A phonetics and diction expert makes a bet that he can teach a cockney flower girl to speak proper English and pass as a lady in high society.
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#hollywoodclassics #classichollywood #hollywoodclassicmovies #oldhollywoodclassicfilms #classichollywoodmovies #hollywood #classic
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Short filmTranscript
00:00:00This film was made with the support of the U.S. Embassy in New York and the U.S. Embassy in the United States of America.
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00:34:47If you want Eliza's mind improved, go and do it yourself. With a strap. So long, children.
00:34:55Ah, ah, like father.
00:35:21E. E as in machine. Repeat after me. A. A. A. A.
00:35:35A. A. A. A. A. A. A. A. A. A. A. A. A. A. A. A. A. A. A. A. A. A. A. A. A. A.
00:35:57A. A. A. A. A. A. A. A. A. A. A. A. A. A. A.
00:36:27A. A. A. A. A. A. A. A. A. A. A. A. A. A. A. A. A. A. A.
00:36:55Hardly. Hither. Happen.
00:37:25How do you do? Bad, bad, bad. Do it again. You aren't trying. Do it again.
00:37:38That's not good, Eliza. It's not bad. Now's the time to try her out on somebody.
00:37:44Well, uh... I know. My mother.
00:37:49Henry. Hello, dear.
00:37:51What are you doing here today? This is my at-home day. You promised not to come.
00:37:55Oh, bother.
00:37:56Go home at once.
00:37:58But I've just come here on purpose. You see there, I picked up a girl.
00:38:00You mean a girl has picked you up.
00:38:02No, no, no. This isn't a love affair.
00:38:03Oh, what a pity.
00:38:04Why?
00:38:05You never fall in love with anyone under 45.
00:38:07Oh, I can't waste my time with young women. They're all such idiots anyhow.
00:38:11You know what to do if you really loved me, Henry.
00:38:14Get married, I suppose.
00:38:15No. Stop fidgeting. And take your hands out of your pockets.
00:38:20Don't sit on that table. You'll break it.
00:38:23Come and tell me about the girl.
00:38:27Look here. She's coming to see you this afternoon.
00:38:29Really? I don't remember asking her.
00:38:31Oh, you didn't, and you wouldn't have if you'd known her.
00:38:33Indeed? Why?
00:38:34She's just a common flower girl. I picked her up in Covent Garden.
00:38:37You've asked her here?
00:38:39Oh, don't worry. I've taught her to speak properly.
00:38:41She'll stick to two subjects only, the weather and everybody's health.
00:38:44You know, fine day, how to do and all that.
00:38:46Oh, that's a blessing anyway.
00:38:47Well, it is and it isn't.
00:38:51Oh, what do you mean by that?
00:38:53You see, dear, I've got her pronunciation all right,
00:38:56but you've got to consider not only how the girl pronounces, but what she pronounces.
00:39:00Mrs. and Miss Ainsworth-Hill, Mr. Ainsworth-Hill.
00:39:03Oh, heavens.
00:39:04So good of you to come.
00:39:05Dear, my dear.
00:39:07Freddie.
00:39:08How do you do?
00:39:09You know my son.
00:39:10Oh.
00:39:11My son, Henry.
00:39:14Miss Hill.
00:39:15Delighted.
00:39:16Delighted.
00:39:17Mrs. Hill.
00:39:18Enchanted.
00:39:19Mr. Hill.
00:39:20Thank you.
00:39:21Your celebrated son.
00:39:22I've always so longed to meet you, Professor Higgins.
00:39:24I've seen your face somewhere before.
00:39:25I haven't the ghost of an ocean where.
00:39:27Well, it doesn't really matter.
00:39:28Sit down.
00:39:29Mother, look here.
00:39:30I'm sorry to say my celebrated son has no manners.
00:39:32You mustn't mind him.
00:39:33I don't.
00:39:34Hello, Pickering.
00:39:35How do you do, Mrs. Higgins?
00:39:37The reverend for Mrs. Birchwood.
00:39:39What, more of them?
00:39:41How do you do?
00:39:42How do you do?
00:39:43Flicker.
00:39:44Have you told your mother what she's come for?
00:39:45No.
00:39:46We were interrupted, dammit.
00:39:47Oh, are we in the way?
00:39:48No, not at all.
00:39:49No, by Jove.
00:39:50We need two or three extra people.
00:39:51You'll do.
00:39:52You'll do as well as anyone else.
00:39:53Sit down.
00:39:54Will you excuse me?
00:39:55Colonel Pickering.
00:39:56Henry.
00:40:00Mother, what are you doing in my hat?
00:40:02Colonel Pickering, I must know.
00:40:04What is the exact position in Wimpole Street?
00:40:06Is this girl a servant?
00:40:07If not, what is she?
00:40:08Major and Mrs. Rawcroft.
00:40:09My dear Mrs. Higgins, I really must tell you.
00:40:11The whole thing is extraordinarily insolent.
00:40:13My dear, this is the most absorbing experiment I've ever tackled.
00:40:16Yes, this girl regularly fills our lives, doesn't she, Peter?
00:40:18Yes, she's always talking, Eliza.
00:40:19Teaching, Eliza.
00:40:20Dressing, Eliza.
00:40:21What?
00:40:22She has the most amazingly quick ear you've ever heard of.
00:40:23Yes, just like a parrot.
00:40:24My dear Mrs. Higgins, I assure you that girl is a genius.
00:40:26I've taught her the most inconceivable sounds a human being can make.
00:40:28I've taught her European dialects.
00:40:30Music halls.
00:40:31African dialects.
00:40:32Everything she's heard.
00:40:33You know the things that she's done?
00:40:34The kind of dialects six months ago she said it as if she'd done them all her life.
00:40:37You see?
00:40:38Oh, yes.
00:40:39It's quite clear to me.
00:40:40Miss Doolittle.
00:40:42Oh.
00:41:06How do you do, Mrs. Higgins?
00:41:09Professor Higgins said I might come.
00:41:12Quite right, my dear.
00:41:14I'm delighted to see you.
00:41:20Colonel Pickering, is it not?
00:41:23How do you do, Miss Doolittle?
00:41:27Professor Higgins.
00:41:32Stick to the weather and your health.
00:41:40Mrs. Hill, Miss Doolittle.
00:41:43I feel sure we've met before, Miss Doolittle.
00:41:45I remember your eyes.
00:41:47How do you do?
00:41:48My Georges, it all comes back.
00:41:49My daughter, Clara.
00:41:50Up and gone.
00:41:51How do you do?
00:41:52What a confounded thing.
00:41:53How do you do?
00:41:54My son, Freddy.
00:41:55Oh, how do you do?
00:41:56How do you do?
00:41:58I'm sure I've had the pleasure of somewhere.
