SERÁ QUE ISSO É AMOR CAPÍTULO 24 COMPLETO #sraisoamr
NOVELA SERÁ QUE ISSO É AMOR
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Clique no link deixe sua mensagem e Ajude-nos a manter o canal cheio de conteúdo incrível! Qualquer valor é bem vindo.
PIX: https://livepix.gg/mary24
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TVTranscript
00:001, 2, 3, 4.
00:14I'm not mature enough to learn from my mistakes.
00:18I was forced to live this lie. I'm not in love with you.
00:22But there's a light in your eyes, the beating of my heart.
00:27It doesn't fit in me, what is this movement?
00:33Turn your face to the sky, look at the star of a love.
00:37But...
00:40It will shine, it will fade, I know.
00:46Everything happens, everything ends.
00:50A star slips through the sky.
00:54Everything happens, everything ends.
00:58Loneliness always holds mirrors.
01:04Is that it, love?
01:09You're back early.
01:11From what I see, no one wants me to go back to my office.
01:14Of course, Sercan.
01:18Are you going to your office?
01:20No, I'm going to get a project document.
01:24Good luck.
01:25Thank you, Piriu.
01:29Ida, Mr. Sercan is back.
01:31What?
01:32He's back early.
01:33What are we going to do?
01:34Hide back there, I'll distract him.
01:37Okay.
01:38Go on, hide.
01:41Mr. Sercan!
01:43You're back so soon.
01:45Do you need anything?
01:46Did something happen?
01:47I came to get a project that I need, Leila.
01:49Of course, why didn't you ask me before?
01:51You know it's just asking.
01:53Did you forget that I'm your assistant, Mr. Sercan?
01:55Why bother with these things?
01:57This job is the reason for my existence.
01:59Okay, Leila, just give me the document.
02:01Mr. Sercan...
02:04I saw that your shirt is all dirty.
02:07I think you should change your clothes.
02:09You can go.
02:10I'll keep an eye out here.
02:11You can't control my clothes.
02:12Get away from me, Mr. Sercan.
02:14It was just a comment.
02:15Leila, can you do your job?
02:17Yes, of course.
02:27Leila, can you get the document?
02:29Can you get the document?
02:35Mr. Sercan, where are you going?
02:37You'd better not go up there.
02:38Why don't you look at the file down here?
02:40It's so much nicer.
02:42I want you to get out of my way, Leila.
02:44Now that you've noticed, I'm going to have to change my shirt.
02:47Leila!
02:49Mr. Sercan...
02:50Put the document in my room.
02:51Okay.
02:56Hi, Mr. Sercan, how are you?
02:58Can you take a look at the models?
03:00I had everything ready.
03:01I was just waiting for you to come back.
03:03Yes, I can.
03:07If you approve...
03:09Let me see.
03:11We made the changes according to what you asked for.
03:14Okay, but it wasn't this color that I asked for.
03:17But anyway...
03:29There's nothing for the client.
03:31Okay, thank you, Mr. Sercan.
03:43Strange.
03:59Where is he?
04:11Where is he?
04:15But where did he go? I don't see him.
04:19That way? That way?
04:28I don't know.
04:58I don't know.
05:09Ada?
05:12What is this?
05:15My bathroom closet?
05:19Why is it here?
05:21Why wouldn't you be here?
05:23I'm leaving.
05:29Ada?
05:35Ada, can I wait?
05:43Can we talk for a minute?
05:59Hi, good morning.
06:02Mr. Safe, good morning.
06:04You can call me Safe.
06:06Okay, Safe, come here.
06:08I'm sorry, I'm not interrupting your work, am I?
06:11No, but we're having a visitor today.
06:13I'm getting things ready.
06:15Then I'll help you, okay?
06:19What are you doing here?
06:21It's my day off.
06:23And I had nothing to do.
06:25So I came here.
06:27How wonderful.
06:29I was bored, too.
06:31Would you like some tea?
06:33Sure, where there's a kitchen, I'll make it for you.
06:35No, leave it to me.
06:37Enjoy your day off.
06:39Okay, then.
06:44Sit down, please.
06:46I don't have to.
06:48I don't want to be in the same place as you for too long.
06:51Okay, listen.
06:53I know that our conversation yesterday
06:56may have gotten out of hand.
06:58Got out of hand?
07:00I've never been so humiliated in all my life.
07:03How could you think that I bought your project
07:06and sold it for nothing just to hurt you, Sercan?
