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Short filmTranscript
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00:55Hi.
00:58Oh, hello.
01:02I thought we agreed. I told you, you weren't to call me.
01:07Dead?
01:10Dead since when? Is this supposed to be a joke?
01:16Robert, I'm sorry. I really am.
01:19But how? What happened?
01:23How long ago? Were you in the car?
01:30No. No, we'd better not.
01:33Are you in London?
01:38No, don't come up. Not yet. I need to think.
01:47But I am sorry.
01:53Me, too.
02:08Bad news, love.
02:14Somebody's wife died.
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03:37We picked a fine day for it, eh?
03:43You sure there's a train back this evening?
03:458.40.
03:47I don't want to stay there.
03:49In the town?
03:50The house.
03:51My house?
03:53Hers.
03:54Mine. It always was.
03:56Well, count them if we miss the train.
03:59I don't want to miss it.
04:01Well, I suppose you shouldn't take long, then.
04:04Is it necessary?
04:06What?
04:07The scavenging.
04:08That's a peculiar word.
04:09It's accurate.
04:11The house is mine. There are objects in it which are mine, too.
04:14The word scavenging hardly applies in it.
04:18If we don't take them, there'll be auction for next to nothing.
04:20Let them.
04:23I assume we make off with her clothes or the bed linen.
04:26There's some kitchenware.
04:28Gas cooker and refrigerator don't have the same morbid associations as monogrammed handkerchief.
04:33I can't think nigh not.
04:35Myself, I could as readily weep at the sight of a washing machine.
04:40You're in high spirits.
04:42Yes.
04:43Then let's not go.
04:45Don't you want to see where I live?
04:46Not very much.
04:47Where I sat when I phoned you.
04:49I used to write to you late at night at the kitchen table.
04:52You can take that if you like.
04:57I think I better wait for you in the town.
04:59No, you must come and choose. Come on.
05:01There's nothing I want from that house.
05:03All right.
05:05Oh, don't throw a moody.
05:07Well, come and see it then.
05:10I know what's in the back of your mind.
05:12You want nothing that won't fit in with your color scheme, huh?
05:15Think I've forgotten?
05:16White walls and olive green carpets, yeah?
05:18Fool.
05:20That's what our place is going to look like, right?
05:22Only the living room.
05:24It's very MW3, isn't it?
05:27All my life I've cared for white walls and beautiful, deep, deep carpets.
05:31Green is a dream in people's death.
05:33What?
05:34Look at you.
05:36Glass doorknobs and everything.
05:37I have those.
05:38Good, good, good.
05:44How did she die? Marry?
05:47In the car.
05:49I know that. How?
05:51I suppose she was driving into town.
05:54Reliably.
05:56Weather like this.
05:58I don't know.
06:00Skid, warm tires, speeding.
06:02Easy stuff.
06:04Did she, uh...
06:07I mean, was it instantaneous?
06:10Not really, no.
06:12I don't want to see why it happened.
06:15No, no, no.
06:17I don't know.
06:19I'm glad that you and I were over then.
06:22I know.
06:23I mean, that it was finished between us, that we'd agreed to...
06:27Somehow that makes it not so bad.
06:30You don't like feeling guilty, huh?
06:32Do you?
06:44Oh, nearly there.
06:46I don't know whether you're getting at me or not.
06:52No, of course I'm not getting at you.
06:55You're a moral hemophiliac, that's all.
06:58Get to you later.
07:01You know how they like our presents.
07:17Nothing to be nervous about. No dark corners.
07:22It was a millhouse originally.
07:24Marion knocked down a few walls, raised the ceilings, or, uh...
07:28What was it? Lowered them.
07:30Splashed around oceans of paint, let a bit of light in.
07:33Not much of it today, though.
07:35Couldn't we have kept the taxi?
07:37I asked him to come back for us, you heard me.
07:39Yes, but if he doesn't, then...
07:41Darling, you're making my life very difficult.
07:43He'll be here at 6.30.