00:42:10Will it rain, do you think?
00:42:12The rain in Spain, they say, stays mainly in the plains.
00:42:20They say.
00:42:22How true, true, Miss Doolittle.
00:42:24But in...
00:42:25Hampshire, Hereford and Hartford, hurricanes hardly ever happen.
00:42:30They do, Miss Doolittle.
00:42:32But in...
00:42:33Hampshire, Hereford and Hartford, hurricanes hardly ever happen.
00:42:39Do they?
00:42:41Hardly ever, Miss Doolittle.
00:42:43How awfully funny.
00:42:45What is wrong with that, young man?
00:42:47I bet I got it right.
00:42:49Killing.
00:42:54Oh, excuse me.
00:43:09BELLS RINGING
00:43:25I do hope it won't turn cold.
00:43:27There's so much influenza about.
00:43:29It runs right through our family every spring.
00:43:32My aunt died of influenza.
00:43:35So they say.
00:43:37But it is my belief, as how they done the old woman in.
00:43:47Done her in?
00:43:49Yes, Lord love you.
00:43:51Why should she die of influenza
00:43:53when she'd come through diphtheria right enough the year before?
00:43:56Perhaps it wasn't diphtheria.
00:43:59You see, Vicar...
00:44:00Oh, but I saw her with my own eyes.
00:44:03Fairly blue with it, she was.
00:44:07They all thought she was dead.
00:44:09But my father, he kept ladling gin down her throat
00:44:13till she come to so sudden that she bit the bowl off the spoon.
00:44:16Dear me!
00:44:18Now, what call would a woman with that strength in her
00:44:23have to die of influenza?
00:44:26Ah.
00:44:28And what become of her new straw hat that should have come to me?
00:44:32Well?
00:44:34What?
00:44:35Somebody pinched it.
00:44:38And what I says is, them what pinched it done her in.
00:44:44Done her in?
00:44:46Could you tell me...
00:44:48Just the new slang, Vicar.
00:44:50But you surely don't believe that your aunt was killed, do I not?
00:44:57Them she lived with would have killed her for a hat pin.
00:45:01A lonely hat.
00:45:02But it couldn't have been right for your father
00:45:04to have poured spirits down her throat like that.
00:45:07Now, that might have killed her.
00:45:08Not her.
00:45:09Gin was mother's milk to her.
00:45:12Besides, he'd poured so much down his own throat
00:45:16that he knew the good of it.
00:45:18Oh, how terrible for you.
00:45:19Oh, it never did him no harm what I could see.
00:45:22He was always more agreeable when he had a drop in.
00:45:26When he was out of work,
00:45:28my mother used to give him a two and a kick
00:45:30and tell him to go out and not come home
00:45:33until he drunk himself cheerful and loving like.
00:45:37Charming.
00:45:38There's lots of women has to make their husbands drunk
00:45:42to make them fit to live with.
00:45:47Here.
00:45:48What are you sniggering at?
00:45:51The new slang.
00:45:52You do it so awfully well.
00:45:54If I was doing it proper,
00:45:56what was you laughing at?
00:46:00Have I said anything I oughtn't?
00:46:02No, not a thing, Miss Doolittle, no.
00:46:04Well, that's a mercy anyhow.
00:46:08What I always says is...
00:46:10Ahem.
00:46:17Well,
00:46:19I must go now.
00:46:22Goodbye, Mrs. Higgins.
00:46:25So glad to have met you.
00:46:27Goodbye, my dear.
00:46:29Goodbye, Picker.
00:46:31Goodbye, Colonel Pickering.
00:46:34Goodbye, Miss Doolittle.
00:46:35Good...
00:46:41Goodbye, all.
00:46:42Excuse me, Miss Doolittle,
00:46:44but would you be walking across the park?
00:46:46Because if so, I...
00:46:47Walk? Not bloody likely.
00:46:49I'm going in a taxi.
00:47:03Oh, it's no use.
00:47:05I shall never be able to bring myself to use that word.
00:47:10Oh, don't.
00:47:11It isn't compulsory, you know.
00:47:20You can say what you like,
00:47:22but I was ashamed you ought never to have done it.
00:47:24Oh, perhaps you were a bit hasty,
00:47:25but I'll soon put that right.
00:47:26It's no use, Higgins.
00:47:27You'll have to face it.
00:47:28It isn't fair on the poor girl.
00:47:30You'd better call the whole thing off.
00:47:32Nonsense.
00:47:33I said I'd pass the gutter snipe off as a duchess,
00:47:35and pass her off as a duchess I will.
00:47:37Here.
00:47:38You see that?
00:47:39It's an invitation from the Transylvanian Embassy.
00:47:42I'm going to take her there.
00:47:43You're mad.
00:47:44I tell you, Pick, that girl can do anything.
00:47:46Eliza!
00:47:47Eliza!
00:47:50Stop snivelling, girl.
00:47:54Eliza, shall I give you another chance?
00:47:58Will you work?
00:48:02Good.
00:48:03No, no, no.
00:48:04Do it again.
00:48:05I'll try.
00:48:06No, no, no.
00:48:07I've told you 500 times.
00:48:10You drive me mad, girl.
00:48:12Come, Higgins, be reasonable.
00:48:14Once more.
00:48:16No.
00:48:18No.
00:48:21I'm Mr. Freddy Hill to see Miss Doolittle.
00:48:23I'll inquire, sir.
00:48:25Thanks.
00:48:26Throw him out.
00:48:27Now listen, Eliza.
00:48:30She's engaged.
00:48:34Miss Doolittle.
00:48:41Oh, why can't you do it like this?
00:48:45He's here again.
00:48:46Throw him out, throw him out.
00:48:47Come on now, both together.
00:48:49One, two, three.
00:48:54That's better.
00:48:55Now listen carefully, Eliza.
00:48:57How kind of you to let me come.
00:48:59Now listen.
00:49:03Say it.
00:49:04How kind of you to let me come.
00:49:10How kind of you to let me come.
00:49:14Oh, it's Mr.
00:49:15I know.
00:49:18He's here again.
00:49:23No good, sir.
00:49:25May I have the pleasure, Miss Doolittle?
00:49:27Get up, girl, get up.
00:49:29Yes, I'll be delighted.
00:49:30I'll be delighted.
00:49:31All right, come on then.
00:49:32One, two, three.
00:49:33One, two, three.
00:49:34One, two, three.
00:49:35One, two, three.
00:49:36One, two, three.
00:49:37One, two, three.
00:49:38One, two, three.
00:49:39One, two, three.
00:49:40See, no sense of timing at all.
00:49:41Now watch me with Pickering.
00:49:42Come on, Pickering.
00:49:43One, two, three.
00:49:44One, two, three.
00:49:45One, two, three.
00:49:46One, two, three.
00:49:47One, two, three.
