EL SABOR DE LA FAMILIA  PELICULA ROMANTICA COMPLETA EN ESPAÑOL LATINO HD - video Dailymotion

Snow Thomas

EL SABOR DE LA FAMILIA  PELICULA ROMANTICA COMPLETA EN ESPAÑOL LATINO HD

Transcript

00:00:00A few days later...

00:00:24Yes, tell me.

00:00:26Boss, if I was going to call you...

00:00:29What? In the end, what?

00:00:32No, I already knew it. I already knew it!

00:00:35But Isma... Isma stays like that.

00:00:37That's how she plays with you.

00:00:40I can't believe it.

00:00:41What are you telling me?

00:00:44So clearly?

00:00:46How strong.

00:00:47How strong.

00:00:48And how strong.

00:00:50What?

00:00:52No, no, I can't believe it.

00:00:56But what are you telling me?

00:00:58Is it possible?

00:00:59My God.

00:01:01Yes, yes, yes, if you want, we can talk about it.

00:01:04But...

00:01:06But what things does one have to hear?

00:01:08This, like this, cold.

00:01:09There, inside.

00:01:11Without vaseline or anything.

00:01:12Jesus, leave me alone, you've been like this for a long time.

00:01:15You leave me dead in the ditch.

00:01:17Come on, I can't believe it.

00:01:19Nene, leave your sister the dressing room.

00:01:21Come on, Mom, leave her there and let her mark it.

00:01:23Knowing how you know.

00:01:24Because you know it very well.

00:01:26That my husband left me to drag with three creatures.

00:01:29That eat a lot, that give a lot of war.

00:01:32It's not that I didn't want him to be ashamed when he was here.

00:01:35I'm going to tell him when he comes, that you're criticizing him.

00:01:38Girl, your father is not going to come.

00:01:40He doesn't love us.

00:01:42And it's over.

00:01:44You have to have more psychology to say things, you know?

00:01:47Yes, you can.

00:01:57Here we are.

00:01:59We don't pay.

00:02:01Here we are.

00:02:03We don't pay.

00:02:05Yes, you can.

00:02:11But if they have cut off my electricity because they pay me a misery.

00:02:14And you say that you are doing me a favor.

00:02:17What favor?

00:02:18Do you know what I'm telling you?

00:02:19That I was making you the ball in pieces.

00:02:21Because I needed the job more than a pair of sandals on a stone.

00:02:24But now I don't care about you.

00:02:26Do you know what I'm telling you?

00:02:27That you fall me like the ass.

00:02:29You're ugly.

00:02:31And you smell of tobacco and beer.

00:02:35And I'm going to tell you one thing.

00:02:37You don't kick me out.

00:02:38I'm leaving.

00:02:41Mrs. Reza.

00:02:43We are here, the police and a servant, waiting for you to come out.

00:02:47To execute the launch of the mortgage.

00:02:50The mother who gave birth to me.

00:02:52We are not going to pay.

00:02:55Boys, but if you have let him go up.

00:02:57Of course I am.

00:02:59But what do you say?

00:03:00Here we have not let anyone go up.

00:03:02Madam, don't put it on my TV.

00:03:04Let her go.

00:03:06Mom, look at her hand.

00:03:08We are going to enter anyway.

00:03:10Come in, if you have pants.

00:03:18Fuck, why do you have them?

00:03:21Let them in, boys.

00:03:22I don't give a shit about the nuns who are entering.

00:03:24But where did they go up?

00:03:26Go for them.

00:03:29Mrs. Maria Magdalena Reza.

00:03:31In view of your negativity, I dismiss you as a volunteer of the house.

00:03:36And exhausted all the administrative routes.

00:03:41Let's proceed.

00:03:43Hey, please.

00:03:44Can you stop for a moment?

00:03:46Don't you realize that the lady is not going to hear anything from you in the order?

00:03:49The lady asked for a couple of details.

00:03:51Come on.

00:03:52Come on, lighten up.

00:03:53It seems that the demonstrators are already aware.

00:03:55This gentleman authorizes me.

00:03:57I make a tulle with leather to the death.

00:04:00Let's finish in a moment.

00:04:01Let's see.

00:04:02Let's see.

00:04:03The procedure is the procedure.

00:04:05And you are in a hurry.

00:04:07The procedure is that I run out of wine.

00:04:10Bad launch.

00:04:11Good morning, guys.

00:04:12The truth is that I don't know.

00:04:13Which one is yours?

00:04:16Ma'am, come out immediately.

00:04:17The civil guard is here.

00:04:19Look how wild.

00:04:20The frame of the door is going to be broken.

00:04:22No shame.

00:04:23Ma'am, the frame and the door are yours.

00:04:25Lighten up.

00:04:26Take this camera away from me.

00:04:27I don't want to pay you 600 bucks for filming.

00:04:29Let's see if you don't have that on top of everything.

00:04:31Mrs. Blesa.

00:04:32Shut up already.

00:04:33Mr. Blesa.

00:04:34Mr. Blesa.

00:04:48Shut up already.

00:04:49My mother.

00:04:50I'm delicate.

00:04:51I'm wearing a coat.

00:04:52They are all talking.

00:04:54The lack of habit.

00:04:55Let's go.

00:04:56Let's go to the neighbor's house.

00:04:57Here in the village we all know each other.

00:04:58And I don't want any problems.

00:05:00My mother.

00:05:01Insensible.

00:05:02I have three children.

00:05:03This has no name.

00:05:04Her name is dissociation, ma'am.

00:05:05Come on, please.

00:05:06Thank you.

00:05:07Lazaro Carreter.

00:05:08You have taken away the whole dramatic moment.

00:05:09Let's go.

00:05:10Let's go.

00:05:17Already?

00:05:18It can't be.

00:05:19The letter said it was for next month.

00:05:21I haven't even kept the clothes.

00:05:23They are already here.

00:05:26Come on.

00:05:27Don't pay.

00:05:28Don't pay.

00:05:32It can be.

00:05:33It can be.

00:05:34It can be.

00:05:35It can be.

00:05:36It can be.

00:05:37It can be.

00:05:38It can be.

00:05:39It can be.

00:05:40It can be.

00:05:41It can be.

00:05:42Madalena.

00:05:43She is not here.

00:05:44We have been played again.

00:05:45What a problem.

00:05:46This is a kidnapping.

00:05:47I don't stay quiet.

00:05:48Help.

00:05:49Help.

00:05:50Help.

00:05:51Help!

00:05:52Help!

00:05:53Help!

00:05:54Help!

00:05:55Help!

00:05:58Help!

00:05:59Help!

00:06:00Help!

00:06:01Go, go, go!

00:06:03Look at her!

00:06:05Me? I was so calm before she came.

00:06:07Then I'm going now or the month that comes?

00:06:09What do I do? I keep the clothes there?

00:06:11No, fuck, good man, if you want to go now.

00:06:13Hold on, boy, fuck, the bread and my son.

00:06:15Come on, macho, kick me now if you have the idea.

00:06:19Oh, it gives me, oh, it gives me, it gives me, it gives me.

00:06:21What was missing?

00:06:23Lady, we have birdies left!

00:06:25Don't you realize that you're in the middle?

00:06:27If we don't go alone,

00:06:29tomorrow the two of us will come

00:06:31and you'll be on the street, yes or yes.

00:06:33What matters is everything.

00:06:35You're not going to give me another chance,

00:06:37you whore, are you?

00:06:41That's how the world is.

00:06:43My children!

00:06:45Oh, my children, my children!

00:06:47Don't worry,

00:06:49I'm going to solve it.

00:06:55Please, please!

00:06:57Please, please!

00:06:59Let's see, one thing,

00:07:01there is no turning back.

00:07:03I'm just going to ask you, please,

00:07:05something.

00:07:07Don't let him pass!

00:07:09For your mother!

00:07:11Cheers!

00:07:27Well,

00:07:29just so you know,

00:07:31don't kick me out,

00:07:33I'm leaving.

00:07:41Let's go!

00:08:41I've told you that the farm, the restaurant and everything inside is mine. Period.

00:08:51When I die, you can do whatever you want with it.

00:08:53But in the meantime, it stays the way it is.

00:08:55Shut up!

00:08:56And there's no one else to talk to. I don't give a shit.

00:09:11My daughter, don't you want more sarangoyo?

00:09:22She's eating more at the table than you.

00:09:24Mom, I'm sleepy.

00:09:26You've already told me ten times, honey.

00:09:28But if Grandma doesn't call me back, I don't know what she's doing.

00:09:33If I didn't know her.

00:09:42What do you want?

00:09:44Oh, hi.

00:09:45Mom, look, something's happened to me.

00:09:49It turns out that they're disinfecting my flat and I thought that...

00:09:53Well, think about it.

00:09:55But the room is already rented.

00:09:58The one who went to Seville, you know.

00:10:02Call Cristóbal.

00:10:03Okay, but if Cristóbal is in Madrid...

00:10:06Don't count on me.

00:10:07Look for life.

00:10:12Mom, can we go now?

00:10:16Listen to me.

00:10:17Grandma told me that we're going to do something better, okay?

00:10:20Come on, I'm going to count.

00:10:26I left the ten euros.

00:10:28Come on.

00:10:36Motherfucker.

00:10:39Motherfucker.

00:10:41It's you.

00:10:43Oh, what do I do now?

00:10:44I don't have any more money, ma'am.

00:10:55Oh, my baby.

00:10:57Oh my God, what have you done to my baby?

00:10:59Let's see the owner, let him out.

00:11:00What's up, ma'am?

00:11:01What's up?

00:11:05Oh, my baby.

00:11:06Look at this mess.

00:11:08I want the claim book.

00:11:09They've poisoned it.

00:11:11But ma'am, what is it?

00:11:13Wait!

00:11:14What the hell is going on?

00:11:16I told you the eggs were fresh.

00:11:18The eggs are perfect.

00:11:19What do you mean they're perfect?

00:11:20You don't have the perfect eggs.

00:11:21Because look what happened to the baby.

00:11:23Yes, they are perfect.

00:11:24Look, look.

00:11:25For eggs, the perfect ones are mine.

00:11:26On the street.

00:11:27Of course, you're going to throw me out on the street.

00:11:28Yes, of course.

00:11:29That's what you raised, because I'm going to...

00:11:30Well, if that's the case, let's go to the ambulance,

00:11:32that we take the baby.

00:11:33Come on, come on, come on.

00:11:34You have me even without insurance.

00:11:36The heart of Jesus.

00:11:38Three children and an adult.

00:11:41Complete.

00:11:44Thank you.

00:11:46What is that in the heart of Jesus?

00:11:50A hotel, honey.

00:11:56What's wrong with you, Jesus?

00:11:57I want to go back home.

00:11:59That house is not ours anymore.

00:12:01So where are we going?

00:12:03Where?

00:12:04Is there no place to go?

00:12:06Let's see.

00:12:07Think of a place on earth.

00:12:09Disneyland.

00:12:10Oh, how close.

00:12:11I want you to think bigger.

00:12:13Look.

00:12:15Never think that you are inside a circle,

00:12:18but that the circle begins in you.

00:12:22I don't understand.

00:12:24I want you to always look ahead, girls.

00:12:27That what has happened to us in life

00:12:28is an opportunity to be free

00:12:31and to fly like a bird.

