she hasn't been my patient for some years.
00:16:15She's certainly recovered well.
00:16:17Hardly looks like the type of woman who'd drive a man to suicide.
00:16:20If you're trying to be funny, I find it in bad taste.
00:16:23Oh, for God's sake.
00:16:24Where's your sense of humor?
00:16:26I hardly think it's a matter to joke about.
00:16:28It was a great shock to Dora, you know.
00:16:31She certainly should have expected it.
00:16:33You know Carla was half crazy and on the needle long before she married him.
00:16:38See these marks here?
00:16:40Each of these is a monkey that I killed with this.
00:16:43And where did all these monkeys come from?
00:16:45Oh, I don't know.
00:16:47Why don't we ask your father?
00:16:49Bruno's not my father.
00:16:51He's my mother's second husband.
00:16:56Are you bored, darling?
00:16:57No, I'm jealous.
00:16:59You're always leaving me.
00:17:11We could at least wait till we're all gone home.
00:17:14She's right.
00:17:17Let's get rid of them.
00:17:28Mama.
00:17:30I have to kill you.
00:17:33Marco.
00:17:36Marco!
00:17:58Dora.
00:18:00Dora.
00:18:02Easy now.
00:18:03I'm all right.
00:18:04The light was off and I tripped.
00:18:05Let me have a look.
00:18:06Oh my God, she's bleeding.
00:18:07Oh, it's nothing.
00:18:08Just a scratch.
00:18:09Oh, you'd better disinfect it.
00:18:10You've got to be more careful with yourself.
00:18:12There's alcohol in the bathroom.
00:18:20Dora.
00:18:22Dora.
00:18:24Dora.
00:18:25Dora.
00:18:31All right, I missed my shot.
00:18:32I got the point correct.
00:18:33Your turn.
00:18:34I know you think planes fly themselves,
00:18:36but you still have the instruments to worry about.
00:18:38And I can tell you, after eight or ten hours in the cabin,
00:18:40you might get damn tired of keeping track of them.
00:18:46Well, it's not half enough, Andrea.
00:18:48Look how much we're responsible for them.
00:18:52Well, there's a shot that even I couldn't beat.
00:18:55Zora, is something bothering you?
00:18:59Are you asking me that as a doctor or a friend?
00:19:02I don't mean to sound professional, it just bothers me to see you so upset.
00:19:06Excuse me a moment.
00:19:25Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Zora, Z
00:19:55or
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00:21:03or
00:21:11I'll call you ready darling.
00:21:12I'm late.
00:21:13Oh, nothing seems to go right.
00:21:15Look.
00:21:19That is because you still not relax.
00:21:21I'm trying very hard, you know, but after hearing Marco say,
00:21:25Mama, I must kill you, it really upsets me.
00:21:28Calm down and stop punishing yourself.
00:21:30We've been through all this last night.
00:21:31A seven-year-old boy says a lot of things he doesn't mean,
00:21:33and you're taking it all far too seriously.
00:21:35Well, it's the way he said it, and the tone he used.
00:21:41There's nothing worse for a marriage than sending
00:21:43a husband off without his coffee.
00:21:48Bye.
00:21:49Oh, will you be coming home tonight?
00:21:52If I don't love with a holster.
00:21:54Bye.
00:21:55Bye.
00:22:19Bye.
00:22:50I've got to go.
00:23:11Marco.
00:23:13What were you doing in the cellar?
00:23:15How did you get in?
00:23:16It was locked.
00:23:17No, Mama, it was open.
00:23:47I don't know if I can do it, Mama.
00:23:49I don't know if I can do it, Mama.
00:23:51I don't know if I can do it, Mama.
00:23:53I don't know if I can do it, Mama.
00:23:55I don't know if I can do it, Mama.
00:23:57I don't know if I can do it, Mama.
00:23:59I don't know if I can do it, Mama.
00:24:01I don't know if I can do it, Mama.
00:24:03I don't know if I can do it, Mama.
00:24:05I don't know if I can do it, Mama.
00:24:07I don't know if I can do it, Mama.