00:49:48One, two, three.
00:49:49Do you see what I mean?
00:49:50Now, once again.
00:49:54Silent soup drinking is one of the hallmarks of a lady.
00:50:00Wake up, Eliza.
00:50:01How would you address an ambassador?
00:50:04Your Excellency.
00:50:05Right.
00:50:06Now imagine yourself standing before an archbishop.
00:50:08How would you address him?
00:50:10Your Holiness.
00:50:11No, no, no.
00:50:12An archbishop, not the Pope.
00:50:15Your Worship.
00:50:16No.
00:50:18Your Majesty.
00:50:19Right.
00:50:20Now then, an ambassador.
00:50:21Your Excellency.
00:50:22An archbishop.
00:50:23Your Grace.
00:50:24The Queen.
00:50:25Your Majesty.
00:50:26An archduke.
00:50:31It's three o'clock, Mr. Higgins.
00:50:33Is that all?
00:50:35Now then, Eliza, we'll start all over again from the beginning.
00:50:37An ambassador.
00:50:38Your Excellency.
00:50:39An archbishop.
00:50:40Your Grace.
00:50:41The Queen.
00:50:42Your Majesty.
00:50:43An archduke.
00:50:44Your Holiness.
00:50:45A garden.
00:50:46Your Holiness.
00:50:47Come on, Eliza.
00:50:52It's half past four, Mr. Higgins.
00:50:56We'll now start the whole thing over from the beginning.
00:50:58Oh, I can't. I can't.
00:51:00Look here, if I can do it without a splitting headache, you can do it.
00:51:03No, but I've got a headache. I can't.
00:51:05Here, well, take this then.
00:51:09Now then, an ambassador.
00:51:11Oh, His Excellency.
00:51:13Come, Higgins, be reasonable.
00:51:17I'm always reasonable.
00:51:21Now then, Pickering, the time has come.
00:51:23Send the dressmakers, hairdressers, make-up artists, manicurists, and all the rest of the parasites.
00:51:28Did you ever see the light?
00:51:31I have it. Camellia, camellia, camellia.
00:51:33There. Do you see?
00:51:35No.
00:51:36A little spray of flowers.
00:51:37No, no.
00:51:53More mud there.
00:51:56Aren't you ready yet?
00:51:57Almost.
00:51:59Nervous?
00:52:00Yes, very. Aren't you?
00:52:01No, not a bit of it.
00:52:07Not a bit of it.
00:52:38Maestro! Maestro!
00:52:43You remember me?
00:52:44No, I don't. Where have we met?
00:52:46But I'm your pupil, your first pupil, your best and greatest pupil.
00:52:49I've made your name famous throughout Europe.
00:52:51You teach me phonetics, you're going to forget me.
00:52:53I am little Aristide Carpate.
00:52:55What, are you Aristide?
00:52:56Why the devil don't you know me?
00:52:57I'm Aristide Carpate.
00:52:58I'm Aristide Carpate.
00:52:59I'm Aristide Carpate.
00:53:00I'm Aristide Carpate.
00:53:01I'm Aristide Carpate.
00:53:02I'm Aristide Carpate.
00:53:03I'm Aristide Carpate.
00:53:04I'm Aristide Carpate.
00:53:05I'm Aristide Carpate.
00:53:06Aristide, why the devil don't you cut your hair?
00:53:08Oh, if I cut my hair, nobody notices me.
00:53:10I have not your imposing appearance, your chin, your brow.
00:53:14Tell me, what are you doing here among all these swells?
00:53:17I am indispensable at these international parties.
00:53:19You can place a man anywhere in London the moment he opens his mouth.
00:53:22I can place a man anywhere in Europe.
00:53:25Excuse me, sir.
00:53:26I want it upstairs.
00:53:27Her Excellency cannot understand the Greek gentleman.
00:53:29Oh, indeed. I'll come at once.
00:53:31This Greek diplomat who pretends he cannot speak or understand English.
00:53:36He cannot deceive me.
00:53:38A tout à l'heure, mon vieux.
00:53:42Is that Carpate fellow really an expert?
00:53:44My best pupil.
00:53:46But heaven help the master who is judged by his disciples.
00:53:48But if he be too lousy, we're done.
00:53:50Don't let's bother about the bit. Let's go home.
00:53:51Oh, rubbish, that idiot.
00:54:02Well, Eliza.
00:54:04Now we're in for it.
00:54:06Are you ready?
00:54:08Come on, then.
00:54:13Your Excellency.
00:54:14Darling, how nice to see you here.
00:54:17I've come here many times.
00:54:23That fellow found a way to get to me.
00:54:27That fellow found out about Eliza. He'll blackmail us.
00:54:29Let him try.
00:54:31Her Grace, the Duchess of Cairn.
00:54:39Admiral Sir Charles Brown-Hulby.
00:54:44Miss Elizabeth Doolittle.
00:54:46Colonel Pickering.
00:54:48Professor Higgins.
00:54:50Yes, sir.
00:54:52Admiral Koon Wong.
00:54:54And Miss Dooling Wong.
00:54:58How do you do, Colonel Pickering?
00:55:00How do you do? May I present Miss Elizabeth Doolittle?
00:55:03How do you do?
00:55:05How kind of you to let me come.
00:55:08Oh, not at all.
00:55:12The Mrs. Milker.
00:55:14Good evening.
00:55:16Oh, Professor, good evening.
00:55:18Who is this charming young lady?
00:55:20Good evening. Who is this charming girl you've brought?
00:55:23Is she a relation?
00:55:24Not of mine, no.
00:55:26She has such a faraway look as if she always lived in a garden.
00:55:30So she has. A sort of garden.
00:55:32There is one thing I have observed about the English, Duchess, and that is...
00:55:36Oh, yes, I adore observing the English.
00:55:39Let's go and observe them now.
00:55:41Come along, George.
00:55:43Oh, dear, such a bore about the English.
00:55:46And quite wrong, like every ambassador.
00:55:49Oh, look, there's dear old Lily Fantail with a whole of cute gardens on her head.
00:55:53You have a rival here tonight.
00:55:55He introduced himself as your pupil.
00:55:57Is he any good?
00:55:58He can learn a language in a fortnight.
00:56:00Knows dozens of them.
00:56:01Must show a mark of a fool.
00:56:03Your Excellency is interested in Miss Doolittle?
00:56:06Yes.
00:56:08Could you find out who she is, Excellency?
00:56:12Lord Wilsham and Lady Wilsham.
00:56:16I feel rather like Noah standing on the bridge watching the loading of the ark.
00:56:19You know, two of everything.
00:56:21Colonel Pickering...
00:56:23Tell me more about your Greek gentleman friend, would you?
00:56:26A gentleman? He's the son of a clerk and a watchmaker.