07:45Come in.
07:56Give me a coat.
07:58I'm fine.
08:00We have an hour. Do you propose to spend it in the hall in a wet coat?
08:06No olive green carpet.
08:09No white walls.
08:16Marion had good taste.
08:18I don't know. I've grown too used to it.
08:24Kitchen?
08:29Dining room.
08:31Upstairs, two beds, two baths.
08:33Aren't you posh?
08:35You've got to. They're passing a new law.
08:37Once it's through, if you don't have one bathroom per bedroom,
08:40you aren't allowed to take the colour supplements.
08:42That's an incitement to dirty living.
08:45Not bad, not bad.
08:47A drink?
08:49No, thanks.
08:50Coffee, then? Yes, you will.
08:52You need it. Come on, sit down.
08:54These covers.
08:56Looks like holy week in the catacombs, doesn't it?
09:04Come on, sit down.
09:12Come on.
09:42Come on.
10:13This room's locked.
10:15It's the dining room.
10:17It's locked.
10:25It's not like I pictured it.
10:34There's a picture missing.
10:36What?
10:43Ah!
10:45Over there, under the cupboard,
10:47there's something I don't want to look at.
10:59I don't!
11:07Oh.
11:11Lena.
11:13Marian was always lucky at raffles.
11:15There are such people, you know.
11:17Don't bother selling them a ticket.
11:19Just hand over the loot and save a journey.
11:23No kidding. What do you think he was?
11:25I don't know. Who put it there?
11:27I did.
11:29The person who cleaned up.
11:31Can't remember.
11:33No-one's been here for two weeks.
11:36Someone...
11:38Oh, I feel ill.
11:40Come on, Marian.
11:42Sit down.
11:46It's not your day, is it?
11:51It moved under the sheet.
11:53I must have...
11:55Touched it.
11:58Coffee will take a while.
12:00Have some of this, eh?
12:11I was looking at that blank spot.
12:13Hmm? There.
12:15Oh, yes.
12:17That was a picture of Marian.
12:19A friend of hers is quite clever with oils.
12:21I took it down.
12:23Why?
12:25Drink your brandy.
12:27Why?
12:29A car hit the wall of an estate on the way into town.
12:31Her face was mutilated.
12:33Where is it now?
12:35In the...
12:37The dining room.
12:39Is that why it's locked?
12:41Partly. I haven't entertained much since the accident.
12:43The...
12:45The key ought to be in here.
12:47I don't want to see it.
12:51The room?
12:53No, the...
12:55Is there something to laugh at?
12:57No.
12:59If I thought you were making fun of me...
13:01There are three people for that.
13:03The joker, the victim, the one who loves.
13:05No, truly, I...
13:07All day you've been...
13:09You may as well know.
13:11I'm not leaving this room until the taxi comes.
13:13And the only thing I intend taking out of here is myself.
13:15Nothing else.
13:17Fine, fine.
13:19You can argue all you want to.
13:21Why not? I did on the way down.
13:23That's why I was brought here.
13:25Not why. How?
13:27What does that mean?
13:29What's next?
13:31To get me here, we came down, or at least you did,
13:33to pick out things for the flat.
13:35Kitchenware, crockery. It was your idea.
13:37I wouldn't take a teaspoon out of this house.
13:39Then why?
13:41I know you too well.
13:43If I said, let's go down and hand out the furniture to the poor of the parish,
13:45you wouldn't have believed me for a moment.
13:47But when I suggested, what was your word for it?
13:49A scavenger hunt?
13:51You fell for that.
13:53You always believe the worst of people.
13:55I have good cause.
13:57She was so house-proud of it.
13:59How could I touch anything?
14:01Did you notice the garden? A gnome, for God's sake.
14:03The half-coconut shell for the birds.
14:05Marianne's idea of sophisticated living
14:07was a joke book in the loo
14:09and a trick poster in the guest room.
14:11She wasn't inquisitive.