00:12:34Never be afraid.

00:12:36Because as long as I'm alive,

00:12:38we go forward.

00:12:42Well,

00:12:44until you turn 18,

00:12:46then look for life.

00:12:48Mom.

00:12:52I can already imagine the bank.

00:12:54Oh, it's a very warm little flat.

00:12:56No, no, even better.

00:12:58It's a flat that gets cooler in the summer

00:13:00and warmer in the winter.

00:13:02Yeah, yeah, yeah.

00:13:03He's going to say,

00:13:04I see them all black.

00:13:12Hey, guys, come here.

00:13:18Didn't you want to live an adventure?

00:13:20Yes.

00:13:21Who was going to tell you

00:13:22that these bodies were going to make a camp tonight?

00:13:24Like this,

00:13:25all of a sudden.

00:13:26Good.

00:13:47My father says that when you come back,

00:13:49come back with money to pay the rent.

00:13:51Meanwhile, you open the door for us.

00:13:54How well you explain yourself.

00:13:56To not be Spanish,

00:13:57tell your father

00:13:58that we are arrieras.

00:14:00Okay.

00:14:04Mom, call Mazda.

00:14:06Not that.

00:14:07If it's true,

00:14:08the best thing is not to do anything.

00:14:09It always gets worse.

00:14:11You're so negative.

00:14:13Don't call Mazda,

00:14:14because I'm prouder than all that.

00:14:17And I'm not going to beg him

00:14:19to pay the rent for lunch.

00:14:20Listen,

00:14:21I just received a letter from Richard Donner.

00:14:24He says that

00:14:25he loves you to be his number one fan.

00:14:28And that one day,

00:14:29he's going to come to Spain.

00:14:31Manolo,

00:14:32if that's what the secretaries write,

00:14:33they send it to freaks like you.

00:14:35But, uncle,

00:14:36you,

00:14:37you're so depressive.

00:14:38Get a psychologist.

00:14:51I love you.

00:15:22David.

00:15:33Motherfucker.

00:15:40No shame.

00:15:42David.

00:15:51David.

00:16:12Daddy.

00:16:13Come on, honey.

00:16:15What a surprise.

00:16:16Daddy.

00:16:17Hi, honey.

00:16:18But,

00:16:19but, well,

00:16:20what are you doing here?

00:16:21You're not happy, are you?

00:16:22No,

00:16:23and the little one?

00:16:24The little one, now.

00:16:25She's playing around.

00:16:26Don't worry about that.

00:16:27Well, she didn't call me, so...

00:16:29You're a degenerate.

00:16:31Where have you been all these years?

00:16:33Look at you,

00:16:34surrounded by shit,

00:16:35and you're so happy.

00:16:36That's what's going to happen in life, son.

00:16:38Look, Mazda,

00:16:39I was wrong,

00:16:40I made a mistake.

00:16:41And the ball has been getting bigger and bigger.

00:16:43Every time I try to go back,

00:16:44I feel more ashamed

00:16:45and I feel more guilty.

00:16:47But I swear to you,

00:16:49last night,

00:16:51I stopped crying

00:16:52and screaming,

00:16:53thinking of you.

00:16:55And I thought,

00:16:56Dimas,

00:16:57you have to come back.

00:16:59You have to come back.

00:17:01But I felt so guilty.

00:17:06Bullshit!

00:17:08Oh, Dimas,

00:17:09we've known each other for many years, son.

00:17:11First you wanted to be a painter,

00:17:13then a sculptor,

00:17:14then a poet,

00:17:15then a writer,

00:17:17then a doctor.

00:17:19You're a bastard.

00:17:22Look, Mazda,

00:17:23I've learned.

00:17:24I swear.

00:17:25Look,

00:17:26I was going to call you

00:17:27because

00:17:30I've rented this place.

00:17:32I wanted to set up a restaurant.

00:17:33I want to lead a new life,

00:17:35and that the children

00:17:36have a dignified future,

00:17:37as it should be.

00:17:40A restaurant?

00:17:41Yes.

00:17:42But are you serious?

00:17:43I'm serious, Mazda.

00:17:45Hey,

00:17:46a restaurant is also an art, right?

00:17:48But, but...

00:17:49Did you rent it?

00:17:51Yes, yes, yes.

00:17:53Listen,

00:17:54you're fooling me.

00:17:56Look,

00:17:57I'm going to make the greatest effort,

00:17:58which is going to cost me,

00:18:00but I'm going to do it

00:18:01to forgive you

00:18:02if you let the kids and me

00:18:03settle here.

00:18:04The bar has to be set up,

00:18:05but now.

00:18:06Wait, wait, Mazda.

00:18:07These things

00:18:08have to be done calmly.

00:18:09This is not in condition

00:18:10for the kids to be here.

00:18:11Ha,

00:18:12did you see?

00:18:13Of course.

00:18:14Look,

00:18:15I'm going to call the police

00:18:16and I'm going to file a complaint

00:18:17that I didn't file at the time

00:18:18for abandonment of home,

00:18:19because I felt pity.

00:18:20Let's go, kids.

00:18:22No, no, no, no, no, no, no.

00:18:23Yes, yes,

00:18:24what I'm saying is

00:18:25that this has to be settled a little.

00:18:26The restaurant thing

00:18:27is still going on,

00:18:28but we have to talk about it,

00:18:29study it,

00:18:30look for financing.

00:18:31This could take a few months.

00:18:33I'll call you

00:18:34when everything is settled.

00:18:36Tell me,

00:18:37where do we get

00:18:38that money

00:18:39so urgently?

00:18:40...to the playground.

00:18:41With this triumph,

00:18:42the third of the season

00:18:43as a local,

00:18:44the team of Paco Jemez

00:18:45gets seven points

00:18:46per hour

00:18:47in the descent area.

00:18:48Yes,

00:18:49yes, yes, yes.

00:18:51Well,

00:18:52see you later.

00:18:53Who are you calling?

00:18:54Well,

00:18:55we have to mortgage the house,

00:18:56but man,

00:18:57I'm telling you

00:18:58that I'm there

00:18:59with this point

00:19:00that escapes me.

00:19:03All that for the junk,

00:19:04that at the weight

00:19:05something will give us

00:19:06and whatever is

00:19:07in the sink,

00:19:08that here

00:19:09we are going to take advantage of it.

00:19:10Stop, Mada, stop,

00:19:11that you are in a hurry

00:19:12and your reason is canceled.

00:19:14Shut up, man,

00:19:15all your life

00:19:16putting hits

00:19:17and locks.

00:19:18Thank goodness I have

00:19:19the blood I have,

00:19:20because if not,

00:19:21no one does anything here.

00:19:22But woman,

00:19:23don't you realize

00:19:24that you have to ask for permission?

00:19:25Health, urbanism,

00:19:26there will be high rates

00:19:27in social security,

00:19:28I say, come on.

00:19:29But all that is done later,

00:19:30my son.

00:19:31Wait and don't run.

00:19:33Get to work,

00:19:34you're a pain in the ass.

00:19:40Mada,

00:19:41we're already here.

00:19:42Come on, look,

00:19:43the three skulls.

00:19:44Tell me,

00:19:45don't hide,

00:19:46I've seen you.

00:19:48I saw her.

00:19:50Hi, mother-in-law.

00:19:52The same path

00:19:53you took to go up,

00:19:54the one in Sandai.

00:19:55And you, my daughter,

00:19:56don't take me in the corner

00:19:57for what I told you

00:19:58the other night

00:19:59that I disdained you,

00:20:00but it's that

00:20:02I've been two nights

00:20:03without sleeping because of that.

00:20:04Yes, yes,

00:20:05because you slept

00:20:06on a bench

00:20:07and the squares of the sheet

00:20:08were stuck in you.

00:20:09You are imprudent, Manolo.

00:20:11We have come

00:20:12because your father-in-law

00:20:13called us

00:20:14and they say

00:20:15you have a lot of money here

00:20:16and we have come to help.

00:20:17Boy,

00:20:18you have a way out, Pato.

00:20:19Of course,

00:20:20selling pots on the streets

00:20:21is a lot of fun.

00:20:40What's up, honey?

00:20:41Please, tell me

00:20:42it's not true.

00:20:43What did you ask my parents

00:20:44to ask for a loan?

00:20:46Look me in the face.

00:20:49Yes, you did, yes.

00:20:50Boy,

00:20:51I've told you

00:20:52it's the only option

00:20:53I have.

00:20:54I don't need

00:20:55a loan.

00:20:56I don't need

00:20:57a loan.

00:20:58I don't need

00:20:59a loan.

00:21:00I don't need

00:21:01a loan.

00:21:02I don't need

00:21:03a loan.

00:21:04I don't need

00:21:05a loan.

00:21:06I don't need

00:21:07a loan.

00:21:08I don't need

00:21:09a loan.

00:21:15Oh honey!

00:21:18She's going to nod at me,

00:21:20to see how I ...

00:21:21pachinko under her bed.

00:21:27I'll see you in a bit.

00:21:28Good morning,

00:21:29I've come to bring

00:21:30some food for lunch,

00:21:31some fried rabbit,

00:21:32a salad

00:21:35and some omelette.

00:21:39Who was going to tell me?

00:22:06Magdalena, Queen of the Hostelery

00:22:31What do you think, guys?

00:22:34Let's eat the world!

00:22:36This is starting!

00:22:38This is starting!

00:22:46Come on, son, 0.0.

00:22:48Will there be a sad uncle?

00:22:49A drunkard is the right thing, I don't know...

00:22:52But if you go through the door, you'll see that what comes out of the window is 0.01.

00:22:56At least, 0.0.

00:22:58Potato head, not a bubble boy.

00:23:00By the way, the test results have come out.

00:23:03Don't tell me, don't act!

00:23:05What are we going to do, another year without promotion?

00:23:11Good afternoon, sir.

00:23:12Put the four switches on, turn off the engine and remove the key, please.

00:23:17The truth, sir, people, is that I haven't drunk anything.

00:23:21I, if you want, I blow, but I don't...

00:23:25Put the bottle on and drink.

00:23:28What a nice bottle.

00:23:29Man, a beer has been taken.

00:23:31I have told him that we change, that I am better.

00:23:34Because we come from a...

00:23:37Yes, from a celebration with the family.

00:23:40Go on, go on.

00:23:45109 from Central.

00:23:51109, go ahead.

00:23:52This team is carrying out an alcohol control.

00:23:54Very well, when your task is completed,

00:23:56we have received a notice from some gentlemen that there are some occupants on your farm.

00:23:59They are waiting for you in the water tank so that you can go and see what happens.

00:24:03Received.

00:24:06But are you going or not?

00:24:08Now, now.

00:24:09You keep blowing that I have so much time and this management interests me.

00:24:13That colorado de pavo, inflating balloons, is not.

00:24:20Come on, come on, come on, come on.

00:24:23Lightening.

00:24:24Come on, come on.

00:24:31Well, guys.

00:24:34You already know that right now we are about to start a new life.

00:24:38Let's see.

00:24:39Prayers and questions.

00:24:40God, the loan is due on the 5th, we will have to pay it, right?

00:24:45That is not a question, Fabrilo.

00:24:48Then it will be a prayer.