00:56:29He speaks English so villainously that he dare not utter a word of it without betraying his origin.
00:56:34I help him to pretend, but I make him pay for the loans.
00:56:38I make them all pay.
00:56:42And now, Professor Higgins, I should be delighted if you would present me to this Miss Doolittle.
00:56:48No, no, you don't. Can't you see she's talking to a duchess?
00:56:53Professor Higgins.
00:56:55The very man I've been dying to meet.
00:56:57I'm Isabella, the son.
00:56:58Fair fade of the glass.
00:57:00What extraordinary people seem to get in everywhere nowadays.
00:57:03Extraordinary.
00:57:05Colonel Pickering, unfortunately we were interrupted.
00:57:07Would you be so kind as to introduce me to Miss Doolittle?
00:57:10Well, I...
00:57:11I remember you so kindly addressed the Guild of the Daily Artisans.
00:57:13Oh, yes. Excuse me, but I must...
00:57:14Now, this time around...
00:57:15I want to tell you what they have longed for.
00:57:17Enchanting.
00:57:25I don't believe it's true.
00:57:36Miss Doolittle has a delicious sense of humor.
00:57:41One thing more, Professor, do tell me.
00:57:43Yes, Miss Doolittle. I have found out all about her.
00:57:46Well?
00:57:47She's a...
00:57:54Well, now go on.
00:57:55Oh.
00:57:57I say, Pickering, you know what's happened.
00:58:11Charming.
00:58:32Charming.
00:58:35Miss Doolittle.
00:58:41Miss Doolittle.
00:59:01Now, dear fellow, I hope you don't think I'll reduce that Carpathian chap to a liaison to win my bid.
00:59:05Nonsense, but the game's all up, Pickering. He's found out all about her.
00:59:12I say, Pick, look at that.
00:59:30Who is she?
00:59:31I can't imagine.
00:59:33My child, my son would very much like to dance with you.
00:59:36If I may be allowed the honor.
00:59:41Come on.
01:00:11Come on.
01:00:22When he gives the game away to the ambassadors, there'll be the deuce of a row.
01:00:25I wouldn't miss it for words. Excuse me.
01:00:38Come on, Aristide, you've got to tell us.
01:00:40Yes, tell us all you know about this Miss Doolittle.
01:00:42No, no, that is my secret.
01:00:44But I will tell your excellency.
01:00:46She has a right to know who Miss Doolittle is.
01:00:48Well, who is she?
01:00:49She is a...
01:00:50Don't start.
01:00:51Oh, no.
01:00:52She's a fraud.
01:00:53A fraud?
01:00:54Yes, yes, she cannot deceive me.
01:00:56Her name cannot be Doolittle.
01:00:58Why?
01:00:59Because Doolittle is an English name and she is not English.
01:01:02Oh.
01:01:03But she speaks it perfectly.
01:01:04Too perfectly.
01:01:05Can you show me any English woman who speaks English as it should be spoken?
01:01:08There is no such thing.
01:01:09The English do not know how to speak their own language.
01:01:11Only foreigners who have been taught to speak it, speak it well.
01:01:15Yes, there's something in there.
01:01:16But if she's not English, what is she?
01:01:18Hungarian.
01:01:19Hungarian?
01:01:20Yes, Hungarian and of royal blood.
01:01:23I am Hungarian, my blood is royal.
01:01:25Did you speak to her in Hungarian?
01:01:27I did. She was very clever.
01:01:28She said, please speak to me in English.
01:01:30I do not understand French.
01:01:32French?
01:01:33She pretended not to know the difference between Hungarian and French.
01:01:35Nonsense, she knows both.
01:01:38And the blood royal, how did you find that out?
01:01:40Instinct, maestro.
01:01:42Instinct?
01:01:43Only the Hungarian, the Madjar race can produce that air of the divine.
01:01:47All right, those high cheekbones, those resolute eyes.
01:01:50She is a princess.
01:02:07Now I know who it is.
01:02:09Who?
01:02:10Dow.
01:02:11Yes, look at her profile, it's the old duke exactly.
01:02:38What do you say, professor?
01:02:40Aye.
01:02:41I say an ordinary Cockney girl out of the gutter.
01:02:44I place her in Covent Garden.
01:02:47Maestro, maestro.
01:02:49You are mad on the subject of Cockney dialects.
01:02:52The London gutter is the whole world for you.
01:02:55This girl is undoubtedly a...
01:02:57A princess?
01:03:00Have it your own way, maestro.
01:03:03Have it your own way.
01:03:07Have it your own way.
01:03:27I have.
01:03:28Can Mrs. Pierce go to bed?
01:03:30You don't want anything else, shall we?
01:03:31No, no, no, no, no.
01:03:32I say, Mrs. Pierce will arrive and leave things lying about here.
01:03:35Oh, she'll pick them up.
01:03:36You're drunk.
01:03:37Yeah, we are.
01:03:38Slightly.
01:03:39Were there any letters?
01:03:40Didn't look.
01:03:43Heavens, what an evening.
01:03:45What a crew.
01:03:46What silly tomfoolery.
01:03:47Thank God it's all over.
01:03:49What the devil are my slippers?
01:03:50Well, you won your bet.
01:03:52Eliza did the trick and something to spare.
01:03:54Oh, it was interesting enough at first,
01:03:55but afterwards I got deadly sick of it.
01:03:57The whole thing's been a perfect ball.
01:03:58Oh, come, the reception was frightfully exciting.
01:04:00For the first three minutes.
01:04:01But as soon as I saw we were going to win hands down,
01:04:04I lost interest.
01:04:05No more artificial duchesses for me.
01:04:08Oh, they're there, are they?
01:04:09I must say, Eliza did it awfully well.
01:04:12You see, lots of the real people can't do it at all.
01:04:14The silly fools don't even know their own silly business.
01:04:17Anyhow, that's all over and done with.
01:04:18Now I can go to bed without dreading tomorrow.
01:04:20Well, I shall turn in too.
01:04:21Still, it's been a great triumph for you.
01:04:23Yes, it has rather, hasn't it?
01:04:24Marvellous.
01:04:25Good night.
01:04:26Good night.
01:04:27Good night, Eliza.
01:04:35Now, put out the lights, Eliza.
01:04:37Tell Mrs Pierce not to bring me coffee in the morning.
01:04:39I'll take tea.
01:05:05Yesterday, I put my slippers.
01:05:30There are your slippers.
01:05:31And there.
01:05:32Take your slippers.
01:05:33And may you never have a day's luck with them.
01:05:37What's the matter?
01:05:38Anything wrong?
01:05:39No.
01:05:40Nothing wrong with you.
01:05:41I've won your bet, you haven't I?
01:05:43That's all that counts.
01:05:45I don't matter, I suppose.