14:13It was just that beyond the front gates,
14:15there were dragons, so all she could love was what lay inside them.
14:17Bits of furniture,
14:19carpets, flowers in a vase.
14:21Why was I brought here?
14:23The kettle's boiling.
14:27Tell me!
14:29Presently.
14:53The kettle's boiling.
14:55The kettle's boiling.
14:57The kettle's boiling.
14:59The kettle's boiling.
15:01The kettle's boiling.
15:03The kettle's boiling.
15:05The kettle's boiling.
15:07The kettle's boiling.
15:09The kettle's boiling.
15:11The kettle's boiling.
15:13The kettle's boiling.
15:15The kettle's boiling.
15:17The kettle's boiling.
15:19The kettle's boiling.
15:21The kettle's boiling.
15:23The kettle's boiling.
15:25The kettle's boiling.
15:27The kettle's boiling.
15:29The kettle's boiling.
15:31The kettle's boiling.
15:33The kettle's boiling.
15:35The kettle's boiling.
15:37The kettle's boiling.
15:39The kettle's boiling.
15:41The kettle's boiling.
15:43The kettle's boiling.
15:45The kettle's boiling.
15:47The kettle's boiling.
15:50It's only instant
15:52There's consolation
15:53There's brown sugar.
15:55Do you mind if I make a fool of myself again?
15:59There's a noise.
16:00In here?
16:01Look, I heard it from in there.
16:03Stop that.
16:05Are you sure?
16:06I said so.
16:08That room's empty.
16:09I didn't say it wasn't.
16:10I said there was a rustling sound.
16:13Ay, you mean like a bird in the chimney
16:14Please go and see.
16:16Alright, I..
16:17right. can't you find the key? if it's not where you left it some...
16:33want to look? portrait's not a bad likeness. you go.
16:47nothing. you sure? come and have a look. no thanks. you never notice noise in the city.
17:01out of town you hear everything. floorboards, mice, death watch beetle. when we came here
17:07first I couldn't sleep. is there a window in that room? a window with bars. they were
17:12there originally. Marion found them unsightly but she left them stay. she was the kind of
17:17person who believed that burglars would kill you for the fun of it. she saw the world as
17:20malevolent. so no one got in but the window. malevolent means evil. I don't pretend to be
17:28clever. it's that crisp posh accent of yours that does it for you. thank you very much.
17:33ah those superb girls with immaculate accents in Sunday morning pubs. I wonder if they know
17:42what malevolent means. if they hear voices in other rooms. goddesses unnerve me and it would be
17:47comforting to think of them now and again as uncertain and fearful. I know what's wrong with
17:52this house. there's always an emptiness about a house when someone's died. mystery solved. but
17:59there isn't in this one. as if there was someone else here. I'm sorry if you say the house is
18:04empty then it isn't. I'm stupid. I just have this... there's milk in my coffee. did you want a blank?
18:12you said no one had been in the house for two weeks. well? you're a working girl. I wouldn't
18:20expect you to have heard of powdered milk. oh I'm sorry. no more fancies I promise. do you know
18:31the shortest ghost story in the world? two men were walking along together. one of them said do
18:37you believe in ghosts? the other man said oh yes yes and vanished. why did you bring me here? you
18:44said the furniture was a pretense. a pretext. pretext. why? I wanted us to talk. and? a quiet chat.
18:54brought me here 80 miles for a chat. now this house... this house is yours. it has nothing to do
19:01with me. yes it's mine and it was Marion's so it concerns you. how? all this way. shivering. I feel
19:08ill. could have talked in London. this had better be important. well something needs to be settled.
19:17what? unless... go on. often a man wants a girl as long as he can't have her. then when he's free
19:28to marry her he has second thoughts. he thinks he could do better for himself. no hurry. shop
19:35around. it happens. just like that? people do what's best for themselves. I've been let down
19:43before now. often? no one ever did it more than once.