00:24:49Do not be sorry, father-in-law.

00:24:51As soon as people start arriving, this is paid alone.

00:24:54Have you thought about who is going to take care of everything?

00:24:57It does not matter.

00:24:58None of us have a fucking idea of hostelery.

00:25:00The failure will be the same.

00:25:02Let's see, competition.

00:25:04Juana, you the accounts and the banks.

00:25:06Because you are in everything and you do not lose your temper.

00:25:08I say.

00:25:09Fran.

00:25:11The brick has given you enough knowledge in terms of mixing things, right?

00:25:16To make dough.

00:25:18You the desserts.

00:25:19You the desserts.

00:25:20You are hungrier than I thought.

00:25:21But what does one thing have to do with the other?

00:25:23Can you imagine that the fine gravine is the pyrite that is added to it?

00:25:27That the cement is the chocolate?

00:25:29Anyway, what do I know?

00:25:30Search for life.

00:25:31Make up your mind.

00:25:32And what about me?

00:25:33You? Your maintenance.

00:25:34That's how you make fun of the hobby you have of setting up junk.

00:25:37It is clear that you have reserved the worst.

00:25:40It costs a lot to send, right, daughter?

00:25:42Whenever you want, I'll change it for you, huh?

00:25:44That to make bread, I don't think you have to do a master either.

00:25:47Come on.

00:25:49I think you miss a detail above.

00:25:52Who is going to be in the kitchen?

00:25:54What is the menu going to be?

00:25:55Anyway, those things.

00:26:00Good morning.

00:26:01Madalena, when you can, come into the kitchen because we have to clarify a few things.

00:26:06I don't know who advised you about the machinery, but there is a lack of everything.

00:26:11To the rest, much pleasure.

00:26:14And with God.

00:26:15Oh, another pinch to the account.

00:26:17Come on, but if you are the gossip.

00:26:19They are saying that the people intoxicated a superior.

00:26:22Yes, it was us.

00:26:24Well, well, well.

00:26:25Those are rumors, huh?

00:26:26That's precisely why I called you.

00:26:28Because I felt sorry for the woman.

00:26:30Anyway, now we only have a waiter's square left.

00:26:34Hey, what about Dimas?

00:26:37Dad told me he was going to solve a little matter and he was coming.

00:26:41What a mess.

00:26:43I was there with pleasure.

00:26:45Take the bag.

00:26:48Hey, Mr. Dimas.

00:26:51Where are you going?

00:26:52Mr. Bruno.

00:26:53Ah, but you know each other.

00:26:54Then we can go.

00:26:55No, no, no, no, nothing of that.

00:26:57This gentleman has permission to be here temporarily.

00:26:59But to know what he is doing on our farm, because we have received a bill of light.

00:27:04Let no one pass.

00:27:06Do you mind if I talk to him for a moment?

00:27:08Go ahead, but keep the composure, otherwise we would have to intervene.

00:27:10No problem.

00:27:15759 euros, but what is this about?

00:27:20We ask permission for you to stay here and not let anyone pass.

00:27:24Tell us what's going on, because the people are running the news

00:27:27that Moriana is reopening to the public.

00:27:29I knew I should have come earlier.

00:27:30I still don't know what these are, nor do I move.

00:27:33Why?

00:27:34Because in the neighborhood it is said that the former owner of Moriana

00:27:37also vanished without a trace of the son.

00:27:41Poor man.

00:27:42If it hadn't been for this, what a danger.

00:27:45What a smell.

00:27:46If this could be demonstrated, we would have access, but with graduation.

00:27:50But with the kids and everything?

00:27:52This looks like a Almodóvar movie.

00:27:53There is no way to catch him.

00:27:55They have gone out of hand.

00:27:56But if I told him the truth, he would look for me in the ruins.

00:27:59And you don't care about the mess you're in?

00:28:02I know it was a mess, but you don't know her.

00:28:05Do you know what we can do?

00:28:07No, look, look, look.

00:28:08I don't give a damn.

00:28:10No, no, no.

00:28:11It's true.

00:28:12You have 24 hours to disappear.

00:28:16If I don't put you in a package, you'll be four years to cook it

00:28:19and you'll get rid of that stupid face you have.

00:28:21No, no.

00:28:22But man, we have left it beautiful.

00:28:25And in operation.

00:28:26At least we get what we have invested.

00:28:29Hey, I'll kill this guy.

00:28:30No, no.

00:28:31No, no, no.

00:28:32Look, look, look.

00:28:33That's not worth anything.

00:28:34That's where Zenútrio's apartments go.

00:28:36And you're lucky that we give you time to disappear.

00:28:4024 hours, huh?

00:28:4124 hours.

00:28:4224 hours.

00:28:43Hey, Dimas.

00:28:4424 hours.

00:28:55Hey, where were you?

00:28:57I went out for a walk.

00:29:01Look, Malta, this is getting out of hand.

00:29:04I have to talk to you.

00:29:07Are you leaving again?

00:29:08No.

00:29:10Because for me,

00:29:11you can leave as many times as you want.

00:29:14But the kids...

00:29:16The kids don't deserve another failure like that.

00:29:19Daddy, we're going with Manuel to present a short contest.

00:29:22We love you.

00:29:23Bye.

00:29:24But it's not over yet.

00:29:28Son, I thought that one day,

00:29:30at the end,

00:29:31I would twist your neck.

00:29:34But I see that it's coming out.

00:29:36Thank you, Father.

00:29:37Well, see you tomorrow.

00:29:39I never thought I'd say this, son,

00:29:41but I'm very proud of you.

00:29:43Thank you, Mother.

00:29:45Oh, who was going to tell me?

00:29:47Dimas, reformed and decent.

00:29:49What a thing to say.

00:29:52Yes, look,

00:29:54I don't believe it either.

00:29:55Well, you had to tell me.

00:29:57No, if I...

00:29:59Better.

00:30:00Because whatever happens,

00:30:02or whatever happens,

00:30:05Francisco and I are going to town to put up posters

00:30:07for the inauguration.

00:30:08That tomorrow

00:30:10the restaurant opens.

00:30:12I didn't hear.

00:30:17Oh, how sensitive you are.

00:30:38Hello, how are you?

00:30:56Hello, how are you?

00:30:58Hello, how are you?

00:31:05Of course, even if it's not a restaurant,

00:31:07I don't care.

00:31:10It's my turn again.

00:31:12What are we going to do?

00:31:14All good.

00:31:15What?

00:31:16What's going on?

00:31:17What do you mean, what's going on?

00:31:18Let's get out of here.

00:31:19Let's go.

00:31:20Let's go.

00:31:21Let's go.

00:31:22Let's go.

00:31:28Let's go.

00:31:29Let's go.

00:31:30Let's go.

00:31:31Let's go.

00:31:32Let's go.

00:31:33Let's go.

00:31:34It's inaugurated,

00:31:35new for Gemoriana,

00:31:37by my holy nose.

00:31:39Bravo.

00:31:40Bravo.

00:31:41Bravo.

00:31:42Bravo.

00:31:43Bravo.

00:31:44Bravo.

00:31:49Hey,

00:31:50you have to get rid of that unpresentable one

00:31:52before people arrive.

00:31:55Oh, leave him alone, poor thing,

00:31:57he's been staring at the truck for so long.

00:32:00This smells like reconciliation.

00:32:03Well,

00:32:04let's get down to business,

00:32:05it's two o'clock now.

00:32:07Mom, the bread.

00:32:08Sixteen kilos and a half breads.

00:32:10Of course.

00:32:11Bacon from heaven,

00:32:12flan from two,

00:32:13from two.

00:32:14Well,

00:32:15everyone knows

00:32:16that the clientele is arriving.

00:32:28Well,

00:32:29it's the first day.

00:32:31Hey,

00:32:32it's your turn.

00:32:36It's okay,

00:32:37you can't get there

00:32:38and kiss the saint.

00:32:54Very good, Terene.

00:32:55Thank you.

00:32:57Oh,

00:32:58I'm looking forward to tomorrow.

00:32:59I'm going to rest

00:33:00and I'll do the job

00:33:01with pleasure.

00:33:02Of course.

00:33:03See you later.

00:33:04See you, guys, we're leaving, okay?

00:33:05Goodbye, precious.

00:33:06I love you so much.

00:33:07Come on, Lu,

00:33:08get to work, please.

00:33:09See you tomorrow.

00:33:10See you tomorrow.

00:33:11Fantastic.

00:33:12Thank you.

00:33:13This is great,

00:33:14what a job,

00:33:15how good,

00:33:16I loved it.

00:33:17I don't know, I don't know.

00:33:18Well,

00:33:19I was just saying it

00:33:20to cheer you up.

00:33:21And why do you have to cheer me up?

00:33:22Because

00:33:23you're going to need me.

00:33:26Why am I going to need you?

00:33:28I've been talking to Paco.

00:33:30Well,

00:33:31how do I put it?

00:33:32It happens that...

00:33:33What's going on with Paco?

00:33:34No, well,

00:33:35that...

00:33:36that the tour is suspended, Terele.

00:33:38That the sponsors have broken up.

00:33:40And that you call Paco.

00:33:41I don't think there's enough money

00:33:42to pay him today.

00:33:45Well,

00:33:46what,

00:33:47are we going to see each other?

00:33:48That's Paco's fault.

00:33:50And it's my fault too

00:33:51for listening to him

00:33:52and doing everything he says.

00:33:54He tells me before,

00:33:56and I don't get mad.

00:33:57If he tells me,

00:33:58I get mad at him.

00:33:59Look what I'm telling you,

00:34:00I'm going to do whatever I want.

00:34:03Goodbye, bird-brain.

00:34:06I'm going to miss you the most.

00:34:08Look.

00:34:25Congratulations, Paco.

00:34:33Well, and the consolation prize is

00:34:35for Manolo Blesa and his nephew.

00:34:52They haven't left me

00:34:53for Superman for so long.

00:34:55But if we hadn't won

00:34:56the first prize,

00:34:57it would have been fixed.

00:34:58And it's not a consolation prize.

00:34:59Isn't this the restaurant

00:35:01that Fernando de Coquina opened

00:35:03a few years ago?

00:35:04Well, yes, apparently

00:35:05they opened it again.

00:35:06I dedicate it to Richard Daniels.

00:35:07Thank you.

00:35:08And from what I see,

00:35:09they're renovating or...

00:35:11I don't know.

00:35:12Okay, we'll come back again.

00:35:14Goodbye, grandma.

00:35:15Goodbye.

00:35:19Hey,

00:35:20remember your sister

00:35:21and the opening license.

00:35:23Yes, we didn't know

00:35:24you were going to open it

00:35:25and you didn't say anything.

00:35:26Yes, yes.

00:35:27She has it written down.

00:35:29Don't worry.

00:35:30I'm sure they'll find

00:35:31a sponsor right away

00:35:32and the tour will resume.

00:35:35Yes, in the meantime,

00:35:36I'll be at home,

00:35:37sitting, waiting.

00:35:38Well, holidays.

00:35:40Holidays?

00:35:41But, well...

00:35:43How is it?

00:35:45I love you, I love you.

00:35:47You always think everything is fine.

00:35:49You cheer me up right away.

00:35:50You're so nice.

00:35:52Don't worry.

