A rich Sicilian: Fefè Mottola, decides to call a wealthy girl graduate: Giovanna, who is about to become a teacher, because his son needs repetitions. The boy, named Franco, is shocked by the physical beauty of the teacher, and so to restrain himself decides to pose as gay. But the deception does not last long, because the sexual impulses of Alfredo explode.
#TheSchoolTeacher1975 #LInsegnante #ItalianComedy #ItalianCinema #SexComedy #EroticComedy #1970sFilm #TeacherStudent #FemaleNudity #EroticDrama #Voyeurism #CultClassic #ItalianCultFilm #EroticFilm #Cinephile #VintageCinema #ClassicEroticComedy #DramaComedy #ItalianEroticCinema #SensualComedy #EroticVoyeurism #VintageComedy #EroticCinema #CultCinema #FilmLovers #CinematicExperience #ItalianClassics #CineLovers #EroticDramaComedy #RomanticComedy #ClassicCinema #ItalianMovies #VintageEroticFilm #DramaFilm #RetroCinema #Erotica #FilmArt #ClassicDrama #RomanticDrama #EroticVoyeur #EroticRomance #ComedyDrama #EroticCinema #FilmCommunity #ClassicRomance #CultFilm #CinematicArt #70sCinema #SexualTension
#TheSchoolTeacher1975 #LInsegnante #ItalianComedy #ItalianCinema #SexComedy #EroticComedy #1970sFilm #TeacherStudent #FemaleNudity #EroticDrama #Voyeurism #CultClassic #ItalianCultFilm #EroticFilm #Cinephile #VintageCinema #ClassicEroticComedy #DramaComedy #ItalianEroticCinema #SensualComedy #EroticVoyeurism #VintageComedy #EroticCinema #CultCinema #FilmLovers #CinematicExperience #ItalianClassics #CineLovers #EroticDramaComedy #RomanticComedy #ClassicCinema #ItalianMovies #VintageEroticFilm #DramaFilm #RetroCinema #Erotica #FilmArt #ClassicDrama #RomanticDrama #EroticVoyeur #EroticRomance #ComedyDrama #EroticCinema #FilmCommunity #ClassicRomance #CultFilm #CinematicArt #70sCinema #SexualTension
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Short filmTranscript
00:00:00In the film
00:00:16Edwidge Finesh, Vittorio Caprioli and Alfredo Te
00:00:20In the film
00:00:25The Teacher
00:00:30In the roles of Mario Carotenuto, Carlo Delle Piane
00:00:43Stefano Amato
00:00:46and others
00:00:50with the participation of Enzo Cannavale and Gianfranco D'Angelo
00:00:56as well as Francesco Romano Coluzzi
00:01:00Screenplay by Tito Carpi and Francesco Melizia
00:01:03Based on the story by Tito Carpi
00:01:08Production by Devon Film
00:01:10Renting by Meduso
00:01:15Producer Luciano Martino
00:01:23Editing by Daniele Alabiso
00:01:30Directed by Enzo Cannavale
00:01:52You are the man of my dreams, I speak in French.
00:01:56Emmanuel?
00:01:57Yes, Franco.
00:01:58It's you, Emmanuel?
00:01:59Yes, it's me. I'm yours.
00:02:01Come to me.
00:02:03Signorina Franco.
00:02:04I'm Carmela.
00:02:06You always come when I don't need you.
00:02:08Breakfast?
00:02:09What time is it?
00:02:10Almost eight.
00:02:11And you're going to eat me now?
00:02:15What? You're not going to have breakfast?
00:02:29Well?
00:02:30Do you want to see?
00:02:32Here, look!
00:02:34God bless you!
00:02:38Good morning, Signorina Franco.
00:02:40Signorina Franco.
00:02:59Good morning.
00:03:01Good morning.
00:03:03Good morning, professor.
00:03:05Professor, did you forget?
00:03:06What?
00:03:07What?
00:03:08Words for the song.
00:03:10Oh, yes, we agreed.
00:03:11You write the music, I write the words.
00:03:12Yes, yes.
00:03:13As we agreed.
00:03:14Peppino, I don't have time.
00:03:15I'm writing a book about Greek lyrics.
00:03:17About Greek lyrics?
00:03:18Who needs Greek lyrics?
00:03:19We have to write a song, we'll become millionaires.
00:03:21I'm sorry, Peppino, but I have to go.
00:03:24And who are you with now?
00:03:25I'm with the upperclassmen.
00:03:26Oh, upperclassmen.
00:03:27Congratulations.
00:03:28You're lucky.
00:03:29Now we'll powder you a little.
00:03:31So, like this.
00:03:32Good.
00:03:33Now you look much better.
00:03:34In general, I ask you to write good, good words.
00:03:37There will be a great song.
00:03:39Professor.
00:03:41Good morning, Mr. President.
00:03:44Today you replace the teacher in the 10th grade.
00:03:50In the 10th grade? Why?
00:03:53You see, Mr. President, I don't want to be classmates with these scoundrels.
00:03:59You see, Mottol, why did you come so late?
00:04:03Why did you come so late? Are you sick?
00:04:05We have to help them.
00:04:07You see, we can't betray these scoundrels.
00:04:11We have a mission, right?
00:04:13Come on, go to class.
00:04:141, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15.
00:04:29Here.
00:04:30Did you see?
00:04:31Your head is no match for my ass.
00:04:34You're just lucky that my head hurts today.
00:04:37What hurts?
00:04:39Franko.
00:04:40I thought you were sick.
00:04:42I didn't notice how you came.
00:04:44Why did you come so late?
00:04:46Well, of course.
00:04:47He fucked the maid.
00:04:48You know what?
00:04:49He fucked this bastard maid.
00:04:51What's the difference?
00:04:52You can put a pillow on your face.
00:04:54You'd better listen to who's going to replace the maid today.
00:04:58This moron Kali.
00:05:00Sit down, sit down.
00:05:01Everybody back to your seats.
00:05:10Lanzafane.
00:05:11Yes, professor.
00:05:12The nickname.
00:05:13I'm listening.
00:05:17Ashone.
00:05:18Here.
00:05:19Canistraccio.
00:05:20Here.
00:05:21Mezzamano.
00:05:22Present.
00:05:23Locascio.
00:05:24Present.
00:05:25Verderame.
00:05:26Present.
00:05:27Mazzucca.
00:05:28Present.
00:05:29La Faccia.
00:05:30Present.
00:05:31Del Forno.
00:05:32Present.
00:05:33Imballomeni.
00:05:34Present.
00:05:35Pinocchiare.
00:05:36Present.
00:05:37La Grua.
00:05:38Present.
00:05:39Lanzafane Robbeno.
00:05:40Present.
00:05:41Pizzebacchio.
00:05:42Present.
00:05:43Zucchincin.
00:05:44Here.
00:05:45Priduro.
00:05:46Present.
00:05:47Here.
00:05:48Cretin.
00:05:49Here.
00:05:50Present.
00:05:51Potasconi.
00:05:52Present.
00:05:53Razzurrelli.
00:05:54Here.
00:05:55Here we are.
00:05:56What is the program scheduled for today?
00:05:59The program is called the multiplication of molecules.
00:06:03You all know about the multiplication of molecules.
00:06:06Yes, yes.
00:06:07Yes.
00:06:08But because it's a part of the program, I will explain it to you scientifically.
00:06:14Let's start with the egg.
00:06:22The word jokes, jokes.
00:06:29Then I will not explain it to you, you will explain it.
00:06:34So, the topic of the composition of the multiplication of molecules.
00:06:39And one dirty word is enough for me to report to the director.
00:06:53La rosa, tattuzzo e mottola.
00:06:59Prego.
00:07:00Andate a cacare.
00:07:04Andate a cacare.
00:07:08Andate a cacare.
00:07:12Andate a cacare.
00:07:16Andate a cacare.
00:07:20Now the toilet, I won't give you anything to do, give it to Pepeino, give it to him.
00:07:24Well, are you sleeping or I will have trouble with the director?
00:07:27No, no, give us the key, I can't give you the key, I can't.
00:07:34What if you steal it?
00:07:36I have not seen anything.
00:07:38You just have to pay a thousand lire.
00:07:41Such scammers.
00:07:44Teacher's.
00:07:50Buzzer
00:07:52Speaking Russian
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00:11:06You scoundrel!
00:11:28Now let's move on to the exercises on the free body.
00:11:32So, the first exercise on the free body is the bend in the bust.
00:11:39Very softly, very softly.
00:11:42Like this.
00:11:44Then we stand up, take a plastic pose,
00:11:49and keep them in balance.
00:11:51Quattro mani, come here.
00:11:53So, let's try it.
00:11:54Come on, come on, come on.
00:11:56Bend in the bust.
00:11:59So, let's try it.
00:12:00Come on, come on, come on.
00:12:02Bend in the bust.
00:12:04So, so, so, so.
00:12:05Go on, go on.
00:12:06Look forward, forward.
00:12:07Like this, yes.
00:12:08Like this, hands.
00:12:10Yes.
00:12:11You know, this bastard is kicking all the girls.
00:12:16Who do you want?
00:12:17Pepino.
00:12:18Yes, it's me, yes.
00:12:19Come here, come here.
00:12:21So, girls.
00:12:22So, guys, come here.
00:12:25Professor, the headmaster said, yes,
00:12:28the headmaster said that only you can keep these three bastards in the bust.
00:12:34Bastards.
00:12:36Think about it.
00:12:37Who do they give us?
00:12:39Whose hands?
00:12:40Okay, okay, I'll take care of it.
00:12:42Listen, Pepino, why are you in this position?
00:12:44I just don't want to change positions.
00:12:49Listen, Pepino, you haven't been doing gymnastics for a long time.
00:12:54Come on, come on, bend over, bend over.
00:12:56Otherwise, all your bones will be tight.
00:12:58Yes, yes, yes, yes.
00:12:59Like this, come on.
00:13:00Now bend your head.
00:13:01One, two, three.
00:13:02So, so, one, two.
00:13:03One, two.
00:13:04So, Pepino, now go, go.
00:13:08This is a pathological case.
00:13:11Absolute osteochondrosis will not help him anymore.
00:13:15Hey, you three, come here.
00:13:21Since I have to continue the lesson now,
00:13:25you will also perform exercises on a free body with the girls.
00:13:31Go, go, stand up.
00:13:33Only not next to each other, not next to each other, separately.
00:13:35Separately.
00:13:37If you joke here, I'll assign you two thousand squats.
00:13:42And now, girls, we continue our exercises.
00:13:46The first exercise is bending forward.
00:13:51Bending.
00:13:53Just keep your chin up.