00:24:09I don't know if I can do it, Mama.
00:24:11I don't know if I can do it, Mama.
00:24:13I don't know if I can do it, Mama.
00:24:15I don't know if I can do it, Mama.
00:24:17I don't know if I can do it, Mama.
00:24:19I don't know if I can do it, Mama.
00:24:21I don't know if I can do it, Mama.
00:24:23I don't know if I can do it, Mama.
00:24:25I don't know if I can do it, Mama.
00:24:27I don't know if I can do it, Mama.
00:24:29I don't know if I can do it, Mama.
00:24:31I don't know if I can do it, Mama.
00:24:33I don't know if I can do it, Mama.
00:24:35I don't know if I can do it, Mama.
00:24:37I don't know if I can do it, Mama.
00:24:39I don't know if I can do it, Mama.
00:24:41I don't know if I can do it, Mama.
00:24:43I don't know if I can do it, Mama.
00:24:45I don't know if I can do it, Mama.
00:24:47I don't know if I can do it, Mama.
00:24:49I don't know if I can do it, Mama.
00:24:51I don't know if I can do it, Mama.
00:24:53I don't know if I can do it, Mama.
00:24:55I don't know if I can do it, Mama.
00:24:57I don't know if I can do it, Mama.
00:24:59I don't know if I can do it, Mama.
00:25:01I don't know if I can do it, Mama.
00:25:03I don't know if I can do it, Mama.
00:25:05I don't know if I can do it, Mama.
00:25:07I don't know if I can do it, Mama.
00:25:09I don't know if I can do it, Mama.
00:25:11Mama!
00:25:25Marco?
00:25:27Marco, are you down here?
00:25:41Marco, what are you doing there?
00:25:45Come away from there.
00:25:48What's the matter with you?
00:25:50Mama, it's freezing.
00:25:52What's wrong, darling? Are you ill?
00:25:56I'm cold.
00:25:58I'm very cold.
00:25:59Oh, poor darling.
00:26:01God, your skin's like ice.
00:26:03Take me away.
00:26:05I'm cold.
00:26:06Yes, yes, of course, dear.
00:26:08It's all right, sweetheart.
00:26:09Mama will take you upstairs to bed.
00:26:11Marco, what is it?
00:26:12Oh, my God.
00:26:13Don't worry.
00:26:19Mama will take care of you.
00:26:24Oh, God, what's wrong, baby?
00:26:26Can't you talk?
00:26:29I'll put you to bed right away.
00:26:38Do you have a fever?
00:26:43Marco.
00:27:07What did you say?
00:27:27What is it, darling?
00:27:29Can't you tell Mama?
00:27:37Marco, stop.
00:28:08It's getting thicker.
00:28:15That's a lot to do.
00:28:20Giddyap, yahoo.
00:28:22Come on.
00:28:23Follow me.
00:28:24We've got to get to the fort before the Indians
00:28:25start to rob the cellar.
00:28:28Hurry, hurry.
00:28:30We are both on our way out to the world.
00:28:32I am in the same position.
00:28:33I am the apple of your eye.
00:28:35You'll never know.
00:28:36Margo, are you going to tell me?
00:28:38No, I'm not.
00:28:39I'm the apple of your eye.
00:28:40Who is that apple of your eye?
00:28:41Who are you to say that?
00:28:43I'm the apple of your eye.
00:28:45It's you, isn't it?
00:28:46It's you.
00:28:48Yes, it's me.
00:28:50It's me.
00:28:51Get out of here, Margo.
00:28:53We've made a promise.
00:28:54Come on.
00:28:56Get out of here.
00:28:57I'm not going anywhere.
00:28:58I'll get you.
00:28:59Marco, you come back here.
00:29:01Ah!
00:29:02Ah!
00:29:03Oh!
00:29:04Oh.
00:29:05Oh.
00:29:06Oh.
00:29:14Ah!
00:29:15Ah!
00:29:16Ah!
00:29:28Ah!
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00:31:53Ah!
00:31:54You're not doing a very good job at pretending to be asleep, young fella.
00:32:12Come on now, I know that you're awake.