00:35:53I'm sure a movie will come out

00:35:54right away.

00:35:57Everyone should be like you.

00:35:59You see a solution to everything.

00:36:00Everything seems fine to you.

00:36:04Taxi!

00:36:20Another day at zero.

00:36:22If you had killed the pigs

00:36:23for the opening,

00:36:25we would have put this

00:36:26from boat to boat.

00:36:27Yes, for free,

00:36:28take care of everyone.

00:36:29But then no one will see your hair.

00:36:30I've made rice with milk.

00:36:31Do you want some?

00:36:32Desserts too.

00:36:33This is the menu of the press.

00:36:35No one has come yet

00:36:36and the genre has worn out.

00:36:38Fabrilo,

00:36:39you're always

00:36:40reneging with the bitches.

00:36:42Because it hurts.

00:36:43Here, it hurts.

00:36:44It hurts.

00:36:45It hurts.

00:36:46It hurts.

00:36:47It hurts.

00:36:48Because it hurts.

00:36:49How does it not hurt you?

00:36:50She was dating my brother-in-law.

00:36:52She has spent all her life

00:36:53saving bills

00:36:54in every corner

00:36:56and she has not been able

00:36:58to buy some shoes

00:36:59for my son.

00:37:00Until I know,

00:37:01we have done the loan.

00:37:03I don't give a shit.

00:37:04It's yours.

00:37:07I put a stick in that one

00:37:08that lifted it in weight.

00:37:10It's full of bills

00:37:11that have to be in that house.

00:37:12How wonderful.

00:37:13Fuck.

00:37:14How wonderful.

00:37:15How wonderful.

00:37:16How beautiful.

00:37:17What an environment.

00:37:18What the fuck.

00:37:19Clementina.

00:37:20Saffron.

00:37:24Hello.

00:37:25What do we want to eat?

00:37:26Ah, very good.

00:37:27Yes, there are four of us,

00:37:28but we are waiting for three more.

00:37:30Here you go.

00:37:32What are those words, girl?

00:37:33I don't understand them.

00:37:34Well,

00:37:35what are you going to drink?

00:37:37Listen,

00:37:38if we sit down first

00:37:39and then we tell you.

00:37:41Ah, of course.

00:37:42Of course.

00:37:43Take notes.

00:37:44At that table,

00:37:45which is a little fresher,

00:37:46okay?

00:37:47By the way, girl,

00:37:48the video of the kids is beautiful.

00:37:51What?

00:37:52The video you recorded

00:37:53of how you fixed all this.

00:37:55If that's why we came.

00:37:56If not, why?

00:37:58What?

00:37:59Ah.

00:38:00Ah, you came for that.

00:38:02We thought you had this closed

00:38:04here in Alicante.

00:38:05But when I saw the video,

00:38:07I told him this.

00:38:08Fix it

00:38:09because we're going to Moriana

00:38:10to eat a roast beef.

00:38:12Ah.

00:38:13It was a great idea

00:38:14to advertise this

00:38:15with the short film.

00:38:16Very good idea, really.

00:38:19And as a baby,

00:38:21what are you going to drink?

00:38:26Come on, let's go.

00:38:27Come on.

00:38:38Listen,

00:38:39this is going to be a hit.

00:38:42They say

00:38:43it's a bad omen.

00:38:44It's a vice.

00:38:45The one on the left, I'm sure.

00:38:47She had her eyes open

00:38:48and she was saying,

00:38:49how delicious,

00:38:50how delicious.

00:38:51Maybe that's the husband's thing.

00:38:53Because under the table

00:38:54you can do everything.

00:38:55Oh, wait,

00:38:56you're always thinking the same thing.

00:38:57And what do you want?

00:38:58If I keep going like this,

00:38:59I'm going to become a virgin again?

00:39:01Banca has watermelons,

00:39:02there's no going back.

00:39:03Well, let's see what you want to tell us

00:39:05that I can't stand for long.

00:39:06You shouldn't have knelt.

00:39:08I told you to wait

00:39:09for all this to happen.

00:39:10Look,

00:39:11I have the exact formula

00:39:12so that we don't run out of money

00:39:13and we have to put the full poster

00:39:14on the door.

00:39:16It will be less.

00:39:17Well, let's see if it's true

00:39:18because I don't have much left

00:39:19for retirement.

00:39:20These people

00:39:21have loved what they've eaten.

00:39:23So,

00:39:24what we do works.

00:39:25Now we just need to fill the glass.

00:39:27Did you think about that yourself?

00:39:28Or did you hire Inspector Galli?

00:39:30People want something different.

00:39:33They want the offer to surprise them.

00:39:35And here you can only hear

00:39:37that if we look for you,

00:39:38that if we do it for you,

00:39:40we're going to break all the molds.

00:39:46We're going to make

00:39:49a movie.

00:39:59Son,

00:40:00you have so little blood.

00:40:03It hasn't started yet.

00:40:04Everything has changed.

00:40:06Woman, advertising is what it is.

00:40:09I don't know.

00:40:10Now everything goes so fast.

00:40:12Look, people

00:40:13are like amoebas, you know?

00:40:15Amoebas.

00:40:17We go around

00:40:18advertising everything

00:40:20and changing shapes

00:40:22and unfolding pseudopods.

00:40:24But deep down,

00:40:25in the end,

00:40:26the only thing we change is the shape.

00:40:28We're still just an amoeba.

00:40:30Hey,

00:40:31have you had a coffee with punch?

00:40:36I don't know, but

00:40:38I have a feeling.

00:40:40For this week's Athletics final?

00:40:42How funny.

00:40:44I have a feeling

00:40:46that I'm going to make a movie.

00:40:50I'm sure.

00:40:55I'm going.

00:40:57What are you calling me an amoeba?

00:41:00Another position is that of

00:41:01assistant director.

00:41:04Take it off, take it off.

00:41:05Another mouth to think about it.

00:41:07Production manager.

00:41:08Yes, but sit down.

00:41:10Script.

00:41:11What's that?

00:41:13Out.

00:41:14That's not necessary.

00:41:16Camera assistant?

00:41:17Of course, too.

00:41:19Actors?

00:41:20Well, here's another one.

00:41:33What a mess.

00:41:34If a bomb falls right now in Moriana,

00:41:36the village will be deserted.

00:41:38It's great, boss.

00:41:39It's great.

00:41:41What's wrong with people?

00:41:42Between what they drink at the casting

00:41:44and what the clientele is going to mess up

00:41:46when the movie is released,

00:41:47we're screwed.

00:41:49You trust the movie a lot.

00:41:51Can you think of something better, Fabrilón?

00:41:53So far, everything you've asked for,

00:41:55all these cups and people,

00:41:56are glasses of water and not tap water.

00:41:58Next.

00:41:59Hello.

00:42:00Name?

00:42:01Mariano.

00:42:02Ma-ri-a-no.

00:42:04Girl,

00:42:05you don't understand anything you've said.

00:42:07So what?

00:42:08I didn't go to school.

00:42:09You did go to college.

00:42:10You don't need to read.

00:42:12Have you ever acted?

00:42:13When I was a kid at school.

00:42:15Like everyone else.

00:42:16Perfect.

00:42:17Done.

00:42:18Good.

00:42:35What's this?

00:42:36I can't believe it.

00:42:38Hey, where are you going?

00:42:40I hadn't seen him.

00:42:42I have nothing to do with this.

00:42:44I'll get rid of him right now

00:42:46and I'll get those people out of here.

00:42:48We're going on a secret mission.

00:42:51It's a secret, right?

00:42:52It's a secret, period.

00:42:54I know I had 24 hours to get out of here.

00:42:56Don't worry.

00:42:57I wasn't going for that.

00:42:58No?

00:42:59We were carrying a mission.

00:43:01Besides,

00:43:02to get them out of here.

00:43:04But they have to go on their own.

00:43:06Because there are minors on the property.

00:43:08You can't do anything.

00:43:10Don't worry.

00:43:11This is a legal course.

00:43:13The judges are in the office.

00:43:15Let's go.

00:43:17Really?

00:43:18Kid, it's time.

00:43:19Let's go.

00:43:20Good luck and good service.

00:43:23Godspeed.

00:43:26Great.

00:43:27We'll call you.

00:43:28Another one.

00:43:32Ta-da!

00:43:34Hi.

00:43:35Kid, did Nipero leave or what?

00:43:37If I get out of Superman,

00:43:38I'll add value to the movie.

00:43:40I know.

00:43:41Anolico, please,

00:43:42get out of here.

00:43:43We don't have time

00:43:44to be fooling around now.

00:43:46Come on.

00:43:47Hi, we're here for the casting.

00:43:49The carnivals are over.

00:43:51We know you'll count on us

00:43:54given our extensive experience.

00:43:56But we don't want a distinction.

00:43:58That's why we've made a queue.

00:44:10Very good, very good.

00:44:12I see it.

00:44:14So, do we have the role?

00:44:15How do you see it, Fran?

00:44:16I think they need more intensity

00:44:18in the gesticulation.

00:44:20Mmm.

00:44:24There, there, there.

00:44:25There, perfect.

00:44:26Very good.

00:44:27You're at the door of a round ship.

00:44:29Mmm.

00:44:31Hey, listen,

00:44:32don't take your eyes off it.

00:44:33Don't make it too obvious.

00:44:34Okay.

00:44:43What's this?

00:44:44Oh, my God.

00:44:50Grrr.

00:44:56Oh, no!

00:44:57Please, no!

00:44:58No, no, no, no, no!

00:45:02My name is Fuensanta López.

00:45:04For FuensantaLópez.com

00:45:06And you?

00:45:07Social media expert.

00:45:09Social media manager.

00:45:10And you?

00:45:11Is this about Facebook and Twitter?

00:45:13And Pinterest and Instagram

00:45:14and Picasa and Twenty.

00:45:16Well, this one a little less.

00:45:18Do you know how to make coffee and order?

00:45:21Yes.

00:45:22I worked at my brother-in-law's bar for three years.

00:45:25Hire me.

00:45:32The catalyst will be the component,

00:45:34character or element

00:45:36that will push the protagonist

00:45:37to the first big turning point.

00:45:42The conflict.

00:45:44Oh, my God.

00:45:45What a book my Manolico bought.

00:45:54Honey,

00:45:55are you going to tell him what the hell is going on?

00:45:59Yes, honey.

00:46:00Wait a second.

00:46:01Good evening.

00:46:02Good evening.

00:46:03If you're not waiting for half an hour,

00:46:05I'll charge you like a club.

00:46:06Perfect.

00:46:07I'll cut the supply.

00:46:08Wait a minute.

00:46:10What are you talking about?

00:46:11What are you talking about?

00:46:13Aren't you going to tell me

00:46:14that the shameless Dimas

00:46:15hasn't kicked people out of his house?

00:46:17Not only that.

00:46:18The bastard called me

00:46:19and told me that his wife understands the law

00:46:21and that as long as there are minors in the house,

00:46:23we don't kick them out even with hot water.

00:46:26Cut.

00:46:27What are you waiting for?

00:46:29But hey,

00:46:30didn't I tell you that I didn't want him

00:46:32to be the guard of the farm?

00:46:33That he was a whore!

00:46:34Don't give me a hard time, Prudent.