00:13:55One, two, three.
00:13:57No, no, no, no, no, no.
00:14:08Three, three days.
00:14:12For three days, excluding school is the minimum.
00:14:15But listen, Professor Puntillo,
00:14:17I understand that these are very lively guys.
00:14:20But what lively guys?
00:14:22These are scoundrels, criminals.
00:14:24They should not go to school, but to prison.
00:14:26What does it have to do with anything?
00:14:28Thank God, we are in a modern school,
00:14:30a civilized, democratic country.
00:14:32To prison for you to joke with them.
00:14:35I mean, how did you joke with them?
00:14:37Joked, joked all over the school.
00:14:39Okay, okay.
00:14:40Well, I joked a little, it's okay.
00:14:42Well, even, let's say, I joked.
00:14:44But which one of them, Estrella and Calarosa,
00:14:46Tatutsa or Motala, how do I know?
00:14:48I was standing behind them.
00:14:50And besides, you know,
00:14:53if someone is farting,
00:14:55it is difficult for me to identify by sound.
00:14:58Okay, let's agree,
00:15:00just make such a strict record in the diary.
00:15:03No, no, dear director,
00:15:06this time I will have to send a report to the Ministry.
00:15:09To the Ministry, because someone farted,
00:15:11because someone farted all over the school.
00:15:14And besides, I will report on many other things.
00:15:16There are many disorders in this institution,
00:15:19especially at the administrative level.
00:15:23What do you mean?
00:15:26Pre-fabricated classrooms,
00:15:28theft during repair,
00:15:30contracts that are distributed to whoever they want,
00:15:34then school breakfasts
00:15:38with underinvestment in products.
00:15:40Okay, okay, that's it,
00:15:42you don't have to say anything else.
00:15:44Of course, of course,
00:15:46I just made a proposal.
00:15:48If you want to exclude them for three days,
00:15:51then please, for three days, for five days.
00:15:53No, I will not change my mind,
00:15:54why should we exclude them?
00:15:55No, they will just walk around the streets with girls.
00:15:59That's right, yes, no.
00:16:01A four on behavior.
00:16:03Don't you understand that if they get a four on behavior,
00:16:06it will mean that we leave them for the second year.
00:16:10That's right.
00:16:12And now, Professor Morgan,
00:16:14if you don't mind, I'll go.
00:16:17My God, my God,
00:16:19what have they done?
00:16:21Listen, Tapino,
00:16:24shut up and go to hell.
00:16:26Oh, I'm sorry, I'm sorry, Mr. Director.
00:16:28No, I didn't mean any ass.
00:16:30No, no, yes, I'm listening.
00:16:32Immediately call these scoundrels,
00:16:35Motoluga, Rose and Tattuzo.
00:16:37Yes, yes, I'll bring them to you right away.
00:16:39Now.
00:16:40Excuse me, but this is not abuse of authority.
00:16:42Excuse me, but this is abuse of official powers.
00:16:46You shut up.
00:16:48His father allowed me.
00:16:49He just begged me,
00:16:51with the slightest violation of discipline,
00:16:53to give him a slap.
00:16:55He asked me about it as a favor.
00:16:57He already has a hand in a cast,
00:16:59because the last time he gave him a slap,
00:17:01he made a mistake.
00:17:02In general, enough.
00:17:05Insulting a teacher
00:17:07when performing his official duties.
00:17:09You get a four on behavior.
00:17:11Go, a four on behavior too.
00:17:13Go.
00:17:14And you?
00:17:15And me?
00:17:16And you?
00:17:20You'll remember.
00:17:27Two hundred thousand lire.
00:17:41Stop, stop, stop.
00:17:43Why are you standing there?
00:17:45Oh, what legs.
00:17:50Interesting.
00:17:51Let's go.
00:17:52No, no, I don't like her.
00:17:53Adolorata, dear Adolorata.
00:17:58What do you want?
00:18:00We want...
00:18:01We want...
00:18:03you to sing us a song.
00:18:08All right.
00:18:09Three hundred lire.
00:18:16You can go to the sea,
00:18:20sunbathe on the beach.
00:18:29Well, that's it.
00:18:30What do you mean, that's it?
00:18:33Please sing the second verse.
00:18:35And if you want to go to the beach,
00:18:36give me three hundred lire more.
00:18:38Do you have it?
00:18:40So, come on.
00:18:42Listen,
00:18:43maybe you can do something with your hand?
00:18:47All right, three hundred lire more,
00:18:49and I'll touch your balls.
00:18:54All right, I'll go first.
00:18:56I need it urgently.
00:19:00So, let's see if the money is real.
00:19:04Go, go.
00:19:05Go, go.
00:19:13Go, go, go.
00:19:17Ambulance.
00:19:19So, what?
00:19:21The scoundrel.
00:19:22Her hands were washed in mustard.
00:19:27Honorable, there is Professor Marcano.
00:19:29Mr. Congressman,
00:19:30Professor Marcano has come.
00:19:33Hello, Mr. Congressman.
00:19:36Yes, we'll talk about it later.
00:19:37All right.
00:19:39No, Marcano, that's enough.
00:19:41My son must be released from school.
00:19:45This summer he must go to London with his mother,
00:19:47and I also need to rest a little.
00:19:49That's right, but my hands are tied.
00:19:51Then untie them.
00:19:52Let's speak frankly.
00:19:53If my son stays for the second year,
00:19:55you will not get a promotion,
00:19:57you can forget about it.
00:19:59I swear to you, I always want to help him.
00:20:01I want to help him, you understand?
00:20:03But now this scoundrel Puntilla got in the way.
00:20:05Do you know what he wants to do?
00:20:07He wants to give him a four on behavior,
00:20:09and a four on behavior means a second year.
00:20:12And who is this?
00:20:13This is our new PE teacher.
00:20:15Recently he came to us terribly bored,
00:20:17but he probably has some weak spot.
00:20:19No, he has no weak spots.
00:20:21On the contrary, he knows all our weak spots.
00:20:25He knows about everything.
00:20:27About machinations with textbooks,
00:20:29with school breakfasts,
00:20:31with the repair of the auditorium.
00:20:34He would immediately expose me.
00:20:38Well, what should I do?
00:20:42Well, he has a fiancée,
00:20:45so we need to put pressure on the fiancée.
00:20:48Is she a whore?
00:20:49No, she is not a whore at all.
00:20:51Well, maybe she is a drug addict?
00:20:52No.
00:20:53Well, what are we going to do with her?
00:20:54She is a literature teacher.
00:20:57And since Puntilla terribly wants to make her work,
00:21:01I thought about this.
00:21:03We will make her teach at your son's house.
00:21:08So everyone will be happy.
00:21:10Well, what kind of woman is she?
00:21:13Old?
00:21:14No, no, very young.
00:21:15Very young.
00:21:16Well, I wonder how I will make my wife
00:21:19let a young girl into the house.
00:21:23What do the teachers say?
00:21:24Are they happy?
00:21:25Yes, yes, yes.
00:21:26Ah, great.
00:21:27That is,
00:21:29Senora,
00:21:30wrong word.
00:21:33In general, there are some improvements,
00:21:35but frankly speaking,
00:21:36there is still a lot of work to be done,
00:21:38a lot of work.
00:21:39You see, it's strange,
00:21:40the boy is always doing ...
00:21:42Yes, yes,
00:21:43amazing wine, amazing wine.
00:21:45He is very shy.
00:21:46Yes, yes, Mr. Director,
00:21:48he is very shy.
00:21:49He is complicit,
00:21:50but you only worsen the situation with your cruelty.
00:21:53Well, so says the director.
00:21:54You see, Senora,
00:21:56the boy needs more,
00:21:58more
00:22:00constant guidance.
00:22:02He needs private lessons.
00:22:04But how can you give this boy
00:22:07to a severe teacher?
00:22:09Yes, yes, he is so fragile.
00:22:11That's it, you see, he is fragile.
00:22:13Yes, yes, fragile.
00:22:14Exactly fragile.
00:22:15Here you need some delicate hand,
00:22:18gentle, feminine hand.
00:22:19Yes, yes, feminine.
00:22:20But here I am,
00:22:21here is his mother.
00:22:23Yes, you see,
00:22:24a mother is good,
00:22:25but can a mother be an appetizer?
00:22:28Well, that's right.
00:22:29Yes, so
00:22:31let's give him, how to say,
00:22:33a sister, yes,
00:22:34an older sister,
00:22:35a teacher.
00:22:36And then,
00:22:37then tenderness
00:22:38will be combined with lessons.
00:22:40Lessons and tenderness.
00:22:41Tenderness and lessons.
00:22:42Amazing wine.
00:22:44By the way,
00:22:45where is the boy now?
00:22:46In his room.
00:22:47You know, Professor,
00:22:49what did my husband do to him today?
00:22:52He left him in the room without dinner.
00:22:55Imagine,
00:22:56Mr. Deputy,
00:22:57I never expected this from you.
00:22:59Yes,
00:23:00there is no more from the second.
00:23:22Artistic photos turned out,
00:23:24that is,
00:23:25the first shot of the face.
00:23:27Don't you take a close-up of the face?
00:23:30No,
00:23:31I don't take indecent photos.
00:23:33I did well,
00:23:34fine.
00:23:35I deserve a reward,
00:23:36any reward.
00:23:37I want a kiss.
00:23:38No,
00:23:39don't.
00:23:40What are you doing?
00:23:41What are you doing?
00:23:42Go away,
00:23:43hands away.
00:23:52Well,
00:23:53the teacher,
00:23:54she is quite young,
00:23:55if she is a teacher,
00:23:56she is young,
00:23:57but she is a girl
00:23:58with absolutely impeccable morals.
00:24:00Imagine,
00:24:01Senora,
00:24:02she
00:24:03rents a room
00:24:05in the Ursuline Monastery.
00:24:07I think that the teacher,
00:24:08who received an education in the monastery,
00:24:10this is the maximum guarantee,
00:24:12certainly.
00:24:13Certainly,
00:24:14when I think about my poor little Franco,
00:24:16he seems to me a frightened chick.
00:24:18Yes,
00:24:19yes.
00:24:20Wonderful wine.
00:24:24Oh!
00:24:38Listen,
00:24:39could you take off her underpants?
00:24:41And the breasts are closed too.
00:24:43I can't see anything.
00:24:45This fool is shy.
00:24:47And I like her,
00:24:48but I think she is disgusting,
00:24:50but I like her.
00:24:51Oh,
00:24:52Anna Rosa.
00:24:53Anna Rosa.
00:24:54So,
00:24:55maybe we can agree on something,
00:24:57together?