01:05:47You won my bet.
01:05:48You, you presumptuous insect.
01:05:50I won it.
01:05:52Why did you throw it away?
01:05:53I didn't throw it away.
01:05:54I didn't throw it away.
01:05:55I didn't throw it away.
01:05:56I didn't throw it away.
01:05:58Why did you throw those slippers at me?
01:06:01Because I wanted to smash your face in.
01:06:03I'd like to kill you, you brute.
01:06:06Why didn't you leave me where you found me?
01:06:09In the gutter.
01:06:10You thank God it's all over and that you can throw me back again there now, do you?
01:06:14Well, well, well.
01:06:15The creature is nervous after all.
01:06:17Ah, would you?
01:06:18Don't you dare show your temper to me.
01:06:19Sit down and be quiet.
01:06:21What's to become of me?
01:06:23What's to become of me?
01:06:24How the devil do I know what's to become of you?
01:06:26What's it matter what becomes of you?
01:06:27You don't care.
01:06:28I know you don't care.
01:06:29You wouldn't care if I was dead.
01:06:31I'm nothing to you.
01:06:32Not so much as them slippers.
01:06:33Those slippers.
01:06:34Those.
01:06:36Slippers.
01:06:38I didn't think it made any difference now.
01:06:42May I ask whether you complain of your treatment here?
01:06:45No.
01:06:46Has anyone behaved badly to you?
01:06:48Colonel Pickering, Mrs. Pierce, any of the servants?
01:06:51No.
01:06:52I presume you don't pretend that I've treated you badly.
01:06:57No.
01:06:58Ah, well, I'm glad to hear that anyway.
01:07:01Probably you're tired after the strain of the day.
01:07:06Here.
01:07:07Have a chocolate.
01:07:09No.
01:07:10No?
01:07:11No.
01:07:13Thank you.
01:07:14Well, it's all over now.
01:07:16Nothing more to worry about.
01:07:18No.
01:07:20Nothing more for you to worry about.
01:07:27Oh, God.
01:07:29I wish I was dead.
01:07:31Why?
01:07:33In heaven's name, why?
01:07:37Now listen to me, Eliza.
01:07:41All this irritation is purely subjective.
01:07:44I don't understand.
01:07:46I'm too ignorant.
01:07:47It's only imagination.
01:07:49Low spirits, nothing more.
01:07:51Nobody's trying to hurt you.
01:07:52Nothing's wrong.
01:07:54Now you go to bed like a good girl and sleep it off.
01:07:57Have a little cry and say your prayers and that'll make you comfortable.
01:08:02I heard your prayers.
01:08:04Thank God it's all over.
01:08:06Well, don't you thank God it's all over?
01:08:08Now you're free.
01:08:09You can do what you like.
01:08:12What am I fit for?
01:08:14What have you left me fit for?
01:08:16Where am I to go?
01:08:17What am I to do?
01:08:19What am I to do?
01:08:25What's to become of me?
01:08:26Oh, so that's what's worrying you, is it?
01:08:29Oh, you'll settle down somewhere or other.
01:08:34But I hadn't quite realized that you were going away.
01:08:40You might marry, you know.
01:08:43You're not bad looking.
01:08:45Quite a pleasure to look at you sometimes.
01:08:48Of course, now you've been crying.
01:08:50You look as ugly as the very devil, but...
01:08:52when you're quite all right in yourself,
01:08:55you're what I should call attractive.
01:08:57That is to people in the marrying line, you understand.
01:09:01Now you go to bed.
01:09:02Have a good night's rest.
01:09:04I'll see you tomorrow.
01:09:07Now you go to bed. Have a good night's rest.
01:09:10Get up in the morning and look at yourself in the glass.
01:09:13You won't feel so cheap.
01:09:17I dare say my mother could find some chap or other who'd do very well.
01:09:21We were above that in Covent Garden.
01:09:23What do you mean?
01:09:24I sold flowers.
01:09:26I didn't sell myself.
01:09:28Now you've made a lady of me, I'm not fit to sell anything else.
01:09:33I wish you'd left me where you found me.
01:09:35But you don't have to marry the fellow if you don't like him.
01:09:38What else am I to do?
01:09:39Well, lots of things.
01:09:40How about your old idea of a florist shop?
01:09:42Pickering could set you up in one. He's got lots of money.
01:09:45Oh, you'll be all right.
01:09:53I must clear off to bed. I'm devilish sleepy.
01:10:00By the way, I came here for something.
01:10:04I forget what it was.
01:10:06Your slippers.
01:10:08Oh, yes, of course.
01:10:10You shied them at me.
01:10:17Before you go, sir...
01:10:20Eh?
01:10:22Do my clothes belong to me or to Colonel Pickering?
01:10:25What the devil use should they be to Pickering?
01:10:27You might want them for the next girl you pick up to experiment on.
01:10:31Is that the way you feel towards us?
01:10:33I don't want to hear any more about that.
01:10:35All I want to know is what belongs to me and what doesn't.
01:10:38My own clothes were burnt.
01:10:40What's it matter?
01:10:41Why need you start bothering about that in the middle of the night?
01:10:44I want to know what I may take away with me.
01:10:46I don't want to be accused of stealing.
01:10:48Stealing?
01:10:50Eliza, you shouldn't have said that.
01:10:52That shows a want of feeling.
01:10:54I'm sorry.
01:10:55I'm only a common, ignorant girl.
01:10:58And in my station, I have to be careful.
01:11:00There can't be any feelings between the like of you and the like of me.
01:11:04Will you please tell me what belongs to me and what doesn't?
01:11:07Oh, you can keep the whole confounded house full if you like.
01:11:10All except the jewels. They are hired.
01:11:12Will that satisfy you?
01:11:14Stop, please.
01:11:15Will you take these to your room and keep them safe?
01:11:19I don't want to run the risk of them being missing.
01:11:22Hand them over.
01:11:25If these belonged to me instead of the jeweler,
01:11:27I'd ram them down your ungrateful throat.
01:11:29This ring...
01:11:35It isn't the jeweler's.
01:11:37It's the one you bought me in Brighton.
01:11:42I don't want it now.
01:11:46Don't you hit me!
01:11:47Hits you, you infamous creature!
01:11:49How dare you accuse me of such a thing?
01:11:51It's you who have hit me.
01:11:52You've wounded me to the heart.
01:11:54I'm glad. Glad!
01:11:57I've got a little of my own back anyhow.
01:11:59You've caused me to lose my temper.
01:12:01A thing that's hardly ever happened to me before.
01:12:03I prefer to say nothing more tonight.
01:12:05I shall go to bed.
01:12:11You'd better leave a note for Mrs. Pierce about the coffee
01:12:14because she won't be told by me.