00:46:36Don't give me a hard time.

00:46:37Cut.

00:46:40Plant.

00:46:42Beautiful.

00:46:44Catalyst.

00:46:47Detonator.

00:46:51I didn't want to make a movie.

00:46:52Take this.

00:46:56Cut or not cut?

00:46:58We can't.

00:46:59We're going to lose our hair.

00:47:00I also understand the law.

00:47:02What do you want?

00:47:03For us to spend two years of paperwork and hardships?

00:47:05I'll take care of this.

00:47:07You'll see, you'll see.

00:47:08When the gender starts to be lost,

00:47:11we'll make them poop.

00:47:13Plus, plus.

00:47:15Yes, I'll pay for it.

00:47:17Cut now.

00:47:26What's going on now?

00:47:28If I knew that Lu's receipts wouldn't come,

00:47:30it would be weird.

00:47:31Cancel it!

00:47:32Cancel it!

00:47:57It's done.

00:47:58What?

00:48:00Electrogen group.

00:48:01Gasol.

00:48:03For the sound...

00:48:057 kV.

00:48:06Minimum.

00:48:11Bastard!

00:48:28Wait, I said it.

00:48:30Barca gave me a daughter.

00:48:31My age.

00:48:32Actress.

00:48:33We'll see how it goes.

00:48:35Marta.

00:48:36We have 63 followers on Twitter

00:48:39and a like on Facebook.

00:48:41Oh, girl, give me a beer.

00:48:46Juana Continuidad.

00:48:47That's what this is for.

00:48:51Well, father-in-law,

00:48:52do you know what you have to take care of?

00:48:54I know what I'm not going to take care of.

00:48:57I've received the third letter of the loan

00:48:59and no one is breathing here.

00:49:01Stop being a pain in the ass

00:49:03and pay me something.

00:49:04Oh, really.

00:49:06We're almost there.

00:49:07Wait and then I'll pay you all together, okay?

00:49:10No need to pay everything at once.

00:49:12We're fed up with being idiots.

00:49:17I don't think she's going to pay anything.

00:49:20She's crazy.

00:49:21She's making a movie.

00:49:24Just in case, I'll put up with the guy.

00:49:26Once we're pre-selected?

00:49:28We've been here too long.

00:49:42Hey, Mom.

00:49:43I can't stay with the kids because I have a lot to do.

00:49:46That's not it.

00:49:47Let's see.

00:49:48Do you know where Aunt Conchita's residence is?

00:49:50Are you going to go see her?

00:49:52If you don't, she won't recognize you

00:49:54for the time you've been away from her.

00:49:56Let's see how things go tomorrow.

00:49:58I'll come and send you the money.

00:50:01I knew there was something else behind that.

00:50:12She's not going to give you a hard time.

00:50:14Richardone, he's from Spain.

00:50:16It's an opportunity to meet him.

00:50:18Give Aunt Conchita this before that.

00:50:20If I catch you, I'll break your head.

00:50:22If you want to live bitterly, that's your business.

00:50:24We have to focus on what we're going to do now,

00:50:26which is what interests us.

00:50:39Leave it.

00:50:40Let's see what she wants.

00:50:41Aunt Conchita, you look beautiful.

00:50:43Beautiful today.

00:50:44She wants something.

00:50:45Hi, Auntie.

00:50:46Hi.

00:50:47What do you want?

00:50:48How are you?

00:50:49Fine.

00:50:50How long, my goodness.

00:50:52What do you want?

00:50:54Look, your brother-in-law, my mother,

00:50:56has become a whore.

00:50:57It's a matter of life and death.

00:50:59Man, if we leave her, if...

00:51:01If she goes, she'll lose her.

00:51:03It's a delicate matter,

00:51:05and now it's come to us

00:51:07that the dependency law is fucked up, you know?

00:51:10I already imagined it.

00:51:11To Conchita, let her suffer.

00:51:13But when you need money,

00:51:15how beautiful Conchita is.

00:51:17You're heavy, are you okay?

00:51:18Yes, I am.

00:51:19Look what I tell you, beautiful.

00:51:21Wait for me to pay you back,

00:51:22and you'll get some inheritance.

00:51:24Guys, you know what to do.

00:51:45Damn it, son.

00:51:46I told you this was a failure.

00:51:48But I'll keep the last thing she said.

00:51:51We'll get something.

00:51:52Yes, and what do you plan to do?

00:51:54For now, I don't have any plans tonight.

00:51:56Because of my ovaries,

00:51:57I'm taking this movie forward.

00:51:59And with a head of a cartel.

00:52:01Head of a cartel?

00:52:02Do you know any famous people?

00:52:05I don't.

00:52:07According to Fryer's Cuttings,

00:52:09there is a maximum of six degrees of separation

00:52:12between one person

00:52:14and any other in the world.

00:52:18Example.

00:52:20Fuganita calls Menganito,

00:52:23who, in turn, calls Sultanito.

00:52:25And so on and so forth,

00:52:28until...

00:52:35Yes?

00:52:38What?

00:52:40Magdalena.

00:52:42Delighted.

00:52:44From Murcia.

00:52:49Thank you very much.

00:52:51Thank you.

00:52:54Well, yes.

00:52:55Yes, yes.

00:52:56What is it?

00:52:59Thank you, Magdalena.

00:53:02I'm looking forward to meeting you.

00:53:05Great.

00:53:06Call me tomorrow.

00:53:07Do you want to?

00:53:08Very well.

00:53:09Good night. Goodbye.

00:53:12Who called me for a movie?

00:53:13See? I told you.

00:53:14Who? Alex or Santiago?

00:53:16From Murcia.

00:53:17Murcia?

00:53:18Magdalena from Murcia.

00:53:20Murcia.

00:53:21What's up with Murcia?

00:53:23Nothing.

00:53:24It was from Murcia, wasn't it?

00:53:25Yes, yes.

00:53:26They made you a rebellion in 2008, but...

00:53:29Hey, be careful.

00:53:30Be careful.

00:53:31I have that palpitation.

00:53:33And when I have that palpitation,

00:53:34everything goes well.

00:53:35No palpitation,

00:53:36but look,

00:53:37you're adding pepper to the soup.

00:53:39Oh, thank goodness.

00:53:41It's nothing.

00:53:42Don't worry, don't worry.

00:53:43I'll put this away.

00:53:44Do you have a cup?

00:53:45No, throw it away.

00:53:46Throw it away.

00:53:48Come on.

00:54:04No, no.

00:54:05Maybe you were fantasizing.

00:54:07No way.

00:54:09Let me tell you this.

00:54:10This smells like chamoquina.

00:54:12It smells like a strange girl, it's you.

00:54:14Where have you been?

00:54:15I haven't done anything.

00:54:18It does smell, yes.

00:54:19Like dead dogs.

00:54:29Let's go.

00:54:30But what are we going to do?

00:54:31Take the flashlight.

00:54:33With new batteries.

00:54:35I don't know.

00:54:37I don't know.

00:54:38I don't know.

00:54:39I don't know.

00:54:40I don't know.

00:54:41I don't know.

00:54:43Let's go to Aunt Conchita's house.

00:54:45Come on.

00:54:46Are you crazy?

00:54:47I'm going.

00:54:48Me too.

00:54:49I do everything except steal.

00:54:50Come here.

00:54:51She told us that when we get the palm tree,

00:54:53we'll get something from the inheritance.

00:54:55This isn't a robbery.

00:54:57This is...

00:54:58We're going to get an advance.

00:55:02Girls!

00:55:03What are you doing here?

00:55:04She didn't explain.

00:55:05I thought we were going to have a drink and I invited her.

00:55:07Of course.

00:55:08What's the plan?

00:55:09Gin and tonic?

00:55:10Are you going to stay here for a while?

00:55:12We're going to have a drink, you know?

00:55:14No, no.

00:55:15No, no, no.

00:55:16I know this.

00:55:17And then you don't show up.

00:55:19What's up?

00:55:20What do we do?

00:55:21I don't give a shit.

00:55:22Hurry up.

00:55:25We have to speed things up.

00:55:28Something caught.

00:55:30Come on.

00:55:39Damn, she got away.

00:55:40I'm so nervous.

00:55:49Dimas, you go to the living room.

00:55:51Anolo, you go to the bedroom.

00:55:54And I'm going to the library and the chapel.

00:55:57And what about me?

00:55:58And you keep an eye out.

00:56:00Don't take too many pictures tonight.

00:56:01And if someone comes, let me know, okay?

00:56:03Okay.

00:56:05Don't worry about anything, son.

00:56:07I'm here to give you the deals you took advantage of.

00:56:10Come here.

00:56:20Guys, let's go, we're late.

00:56:22Girls, how strong.

00:56:24There were beans in the boat.

00:56:2610,000 bucks between Puyol's books and Mario Conde's.

00:56:30This is a tax haven.

00:56:31I'm going to get more.

00:56:32Don't be greedy.

00:56:33We'll have time to come another time.

00:56:35Where are they?

00:56:41Go with those morons.

00:56:43We'll talk at home, you know?

00:56:45Smoke, smoke.

00:56:50Checkbox, checkbox, checkbox.

00:56:56Checkbox, checkbox, checkbox.

00:57:01I'm going.

00:57:02I've made a mistake again.

00:57:05One, two, three, four.

00:57:10Did you see her?

00:57:17I haven't lost my luck because I was born a miner.

00:57:27Hey, kid.

00:57:40Stop, police.

00:57:43Stop, police.

00:57:47Dad, they're still going down the street to the health center.

00:57:50Well, one less day of work I have.

00:57:57Police!

00:58:08Don't kill him. I didn't know he was an animal.

00:58:10Don't tell me this is not the time, Twitter.

00:58:13Oh, the picture came out as I saw it.

00:58:15Hey, what about Diman?

00:58:16Don't worry about Diman, he knows how to move.

00:58:18The police are coming.

00:58:19I know.

00:58:20Now the phone too.

00:58:22Yes, tell me.

00:58:23Magdalena?

00:58:25I'm Terele.

00:58:26Ah, hello, Terele.

00:58:29Hello, what's up?

00:58:30Yes, I'm making the movie.

00:58:32Yes, yes, yes.

00:58:34I'm very excited.

00:58:35I have a feeling that I want to do it.

00:58:38Oh, I'm so happy.

00:58:39You don't know how happy I am.

00:58:46Stop the vehicle.

00:58:48Stop the vehicle.

00:58:50Are you very busy?

00:58:51Are you very busy?

00:58:52Listen to me, yes, we can talk another time.

00:58:54Well, look, I'll call you tomorrow, right?

00:58:57Yes.

00:58:58But you know I want to do it.

00:59:00Come on, a kiss, see you later.

00:59:03He's making Terele's movie.

00:59:05I love this woman.

00:59:06She's so plump.

00:59:12I'll call the police and tell them to stop.

00:59:14Stay still.

00:59:21Stop!

00:59:31Did you expect me to do a Tarantino?

00:59:33Cross your fingers.

00:59:41Stop! Police!

00:59:51Stop!

01:00:02They're going to find out.

01:00:03They're going to leave me hanging.

01:00:07Hey, Prudence, it's Dimas.

01:00:10Listen, listen, listen, woman.

01:00:12Not everything is what it seems.