00:32:15What are all these stories your mum has been telling me?
00:32:19Why are you always hiding?
00:32:20Well, I can't tell you that now.
00:32:21Why not?
00:32:23I promise to tell you when the time comes, okay?
00:32:26Okay.
00:32:27It's a secret.
00:32:28But you know, you're upsetting her with your little tricks.
00:32:31But she's always getting mad if we're nothing.
00:32:33She doesn't think the things you've done are nothing.
00:32:35You're making her very nervous.
00:32:37She's changed a lot ever since you've moved here.
00:32:40She's not fun anymore.
00:32:42Did you take that picture off the table in the living room?
00:32:46Which picture?
00:32:48Hmm.
00:32:50Never mind.
00:32:52Now get some sleep.
00:32:53We'll talk about this tomorrow.
00:32:55I'll leave the light on in the hall.
00:32:57Why, you don't have to.
00:32:59You can put it out.
00:33:01Aren't you supposed to be afraid of the dark?
00:33:03Not anymore.
00:33:04Good boy.
00:33:06I'm proud of you.
00:33:07Good night.
00:33:08Good night.
00:33:12According to him, you're the one who's changed.
00:33:14Well, maybe I have, but so is he.
00:33:17I can't understand it.
00:33:19He never lied before, and he acts so strange.
00:33:22He used to be such a happy child.
00:33:25He's like another person.
00:33:27It worries me.
00:33:29You must try to be more patient with him.
00:33:32He's probably finding his surroundings difficult to cope with.
00:33:35For him, it's a new house.
00:33:36Yes, that's true.
00:33:37You're right.
00:33:39But still, finding my underwear torn to shreds, that was sordid.
00:33:44It was done out of mere spite.
00:33:48I wouldn't like to accuse your son of having a sex fetish.
00:33:53They were probably torn in the washing machine.
00:33:55You didn't notice, and you put them away.
00:33:58Maybe you're right.
00:34:02Just forget it.
00:34:10You get yourself to bed, love.
00:34:12I've got to finish my work.
00:34:18Bruno, why don't we leave this house?
00:34:21Why?
00:34:48Why don't we leave this house?
00:35:18Why don't we leave this house?
00:35:48Why don't we leave this house?
00:36:18Why don't we leave this house?
00:36:48Why don't we leave this house?
00:37:18Why don't we leave this house?
00:37:48Why don't we leave this house?
00:38:18Why don't we leave this house?
00:38:21Why don't we leave this house?
00:38:24Why don't we leave this house?
00:38:27Why don't we leave this house?
00:38:30Why don't we leave this house?
00:38:33Why don't we leave this house?
00:38:36Why don't we leave this house?
00:38:39Why don't we leave this house?
00:38:42Why don't we leave this house?
00:38:45Why don't we leave this house?
00:38:48Why don't we leave this house?
00:38:51Why don't we leave this house?
00:38:54Why don't we leave this house?
00:38:57Why don't we leave this house?
00:39:00Why don't we leave this house?
00:39:03Why don't we leave this house?
00:39:06Why don't we leave this house?
00:39:09Why don't we leave this house?
00:39:12Why don't we leave this house?
00:39:15Why don't we leave this house?
00:39:18Why don't we leave this house?
00:39:21Why don't we leave this house?
00:39:24Why don't we leave this house?
00:39:27Why don't we leave this house?
00:39:30Why don't we leave this house?
00:39:33Why don't we leave this house?
00:39:36Why don't we leave this house?
00:39:39Why don't we leave this house?
00:39:42Why don't we leave this house?
00:39:45Why don't we leave this house?
00:39:48Why don't we leave this house?
00:39:51Why don't we leave this house?
00:39:54Why don't we leave this house?
00:39:57Why don't we leave this house?
00:40:00Why don't we leave this house?
00:40:03Why don't we leave this house?
00:40:06Bruno, my God!
00:40:10It's okay.
00:40:12I had a terrible nightmare.
00:40:15You had a terrible nightmare.
00:40:36Goodbye, darling.
00:40:39Goodbye.