01:12:16Damn Mrs. Pierce and damn the coffee and damn you
01:12:19and damn my own folly in having lavished hard-earned knowledge
01:12:22and the treasure of my regard and intimacy
01:12:24on a heartless gutter snipe.
01:12:49I love you.
01:13:19I love you.
01:13:21I love you.
01:13:47What are you doing here?
01:13:49Nothing.
01:13:50As a matter of fact, I spend most of my nights here.
01:13:53It's the only place I feel really happy.
01:13:56Don't laugh at me, Miss Doolittle.
01:13:58Don't you call me Miss Doolittle.
01:14:00Eliza's good enough for me.
01:14:02Where are you going?
01:14:03The river.
01:14:04What for?
01:14:05To make a hole in it.
01:14:06To make a hole in it?
01:14:07Freddy, you don't think I'm a heartless gutter snipe, do you?
01:14:10No, darling. How can you imagine such a thing?
01:14:13I think you're the most wonderful, the loveliest...
01:14:17Now then, now then, now then.
01:14:21This isn't Paris, you know.
01:14:23No, sorry, Constable.
01:14:27Eliza.
01:14:29Eliza.
01:14:30You let me kiss you.
01:14:31Well, why not?
01:14:32Why shouldn't someone kiss me?
01:14:34Why shouldn't someone be in love with me?
01:14:36Kiss me again.
01:14:37Kiss me again.
01:14:39All right.
01:14:41Now then, you two, what's this?
01:14:43Were you annoying that young lady?
01:14:45No, no, Constable, certainly not.
01:14:47Move along then, double quick.
01:14:49As you say, sir.
01:14:51Stop!
01:15:04Come, let's go.
01:15:09Well, if you don't...
01:15:16I beg your pardon, miss.
01:15:21Barf now, for poor girl.
01:15:45I beg your pardon.
01:16:16Sir.
01:16:18Your coffee, sir.
01:16:23Didn't Eliza tell you to bring tea?
01:16:25She didn't wait to tell me.
01:16:27She's gone.
01:16:29Gone?
01:16:30I said gone, and I meant it, every word of it.
01:16:36Mrs. Pierce!
01:16:38Where the devil's my engagement book?
01:16:40I don't know any of my appointments.
01:16:42Eliza would know.
01:16:43But she isn't here, dammit.
01:16:45Then you'd better find her, dammit.
01:16:47What does that Asservant Inspector say?
01:16:50Have you offered a reward?
01:16:52What?
01:16:53You can't help us find her?
01:16:55What are the police for, in heaven's name?
01:16:57Why really think they suspect us of some improper purpose?
01:17:01Of course, I don't care what becomes of her.
01:17:04Where the devil can she be?
01:17:12Come along.
01:17:23Have you seen Eliza Doolittle?
01:17:25No.
01:17:34I say, Mother, here's a confounded thing.
01:17:37Good morning, my dear. What is it?
01:17:39Eliza's boat is...
01:17:40Good morning, Colonel Pickering.
01:17:42Eliza's boat is... What am I to do?
01:17:44Do without, I'm afraid, Henry.
01:17:46The girl has a perfect right to leave if she chooses.
01:17:48Something may have happened to her.
01:17:49You can't let her go like this. What are we to do?
01:17:51You've no more sense, either of you, than two children.
01:17:53You must have frightened the poor girl.
01:17:55Frightened her? I hardly said a word to her.
01:17:57Did you bully her after I went to bed?
01:17:59Certainly not. Exactly the other way about.
01:18:01She threw the slippers in my face.
01:18:02The moment I entered the room, the slippers came bang in my face before I'd uttered a word.
01:18:06And she used the most perfectly awful language.
01:18:09I can't say I'm surprised.
01:18:11And you mean to tell me that after all her hard work,
01:18:13and after doing this wonderful thing for you without making one single mistake,
01:18:17you two sat there and hardly said a word to her?
01:18:20Well, we... we didn't make speeches, if that's what you mean.
01:18:23You didn't thank her, pet her, admire her?
01:18:27And she only threw the slippers at you.
01:18:29I'd have thrown the fire irons at you.
01:18:34Mr. Henry, a gentleman wants to see you, most particular.
01:18:37Oh, bother, I can't see anybody now.
01:18:39He's been sent on from Wimpole Street.
01:18:41Who is it?
01:18:42Mr. Doolittle, sir.
01:18:44Doolittle? A dustman?
01:18:46Dustman? Oh, no, sir. A gentleman.
01:18:50All right, show him in.
01:18:52By George Pick, this is some relative of hers she's gone to.
01:18:55Someone we know nothing about. Gentile relations.
01:18:58Now we shall hear something.
01:19:02Doolittle!
01:19:05What the dickens has happened to you?
01:19:07Henry Higgins, did you see this? Look at this.
01:19:10You've done this. Done what, ma'am?
01:19:12Look at this hat. Look at this coat.
01:19:14Good morning, Mr. Doolittle. Won't you come in?
01:19:16Thank you, ma'am.
01:19:18What has my son done to you?
01:19:20He's ruined me, destroyed my happiness,
01:19:23tied me up and delivered me into the hands of middle-class morality.
01:19:27You're raving, you're drunk, you're mad. I gave you five pounds.
01:19:30After that, I had two conversations with you at half a crown an hour,
01:19:33and I haven't even seen you since.
01:19:35Oh, mad am I? Drunk am I?
01:19:37Tell me this. Did you or did you not write to an old blighter in America
01:19:40to say the most original moralist present in England
01:19:43was Alfred Doolittle, a common garbage man?
01:19:46Ezra D. Wannerfeller, Jr.?
01:19:48Oh, I remember making some silly joke of the kind.
01:19:51Oh, you might well call it a silly joke.
01:19:54It's put the lid on me right enough.
01:19:56Just give him the chance he was looking for,
01:19:59to show Americans isn't like us,
01:20:01to recognize and respect merit in whatever class of life,
01:20:04however humble.
01:20:06Them words is in his blooming will,
01:20:08in which he leaves me 3,000 pounds a year,
01:20:11on condition I lecture for the Wannerfeller Moral Reform League,
01:20:15as often as they ask me, up to six times a year.
01:20:17But this solves the problem of Eliza's future.
01:20:20You can provide for her now.
01:20:22Yes, I'm expected to provide for everybody now at 3,000 a year.
01:20:26He shan't provide for her. She doesn't belong to him.
01:20:28I paid him five pounds for her.
01:20:30Mr. Doolittle, you're either an honest man or you're a rogue.
01:20:32A little of both, Henry, like the rest of us, a little of both.
01:20:34The point is, have you found Eliza?
01:20:36Have you lost her?
01:20:37Yes.
01:20:38Blimey, you have all the luck you have.
01:20:40No, I ain't found her, but she'll find me quick enough,
01:20:42now that's what you've done to me.