00:24:58Yes,
00:24:59we already do so much together.
00:25:01Well, yes,
00:25:02of course,
00:25:03I give you to write down assignments,
00:25:05I pay for drinks,
00:25:06for ice cream,
00:25:07I give you money
00:25:08so that you go to the movies with your girlfriends,
00:25:10and what else do you want?
00:25:11And you didn't understand,
00:25:12no, you didn't understand,
00:25:13then here's what.
00:25:14When the parents leave,
00:25:15you call me to your house,
00:25:16and I'll explain to you what I want,
00:25:17okay?
00:25:18Yes,
00:25:19yes,
00:25:20and after that,
00:25:21when you get everything you wanted,
00:25:22you won't buy me ice cream and drinks,
00:25:24and you won't give me money
00:25:26so that I go to the movies with my girlfriend.
00:25:28I'm not a fool.
00:25:29Yes,
00:25:30you're not a fool,
00:25:31but you're an asshole.
00:25:32And I think he's an asshole.
00:25:45Hey, guys.
00:25:46Come on.
00:25:52Oh.
00:25:53Oh.
00:25:54Oh.
00:25:55Oh.
00:25:56Oh.
00:25:57Oh.
00:25:58Oh.
00:25:59Oh.
00:26:00Oh.
00:26:01Oh.
00:26:02Oh.
00:26:03Oh.
00:26:04Oh.
00:26:05Oh.
00:26:06Oh.
00:26:07Oh.
00:26:08Oh.
00:26:09Ciao, Mama.
00:26:10It's been a while.
00:26:11How are you, Senora?
00:26:12Good day, Senora.
00:26:13How are you, girls?
00:26:14Is everything okay at school?
00:26:15Are you doing well?
00:26:16Yes.
00:26:17Let's go, Mama.
00:26:18Holy shit.
00:26:19We're wasting time with the girls.
00:26:22We need to work with the mothers.
00:26:24With the mothers.
00:26:49Good day, Senor Fefe.
00:26:51Ah.
00:26:52So,
00:26:53my daddy
00:26:54is also
00:26:55licking you.
00:26:56Ah,
00:26:57it's you, Senorina Franco.
00:26:58You shouldn't talk like that
00:26:59about the deputy.
00:27:00He's a great man.
00:27:01A real man.
00:27:02I'm not a real man.
00:27:03I can't find this.
00:27:04Oh,
00:27:05you can't find this?
00:27:06Well,
00:27:07it's okay,
00:27:08you'll find it.
00:27:09Senorina Franco,
00:27:10what are you doing?
00:27:11You're crazy.
00:27:12There are people here.
00:27:13A teacher.
00:27:14What kind of shit are you wearing?
00:27:15Oh,
00:27:16God,
00:27:17you're so nice.
00:27:18Well,
00:27:19what now?
00:27:20Are you running away?
00:27:21Are you scared?
00:27:22Did you see that?
00:27:23Please, come in.
00:27:24Come in, Senorina Giovanna.
00:27:25I'll show you
00:27:26Senor Franco's room.
00:27:27Oh, God,
00:27:28there's so much dust.
00:27:29Let's hope
00:27:30there's not much disorder here.
00:27:31You see,
00:27:32he always throws everything away.
00:27:33It's just impossible.
00:27:34For him,
00:27:35it's such a surprise.
00:27:36I didn't expect
00:27:37you to be so young.
00:27:38Maybe
00:27:39you're being sent
00:27:40to self-deprecation.
00:27:41You know,
00:27:42I trust you
00:27:43so much.
00:27:45But,
00:27:46please,
00:27:47don't be strict with him.
00:27:48He's a good boy,
00:27:49but
00:27:50he has a fragile mind.
00:27:51You see,
00:27:52he needs
00:27:53gentle treatment.
00:27:54Please,
00:27:55please,
00:27:56try
00:27:57to
00:27:58open
00:27:59his
00:28:00mental
00:28:01sphere.
00:28:02Don't worry.
00:28:03Franco,
00:28:04what are you doing there?
00:28:05Who are you hiding from?
00:28:06Franco,
00:28:07go say hello
00:28:08to your teacher.
00:28:09Hello,
00:28:10Franco.
00:28:11Hello.
00:28:12Well,
00:28:13why are you
00:28:14so shy?
00:28:15Come here.
00:28:16Well,
00:28:17what did I tell you?
00:28:18You see
00:28:19how fragile he is?
00:28:20He's shy
00:28:21of strangers.
00:28:22Everyone
00:28:23but me.
00:28:25I'd like to know
00:28:26why
00:28:27if I
00:28:28look for something
00:28:29in this house
00:28:30I can never find it.
00:28:31It's all
00:28:32your fault.
00:28:33No,
00:28:34no.
00:28:35It's because
00:28:36you clean everything up
00:28:37and after that
00:28:38it's impossible
00:28:39to find anything.
00:28:40You clean everything
00:28:41so well
00:28:42that you can't
00:28:43find your glasses.
00:28:44Where are my glasses?
00:28:45I want to read in bed.
00:28:46Anyway,
00:28:47sooner or later
00:28:48they will be found.
00:28:49Yes,
00:28:50sooner or later.
00:28:51What if
00:28:52I fall asleep
00:28:53without reading the detective?
00:28:54Listen,
00:28:55I wanted to talk.
00:28:56My husband
00:28:57has become mute.
00:28:58During the day you are not there,
00:28:59then you come in the evening,
00:29:00watch TV,
00:29:01read the detective
00:29:02and fall asleep.
00:29:03When we talk
00:29:04about family matters,
00:29:05I want to know
00:29:06why
00:29:07do I have to
00:29:08say all the time
00:29:09that family
00:29:10is sacred?
00:29:11You don't understand
00:29:12that your son
00:29:13has a complex.
00:29:14What complex?
00:29:15He is fine.
00:29:16You are sharpening everything.
00:29:17Your son
00:29:18has a complex.
00:29:19What are you talking about?
00:29:20Look at him
00:29:21and you will understand
00:29:22that he is not normal.
00:29:23He is not normal.
00:29:24My God,
00:29:25what can
00:29:26a mad mother do?
00:29:27The son is absolutely normal,
00:29:28but she thinks
00:29:29that he has all the diseases
00:29:30in the world.
00:29:31I just read
00:29:32in a women's magazine
00:29:33a letter to the reader.
00:29:34It says
00:29:35that if
00:29:36communication
00:29:37is broken
00:29:38between
00:29:39the father
00:29:40and the mother,
00:29:41the children
00:29:42also become
00:29:43incommunicable.
00:29:44Okay,
00:29:45I will sleep.
00:29:46Yes,
00:29:47you have been using
00:29:48the bed for 10 years
00:29:49just to sleep.
00:29:50I wonder
00:29:51why I should
00:29:52use it.
00:29:53For 10 years
00:29:54you have been
00:29:55lying in bed
00:29:56without any other purpose.
00:29:57I wonder
00:29:58what I should
00:29:59do in bed.
00:30:00Arrange a picnic?
00:30:01Ready?
00:30:02Ready.
00:30:03Fire!
00:30:05Oh, my God!
00:30:0635 cm!
00:30:07What a flame!
00:30:08This is
00:30:09the new
00:30:10record of the high school.
00:30:11I almost
00:30:12choked.
00:30:13What did
00:30:14you eat
00:30:15last night?
00:30:16I ate
00:30:17lentil with
00:30:18pepper.
00:30:19You know,
00:30:20the next time
00:30:21you should
00:30:22add some
00:30:23beans
00:30:24and you
00:30:25can
00:30:26be sure
00:30:27that everything
00:30:28will be
00:30:29fine.
00:30:30That's
00:30:31how
00:30:32you should
00:30:33I'm sure everything will be fine.
00:30:35Okay, okay, you're wasting your time on all this bullshit, and I'm in the meantime...
00:30:39What? I fucked a maid? What maid? Nonsense.
00:30:43You're hooked on this maid, aren't you?
00:30:45I'm fucking a teacher.
00:30:49What?
00:30:50This bastard, she has crooked legs.
00:30:54What bastard?
00:30:56My private teacher who will teach me at home.
00:31:00What? You've already fucked her? Not yet?
00:31:02No, but be sure that as soon as she comes to class, I'll show you what I'm capable of.
00:31:08Pepino.
00:31:10Let's go.
00:31:12Pepino, Pepino.
00:31:15What happened? You have a stain, you have a stain on your pants.
00:31:18From behind, right on the ass.
00:31:20What happened?
00:31:21The bike, the bike was smeared.
00:31:24We must do something, we must...
00:31:26What are you doing?
00:31:31Disgusting.
00:31:33Even in schools they do this now.
00:31:37Pepino, I didn't know it would happen.
00:31:40What are we going to do now? Well, excuse me, we have to take off your pants and clean them.
00:31:44Where are we going to do this? In class, Pepino. Well, okay, in class.
00:31:51You have no idea.
00:31:53Such asses, such boobs.
00:31:58I like her as a servant, but you don't understand anything.
00:32:02Everyone sit down, what is this mess?
00:32:08Show some discipline.
00:32:10Mr. Professor, come in. Thank you, Pepino.
00:32:15Lanzapane, call her.
00:32:22Come on.
00:32:24What is she doing here?
00:32:33Now the shoes, the shoes.
00:32:37Quiet, quiet, quiet, Pepino.
00:32:45Yes, good.
00:32:48Pepino, Pepino, what are you doing?
00:32:53I'll untie the belt myself, I'll untie it myself.
00:32:56Wait, wait.
00:32:59Like this. Give me your hand.
00:33:02What are they doing there?
00:33:10Come on, come on.
00:33:12I'm ticklish. What are you doing, Professor?
00:33:16Come on, take it off.
00:33:19Come on, come on.
00:33:22Pepino, Pepino, the leg, the leg.
00:33:28Pepino.
00:33:32So.
00:33:36Well, that's it. Good, well done.
00:33:40The chair, the chair, the chair.
00:33:42I took it away, put it back.
00:33:46Come on, lift your ass up.
00:33:50I'm going, come on.
00:33:52Everyone sit down, quiet.
00:33:55Respect your teacher.
00:33:57Well, I'm fast, come on fast.
00:34:01What was today called in Greek?
00:34:04Plato's Dialogues.
00:34:05Well, good.
00:34:06Tatutso, come here.
00:34:10You always call me.
00:34:14Where are you going? You told me to go.
00:34:18No, no, come here.
00:34:21Well, tell me, how did Socrates die?
00:34:24And what, did Socrates die when it happened?
00:34:28So, you decided to joke, yes, good.
00:34:31We'll write a comment in the diary.