00:40:42What's wrong?
00:40:45Nothing. I forgot my keys.
00:40:51It took you a long time to finish your breakfast this morning.
00:40:54It took you a long time to finish your breakfast this morning.
00:40:57I'm sorry.
00:41:00I'm sorry.
00:41:03Goodbye.
00:41:11Have a nice trip, darling.
00:41:17I'll see you at 9 o'clock tonight?
00:41:20Unless my plane crashes.
00:41:23Don't joke like this. I hate it.
00:41:33Dora! Dora, get a hold of yourself.
00:41:37No harm's being done.
00:41:39It's just the shutter strap that's broke.
00:41:41But it didn't fall on you or on Marco.
00:41:44Let's leave this place.
00:41:46Quiet.
00:41:47Please.
00:41:48Quiet.
00:41:49Let's go away from here.
00:41:50Quiet.
00:41:52Bruno.
00:41:57Hey, Bruno.
00:41:58Oh, Franco.
00:42:00I was waiting for you in flight control, but you walked right past me.
00:42:02I must have been thinking of something else, I guess.
00:42:04Say, how's the new house?
00:42:06Well, we've been having a few problems, for Dora mostly.
00:42:09But it'll work out.
00:42:10But didn't you tell me that she lived there before?
00:42:12She should be used to it.
00:42:13Yeah, that's part of the trouble.
00:42:15Hey, Franco, does this go aboard?
00:42:17Yeah.
00:42:18Good morning, Captain.
00:42:19Morning, Olga.
00:42:21Nice to have you with us again.
00:42:32Good morning.
00:42:33Good morning.
00:42:34Good morning.
00:43:02It's steady.
00:43:25Yeah, I'm trying to, but I can't.
00:43:27It doesn't respond.
00:43:29Daddy!
00:43:32Marco?
00:43:35Marco?
00:43:43That was a freaky one.
00:43:45Yeah, all the controls are frozen.
00:43:55Mama!
00:43:56Oh, there you are.
00:44:03What's wrong?
00:44:04Nothing.
00:44:05I feel cold.
00:44:06Where have you been, Marco?
00:44:08When?
00:44:09Your hair is all ruffled.
00:44:11Before, when I called you.
00:44:13Oh, then I was chasing after a dog.
00:44:16Marco, why are you lying to me?
00:44:21I'm not lying.
00:44:27Mama.
00:44:32All right, I believe you.
00:44:34I'm sorry.
00:44:41Anyone home?
00:44:45Senora Baldini?
00:44:46Yes?
00:44:47I couldn't find your name on the mailbox.
00:44:48Did you just move in?
00:44:49Yes.
00:44:51Excuse me, I rang the bell and no one answered.
00:44:52I came around the back.
00:44:55The gate was open.
00:44:56Oh, that's all right.
00:44:57This is for you.
00:44:59For me?
00:45:00Yes.
00:45:02You're welcome.
00:45:20Hello?
00:45:21Hello, Dora.
00:45:22Bruno?
00:45:23I'm afraid I'll be stuck in London for a while.
00:45:24Why?
00:45:25What's happened?
00:45:26They've grounded us.
00:45:27They're checking something.
00:45:28Oh, it's nothing to worry about.
00:45:29It's just a stabilizer or something.
00:45:30How are you?
00:45:31Still upset?
00:45:32No, I feel all right now.
00:45:33Is Marco okay?
00:45:34Behaving himself?
00:45:35Yes.
00:45:36He's fine.
00:45:37He's fine.
00:45:38He's fine.
00:45:39He's fine.
00:45:40He's fine.
00:45:41He's fine.
00:45:42He's fine.
00:45:43He's fine.
00:45:44He's fine.
00:45:45He's fine.
00:45:46He's fine.
00:45:47He's fine.
00:45:48He's fine.
00:45:49Is Marco okay?
00:45:50Behaving himself?
00:45:51Yes.
00:45:52He's fine.
00:45:53No, I don't know how long I'm going to be here.
00:45:56Yeah, all right.
00:45:57Don't forget to call Bruno.
00:45:58I will as soon as I know.