19:56leaving you is the one thing I couldn't do. no? do you believe I could marry and live with anyone
20:05except you? I told you a long time ago this is till death. we'll see. the only reason you want
20:15to marry me is to feel superior because I can't pronounce long words. or spells. you're right. I
20:21couldn't let you go easily. I've come nearer to trusting you than anyone else I know. even though
20:32you've changed. have I? hmm before. I mean before we agreed to split up it was different. you rang
20:40me two or three times a day. I had a long letter on Saturdays. you sulked. you wanted answers. everything
20:46had to be put in a little box. yes or no. black or white. and now? you were possessive which I hate.
20:54now it's all likeness. very cool. no more questions. as if you didn't care. I do care. you can believe
21:04that. more coffee? no. it was that carof wine we had at lunch. I keep forgetting that I like wine
21:15and it loathes me. it's middle-aged. do you want to use the loo? there are two of them. no.
21:45something is wrong. with you I have radar. I'm besotted as ever. the fever's gone that's all. you
21:58hear someone saying he made a fool of himself over a woman. you envisage a kind of weakling. an object
22:05of pity. you wonder how any man can give himself totally to passion. you believe it could never
22:11happen to you. you're saying it did. that you made a fool of yourself. I behave foolishly. we
22:19lived here in the country. not in that awful landscape garden near London that passes for
22:24country. when you live 40 miles beyond the adultery belt women aren't so easily come by.
22:29there are no temptations. then I went up in the world. a new job. some excitement. four days a
22:36week in London. me? you. I lost my wits and you were always in such superb control. I told myself
22:47hey no woman in love can be so calm. I can. and I took it for indifference. so I panicked. phone
22:55calls the questions. I became everything I despise in others. why did you lose your wits over me?
23:02why? I'm not special. physically no. you have nice eyes. deep as quicksands. that's not why.
23:10you're being elusive. evasive. well let's see. you're a woman. that's part of it. 99 women out
23:23of a hundred of your age are no more than superannuated girls. women really are rare. what
23:29else? the third time we went out together you told me a little about yourself and you glared
23:38at me and you said don't feel sorry for me. I almost laughed because you felt so sorry for
23:43yourself. just then I had this absurd feeling of recognition as if I was keeping an appointment
23:49we made God knows how many years ago. it was the homecoming. that was the start of it. nothing to
23:58do with the kind of person you are. what kind was that? nice at first. warm alive. choose your
24:04own cliche. first but not later. there were quarrels. do you wonder? I was fond of you. you
24:11were married. I was under stress. I had hang-ups. you sound like a polterer. be snide if you want
24:17to. some of the girls I work with go with married men. I don't. one of them even had his baby.
24:24they're my friends but they disgust me. I'm sorry if I've lost your good opinion. opinion has nothing
24:33to do with it. it happened. it's frightening when you love someone you give them the power
24:37to destroy you. could any man destroy you Lena? I missed you when we split up. when we what? when
24:47we agreed to... that's the third time today you use that word. there was no agreement. we decided...
24:52the last time I heard your voice before Marion's accident three months before was on the telephone.
24:57you refused to see me. I said you mean forever and you laughed and you said forever is a long
25:01time and you hung up. well? you decided. we didn't. oh it's in the past. can't we leave it?
25:16it needs to be settled. why? are we going to have a row? all right. the truth is that you wanted us
25:27to break up too only you were too much of a coward to say it. that's not true. own up. what kind of
25:32a future had we? you couldn't tell Marion. I wanted to. I said no I don't go around breaking up
25:37marriages. well what were we to do then? go on till she found out? I'm not so young I can go on
25:44wasting my life. I was married before. he was a monster. now I want to be happy for a change. of
25:52me? if it's what you want. was I the one who broke us up? if so it wasn't just for my own sake. all
26:01I'm glad about is that Marion never knew. she knew. you mean she guessed? she was told. by you?
26:11she had a letter. London postmark. who? a friend. that was the signature. Christ. she was unambitious.
26:21a husband, four walls and a roof. that was enough. but they were necessary. you told her it was true?