00:34:34Where's the cool magazine?
00:34:36In the central drawer.
00:34:43Everyone get up.
00:34:57Kali, I'm here.
00:35:00Like this, like this.
00:35:03All right, professor.
00:35:26For what?
00:35:28I don't know.
00:35:31And don't forget to tell dad about it.
00:35:49Please, Giovanna.
00:35:51For the wedding, we still need to make a lot of money.
00:35:55So come on, come on.
00:35:57Let's catch up on this family of Mottola.
00:36:00Because he has a great influence in marital affairs,
00:36:05affects the distribution of housing and so on.
00:36:08You've told me a hundred thousand times.
00:36:10And what kind of boy?
00:36:11Well, a great boy, great.
00:36:13Come on, go.
00:36:14And kiss me?
00:36:15Okay, let's kiss.
00:36:23What's the matter, what's the matter?
00:36:25What is it?
00:36:27It's impossible to get out.
00:36:47What a girl.
00:36:50So Franco was telling the truth.
00:36:52Bye.
00:36:53And walk straight.
00:36:55Go straight.
00:37:06She has a beautiful ass.
00:37:36Frankino, your teacher has come.
00:37:46Hello, Franco.
00:37:47Hello, Signorina.
00:37:49What a beautiful room you have.
00:37:52Yes, I think it will be good for you here.
00:37:54No one will bother you.
00:37:55You can be calm.
00:37:58Dear, say hello to the teacher.
00:38:01Is it for me?
00:38:05It's better to put it in the water.
00:38:08It's water.
00:38:11You can go for the water, Frankino.
00:38:13Go.
00:38:14I'm going, I'm going.
00:38:20If you open the door, it will be better to go out.
00:38:23You see how delicate, even excessive for his age.
00:38:28I think he's very nice.
00:38:31No, no, he's super sensitive.
00:38:34Terribly sensitive.
00:38:37I would like you to have informal relations.
00:38:41Not like between a teacher and a student.
00:38:44Friendly relations.
00:38:46Like between friends.
00:38:49That's how I always perceived the relationship between a teacher and a student, Signora.
00:38:55Fine.
00:38:56Then I leave you.
00:39:00If you want to make tea, hit the gong, but not very hard, otherwise the gong will break.
00:39:06Thank you, Signora.
00:39:09What happened to you?
00:39:13Yes, yes.
00:39:14Please.
00:39:16Be comfortable.
00:39:23What are you doing?
00:39:24Don't you sit down?
00:39:25Yes, of course.
00:39:26I sit down.
00:39:27Well, let's start with the Greek.
00:39:29It's always the most difficult, isn't it?
00:39:31Where is your head?
00:39:32It's down there.
00:39:34In the lower floor of the library.
00:39:37What are you waiting for?
00:39:38Go get it.
00:39:39Yes.
00:39:41No.
00:39:42You know, in the gym I got a muscle sprain and so I can't bend.
00:39:48I'll go get it.
00:39:55No, it's not there.
00:39:57Here?
00:39:58Yes.
00:39:59There.
00:40:00Latin, geography.
00:40:03I can't find it, you know.
00:40:05Lower.
00:40:06Lower?
00:40:07Yes, lower.
00:40:09I don't see it.
00:40:11I see it.
00:40:14Lower.
00:40:17Lower.
00:40:20Lower.
00:40:26Lower.
00:40:40I don't want to be a nuisance, but how was your first meeting with my friend?
00:40:45I would say good.
00:40:47How did it go?
00:40:48He is very late on the program.
00:40:50No, I meant as a character.
00:40:53Well, a little embarrassed, it's the first time.
00:40:56No, no, it's that he kissed the women.
00:41:00She is so sensitive, it's not good not to have induced.
00:41:03Excuse me, ma'am, what did I have to intuit?
00:41:05Franco, it's not like the other boys, you understand?
00:41:08It's normal, it's on the edge of the cliff of an oedipal precipice.
00:41:12Excuse me, ma'am, but I don't understand.
00:41:15It's the negative influx of peace, an egoistic, incomprehensible, weak and libertine man.
00:41:20And then there is also the inheritance factor.
00:41:23The inheritance factor?
00:41:24Yes, not from my family for charity.
00:41:27All healthy and balanced people, but in my husband's family.
00:41:33What do you mean? Is there perhaps some imbalance?
00:41:36Worse, worse.
00:41:38There is my husband's cousin, Mottola Salvatore.
00:41:41Also he, with an incomprehensible, egoistic father.
00:41:44And speaking with respect, a whore.
00:41:47The poor boy has always had difficulty in studies.
00:41:51Until one fine day, without saying anything to anyone, he moved to Paris.
00:41:55To the Sorbonne?
00:41:57To the Folies Bergeres.
00:42:00And what does he do there?
00:42:01He sings, dances and does the shiptease.
00:42:03He made a couple of breasts, two bags of paraffin and calls himself Ursula.
00:42:07He didn't get a diploma, the only title he got was rich.
00:42:21My mother is convincing her that I'm not a man.
00:42:24She pisses me off.
00:42:25How can you say that you're not a man?
00:42:27Salvatore means that I'm shy, defenseless.
00:42:29In short, that I'm half a woman.
00:42:31Salvatore, the Arroso.
00:42:32The Arroso.
00:42:33The Arroso.
00:42:34Tatuzzo.
00:42:35Always mine.
00:42:49Help!
00:42:51I'm dead, Cesare.
00:42:53What did you do?
00:42:55You're a cavalier.
00:42:56Go get some water.
00:42:59Where's the TV?
00:43:00Come on, breathe hard.
00:43:01Pepino, Pepino, come here.
00:43:03Come and give me a hand.
00:43:04Come on.
00:43:05Take a good breath.
00:43:06Pepino.
00:43:07The Arroso.
00:43:08The Arroso.
00:43:09I don't have the Arroso.
00:43:10Pepino, are you crazy?
00:43:11What did you do?
00:43:12What hurts you?
00:43:13What hurts you?
00:43:14The stomach?
00:43:15Did you break your knees?
00:43:16Did you break your belly?
00:43:17What hurts you?
00:43:18The Arroso.
00:43:19What the fuck hurts you?
00:43:20What happened?
00:43:21Below.
00:43:22Below.
00:43:23Pepino, the balls.
00:43:24Both.
00:43:25Only one.
00:43:26Come on, Pepino, give me a hand.
00:43:27Come on, let's pull it down.
00:43:28Come on, slowly, slowly.
00:43:29Professor, this is heavy.
00:43:30Slowly, slowly.
00:43:31Pepino, you wanted to take my phone?
00:43:32Yes, Professor.
00:43:33Then you do it.
00:43:34Professor, don't leave me.
00:43:35Professor.
00:43:36Oh, my God.
00:43:37Mamma mia, this is killing me.
00:43:38It's a mountain that fell on me.
00:43:39The water.
00:43:40It's raining.
00:43:41This great big asshole.
00:43:42The Arroso.
00:43:43The Arroso.
00:43:44The Arroso.
00:43:45The Arroso.
00:43:46The Arroso.
00:43:47The Arroso.
00:43:48The Arroso.
00:43:49The Arroso.
00:43:50The Arroso.
00:43:51The Arroso.
00:43:52The Arroso.
00:43:53The Arroso.
00:43:54He's too heavy.
00:43:55The Arroso.
00:43:56Thanks much.
00:43:57The Arroso.
00:43:58The Arroso.
00:43:59The Arroso.
00:44:00The Arroso.
00:44:01The Arroso.
00:44:02Dragging me.
00:44:03Oh, my God.
00:44:04He's pulling me down.
00:44:05He's pulling me down.
00:44:06Take me home.
00:44:07He's pulling me down.
00:44:08Take me home.
00:44:09Come on.
00:44:10Come home.
00:44:11Come home.
00:44:12Uh, take me to the hospital.
00:44:13Take me to the hospital.
00:44:14Drag me.
00:44:15C alone sings.
00:44:16Man without boxers.
00:44:17Uh, Nothing in the world.
00:44:18Swap handle, Bad 슴 že ש Down因為
00:44:21A little for tenderness, a little for compassion.
00:44:23They give us confidence and little by little they put themselves in the right faces and change ideas.
00:44:28And then that's a good time to take advantage of it.
00:44:30Yes, but how do I look like Finocchio?
00:44:33Come on, I'll show you. Look.
00:44:35It's not difficult. Try it.
00:44:39Mobile, you have to be mobile. Like this, you see it?
00:44:42You see it? Wavy movement.
00:44:45It helps me to feel pain.
00:44:47Move your hand. Come on, smile. The smile is everything.
00:44:51Come on, beautiful. Like this, very good.
00:44:54Go, go.
00:44:55Good.
00:44:57You're good.
00:44:58You're good.
00:45:00Look, look, how he smiles.
00:45:02I think he's good.
00:45:03Look how he nods. Perfect, perfect.
00:45:06I'm comfortable.
00:45:08The rose, Tatuzzo, but put it there.
00:45:11Move a little.
00:45:17That's how you learn.
00:45:41Good morning, Franco.
00:45:42Good morning.
00:45:43Good morning, Signorina.
00:45:44Franco.
00:45:45Yes?
00:45:46Yes.
00:45:47I was knitting a little, why?
00:45:48I was knitting a little, why?
00:45:49Well, I was knitting a little, why?
00:45:50Well, I was knitting a little, why?
00:45:51Well, I was knitting a little, why?
00:45:52Well, I was knitting a little, why?
00:45:53Well, I was knitting a little, why?
00:45:54Well, I was knitting a little, why?
00:45:55Well, I was knitting a little, why?
00:45:56Well, I was knitting a little, why?
00:45:57Well, I was knitting a little, why?
00:45:58Well, I was knitting a little, why?
00:45:59Well, I was knitting a little, why?
00:46:00Well, I was knitting a little, why?
00:46:01Well, I was knitting a little, why?
00:46:03Well, I was knitting a little, why?
00:46:04Well, I was knitting a little, why?
00:46:05Well, I was knitting a little, why?
00:46:06Well, I was knitting a little, why?
00:46:07Well, I was knitting a little, why?
00:46:08Well, I was knitting a little, why?
00:46:09Well, I was knitting a little, why?
00:46:10Well, I was knitting a little, why?
00:46:11Well, I was knitting a little, why?
00:46:12Well, I was knitting a little, why?
00:46:13Well, I was knitting a little, why?
00:46:14Well, I was knitting a little, why?
00:46:15Well, I was knitting a little, why?
00:46:16Well, I was knitting a little, why?
00:46:17Well, I was knitting a little, why?