00:45:59Bye, dear.
00:46:00Bye.
00:46:17Marco!
00:46:19Marco!
00:46:25Marco!
00:46:45Did you write this, Marco?
00:46:50What is it?
00:46:51I didn't write it.
00:46:53Don't you lie to me now.
00:46:54I'm not lying.
00:46:58Yes, you are.
00:47:00That's your handwriting.
00:47:01You can't deny it.
00:47:03Marco, why did you do it?
00:47:05I didn't write it.
00:47:07I promise you.
00:47:09Why don't you believe me?
00:47:14I didn't write it.
00:47:15I didn't.
00:47:20Marco!
00:47:21Marco!
00:47:25It's the doctor.
00:47:32Dr. Spadini's office.
00:47:33Let me help you.
00:47:35The appointment.
00:47:37When?
00:47:38No, I'm afraid it's not possible today.
00:47:40Tomorrow.
00:47:41Let me check.
00:47:42No, in the morning he's in the clinic.
00:47:45Tomorrow evening.
00:47:46
00:47:51See if you like this one too.
00:47:58Well, thank you, Margo.
00:47:59Oh, beautiful pictures.
00:48:01Very good.
00:48:02Can I have them?
00:48:03Yeah, you can keep them.
00:48:05That's my drawing.
00:48:07Come in, Dora.
00:48:08Will you come with me?
00:48:09Are you going to make Mommy draw too?
00:48:14Are you going to make Mommy draw, too?
00:48:16If she wants to.
00:48:17See you later.
00:48:18In a few minutes.
00:48:19Sit down, Dorothy.
00:48:24I gave your son a very basic test.
00:48:26It's quite simple.
00:48:27Look at this drawing.
00:48:29A beautiful tree, merry and laden with fruit.
00:48:32I would say the child here is without problems.
00:48:35It's well proportioned, the trunk is thick and solid,
00:48:37and the branch is graceful and abundant.
00:48:39The overall concept's a positive one.
00:48:41At first impression, the child's behavior seems to be balanced
00:48:44and quite mature for his age.
00:48:47Exactly the reverse of the way he is at home.
00:48:49Believe me.
00:48:52Now we'll take the other one.
00:48:55It represents his relationship toward you.
00:48:57The bed could indicate the womb of security for him.
00:49:00The figure of the boy, which is represented with his back turned,
00:49:03could mean the child needs more affection,
00:49:06or he feels rejected.
00:49:08But I am affectionate with him.
00:49:10I already told you.
00:49:13Unfortunately, I'm not a child psychologist.
00:49:17But I do know you and your problems very well.
00:49:23Your past continual state of anxiety and depression
00:49:27as a result of having to live with a drug addict,
00:49:31his suicide in the sea, your six months in a sanatorium,
00:49:35and your electric shock treatments
00:49:37could very well have influenced your behavior toward your son.
00:49:40No.
00:49:41That period is a complete void inside of me.
00:49:45My mind seems to have cast it out,
00:49:48canceled it completely.
00:49:50It's all vague.
00:49:53Only now, in that house, in my house,
00:49:56I'm starting to remember things.
00:49:58I guess it's due to Marco's behavior.
00:50:00But it's strange.
00:50:02As if my own son is a go-between.
00:50:07Dora, ghosts are mere figments of our imagination.
00:50:11We ourselves create them to justify our actions and behavior.
00:50:17Try to understand.
00:50:18If you can accept your past,
00:50:20then you can face the future peacefully with your husband and child.
00:50:24Mm-hmm.
00:50:26♪♪♪
00:50:36-♪♪♪
00:50:46♪♪♪
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00:51:06♪♪♪
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01:08:06Ah!
01:08:36Ah!
01:08:48Mama?
01:09:06Mama?
01:09:21Ah!
01:09:26Ah!
01:09:28Oh!
01:09:37Oh!
01:09:39Ah!
01:10:06Ah!
01:10:37Ah!
01:10:47Ah!
01:10:50Ah!
01:10:57Ah!
01:11:03Ah!
01:11:07Ah!
01:11:10Ah!