01:20:44Now, you listen to me.
01:20:45Would you wait here for a moment, Mr. Doolittle?
01:20:50Henry, I have a surprise for you.
01:20:53Do you really want to know where Eliza is?
01:20:55Yes, where is she?
01:20:56She says she's willing to meet you on friendly terms,
01:20:59and let bygones be bygones.
01:21:01Is she bygones? Pickering, where is she?
01:21:04Now, promise to behave yourself, Henry.
01:21:11Good morning, Colonel Pickering.
01:21:12Quite chilly this morning, isn't it?
01:21:21Oh, how do you do, Professor Higgins?
01:21:23Are you quite well?
01:21:25But of course you are, you're never ill.
01:21:29Won't you sit down, Colonel Pickering?
01:21:35Don't you dare try this game on with me.
01:21:39Get up and come home and don't be a fool.
01:21:41Very nicely put indeed, Henry.
01:21:43No woman could resist such an invitation.
01:21:45Let her speak for herself.
01:21:47There isn't an idea that I haven't put into her head.
01:21:50I tell you, I've created this thing
01:21:52out of squashed cabbage leaves in Covent Garden,
01:21:55and now she pretends to play the fine lady with me.
01:21:58Will you drop me altogether?
01:22:00Now the experiment is over, Colonel Pickering.
01:22:02Oh, you mustn't think of it as an experiment.
01:22:05Oh, I'm only a squashed cabbage leaf.
01:22:10But I owe so much to you
01:22:11that I should be very unhappy if you forgot me.
01:22:14You see, it was from you that I learned really nice manners,
01:22:16and that's what makes one a lady, isn't it?
01:22:18Ha!
01:22:19And that's what makes the difference, after all.
01:22:22No doubt.
01:22:23Still, he taught you to speak, you know,
01:22:25and I couldn't have done that.
01:22:26Of course, that was his profession.
01:22:28It was just like learning to dance in the fashionable way.
01:22:32Nothing more than that in it.
01:22:34Do you know what began my real education?
01:22:36No.
01:22:37Your calling me Miss Doolittle
01:22:39that day when I first came to Wimpole Street.
01:22:42That was the beginning of self-respect for me.
01:22:45You see, the difference between a lady and a flower girl
01:22:48isn't how she behaves.
01:22:50It's how she's treated.
01:22:52Now, I know that I should always be a flower girl
01:22:55to Professor Higgins
01:22:56because he always treats me as a flower girl and always will.
01:23:00Don't grind your teeth, Henrietta.
01:23:02But I know that I can be a lady to you
01:23:04because you always treat me as a lady and always will.
01:23:08Well, it's very nice of you to say so, Miss Doolittle.
01:23:11I should like you to call me Eliza now, if you would.
01:23:14Thank you.
01:23:17Eliza.
01:23:19Of course.
01:23:22And I should like Professor Higgins to call me Miss Doolittle.
01:23:27I'll see you damn first.
01:23:28Henrietta. Henrietta.
01:23:30But you're coming back, aren't you?
01:23:31You'll forgive Higgins.
01:23:32Forgive? Will she, by George? Let her go.
01:23:35Let her find out what it's like to be without us.
01:23:37In three weeks, she'll relapse back into the gutter without me at her elbow.
01:23:40You won't relapse, will you, Eliza?
01:23:42No, never again.
01:23:44I don't believe I could utter one of those old sounds if I tried.
01:23:48Ow!
01:23:51Ha-ha! What did I tell you?
01:23:53Victory!
01:23:55Victory!
01:23:57Ow! Ow!
01:23:59Ow! Ow! Ow!
01:24:01Henry!
01:24:02Ow!
01:24:04Eliza, it ain't my fault.
01:24:06Your stepmother...
01:24:09Henry, look, Henry.
01:24:12Colonel, I'm getting late for the wedding.
01:24:14Wedding? What wedding?
01:24:15Mine.
01:24:16Yours?
01:24:17Yes, in spite of all I've said and done to my wife.
01:24:20She's going to marry me.
01:24:22I'm feeling uncommon nervous about the ceremony, Governor.
01:24:25I wish you'd come and put me through it.
01:24:27But you've been through it before. You were married to Eliza's mother.
01:24:30Who told you that, Governor?
01:24:31Well, nobody told me, but I conclude it naturally now.
01:24:34That ain't the natural way, Governor.
01:24:36That's only the middle class way.
01:24:38But don't tell Eliza. She don't know.
01:24:41I always had a sort of delicacy about telling her.
01:24:43Well, you're quite right.
01:24:45Will you come to the church and see me through straight?
01:24:47With pleasure, as far as a bachelor can.
01:24:49May I come too, Mr. Doolittle?
01:24:51I'd be very sorry to miss your wedding.
01:24:53We should indeed be honoured by your condescension, ma'am.
01:24:56My poor old woman, she'd look upon it as a tremendous compliment.
01:24:59She's been very low, likely,
01:25:01thinking of the epitaphs that are no more.
01:25:08Eliza, your stepmother's going to marry me.
01:25:12Will you come to the church and see me turned off?
01:25:15I've ordered the car, dear. Wait for me.
01:25:18Colonel Pickering can go with the bridegroom.
01:25:20Bridegroom.
01:25:23What a word.
01:25:25Makes men realise his position somehow.
01:25:31So long.
01:25:33See you at the church.
01:25:36Middle class morality climbs its victim.
01:25:43Eliza.
01:25:49Well, Eliza, you've had a bit of your own back now, as you call it.
01:25:52You had enough, and you're going to be reasonable, or do you want some more?
01:25:55You want me back only to put up with your tempers
01:25:58and pick up your slippers and fetch and carry for you.
01:26:00I haven't said I wanted you back at all.
01:26:02Oh, indeed. Then what are we talking about?
01:26:04About you, not about me.
01:26:06If you come back to me, I shall treat you just the same as I've always treated you.
01:26:09I can't change my nature, and I don't intend to change my manners.
01:26:12My manners are exactly the same as Colonel Pickering's.
01:26:15That's not true. He treats a flower girl as if she were a duchess.
01:26:18I treat a duchess as if she were a flower girl.
01:26:21I see. The same to everyone.
01:26:25Oh, I don't care how you treat me.
01:26:28I don't mind your swearing at me.
01:26:31I don't mind a black eye.
01:26:33I've had one before this, but...
01:26:36I won't be passed over.
01:26:38Then get out of my way, for I won't stop for you.
01:26:41You talk to me as if I were a bus.
01:26:43So you are a bus, all bonds and go, and no consideration for anyone.
01:26:46Once for all, understand that I go my way and do my work
01:26:49without caring what happens to either of us.
01:26:51So you can come back or go to the devil, whichever you please.
01:26:55And what am I to come back for?