07:09Then, please, explain to me.
07:12Tell me, how did this project end up in the hands of other people?
07:16Wait, what kind of man are you?
07:18You're not a man.
07:20Wait, what kind of man are you?
07:22Did you call me here to say that?
07:24To say that I stole you and sold you to someone else?
07:27Eda, I just want a logical explanation.
07:30Not everything has a logical explanation.
07:32There's no logic to it, much less an answer.
07:34If I could choose who I love...
07:38Who I love?
07:40Forget it, I have more to do.
07:51I want you to finish your sentence.
07:56Let me go, please.
08:03Eda, I want to believe in you.
08:07Okay, but for that I need...
08:09You want proof, right?
08:11You want me to prove to you that it wasn't me, is that it?
08:14Don't worry, I'll find it.
08:16And I'll destroy the evidence.
08:19In your face, and get out of here.
08:32If we follow the rules of the institution, we won't have any problems.
08:36Exactly.
08:39Eda?
08:42Think of something I don't like. Look at this.
08:44I don't like this.
08:46It's sad, isn't it?
08:48It's really sad.
08:50It's sad that we confuse personal life with business.
08:54This office is out of control.
08:58Ryo...
09:01Do you have a personal life?
09:03No, Enjin.
09:05My life is just work.
09:07So for you, it's impossible to tell.
09:09Because you don't know what it's like to love someone.
09:12Oh, you think so?
09:13Is that what you think of me?
09:15I think so.
09:17That's why you mix things up sometimes, Ryo.
09:22In this balance between reason and emotion, it's hard to contain the foolishness of the heart.
09:27It looks like someone broke your heart, doesn't it?
09:30It looks like it's really hurt.
09:33If you only knew...
09:35I'm not your confidant, Enjin.
09:38Whoever broke your heart, fix it.
09:42I'll fix it.
09:52He fixed it?
09:53Kan doesn't answer my calls.
09:55He's bluffing.
09:56I don't think he called the reporter.
09:58What are you going to do now?
10:00I don't know. I'll see.
10:14I know you have information about my client's private life.
10:17You just have to tell me the source of this information.
10:21Otherwise, it could end up hurting you.
10:26If I tell you who I was,
10:28you guarantee that it won't end up being left to me?
10:31I guarantee it.
10:32I guarantee we'll protect you.
10:34You don't have to go to court.
10:36The person who passed me...
10:38Good morning.
10:40Jiran?
10:41Good morning.
10:43We're in a meeting that, in this case, is private.
10:48But this case is of my interest.
10:50And I want to hear it from your mouth, miss, okay?
10:53I was talking about the details of the trial with the lawyer
10:56to better understand what's going on.
11:04The person who...
11:05I'm sure we can solve this without going to court, okay?
11:09I'm public relations.
11:11And I can give you special news.
11:14That can help you.
11:15I'll show you what I'm talking about, okay?
11:20Excuse me.
11:22Hello?
11:23Don't tell her.
11:24Tell her you found it in the trash.
11:26We'll pay you as much as you want.
11:28Yes.
11:29I'll send the e-mail in an hour.
11:31Don't worry.
11:34Of course.
11:35Thank you very much.
11:36Good morning.
11:39Thank you very much.
11:40I'm sorry.
11:41I had to answer the phone.
11:43Where did we stop?
11:48So, the person who told me...
11:52Actually, I...
11:58It wasn't anyone.
12:03Actually, I found it in the trash.
12:06So, you found it in the trash.
12:11Fatima.
12:13I can't imagine a woman like you...
12:16looking for news in the trash.
12:18The people who gave you this information...
12:21are very evil people.
12:23These people are making things up.
12:25They gave you information that's not true.
12:28They're lying.
12:30So, I'll ask you again.
12:32Are you sure?
12:39Yes.
12:41I'm sure.
12:42I found it in the trash.
12:44And why did you tell me earlier...
12:46that you were going to tell me your source of information...
12:48and made me come all the way here?
12:51Look, besides that...
12:53I noticed that you're different now...
12:55compared to a few minutes ago.
12:57What happened?
12:58No.
13:00Nothing's really happening.
13:03I found it.
13:06Okay, it was you.
13:09I understand.
13:10Okay.
13:13In that case, I'll see you in court.
13:15Good luck.
13:23Look, we're going to do what we have to do.
13:26Look, we're going to do what we have to do.
13:28Listen to me.