01:11:15Ah!
01:11:18Ah!
01:11:20Ah!
01:11:27What are you doing?
01:11:37Don't touch me.
01:11:39I think you'd better go back to bed.
01:11:41I know.
01:11:43He's in there.
01:11:45He's behind that wall.
01:11:47No.
01:11:49Carlo's there, isn't he?
01:11:52It was the...
01:11:54It was the only way of getting rid of his body.
01:11:57You see, Dora, when I found you,
01:11:59I didn't know what to do.
01:12:02It was the only way of getting rid of his body.
01:12:04You see, Dora, when I found you,
01:12:06you had his blood on your hands.
01:12:08I don't think you even realize what you've done.
01:12:11You're the most precious thing I have in the world.
01:12:13I had to protect you.
01:12:15So my first instinct was to hide the body
01:12:17and remove all traces of what had happened.
01:12:19I pushed Carlo's body out to sea
01:12:21so it should look like he'd had an accident
01:12:23or committed suicide.
01:12:25Everyone knew he was depressed and an addict and that,
01:12:27together with your shock and amnesia,
01:12:29made it easy.
01:12:31No one suspected a thing.
01:12:33We only had to wait seven years for him to be declared legally dead.
01:12:36I did it to save you, darling, because I loved you,
01:12:38and I still do, more than ever.
01:12:40And you brought me to live here?
01:12:43How could you have done such a thing if you loved me?
01:12:46But, Dora, you ought to realize what would have happened to us
01:12:49if we'd sold the house at that time and not come back.
01:12:51They'd have found Carlo's body.
01:12:53All I want to do is get rid of any evidence against you,
01:12:55and then we can leave this place forever.
01:12:57What makes you think we can leave? You think he'll allow us?
01:13:00Dora, what are you talking about?
01:13:02You still don't believe me.
01:13:04How could you have let such terrible things happen to me all this time?
01:13:07But it's all over now.
01:13:09You left me alone in this house.
01:13:11Maybe you wanted me to go crazy.
01:13:13Dora, I was never very far away.
01:13:15He's here among us.
01:13:17I can feel his presence.
01:13:19I saw him.
01:13:21Dora, Carlo, he's dead!
01:13:23He's back!
01:13:25Don't touch him! Let him be!
01:13:27Don't touch him! Leave him!
01:13:29Don't touch him!
01:13:35Ma!
01:13:53Ma!
01:14:23Help!
01:14:25Help!
01:14:27Ahh!
01:14:29Ahh!
01:14:31Ahh!
01:14:33Ahhh!
01:14:35Ahh!
01:14:37Ah!
01:14:39Oh!
01:14:41Oh!
01:14:43Ah!
01:14:45Ah!
01:14:47Ah!
01:14:49Ah!
01:14:51Oh!
01:14:52Oh!
01:14:53Oh!
01:14:54Oh!
01:14:55Oh!
01:14:56Oh!
01:14:57Oh!
01:14:58Oh!
01:14:59Oh!
01:15:00Oh!
01:15:01Oh!
01:15:02Oh!
01:15:03Oh!
01:15:04Oh!
01:15:05Oh!
01:15:06Oh!
01:15:07Oh!
01:15:08Oh!
01:15:09Oh!
01:15:10Oh!
01:15:11Oh!
01:15:12Oh!
01:15:13Oh!
01:15:14Oh!
01:15:15Oh!
01:15:16Oh!
01:15:17Oh!
01:15:18Oh!
01:15:19Oh!
01:15:20Oh!
01:15:21Oh!
01:15:22Oh!
01:15:23Oh!
01:15:24Oh!
01:15:25Oh!
01:15:26Oh!
01:15:27Oh!
01:15:28Oh!
01:15:29Oh!
01:15:30Oh!
01:15:31Oh!
01:15:32Oh!
01:15:33Oh!
01:15:34Oh!
01:15:35Oh!
01:15:36Oh!
01:15:37Oh!
01:15:38Oh!
01:15:39Oh!
01:15:40Oh!
01:15:41Oh!
01:15:42Oh!