01:00:14Look, I have some information that may interest you.

01:00:22Oh, 50 meters more and I've done the billy.

01:00:27Son, calm down, we have to talk.

01:00:30Tonight we have a problem.

01:00:32I also have fresh news.

01:00:34My children, give me a kiss.

01:00:36I didn't expect this.

01:00:39You've killed me.

01:00:40I'm not surprised.

01:00:42I've seen things, but this is...

01:00:46What are you saying?

01:00:48Hi, Magdalena.

01:00:52I'm going to pee, this is getting ugly.

01:00:54You look pale.

01:00:56What did they tell you?

01:00:58What did they tell me?

01:00:59Who are these people?

01:01:00You've made me a...

01:01:01Shameless.

01:01:02Hey, excuse me.

01:01:04A little more respect, okay?

01:01:06The one you have for your family.

01:01:08Because none of the people here

01:01:10had any idea what you and Dimas were up to.

01:01:13I've made a loan.

01:01:15Your mother leaves the house and the kids...

01:01:18That's the worst, the kids.

01:01:19Did you smoke pot or what?

01:01:20Magdalena.

01:01:22We have the Civil Guard waiting for our OK

01:01:24to kick you out on the street.

01:01:27But, but, but...

01:01:29We can reach an agreement.

01:01:32I'm going to pee.

01:01:33Look, we'll give you a chance to fix the situation.

01:01:36Signing a loan contract...

01:01:38Give me your glasses, Prudence.

01:01:42Bruno, you're wearing contact lenses.

01:01:44I can't see anything, Prudence.

01:01:46Signing a loan contract

01:01:47like the one we offered to Dimas

01:01:49when he refused

01:01:51because of the amount you withdrew a while ago.

01:01:54Magdalena, we're on it.

01:01:57That's another one.

01:01:58Come on, daughter.

01:01:59So, either you sign

01:02:01or you go to hell

01:02:03and you get a complaint for illegal occupation

01:02:06and for robbery.

01:02:09Magdalena, baby.

01:02:14Dimas.

01:02:15I shit on your skull.

01:02:19Could you please leave me alone with my family

01:02:22and have another beer?

01:02:24I wouldn't think twice about it, Magdalena.

01:02:27And I prefer another wine.

01:02:39What the hell is this?

01:02:41You have no mercy.

01:02:42You lied to us all.

01:02:43You think I set up an occupation business?

01:02:45You have a saw in your pocket.

01:02:46You're going to put us all in jail.

01:02:58Believe it or not, I didn't know anything.

01:03:02Your son's a bastard, Fabrilo.

01:03:06I can't take it anymore.

01:03:09I'm sorry.

01:03:14I've always tried to get everyone out of trouble.

01:03:20My son broke my heart.

01:03:24But I don't have the strength anymore.

01:03:29This is the tip.

01:03:37I'm going to the barracks

01:03:39and I'm going to tell them you didn't know anything.

01:03:43But I'm only going to ask you one thing.

01:03:46Don't leave my son helpless, please.

01:03:50Here, Juana.

01:03:52So you can pay the loan.

01:03:54And for that,

01:03:57I want you to give it to him.

01:04:02But...

01:04:03You really didn't know anything?

01:04:07My son is finished forever.

01:04:09This is the last thing he does to us.

01:04:10You insisted on putting Dimas

01:04:12and the loan came out.

01:04:14Here.

01:04:15No, Juana.

01:04:16Give it to him

01:04:18and sign it.

01:04:19We'll see about the loan.

01:04:20You don't suffer.

01:04:21We'll get out of this.

01:04:22He's going to back out.

01:04:23You've seen worse.

01:04:25What a son of a bitch Dimas is.

01:04:26Well, I'm sorry, Juana.

01:04:28You're a saint.

01:04:29When you catch him, he'll find out.

01:04:31Wait a minute.

01:04:32You told us we had to think big, didn't you?

01:04:35Yes, son.

01:04:36That what had happened

01:04:37was an opportunity to fly like little birds, right?

01:04:40Then why do you only see easy solutions?

01:04:43Give money to those so they don't report us,

01:04:45pay the loan and go to Chirona.

01:04:48There's another option, son.

01:04:49Take all that money you have

01:04:51and make a movie of Horda.

01:04:53Don't think you're in the circle,

01:04:55but the circle starts with you.

01:04:59My God.

01:05:02I'm so great.

01:05:07You're right.

01:05:10Who's in?

01:05:11Are we going to spend our lives in fear,

01:05:13begging for a place to die of disgust?

01:05:17Or are we going to mourn

01:05:19and be able to fulfill a dream?

01:05:23Anyway,

01:05:25we're going to die anyway when it's our turn.

01:05:29I swear I'm more excited

01:05:32about the loan and the mother who gave birth to us.

01:05:35That's it.

01:05:36Well, if you allow me to dress up as Superman,

01:05:39maybe...

01:05:40For two days in the convent?

01:05:42Come on, we're going to make a great movie.

01:05:50Wait a minute, family.

01:05:52Tomorrow Tereli is coming

01:05:54and I haven't finished writing the script.

01:05:56Don't worry, I'll help you.

01:05:58I'll write a scene for each of you

01:06:00and that's it.

01:06:01What are you saying?

01:06:03Me?

01:06:04I'm sick of being pretty and sleeping alone.

01:06:09There's a lot of laughter around here.

01:06:12Maralena, sign the contract

01:06:14and let Guita go.

01:06:15I'm running out of patience.

01:06:19I'm going to sign some shit.

01:06:21And go to hell right now

01:06:22or I'll kick your ass and send you to the moon.

01:06:25Let's go, kids.

01:06:26To the Civil Guard right now.

01:06:27As long as we're here,

01:06:28your aunt isn't here.

01:06:29My dad told you over the phone.

01:06:31Kids.

01:06:54Well, guys.

01:06:56We've combed the whole farm

01:06:58and we haven't found any used rubber.

01:07:00And look at that.

01:07:02It's everywhere.

01:07:07Grillo, I think we're going to have to give one to two girls.

01:07:10But each one is their own.

01:07:14Tell me, are you mad?

01:07:17I'm not.

01:07:18You're not?

01:07:22Shit.

01:07:23What is this?

01:07:25What?

01:07:27My God, Josbelina is so strong.

01:07:29What?

01:07:30Strong.

01:07:35Ah!

01:07:36A modern five-cylinder.

01:07:37The one in front of the hole in the middle.

01:07:39This is going to be great.

01:07:45We're almost there.

01:07:46My brother has made some rice to suck our fingers.

01:07:48Oh, I love it.

01:07:49The rice is so good.

01:07:50I love rice.

01:07:52Don't you think it's weird

01:07:53that he sent you four cans to pick us up?

01:07:55Of course.

01:07:56I told you it's a humble production.

01:07:59We've been to the worst movies.

01:08:01I think it's great, but I don't know.

01:08:03I don't see it clearly.

01:08:04You don't even read the script.

01:08:05I don't need to.

01:08:06I have a palpitation.

01:08:07I don't know.

01:08:08It's not clear.

01:08:09You tell me how they're going to distribute this.

01:08:11Dalila told me she has a company.

01:08:13A company called...

01:08:16Look, I don't know what she told me,

01:08:18but she has a company.

01:08:19Now let's take a picture together.

01:08:21We have plenty of time.

01:08:23You can take one, two, three, whatever you want.

01:08:26Let's go.

01:08:40There's always someone

01:08:41who puts their foot on it.

01:08:51You're so big, Lele.

01:08:53I can't wait to see you in person.

01:08:56I can't wait to meet you.

01:08:58And that rice.

01:08:59They told me it's wonderful.

01:09:01Well, you'll see.

01:09:03Guys, let's go eat.

01:09:05We have a shoot this afternoon.

01:09:06Come on, you're going to love it.

01:09:15Dimas.

01:09:16Pamoncete.

01:09:17You're in luck.

01:09:18Sal.

01:09:24You took your time, didn't you?

01:09:26Shut up.

01:09:29This is a personal matter.

01:09:31We've been declared war.

01:09:33Your people don't know who I am.

01:09:35Look, I don't care about the game or the king.

01:09:37Don't you want to take revenge?

01:09:39How can I take revenge?

01:09:40I can teach him a lesson, but...

01:09:42You have the opportunity to solve your life forever.

01:09:44We'll give you a pill

01:09:46if you get them to leave there for two days

01:09:48to change the locks and put our people in.

01:09:50Let's talk about the pill.

01:09:52Look, I can give you 100,000...

01:09:5450,000.

01:09:55No, 50,000 euros

01:09:57just to see the look on their faces.

01:10:01What are you talking about, my children?

01:10:03I don't care if you take the money from the old woman.

01:10:05But if you leave them on the street...

01:10:07But you abandoned them and went on an adventure.

01:10:09Now you can do the same thing again,

01:10:11but in a closed way.

01:10:12It's 100,000.

01:10:1350,000.

01:10:1450,000.

01:10:1550,000.

01:10:1650,000.

01:10:1750,000.

01:10:1850,000.

01:10:1950,000.

01:10:2050,000 euros.

01:10:21If you do it right, you can live a few years of rest.

01:10:24But if you don't,

01:10:25at the very least,

01:10:26I'll get four bruises.

01:10:28It'll be worse.

01:10:29It'll be worse for everyone.

01:10:30Besides,

01:10:31since when have you cared about your children?

01:10:33Besides?

01:10:35Yes, it's true.

01:10:37Since when have I cared about my children?

01:10:42Did you say 100,000?

01:10:4350,000.

01:10:49Give me the text.

01:10:50To open it.

01:10:51To open what?

01:10:52What we have to talk about.

01:10:57But let's see, Juana.

01:10:58Can you tell me what this has to do with what I wrote?

01:11:01It's to open the Eiffel Tower of the West.

01:11:04And how do you write it?

01:11:05You give me letters.

01:11:07We'll see how you handle this later.

01:11:09What did she think?

01:11:10With the curriculum we bring.

01:11:12What a shame.

01:11:14Put us in charge.

01:11:19Action.

01:11:20I'm leaving.

01:11:22I have no reason to come here.

01:11:24There's nothing to do here.

01:11:25Susan.

01:11:27The gold fever is over.

01:11:32Action.

01:11:33It's over, May.

01:11:35I'm going in search of fortune.

01:11:37Susan.

01:11:39The gold fever will end with you.

01:11:43It will end with you.

01:11:46It will end with you.

01:11:51I'm going.

01:11:52It will end with you.

01:11:58Stay still.

01:11:59I had to say, don't move.

01:12:02But look at them.

01:12:03They're there like a bunch of ducks.

01:12:04They didn't even move.

01:12:05That's not how you do it.

01:12:06What a joke, girl.

01:12:08How funny.

01:12:12How beautiful.

01:12:14How beautiful everything is.

01:12:15So many things.

01:12:17Action.

01:12:19How well he does it.

01:12:21What a piece of actress.

01:12:30You've chosen a bad time to do stupid things.

01:12:44Action.

01:13:05Oh, Superman.

01:13:08I'm so dizzy.

01:13:10Calm down.

01:13:11I'll hold you.

01:13:15Oh, oh, oh.

01:13:17This is getting scary.

01:13:19Carolo, right?

01:13:21Carolo.