00:46:18Well, I was knitting a little, why?
00:46:19Well, I was knitting a little, why?
00:46:20Well, I was knitting a little, why?
00:46:21Well, I was knitting a little, why?
00:46:22Well, I was knitting a little, why?
00:46:23Well, I was knitting a little, why?
00:46:24Well, I was knitting a little, why?
00:46:25Well, I was knitting a little, why?
00:46:26Well, I was knitting a little, why?
00:46:27Well, I was knitting a little, why?
00:46:28Well, I was knitting a little, why?
00:46:29Well, I was knitting a little, why?
00:46:30Well, I was knitting a little, why?
00:46:31Well, I was knitting a little, why?
00:46:32Well, I was knitting a little, why?
00:46:33Well, I was knitting a little, why?
00:46:34Well, I was knitting a little, why?
00:46:35Well, I was knitting a little, why?
00:46:36Well, I was knitting a little, why?
00:46:37Well, I was knitting a little, why?
00:46:38Well, I was knitting a little, why?
00:46:39Well, I was knitting a little, why?
00:46:40Well, I was knitting a little, why?
00:46:41Well, I was knitting a little, why?
00:46:42Well, I was knitting a little, why?
00:46:43Well, I was knitting a little, why?
00:46:44Well, I was knitting a little, why?
00:46:45Well, I was knitting a little, why?
00:46:46Well, I was knitting a little, why?
00:46:47Well, I was knitting a little, why?
00:46:48Well, I was knitting a little, why?
00:46:49Well, I was knitting a little, why?
00:46:50Well, I was knitting a little, why?
00:46:51Well, I was knitting a little, why?
00:46:52Well, I was knitting a little, why?
00:46:53Well, I was knitting a little, why?
00:46:54Well, I was knitting a little, why?
00:46:55Well, I was knitting a little, why?
00:46:56Well, I was knitting a little, why?
00:46:57Well, I was knitting a little, why?
00:46:58Well, I was knitting a little, why?
00:46:59Well, I was knitting a little, why?
00:47:00Well, I was knitting a little, why?
00:47:01Well, I was knitting a little, why?
00:47:02Well, I was knitting a little, why?
00:47:03Well, I was knitting a little, why?
00:47:04Well, I was knitting a little, why?
00:47:05Well, I was knitting a little, why?
00:47:06Well, I was knitting a little, why?
00:47:07Well, I was knitting a little, why?
00:47:08Well, I was knitting a little, why?
00:47:09Well, I was knitting a little, why?
00:47:10Well, I was knitting a little, why?
00:47:11Well, I was knitting a little, why?
00:47:12Well, I was knitting a little, why?
00:47:13Well, I was knitting a little, why?
00:47:14Well, I was knitting a little, why?
00:47:15Well, I was knitting a little, why?
00:47:16Well, I was knitting a little, why?
00:47:17Well, I was knitting a little, why?
00:47:18Well, I was knitting a little, why?
00:47:19Well, I was knitting a little, why?
00:47:20Well, I was knitting a little, why?
00:47:21Well, I was knitting a little, why?
00:47:22Well, I was knitting a little, why?
00:47:23Well, I was knitting a little, why?
00:47:24Well, I was knitting a little, why?
00:47:25Well, I was knitting a little, why?
00:47:26Well, I was knitting a little, why?
00:47:27Well, I was knitting a little, why?
00:47:28Well, I was knitting a little, why?
00:47:29Well, I was knitting a little, why?
00:47:30Well, I was knitting a little, why?
00:47:31Well, I was knitting a little, why?
00:47:32Well, I was knitting a little, why?
00:47:33Well, I was knitting a little, why?
00:47:34Well, I was knitting a little, why?
00:47:35Well, I was knitting a little, why?
00:47:36Well, I was knitting a little, why?
00:47:37Well, I was knitting a little, why?
00:47:38Well, I was knitting a little, why?
00:47:39Well, I was knitting a little, why?
00:47:40Well, I was knitting a little, why?
00:47:41Well, I was knitting a little, why?
00:47:42Well, I was knitting a little, why?
00:47:43Well, I was knitting a little, why?
00:47:44Well, I was knitting a little, why?
00:47:45Well, I was knitting a little, why?
00:47:46Well, I was knitting a little, why?
00:47:47Well, I was knitting a little, why?
00:47:48Well, I was knitting a little, why?
00:47:49Well, I was knitting a little, why?
00:47:50Well, I was knitting a little, why?
00:47:51Well, I was knitting a little, why?
00:47:52Well, I was knitting a little, why?
00:47:53Well, I was knitting a little, why?
00:47:54Well, I was knitting a little, why?
00:47:55Well, I was knitting a little, why?
00:47:56Well, I was knitting a little, why?
00:47:57Well, I was knitting a little, why?
00:47:58Well, I was knitting a little, why?
00:47:59Well, I was knitting a little, why?
00:48:00Well, I was knitting a little, why?
00:48:01Well, I was knitting a little, why?
00:48:02Well, I was knitting a little, why?
00:48:03Well, I was knitting a little, why?
00:48:04Well, I was knitting a little, why?
00:48:05Well, I was knitting a little, why?
00:48:06Well, I was knitting a little, why?
00:48:07Well, I was knitting a little, why?
00:48:08Well, I was knitting a little, why?
00:48:09Well, I was knitting a little, why?
00:48:10Well, I was knitting a little, why?
00:48:11Well, I was knitting a little, why?
00:48:12Well, I was knitting a little, why?
00:48:13Well, I was knitting a little, why?
00:48:14Well, I was knitting a little, why?
00:48:15Well, I was knitting a little, why?
00:48:16Well, I was knitting a little, why?
00:48:17Well, I was knitting a little, why?
00:48:18Well, I was knitting a little, why?
00:48:19Well, I was knitting a little, why?
00:48:20Well, I was knitting a little, why?
00:48:21Well, I was knitting a little, why?
00:48:22Well, I was knitting a little, why?
00:48:23Well, I was knitting a little, why?
00:48:24Well, I was knitting a little, why?
00:48:25Well, I was knitting a little, why?
00:48:26Well, I was knitting a little, why?
00:48:27Well, I was knitting a little, why?
00:48:28Well, I was knitting a little, why?
00:48:29Well, I was knitting a little, why?
00:48:30Well, I was knitting a little, why?
00:48:31Well, I was knitting a little, why?
00:48:32Well, I was knitting a little, why?
00:48:33Well, I was knitting a little, why?
00:48:34Well, I was knitting a little, why?
00:48:35Well, I was knitting a little, why?
00:48:36Well, I was knitting a little, why?
00:48:37Well, I was knitting a little, why?
00:48:38Well, I was knitting a little, why?
00:48:39Well, I was knitting a little, why?
00:48:40Well, I was knitting a little, why?
00:48:41Well, I was knitting a little, why?
00:48:42Well, I was knitting a little, why?
00:48:43Well, I was knitting a little, why?
00:48:44Well, I was knitting a little, why?
00:48:45Well, I was knitting a little, why?
00:48:46Well, I was knitting a little, why?
00:48:47Well, I was knitting a little, why?
00:48:48Well, I was knitting a little, why?
00:48:49Well, I was knitting a little, why?
00:48:50Well, I was knitting a little, why?
00:48:51Well, I was knitting a little, why?
00:48:52Well, I was knitting a little, why?
00:48:53Well, I was knitting a little, why?
00:48:54Well, I was knitting a little, why?
00:48:55Well, I was knitting a little, why?
00:48:56Well, I was knitting a little, why?
00:48:57Well, I was knitting a little, why?
00:48:58Well, I was knitting a little, why?
00:48:59Well, I was knitting a little, why?
00:49:00Well, I was knitting a little, why?
00:49:01Well, I was knitting a little, why?
00:49:02Well, I was knitting a little, why?
00:49:03Well, I was knitting a little, why?
00:49:04Well, I was knitting a little, why?
00:49:05Well, I was knitting a little, why?
00:49:06Well, I was knitting a little, why?
00:49:07Well, I was knitting a little, why?
00:49:08Well, I was knitting a little, why?
00:49:09Well, I was knitting a little, why?
00:49:10Well, I was knitting a little, why?
00:49:11Well, I was knitting a little, why?
00:49:12Well, I was knitting a little, why?
00:49:13Well, I was knitting a little, why?
00:49:14Well, I was knitting a little, why?
00:49:15Well, I was knitting a little, why?
00:49:16Well, I was knitting a little, why?
00:49:17Well, I was knitting a little, why?
00:49:18Well, I was knitting a little, why?
00:49:19Well, I was knitting a little, why?
00:49:20Well, I was knitting a little, why?
00:49:21Well, I was knitting a little, why?
00:49:22Well, I was knitting a little, why?
00:49:23Well, I was knitting a little, why?
00:49:24Well, I was knitting a little, why?
00:49:25Well, I was knitting a little, why?
00:49:26Well, I was knitting a little, why?
00:49:27Well, I was knitting a little, why?
00:49:28Well, I was knitting a little, why?
00:49:29Well, I was knitting a little, why?
00:49:30Well, I was knitting a little, why?
00:49:31Well, I was knitting a little, why?
00:49:32Well, I was knitting a little, why?
00:49:33Well, I was knitting a little, why?
00:49:34Well, I was knitting a little, why?
00:49:35Well, I was knitting a little, why?
00:49:36Well, I was knitting a little, why?
00:49:37Well, I was knitting a little, why?
00:49:38Well, I was knitting a little, why?
00:49:39Well, I was knitting a little, why?
00:49:40Well, I was knitting a little, why?
00:49:41Well, I was knitting a little, why?
00:49:42Well, I was knitting a little, why?
00:49:43Well, I was knitting a little, why?
00:49:44Well, I was knitting a little, why?
00:49:45Well, I was knitting a little, why?
00:49:46Well, I was knitting a little, why?
00:49:47Well, I was knitting a little, why?
00:49:48Well, I was knitting a little, why?
00:49:49Well, I was knitting a little, why?
00:49:50Well, I was knitting a little, why?
00:49:51Well, I was knitting a little, why?
00:49:52Well, I was knitting a little, why?
00:49:53Well, I was knitting a little, why?
00:49:54Well, I was knitting a little, why?
00:49:55Well, I was knitting a little, why?
00:49:56Well, I was knitting a little, why?
00:49:57Well, I was knitting a little, why?
00:49:58Well, I was knitting a little, why?
00:49:59Well, I was knitting a little, why?
00:50:00Well, I was knitting a little, why?
00:50:01Well, I was knitting a little, why?
00:50:02Well, I was knitting a little, why?
00:50:03Well, I was knitting a little, why?