01:15:43Oh!
01:15:44Oh!
01:15:45Oh!
01:15:46Oh!
01:15:47Oh!
01:15:48Oh!
01:15:49Oh!
01:15:50Oh!
01:15:51Oh!
01:15:52Oh!
01:15:53Oh!
01:15:54Oh!
01:15:55Oh!
01:15:56Oh!
01:15:57Oh!
01:15:58Oh!
01:15:59Oh!
01:16:00Oh!
01:16:01Oh!
01:16:02Oh!
01:16:03Oh!
01:16:04Oh!
01:16:05Oh!
01:16:06Oh!
01:16:07Oh!
01:16:08Oh!
01:16:09Oh!
01:16:10Oh!
01:16:11Oh!
01:16:12Oh!
01:16:13Oh!
01:16:14Oh!
01:16:15Oh!
01:16:16Oh!
01:16:17Oh!
01:16:18Oh!
01:16:19Oh!
01:16:20Oh!
01:16:21Oh!
01:16:22Oh!
01:16:23Oh!
01:16:24Oh!
01:16:25Oh!
01:16:26Oh!
01:16:27Oh!
01:16:28Oh!
01:16:29Oh!
01:16:30Oh!
01:16:31Oh!
01:16:32Oh!
01:16:33Oh!
01:16:34Oh!
01:16:35Oh!
01:16:36Oh!
01:16:37Oh!
01:16:38Oh!
01:16:39Oh!
01:16:40Oh!
01:16:41Oh!
01:16:42Oh!
01:16:43Oh!
01:16:44Oh!
01:16:45Oh!
01:16:46Oh!
01:16:47Mama!
01:16:57Mama!
01:17:17Help!
01:17:31Oh, God, help me!
01:17:47Oh, God!
01:18:05Marco...
01:18:13Oh, God!
01:18:15Help! No!
01:18:46Oh, God!
01:18:59No!
01:19:03No!
01:19:15Oh, God!
01:19:45Oh, God!
01:20:15Help!
01:20:25Sit down, Daddy.
01:20:37Lemon or milk?
01:20:45No, I don't want to play.
01:20:53I don't want to play.
01:21:15No, I don't want to play.
01:21:25No, I don't want to play.
01:21:27No, I don't want to play.
01:21:29No, I don't want to play.
01:21:31No, I don't want to play.
01:21:33No, I don't want to play.
01:21:35No, I don't want to play.
01:21:37No, I don't want to play.
01:21:39No, I don't want to play.
01:21:41No, I don't want to play.
01:21:43No, I don't want to play.
01:21:45No, I don't want to play.
01:21:47No, I don't want to play.
01:21:49No, I don't want to play.
01:21:51No, I don't want to play.
01:21:53No, I don't want to play.
01:21:55No, I don't want to play.
01:21:57No, I don't want to play.
01:21:59No, I don't want to play.
01:22:01No, I don't want to play.
01:22:03No, I don't want to play.
01:22:05No, I don't want to play.
01:22:07No, I don't want to play.
01:22:09No, I don't want to play.
01:22:11No, I don't want to play.
01:22:13No, I don't want to play.
01:22:15No, I don't want to play.
01:22:17No, I don't want to play.
01:22:19No, I don't want to play.
01:22:21No, I don't want to play.
01:22:23No, I don't want to play.
01:22:25No, I don't want to play.
01:22:27No, I don't want to play.
01:22:29No, I don't want to play.
01:22:31No, I don't want to play.
01:22:33No, I don't want to play.
01:22:35No, I don't want to play.
01:22:41No, I don't want to play.
01:22:43No, I don't want to play.
01:22:45No, I don't want to play.
01:22:47No, I don't want to play.
01:22:49No, I don't want to play.
01:22:51No, I don't want to play.
01:22:53No, I don't want to play.
01:22:55No, I don't want to play.
01:22:57No, I don't want to play.
01:22:59No, I don't want to play.
01:23:01No, I don't want to play.
01:23:03No, I don't want to play.
01:23:05No, I don't want to play.
01:23:07No, I don't want to play.

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