26:29I had no choice. there were other proofs. what did she say? what you'd expect. anger first then
26:36didn't you tell her it was over? it wasn't for me. it never would be so how could I?
26:50she sat by herself a great deal in there. she saw it by the window light as good. I
26:55suppose she had a lot to think about. then a week or so later she took the car out.
27:02are you saying she might have... afraid there's no might about it. she left a note. please no.
27:10you are ill. come on upstairs. no. if you're not feeling well at least lie down here on the sofa.
27:18why didn't you tell me? I didn't know whether or not I should. come on. heat up. there's a rug
27:27somewhere. you're as cold as ice. that's what the girls call me at work. ice queen. you know what
27:36girls are? Arlena. cold little piece. never panics. knows the score. that's so wrong.
27:44quiet now quiet. what time is it? why isn't the taxi here?
27:56it's quarter to six. time enough for you to take a nap. I have to go upstairs and get some paper.
28:03no don't leave me. just for a moment. no. I will make a bargain. you rest quietly. I'll stay with you.
28:26I love you.
28:51Lena
28:56Lena
29:26Lena
29:56Lena
30:26Lena
30:56Lena
31:26how do you feel? what? how do you feel? I don't know. what time is it? nine five.
31:42taxi. I sent it away. you were ill. I thought it better to let you sleep. now don't be upset. I
31:56booked a hotel room and you'll come back for us at 10 o'clock. you should have waked me. I'd have
32:02soon wake the dead. you look better. my mouth feels as if I've been eating cobwebs. the sickness
32:09is gone. what are you doing? inventory for the auction. I deserted you to get these from upstairs.
32:20I had nightmares. or were they thoughts? did I scream? no. then I must have dreamt it. tell me.
32:34something about flowers. yellow flowers. yes? I was dreaming of flowers. then there was a woman.
32:48it was Marian. how could you tell? how? you never saw her. she had no face. it was dark.
33:00it was a light. somewhere. she came close to me and I saw her. I dreamt that I screamed. instead
33:15of a face she... we must sue that restaurant. a carafe wine. is it true what you said? that she
33:25killed herself? it was intentional yes. and we were to blame? no I blame the person who wrote
33:31that note. are you too blind or too deaf to know that your husband has been having an affair with
33:37a girl in London? her name... I was named? of course. and note the phrasing. not is having an affair. has
33:44been having. as if the person knew that it was over. my friends knew. my close friends. I told
33:49them. you think it was one of them? someone wrote it. you told me your friend Lucille was jealous. no
33:58not Lucille. I'm sure not. whoever it was couldn't have known that Marian was the kind of person who
34:04would... drive a car through a granite wall. true. you couldn't have known that either. there was a
34:10rule. we didn't talk about it. made things easier. oh yes for me too. now I know I so I know what it
34:19suited me to see you. a cabbage timid dull a woman incapable of passion would be more
34:24inconvenience than hurting if I walked out. once you and I began she became unreal. she
34:31had to. ghosts don't bleed. as you say it made made things easier.
34:35does it make a difference to us? not does it. I feel dreadful but we must face it. normal people
34:51don't kill themselves. if they get hurt they go on. I have done. I agree it's terrible but
35:02we love each other so it'd be stupid. yes you're right as always. no use crying over spilled blood.
35:09I should think so. don't get upset. have a piece of me. I don't know how you could say such a...
35:17those are the flowers. what? funny I didn't dream about them. I was half asleep and I remembered
35:28fresh flowers in a house that's been locked up. that would be alarming. these flowers will
35:35always be fresh. it's... they were real. I tell you they were. I saw them. I touched them. they
35:47were flowers. and you were ill. I wish they were real. I hate imitations. Marianne thought they
35:54looked nice. anyhow. so you want us to go on? if you do.
36:09do you tell anyone we're coming down here today? how could I? you didn't tell me until Paddington.