01:13:27Damn it.

01:13:32Tell me where to hold on.

01:13:34I know where to hold on.

01:13:36Wait, you're an angel.

01:13:44Action.

01:13:59You?

01:14:01I see you.

01:14:03My son's motorcycle,

01:14:05I'm the one who rides it.

01:14:08You?

01:14:10What did you do to me?

01:14:11And what they say in the movies is not true.

01:14:14If you want, we can make another one.

01:14:15No way.

01:14:19Flying a plane?

01:14:21It's very easy.

01:14:25For me, it has no secrets.

01:14:28I don't understand why they give it so much hype.

01:14:30Ayoli, nanyoli.

01:14:45THE RIDE

01:14:53Don't even think about touching it.

01:14:54Girl, none of this was King Solomon's mine.

01:14:58Where did you get this from?

01:14:59They gave it to us.

01:15:00In exchange to get it in the movie.

01:15:02Good God!

01:15:04Is this today's catering service?

01:15:06Yeah, but please,

01:15:07don't touch it until after the shoot, okay?

01:15:09Madalena, can we talk for a moment please?

01:15:11Yes, of course.

01:15:14Well, guys, thanks for everything. See you later.

01:15:20Tell me.

01:15:21But what are these?

01:15:22These, thank God, I get paid monthly.

01:15:24If it was for an hour, I'd be ruined.

01:15:26What do you want?

01:15:28Well, let's see.

01:15:31My mother, I don't know why, strange reason, doesn't react.

01:15:34But I don't stay in one place. What's this about?

01:15:37Well, I already told you.

01:15:40No, no, no.

01:15:41What are you talking about?

01:15:42Because it's clear that you have no fucking idea about cinema.

01:15:45And you're using my mother as if she were an object.

01:15:48Look, if you tell me that we have no fucking idea about cinema...

01:15:53It's true.

01:15:54But about your mother, I respect your mother more than mine, so it fits.

01:15:58Seeing how you talk to me like that, I don't know what to say.

01:16:01I don't know what to say.

01:16:03I don't know what to say.

01:16:05I don't know what to say.

01:16:06I don't know what to say.

01:16:08Seeing how you treat her, there's not much guarantee.

01:16:11Look, life hasn't taught us to be more courteous, you know?

01:16:15But if I wanted your mother to be the one here,

01:16:18it's because it's her, and only her, who can do this.

01:16:21For me, she's a reference of courage.

01:16:23And why are you getting into this shit?

01:16:30Do you want me to tell you?

01:16:31Please, I'm worried.

01:16:39How strong.

01:16:50But they've eaten it all.

01:16:52And with this bread, you don't see how it gets in.

01:16:56Motherfuckers.

01:16:57If they tell you, I'm going to jail.

01:16:59What do you want, daughter?

01:17:00At breakfast and at this time?

01:17:02Let's put it back and that's it.

01:17:04There's no more.

01:17:05Let's see, what do we do now?

01:17:08What's wrong?

01:17:09Very strong.

01:17:10Very strong, I'll tell you later.

01:17:12The thing is that the brand comes out.

01:17:14A pot of my chirones and we say that we have made ham of that.

01:17:17Chipirones?

01:17:18Chipi, no, my chirones.

01:17:20You do it with a sausage to understand, right?

01:17:22Typical Murciano.

01:17:25Well, I don't know what it is, but it will be very tasty, for sure.

01:17:29Can we record now?

01:17:39With this ham, the chirones come out very good.

01:17:43Cut.

01:17:47And by the way, they are delicious.

01:17:49Can I eat them?

01:17:54Magda, I have a gift for you.

01:17:57I have received so much of your personal wish that I have also written my little scene for my mother.

01:18:02I hope it's worth it.

01:18:04Don't tell her anything, it's a secret.

01:18:08Hallelujah.

01:18:13Hallelujah.

01:18:17You don't know how excited I am to make Santa Teresa.

01:18:23Now, let's see how you are, because Concha left the bar very high.

01:18:27Son, it's a pinch of nothing.

01:18:30It's going to be divine, Terele.

01:18:33And how did you know that I wanted to make Santa Teresa?

01:18:39No, if we didn't know, it was a coincidence ...

01:18:43Miraculous.

01:18:45Miraculous.

01:18:47How nice to make Santa Teresa with a ...

01:18:53I don't feel good, I'm anxious.

01:18:55Don't bother me, if you feel bad, I'll talk to Magda and we'll stop the shoot right now.

01:18:58No, no, no, son, no.

01:19:00We do it and the first one.

01:19:14Motor and action.

01:19:16I live without living in me.

01:19:20And so high I wait for you.

01:19:25That I die because I don't die.

01:19:27Oh, Felice.

01:19:29What crime did I commit against you when I was born?

01:19:34Don Juan, I implore you.

01:19:36I implore you.

01:19:38Of your Hidalgo.

01:19:39Compassion.

01:19:41Tear my heart.

01:19:44Love me because I adore you.

01:19:50What's wrong?

01:19:54I feel bad.

01:19:55I feel bad.

01:19:56I feel bad.

01:19:57Mom?

01:19:59Mom?

01:20:02What's wrong?

01:20:05Do I have monkeys on my face?

01:20:06Gorillas, at least.

01:20:07My God, with that face and that skirt, she looks like the girl from the Sorcist.

01:20:12Oh, God.

01:20:14The Havas.

01:20:15Didn't you put pepper on them?

01:20:17Wings and chorizo and over-roasted matanza.

01:20:20Pepper on the tip of the blade.

01:20:22The Virgin.

01:20:23Pepper?

01:20:24But I can't take pepper.

01:20:27I'm allergic.

01:20:40Bruno, don't lose it.

01:20:44Don't lose both of us.

01:20:45Come on, man.

01:20:46Trust in the Dimas, the hungry dead.

01:20:48Here things are done as my mother taught me.

01:20:50And there's no more.

01:20:55Bruno.

01:20:56I'm going to call the Civil Guard.

01:20:59Nonsense.

01:21:06You can go out now, old men.

01:21:19Hello?

01:21:20Hello?

01:21:24What the hell?

01:21:33Excuse me.

01:21:34Where's my mother?

01:21:35She's fine.

01:21:36Go see the doctor.

01:21:37You can see her if you want.

01:21:38Thank you.

01:21:39You're welcome.

01:21:40Hey, Carolo.

01:21:41Carolo.

01:21:43I'm sorry.

01:21:44It wasn't our intention.

01:21:45Don't worry, Magda.

01:21:46It was an accident.

01:21:50I'll never forgive myself.

01:21:53I'm going to talk to her.

01:21:54See what we can do.

01:21:58Please.

01:21:59And call a taxi.

01:22:02So, the film can't be finished?

01:22:04I'm leaving.

01:22:08You've got a lot of courage.

01:22:09Spending money on helicopters, cars, planes, and everything.

01:22:13And what?

01:22:14A film without action?

01:22:15Juan, I'll call Fabrizio.

01:22:18This is a disaster.

01:22:20I'm not in the mood for this crap anymore.

01:22:22I'm going with Juan and Fabrizio.

01:22:24Hey, Manolo.

01:22:25If I tell you something, won't you get mad?

01:22:28After this failure, nothing affects me.

01:22:31The letters that come to you,

01:22:33the ones from Richard Donner,

01:22:35we wrote them ourselves.

01:22:38We had so much hope.

01:22:48Manolo.

01:22:49Manolo.

01:22:51Magda.

01:22:52You know what you need from me.

01:22:56By the way,

01:22:57where's your friend?

01:22:58I don't know.

01:22:59I don't know.

01:23:02See you later, Magdalena.

01:23:03There's a casting in Almeria and I think we have the profile.

01:23:07I gave the bottle man a little taste of the drinks before I left.

01:23:11Thank you.

01:23:12See you later.

01:23:13Thank you.

01:23:15Magdalena, you're a very good agent,

01:23:17but today I'm going to see if I've done the paperwork

01:23:19and I'm going to see if I retire, because it's okay.

01:23:25He's definitely killed them.

01:23:27My Bruno has a gun in his hand.

01:23:29Sir.

01:23:30If you're armed, disarm it, please.

01:23:32It's okay, it's okay.

01:23:33What have you done, man?

01:23:34Me? Nothing.

01:23:35It wasn't necessary.

01:23:36Are they leaving?

01:23:37They left.

01:23:38Call Mañicas.

01:23:39Tell him to change the lock immediately.

01:23:41Good thing Dima didn't take the money,

01:23:43because we've saved a lot.

01:23:44Let's go.

01:23:45Sir.

01:23:46If you're armed, disarm the hunting season, please.

01:23:48Long live the Guardia Civil.

01:23:49Let's go, let's go.

01:23:50You stay and melt.

01:23:51I say it in case he comes back.

01:23:56What a shame.

01:23:57Look at him.

01:23:58And he gets up so comfortably.

01:23:59And we don't get up.

01:24:04You have to see Lourdes.

01:24:05Is she that bad?

01:24:06No, Lourdes is her head physician,

01:24:08her doctor from Madrid.

01:24:09Can I say goodbye to her?

01:24:18Terele.

01:24:20I'm sorry.

01:24:22Come in, come in.

01:24:24You have to bring me tobacco later.

01:24:28You don't have to feel anything, I'm fine.

01:24:32Oh, Magdalena.

01:24:35You're a wonderful woman.

01:24:37Having met you and your family

01:24:39is something very important in my life.

01:24:43I wish you so many good things.

01:24:46I need people like you.

01:24:49Look, if I've been able to contribute something to your dream,

01:24:53for me it's...

01:24:55being your friend

01:24:57is something very precious.

01:25:00So, go ahead.

01:25:03Everything will be fine.

01:25:05Everything will be fine.

01:25:26Hi, how are you?

01:25:27Hi.

01:25:36Another mortgage application

01:25:39and I'm going to the other neighborhood.

01:25:42Come on, my stamp has a limit.

01:25:45I don't have a stamp,

01:25:46but one more drink and I'm going to the other neighborhood.

01:25:49Mmm...

01:25:51love sickness?

01:25:52Psychological, sexual.

01:25:54I don't know what's wrong with me,

01:25:55but every time I get drunk, I get a rash.

01:26:00Hey, maybe you haven't found the right person.

01:26:05I don't know.

01:26:13I dedicate this song with a lot of love

01:26:17to the cigar that is on the bar

01:26:19with a lot of love

01:26:20by Gladys.

01:26:36I love you.

01:26:47Good afternoon, ma'am.

01:26:49I'm very sorry, Madalena,

01:26:50but we can't let you in.

01:26:52Why?

01:26:53Mom...

01:26:54David left this alone

01:26:55and things are like this.

01:26:56This has its owner.

01:27:02Okay.

01:27:04Okay.

01:27:06It's okay.

01:27:12Wait, Madalena.

01:27:13In case it helps you,

01:27:15I'm going to say

01:27:16to your husband's hooker

01:27:18I don't know what

01:27:19that he rejected a money

01:27:21and didn't want to do I don't know what.

01:27:28Thank you.

01:27:33Thank you.

01:27:43What a shame, guys.

01:27:45What if we do the big show?

01:27:47We need more than that.

01:27:48We promote ourselves

01:27:49and they kick us out.