00:50:04Well, I was knitting a little, why?
00:50:05Well, I was knitting a little, why?
00:50:06Well, I was knitting a little, why?
00:50:07Well, I was knitting a little, why?
00:50:08Well, I was knitting a little, why?
00:50:09Well, I was knitting a little, why?
00:50:10Well, I was knitting a little, why?
00:50:11Well, I was knitting a little, why?
00:50:12Well, I was knitting a little, why?
00:50:13Well, I was knitting a little, why?
00:50:14Well, I was knitting a little, why?
00:50:15Why?
00:50:16Well, I was knitting a little, why?
00:50:17Well, I was knitting a little, why?
00:50:18Well, I was knitting a little, why?
00:50:19Well, I was knitting a little, why?
00:50:20Well, I was knitting a little, why?
00:50:21Well, I was knitting a little, why?
00:50:22Well, I was knitting a little, why?
00:50:23Well, I was knitting a little, why?
00:50:24Well, I was knitting a little, why?
00:50:25Well, I was knitting a little, why?
00:50:26Well, I was knitting a little, why?
00:50:27Well, I was knitting a little, why?
00:50:28Well, I was knitting a little, why?
00:50:29Well, I was knitting a little, why?
00:50:30Well, I was knitting a little, why?
00:50:31Well, I was knitting a little, why?
00:50:32Well, I was knitting a little, why?
00:50:33Well, I was knitting a little, why?
00:50:34Well, I was knitting a little, why?
00:51:03Well, I was knitting a little, why?
00:51:32Well, I was knitting a little, why?
00:52:00Well, I was knitting a little, why?
00:52:29Well, I was knitting a little, why?
00:52:30Well, I was knitting a little, why?
00:52:31Well, I was knitting a little, why?
00:52:32Well, I was knitting a little, why?
00:52:33Well, I was knitting a little, why?
00:52:34Well, I was knitting a little, why?
00:52:35Well, I was knitting a little, why?
00:52:36Well, I was knitting a little, why?
00:52:37Well, I was knitting a little, why?
00:52:38Well, I was knitting a little, why?
00:52:39Well, I was knitting a little, why?
00:52:40Well, I was knitting a little, why?
00:52:41Well, I was knitting a little, why?
00:52:42Well, I was knitting a little, why?
00:52:43Well, I was knitting a little, why?
00:52:44Well, I was knitting a little, why?
00:52:45Well, I was knitting a little, why?
00:52:46Well, I was knitting a little, why?
00:52:47Well, I was knitting a little, why?
00:52:48Well, I was knitting a little, why?
00:52:49Well, I was knitting a little, why?
00:52:50Well, I was knitting a little, why?
00:52:51Well, I was knitting a little, why?
00:52:52Well, I was knitting a little, why?
00:52:53Well, I was knitting a little, why?
00:52:54Well, I was knitting a little, why?
00:52:55Well, I was knitting a little, why?
00:52:56Well, I was knitting a little, why?
00:52:57Well, I was knitting a little, why?
00:52:58Well, I was knitting a little, why?
00:52:59Well, I was knitting a little, why?
00:53:00Well, I was knitting a little, why?
00:53:01Well, I was knitting a little, why?
00:53:02Well, I was knitting a little, why?
00:53:03Well, I was knitting a little, why?
00:53:04Well, I was knitting a little, why?
00:53:05Well, I was knitting a little, why?
00:53:06Well, I was knitting a little, why?
00:53:07Well, I was knitting a little, why?
00:53:08Well, I was knitting a little, why?
00:53:09Well, I was knitting a little, why?
00:53:10Well, I was knitting a little, why?
00:53:11Well, I was knitting a little, why?
00:53:12Well, I was knitting a little, why?
00:53:13Well, I was knitting a little, why?
00:53:14Well, I was knitting a little, why?
00:53:15Well, I was knitting a little, why?
00:53:16Well, I was knitting a little, why?
00:53:17Well, I was knitting a little, why?
00:53:18Well, I was knitting a little, why?
00:53:19Well, I was knitting a little, why?
00:53:20Well, I was knitting a little, why?
00:53:21Well, I was knitting a little, why?
00:53:22Well, I was knitting a little, why?
00:53:23Well, I was knitting a little, why?
00:53:24Well, I was knitting a little, why?
00:53:25Well, I was knitting a little, why?
00:53:26Well, I was knitting a little, why?
00:53:27Well, I was knitting a little, why?
00:53:28Well, I was knitting a little, why?
00:53:29Well, I was knitting a little, why?
00:53:30Well, I was knitting a little, why?
00:53:31Well, I was knitting a little, why?
00:53:32Well, I was knitting a little, why?
00:53:33Well, I was knitting a little, why?
00:53:34Well, I was knitting a little, why?
00:53:35Well, I was knitting a little, why?
00:53:36Well, I was knitting a little, why?
00:53:37Well, I was knitting a little, why?
00:53:38Well, I was knitting a little, why?
00:53:39Well, I was knitting a little, why?
00:53:40Well, I was knitting a little, why?
00:53:41Well, I was knitting a little, why?
00:53:42Well, I was knitting a little, why?
00:53:43Well, I was knitting a little, why?
00:53:44Well, I was knitting a little, why?
00:53:45Well, I was knitting a little, why?
00:53:46Well, I was knitting a little, why?
00:53:47Well, I was knitting a little, why?
00:53:48Well, I was knitting a little, why?
00:53:49Well, I was knitting a little, why?
00:53:50Well, I was knitting a little, why?
00:53:51Well, I was knitting a little, why?
00:53:52Well, I was knitting a little, why?
00:53:53Well, I was knitting a little, why?
00:53:54Well, I was knitting a little, why?
00:53:55Well, I was knitting a little, why?
00:53:56Well, I was knitting a little, why?
00:53:57Well, I was knitting a little, why?
00:53:58Well, I was knitting a little, why?
00:53:59Well, I was knitting a little, why?
00:54:19Well, I was knitting a little, why?
00:54:48Well, I was knitting a little, why?
00:55:16Well, I was knitting a little, why?
00:55:44Well, I was knitting a little, why?
00:56:13Well, I was knitting a little, why?
00:56:14Well, I was knitting a little, why?
00:56:15Well, I was knitting a little, why?
00:56:16Well, I was knitting a little, why?
00:56:17Well, I was knitting a little, why?
00:56:18Well, I was knitting a little, why?
00:56:19Well, I was knitting a little, why?
00:56:20Well, I was knitting a little, why?
00:56:21Well, I was knitting a little, why?
00:56:22Well, I was knitting a little, why?
00:56:23Well, I was knitting a little, why?
00:56:24Well, I was knitting a little, why?
00:56:25Well, I was knitting a little, why?
00:56:26Well, I was knitting a little, why?
00:56:27Well, I was knitting a little, why?
00:56:28Well, I was knitting a little, why?
00:56:29Well, I was knitting a little, why?
00:56:30Well, I was knitting a little, why?
00:56:31Well, I was knitting a little, why?
00:56:32Well, I was knitting a little, why?
00:56:33Well, I was knitting a little, why?
00:56:34Well, I was knitting a little, why?
00:56:35Well, I was knitting a little, why?
00:56:36Well, I was knitting a little, why?
00:56:37Well, I was knitting a little, why?
00:56:38Well, I was knitting a little, why?
00:56:39Well, I was knitting a little, why?
00:56:40Well, I was knitting a little, why?
00:56:41Well, I was knitting a little, why?
00:56:42Well, I was knitting a little, why?
00:56:43Well, I was knitting a little, why?
00:56:44Well, I was knitting a little, why?
00:56:45Well, I was knitting a little, why?
00:56:46Well, I was knitting a little, why?
00:56:47Well, I was knitting a little, why?
00:56:48Well, I was knitting a little, why?
00:56:49Well, I was knitting a little, why?
00:56:50Well, I was knitting a little, why?
00:56:51Well, I was knitting a little, why?
00:56:52Well, I was knitting a little, why?
00:56:53Well, I was knitting a little, why?
00:56:54Well, I was knitting a little, why?
00:56:55Well, I was knitting a little, why?
00:56:56Well, I was knitting a little, why?
00:56:57Well, I was knitting a little, why?
00:56:58Well, I was knitting a little, why?
00:56:59Well, I was knitting a little, why?
00:57:00Well, I was knitting a little, why?
00:57:01Well, I was knitting a little, why?
00:57:02Well, I was knitting a little, why?
00:57:03Well, I was knitting a little, why?
00:57:04Well, I was knitting a little, why?
00:57:05Well, I was knitting a little, why?
00:57:06Well, I was knitting a little, why?
00:57:07Well, I was knitting a little, why?
00:57:08Well, I was knitting a little, why?
00:57:09Well, I was knitting a little, why?
00:57:10Well, I was knitting a little, why?
00:57:11Well, I was knitting a little, why?
00:57:12Well, I was knitting a little, why?
00:57:13Well, I was knitting a little, why?
00:57:14Well, I was knitting a little, why?
00:57:15Well, I was knitting a little, why?
00:57:16Well, I was knitting a little, why?
00:57:17Well, I was knitting a little, why?
00:57:18Well, I was knitting a little, why?
00:57:19Well, I was knitting a little, why?
00:57:20Well, I was knitting a little, why?
00:57:21Well, I was knitting a little, why?
00:57:22Well, I was knitting a little, why?
00:57:23Well, I was knitting a little, why?
00:57:24Well, I was knitting a little, why?
00:57:26Well, I was knitting a little, why?
00:57:27Well, I was knitting a little, why?
00:57:28Well, I was knitting a little, why?
00:57:29Well, I was knitting a little, why?
00:57:30Well, I was knitting a little, why?
00:57:31Well, I was knitting a little, why?
00:57:32Well, I was knitting a little, why?
00:57:33Well, I was knitting a little, why?
00:57:34Well, I was knitting a little, why?
00:57:35Well, I was knitting a little, why?
00:57:36Well, I was knitting a little, why?
00:57:37Well, I was knitting a little, why?
00:57:38Well, I was knitting a little, why?
00:57:39Well, I was knitting a little, why?
00:57:40Well, I was knitting a little, why?
00:57:41Well, I was knitting a little, why?
00:57:42Well, I was knitting a little, why?
00:57:43Well, I was knitting a little, why?
00:57:44Well, I was knitting a little, why?
00:57:45Well, I was knitting a little, why?
00:57:46Well, I was knitting a little, why?
00:57:47Well, I was knitting a little, why?
00:57:48Well, I was knitting a little, why?
00:57:49Well, I was knitting a little, why?
00:57:50Well, I was knitting a little, why?
00:57:51Well, I was knitting a little, why?