13:31You're very good at this.
13:34Good for Aidan.
13:35I just hope she knows how lucky she is.
13:38The human being never values what he has, Mrs. Ifer.
13:40That's true.
13:42Ifer.
13:43Are you sure Aida lives with you?
13:45I've been here since morning and she hasn't arrived yet.
13:47Look, I don't know anymore.
13:49But I know she's not coming today.
13:51She's going to stay in Adira.
13:52Why didn't you tell me before?
13:54I don't know.
13:55When I saw her, I was already involved, helping you.
13:57I...
13:58I think I'm going to have to come back tomorrow.
14:03Mr. Serkan hurt her.
14:05Did you know?
14:06Aida left there in tears.
14:10I like Mr. Serkan a lot.
14:11But this time he hesitated.
14:14I don't even like to think about it.
14:18Wow, you're an amazing person.
14:20You too.
14:24You said you were going to help me and you already did everything.
14:27It's not possible.
14:28Of course not.
14:29I did everything.
14:30You just ruined this potato here.
14:33That's how I relax, you know?
14:35It's a good way.
14:37Teach me.
14:38I want to relax too.
14:41Why didn't you knock on the door?
14:42What are you doing here?
14:43I've been out there for over three hours.
14:45I was waiting for Fifi.
14:46Why didn't she come?
14:47Do you happen to know where my Fifi is?
14:50First, calm down.
14:52Get out, get some fresh air.
14:54And this kitchen is too small for all of us.
14:57I'm leaving.
15:01He's obsessed with Fifi.
15:03He's gone crazy.
15:04Poor thing.
15:06Why is this project late?
15:08How is it late?
15:09How many days has it been?
15:11Look, I don't want to see you painted gold in front of me.
15:15Until this project is ready, you understand?
15:17Understood, Mr. Serkan.
15:19Then go.
15:23I'm sorry.
15:29Are you coming back?
15:31I still have some documents to sign.
15:33I'm waiting for Andy to bring them and then I'll go.
15:36That's all.
15:38Nothing else.
15:40I'm sorry.
15:52Hey, Eiffel, what's up?
15:53I see you're with a team now.
15:55You don't even tell me.
15:56What are you doing here?
15:58I was kicked out of the house I live in.
16:02I mean, where I used to live, I don't live anymore, but anyway.
16:05It was a question, I didn't ask you for a report.
16:08You were kicked out of the house?
16:10Yeah, these things happen, but it's not much, really.
16:13This thing of living between four walls doesn't work for a soul like mine, you know?
16:18It's just that my lifestyle is much more intense and wilder.
16:22There's a nice square nearby for you to sleep.
16:25No way.
16:26How are you going to sleep on the street?
16:28Imagine, we live in a big house and you can sleep in a room.
16:33Huh?
16:35If you want to, until you find a place, you can stay.
16:38Really?
16:39I can stay here in your house?
16:41Really?
16:42I wasn't even expecting that.
16:43You can stay.
16:46I must be crazy how happy I am.
16:48Fifi's going to make coffee for us.
16:52I can do it too, and then we turn it around.
16:55One day I do it, the other day you do it, you know?
16:57What do you think?
16:58Fifi.
17:00Leave it there, I'm going.
17:04Heifer, what are you doing to me?
17:06What could I do?
17:07But he's crazy.
17:08Worse than I know.
17:14I have good news.
17:16Please, it's all I need today.
17:19I talked to the journalist who leaked the contract to the press.
17:22She just admitted that she got it in the trash and Duran will sue her.
17:26Great, let's not give up.
17:28I want the worst possible punishment for her.
17:30Okay.
17:32Let's continue with Duran, she's Aida's friend.
17:36We'll go.
17:38Okay?
17:39Okay.
17:40Since I'm here, we should take a look at tomorrow's presentation.
17:44It was so tense that I don't want anything to go wrong.
17:46I agree, I'm free now.
17:48We can start whenever you want.
17:50I'll get some coffee and I'll see you.
17:51Okay.
17:56It's all right.
18:04The number you have dialed is not in service.
18:07Oh my God, answer this phone.
18:10Sophie, where are you?
18:13Look, everything is going wrong here at home and I'm terrible.
18:17Please, honey, call me when you hear this message.
18:27These two.
18:28All right, I'm writing it down.
18:32Hi.
18:33Alptekin, where are you?
18:34I'm working, Aida.
18:35Alptekin, look, I'm not well at all.