36:22why? you're right of course. the person who wrote this to Marianne couldn't have foreseen what would
36:31have happened. I'm sorry if this letter is the cause of humiliation. it is better if I do not
36:39sign my name. spell humiliation. what? spell humiliation. are you accusing me? no spell it
36:47to please me. telling me I wrote to your wife? haven't told you anything yet. you'll regret this.
36:53humiliation. h-u-m-i-l-a-t. wrong. it's i-a-t. in the letter it's spelled correctly. I don't want to
37:04see it. how could you think that? I suppose you looked it up in the dictionary. are you mad? you're
37:09always very careful about the long words but I've noticed from your letters to me there's one tiny
37:13word that you always trip up on. silly thing. not so much a misspelling as a bad habit. are you too
37:19blind or too deaf? now the word should be spelled T double O and you spell it T O. lots of people
37:25make that mistake. not so many. that's stupid. why would I do such a thing? you wanted to tell your
37:31wife I was the one who said no. because you didn't want to be part of it. in the years to come I might
37:36have said you broke up my marriage and you don't like feeling guilty. I... or rather you don't like
37:42being at a disadvantage. awful things are done to you you don't do them. you walked out to me and I
37:49was supposed to find life unbearable. finally I would leave her of my own accord and then you could
37:54always say nobody asked you to. that's what you think of me. my love I know you and I did find
38:01life unbearable but I didn't leave her. in time I would... like hell. in time but you trust no one.
38:08if you want something done do it yourself is that it? no it wasn't. how then? how then? I missed you.
38:13so you wrote to Marian. I don't expect you to understand. one minute you say you love me now
38:27this. everyone I've ever cared for has turned on me. even Lucille my so-called friend. I got a
38:38promotion. I'm good at my job. I work hard. she didn't say one word. jealousy. and you're the
38:46same. I did what you hadn't the courage to do and you sit in judgment. how is it you always end up
38:52as the accuser? it wasn't easy for me to bury my pride and send that letter. do you think I wanted
38:57to hurt her? I'm wondering if you were worth it. probably not. you're such a hypocrite. behind it
39:04all you're glad to be free yet you have the gall to accuse me. only of writing a letter. because you
39:08want an excuse to be rid of me. I could never be rid of you. till death? yes I said so. that's it.
39:19I couldn't marry a man who didn't respect me. you did once didn't you? never again. it was good to
39:27have a nice home. I was the one who looked after it not him. he never cared. you should have seen
39:36my room. your room? everything white. I did it myself. white wardrobe, white dressing table,
39:44bedspread and carpet like snow. beautiful. not as posh a house as this one but nicer.
39:52promise when we got money we'd move. I saw a super house in Chiswick from the road you could
40:01see into the front room. I knew just what I was going to do with that room. walls as white as the
40:08houses you see in Spain. green carpets. it's gone now of course that house. long ago. it was too
40:17busy after his women. is that why you left him? no. I didn't care. even though the sort he was
40:25he could sleep around and still think he owned me. I don't like people who break promises. you mean
40:34the marriage vow? everyone breaks that. every man does. no I meant that house. do you think I might
40:44be unfaithful to you now? you were to marry him.
40:56perhaps not.
41:00I've had such a lousy life. first at home with my parents then with him. there was another boy I
41:09could have married. I rang him years afterwards. he wouldn't talk to me so he can't have cared
41:15very much can he? I wasted ten years with that man. dress well. I had an awful accent I got rid
41:27of it. and for what? ten years the best years for a girl. gone. I'll get them back. you'll be happy.
41:39could you be happy? yes people would let me alone. I don't like being pressured. least of all by men
41:50like him think they own you. if I said no to him when he wanted sex his eyes would smart he'd go
41:58into one of his silences. I loathe that in a man. you're not like that. you spoil me.
42:08where are you going? is it taxi time? no not yet. I could do that. it's all right. you're as neat as I am.
42:29you haven't said yet that you forgive me for the letter. yes I do.
42:41Robert. mm-hmm. come here.