00:57:52Well, I was knitting a little, why?
00:57:53Well, I was knitting a little, why?
00:57:54Well, I was knitting a little, why?
00:57:55Well, I was knitting a little, why?
00:57:56Well, I was knitting a little, why?
00:57:57Well, I was knitting a little, why?
00:57:58Well, I was knitting a little, why?
00:57:59Well, I was knitting a little, why?
00:58:00Well, I was knitting a little, why?
00:58:01Well, I was knitting a little, why?
00:58:02Well, I was knitting a little, why?
00:58:24Well, I was knitting a little, why?
00:58:33Well, I was knitting a little, why?
00:58:44Well, I was knitting a little, why?
00:58:53Well, I was knitting a little, why?
00:59:00Well, I was knitting a little, why?
00:59:07Well, I was knitting a little, why?
00:59:17Well, I was knitting a little, why?
00:59:27Well, I was knitting a little, why?
00:59:35Well, I was knitting a little, why?
00:59:42Well, I was knitting a little, why?
00:59:49Well, I was knitting a little, why?
00:59:56Well, I was knitting a little, why?
01:00:03You've gone a bit overboard, haven't you?
01:00:05I'd really like to.
01:00:07Unfortunately, Giovanna can't come because she has to teach Franco a lesson.
01:00:10Yeah, Franco's lesson.
01:00:12I'll tell you all about it later.
01:00:14Miss Giovanna, if before the lesson you want to take advantage of the guest's stay,
01:00:17you can take a little break.
01:00:19Let's go then, after we've eaten, we need a little rest.
01:00:21Let's go!
01:00:24Excuse me.
01:00:26Damn!
01:00:27What did he say?
01:00:29I was saying that after a chat like this,
01:00:32four steps don't hurt anyone, right?
01:00:35Eh?
01:00:36Eh?
01:00:38Let's go.
01:00:39Ouch!
01:00:42What if he doesn't sleep with this?
01:00:48It's better this way.
01:00:51Now I'll move the olives.
01:00:53I'll leave them to my father before going under the ceiling.
01:00:55And they're all my property.
01:00:57Do you think that all I need is an apartment with three rooms,
01:01:00a terrace and a box, if there is one.
01:01:02Excuse me, but my husband isn't addressing Mr. Franco.
01:01:04Yes, Mrs. Amalia, but you see, if you could put in a good word for him,
01:01:07your husband can, I know it.
01:01:09Spondilio, be calm.
01:01:10A word from Mrs. Amalia.
01:01:12After eating, you can't, because the bucatino is pressing, it sinks.
01:01:15You can't, you can't.
01:01:17Who came up with this idea?
01:01:18The women.
01:01:19You'll kill them.
01:01:21What?
01:01:22No, he understood well this time.
01:01:27Let's go.
01:01:46And what if they ate?
01:01:47Here it doesn't end anymore.
01:01:54And 14 you broke,
01:01:56what the hell were you doing?
01:01:57I was slipping.
01:02:25Here it is.
01:02:55No.
01:03:18Franco.
01:03:20Franco.
01:03:21Yes.
01:03:25No, no, leave me alone, leave me alone, are you crazy?
01:03:47No, no, no, leave me alone, leave me alone, leave me alone, leave me alone, are you crazy?
01:03:59Give me the key, Oscar.
01:04:02Give me the key.
01:04:05Give me the key!
01:04:06It's unloaded.
01:04:16They rang the bell.
01:04:18Don't you hear? They rang the bell.
01:04:19Yes, yes.
01:04:20I'm going to run.
01:04:26Miss, by any chance, did you call?
01:04:28Yes.
01:04:29Bring me a strong coffee.
01:04:30Yes, yes. I'll bring it right away.
01:04:49And they said it was a jewel.
01:04:52What the hell.
01:04:53He sold it to me.
01:04:54What a mess.
01:04:56What a mess.
01:04:58What a mess.
01:04:59What a mess.
01:05:00Did you put petrol in it?
01:05:01Of course I did.
01:05:02Two liters.
01:05:03When?
01:05:04I don't remember.
01:05:05Ah.
01:05:10And what is this story that you don't want to teach anymore, boy?
01:05:13I'm tired.
01:05:14But how can we give up 7,000 lire per hour?
01:05:17Right now that Miss Mottola has assured me that they will give us the apartment.
01:05:20Think what a blow Giovanna.
01:05:23But I'm tired.
01:05:25Tired.
01:05:26Tired, do you understand?
01:05:27And make one last effort.
01:05:28Give me a push.
01:05:29Come on.
01:05:30Come on, Giovanna.
01:05:31Come on.
01:05:32Come on.
01:05:33It's good for the body.
01:05:34Here.
01:05:35A good breath first.
01:05:37Wait at the body shop.
01:05:54Good morning.
01:05:55Sound for tea or would you like a glass of champagne?
01:05:58No, thank you.
01:05:59I would like to see the tasks.
01:06:13And according to you, this would be a version?
01:06:17You got all the verbs wrong.
01:06:19Treat an author like this as you kill him.
01:06:25But why are you doing this?
01:06:32How much does it cost to kill him?
01:06:35But what do you say?
01:06:37I said, how much does it cost for you to kill him?
01:06:40The night shirt for the honeymoon.
01:06:42Or the half-sweat for the washing machine.
01:06:45Either you are there or I kill you and I don't study it.
01:06:50But don't be ashamed.
01:06:51You are a disgusting being.
01:06:54But let's go.
01:06:55Don't pull it up.
01:06:56I understood it so much.
01:06:58His fiancé will never know it.
01:07:00And then, even if it were, I don't think it's the kind of ...
01:07:04I won't even allow you to name him.
01:07:06He's happy anyway.
01:07:08As long as dad ...
01:07:09He will be satisfied.
01:07:10As long as you provide him with an apartment and he will be ready for everything.
01:07:14What are you doing?
01:07:15Are you crazy?
01:07:17I'll call mom.
01:07:19Call whoever you want.
01:07:21Scoundrel!
01:07:22Mom!
01:07:23Scoundrel!
01:07:32Gogol mogol, gogol mogol.
01:07:37God, so much smoke.
01:07:39What unhealthy air.
01:07:41Let's ventilate.
01:07:46The sun is the best doctor.
01:07:48Frankino, why don't you go out?
01:07:51Go for a walk.
01:07:53Go to the art gallery, to the museum.
01:07:56Signorina Giovanna called anyway and said she couldn't come today.
01:08:00Listen, Frankino, you never go out with your girlfriends.
01:08:03No.
01:08:04But there are so many good girls.
01:08:07From a good family.
01:08:09Your mother would be so happy.
01:08:11Why don't you try?
01:08:13Because they are all fools.
01:08:15Because I can't stand them.
01:08:17Because I hate all the women in the world.
01:08:19All of them?
01:08:20Yes, all of them.
01:08:21And you too.
01:08:22And now leave me alone.
01:08:24Listen, before you get angry, eat gogol mogol.
01:08:30I need to call the ministry.
01:08:34Did you put the sugar?
01:08:36Why?
01:08:37The sugar is locked on the key.
01:08:39Locked on the key?
01:08:40Yes, signor.
01:08:41That's the order.
01:08:42Well, of course, the sugar can run away if you don't lock it on the key.
01:08:46It will run away, go for a walk, go to the cinema.
01:08:49Go and steal the key.
01:08:51The signor will be angry with me.
01:08:53Okay, okay, it's better to drink coffee without sugar.
01:08:56Well, did you achieve your goal?
01:08:58Your son kicked me out of the room.
01:09:00You are to blame for everything.
01:09:01You are to blame for everything because the sons take over everything from the father.
01:09:05You are incommunicable, you are a devil.
01:09:08What should I do?
01:09:10I have things to do.
01:09:11Listen, Fefe, your son is in a terrible state.
01:09:16Fefe, what's the matter?
01:09:18Your son is sick.
01:09:20What's wrong with him?
01:09:21He hates all women.
01:09:25My God.
01:09:28Breathe deeper.
01:09:30More, more.
01:09:33More.
01:09:36More.
01:09:41Good, good.
01:09:43With the lungs, everything is fine.
01:09:45Signorina, please, let's check the reflexes.
01:09:52Sit down a little.
01:09:55So.
01:09:57Legs like this.
01:10:05So, with this, too, everything is fine.
01:10:08Well, Mr. Deputy.
01:10:11Your son is healthy.
01:10:13Healthy, yes, absolutely normal.
01:10:15And what, did you doubt?
01:10:16No, the fact is that my wife made up all sorts of nonsense.
01:10:20I don't understand why.
01:10:22I'm always busy, so I didn't have the opportunity to be with my son, to do his business.
01:10:30It's bad, you know, the father should always be with his son.
01:10:34Yes, yes, he should accompany him, be with him in all his adventures, you know, show him the right way.
01:10:42In short, Mr. Deputy, you should take him to the whores.
01:10:46And if he doesn't find a soul, he'll just explode.
01:10:53Hello, Signorina, sit down, please.
01:10:57What did I tell you? This restaurant is a pretty spicy place.
01:11:02Have you seen these two girls?
01:11:04What girls?
01:11:05Well, these two girls, look, look.
01:11:08Look at these wonderful girls, Frankino.
01:11:12Hello.
01:11:16You know, do you like it?
01:11:21Of course, at school you're not used to it.
01:11:24All these young girls.
01:11:27You know, when I was your age, I went to school.
01:11:30You can't even imagine how hard it was for me.
01:11:33I did everything to get some kind of touch, hug.
01:11:39Now it's much better for you.
01:11:41The girls are much more open-minded.
01:11:43Open-minded? What are you talking about, Dad?
01:11:45Maybe they're open-minded, but they're all stupid, stupid, feminists.
01:11:49Yes, some feminists.
01:11:52Interesting.
01:11:54I think these are just whores, not feminists.
01:11:57That's why I decided to surprise you.
01:12:00Surprise, yes.
01:12:06Listen, Frankino, just don't say anything, don't say anything to your mother, okay?
01:12:11You and I will have a good time.
01:12:17Hello, I read your ad in the newspaper.
01:12:20Yes, please come in.
01:12:25This is the room.
01:12:29This is the living room, right?
01:12:33And these are private apartments, right?
01:12:36Okay, maybe I'll wait here, and you...
01:12:40Well, you'll take care of it.
01:12:44Let's go.
01:12:53The Honorable Mottola in the meeting house with his son.
01:12:57Mamma mia, if only they knew about this.
01:13:00What a scandal.
01:13:03Excuse me, could you leave? I need a sofa.
01:13:07Well, of course.
01:13:09Okay, I'm going.