01:26:57For the fun of it. That's what I took you on for.
01:27:00And you can throw me out tomorrow if I don't do everything you want me to do?
01:27:03And you can throw me out tomorrow if I don't do everything you want me to?
01:27:06And you can walk out tomorrow if I don't do everything you want me to?
01:27:09And live with my stepmother?
01:27:11Yes, or sell flowers. Or would you rather marry Pickering?
01:27:14I wouldn't marry you, if you ask me.
01:27:16And you're nearer my age than what he is.
01:27:18Than he is.
01:27:21I'll speak as I like.
01:27:23You're not my teacher now.
01:27:26I don't know the Pickering would, though.
01:27:29He's as confirmed an old bachelor as I am.
01:27:31That's not what I want, and don't you think it.
01:27:33I've always had chaps enough wanting me that way.
01:27:36Freddy Hill writes to me twice and three times a day.
01:27:39Sheets and sheets.
01:27:41Blast, he's impudent.
01:27:42He has a right to if he likes the poor lad.
01:27:44And he does love me.
01:27:45You have no right to encourage him.
01:27:46Every girl has a right to be loved.
01:27:48What, by fools like that?
01:27:49Freddy's got a right to be loved.
01:27:51You have no right to encourage him.
01:27:52Every girl has a right to be loved.
01:27:54What, by fools like that?
01:27:55Freddy's not a fool.
01:27:56If he's weak and poor and wants me,
01:27:59maybe he'd make me happier than my betters
01:28:02who bully me and don't want me.
01:28:06I can do without you. Don't think I can't.
01:28:13You've never asked, I suppose,
01:28:16whether I could do without you.
01:28:22You'll have to do without me.
01:28:25I can do without anybody.
01:28:28I have my own soul, my own spark of divine fire.
01:28:33But I shall miss you, Eliza.
01:28:37I confess that humbly and gratefully.
01:28:41I've become accustomed to your voice and appearance.
01:28:45I even like them, rather.
01:28:47Well, you have them both on your gramophone
01:28:49and in your book of photographs.
01:28:51When you feel lonely, you can turn the machine on.
01:28:53It's got no feelings to hurt.
01:28:56I can't turn your soul on.
01:29:03Oh, you're a devil.
01:29:06You can twist the heart in a girl
01:29:08as easily as some can twist her arms to hurt her.
01:29:13I want a little kindness.
01:29:15I know I'm only a common ignorant girl,
01:29:18but I'm not dirt under your feet.
01:29:21What I done, I...
01:29:23What I did,
01:29:25it wasn't for the dresses and for the taxes.
01:29:28It was because we were pleasant together
01:29:30and because I come...
01:29:32came to care for you,
01:29:34not forgetting the difference between us
01:29:36and not wanting you to make love to me, but...
01:29:39Well, more... more friendly, like.
01:29:42Of course, Eliza.
01:29:44That's exactly how I feel.
01:29:48And how Pickering feels.
01:29:52Eliza, you're a fool.
01:29:54That's not a proper answer to give me.
01:29:56If you can't stand the coldness of my sort of life
01:29:58and the strain of it, go back to the gutter.
01:30:01Oh, it's a fine life, the life of the gutter.
01:30:03It's real, it's warm, it's violent.
01:30:06Not like science and literature and classical music
01:30:09and philosophy and art.
01:30:12You find me cold, unfeeling, selfish, don't you?
01:30:15Very well, then marry some sentimental hog or other
01:30:17with a thick pair of lips to kiss you with
01:30:19and a thick pair of boots to kick you with.
01:30:21If you can't appreciate what you've got,
01:30:23you better get what you can appreciate.
01:30:25I won't care for anyone who doesn't care for me.
01:30:27Oh, Eliza, you're an idiot.
01:30:29I waste the treasures of my Miltonic mind
01:30:31by spreading them before you.
01:30:33Oh, I can't talk to you.
01:30:34You turn everything against me.
01:30:36You know very well that I can't go back to the gutter,
01:30:38as you call it, and that I've no real friends in the world
01:30:40but you and the colonel.
01:30:42You think I must go back to Wimpole Street
01:30:43because I've nowhere to go but father's.
01:30:45But don't you be too sure that you have me under your feet
01:30:47to be bullied and talked down.
01:30:49I'll marry Freddy, I will, as soon as I'm able to support him.
01:30:52What, that young fool?
01:30:54You shall marry an ambassador.
01:30:56You shall marry the viceroy of India.
01:30:58I won't have my masterpiece thrown away on Freddy.
01:31:01You think I like you to say that,
01:31:03but I haven't forgotten what you said a minute ago.
01:31:05If I can't have kindness, I'll have independence.
01:31:08Independence, that's middle-class blasphemy.
01:31:10We're all of us dependent one on another, every soul on earth.
01:31:13I'll let you see whether I'm dependent on you.
01:31:15If you can preach, I can teach.
01:31:17I'll go and be a teacher.
01:31:19What will you teach in heaven's name?
01:31:21What you taught me.
01:31:23I'll teach phonetics.
01:31:25I'll offer myself as an assistant to Professor Carpati.
01:31:28What, that humbug?
01:31:30That imposter, that toadying ignoramus?
01:31:33You take one step in his direction,
01:31:35I'll wring your neck, you hear?
01:31:37Wring away! What do I care?
01:31:39I knew you'd strike me one day.
01:31:42Now I know how to deal with you.
01:31:45Oh, what a fool I was not to think of it before.
01:31:48That's done you, Henry Iggins, it has,
01:31:51and I don't give that for your bullying and your fine talk.
01:31:56When I think of myself,
01:31:59crawling under your feet,
01:32:02and being trampled on and talked down,
01:32:05when all the time I'd only to lift my finger to be as good as you are.
01:32:08Oh, I could just kick myself.
01:32:11By George Eliza, I said I'd make a woman of you, and I have.
01:32:15I like you like this.
01:32:17Yes, you make up to me now that I'm not afraid of you and I can do without you.
01:32:21Of course I do, you little fool.
01:32:24Five minutes ago, you were a millstone round my neck.
01:32:27Now you're a tower of strength, a consort battleship.
01:32:36Goodbye, Professor Iggins.
01:32:57Oh, no.
01:33:27Oh, no.
01:33:58Oh, I ain't dirty.
01:34:00You washed my face and hands before I come, aren't you?
01:34:02I shall make a duchess of this draggle-tailed gutter-sniper.
01:34:05Oh!
01:34:06In six months, in three.
01:34:16I washed my face and hands before I came.
01:34:20I washed my face and hands before I came.
01:34:24I washed my face and hands before I came.
01:34:30I did.
01:34:47Where the devil are my slippers, Eliza?
01:34:54Where the devil are my slippers, Eliza?
01:35:24Where the devil are my slippers?