18:38Safe left early today.
18:40Serkan is obsessed with that girl and you only know how to work.
18:44What do you want me to do, Aida?
18:46It's my job.
18:47Safe will be back soon.
18:49No, he won't.
18:50Do you believe he took a break that he didn't take at all?
18:54He's mad at me because of Aida.
18:56And I'm feeling very lonely.
18:58I understand, Aida, but my day is very full today.
19:01Okay, I'll try to get home early.
19:04Leave it there, Alptekin, leave it.
19:06Stay there at your job and pretend I didn't tell you anything, okay?
19:10Stay, it's all great.
19:18Cancel all my commitments.
19:20I'm going to get a job.
19:22Yes, Mr. Alptekin.
19:39Good morning, Aida.
19:41The weather here is tense, isn't it?
19:44Relax, Celine, we've already decided.
19:47Oh, I think it's good.
19:49Because the stress is not good for anyone here.
19:52I hope you know why Serkan did what he did.
19:55There were many...
19:56What do you mean?
19:58What perspective are you talking about, Celine?
20:03Aida, Serkan is a partner of one of the largest companies in the country.
20:08In addition to being a renowned architect.
20:11He always goes to the magazines as the single man of the year.
20:14I'm the public relations of the Serkan brand.
20:17You are so romantic.
20:19I realized why you left.
20:22Be careful with what you say.
20:24We are facing a serious problem with one of our biggest clients because of you.
20:29Now I understand everything.
20:32This is your opportunity to attack me with this, right?
20:35But don't worry, Celine.
20:37I didn't give anything to anyone.
20:39And soon everyone will know the truth.
20:42That's right.
20:44You like?
20:46Yes.
21:07Are you all right?
21:08I'm fine.
21:10Are you sure?
21:14Of course I have, Selene. Why don't you stop asking me that?
21:19Serkan, I've known you since we were kids.
21:23I know how much it affected you, everything that happened to Aida.
21:26I also know you won't tell me.
21:29But know that I'll be on your side if you allow me.
21:32You know you just have to call me.
21:36Hold on, I'll be right back.
21:56Aida?
21:59Aida, can you wait?
22:02Aida, where are you going?
22:04I'm going home.
22:06Really?
22:08So before you go, finish your job.
22:11What job, Serkan? And for whom?
22:14Look, it doesn't matter what happens.
22:17First you finish, and then you leave.
22:20They call it responsibility.
22:22When the documents are ready, I'll sign them.
22:27But what about the hotel project?
22:30You're the landscape architect of the project.
22:32Are you going to abandon the people who trusted you?
22:34The people who trusted me?
22:36You're not including yourself, are you?
22:38Do you think I'm going to talk about landscaping and working with you after everything that happened?
22:42After everything you told me?
22:44I'll tell you again.
22:45Who's responsible?
22:46First you finish your job, and then you leave.
22:49Do I have to draw for you to understand?
22:51I don't think so, because you don't know what that is.
22:53Don't worry, I'm not going to give up everything, Serkan Bolat.
22:55I'm going to make a detailed report, with everything explained.
22:58And I'm going to tell you everything, okay?
23:01You don't just work for me.
23:03We're a team.
23:04Everyone's counting on you.
23:06Put it in your head.
23:07I have nothing to say to you.
23:08Just don't forget that we have a contract.
23:10What do you mean?
23:11That we have to talk about whether we're going to continue the contract or not?
23:16Oh, do we really have to talk?
23:18Then I'll make things easier, Majesty.
23:21You should have thought about it yesterday,
23:23when you insulted me, humiliated me, and fired me in front of everyone.
23:27There's no going back after that, Serkan Bolat.
23:29I don't want to see you again.
23:31And you know what?
23:32That's exactly how it's going to be.
23:59What a beautiful table.
24:02Did you make it just for you, or did you make it for me too?
24:05Where did you come from?
24:06Wasn't your schedule full?
24:08If you want, I'll leave.
24:10No, I was surprised.
24:12I wasn't expecting you.
24:14Did you...
24:16leave your job to come here?
24:19I'm glad to know that I can still surprise you.
24:25What's that?
24:27Is that an eye patch?
24:29Yes.
24:31Why is it on the table?
24:35For me to try.
24:38Try how?
24:41Maybe it's best if I try it now that you're with me.
24:45And...
24:47could you help me?
24:51Accept it.
24:56The first time, she helped me.
24:58Anyway, I'll let you know when I'm ready.