01:13:14The Honorable Mottola in the meeting house with his son.
01:13:24Mamma mia, what a mess.
01:13:32Let's do something fast, or I'll be late for the train.
01:13:45Do you need a toilet?
01:13:48Yes, yes, sorry.
01:13:53Well, you haven't made a choice yet?
01:13:56No, you see, I...
01:13:58Oh, I forgot.
01:14:00Your son left right away.
01:14:02He said, tell daddy I'll wait for him downstairs.
01:14:04Okay, you owe me 30,000, but we didn't do anything.
01:14:07Anyway.
01:14:09What do you mean?
01:14:11What do you mean?
01:14:13He left and didn't do anything.
01:14:15I don't like these whores.
01:14:17I wonder...
01:14:19I threw 30,000 lire in the wind.
01:14:21I'm sorry, I told you, but you didn't even give me a chance to answer.
01:14:26I wonder...
01:14:28Stay there.
01:14:30I wanted to help you, Franchino.
01:14:32I went there for you, for me.
01:14:34Whores are for your generation.
01:14:37I want to conquer a woman.
01:14:40What do you mean?
01:14:42I see.
01:14:44I think I understand.
01:14:47There's a girl you like.
01:14:50Yes, of course.
01:14:52There's a woman you think she would...
01:14:56Yes, of course.
01:14:58She just doesn't want to.
01:15:00What do you mean?
01:15:02No, she doesn't want to.
01:15:04Who is she?
01:15:06A teacher.
01:15:08A teacher.
01:15:10Damn whores!
01:15:13Listen, it's impossible.
01:15:15Aha, so it's impossible.
01:15:17No, it's impossible.
01:15:19Listen, either...
01:15:21I'll get something out of Giovanna, and I'll kill her.
01:15:24No, Mr. Deputy, don't even ask for that.
01:15:27If you want to become a school inspector, you have to do it.
01:15:33No, Mr. Deputy, it's blackmail.
01:15:35Yes, it's blackmail because I want to get out of this situation.
01:15:38My son must find peace.
01:15:40What does my son have to do with it?
01:15:42You brought the girl into our house, so you have to solve this situation.
01:15:45But I'm practically unfamiliar with this girl.
01:15:47What am I supposed to talk to her about?
01:15:49It's absurd.
01:15:51I'm sorry, Mr. Deputy, but it's absurd.
01:15:53Absurd.
01:15:55What's interesting is that one of my students fell in love with your daughter-in-law.
01:16:01So you couldn't arrange everything.
01:16:03Why don't you go to the monastery yourself and knock on the door and talk to her?
01:16:09But I'm her father.
01:16:11But a father can achieve more than a school principal.
01:16:14In some cases.
01:16:17No, no, you're beautiful, just beautiful.
01:16:20Your features are flawless.
01:16:22You have a Greek face.
01:16:25But you know, your amazing forms...
01:16:28Praise Jesus Christ.
01:16:30You know, they inspire not only Platonic feelings.
01:16:34No?
01:16:35No.
01:16:36If you allow me to be modest, your perfect forms can also cause quite sinful incitements.
01:16:45I know.
01:16:46You know?
01:16:47Well, then my task becomes easier.
01:16:50No, you see, Senorina Giovanna, I'm a monolithic person.
01:16:55I'm made of one piece.
01:16:57If I decided, I decided.
01:16:59But for you, I'm ready to go to any sacrifice.
01:17:02You came here to make me such unworthy offers.
01:17:05You misunderstood me.
01:17:07I thought it was not about you at all.
01:17:09I'm not talking about myself.
01:17:10I'm talking about my son.
01:17:12Franco?
01:17:13Yes, yes.
01:17:14My son Franco is in love with you.
01:17:17I don't care.
01:17:19I won't teach him.
01:17:21I beg you, Senorina, don't refuse.
01:17:24You are a modern girl.
01:17:26He just wanted to get married.
01:17:28No, no, much less.
01:17:30He is a child.
01:17:31He just wanted to do something from time to time.
01:17:35What to do?
01:17:38Something.
01:17:40You are just a pig.
01:17:42How can you ask me such offers in such a place?
01:17:45But you are a modern girl.
01:17:47What do you want?
01:17:48But this is just a boy.
01:17:50You have to satisfy him.
01:17:52That's how.
01:17:53Senora, I'm going to look for crabs.
01:17:56Go, go.
01:17:57How nice it is to be here in the open air.
01:18:00The lungs are expanding.
01:18:02And my heart is squeezing.
01:18:04How can I think that we left Franco alone in the house?
01:18:08Amalia, I don't understand.
01:18:10Franco must be alone with his teacher.
01:18:14Nothing should distract him.
01:18:17What do you mean?
01:18:19She didn't want to deal with him anymore.
01:18:22I don't know.
01:18:23Maybe she changed her mind.
01:18:25Well, it's good for us to be here together.
01:18:28Why?
01:18:29It's so beautiful here.
01:18:31Such a wonderful sun.
01:18:33What does beauty have to do with it?
01:18:36We are finally next to each other.
01:18:39Amalia, are you feeling bad?
01:18:41No, I'm fine.
01:18:42You don't understand anything, Fefe.
01:18:45Look how good you are.
01:18:47You are free.
01:18:48You are not at work.
01:18:49Amalia, what are you doing?
01:18:51Senora, I didn't find the crabs.
01:18:54God have mercy!
01:19:01Franco?
01:19:09Franco?
01:19:21Franco?
01:19:28Franco?
01:19:30What have you done?
01:19:32What have you done to us?
01:19:34Oh, God!
01:19:36Oh, God!
01:19:38Let's hope it's not too late.
01:19:40God, am I late?
01:19:42Franco!
01:19:44My poor boy!
01:19:46It's all my fault!
01:19:48It's all my fault!
01:19:51It's all my fault!
01:19:58I have to get out of here.
01:20:00God, he needs to take a deep breath.
01:20:12Tomato juice.
01:20:18Liar!
01:20:21Son of a bitch!
01:20:23Liar!
01:20:25Son of a bitch!
01:20:27Don't shout!
01:20:32Let me go!
01:20:36No!
01:20:50No!
01:21:16They are still studying.
01:21:18They are still studying Greek idioms.
01:21:20It's better to leave them alone.
01:21:22We came back too early.
01:21:24Yes, yes.
01:21:26No, it's impossible.
01:21:28I can't wait tonight.
01:21:30Tell Giovanni.
01:21:31Okay, I'll call a taxi.
01:21:33God, it's impossible to walk.
01:21:35It's impossible to walk.
01:21:37Of course, it's much better to take a taxi.
01:21:43We'll see.
01:21:48Let's start from the beginning.
01:21:50So, hold on.
01:21:53Repeat after me.
01:22:18I'm sorry.
01:22:24However,
01:22:29Mr. Deputy,
01:22:32since these are your last days,
01:22:34I thought maybe
01:22:36it would be possible
01:22:38to spend more time studying
01:22:40and to spend half an hour more
01:22:42every evening.
01:22:44But if Miss Giovanni is ready...
01:22:46Giovanni is ready to study
01:22:48all night long.
01:22:52Great.
01:22:54Only the Greek exam...
01:22:57Only the Greek exam
01:22:59should be repeated.
01:23:03It's good.
01:23:05You see, the teacher did her job.
01:23:07Yes, she did her job.
01:23:13So,
01:23:15the second year failed.
01:23:17That's what I think.
01:23:19And Franco...
01:23:21And Franco...
01:23:23You see,
01:23:25if he passes the Greek exam in October,
01:23:27he will continue to study without us.
01:23:29Can you imagine?
01:23:31All the best.
01:23:33Thank you, Mr. Deputy.
01:23:37Oh, by the way,
01:23:41listen,
01:23:43Mr. Deputy,
01:23:45did you give him an A4 in Greek?
01:23:47I asked him,
01:23:49he answered me,
01:23:51I gave him an A4,
01:23:53I gave him as much as he deserved.
01:23:55Is that right?
01:23:57I see.
01:23:59Tell me,
01:24:01did you present your personal file
01:24:03to the position of a permanent teacher
01:24:05in the state?
01:24:07Did you submit everything?
01:24:09The questionnaire,
01:24:11the blood test,
01:24:13did you submit it?
01:24:15No, you see,
01:24:17not everything is in order in Korea.
01:24:19You were born to take a temporary position.
01:24:21You will always replace someone.
01:24:23For life.
01:24:25Go.
01:24:29Professor,
01:24:31you forgot the umbrella.
01:24:33Listen to me,
01:24:35let's write a good song,
01:24:37make a lot of money,
01:24:39we will become millionaires.
01:24:41I have all the music in my head.
01:24:43Listen.
01:24:45We will become millionaires
01:24:47and go back to the North.
01:24:49Yes, maybe you are right.
01:24:51Bye, Deputy.
01:25:03Hello, hello.
01:25:09Dear Putilio,
01:25:11a free room is prepared for you.
01:25:13Wonderful, Don Amalia,
01:25:15wonderful.
01:25:17This is a real paradise.
01:25:19Where is my son?
01:25:21He went to study.
01:25:23Call him here immediately.
01:25:25Let him come down.
01:25:27Sorry, Giovanna,
01:25:29why don't you go after him yourself?
01:25:31Today the teacher should follow the student
01:25:33literally.
01:25:35It's true.
01:25:37She is a beautiful girl,
01:25:39an excellent teacher.
01:25:41Yes,
01:25:43this creature is ready
01:25:45for everything for the sake of his beloved.
01:25:47Let's hope,
01:25:49let's hope that our boy
01:25:51will cope with this.
01:25:53Franco!
01:25:55Giovanna!
01:26:01Franco!
01:26:07Giovanna!
01:26:11Giovanna!
01:26:19Ouch!
01:26:21You failed the Greek exam on purpose.
01:26:23You were ready.
01:26:25You did it on purpose.
01:26:27Yes.
01:26:29Why?
01:26:31Why?
01:26:33Because I love you.
01:26:37Because I love you.
01:26:43My dear!
01:27:07Guys,
01:27:09where are you?
01:27:11Are you practicing?
01:27:13Don't forget about the physical exercises.
01:27:19Do squats from time to time.
01:27:23One, two, one, two.
01:27:27The most important thing is not to win,
01:27:29but to participate.
01:27:31Well,
01:27:33if he says so.
01:28:01One,
01:28:03two,
01:28:05one, two.
01:28:31Music
01:28:33Music
01:28:35Music
01:28:37Music
01:28:39Music
01:28:41Music
01:28:43Music
01:28:45Music
01:28:47Music
01:28:49Music
01:28:51Music