01:27:54Every time we sit in this wood,

01:27:56there's a rotten smell.

01:28:03I don't know.

01:28:24Son, you know that

01:28:25as long as I'm alive,

01:28:28we move forward.

01:28:30You'll be alone, beautiful.

01:28:33As soon as the social services find out

01:28:35that you're here with three kids,

01:28:37you get rid of them quickly.

01:28:39I'll know that.

01:28:54Madalena Blesa?

01:28:56A man gave me this for you.

01:28:59He said he didn't want to see you,

01:29:01so I gave it to him.

01:29:06Thank you.

01:29:07You can keep it.

01:29:21Hey!

01:29:23Where are you going?

01:29:26Don't worry, I'm leaving.

01:29:27Where did you get this?

01:29:29I don't want your money.

01:29:31You stole it, girl.

01:29:33I forgot it in the drawer.

01:29:35If you think you can fix this,

01:29:37you're wrong.

01:29:38You're shameless.

01:29:39I'm not trying to fix anything.

01:29:41I know I've broken a lot of things.

01:29:43Too many.

01:29:44And I know I can't change what's already done.

01:29:47But I can change the future.

01:29:49Daddy!

01:29:50My boy.

01:29:51Come here, my love.

01:29:53Go play with the little girl.

01:29:56Believe it or not, I've changed.

01:29:59I know I've been a lousy bastard

01:30:01and I've missed the most sacred thing in the world.

01:30:04But seeing the damage I've done to you and the believers

01:30:07has broken me inside.

01:30:09I don't believe you.

01:30:11I'm not saying this to make you believe me,

01:30:13or for you to come back to me,

01:30:15or for you to forgive me.

01:30:17Hate me if you want,

01:30:18but let me help you.

01:30:20And give me a chance to show you that I can change.

01:30:23And what are you going to do to be a good person?

01:30:26Well, for now I have a job.

01:30:29And I'm going to rent a small house.

01:30:32It's something to start with, right?

01:30:35Look, Magda, keep this money

01:30:38and go to a hotel with the kids.

01:30:40Tomorrow you'll think about what's to come.

01:30:43For now, every month,

01:30:45I'll send you all the money I can from my salary.

01:30:49You don't say anything?

01:30:51Nothing.

01:30:52You're late.

01:30:55But since you're Dimas,

01:30:57the good thief,

01:31:02I can still save you.

01:31:06Magda!

01:31:07Magda!

01:31:08They're here.

01:31:10They're here.

01:31:11What's up?

01:31:12What are you doing here?

01:31:14And this one?

01:31:15Can you tell someone he's not eating anymore?

01:31:17Juana, I'll explain later.

01:31:19What's going on?

01:31:21He said the media are coming.

01:31:23All of Spain is waiting for us.

01:31:25Look, I don't know anything.

01:31:27She was right, this is going to be a hit.

01:31:29Well, now that we're all here,

01:31:31I'd like to introduce you to Gladys.

01:31:33What a surprise.

01:31:34You take advantage of the fact that we're here,

01:31:37but we'll talk at home.

01:31:39Hello, loves.

01:31:40Look at you,

01:31:41and what a man I caught in the middle of the afternoon.

01:31:43Like this, forever.

01:31:45Well, I caught you here,

01:31:47and I'm going to see you.

01:31:53Magdalena, beautiful.

01:31:55You're great.

01:31:58Yes, it's great that we've talked about love and all that,

01:32:01but...

01:32:02if someone had helped you,

01:32:05much better.

01:32:06And look,

01:32:08he made a call and...

01:32:10Here, here they are.

01:32:12I have a question.

01:32:14I have a question, please,

01:32:15if I'm not the example of the film.

01:32:17Please, here.

01:32:21Gastrocinematográfico.

01:32:23Keep that name,

01:32:24because we can be before the birth

01:32:26of a new cinematographic genre,

01:32:28which is being cooked here,

01:32:30at the foot of Sierra Espuña,

01:32:32in the town of Alhama de Murcia.

01:32:34Of course, we have to know

01:32:36if the crazy adventure in which a family has embarked

01:32:38to make a film,

01:32:40has been successful.

01:32:42They told us this a few minutes ago.

01:32:44And yes,

01:32:45we're going to finish the film.

01:32:48By my nose.

01:32:56There's no one here.

01:32:59Hello?

01:33:00I think you must be Manolo.

01:33:03But...

01:33:04Richard, where...?

01:33:05An angel told me

01:33:07that you're making a film.

01:33:09Is it possible?

01:33:10Yes, it's possible.

01:33:12Yes, yes.

01:33:13I'll tell you.

01:33:15It's about a family.

01:33:16It's us.

01:33:17We set up a restaurant in the mountains.

01:33:40We're late.

01:33:41Come on.

01:33:42Come on.

01:33:45Come on, son.

01:33:46It's a weekend,

01:33:47and you're late.

01:33:48Magda, for God's sake.

01:33:49You know what?

01:33:50Bathe the three of them.

01:33:51Feed them.

01:33:52Dress them.

01:33:53Come on.

01:33:54You're a pain in the ass.

01:33:55Should I open the audience now?

01:33:56No, wait.

01:33:57There are people missing.

01:33:58Hey, aren't you the...?

01:33:59I do everything.

01:34:00It's called multi-employment.

01:34:01I do everything.

01:34:02It's called multi-employment.

01:34:03I do everything.

01:34:04I do everything.

01:34:05I do everything.

01:34:06I do everything.

01:34:07I do everything.

01:34:08It's called multi-employment.

01:34:09Magda, does this start now?

01:34:10Yes.

01:34:11We have a flight to the Canary Islands,

01:34:12and we're stuck.

01:34:13Yes.

01:34:14One of mine is fashion, love.

01:34:15We're both leaving,

01:34:16and we'll be back at least three.

01:34:17Oh, congratulations.

01:34:18Come on, let's go.

01:34:19Come on.

01:34:20You're a pain in the ass.

01:34:21It doesn't affect me.

01:34:22I already have re-imposed.

01:34:25He told me he was wasted.

01:34:26Anyway.

01:34:27Hey, my mother is asking me to apologize.

01:34:30He's been in a film

01:34:31starring a Canadian.

01:34:32Come on, it's okay.

01:34:33Okay?

01:34:34Come on, come on.

01:34:35Come on.

01:34:36Come on, let's go.

01:34:37Does it start now?

01:34:38Yes, yes.

01:34:39Let's go.

01:34:40Hey, Chispera,

01:34:41I see you're coming to Cataica, right?

01:34:43Mrs. de Peña.

01:34:44Hello, Guardia Civil Peña.

01:34:46Ascended by my own merits.

01:34:47Come on, let's go, let's go.

01:34:49Let's go.

01:34:50Come on.

01:34:52Thank you very much, Tava,

01:34:53for finally bringing us

01:34:54that grateful role.

01:34:56Nothing.

01:34:57We didn't disappoint you.

01:34:58What?

01:34:59You're very professional.

01:35:00Come on, let's go.

01:35:01Hey, I'm going to open up.

01:35:02I want to go to dinner.

01:35:03Oh, how heavy you are, my son.

01:35:04Well, guys,

01:35:05are you ready for the stars?

01:35:07We've lost the restaurant,

01:35:09but right now

01:35:10a new path opens up

01:35:11in our careers.

01:35:13Come on, let's go.

01:35:19Ladies and gentlemen,

01:35:21disconnect your mobile phones.

01:35:24Welcome to the presentation

01:35:26of the Adventures of Moriana.

01:35:36Hello, guys.

01:35:37This is wonderful.

01:35:38I've never seen this before.

01:35:40Yesterday I saw it on the Internet

01:35:42and I said,

01:35:43I'm going to see it this afternoon here.

01:35:46Media.

01:35:48Search on Google.

01:35:50Let's see.

01:35:51They didn't hack this.

01:35:52The mother who gave birth to them.

01:35:54Let's see.

01:35:55Here.

01:35:56Google.

01:35:57Oh, it's an American page.

01:35:59Let's see, Google Translator.

01:36:01Listen.

01:36:02Yesterday we attended

01:36:03the premiere of Moriana's Adventure.

01:36:05In English.

01:36:06The Adventures of Moriana,

01:36:07which is about a family of freaks

01:36:09who make a movie with Glenn Glove

01:36:11without having any idea about cinema.

01:36:13The tape is signed

01:36:16by Richard Donner.

01:36:24Taxi.

01:36:33Of course.

01:36:35How was anyone going to come?

01:36:38Weak dogs are all fleas.

01:36:40But don't worry.

01:36:42Nothing happens.

01:36:44Because as long as I live,

01:36:50we move forward.

01:36:52They're going to kill us again.

01:36:53No, they're in Chironal

01:36:54and I think they're going for a while.

01:36:56As long as I don't think

01:36:57they're going to bite to be here.

01:36:59There's a shitload of guys

01:37:00copying our movies.

01:37:01The movies you've made, man.

01:37:02The lack of air.

01:37:03You see?

01:37:04Superman.

01:37:05And because he copied it from a comic,

01:37:06that doesn't have talent for anything.

01:37:07Come on.

01:37:08Do you know what we're going to do now?

01:37:10Put a hose there

01:37:11and say that they are

01:37:12calcitonitrogenated waters.

01:37:14And that's it.

01:37:16And we say that they are

01:37:17alkaline waters.

01:37:31And we say that they are

01:37:32alkaline waters.

01:38:02Bienvenidos a la guerra

01:38:04económica mundial

01:38:06Te podrás morir de hambre

01:38:08pero no te matará

01:38:13novel de la paz

01:38:18Yo y mi circunstancia

01:38:22en el crítico epicentro

01:38:24de un sistema errado

01:38:27compartimos jaula

01:38:30y un corazón que en venganza

01:38:33canta indignado

01:38:36Cámbialo

01:38:39si no te gusta

01:38:41Cámbialo

01:38:43si ya te asusta

01:38:45Cámbialo

01:38:47si no hay futuro

01:38:49Cámbialo

01:38:51abajo el muro

01:38:53Cámbialo

01:38:55ya vamos tarde

01:38:57Cámbialo

01:38:59no seas cobarde

01:39:02todo está en tu mano

01:39:04Cámbialo

01:39:09poco pan y menos curro

01:39:11mucho fútbol de salón

01:39:13mucha tele rompe cráneos

01:39:15y mucha procesión

01:39:19que alivie el dolor

01:39:24Yo y mi circunstancia

01:39:29en el crítico epicentro

01:39:31de un sistema errado

01:39:33compartimos jaula

01:39:37y un corazón que nos lanza

01:39:40un mensaje claro

01:39:43Cámbialo

01:39:45urdan mangones

01:39:47Cámbialo

01:39:49cans bigotones

01:39:52Cámbialo

01:39:54peso de aria

01:39:56Cámbialo

01:39:58o magia banquilla

01:40:00Cámbialo

01:40:02venga el faria

01:40:04Cámbialo

01:40:06pobres hiparias

01:40:08todo está en tu mano

01:40:10Cámbialo

01:40:21Cámbialo

01:40:51www.circlelineartschool.com

01:41:21www.circlelineartschool.com

EL SABOR DE LA FAMILIA PELICULA ROMANTICA COMPLETA EN ESPAÑOL LATINO HD

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