25:00All right.
25:02Look, I...
25:04Alptekin, I want to talk to you about something.
25:07It's Serkan.
25:08What about Serkan?
25:10Serkan gave his new project to Sevda.
25:13And the project was taken by someone else, and he accused the girl.
25:17I understand that the girl is kind of irresponsible,
25:19but she doesn't do the kind of thing that would sell the project to someone else.
25:23I don't know the girl that well, but I don't think she would do something like that.
25:26But what hurts me the most is to see how angry Serkan is.
25:30He doesn't even trust his fiancée.
25:33When is he going to change?
25:36You know what, Aida?
25:38I'm to blame for all of this.
25:40Don't say that.
25:41I've always been super protective.
25:43I've made a lot of mistakes.
25:45And then he became this person who doesn't trust anyone.
25:49Alptekin,
25:50we both did what we thought would be best for him.
26:20I love you.
26:50I love you.
27:04Did you play again, my son?
27:20I love you.
27:30You can sell these documents, I'll bring the others, okay?
27:39Hi, Fifi, what happened?
27:41Aida, I got the recordings of the day we went to the factory.
27:44Really? How did you get permission for that?
27:46My daughter, a magician never reveals his tricks.
27:49Look, no one came to us and no documents fell.
27:52It's unbelievable, Fifi. I don't even know how to thank you.
27:55I'm not done yet. What do you want first, the good news or the bad news?
27:58I didn't hear anything good today.
28:00The good news first.
28:01You know the factory, it's closed.
28:04Oh, I'm glad to hear that.
28:06These thugs deserve to pay for what they did.
28:08Is that the good news?
28:09I talked to the driver who worked there.
28:11He said the manager met with the man.
28:13And then they took his project.
28:16A man?
28:17At least we know it's not a woman.
28:19It's a black man.
28:21He was tall and had a beard.
28:24Who could it be?
28:25I need concrete evidence to throw in Serkan's face.
28:29Well, I'll find it.
28:31But I think it has to be someone from the company.
28:33Isn't there anyone who looks like that around here?
28:35Someone who looks good would be Serkan.
28:39But he's not black.
28:40Except Serkan?
28:42No.
28:43Oh, oh, oh.
28:44Serkan again?
28:45I'm going to hang up.
28:46I have a lot to do.
28:48You're the best friend in the world.
28:50You took the day off just to see this for me?
28:52Sweetie, being a friend of Ada is not easy.
28:55Kisses, I love you.
28:56Kisses, babe.
29:09Celine, I already talked to the factory.
29:11The first model is ready.
29:13Now we just need the patent.
29:15I can't believe we solved this problem.
29:18Thank you, Celine.
29:19You can count on me.
29:21See you later.
29:22Bye.
29:23Ada, these are the last documents you need to sign.
29:28Just sign here and here.
29:32All right, it's all right.
29:35Is that it?
29:36Uh-huh.
29:38Oh, what a relief.
29:40Thank you, Dean.
29:46Ada, where's the report?
29:48Well, if there's nothing else, I'll do it at home.
29:52I don't want to stay here another second.
30:11What's up?
30:15Did you like the room?
30:16You can't come into someone's room like that, can you?
30:20What happened to the landlady?
30:25What?
30:26It's a long story, so you'd better sit down.
30:29Summary.
30:30All right.
30:31We didn't come to an agreement with the rent.
30:33So?
30:37All right, all right, wait.
30:38All right, I'll tell you.
30:40When I'm at home, it's all right.
30:42But when I have a problem, I impose myself.
30:45I have some keys to the house.
30:47But every month I see a guy charge me money.
30:51The name of this is rent.
30:52But it's something I think is ridiculous, you know?
30:55It doesn't match my philosophy of life.
30:58What a weird philosophy of life, right?
31:01Very convenient.
31:02Fifi, I haven't finished telling you yet.
31:06I'm going to have tea.
31:07If you want, you come with me.
31:13This woman is sweet and hard on the down.
31:16But she'll notice me.
31:18Oh, yes.
31:29Ferit.
31:30Oh, what a surprise.
31:31Celine finally arrived.
31:37What is it, Ferit?
31:38Where were you?
31:42Working with Serkan.
31:44And your job here is just a facade or what?
31:47You're more there than here, Celine.
31:49I just solved the problem you caused.
31:51And the journalist?
31:53I've already solved it.