42:58flower petal not withered fresh. yes it would be. I suppose there's an explanation. yes I
43:11changed the flowers while you were asleep. I overlooked that. changed them? yes they're a
43:15mistake. sheer carelessness. luckily I noticed them before you did and there were artificial
43:20flowers in the kitchen. Marion got them with soap flakes. why? well as you pointed out one doesn't
43:27expect to find fresh flowers in a house that's been locked up. who put them there? Marion. six weeks
43:34ago. this morning. she's not... she's upstairs now. she was in there. it was all lies. some of it. all of
43:49it. she's alive. there was no accident. could you? yes she's alive just what you call the accident
43:57wasn't successful. well you should know that. you saw her. when? you described how her face
44:05looked or what's left of it. she thought you were fast asleep. naturally she was anxious to see you.
44:14the crash occurred 14 weeks ago not six as I told you. even so when she left the hospital it was
44:21against their wishes. there were other injuries apart from the disfigurement. her heart was
44:27affected and that of course ruled out any idea of plastic surgery apart from which her life...
44:31stop it! her life expectancy is low. why was I brought here? I told you for a chat. which we
44:44have had. when's the taxi due? it isn't. I never used to lie to you. I seem to have made up for it
44:52today don't I? I suppose this is your idea of paying me out. am I to stay and do penance to
45:00Marion is that it? sorry I should have learnt my lesson about men by now. don't go. open the door
45:20please. it's a two-mile walk. I'm not afraid. I was before not anymore. will you please open it?
45:26this is a police offense. you could be prosecuted. I've already committed one. when? I drugged your
45:34coffee here and in London. nothing poisonous. I gave you some of Marion's capsules. an overdose
45:39causes nausea and drowsiness. I could have you sent to prison. I had to keep you here. there's still
45:45something to be done. I want nothing more to do with you. please. I'll forget it ever happened.
45:52just let me go home. there's a woman in this house whose life isn't worth living. she's no
46:06use to anyone. there are some who would say she'd be better off dead. so that's it? you want me to help you?
46:17what I mean is... you're insane. I won't do it. just open that door now. kill her. is that what you mean to do?
46:30you'd say it was putting the poor creature out of her misery. you'd say I was to blame so I'm to be
46:36part of it. you can give me the key now. no you're wrong. that wasn't what I mean. you said she'd be
46:43better off dead. I wasn't referring to Marion. she wants to die but she deserves not to. as for you
46:55you have a right to know why. it isn't because of the letter. it wasn't sent out of maliciousness
47:02to get me back and in a way I'm flattered. and it's not even because of the kind of person you
47:08are. you have no capacity for loving. you go through life like a child in a sweet shop from
47:14one day to the next. you trust no one. you're loyal but to you loyalty is like making love. it's a form of
47:30payment. your husband failed you and I suspect there were others and so would I in time because
47:37how can people you despise so much ever please you? you're like a driver that runs someone down
47:44and then you blame him for scratching your paint. when you left me for you it was a maneuver. part
47:52of the game. I couldn't sleep or work. forever is a long time you said and you laughed. do you know
47:59what pain is? pain and others or do you think only you can feel it? sorry I'm sorry. no this is no
48:05punishment. I must stay with Marion now and try and understand. how can I? you're there. I love you.
48:14you consume my life. the kind of person you are doesn't matter. I had to stay here but I can't
48:21leave her. I might as long as you love me. go away. how far is far enough? I've explained it all to Marion. she understands. she doesn't approve.
48:39you know she understands. it just isn't any other way you know. please. at least now you know someone
48:49does love you. please let me go. I'll give up my job. you won't know where to find me. I promise.
49:01I'll keep my word. I mean it. you won't see me again. do you want to come in?
49:31I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I'm sorry Marion. I
50:01It was the least I could do
50:12Is the green deep enough
50:14I
50:30Think Marion has come down
50:44I thought you might like a little time here first say now
51:14I
51:44You