31:54Do you realize that I only know this now
31:56because you didn't have the ability to call me?
31:59I'm sorry, Ferit.
32:00Sorry.
32:01I don't want to hear sorry, Celine.
32:03I'm tired of it.
32:04I already told you.
32:05If you think you'll be happier with Serkan, then...
32:07I already told you to stop imagining things.
32:10Serkan is not the right person for me.
32:12But of course not.
32:13He's a rude, inflexible,
32:15stubborn, egocentric man.
32:17Rationally, you don't want to be with him.
32:19But what does your heart feel, Celine, tell me?
32:23Why don't you trust me, Ferit?
32:26As long as you don't trust me, it's going to be very difficult.
32:28Trust is not something that is given.
32:30It's something that is built, Celine.
32:31If you can't stay away from Serkan,
32:33at least admit it to yourself.
32:35Because for me, it doesn't stick anymore.
32:37Watch what you say.
32:39Problem with the patent,
32:40problem with the contract,
32:41business routine.
32:43What did you want?
32:44All in one day.
32:45I hope it's wrong, Celine.
32:47I hope it's very wrong
32:49and that it's all in my head.
32:51But...
32:52Ferit!
32:53I'm not going home today, okay?
32:55I'm going to stay in a hotel
32:56and think about everything that's going on.
33:01Ferit...
33:14Thank you, Serdar.
33:21Call Eda.
33:23Call Celine.
33:25Calling Celine.
33:35Hello?
33:36Hello, Celine.
33:38I need to know something.
33:40Are the files from the airport in Ashgabat ready?
33:43I was going to finish today,
33:45but other things came up.
33:46I haven't been able to review them yet.
33:48It's all going to be ready by tomorrow.
33:50Oh, I don't think so.
33:51I was going to ask you something.
33:53If you agree,
33:54I can stay at the office today to finish
33:56and let you know as soon as it's ready.
33:58So why don't we work at my house?
34:00That way we can finish faster.
34:03Celine?
34:04It's just...
34:05It's better for me to work at the office.
34:08You know how to find it better.
34:10Okay.
34:12You know how to find it better.
34:14Okay.
34:32You're awesome.
34:33Are you feeling better, girl?
34:36Much better.
34:38I'm making such an impeccable report on landscaping
34:41that Serkan will regret not working with me.
34:43Please.
34:44He's not with you and you don't work for him.
34:47It's true.
34:48And I don't want to hear from him
34:50after I get rid of these accusations.
34:52Until Fifi finds the necessary evidence,
34:54there's no way to prove it to him.
34:56What a pain.
34:57I really wanted the journalist to confess.
35:00I would have solved it.
35:01But she didn't say anything.
35:03She said she found it in the trash, right?
35:05What a weirdo. I don't get it.
35:07You know what was the weirdest part?
35:09My meeting with this woman.
35:11She was going to tell me who it was
35:13and she gave up in the last second.
35:15After Selene got to the table,
35:16she completely changed her behavior.
35:19Wait a minute. Selene was there?
35:21She said she was interested in public relations
35:23and she sat at the table with us.
35:25Perio must have told her.
35:26She pushed me to the journalists
35:27because of public relations.
35:29But look how curious.
35:31After Selene got there,
35:32she gave her cell phone to Fatima
35:34to supposedly show her something
35:36that I couldn't see.
35:38And it was after that
35:39that the woman changed completely.
35:42Wow, Jero.
35:44Do you think Selene is involved in all this?
35:47From the leak to the press?
35:49I have no doubt.
35:50But I can't prove it.
35:51But do you really think so?
35:53Do you think Selene would do this
35:55with her own partner,
35:56ex-boyfriend and childhood friend?
36:01Oh, leave Selene alone.
36:03Do you know what I'm going to do?
36:05I'm going to give the report to Serkan tonight
36:07and I'm not going to wait until tomorrow.
36:09Why?
36:11For him to see how fast I did it.
36:13I don't want him to think
36:14I spent the night doing this, you know?
36:17You don't have to prove anything to this man.
36:20Or are you making up an excuse to see him?
36:23And why would I do that, Jero?
36:24You don't have any ulterior motives.
36:25Stop being silly.
36:26It was just... just an idea.
36:28But okay, I'm not going.
36:29I'm not going anymore.
36:33I'm not going.
36:42Eiffel, this is Khan Karadaghi.
36:44Nice to meet you.
36:45Nice to meet you, too.
36:46But what is this?
36:48The table is very beautiful.
36:49You have a good taste.
36:51I made a menu that is appropriate
36:53to Melot's diet.
36:55Speaking of which,
36:56I brought you 80% chocolate.
37:00Thank you very much.
37:05Be quiet.
37:06Come here.
37:07For the love of God.
37:09What are you doing?
37:10Don't say anything.
37:11Okay.
37:12Now I'm going to find out
37:13what Melot is hiding from me.
37:15Who is this?
37:18Khan Karadaghi!
37:20What's your problem?
37:21I told you to be quiet, damn it.
37:23All right?
37:27What is she doing here?
37:28I have no idea.
37:29Why did you call her?
37:30Why would I call her?
37:33Hi.
37:34Nice to meet you.
37:38What are you doing here?
37:39Eiffel, is there anything
37:40you want to tell me?
37:42I have nothing to do with this.
37:43I can see that you don't.
37:45I speak on behalf of Serkan Bolat.
37:48What are you doing here?
37:51Khan is my guest, Eden.
37:54Get out.
37:55You should never have invited this guy.
37:58Eden.
38:00What happened between him and Serkan Bolat
38:02is none of our business, isn't it?
38:04It's decided.
38:05Here at home, everyone is welcome.
38:07Even because he's Serkan's enemy
38:09and consequently he's our friend.
38:12Fifi.
38:13Why don't you have dinner with us?
38:17So I'm going to get more dishes in there.
38:20Thank you, honey.
38:22Loud?
38:23Why?
38:24Not much.
38:25Handsome?
38:26A little.
38:27Rich?
38:28Like this.
38:29Khan Karadagi?
38:30I'll tell you later.
38:31Leave me alone.
38:36What would you like to drink?
38:39A few days ago,
38:40Melo offered me a lemonade.
38:42If you have any, I'll take it.
38:45You can leave it.
38:46After I drank Eiffel's lemonade,
38:48I started calling the others fake lemons.
38:50After hers, there's nothing left.
38:53Yours.
38:55Thank you very much.
38:56Enjoy your meal.
38:57Thank you, honey.
38:59Enjoy your meal.
39:01It's ready.
39:09Thank you very much.
39:11Enjoy your meal, everyone.
39:13Let's eat, guys.
39:14Serve yourself.
39:17Enjoy your meal.
39:18You too.
39:23Enjoy your meal.
39:54When are you going to stop working?
39:56We have to wake up early tomorrow, Aida.
39:58Just a few more things.
40:00I'll print them out.
40:01It won't be long.
40:02I promise.
40:03If you want to go to bed, I'm on my way.
40:05So, are you going to sleep?
40:06Remember, we have to have breakfast together.
40:10Promise me.
40:11I promise.
40:12I promise.
40:13I promise.
40:14I promise.
40:15I promise.
40:16I promise.
40:17I promise.
40:18I promise.
40:19I promise.
40:20I promise.
40:21I promise.
40:22Promise me you won't be impulsive and go see him.
40:25Promise?
40:26Okay, okay.
40:27I promise.
40:28I'm going to bed.
40:29Go rest.
40:30I love you.
40:31I love you.
40:53Go to sleep.
41:14Hello?
41:15I just wanted to let you know I'm going home tonight.
41:18I'm leaving, Ferit. I've decided to disappear for a while. I'll be home late.
41:23Are you alone?
41:25With Biru.
41:27Excellent. Your voice is strange.
41:30I'm fine. We'll talk later.
41:41Can you pass me the salt?
41:42Of course.
41:43It won't do. I'll use the salt.
41:49Let it go.
41:50But what are you doing?
41:55I don't like him.
42:07It's not possible.
42:09Do you want more lemonade? I'll get it.
42:12Can you pass it to me? Excuse me.
42:15I'll put a little more for you.
42:21I think I spilled a little, but it was nothing. Do you want me to serve you?
42:26I want it too.
42:29Do you want anything else?
42:39Ready.
42:40Good evening.
42:42Good evening.
42:44If I had known, I would have brought more comfortable shoes.
42:47I was just relaxing a little.
43:15I'm not mature enough to take lessons from my mistakes
43:23This is a lie, a necessity, or I'm not fit for you
43:30But a light in your eyes, the throbbing of my heart
43:35It doesn't fit in me, what is this movement?
43:41Turn your face to the sky, look at the star of a love
43:49It will shine, it will go out, I know
43:55Everything happens, everything ends